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Call No: 802 AIT
Author: Aitken, Doug
Source: US
Place: New York
Publisher: Distributed Art Publishers
PubDate: 2006
PhysDes: 302 p. : col. ill. ; 25 cm
Subject: AITKEN, DOUG; AHTILA, EIJA-LIISA; ALTMAN, ROBERT; ANGER, KENNETH; BALDESSARI, JOHN; BARNEY, MATHEW; BURDEN, CHRIS; CONNER, BRUCE; DENIS, CLAIRE; DOUGLAS, STAN; ELIASSON, OLAFUR; FERRO, PABLO; FIGGIS, MIKE; HERZOG, WERNER; HILL, GARY; HOLLER, CARSTEN; HUYGHE, PIERRE; JODOROWSKY, ALEXANDRO; KOOLHAAS, REM; LYNN, GREG; NICOLAI, CARSTEN; PRINCE, RICHARD; RIST, PIPILOTTI; RONDINONE, UGO; RUSCHA, ED; VOGEL, AMOS; WILSON, ROBERT; OBRIST, HANS ULRICH
Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.
ISBN: 1933045264

Call No: 756 CIN
Source: UK/USA
Place: Bristol, UK ; Chicago, USA
Publisher: Intellect
PubDate: 2010
PhysDes: 315 p. ; 23 cm
Subject: CINEMATOGRAPHY; LOCATION SHOOTING; LANDSCAPES IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA; HERZOG, WERNER; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment.
Notes: includes filmography; includes index
ISBN: 9781841503097
Contents: 1. Introduction - cinema and landscape -- Part I: The invention of the cinematic landscape : 2. Landscape and the fantasy of moving pictures: early cinema's phantom rides / Tom Gunning -- Part II: Mapping cinematic landscapes : 3. 'One foot in the air?' Landscape in the Soviet and Russian road movie / Emma Widdis -- 4. Landscape of the mind: the indifferent Earth in Werner Herzog's films / Brad Prager -- 5. Visions of Italy: the sublime, the postmodern and the apocalyptic / William Hope -- 6. Landscape in Spanish cinema / Marvin D'Lugo -- 7. Landscape and Irish cinema / Martin McLoone -- 8. The ownership of woods and water: landscapes in British cinema 1930-1960 / Sue Harper -- 9. Filming the (post-)colonial landscape: Claire Denis' Chocolat (1988) and Beau travail (1998) / Susan Hayward. 10. Landscaping the revolution: the political and social geography of Cuba reflected in its cinema / Bob Britton -- 11. Landscapes of meaning in cinema: two Indian examples / Wimal Dissanayake -- 12. The geography of cinema - Zimbabwe / Martin Mhando -- 13. Crises, Economy and landscape: the modern film face of new China / Kate Taylor -- 14. Japanese cinema and landscape / Paul Spicer -- 15. A version of beauty and terror: Australian cinematic landscapes / Graham Harper -- 16. Battlefields of vision: New Zealand filmscapes / Jonathan Rayner -- 17. The landscapes of Canada's features: articulating nation and nature / Jim Leach -- 18 Science fiction/fantasy films, fairy tales and control: landscape stereotypes on a wilderness to ultra-urban continuum / Christina Kennedy, Tia´nna and Me´lisa Kennedy

Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 81HER AUS
CorpAuthor: Australian Film Institute
Source: AT
Place: Melbourne, Vic.
PubDate: 1983
PhysDes: 36 p. ; 28 cm
Subject: FILMMAKING; AUTHORSHIP; LOCATION SHOOTING; PRODUCTION; CRITICISM, TV.; HERZOG, WERNER; ISLAND (AT, Paul Cox, 1989); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); KASPAR HAUSER (GE, Peter Sehr, 1993)
Summary: Transcript of a discussion with Werner herzog at the AFI Longford Cinema, Melbourne.
Language: English

