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Breaking the glass armor : neoformalist film analysis / Kristin Thompson Princeton, N.J.: Princeton University Press, 1988.
Call No: 623.75 THOAuthor: Thompson, Kristin, 1950 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1988PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cmSubject: FORMALISM ; REALISM IN FILMS ; TERROR BY NIGHT (US, Roy William Neill, 1946) ; VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; LAURA (US, Otto Preminger, 1944) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; PLAYTIME (FR, Jacques Tati, 1967) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; LANCELOT DU LAC (FR/IT, Robert Bresson, 1974) ; BANSHU (JA, Ozu Yasujiro, 1949) Notes: Includes bibliographical references and indexISBN: 0691067244 (alk. paper)LON: 5669174ID2: 291
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Everything is cinema : the working life of Jean-Luc Godard / by Richard Brody New York: Metropolitan Books / Henry Holt and Company, 2009.
Call No: 81GOD BROAuthor: Brody, Richard Edition: 1st Paperback editionSource: USPlace: New YorkPublisher: Metropolitan Books / Henry Holt and CompanyPubDate: 2009PhysDes: xv, 701 p. : ill. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CONTEMPT (FR/IT, Jean-Luc Godrad, 1963)
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MEPRIS, LE ; MEPRIS, LE (FR/IT, Jean-Luc Godard, 1963) ; MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964)
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FEMME MARIEE, UNE ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; MASCULINE FEMININE (FR, Jean-Luc Godard, 1966) ; TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967)
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[DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; LA CHINOISE (FR, Jean-Luc Godard, 1967) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; DETECTIVE (FR, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991)
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ALLEMAGNE NEUF ZERO ; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURBNotes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this bookISBN: 9780805080155Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --
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The future of an illusion : film, feminism, and psychoanalysis / Constance Penley London: Routledge, 1989.
Call No: 626:396 PENAuthor: Penley, Constance, 1948 Place: LondonPublisher: RoutledgePubDate: 1989PhysDes: xx, 207 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; DIRECTORS ; AVANT-GARDE FILMS ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; JETEE, LA (FR, Chris Marker, 1963) ; TERMINATOR, THE (US, James Cameron, 1984) ; PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91) Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVERNotes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and indexISBN: 0415041546 (pbk) : ª7.95 : CIP confirmedLON: bnb41504154; 6267645Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories --
Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines --
Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') --
Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror --
Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis
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Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.
Call No: 81GOD JEASource: UKPlace: New YorkPublisher: Museum of Modern Art : Distributed by H.N. AbramsPubDate: c1992PhysDes: 240 p. : ill. (some col.) ; 32 cmSubject: NOUVELLE VAGUE ; CAHIERS DU CINEMA ; POLITICS AND THE CINEMA ; SPECTATORSHIP ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; TELEVISION AND THE ARTS ; AUTEUR THEORY ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) ; ONE A.M. (FR/US, Jean-Luc Godard, 1968) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983) Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso.
Filmography: p. 232-235.
Includes bibliographical references (p. 236-238)
Some articles translated from the French.ISBN: 0810961148Language: English
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title clippings file
SAUVE QUI PEUT (LA VIE) : (FR/SZ, Jean-Luc Godard, 1980)
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