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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CHINA ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; HONG KONG ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991) ; HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; XICH LO (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; RACIAL STEREOTYPES IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
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The fright of real tears : Krzysztof Kieslowski between theory and post-theory / Slavoj Zizek London: BFI Publishing, 2001.
Call No: 81KIE ZIZAuthor: Zizek, Slavoj Place: LondonPublisher: BFI PublishingPubDate: 2001PhysDes: ix,213 p. : ill. ; 24 cmSubject: KIESLOWSKI, KRZYSZTOF Notes: Includes index; Includes indexISBN: 0851707548; 0851707548(pbk.) : ¦13.99; 0851707556(cased) : ¦40.00; 0851707556 (cased) ¦40.00LON: 22636418
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Imagining reality : the Faber book of the documentary / [edited by] Kevin Macdonald and Mark Cousins London: Faber and Faber, 1996.
Call No: 761 MACAuthor: Macdonald, Kevin, 1967- ; Cousins, Mark Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: xii, 400 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; JEWS IN FILMS ; CINEMA VERITE ; CINEMA-DIRECT ; GENOCIDE IN FILMS ; NEWSREELS ; PROPAGANDA FILMS ; SOCIAL PROBLEMS IN FILMS ; WAR IN FILMS ; VERTOV, DZIGA ; ROUCH, JEAN ; IMAMURA, SHOHEI ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; Grierson, John ; HUSTON, JOHN ; ANDERSON, LINDSAY ; BUNUEL, LUIS ; ALVAREZ, SANTIAGO ; ANTONIO, EMILE DE ; BALAZS, BELA ; BLUE, JAMES ; BROOMFIELD, NICK ; CAVALCANTI, ALBERTO ; COLINA, JOSE DE LA ; COOPER, MERIAN C. ; DIETRICH, MARLENE ; FLAHERTY, ROBERT ; IVENS, JORIS ; IWASAKI, AKIRA ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; KAUL, MANI ; LANZMANN, CLAUDE ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; MORRIS, ERROL ; RIEFENSTAHL, LENI ; SCHELL, MAXIMILIAN ; SHUB, ESTHER ; TSUCHIMOTO, NORIAKI ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919) ; INDE FANTOME, L' (FR, Louis Malle, 1968) ; LET THERE BE LIGHT (US, John Huston, 1946) ; MARLENE (GW, Maximilian Schell, 1984) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936) ; REGEN (NE, Joris Ivens, 1929) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; CRUMB (US, Terry Zwigoff, 1994) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987) ; VERITES ET MENSONGES (FR/IR, Orson Welles, 1975[prod.1973]) ; FIRST LOVE (US, Joan Darling, 1977) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; HOOP DREAMS (US, Steve James, 1994) ; LAS HURDES (SP, Luis Bunuel, 1932) Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield.
The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITENotes: Includes bibliographical references and index; Faber book of the documentaryISBN: 0571177239LON: 13068333Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning QuestionID2: 47
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International film guide. 1981 / edited by Peter Cowie ; associate editor Derek Elley London: Tantivy Press, 1980.
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personality microfilm collection
KIESLOWSKI, KRZYSZTOF
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KIESLOWSKI, KRZYSZTOF
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Movies as politics / Jonathan Rosenbaum Berkeley, Calif.: University of California Press, 1997.
Call No: 45:32 ROSAuthor: Rosenbaum, Jonathan Place: Berkeley, Calif.Publisher: University of California PressPubDate: 1997PhysDes: xi, 359 p. ; 24 cmSubject: POLITICS AND THE CINEMA ; POLITICAL FILMS ; RACIAL PROBLEMS IN FILMS ; WELLES, ORSON ; KIESLOWSKI, KRZYSZTOF ; BUNUEL, LUIS ; BRESSON, ROBERT ; TATI, JACQUES ; RAY, NICHOLAS ; ZWIGOFF, TERRY ; ENDFIELD, CY ; HOU, HSIAO-HSIEN ; CARAX, LEOS ; AKERMAN, CHANTAL ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BITTER MOON (FR/UK, Roman Polanski, 1992) ; NOIRE DE..., LA (SG, Ousmane Sembene, 1965) ; BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991) ; CRUMB (US, Terry Zwigoff, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991) ; OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]) ; PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]) ; PUPPET MASTER, THE (US, David Schmoeller, 1989) ; REDS (US, Warren Beatty, 1981) ; SAFE (US, Todd Haynes, 1995) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SOLARIS (UR, Andrei Tarkovsky, 1972) Notes: Includes bibliographical references and indexISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)Order Received: 1997LON: 96009916; 12700123
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Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012.
