Search Catalogue

Call No: 629 CON
Author: Conley, Tom
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2007
PhysDes: viii, 265 p. : ill. ; 23 cm
Subject: IMAGE ANALYSIS; CARTOGRAPHY AND THE CINEMA; BAZIN, ANDRE; DELEUZE, GILLES; RENOIR, JEAN; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); AMANTS, LES (FR, Louis Malle, 1958); CASABLANCA (US, Michael Curtiz, 1942); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); DESPERATE JOURNEY (US, Raoul Walsh, 1942); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); GLADIATOR (US, Ridley Scott, 2000); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); HAINE, LA (FR, Mathieu Kassovitz, 1995); HIGH SIERRA (US, Raoul Walsh, 1941); MISTONS, LES (FR, François Truffaut, 1957); PARIS QUI DORT (FR, Rene Clair, 1923); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]
ISBN: 0816643571
Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine

Call No: 67 RUS
Author: Ruszkoiwski, A
Place: Lyon
PubDate: 1937
Subject: CHARACTERIZATION IN FILMS UF: CHARACTERS IN FILMS; CLAIR, RENE; COWARD, NOEL; DE HAVILLAND, OLIVIA; DUVIVIER, JULIEN; GANCE, ABEL; GARSON, GREER; LANG, FRITZ; LORRE, PETER; PIDGEON, WALTER; PRESLE, MICHELINE; RENOIR, JEAN; MADAME CLAUDE (FR, Just Jaeckin, 1977); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMAN DE RENARD, LE (FR, Ladislas Starevitch, 1941 [prod. 1929-41]); VISITEURS DU SOIR, LES (FR, Marcel Carne, 1942)
Language: French

Author: De Vincenti, Giorgio
PhysDes: Article; Bibliography; Illustration(s)
Subject: AUTEUR THEORY; RENOIR, JEAN
Summary: Examines the model of authorship in relation to the cinema of Jean Renoir.

Call No: 761.2(73) MAM
Author: Mamber, Stephen
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: [1974]
PhysDes: vi, 288 p. : ill. ; 23 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; FONDA, JANE; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
LON: 508990
Contents: Cinema verite: definitions and background -- Drew Associates -- Direct cinema and crisis structure -- The Maysles brothers -- D. A. Pennebaker -- Richard Leacock -- Frederick Wiseman -- Conclusion

Call No: 761.2(73) MAM COPY 2
Author: Mamber, Stephen
Source: UK
Place: Cambridge, MA
Publisher: MIT Press
PubDate: c1974
PhysDes: vi, 288 p. : ill. ; 24 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; FONDA, JANE; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
Donation: donated by the family of Wayne Levy, 2006

Call No: 408.1REA
Author: Reader, Keith
Place: London New York
Publisher: Quartet Books
PubDate: 1981
PhysDes: 216 p., [8] p. of plates : ill. ; 24 cm
Subject: NATIONAL IDENTITY IN FILMS. JAPAN; NATIONAL IDENTITY IN FILMS. FRANCE; NATIONAL IDENTITY IN FILMS. UK; NATIONAL IDENTITY IN FILMS. USA; NOUVELLE VAGUE; FILM NOIR; RENOIR, JEAN; OZU YASUJIRO; KUROSAWA AKIRA; MIZOGUCH KENJI; OSHIMA NAGISA; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: Includes index; Bibliography: p. [200]-202; Filmography: p. [203]-209
ISBN: 0704322722
LON: 2099506
ID2: 291

Call No: 70 CAS
Author: Casty, Alan
Source: US
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1973
PhysDes: 425 p. ; 23 cm
Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971)
Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.
ISBN: 0155176226

Call No: 45:93 SHO
Author: Short, K. R. M. (Kenneth R. M.)
Source: UK
Place: London
Publisher: Croom Helm
PubDate: c1981
PhysDes: 192 p. ; 23cm
Subject: BLACKS IN FILMS. USA; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CASABLANCA (US, Michael Curtiz, 1942); CENSORSHIP. UK; CROSSFIRE (US, Edward Dmytryk, 1947); FRANCE; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); GERMANY; HISTORY AND THE CINEMA; JEWS IN FILMS. USA; RENOIR, JEAN; UNITED KINGDOM; USSR; WORLD WAR II AND THE CINEMA; ZANUCK, DARRYL F.
Notes: Historical sources: Cinema films (BNB/PRECIS); Includes index
ISBN: 0709904592 : ª9.95 : CIP rev
LON: 2012107

