journal article
The auteur theory myths and magic in Metro Education (2000) iss.12 p.13-16
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Borrowed Time in Montage (March 1970) p.5-8
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; CHAMBRE VERT, LA (FR, Francois Truffaut, 1978) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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A century of cinema : Australian and French connections / edited by Jane Warren, Colin Nettelbeck and Wallace Kirsop Parkville, Vic.: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian Relations, 1996.
Call No: 408.3(94) AUSAuthor: Warren, Jane ; Kirsop, Wallace ; Nettelbeck, Colin W Place: Parkville, Vic.Publisher: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian RelationsPubDate: 1996PhysDes: 117 p., [20] p. of plates : ill., ports. ; 25 cmSubject: CENTENARY OF CINEMA. AUSTRALIA ; CENTENARY OF CINEMA. FRANCE ; MELODRAMA ; FRANCE ; AUSTRALIA ; NOUVELLE VAGUE ; CAHIERS DU CINEMA ; PARTIE D'ECARTE (FR, Louis Lumiere, 1895) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; SPENCER, WALTER BALDWIN ; DEPARDIEU, GERARD ; LUMIERE, AUGUSTE & LOUIS Notes: "The various essays in this volume were originally presented as papers at a University of Melbourne conference entitled 'A century of cinema : Australian and French connections. The conference was held in 1995 ..." --Introduction; Includes bibliographical referencesISBN: 0732513561LON: 12653307
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Cinephilia and history, or The wind in the trees / Christian Keathley Bloomington IN: Indiana University Press, 2006.
Call No: 409 KEAAuthor: Keathley, Christian Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 2006PhysDes: xiv, 212 p. : ill. ; 25 cmSubject: CINEPHILIA ; CRITICISM ; PHILOSOPHY AND THE CINEMA ; CAHIERS DU CINEMA Summary: "Cinephiles have regularily fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters - a viewing practice marked by a drift in visual attention away from the primary visual elements on display - in fact has clear links to the origins of film as described by Andre Bazin, Roland Barthes, and others. Keathley explores the implications of this ontology and proposes the "cinephiliac anecdote" as a new type of criticism, a method of historical writing that both imitates and extends the experience of these fugitive moments" - taken from back coverContents: 1. The desire for cinema -- 2. The cinephiliac moment and panoramic perception -- 3. Andre´ Bazin and the revelatory potential of cinema -- 4. Cahiers du cine´ma and the way of looking -- 5. Film and the limits of history -- 6. A cinephiliac history -- 7. Five cinephiliac anecdotes.
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The French new wave : critical landmarks / edited by Peter Graham ; with Ginette Vincendeau. London: BFI/Palgrave Macmillan, 2009.
Call No: 64NOU FREAuthor: Vincendeau, Ginette ; Graham, Peter John Source: UKPlace: LondonPublisher: BFI/Palgrave MacmillanPubDate: 2009PhysDes: x, 273 p. : ill. ; 20 cm.Subject: CAHIERS DU CINEMA ; MOVEMENTS AND STYLES IN FILM HISTORY ; NOUVELLE VAGUE ; TRUFFAUT, FRANCOIS ; BAZIN, ANDRE ; GODARD, JEAN-LUC Summary: The French New Wave: Critical Landmarks is a new and expanded edition of a classic anthology of writings by critics and film-makers associated with the Nouvelle Vague. The new edition, published to mark the 50th anniversary of the New Wave, features all the articles from the first edition, including Bazin's seminal 'La Politique des Auteurs' and a brand new translation of Truffaut's 'Une certaine tendance du cinema francais' (A Certain Tendency in French Cinema). In addition, the collection includes articles by and interviews with Bazin, Godard, Chabrol and others that helped to shape contemporary debates about the history, aesthetics and practice of cinema, as well as a case study offering three different perspectives on Godard's A bout de souffle.
The new edition features a preface by Peter Graham alongside his preface to the 1968 edition, and an introduction by Ginette Vincendeau that contextualises the Nouvelle Vague in the light of recent developments in film theory and history and its influence on subsequent French film-making. There is also a new and substantial bibliography of works on the New Wave in English and French, making this an indispensable point of reference for anyone interested in the movement and its long-lasting effects on the theory and practice of cinema.
Contributions by: Alexandre Astruc, Andre Bazin, Robert Benayoun, Raymond Borde, Claude Chabrol, Jean-Luc Godard, Gerard Gozlan, Luc Moullet, Georges Sadoul and Francois Truffaut.Notes: Formerly CIP -- Includes bibliographical references (p. [239]-250) and index.ISBN: 9781844572823Contents: -- Preface to the 2009 Edition / Peter Graham -- Preface to the 1968 Edition / Peter Graham -- Introduction: Fifty Years of the French New Wave: from hysteria to nostalgia / Ginette Vincendeau -- 1 The Birth of a New Avant-Garde : La Caméra-Stylo / Alexandre Astruc -- 2 A Certain Tendency in French Cinéma / Francois Truffaut -- 3 The Evolution of Film Language / Andre Bazin -- 4 The Delights of Ambiguity: In Praise of Andre Bazin / Gerard Gozlan -- 5 La Politique des auteurs / Andre Bazin -- 6 Little Themes / Claude Chabrol -- 7 Review of Alexandre Astruc's Une vie / Jean-luc Godard -- 8 The Emperor Has No Clothes / Robert Benayoun -- 9 Interview with Francois Truffaut Cahiers du Cinema -- 10 A Case Study: Contrasting Views of A bout de souffle: -- Jean-Luc Godard / Luc Moullet -- A bout de souffle / Raymonde Borde -- Le Quai des brumes 1960: A bout de souffle by Jean-Luc Godard / Georges Sadoul -- Bibliography -- Index --
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Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.
