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book		A history of 1970s experimental film : Britain's decade of diversity / Patti Gaal-Holmes London: Palgrave Macmillan, 2015. Call No: 771(410) GAA Author: Gaal-Holmes, Patti Source: UK Place: London Publisher: Palgrave Macmillan PubDate: 2015 PhysDes: xviii, 231 pages ; 23 cm. Subject: EXPERIMENTAL FILMS. UK; EXPERIMENTAL FILMS; BRAKHAGE, STAN; DWOSKIN, STEPHEN; GIDAL, PETER; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); LE GRICE, MALCOLM; MARXISM AND THE CINEMA; MCCALL, ANTHONY; VIDEO ART; WARHOL, ANDY; WOLLEN, PETER Summary: "This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade"-- TROVE Notes: Includes bibliographical references and index ISBN: 9781349474912 Language: English Contents: Introduction -- 1. Questions of history -- 2. Institutional frameworks and organisational strategies -- 3.Experimental film and other visual arts -- 4. Visionary, mythopoeia and diary films -- 5. Experiments with structure and material -- 6. Women and film -- Conclusion: (Re)cognitions and (Re)considerations for This History -- Notes -- Bibliography -- Index ID2: 343 More info
title clippings file		JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES : (BE/FR, Chantal Akerman, 1975) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975) More info
book		Movies and Methods : an anthology volume II / edited by Bill Nichols Berkeley: University of California Press, c1985. Call No: 62(082) MOV v.2 Author: Nichols, Bill (ed.) Source: US/UK Place: Berkeley Publisher: University of California Press PubDate: c1985 PhysDes: xii, 753 p. : ill. ; 24 cm Subject: CRITICISM; GENRES; FEMINISM AND THE CINEMA; STRUCTURALISM; SEMIOLOGY; PSYCHOANALYSIS AND THE CINEMA; SADISM / MASOCHISM IN FILMS; PHILOSOPHY AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; AVANT-GARDE FILMS; NARRATIVE IN FILMS; IDEOLOGY AND THE CINEMA; HORROR FILMS; CINEMA VERITE; BAZIN, ANDRE; WALSH, RAOUL; GODARD, JEAN-LUC; DAUGHTER RITE (US, Michelle Citron, 1979); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); SEARCHERS, THE (US, John Ford, 1956); MILDRED PIERCE (US, Michael Curtiz, 1945); STAGECOACH (US, John Ford, 1939) Summary: "The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights." -- BOOK BLURB Notes: This is volume II ISBN: 0520054091 Contents: -- historical criticism -- genre criticism -- feminist criticism -- structuralist semiotics -- psychoanalytic semiotics -- countercurrents -- More info
book		Negative space : Manny Farber on the movies / new preface by Robert Walsh New York: Da Capo Press, 1998. Call No: 67(04) FAR Author: Farber, Manny Edition: Expanded ed Place: New York Publisher: Da Capo Press PubDate: 1998 PhysDes: xiv, 412 p. ; 21 cm Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1955); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film Notes: "First Da Capo Press edition"--T.p. verso; Includes index ISBN: 0306808293 (pbk. : alk. paper) LON: 13667387 More info
book		Nothing Happens : Chantal Akerman's Hyperrealist Everyday / Ivone Margulies Durham, North Carolina: Duke University Press, 1996. Call No: 81 AKE MAR Author: Margulies, Ivone Source: US Place: Durham, North Carolina Publisher: Duke University Press PubDate: 1996 PhysDes: xi, 270 p. : ill. ; 24 cm Subject: AKERMAN, CHANTAL; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975) Notes: Includes bibliographical references (pages [247]-261) and index. ISBN: 082231725 Contents: Chantal Akerman's Films: The Politics of the Singular --1. Nothing Happens: Time for the Everyday in Postwar Realist Cinema --2. Toward a Corporeal Cinema: Theatricality in the '70s --3. The Equivalence of Events: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles --4. Expanding the "I" Character in Experimental Feminist Narrative --5. "HER" and Jeanne Dielman Type as Commerce --6. Forms of Address Epistolary Performance, Monologue, and Bla Bla Bla --7. The Rhythm of Cliche: Akerman into the '90s--To Conclude: It Is Time. More info
book		Placing movies : the practice of film criticism / Jonathan Rosenbaum Berkeley: University of California Press, 1995. Call No: 67(081) PLA Author: Rosenbaum, Jonathan Place: Berkeley Publisher: University of California Press PubDate: 1995 PhysDes: ix, 337 p. ; 24 cm Subject: CRITICISM; GODARD, JEAN-LUC; BARTHES, ROLAND; CASSAVETES, JOHN; TATI, JACQUES; WELLES, ORSON; RESNAIS, ALAIN; RUIZ, RAUL; ALLEN, WOODY; ANTONIONI, MICHELANGELO; FARBER, MANNY; TARR, BELA; RIVETTE, JACQUES; GERTRUD (DK, Carl Th. Dreyer, 1964); OHAYO (JA, Ozu Yasujiro, 1959); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); OTHELLO (MR, Orson Welles, 1951); MELO (FR, Alain Resnais, 1986); HARDLY WORKING (US, Jerry Lewis, 1980); AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979); BIRD (US, Clint Eastwood, 1988); WHITE DOG (US, Samuel Fuller, 1982); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974); RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); DEEP COVER (US, Bill Duke, 1992); PANAMA DECEPTION, THE (US, Barbara Trent, 1992); SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953); BARTON FINK (US, Joel Cohen, 1991); ATALANTE, L' (FR, Jean Vigo, 1934); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); KING LEAR (US/SZ, Jean-Luc Godard, 1987); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Notes: Includes bibliographical references (p. 315-321) and index ISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper) LON: 93042954; 10612641 ID2: 291 More info
journal article		Women live at the National Film Theatre in National Film Theatre (May 1982) p.8 PhysDes: Article Subject: JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) More info

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