Call No: 753 FIL
Author: Naremore, James
Source: US
Place: New Brunswick, N.J
Publisher: Rutgers University Press
PubDate: c2000
PhysDes: x, 258 p. : ill. ; 23 cm.
Series: Rutgers depth of field series
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. DOSTOEVSKIJ, FEDOR MIHAJLOVIC; ADAPTATIONS. SHAKESPEARE, WILLIAM; CENSORSHIP; LITERATURE AND THE CINEMA; KUROSAWA AKIRA; RENOIR, JEAN; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); CLUELESS (US, Amy Heckerling, 1995); DAVID COPPERFIELD (US, George Cukor, 1935); DAY IN THE COUNTRY, A (FR, Jean Renoir, 1946 [prod. 1936]); PARTIE DE CAMPAGNE, UNE (FR, Jean Renoir, 1946 [prod. 1936]); EMMA (UK, Douglas McGrath, 1996); HIGH AND LOW (JA, Akira Kurosawa, 1963); TENGOKU TO JIGOKU (JA, Akira Kurosawa, 1963); HOW TASTY WAS MY LITTLE FRENCHMAN (BL, Nelson Pereira dos Santos, 1971)
Summary: "The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the films described as adaptations seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told? Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact." -- BOOK BLURB (Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)
Notes: Includes bibliographical references (p. 239-243) and index
ISBN: 0813528135
Contents: -- introduction: film and the reign of adaptation -- adaptation, or the cinema as digest -- adaptation -- The field of "literature and film" -- The dialogics of adaptation -- "to prevent the prevalent type of book" Censorship and adaptation in Hollywood, 1924-1934 -- Dickens, the Depression and MGM's David Copperfield -- Landscape and fiction: A day in the country -- Welles/Shakespeare/film an overview -- high and low: Art cinema and pulp fiction in Yokohama -- The politics of adaptation: how tasty was my little frenchman -- Two forms of adaptation: housekeeping and naked lunch -- Emma in Los Angeles: remaking the book and the city -- annotated bibliography -- contributors -- index --
ID2: 291

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
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Call No: 62 FIL
Author: Hughes, Robert
Source: US
Place: New York
Publisher: Grove Press
PubDate: 1959
PhysDes: v. : ill., ports ; 20 cm.
Series: Evergreen Books E140
Subject: PERIODICALS, FILM; ART AND THE CINEMA; SPECTATORSHIP; ANDERSON, LINDSAY; BARDEM, JUAN ANTONIO; BUNUEL, LUIS; CLEMENT, RENE; MEYERS, SIDNEY; DREYER, CARL TH.; HENNING-JENSEN, BJARNE; KAZAN, ELIA; Lean, David; SATYAJIT, RAY; RENOIR, JEAN; FLAHERTY, ROBERT; Fellini, Federico; AGEE, JAMES; ZAVATTINI, CESARE; MEKAS, JONAS; MAN OF ARAN (UK, Robert Flaherty, 1934); ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952)
ISBN: 0195018346

Call No: 802.25 FIL
Place: Harmondsworth
Publisher: Penguin
PubDate: 1967
PhysDes: 18 cm; 303 p.
Subject: AUTHORSHIP; LUMIERE, LOUIS; PORTER, EDWIN S.; SENNETT, MACK; GRIFFITH, DAVID WARK; FLAHERTY, ROBERT; CHAPLIN, CHARLES; VON STROHEIM, ERICH; VERTOV, DZIGA; DREYER, CARL TH.; HITCHCOCK, ALFRED; RICHARDSON, TONY; COCTEAU, JEAN; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; BUNUEL, LUIS; BERGMAN, INGMAR; FELLINI, FEDERICO; VON STERNBERG, JOSEF; ANTONIONI, MICHELANGELO; LANG, FRITZ; WAJDA, ANDRZEJ; WELLES, ORSON; RAY, SARYAJIT; KUROSAWA AKIRA; ANDERSON, LINDSAY; LEAN, DAVID; RENOIR, JEAN; BARDEM, JUAN ANTONIO; ANGER, KENNETH
Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.]
ID2: 291