Call No: 81GOD JEASource: UKPlace: New YorkPublisher: Museum of Modern Art : Distributed by H.N. AbramsPubDate: c1992PhysDes: 240 p. : ill. (some col.) ; 32 cmSubject: NOUVELLE VAGUE ; CAHIERS DU CINEMA ; POLITICS AND THE CINEMA ; SPECTATORSHIP ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; TELEVISION AND THE ARTS ; AUTEUR THEORY ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) ; ONE A.M. (FR/US, Jean-Luc Godard, 1968) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983) Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso.
Filmography: p. 232-235.
Includes bibliographical references (p. 236-238)
Some articles translated from the French.ISBN: 0810961148Language: English
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On the history of film style / David Bordwell Cambridge, Mass.: Harvard University Press, 1997.
Call No: 62 BORAuthor: Bordwell, David Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1997PhysDes: x, 322 p. : ill. ; 25 cmSubject: THEORY ; EDITING ; CAHIERS DU CINEMA ; HOLLYWOOD ; LENSES ; MODERNISM AND THE CINEMA ; MONTAGE ; REALISM IN FILMS ; WIDE-SCREEN SYSTEMS ; BAZIN, ANDRE ; BURCH, NOEL ; ASTRUC, ALEXANDRE ; BARDECHE, MAURICE ; BENJAMIN, WALTER ; BRASILLACH, ROBERT ; COMOLLI, JEAN-LOUIS ; GUNNING, TOM ; KULESOV, LEV ; LEENHARDT, ROGER ; LUMIERE, LOUIS ; WYLER, WILLIAM ; MELIES, GEORGES ; TOLAND, GREGG ; WELLES, ORSON ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes bibliographical references and indexISBN: 0674634284 (cloth : alk. paper); 0674634292 (pbk. : alk. paper)LON: 97004016; 13106257Contents: 1. The Way Movies Look: The Significance of Stylistic History -- 2. Defending and Defining the Seventh Art: The Standard Version of Stylistic History -- 3. Against the Seventh Art: Andre Bazin and the Dialectical Program -- 4. The Return of Modernism: Noel Burch and the Oppositional Program -- 5. Prospects for Progress: Recent Research Programs -- 6. Exceptionally Exact Perceptions: On Staging in Depth
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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Theories of authorship : a reader / edited by John Caughie London Boston: Routledge & Kegan Paul in association with the British Film Institute, 1981.
Call No: 621 THEAuthor: Caughie, John CorpAuthor: British Film InstitutePlace: London BostonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1981PhysDes: ix, 316 p., [4] p. of plates : ill. ; 23 cmSeries: British Film Institute readers in film studiesSubject: AUTHORSHIP ; AUTEUR THEORY ; CAHIERS DU CINEMA ; SARRIS, ANDREW ; FORD, JOHN ; SEARCHERS, THE (US, John Ford, 1956) ; STAGECOACH (US, John Ford, 1939) ; SEVEN WOMEN (US, John Ford, 1965) Notes: Includes indexes; Bibliography: p. 302-308ISBN: 0710006497; 0710006500 (pbk.)LON: 80041575; 2070811Contents: Part One - Auteurism --
1. Introduction --
A. Auteurism in theory -- 2. M H Abrams: 'Literature as a revelation of personality' -- 3. Edward Buscombe: 'Ideas of authorship --
B. The theory in practice -- 4. Cahiers du Cinema -- 5. Movie -- 6. Andew Sarris --
C. Dossier on John Ford -- 7. Louis Marcorelles: 'Ford of the movies' -- 8. Lindsay Anderson: 'The searchers' -- 9. Andrew Sarris: 'The searchers' -- 10. Robin Wood: 'Shall we gather at the river? the late films of John Ford' -- 11. Peter Wollen (Lee Russell): 'John Ford' -- 12. Jean-Louis Comolli: 'Signposts on the trail' -- 13. Jean Narboni: 'Casting out the eights: John Ford's Seven Women' --
Part Two - Auteur-structuralism --
14. Introduction -- 15. Claude Levi-Strauss: 'The structural study of myth' (extract) -- 16. Geoffrey Nowell-Smith: Visconti (extract) -- 17. Peter Wollen: 'The auteur theory' (extract) -- 18. Charles Eckert: 'The English cine-structuralists' -- 19. Brian Henderson: 'Critique of cine-structuralism' (part 1) -- 20. Jean-Pierre Oudart: 'Conclusion to the Cahiers du Cinema editors' "John Ford's Young Mr Lincoln"' (extract) -- 21. Pierre Macherey: 'Literary analysis: the tomb of the structures' (extract) --
Part Three - Fiction of the author/author of the fiction --
22. Introduction -- 23. Roland Barthes: 'The death of the author' -- 24. Stephen Heath: 'Comment on "The idea of authorship" -- 25. Geoffrey Nowell-Smith: 'Six authors in pursuit of The searchers' (extract) -- 26. Christian Metz: 'History/discourse: a note on two voyeurisms' -- 27. Geoffrey Nowell-Smith: 'A note on "history/discourse"' -- 28. Sandy Flitterman: 'Woman, desire and the look: feminism and the enunciative apparatus in cinema' -- 29. Nick Browne: 'The rhetoric of the specular text with reference to Stagecoach' -- 30. Jean-Pierre Oudart: 'The absent field of the Author' -- 31. Pam Cook: 'The point of self-expression in avant-garde film' -- 32. Michel Foucault: 'What is an author?' (extract)
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