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The acoustic mirror : the female voice in psychoanalysis and cinema / Kaja Silverman Bloomington: Indiana University Press, 1988.
Call No: 626:396 SILAuthor: Silverman, Kaja Place: BloomingtonPublisher: Indiana University PressPubDate: 1988PhysDes: x, 257 p. ; 25 cmSeries: Theories of representation and differenceSubject: PSYCHOANALYSIS AND THE CINEMA ; SEMIOLOGY ; FEMINISM AND THE CINEMA ; FREUD, SIGMUND Summary: Analysis of the sound-track of films specifically focused on the female voice, understood not only as dialogue, narration or commentary but as means of generating subjectivity.Notes: Includes index; Bibliography: p. 235-253ISBN: 0253204747 (pbk.); 0253302846LON: 87045834; 5540482Contents: Lost objects and mistaken subjects: a prologue -- Body talk -- The fantasy of the maternal voice: female subjectivity and the negative Oedipus complex -- Disembodying the female voice : Irigaray, experimental feminist cinema, and femininity -- The female authorial voice
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The address of the eye : a phenomenology of film experience / Vivian Sobchack Princeton, N.J.: Princeton University Press, 1992.
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992.
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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991.
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Alice doesn't : feminism, semiotics, cinema / Teresa de Lauretis Bloomington: Indiana University Press, 1984.
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Channels of discourse : television and contemporary criticism / edited by Robert C. Allen Chapel Hill: University of North Carolina Press, 1987.
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Critical cinema : beyond the theory of practice / edited by Clive Myer ; with a foreword by Bill Nichols London ; New York: Wallflower Press, c2011.
Call No: 62(04) CRISource: USPlace: London ; New YorkPublisher: Wallflower PressPubDate: c2011PhysDes: xvi, 299 p. : ill. ; 24 cm.Subject: THEORY ; AESTHETICS ; SEMIOLOGY ; SPECTATORSHIP ; FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; PHILOSOPHY AND THE CINEMA ; RANCIERE, JACQUES ; SCRIPTWRITING ; AUTHORSHIP Summary: Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics and independent filmmakers as well as for any reader interested in new perspectives on culture and film. -- taken from the back of the book.Notes: Includes bibliographical references and index.ISBN: 9781906660369Contents: Machine generated contents note: 1.Theoretical Practice: Diegesis Is Not a Code of Cinema / Clive Myer -- 2.Cinema, Theory, Women / Clive Myer -- 3.Theory and Practice / Noel Burch -- 4.Passing Time: Reflections on the Old and the New / Peter Wollen -- 5.Sublime Acts: The Fate of Resistance between Film Theory and Practice / Laura Mulvey -- 6.Rancie`re and the Persistence of Film Theory / Patrick Fuery -- 7.Behind the Mask of the Screenplay: The Screen Idea / Nico Baumbach -- 8.The Theory-Practice Interface in Film Education: Observational Documentary in India / Ian W. MacDonald -- 9.The Student Author, Lacanian Discourse Theory and La nuit ame´ricaine / Aparna Sharma -- 10.Just Because You Have Eyes Does Not Mean You Can See / Coral Houtman -- 11.Theory for Practice: Ceci n'est pas l'e´piste´mologie / Peter Greenaway -- 12.Film and Philosophy: An Interview with Mike Figgis / Brian Winston -- 13.Playing with New Toys: An Interview with Peter Greenaway / Clive Myer --
Contents note continued: 14.An Interview with Noel Burch: Playing with Toys by the Wayside / Clive Myer.
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The Cultural studies reader / edited by Simon During London New York: Routledge, 1993.
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Film : an introduction / John L. Fell New York: Praeger Publishers, 1975.
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Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; BLACKS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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Film theory : an introduction / Robert Lapsley and Michael Westlake Manchester, UK New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1988.
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Film theory and criticism : introductory readings / [edited by] Gerald Mast, Marshall Cohen New York: Oxford University Press, 1985.
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Genre, the musical : a reader / edited by Rick Altman London Boston: Routledge & Kegan Paul in association with the British Film Institute, 1981.
Call No: 751 GENAuthor: Altman, Rick Place: London BostonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1981PhysDes: vii, 228 p., [4] leaves of plates : ill. ; 23 cmSeries: British Film Institute readers in film studiesSubject: MUSICALS ; WOMEN IN FILMS ; SEX IN FILMS ; SEMIOLOGY ; METZ, CHRISTIAN ; MINNELLI, VINCENTE ; BERKELEY, BUSBY ; SIDNEY, GEORGE ; GIGI (US, Vincente Minnelli, 1958) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; DAMES (US, Ray Enright, 1934) Notes: Includes index; Bibliography: p. 208-215ISBN: 0710008163 : $21.00; 0710008171 (pbk.) : $10.50LON: 2061102
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Ideology and the image : social representation in the cinema and other media / Bill Nichols Bloomington: Indiana University Press, 1981.