Call No: 802 FIL vol.2
Author: McBride, Joseph
CorpAuthor: American Film Institute
Edition: 1st ed
Place: Los Angeles Boston
Publisher: J.P. Tarcher Distributed by Houghton Mifflin Co.
PubDate: c1983
PhysDes: ports. ; 24 cm
Subject: LEAR, NORMAN; LEVINE, JOSEPH E.; RENOIR, JEAN; TOWNE, ROBERT; HESTON, CHARLTON; DAVIS, BETTE; GOLDSMITH, JERRY; HEAD, EDITH; SELZNICK, DAVID O.; BRAKHAGE, STAN; DE HAVILLAND, OLIVIA; MORRISSEY, PAUL; NICHOLSON, JACK; POLANSKI, ROMAN; SCHAFFNER, FRANKLIN J.; WYLER, WILLIAM; ALONZO, JOHN A.; HORNER, HARRY; GOOD TIMES (US, William Friedkin, 1967); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); CHINATOWN (US, Roman Polanski, 1974); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); HEIRESS, THE (US, William Wyler, 1949); HUSTLER, THE (US, Robert Rossen, 1961); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes bibliographies and indexes
ISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)
LON: 2606290

Author: Lehmen, Peter
PhysDes: Article
Subject: INDUSTRY, FILM. FRANCE; NOUVELLE VAGUE; VARDA, AGNES; RENOIR, JEAN; CLOUZOT, HENRI-GEORGES
Summary: Whole issue on French cinema, focusing on films by Renoir, Clouzot, Varda, the New Wave, and interviews with Truffaut and Victor Ancona.

Call No: 71(44) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Zwemmer : Cranbury (N. J.) : Barnes
PubDate: 1966-
PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cm
Subject: FRANCE; DIRECTORS. FRANCE; CLAIR, RENE; RENOIR, JEAN; CARNE, MARCEL; OPHULS, MARCEL; COCTEAU, JEAN; CLOUZOT, HENRI-GEORGES; CLEMENT, RENE; BECKER, JACQUES; BRESSON, ROBERT; TATI, JACQUES; GREMILLON, JEAN; LEENHARDT, ROGER; ROUQUIER, GEORGES; AUTANT-LARA, CLAUDE
Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal style
LON: 4021093 4021093

Author: Mogg, Kenneth M.
PhysDes: Review
Subject: KRAMER, STANLEY; RAY, SATYAJIT; APUR SANSAR (II, Satyajit Ray, 1958); VERTIGO (US, Alfred Hitchcock, 1958); HITCHCOCK, ALFRED; RAY, NICHOLAS; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); RENOIR, JEAN; ORFEU NEGRO (FR/IT/BL, Marcel Camus, 1958); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); MALLE, LOUIS; AND GOD CREATED WOMAN (US, Roger Vadim, 1988); VADIM, ROGER; COUSINS, LES (FR, Claude Chabrol, 1959); CHABROL, CLAUDE; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); RESNAIS, ALAIN; NOUVELLE VAGUE
Summary: Reviews of "The Defiant Ones", "The World of Apu", "Vertigo", "Party Girl", "French Can-Can", "Black Orpheus", "The Lovers", "And God Created Woman", "The Cousins", "Hiroshima Mon Amour", "Ivan The Terrible" in the context of the French New Wave and new World Cinema.

Call No: 408.1(44) BUS
Author: Buss, Robin
Place: London
Publisher: Batsford
PubDate: 1988
PhysDes: 165 p., [32] p. of plates : ill. ; 25 cm
Subject: NATIONAL CULTURE AND THE CINEMA. FRANCE; FRANCE; SOCIETY AND THE CINEMA. FRANCE; FILMOGRAPHIES. FRANCE; HISTORICAL FILMS. FRANCE; FAMILY IN FILMS. FRANCE; BRESSON, ROBERT; CHABROL, CLAUDE; GODARD, JEAN-LUC; MALLE, LOUIS; PAGNOL, MARCEL; RENOIR, JEAN; CARNE, MARCEL; CLAIR, RENE; DEMY, JACQUES; DUVIVIER, JULIEN; GABIN, JEAN; GANCE, ABEL; TRUFFAUT, FRANCOIS; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984)
Notes: French cinema films,. 1900-1985. Social aspects (BNB/PRECIS); Includes index; Filmography: p. 91-156
ISBN: 0713453605
LON: 5952835

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Author: Husson, R.
PhysDes: Article
Subject: GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); RENOIR, JEAN; WAR FILMS; REALISM IN FILMS
Summary: Detailed and structured essay about Jean Renoir's "La Grande Illusion", analysing the film's themes, characters and sense of realism.