Call No: 62 WUR
Author: Derrida, Jacques; Stiegler, Bernard; Bajorek, Jennifer
Source: UK
Place: Cambridge, UK
Publisher: Polity Press
PubDate: [2002]
PhysDes: viii, 174 pages : illustrations ; 24 cm
Subject: ADORNO, THEODOR W.; DERRIDA, JACQUES; FOUCAULT, MICHEL; FASSBENDER, MICHAEL; FASSBINDER, RAINER WERNER; HERZOG, WERNER; HITCHCOCK, ALFRED
Summary: "In this new book, Jacques Derrida talks with Bernard Stiegler about the effect of teletechnologies on our philosophical and political moment. Improvising before a camera, the two philosophers are confronted by the very technologies they discuss and so are forced to address all the more directly the urgent questions that they raise. What does it mean to speak of the present in a situation of "live" recording? How can we respond, responsibly, to a question when we know that the so-called "natural" conditions of expression, discussion, reflection, and deliberation have been breached?" "As Derrida and Stiegler discuss the role of teletechnologies in modern society, the political implications of Derrida's thought become apparent. Drawing on recent events in Europe, Derrida and Stiegler explore the impact of television and the internet on our understanding of the state, its borders and citizenship. Their discussion examines the relationship between the juridical and the technical, and it shows how new technologies for manipulating and transmitting images have influenced our notions of democracy, history and the body. The book opens with a shorter interview with Derrida on the news media, and closes with a provocative essay by Stiegler on the epistemology of digital photography." "In Echographies of Television, Derrida and Stiegler open up questions that are of key social and political importance. Their book will be of great interest to all those already familiar with Derrida's work, as well as to students and scholars of philosophy, literature, sociology and media studies."--BOOK JACKET.
Notes: Includes bibliographical references. - Translation from the French.
ISBN: 074562037X
Contents: Artifactualities / Jacques Derrida -- Echographies of Television / Jacques Derrida and Bernard Stiegler -- 1. Right of Inspection -- 2. Artifactuality, Homohegemony -- 3. Acts of Memory: Topolitics and Teletechnology -- 4. Inheritances - and Rhythm -- 5. The "Cultural Exception": The States of the State, the Event -- 6. The Archive Market: Truth, Testimony, Evidence -- 7. Phonographies: Meaning - from Heritage to Horizon -- 8. Spectrographies -- 9. Vigilances of the Unconscious -- The Discrete Image / Bernard Stiegler.

Call No: 81HER AME
Author: Ames, Eric
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: c2012
PhysDes: x,334 pages : illustrations ; 23 cm
Series: Visible evidence ; 27
Subject: CRITICISM; DOCUMENTARIES; DOCUMENTARY FILMS; HERZOG, WERNER; GRIZZLY MAN (CN/US, Werner Herzog, 2005)
Summary: Over the course of his career Werner Herzog has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker delcared: "There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization." Ferocious Reality is the first book to ask how this conviction , so hostile to the traditional tenets of documentary, can inform the work of one of the world's most provocative documentarians. In close, contextualized analysis of more than twenty-five films spanning Herzog's career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. His book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner Herzog's extraordinary oeuvre." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780816677641
Contents: -- acknowledgments -- the Minnesota declaration -- Introduction: Werner Herzog, documentary outsider : Werner Herzog eats his shoe -- Sensational bodies. Game in the sand ; Handicapped future ; Land of silence and darkness ; Wodaabe -- Moving landscapes. The dark glow of the mountains ; Fata Morgana ; La Soufriere ; Lessons of darkness ; Wheel of time -- Ecstatic journeys. Huie's sermon ; Bells from the deep ; Pilgrimage -- Baroque visions. The great ectasy of Woodcarver Steiner ; Death for five voices ; God and the burdened -- Cultural politics. Fitzcarraldo ; Ballad of the little soldier ; Ten thousand years older ; The white diamond -- Reenactments. Little Dieter needs to fly ; Wings of hope ; Rescue dawn -- Autobiographical acts. I am my films ; Portrait Werner Herzog ; My best fiend ; Grizzly man -- Conclusion: Herzog's ve´rite´ -- Encounters at the end of the world ; Cave of forgotten dreams --