Call No: 62 NICAuthor: Nichols, Bill Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: xv, 334 p. : ill. ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; AESTHETICS ; SEMIOLOGY ; NON-FICTION FILMS ; DOCUMENTARIES ; ETHNOGRAPHIC FILMS ; WISEMAN, FREDERICK ; BLONDE VENUS (US, Josef von Sternberg, 1932) ; BIRDS, THE (US, Alfred Hitchcock, 1963) Summary: "To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system librerate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches - Marxism, psychoanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories - ideology and systems of visual representation, and ideology and principles of textual criticism - Nichols shows how and why we make emotional investments in sign systems within an ideological context." -- BACK COVERNotes: Includes index; Bibliography: p. 304-313ISBN: 0253182875; 0253202566 (pbk.)LON: 80007684; 1763485Contents: Introduction: Picking up the trail -- 1. Art and the perceptual process -- 2. The analysis of representational images -- 3. The cinema: movement, narrative, and paradox -- 4. Blonde venus: playing with performance -- 5. For The birds -- 6. The documentary film and principles of exposition -- 7. Frederick Wiseman's documentaries: theory and structure -- 8. Documentary, criticism, and the ethnographic film -- Conclusion
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Image and representation : key concepts in media studies / Nick Lacey New York: St. Martin's Press, 1998.
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Image, music, text / Roland Barthes ; essays selected and translated by Stephen Heath London: Flamingo, 1984, c1977.
Call No: 60 BARAuthor: Barthes, Roland, 1915-1980 Place: LondonPublisher: FlamingoPubDate: 1984, c1977PhysDes: 220p, [8]p of plates : ill. ; 20cmSubject: SEMIOLOGY Notes: Semiotics. Structuralism (BNB/PRECIS); Originally published : London : Fontana, 1977; Translation from the French; Includes indexISBN: 0006540678 (pbk) : ª2.95LON: bnb00654067; 3712929
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An introduction to theories of popular culture / Dominic Strinati London New York: Routledge, 1995.
Call No: 403 STRAuthor: Strinati, Dominic Place: London New YorkPublisher: RoutledgePubDate: 1995PhysDes: xviii, 301 p. ; 23 cmSubject: POPULAR CULTURE AND THE CINEMA ; SEMIOLOGY ; AUDIENCES ; POSTMODERNISM AND THE CINEMA ; BARTHES, ROLAND ; ADORNO, THEODOR W. Summary: Among the theories and ideas the book introduces are mass culture, the Frankfurt School and the culture industry, semiology and structuralism, Marxism, feminism, postmodernism and cultural populism. Strinati explains how theorists such as Adorno, Barthes, Althusser and Hebdige have grappled with the many forms of popular culture, from Jazz to the Americanization of British popular culture, from Hollywood cinema to popular television series, from teen magazines to the spy novel. Each chapter includes a guide to key texts for further reading and there is also a comprehensive bibliographyNotes: Includes bibliographical references (p. 275-289) and indexISBN: 0415124697; 0415124700 (pbk.)LON: 11258122
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Movies and methods : an anthology / edited by Bill Nichols Berkeley: University of California Press, c1976.