Call No: 802.25 GRE
Author: Dickstein, Morris; Braudy, Leo
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 778 p. ; 23 cm
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CAPRA, FRANK; CHAPLIN, CHARLES; DREYER, CARL TH.; FELLINI, FEDERICO; FLAHERTY, ROBERT; FORD, JOHN; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; KEATON, BUSTER; KUROSAWA AKIRA; LANG, FRITZ; RENOIR, JEAN; ROSSELLINI, ROBERTO; VON STERNBERG, JOSEF; TRUFFAUT, FRANCOIS; WELLES, ORSON
Notes: Includes bibliographical references
ISBN: 0195023129 : $7.50
LON: 952629
ID2: 291

Call No: 70 FEL
Author: Fell, John
Source: US
Place: New York
Publisher: Holt, Rinehart and Winston
PubDate: 1979
PhysDes: 588 p. : ill. ; 23 cm
Subject: HISTORY AND THE CINEMA; PRODUCTION; ALEXANDROV, GROGORIO; ANTONIONI, MICHELANGELO; BRECHT, BERTHOLD; CAPRA, FRANK; CHAPLIN, CHARLES; DE SICA, VITTORIO; COCTEAU, JEAN; DEMILLE, CECIL B.; DREYER, CARL TH.; DISNEY, WALT; DOVZENKO, ALEKSANDR; EPSTEIN, JEAN; FELLINI, FEDERICO; FRANJU, GEORGES; LANG, FRITZ; MURNAU, FRIEDRICH WILHEL; Pasolini, Pier Paolo; PAUL, ROBERT; PORTER, EDWIN S.; PUDOVKIN, VSEVELOD; RENOIR, JEAN; RESNAIS, ALAIN; ROSSELLINI, ROBERTO; THALBERG, IRVING; TRUFFAUT, FRANCOIS; VERTOV, DZIGA; VIGO, JEAN; VISCONTI, LUCHINO; ZAVATTINI, CESARE; WELLES, ORSON; WYLER, WILLIAM; ZUKOR, ADOLPH; L'­AGE D'OR (FR, Luis Bruñell, 1930); L'ATALANTE (FR, Jean Vigo, 1930); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); METROPOLIS (G, Fritz Lang, 1926); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932)
Notes: Bibliography: p.546-548 Includes index
ISBN: 0030363160
Donation: donated by the family of Wayne Levy, 2006

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 67(04) ROT
Author: Rothman, William
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1988
PhysDes: xix, 210 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: USA; THEATRE AND THE CINEMA; ADAPTATIONS; EROTICISM IN FILMS; MELODRAMA; GRIFFITH, DAVID WARK; RENOIR, JEAN; BOGART, HUMPHREY; CHAPLIN, CHARLES; GRANT, CARY; HAWKS, HOWARD; HITCHCOCK, ALFRED; GUZZETTI, ALFRED; BACALL, LAUREN; ASTOR, MARY; JUDITH OF BETHULIA (US, David Wark Griffith, 1913); CITY LIGHTS (US, Charles Chaplin, 1931); RED DUST (US, Victor Fleming, 1932); STELLA DALLAS (US, King Vidor, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); RIVER, THE (II/US, Jean Renoir, 1951); FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TRUE HEART SUSIE (US, David Wark Griffith, 1919); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VERTIGO (US, Alfred Hitchcock, 1958)
Notes: Includes index; Bibliography: p. xviii-xix
ISBN: 0521368286 (pbk.); 052136048X
LON: 5831391