Call No: 802.25 CIM
Author: Ciment, Michel
Source: US
Place: New York
Publisher: Berg
PubDate: 2009
PhysDes: viii, 372 p. ; 25 cm
Series: Talking images series
Subject: BERTOLUCCI, BERNARDO; BOORMAN, JOHN; BRESSON, ROBERT; CAMPION, JANE; CASSAVETES, JOHN; CRONENBERG, DAVID; EGOYAN, ATOM; FELLINI, FEDERICO; GODARD, JEAN-LUC; GREENAWAY, PETER; HERZOG, WERNER; HOU HSIAO-HSIEN; WONG KAR WAI; KAURISMAKI, AKI; KIAROSTAMI, ABBAS; KIESLOWSKI, KRZYSZTOF; KITANO TAKESHI; IM KWON-TAEK; LEIGH, MIKE; DE OLIVEIRA, MANOEL; RAY, SATYAJIT; SCORSESE, MARTIN; TARKOVSKY, ANDREI; VON TRIER, LARS; ZHANG YIMOU
Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back cover
Notes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes index
ISBN: 9781845204577
Language: English, translated from the French
Contents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.
ID2: 291

Call No: 81HER FIL
Author: Corrigan, Timothy, 1951
Place: New York
Publisher: Methuen
PubDate: 1986
PhysDes: 232 p. : ill. ; 24 cm
Subject: HERZOG, WERNER
Notes: Includes index; Filmography: p. [209]-220; Bibliography: p. [221]-226
ISBN: 041641060X; 0416410707 (pbk.)
LON: 86012430; 4680214

Call No: 738(71) MAC
Author: MacDonald, Scott
Place: Berkeley, California
Publisher: University of California Press
PubDate: 2001
PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cm
Subject: INDEPENDENT FILMS; NATURE IN FILMS; PLACE IN FILMS; PLACE IN FILMS. USA; CITIES IN FILMS; NEW YORK IN FILMS; GOTTHEIM, LARRY; COLE, THOMAS; MURPHY, J. J.; ANGER, KENNETH; MENKEN, MARIE; SCHNEEMANN, CAROLEE; BRAKHAGE, STAN; KELLER, MARJORIE; ROBERTSON, ANNE CHARLOTTE; LOWDER, ROSE; MANGOLTE, BABETTE; BENNING, JAMES; STONE, OLIVER; SPIRO, ELLEN; DEBONT, JAN; KUCHAR, GEORGE; BURCKHARDT, RUDY; WEEGEE; THOMPSON, FRANCIS; MENKEN, MARIE; HARRIS, HILARY; LEE, SPIKE; STAUFFACHER, FRANK; BAILLIE, BRUCE; RUDNICK, MICHAEL; GEHR, ERNIE; O'NEILL, PAT; MARTIN, EUGENE; MEKAS, JONAS; GREAVES, WILLIAM; FRAMPTON, HOLLIS; HUOT, ROBERT; DORSKY, NATHANIEL; HUTTON, PETER; DASH, JULIE; FRANKLIN, CARL; CONNER, BRUCE; HERZOG, WERNER; LANZMANN, CLAUDE; STRAND, CHICK; NOREN, ANDREW; PIERCE, LEIGHTON; GATTEN, DAVID
Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."
Notes: Includes distribution sources for films and videos (in US), notes and index
ISBN: 0520227387

Call No: 761 THO
Author: Thomas, Rustin
Edition: 2019
Place: Oxford
Publisher: Oxford University Press
PubDate: 2019
PhysDes: viii, 204 pages : illustrated ; 26 cm
Subject: PRODUCTION; DOCUMENTARY FILMS; LOW BUDGET FILMS; PRODUCTION COSTS; BROOMFIELD, NICK; HERZOG, WERNER; MAYSLES, ALBERT; MAYSLES, DAVID; SUNDANCE INSTITUTE
Summary: A refreshing new practical approach to documentary filmmaking, Get Close: Lean Team Documentary Filmmaking equips new and veteran filmmakers with the knowhow to make artistically rewarding documentaries for less money, less hassle, and less time. Author and veteran filmmaker Rustin Thompson shows that by stripping away, sidestepping, or reassessing the entrenched industry hurdles-long waits for funding, the unwieldy crews, the unnecessary gear, the gauntlet of film festivals, pitch forums, and distribution networks-filmmakers can move quickly from idea to execution to finished film. Throughout the book, Thompson demystifies and de-clutters the way docs are produced today, illustrating the use of a few simple and accessible tools and techniques while still engaging with the aesthetic possibilities of the medium, its creative opportunities and its satisfying rewards of giving back to the world. Using the essential lessons in Get Close, filmmakers will learn to eliminate physical and financial barriers between themselves and their subject matter, ultimately leading them to tell more artful, illuminating stories and find the joy in documentary filmmaking. -- publisher's web site
ISBN: 9780190909901
Contents: Acknowledgements -- Introduction -- Lean Team Filmmaking Will Liberate You -- Chapter One: My Lean Team Epiphany -- The Revolution Was Televised -- Chapter Two: Get Close -- Eliminate Barriers and Plan Your Project -- Chapter Three: The Lean Team Toolkit -- Essential gear and supporting equipment -- Chapter Four: The Shoot -- Field Production in the Lean Team Style -- Chapter Five: The Edit -- Cutting as a Lean Team Filmmaker -- Chapter Six: Film Festivals and Distribution -- Keep Your Lean Team Soul and Find an Audience

