journal article
Dreyer in Melbourne Film Bulletin (April 1968) iss.2 p.23
PhysDes: ArticleSubject: DREYER, CARL TH. ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ORDET (DK, Carl Th. Dreyer, 1955) Summary: Obituary for Danish director Carl Theodore Dreyer.
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Everything is cinema : the working life of Jean-Luc Godard / by Richard Brody New York: Metropolitan Books / Henry Holt and Company, 2009.
Call No: 81GOD BROAuthor: Brody, Richard Edition: 1st Paperback editionSource: USPlace: New YorkPublisher: Metropolitan Books / Henry Holt and CompanyPubDate: 2009PhysDes: xv, 701 p. : ill. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CONTEMPT (FR/IT, Jean-Luc Godrad, 1963)
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MEPRIS, LE ; MEPRIS, LE (FR/IT, Jean-Luc Godard, 1963) ; MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964)
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FEMME MARIEE, UNE ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; MASCULINE FEMININE (FR, Jean-Luc Godard, 1966) ; TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967)
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[DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; LA CHINOISE (FR, Jean-Luc Godard, 1967) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; DETECTIVE (FR, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991)
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ALLEMAGNE NEUF ZERO ; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURBNotes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this bookISBN: 9780805080155Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --
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The films of Jean-Luc Godard : seeing the invisible / David Sterritt Cambridge: Cambridge University Press, 1999.
Call No: 81GOD STEAuthor: Sterritt, David Source: UK/USPlace: CambridgePublisher: Cambridge University PressPubDate: 1999PhysDes: xiv, 297 p. : ill. ; 23 cmSeries: Cambridge film classicsSubject: CRITICISM ; AESTHETICS ; NOUVELLE VAGUE ; POSTMODERNISM AND THE CINEMA ; MODERNISM AND THE CINEMA ; GODARD, JEAN-LUC ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962)
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VIVRE SAVIE ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURBNotes: Filmography: p. 281-290
Includes bibliographical references (p. 279-280) and indexISBN: 0521589711Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --
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Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.
Call No: 81GOD JEASource: UKPlace: New YorkPublisher: Museum of Modern Art : Distributed by H.N. AbramsPubDate: c1992PhysDes: 240 p. : ill. (some col.) ; 32 cmSubject: NOUVELLE VAGUE ; CAHIERS DU CINEMA ; POLITICS AND THE CINEMA ; SPECTATORSHIP ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; TELEVISION AND THE ARTS ; AUTEUR THEORY ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) ; ONE A.M. (FR/US, Jean-Luc Godard, 1968) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983) Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso.
Filmography: p. 232-235.
Includes bibliographical references (p. 236-238)
Some articles translated from the French.ISBN: 0810961148Language: English
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Jean-Luc Godard / by Douglas Morrey Manchester and New York: Manchester University Press, 2005.
Call No: 81GOD MORAuthor: Morrey, Douglas Source: UK/USPlace: Manchester and New YorkPublisher: Manchester University PressPubDate: 2005PhysDes: 271 p : ill. ; 22 cmSeries: French film directorsSubject: CRITICISM ; FRANCE ; THEORY ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; LA CHINOISE (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the early successes of the French New Wave, through the political works of the late 1960s and 1970s and the difficult films of the 1980s, to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context in France, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. At the same time, numerous sequences from Godard's films are singled out for close analysis in order to demonstrate how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right - a machine for thinking. The book will be useful to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. " -- BOOK BLURBNotes: Formerly CIP; Filmography: p. [244]-262; Includes bibliographical references (p. [263]-264) and indexISBN: 0719067596Contents: -- list of plates -- series editors' foreword -- acknowledgments -- 1. necessity or contingency: Godard as film critic, 1950-59 -- 2. scenes from domestic life: 1960-65 -- 3. outside: 1960-62 -- 4. end of the beginning/beginning of the end: 1966-67 -- 5. schooling: 1968-72 -- 6. home movies: 1974-78 -- 7. love and work: 1979-84 -- 8. smiling with regret: 1984-90 -- 9. the sense of an ending: 1991-96 -- 10. old man river: 1998- -- conclusion -- filmography -- select bibliography -- index --
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Jean-Luc Godard : interviews / edited by David Sterritt Jackson: University of Mississippi, c1998.
Call No: 81GOD JEAAuthor: Sterritt, David (ed.) Source: USPlace: JacksonPublisher: University of MississippiPubDate: c1998PhysDes: xxxiii, 203 p. : ill. ; 24 cmSeries: Conversations with filmmakers seriesSubject: NOUVELLE VAGUE ; GODARD, JEAN-LUC ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) Summary: " "I am trying to change the world," filmmaker Jean-luc Godard told critic Gene Youngblood some thirty years ago. He has pursued his revolution in works ranging from the explosive Breathless to the eloquent Contempt to the controversial Hail Mary and the postmodern Histoire(s) du cinema, shaking up conventional formulas with boldly innovative approaches to every aspect of cinema and video - including film criticism via provocative essays in Cahiers du Cinema and interviews dating to the early years of his career.