Call No: 79GRA MAC
Author: Macdonald, Nicholas
Source: UK
Place: Jefferson, North Carolina ; London
Publisher: McFarland & Company, Inc., Publishers
PubDate: c2014
PhysDes: x, 258 pages : illustrations (black and white) ; 26 cm.
Subject: RENOIR, JEAN; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937)
Summary: "This is an extended analysis of the film, from different perspectives. The first half is largely a discussion of the cinematic technique, with key sequences analyzed shot by shot. The second half approaches the film from many other angles, including its history, the critical reception, Renoir's life and career, and film theory, e.g., film in relation to music"-- [extract taken from back of book]
Notes: Includes bibliographical references and index
ISBN: 9780786462704
Contents: -- pt. I The Film -- 1.The Blowup in the Mountains -- 2.La Grande Illusion: A Misplaced Classic -- 3.French Air Base/German Canteen -- 4.The Film's Structure -- 5.Aspects of Style -- 6.Hallbach -- 7.Wintersborn (the Opening) -- 8.Themes and Relationships -- 9.Marechal and Boeldieu -- 10.Boeldieu and Rauffenstein -- 11.Elsa's Farm -- 12.FIN: The Swiss Border -- pt. II Around the Film -- 13.La Grande Illusion: A History -- 14.The Road Not Taken... -- 15....and the End of the Journey -- 16.An "Anti" Anti-War Film -- 17.The Art of Collaboration -- 18.Other Takes, Different Angles -- pt. III The Director -- 19.Jean Renoir: A Biographical Sketch -- 20.Peaks, Valleys and Slippery Slopes (1936--1939) -- 21.Revenge of the Treatment: Le Caporal epingle (1962) -- pt. IV Coda -- 22.Film as Film --- and the Music Within -- 23.The Director Among Directors -- 24.24 Frames Per Second, Forever.

Author: Mogg, Ken and Gardner, Geoffrey
PhysDes: Article
Subject: Ray, Satyajit; INDIA; DIRECTORS. INDIA; DEVI (II, Satyajit Ray, 1960); PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); APU SANSAR (II, Satyajit Ray, 1958); RENOIR, JEAN; GHATAK, RITWIK
Summary: Interview with Bengali filmmaker Satyajit Ray discussing his past and current works.

Call No: 81REN BRA
Author: Braudy, Leo
Edition: 1st Edition
Source: US
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1972
PhysDes: 286 p. : ill. ; 22 cm
Subject: RENOIR, JEAN; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); MARSEILLAISE, LA (FR, Jean Renoir, 1937); BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); CHIENNE, LA (FR, Jean Renoir, 1931); BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); PARTIE DE CAMPAGNE, UNE (FR, Jean Renoir, 1946 [prod. 1936]); BETE HUMAINE, LA (FR, Jean Renoir, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); JOURNAL D'UNE FEMME DE CHAMBRE, LE (FR, Jean Renoir,1946); CARROSSE D'OR, LE (FR/IT, Jean Renoir, 1952); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); ELENA ET LES HOMMES (FR, Jean Renoir, 1956); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961)
Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall vision
Notes: Bibliography: p. [272]-276 Filmography: p. 219-271 Includes index
ISBN: 0860510050
LON: 71171280; 558387

Call No: 81REN BER
Author: Bergan, Ronald
Place: London
Publisher: Bloomsbury
PubDate: 1992
PhysDes: 378 p., [8] p. of plates : ill., ports. ; 24 cm
Subject: RENOIR, JEAN
Notes: Includes index; Bibliography: p. 367
ISBN: 0747508372 : ª25.00
LON: bnb74750837; 9206141

Call No: 81REN BAZ
Author: Bazin, Andre, 1918-1958; Truffaut, Francois, 1932
Place: New York
Publisher: Simon and Schuster
PubDate: 1973]
PhysDes: 320 p. illus. 24 cm
Subject: RENOIR, JEAN
Notes: "Filmography": 201-309
ISBN: 0671214640
LON: 72086984; 590887

Call No: 81REN OSH
Author: O'Shaughnessy, Martin
Source: US
Place: New York
Publisher: Manchester University Press
PubDate: 2000
PhysDes: p. cm
Series: French film directors
Subject: RENOIR, JEAN
Notes: Includes bibliographical references and index
ISBN: 0719050626; 0719050634 (pbk.)
LON: 21291747

Author: Mogg, Ken
PhysDes: Article
Subject: RENOIR, JEAN; LANG, FRITZ
Summary: Essay discusses the themes and intentions of Jean Renoir's "Les Bas-Fonds".

Call No: 81REN BRA
Author: Braudy, Leo
Place: London
Publisher: Robson Books
PubDate: 1977
PhysDes: 288 p., [56] p. of plates : ill., plan, ports. ; 23 cm.
Subject: RENOIR, JEAN
Summary: Jean Renoir (1894-1979) works
Notes: Includes index. Bibliography: p. 274-278
ISBN: 0860510050

Call No: 81 REN DUR
Author: Durgnat, Raymond
Edition: 1975
Place: London
Publisher: Studio Vista
PubDate: 1975
PhysDes: xiv, 430 p. ; 24 cm
Subject: RENOIR, JEAN
ISBN: 0289702917