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HERZOG, WERNER
URL status: URL: 'http://file://Q:/P/HERZOG,_WERNER.zip' Checked: 31/08/2021 12:49:23 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81HER WAL
Author: Herzog, Werner, 1942; Ebert, Roger; Walsh, Gene
Place: Chicago, Ill.
Publisher: Facets Multimedia
PubDate: 1979
PhysDes: 39 p. : ill. ; 23 cm
Subject: HERZOG, WERNER
Notes: "Filmography: Werner Herzog": p. 39
LON: 80103055; 1699498

Call No: REFERENCE SECTION; 058 INT "1979"
Author: Cowie, Peter; Elley, Derek
Place: London
Publisher: Tantivy Press
PubDate: c1978
PhysDes: 528 p. : ill. ; 21 cm
Subject: BENEGAL, SHYAM; HERZOG, WERNER; MESZAROS, MARTA; SCORSESE, MARTIN; RADEMAKERS, FONS
Notes: Includes index to advertisers
ISBN: 0498022412
LON: 21045232

Call No: 67(04) FAR
Author: Farber, Manny
Edition: Expanded ed
Place: New York
Publisher: Da Capo Press
PubDate: 1998
PhysDes: xiv, 412 p. ; 21 cm
Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1954); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967)
Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film
Notes: "First Da Capo Press edition"--T.p. verso; Includes index
ISBN: 0306808293 (pbk. : alk. paper)
LON: 13667387

Call No: 71(430.1) FRA
Author: Franklin, James, 1943
Place: London
Publisher: Columbus
PubDate: 1986, c1983
PhysDes: [230] p. : ill., ports ; 22cm
Subject: GERMANY; KLUGE, ALEXANDER; HUILLET, DANIELE; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and index
ISBN: 086287209X : ª5.95 : CIP confirmed
LON: 4636613

Call No: 71(430.1) SAN
Author: Sandford, John, 1944
Place: London
Publisher: Eyre Methuen
PubDate: 1981
PhysDes: 180p : ill ; 24cm
Subject: GERMANY; DIRECTORS. GERMANY; WOMEN IN FILMS. GERMANY; KLUGE, ALEXANDER; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: Includes bibliography
ISBN: 041348890X
LON: 2273202 2273202 2383809

Call No: 802.25(430.1) HEW
Author: Phillips, Klaus
Place: New York
Publisher: Ungar Pub. Co.
PubDate: c1984
PhysDes: xxv, 462 p. : ill., ports. ; 22 cm
Subject: DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; BRUSTELLIN, ALF; COSTARD, HELLMUTH; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HAUFF, REINHARD; HERZOG, WERNER; KLUGE, ALEXANDER; LILIENTHAL, PETER; SCHLONDORFF, VOLKER; TROTTA, MARGARETHE VON; STOCKL, ULA; STRAUB, JEAN-MARIE; HUILLET, DANIELE; SYBERBERG, HANS JURGEN; Wenders, Wim; BOHM, HARK; SINKEL, BERNHARD; REITZ, EDGAR; SPILS, MAY; ENKE, WERNER
Notes: Includes index; Bibliography: p. 428-462
ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95
LON: 3146469