This book presents a varied selection of his conversations with critics, scholars, and journalists, spanning the 1960s to the 1990s and illuminating key facets of his life, work and ideas. Topics include the seductiveness of cinema ("Films are the only things by which to look inside of people, and that's why people are so fond of movies and why they'll never die"); film as a blend of truth and beauty (" I mix images and sounds like a scientist, I hope. The mystery of the scientific is the same as the mystery of the artist. So is the misey"); and the personal realities of aging ("Maybe it's that when you get old, in one way you feel younger and younger but still being old - young oldness, if I may say so, which is very...comforting"). As challenging and evocative as they are quirky and unpredictable, all these interviews cast light on Godard's lifelong position as a proudly unclassifiable thinker who feels, as he said in 1980, that "a language is obviously made to cross borders. I'm someone whose real country is language, and whose territory is movies" -- BOOK BLURBNotes: Includes index; Filmography: p. [xxi]-xxxiiiISBN: 9781578060818Contents: -- introduction -- chronolgy -- filmography -- Jean-Luc Godard and Vivre sa vie / Tom Milne -- Jean-Luc Godard: No Difference between Life and Cinema / Gene Youngblood -- Godard and the Revolution / Andrew Sarris -- Angle and Reality: Godard and Gorin in America / Robert Phillip Kolker -- The Urgent Whisper / Penelope Gilliatt -- A New Direction for the New Wave's Jean-Luc Godard / Annette Insdorf -- Godard: Born-Again Filmmaker / Jonathan Cott -- Bringing Godard Back Home / Jonathan Rosenbaum -- The Economics of Film Criticism: A Debate / Jean-Luc Godard and Pauline Kael -- The Carrots Are Cooked: A Conversation with Jean-Luc Godard / Gideon Bachmann -- Genesis of a Camera / Jean-Pierre Beauviala and Jean-Luc Godard -- Godard in His Fifth Period / Katherine Dieckmann -- Ideas, Not Plots, Inspire Jean-Luc Godard / David Sterritt -- Jean-Luc Godard / Gavin Smith -- index --
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Movies and methods : an anthology / edited by Bill Nichols Berkeley: University of California Press, c1976.
Call No: 62(082) MOV v.1Author: Nichols, Bill Place: BerkeleyPublisher: University of California PressPubDate: c1976PhysDes: xi, 640 p. : ill. ; 24 cmSubject: STRUCTURALISM ; CRITICISM ; IDEOLOGY AND THE CINEMA ; IDEOLOGY IN FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GENRES ; AUTEUR THEORY ; FILM NOIR ; THEORY ; WESTERNS ; WOMEN AND THE CINEMA ; FILM NOIR ; SEMIOLOGY ; METHODOLOGY OF FILM CRITICISM ; ETHNOGRAPHIC FILMS ; FEMINISM AND THE CINEMA ; CAPRA, FRANK ; RAY, NICHOLAS ; VON STERNBERG, JOSEF ; GODARD, JEAN-LUC ; CITIZEN KANE (US, Orson Welles, 1941) ; SERPICO (US, Sidney Lumet, 1973) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; WIND FROM THE EAST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; KLUTE (US, Alan J. Pakula, 1971) ; TRUFFAUT, FRANCOIS ; SHOCK CORRIDOR (US, Samuel Fuller, 1963) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; BLOW JOB (US, Andy Warhol, 1963) ; RIO LOBO (US, Howard Hawks, 1970) ; YOUNG MR. LINCOLN (US, John Ford, 1939) Summary: "Film teachers and students will welcome this new anthology, which makes available in one source a comprehensive selection of recent theoretical work on film, including many articles difficult to locate in the scattered literature. The contents are drawn almost entirely from the publications of the past fifteen years, and include work by the most original film thinkers - some well known to a wide public, some widely known among readers of film journals. Several important film-makers are also represented." -- BOOK BLURBNotes: Includes index; This is volume 1ISBN: 0520031512LON: cln74022969; 10151896Contents: --- part 1 contextual criticism -- political criticism -- genre criticism -- feminist criticism -- part 2 formal criticism -- auteur criticism -- mise-en-scene criticism -- part 3 theory -- film theory -- structuralism-semiology --
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Speaking about Godard / Kaja Silverman and Harun Farocki ; with a foreword by Constance Penley New York: New York University Press, 1998.
Call No: 81GOD SILAuthor: Silverman, Kaja ; Farocki, Harun Place: New YorkPublisher: New York University PressPubDate: 1998PhysDes: xiii, 243 p. : ill. ; 24 cmSubject: GODARD, JEAN-LUC ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) Notes: Includes bibliographical references (p. 229-243)ISBN: 0814780652 (hardcover : alk. paper); 0814780660 (pbk. : alk. paper)LON: 98012701; 13699849
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