Call No: 81 REN LEP
Author: Leprohon, Pierre
Place: New York
Publisher: Crown Publishers, Inc
PubDate: c. 1971
PhysDes: 256 p : ill. ; 13 x 17 cm
Series: Editions Seghers' Cinéma d'Aujourd'hui in English
Subject: RENOIR, JEAN
Notes: Translated by Brigid Elson; ex RMIT Central Library

Call No: 81 REN SES
Author: Sesonske, Alexander
Source: US
Place: Cambridge, Massachusetts
Publisher: Harvard University Press
PubDate: 1980
PhysDes: xii, 463 pages : illustrations ; 24 cm
Series: Harvard film studies
Subject: RENOIR, JEAN
Summary: "According to the great director himself, this is the authoritative book on the films of Jean Renoir. All of the French films - from the classics, such as Grand Illusion and Boudu Saved from Drowning, to the seldom seen, such as Chotard et Cie. and Charleston - are described in detail: characters, actors, plot, direction, camera work, editing style, the history of the production, and the position of each film in Renoir's oeuvre and in his life. Hundreds of frame enlargements, taken directly from the films, are included." -- taken from back cover
Notes: Includes index. -- Bibliography: p. 455-456.
ISBN: 0674473604
Contents: Prologue: 1894-1924 -- 1 First films: Catherine and La Fille de l'eau (1924) -- 2 Nana (1926) -- 3 Charleston and Marquitta (1927) -- 4 La Petite Marchande d'allumettes (1928) -- 5 Tire au flanc (1928) -- 6 Le Tournoi and Le Bled (1929) -- 7 On purge bebe (1931) -- 8 La Chienne (1931) -- 9 La Nuit du carrefour (1932) -- 10 Boudu sauve des eaux (1932) -- 11 Chotard et Cie. (1933) -- 12 Madame Bovary (1934) -- 13 Toni (1935) -- 14 Le Crime de M. Lange (1936) -- 15 La Vie est a nous (1936) -- 16 Une Partie de campagne (1936-1946) -- 17 Le Bas Fonds (1936) -- 18 La Grande Illusion (1937) -- 19 La Marseillaise (1938) -- 20 La Bete humaine (1938) -- 21 La Regle du jeu (1939) -- Epilogue: 1940 -- Notes -- Bibliography -- Acknolwledgments -- Index

Call No: 62 PER
Author: Perez, Gilberto, 1943
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1998
PhysDes: xi, 465 p. : ill. ; 24 cm
Subject: AESTHETICS; CRITICISM; ALPHAVILLE (FR, Jean-Luc Godard, 1965); ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BAZIN, ANDRE; BRECHT, BERTOLT; CHAPLIN, CHARLES; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); COLLEGE (US, James W. Horne, 1927); DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; FORD, JOHN; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976); GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HUILLET, DANIELE; KARINA, ANNA; Keaton, Buster; KIAROSTAMI, ABBAS; LECONS D'HISTOIRE (IT, Jean-Marie Staub & Daniele Huillet, 1972); MURNAU, FRIEDRICH WILHELM; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); PARTIE DE CAMPAGNE, UNE (FR, Jean Renoir, 1946 [prod. 1936]); RENOIR, JEAN; STRAUB, JEAN-MARIE; ZEMLJA (UR, Alexksandr Dovzenko, 1930)
Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.
Notes: Includes bibliographical references (p. [417]-448) and indexes
ISBN: 0801856736 (alk. paper)
LON: 21392968

Call No: 408.1(44) AND
Author: Andrew, Dudley, 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: xv, 409 p. : ill. ; 24 cm
Subject: FRANCE; NATIONAL CULTURE AND THE CINEMA. FRANCE; POETIC REALISM; SURREALISM AND THE CINEMA; ALLEGRET, MARC; BECKER, JACQUES; BERNARD, RAYMOND; CHENAL, PIERRE; FEUILLADE, LOUIS; FEYDER, JACQUES; GREMILLON, JEAN; MAC ORLAN, PIERRE; MEERSON, LAZARE; PREVERT, JACQUES; VIGO, JEAN; ZOLA, EMILE; PAGNOL, MARCEL; RENOIR, JEAN; BUNUEL, LUIS; CARNE, MARCEL; CLAIR, RENE; DUVIVIER, JULIEN; GABIN, JEAN; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ATALANTE, L' (FR, Jean Vigo, 1934); BELLE EQUIPE, LA (FR, Julien Duvivier, 1936); PEPE LE MOKO (FR, Julien Duvivier, 1937); BETE HUMAINE, LA (FR, Jean Renoir, 1938); CASQUE D'OR (FR, Jacques Becker, 1952); CHIENNE, LA (FR, Jean Renoir, 1931); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); MARSEILLAISE, LA (FR, Jean Renoir, 1938); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: Includes bibliographical references (p. [391]-396) and indexes
ISBN: 0691008833 (pbk.); 0691056862 (hard)
LON: 10901107