Call No: 62 COA
Author: Coates, Paul, 1953
Place: London
Publisher: Verso
PubDate: 1985
PhysDes: 167 p. ; 21 cm
Subject: SOCIETY AND THE CINEMA. POLAND; REALISM IN FILMS; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BERTOLUCCI, BERNARDO; BUNUEL, LUIS; COPPOLA, FRANCIS FORD; GODARD, JEAN-LUC; HERZOG, WERNER; ROSI, FRANCESCO; TARKOVSKY, ANDREI; TRUFFAUT, FRANCOIS; WAJDA, ANDRZEJ; SKOLIMOWSKI, JERZY; ZANUSSI, KRZYSZTOF
Notes: Includes indexes; Bibliography: p. [159]-161
ISBN: 0860911004 : ª20.00 ($25.00 U.S.)
LON: bnb86091100; 3801747

Call No: 634.6 HIL
Author: Hillman, Roger
Source: US
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2005
PhysDes: 219 p. : ill. ; 24 cm
Subject: MUSIC AND THE CINEMA; GERMANY; NEW GERMAN CINEMA; CLASSICAL MUSIC IN FILMS; MOVEMENTS IN FILM HISTORY; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA. GERMANY; FASCISM AND THE CINEMA. GERMANY; NATIONALISM AND THE CINEMA. GERMANY; POLITICS AND THE CINEMA. GERMANY; SYBERBERG, HANS JURGEN; KLUGE, ALEXANDER; FASSBINDER, RAINER WERNER; HERZOG, WERNER; VISCONTI, LUCHINO; DIE PATRIOTIN (GW, Alexander Kluge, 1979); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); SENSO (IT, Luchino Visconti, 1954); WOYZECK (GW, Werner Herzog, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977); NOSTALGHIA (IT, Andre Tarkovsky, 1983); COVEK NIJE TICA (YU, Dusan Makavejev, 1965); STALKER (UR, Andrei Tarkovsky, 1979)
Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)
Notes: Includes selected bibliography, index
ISBN: 0253217547
Donation: Donated by Senses of Cinema, 2009

Call No: 81HER PFL
Author: Pflaum, Hans Gunther, 1941
Place: MFunchen Wien
Publisher: Hanser
PubDate: 1979
PhysDes: 164, [1] p. : ill. ; 19 cm
Subject: HERZOG, WERNER
Notes: Filmography: p. 146-153; Bibliography: p. 153-[165]
ISBN: 3446128719 : DM17.80
LON: 80507464; 1878887