Call No: 62(082) MOV v.1Author: Nichols, Bill Place: BerkeleyPublisher: University of California PressPubDate: c1976PhysDes: xi, 640 p. : ill. ; 24 cmSubject: STRUCTURALISM ; CRITICISM ; IDEOLOGY AND THE CINEMA ; IDEOLOGY IN FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GENRES ; AUTEUR THEORY ; FILM NOIR ; THEORY ; WESTERNS ; WOMEN AND THE CINEMA ; FILM NOIR ; SEMIOLOGY ; METHODOLOGY OF FILM CRITICISM ; ETHNOGRAPHIC FILMS ; FEMINISM AND THE CINEMA ; CAPRA, FRANK ; RAY, NICHOLAS ; VON STERNBERG, JOSEF ; GODARD, JEAN-LUC ; CITIZEN KANE (US, Orson Welles, 1941) ; SERPICO (US, Sidney Lumet, 1973) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; WIND FROM THE EAST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; KLUTE (US, Alan J. Pakula, 1971) ; TRUFFAUT, FRANCOIS ; SHOCK CORRIDOR (US, Samuel Fuller, 1963) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; BLOW JOB (US, Andy Warhol, 1963) ; RIO LOBO (US, Howard Hawks, 1970) ; YOUNG MR. LINCOLN (US, John Ford, 1939) Summary: "Film teachers and students will welcome this new anthology, which makes available in one source a comprehensive selection of recent theoretical work on film, including many articles difficult to locate in the scattered literature. The contents are drawn almost entirely from the publications of the past fifteen years, and include work by the most original film thinkers - some well known to a wide public, some widely known among readers of film journals. Several important film-makers are also represented." -- BOOK BLURBNotes: Includes index; This is volume 1ISBN: 0520031512LON: cln74022969; 10151896Contents: --- part 1 contextual criticism -- political criticism -- genre criticism -- feminist criticism -- part 2 formal criticism -- auteur criticism -- mise-en-scene criticism -- part 3 theory -- film theory -- structuralism-semiology --
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Movies and Methods : an anthology volume II / edited by Bill Nichols Berkeley: University of California Press, c1985.
Call No: 62(082) MOV v.2Author: Nichols, Bill (ed.) Source: US/UKPlace: BerkeleyPublisher: University of California PressPubDate: c1985PhysDes: xii, 753 p. : ill. ; 24 cmSubject: CRITICISM ; GENRES ; FEMINISM AND THE CINEMA ; STRUCTURALISM ; SEMIOLOGY ; PSYCHOANALYSIS AND THE CINEMA ; SADISM / MASOCHISM IN FILMS ; PHILOSOPHY AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; AVANT-GARDE FILMS ; NARRATIVE IN FILMS ; IDEOLOGY AND THE CINEMA ; HORROR FILMS ; CINEMA VERITE ; BAZIN, ANDRE ; WALSH, RAOUL ; GODARD, JEAN-LUC ; DAUGHTER RITE (US, Michelle Citron, 1979) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975) ; SEARCHERS, THE (US, John Ford, 1956) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; STAGECOACH (US, John Ford, 1939) Summary: "The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights." -- BOOK BLURBNotes: This is volume IIISBN: 0520054091Contents: -- historical criticism -- genre criticism -- feminist criticism -- structuralist semiotics -- psychoanalytic semiotics -- countercurrents --
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New vocabularies in film semiotics : structuralism, post-structuralism, and beyond / Robert Stam, Robert Burgoyne, and Sandy Flitterman-Lewis London New York: Routledge, 1992.
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Politics and cinema / Andrew Sarris New York: Columbia University Press, 1978.
Call No: 45:32 SARAuthor: Sarris, Andrew Place: New YorkPublisher: Columbia University PressPubDate: 1978PhysDes: 215 p. : ill. ; 24 cmSubject: POLITICS AND THE CINEMA ; FASCISM AND THE CINEMA ; VIOLENCE IN FILMS ; PORNOGRAPHY AND THE CINEMA ; CENSORSHIP ; SEMIOLOGY ; AVANT-GARDE FILMS ; MONROE, MARILYN ; MAILER, NORMAN ; FAIRBANKS, DOUGLAS ; RIEFENSTAHL, LENI ; SONTAG, SUSAN ; PROMISED LANDS (FR, Susan Sontag, 1974) ; MON ONCLE ANTOINE (CN, Claude Jutra, 1971) ; SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971) ; CASO MATTEI, IL (IT, Francesco Rosi, 1972) ; DOG DAY AFTERNOON (US, Sidney Lumet, 1975) ; FRONT, THE (US, Martin Ritt, 1976) ; LENNY (US, Bob Fosse, 1974) ; CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; MAN, THE (US, Joseph Sargent, 1972) ; CANDIDATE, THE (US, Michael Ritchie, 1972) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971) ; HEARTS AND MINDS (US, Peter Davis, 1974) Notes: Includes indexISBN: 0231040342LON: 1221130
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The Polity reader in cultural theory Cambridge [England]: Polity Press, 1994.
Call No: 62(04) POLPlace: Cambridge [England]Publisher: Polity PressPubDate: 1994PhysDes: 307 p. ; 23 cmSubject: POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; MODERNISM AND THE CINEMA ; SEMIOLOGY ; STAR SYSTEM ; COMMERCIALS, TV ; CHILDREN AND THE CINEMA ; SOAP OPERAS ; MONROE, MARILYN ; BARTHES, ROLAND ; ADORNO, THEODOR W. ; Baudrillard, Jean ; SAUSSURE, FERDINAND DE ; OMEN, THE (US, Richard Donner, 1976) ; EXORCIST, THE (US, William Friedkin, 1973) Notes: Thirty papers; Includes bibliographical references and indexISBN: 0745612075; 0745612083 (pbk.)LON: bnb74561207; 10481206
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Powers of horror : an essay on abjection [Pouvoirs de l'horreur. English] / Julia Kristeva ; translated by Leon S. Roudiez New York: Columbia University Press, 1982.