PhysDes: Article Review Credits Bibliography
Subject: LANG, FRITZ; RENOIR, JEAN; TRUFFAUT, FRANCOIS
Summary: Review of "Moonfleet", with an analysis of Lang's directorial style and praise for his work. Notes for this article were extracted from the Monthly Film Bulletin July 1955, and Film Culture 28. Spring 1963.

Call No: 62 THO
Author: Thomson, David, 1941
Place: London
Publisher: Secker & Warburg
PubDate: 1967
PhysDes: 234 p., [8] leaves of plates : ill. ; 23 cm
Subject: CINEMATOGRAPHY; SOCIETY AND THE CINEMA; GRANT, CARY; MONROE, MARILYN; NOVAK, KIM; LANG, FRITZ; RENOIR, JEAN; HITCHCOCK, ALFRED; HAWKS, HOWARD; DEMY, JACQUES; RIVETTE, JACQUES; PREMINGER, OTTO
Notes: Includes index; "Filmography": p. 217-223
LON: xls00449773; 4094552
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Call No: 81REN REN
Author: Renoir, Jean
Source: UK
Place: London
Publisher: Collins
PubDate: 1974
PhysDes: 287 p., [17] leaves of plates : ill. ; 23 cm
Subject: RENOIR, JEAN; BECKER, JACQUES; CHAMPAGNE, PIERRE; HESSLING, CATHERINE; CHIENNE, LA (FR, Jean Renoir, 1931); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); REGLE DU JEU, LA (FR, Jean Renoir, 1939)
ISBN: 0002167050

Call No: 802 PRO v.7
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber & Faber
PubDate: 1997
PhysDes: x, 301 p. : ill., ports. ; 24 cm
Subject: SCORSESE, MARTIN; CAPRA, FRANK; BARRON, BEBE; DORMAEL, JACO VAN; SCHOONMAKER, THELMA; DE NIRO, ROBERT; FORD, JOHN; ROCHA, GLAUBER; BERTOLUCCI, BERNARDO; RENOIR, JEAN; OPHULS, MAX; MASTROIANNI, MARCELLO; FERRARA, ABEL; ASSAYAS, OLIVIER; CURTIS, JAMIE LEE; LEIGH, JANET; BURNS, LILLIAN; GIRARDOT, HIPPOLYTE; MCDORMAND, FRANCES; MITCHUM, ROBERT; HODGSON, PIERRE; COX, BRIAN; CARON, LESLIE; SYMS, SYLVIA; WRIGHT, TERESA; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SPIELBERG, STEVEN; LUCAS, GEORGE; Tarantino, Quentin; WALSH, RAOUL; HUSTON, JOHN; MCCAREY, LEO; Lupino, Ida; CASSAVETES, JOHN; WELLES, ORSON; HITCHCOCK, ALFRED; WOO, JOHN [pseud. of Wu Yusen]; DAFOE, WILLEM; SIRK, DOUGLAS; ALMEREYDA, MICHAEL; BOORMAN, JOHN; BAD LIEUTENANT (US, Abel Ferrara, 1992); CASINO (US, Martin Scorsese, 1995); TAXI DRIVER (US, Martin Scorsese, 1976); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MANHUNTER (US, Michael Mann, 1986); L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962); VICTIM (UK, Basil Dearden, 1961); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); DEAD MAN (US, Jim Jarmusch, 1995); CAHIERS DU CINEMA
Notes: Filmography: p. 300-301
ISBN: 0571190332
LON: abn97280608; 13386768