Call No: 81HER AME
Author: Herzog, Werner
Source: US
Place: Jackson [Mississippi]
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: xlvii, 193 pages ; 24 cm
Series: Conversations with Filmmakers
Subject: FILMMAKING; HERZOG, WERNER
Summary: "Over the course of his career, legendary director Werner Herzog (b. 1942) has made almost sixty films and given more than eight hundred interviews. This collection features the best of these, focusing on all the major films, from Signs of Life and Aguirre, the Wrath of God to Grizzly Man and Cave of Forgotten Dreams. When did Herzog decide to become a filmmaker? Who are his key influences? Where does he find his peculiar themes and characters? What role does music play in his films? How does he see himself in relation to the German past and in relation to film history? And how did he ever survive the wrath of Klaus Kinski? Herzog answers these and many other questions in twenty-five interviews ranging from the 1960s to the present. Critics and fans recognized Herzog's importance as a young German filmmaker early on, but his films have attained international significance over the decades. Most of the interviews collected in this volume--some of them from Herzog's production archive and previously unpublished--appear in English for the very first time. Together, they offer an unprecedented look at Herzog's work, his career, and his public persona as it has developed and changed over time." -- BACK COVER
ISBN: 9781617039683
Contents: Platform for the young German film: Werner Herzog / Frieda Grafe, Enno Patalas, and Florian Fricke (1968) -- Hope for Berlin. Film in Berlin (1968) -- South American Experiences: A Conversation with Werner Herzog on Aguirre, the Wrath of God / Peter Schumann (1973) -- Werner Herzog: "Like a Powerful Dream " / Noureddine Ghali (1973) -- Every Man for Himself and God against All: A Conversation with Werner Herzog on The Enigma of Kaspar Hauser / Hans Gunther Pflaum (1974) -- Interview with Werner Herzog / Kraft Wetzel (1976) -- Hypnosis as Means of Stylization: An Interview with Werner Herzog / Horst Wiedemann (1976) -- Interview with Werner Herzog / Eric de Saint-Angel (1978) -- Interview with Werner Herzog on Nosferatu / Simon Mizrahi (1979) -- Interview with Werner Herzog on the American Reception of His Films / Jorg Bundschuh and Christian Bauer (1979) -- Fitzcarraldo: A Conversation with Werner Herzog / Bion Steinborn and Ridiger von Naso (1982) -- Interview with Werner Herzog on Where the Green Ants Dream / Simon Mizrahi (1984) -- Discussion with Werner Herzog on Staging His First Opera / David Knaus and Beat Presser (1985) -- Cobra Verde / Jean-Pierre Lavoignat (1987) -- The Mirror of Bangui: According to Werner Herzog, Echoes from a Sombre Empire Is Not a Documentary on Bokassa but a Portrait of Us All / Daniele Heymann (1990) -- Interview with Werner Herzog on Lessons of Darkness / Alexander Schwarz (1993) -- Interview with Werner Herzog / Edgar Reitz (1995) -- Werner Herzog in Conversation with Geoffrey O'Brien / Geoffrey O'Brien (1996) -- Revolver Interview: Werner Herzog / Daniel Sponsel and Jan Sebenig (1998) -- The Wrath of Klaus Kinski: An Interview with Werner Herzog / A. G. Basoli (1999) -- A More Athletic Approach: An Interview with Werner Herzog on Grizzly Man / Cynthia Fuchs (2005) -- "I've Never Stood Still": A Conversation with Werner Herzog / Dietmar Kammerer (2007) -- Defiant Werner Herzog to Defamer: "Who Is Abel Ferrara?" / Gawker.com (2008) -- Q & A: Werner Herzog / Daniel Trilling (2009) -- Out of the Darkness: Werner Herzog's Cave of Forgotten Dreams / Samuel Wigley

Author: Hurley, Andrew
PhysDes: Article
Subject: ABORIGINAL AUSTRALIANS IN FILMS; HERZOG, WERNER; WO DIE GRUNEN AMEISEN TRAUMEN (GW, Werner Herzog, 1984)
Summary: In 1983, the German film-maker Werner Hrezog realized a decade-ling ambition to create a film thematizing the struggles of Aboriginal groups against mining companies in Northern Australia. Where the green ants dream (1984) was ultimately reviled by Australian pundits and also disappointed international critics. However, the film and the story behing its making raise important issues, not only about the creative appropriation of Aboriginal mythology, and the filmic representation of Aboriginality and of the struggle for Aboriginal land rights, but also about the intricacies of cross-cultural collaboration. This article reveals how Herzig relied upon the first land rights court case (Milirrpum v Nabalco) in writing his film script. In doing so, he came up with a hybrid ambigyously sitated between documentary and feature film, something which proved uncomfortable for the lead Aboriginal actors Wandjuk and Roy Marika, who had both been players i Milirrpum v Nabalco. This article analyses Herzog's mix of documentary and fiction, examines the film's reception - both by white Australian critics and by Aboriginal Australians - and argues that, while the film may be flawed, it is valuable becaue it threw (and continues to throw) light on the processes and pitfalls of cross-cultural collaboration. -- ABSTRACT

Call No: 64REA NAG
Author: Nagib, Lucia
Place: New York ; London
Publisher: Continuum
PubDate: 2011
PhysDes: xiv, 293 p. : ill. ; 23 cm.
Subject: REALISM IN FILMS; WORLD CINEMA; MONTEIRO, JOAO CESAR; HERZOG, WERNER; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); CRIME DELICADO (BL, Beto Brant, 2005); TERRA EM TRANSE (BL, Glauber Rocha, 1967); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); ATANARJUAT, THE FAST RUNNER (CA, Zacharias Kunuk, 2001 ); YAABA (UV, Idrissa Ouedraogo, 1989); [FOUR HUNDRED] 400 BLOWS, THE [; YA - CUBA (UR/CU, Mikhail Kalatozov, 1964)
Summary: A sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality.
ISBN: 9781441165831
Donation: donated by the author.