Call No: 634 MUSAuthor: Wierzbicki, James (ed.) Source: US/UKPlace: New York : LondonPublisher: RoutledgePubDate: 2012PhysDes: xv, 210 p. : ill. ; 23 cmSeries: Routledge music and screen media seriesSubject: DIRECTORS ; FILM ; FILM WORKERS ; LYNCH, DAVID ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; PRODUCERS ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING ; ANDERSON, WES ; BERGMAN, INGMAR ; COEN, JOEL & ETHAN ; GREENAWAY, PETER ; KIESLOWSKI, KRZYSZTOF ; KUBRICK, STANLEY ; SELZNICK, DAVID O. ; TARANTINO, QUENTIN ; TARKOVSKY, ANDREI ; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780415898942Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; DEUS E O DIABO NA TERRA DO SOL (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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Projections 6 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1996.
Call No: 802 PRO v.6Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: 346 p. : ill., ports. ; 24 cmSubject: DICILLO, TOM ; KIESLOWSKI, KRZYSZTOF ; HAWKS, HOWARD ; VERTOV, DZIGA ; BOORMAN, JOHN ; FIGGIS, MIKE ; BENDER, LAWRENCE ; COPPOLA, ELEANOR ; DONEN, STANLEY ; IMAMURA, SHOHEI ; TOWNE, ROBERT ; COEN, JOEL & ETHAN ; MURCH, WALTER ; DAVIES, TERENCE ; MARTIN, STEVE ; MACKINNON, GILLIES ; BROWN, KARL ; YOUNG, FREDDIE ; KELBER, MICHEL ; STORARO, VITTORIO ; EDWARDS, ERIC ALAN ; CECCHI D'AMICO, SUSO ; KIDS (US, Larry Clark, 1995) ; BOX OF MOONLIGHT (US, Tom DiCillo, 1996) ISBN: 0571178537(pbk)LON: abn96395771; 12885714
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Thinking through cinema : film as philosophy / edited by Murray Smith and Thomas E. Wartenberg Malden, MA: Blackwell Publishing, 2006.
Call No: 630 THIAuthor: Smith, Murray ; Wartenberg, Thomas E Source: USPlace: Malden, MAPublisher: Blackwell PublishingPubDate: 2006PhysDes: 222 p. : ill. ; 26 cmSubject: PHILOSOPHY AND THE CINEMA ; HITCHCOCK, ALFRED ; KIESLOWSKI, KRZYSZTOF ; LEE, SPIKE ; CAVELL, STANLEY ; BREILLAT, CATHERINE ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; MISSION IMPOSSIBLE (US, Brian De Palma, 1996) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; SERENE VELOCITY (US, Ernie Gehr, 1970) ; WITTGENSTEIN TRACTATUS (HU, Peter Foracs, 1992) Notes: "Published for The American Society for Aesthetics by Blackwell Publishing Inc."--P. [v]
"Originally published as the Journal of Aesthetics and Art Criticism, vol. 64:1 (Winter 2006)"--Pref.
Includes bibliographical references (p. [217]-219) and indexISBN: 9781405154116ISSN: 00218529Donation: Donated by Senses Of Cinema, 2009Contents: Preface -- Introduction: Murray Smith and Thomas E. Wartenberg -- I. The Very Idea of Film as Philosophy -- Theses on cinema as philosophy: Paisely Livingston -- Beyond mere illustration: how films can be philosophy: Thomas E. Wartenberg -- Film art, argument, and ambiguity --
2. Popular American Film: Entertainment and Enlightenment -- Hitchcock and Cavell: Richard Allen -- The paradox of the unknown lover: a reading of letter from an unknown woman: Lester H. Hunt -- Spike Lee and the sympathetic racist: Dan Flory -- Transparency and twist in narrative fiction film: George Wilson -- The impersonation of personality: film as philosophy in Mission: Impossible: Stephan Mulhall -- On being philosophical and Being John Malkovich: Daniel Shaw --Eternal Sunshine of the Spotless Mind and the morality of memory: Chrisotopher Grau -- 3. Continental Philosophy, Continental Film -- Sarte, the philosophy of nothingness, and the modern melodrama: Andras Balint Kovacs -- Cinema and subjectivity in Krzysztof Kieslowski: Paul C. Santilli -- Is sex comedy or tragedy? Directing desire and female auteurship in the cinema of Catherine Breillat: Katherine Ince -- 4. Film As "Theory": The Avant-Garde -- Apperception on Display: Structural films and philosophy: Jinhee Choi -- Philosophizing through the moving image: the case of Serene Velocity: Noel Carroll -- The substance of cinema: Trevor Ponech -- The world is rewound: Peter Forgacs's Wittgenstein Tractus: Whitney Davis
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