Call No: 60 KRIAuthor: Kristeva, Julia, 1941 Place: New YorkPublisher: Columbia University PressPubDate: 1982PhysDes: x, 219 p. ; 24 cmSeries: European perspectivesSubject: THEORY ; SEMIOLOGY Notes: Translation of: Pouvoirs de l'horreurISBN: 0231053460 : $19.95 (est.); 0231053479 (pbk.)LON: 82004481; 2227652
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Readings and writings : semiotic counter-strategies / Peter Wollen London: NLB, 1982.
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journal article
The Scenario as a Structure Designed to Become Another Structure in Wide Angle (1977) vol.2 iss.1 p.40-47
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Screen reader 2 : cinema & semiotics London: Society for Education in Film and Television, 1981.
Call No: 623.3 SCRCorpAuthor: Society for Education in Film and TelevisionPlace: LondonPublisher: Society for Education in Film and TelevisionPubDate: 1981PhysDes: xiv, 197 p. ; 24 cmSubject: SEMIOLOGY ; STRUCTURALISM ; METZ, CHRISTIAN ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959) Notes: On cover: Brewster, Buscombe, Hanet, Heath, Kristeva, Kuntzel, Metz and Willemen; Includes bibliographical footnotesISBN: 0900676086LON: abn83063607; 2423880
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Semiologia textual / Juan Pedro Gomez Sanchez Murcia: Caja de Ahorros de Alicante y Murcia, Catedra de Cinematografia, Call No: 623.3 SANAuthor: Gomez Sanchez, Juan Pedro Place: MurciaPublisher: Caja de Ahorros de Alicante y Murcia, Catedra de CinematografiaPubDate: PhysDes: v. <2 > : ill. ; 25 cmSubject: SEMIOLOGY ; VISKNINGAR OCH ROP (SW, Ingmar Bergman, 1974) Notes: Includes bibliographiesISBN: 8472319857 (pt. 2)LON: 85103184; 3951226Contents: A Spanish-language semiological analysis of Bergman's 'Cries & Whispers'.
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SEMIOLOGY
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: SEMIOLOGY
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journal article
Semiology, aesthetics, and modernism : Peter Wollen revisited in Metro (2000) iss.123 p.122-124, 126-129
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Signs and meaning in the cinema / Peter Wollen London: Secker and Warburg in association with the British Film Institute, 1972.
Call No: 623.3 WOLAuthor: Wollen, Peter, 1938 Edition: 3rd. ed., rev. and enlPlace: LondonPublisher: Secker and Warburg in association with the British Film InstitutePubDate: 1972PhysDes: 176 p. : ill. ; 20 cmSeries: Cinema one ; 9Subject: AUTEUR THEORY ; SEMIOLOGY Notes: Bibliography: p.174-175ISBN: 0436470022; 0436480028 (pbk)LON: cvx00750640; 2599034
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Study unit 15 : Jean-Luc Godard / notes compiled by Steve Crofts [London] : [s.n.], 1972:
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Subversive pleasures : Bakhtim, cultural criticism, and film / Robert Stam Baltimore: John Hopkins University Press, 1989.
Call No: 620 BAK STAAuthor: Stam, Robert Place: BaltimorePublisher: John Hopkins University PressPubDate: 1989PhysDes: xiii, 274 pages ; 24 cm.Series: ParallaxSubject: BAHTIN, MIHAIL ; ALLEN, WOODY ; BUNUEL, LUIS ; CANNIBALISM IN FILMS ; BRAZIL ; SEMIOLOGY ; DIALOGUE ; FORMALISM ; GODARD, JEAN-LUC ; PORNOGRAPHY ; SHAKESPEARE, WILLIAM ; ZELIG (US, Woody Allen, 1983) Summary: Applying Bakhtin's critical methods to film, mass-media and cultural studies, Stam draws on Bakhtin's corporal semiotics of "the grotesque body" to analyze eroticism in the cinema, and explores issues including the "translinguistic" critique of Saussurean semiotics and Russian formalism.Notes: Includes bibliographical references (pages 241-258) and index.ISBN: 0801845092Donation: Adrian MilesContents: Translinguistics and Semiotics -- Language, Difference, and Power -- Film, Literature, and the Carnivalesque -- Of Cannibals and Carnivals -- The Grotesque Body and Cinematic Eroticism -- From Dialogism to Zelig -- Envoi: Bakhtin and Mass-Media Critique.ID2: 343
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Technologies of gender : essays on theory, film, and fiction / by Teresa de Lauretis Bloomington: Indiana University Press, 1987.
Call No: 626:396 DELAuthor: De Lauretis, Teresa Place: BloomingtonPublisher: Indiana University PressPubDate: 1987PhysDes: xi, 151 p. ; 25 cmSeries: Theories of representation and differenceSubject: FEMINISM AND THE CINEMA ; GAZE IN FILMS ; SEMIOLOGY ; THEORY ; GENDER AND THE CINEMA ; WOMEN IN FILMS Notes: Includes bibliographies and indexISBN: 0253358531; 0253204410 (pbk.)LON: 86046317; 5123996Contents: The technology of gender -- The violence of rhetoric: considerations on representation and gender -- Gaudy rose: Eco and narcissism -- Calvino and the Amazons: reading the (post)modern text -- Gramsci notwithstanding, or, the left hand of history -- Fellini's 9 1/2 -- Strategies of coherence: narrative cinema, feminist poetics, and Yvonne Rainer -- Rethinking women's cinem: aesthetics and feminist theory
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Theories of cinema, 1945-1995 / Francesco Casetti ; translated by Francesca Chiostri and Elizabeth Gard Bartolini-Salimbeni, with Thomas Kelso Austin: University of Texas Press, 1999.
Call No: 62 CASAuthor: Casetti, Francesco Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1999PhysDes: 368 p. ; 24 cmSubject: THEORY ; PSYCHOANALYSIS AND THE CINEMA ; SEMIOLOGY ; LANGUAGE AND THE CINEMA ; POLITICS AND THE CINEMA ; GENDER AND THE CINEMA ; SOCIETY AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; PERCEPTION ; SPECTATORSHIP ; BELLOUR, RAYMOND ; ADORNO, THEODOR W. ; BARTHES, ROLAND ; BAZIN, ANDRE ; BORDWELL, DAVID ; DELEUZE, GILLES ; KRACAUER, SIEGFRIED ; LACAN, JACQUES ; HORKHEIMER, MAX ; MITRY, JEAN ; MORAN, EDGAR ; LYOTARD, JEAN-FRANCOIS ; METZ, CHRISTIAN Notes: "Revised and updated by the author."; Includes bibliographical references (p. [339]-359) and indexISBN: 0292712065 (hc :acid-free paper); 0292712073 (pbk.)LON: 14328673
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Women's pictures : feminism and cinema / Annette Kuhn London New York: Verso, 1994.
Call No: 626:396 KUHAuthor: Kuhn, Annette Edition: 2nd edPlace: London New YorkPublisher: VersoPubDate: 1994PhysDes: xiv, 285 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; DIRECTORS ; SEMIOLOGY ; THEORY Summary: "This pioneering and influential work of feminist theory has been extensively updated by the author to chart the changes in feminist film theory and practice between the eighties and the nineties...the author discusses and demystifies the current methods of analysis, including semiotic and psychoanalytical approaches.
The films used as points of discussion are drawn from both mainstream adn alternative cinema, institutions which are themselves examined in relation to their production, distribution and exhibition practices." -- BACK COVERNotes: Includes bibliographical references (p. 262-273) and indexISBN: 1859840108 (pbk.) : $17.95; 1859849105 : $59.95LON: 94011624; 10900045
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The world in a frame : what we see in films / Leo Braudy Garden City, N.Y.: Anchor Press, 1976.
Call No: 62 BRAAuthor: Braudy, Leo Source: USPlace: Garden City, N.Y.Publisher: Anchor PressPubDate: 1976PhysDes: 274 p. ; 22 cmSubject: CRITICISM ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; AESTHETICS ; THEORY ; AUTEUR THEORY ; SEMIOLOGY ; BRAUDY, LEO Summary: "After an introduction that discusses the special problems faced by film criticism, the three major sections focus in turn on the objects within a film and the visual forms they produce; the typical plots that films follow and the cinematic conventions (like those of the western or musical) which support them; and finally the ways in which movies have portrayed human nature, their methods of characterization, and the role of film-acting within American society." - taken from cover.ISBN: 0385035926URL status: URL: 'http://-'
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