Call No: 71(44) RED
Author: Bandy, Mary Lea
CorpAuthor: Museum of Modern Art (New York, N.Y.)
Place: New York Boston
Publisher: Museum of Modern Art Distributed by New York Graphic Society Books, Little, Brown
PubDate: c1983
PhysDes: 220 p. : ill. ; 26 cm
Subject: FRANCE; FRANCE. 1927-1932; CLAIR, RENE; PAGNOL, MARCEL; GREMILLON, JEAN; GABIN, JEAN; COCTEAU, JEAN; RENOIR, JEAN; RESNAIS, ALAIN; LUMIERE, LOUIS; MELIES, GEORGES; FEUILLADE, LOUIS; GANCE, ABEL; FEYDER, JACQUES; BRESSON, ROBERT; BECKER, JACQUES; MELVILLE, JEAN-PIERRE; CARNE, MARCEL; JAUBERT, MAURICE; GUITRY, SACHA; ARLETTY; LUMIERE D'ETE (FR, Jean Gremillon, 1942); DOUCE (FR, Claude Autant-Lara, 1943)
Notes: Published in conjunction with an exhibition organized by the Museum, and others; Includes index; Filmography: p. 167-193; Bibliography: p. 195-210
ISBN: 0870703358 (pbk.)
LON: 3145053

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Publicity
Subject: RENOIR, JEAN

Call No: 81REN REN
Author: Renoir, Jean
Place: Cambridge; New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xiii, 288 p. : ill. ; 24 cm.
Series: Cambridge studies in film
Subject: FILM; FRANCE; DIRECTORS; PRODUCERS; RENOIR, JEAN
Notes: Translation of: Entretiens et propos. Filmography: p. 264-279. Includes index
ISBN: 0521385938
Contents: Part I. Interviews in Cahiers du Cinema -- 1. First interview, by Jacques Rivette and Frano is Truffaut -- 2. Second interview, by Jacques Rivette and Frano is Truffaut -- 3. Third interview: My next films, by Michel Delahaye and Jean-Andre; Fieschi -- 4. Fourth interview: The progression of ideas, by Michel Delahaye and Jean Narboni -- Part II. Television Interviews -- 5. Jean Renoir talks about his art -- 6. Jean Renoir the boss, the search for relativity, the rule and its exception -- Part III. Remarks -- 7. Jean Renoir presents twenty of his films [for television] -- 8. Hollywood conversations [from Cahiers du cinema] -- Afterword -- Filmography -- Name index -- Title index

Call No: 81REN DAV
Author: Davis, Colin
Source: UK
Place: London
Publisher: Wallflower Press
PubDate: 2009
PhysDes: vii, 159 p. : ill. ; 23 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; CRIME IN FILMS; RENOIR, JEAN; CAVELL, STANLEY; DELEUZE, GILLES; ZIZEK, SLAVOJ; CHIENNE, LA (FR, Jean Renoir, 1931); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); REGLE DU JEU, LA (FR, Jean Renoir, 1939)
Summary: "This book examines Jean Renoir's films from the 1930s in the light of recent developments in philosophical film criticism. With reference to thinkers such as Aristotle, Wittgenstein, Girard, Derrida and Cavell, it argues that Renoir's work engages with and elucidates some of the great philosophical questions. In particular the films are shown to reflect on the natures of murder and its links with desire, communitiy, ethics and the mystery of other minds." - TAKEN FROM BACK COVER
ISBN: 9781905674633
Donation: donated by Senses of Cinema, 2012
Contents: Film as philosophy: Cavell, Deleuze, Z iz ek and Renoir -- Scepticism and the mystery of other minds: La chienne -- Murderous desires: Le crime de Monsieur Lange and La be^te humaine -- Friendship, fraternity and community: La grande illusion -- Making and breaking rules: La re`gle du jeu -- Conclusion: intimations of otherness.

Call No: 761 SHO
Author: Waugh, Thomas, 1948
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1984
PhysDes: xxvii, 508 p. : ill. ; 23 cm
Subject: NEWSREELS; FEMINISM AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARY FILMS. THIRD WORLD; ALVAREZ, SANTIAGO; VERTOV, DZIGA; SHUB, ESTHER; BRECHT, BERTOLT; GODARD, JEAN-LUC; IVENS, JORIS; RENOIR, JEAN; SOLANAS, FERNANDO E.; VAN DONGEN, HELEN; STRAND, PAUL; SCHEUMANN, PETER; MIEVILLE, ANNE-MARIE; KOPPLE, BARBARA; GUZMAN, PATRICIO; GETINO, OCTAVIO; ELAM, JOANN; ALLENDE, SALVADOR; BIRRI, FERNANDO; HURWITZ, LEO; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970); NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976); SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975); HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972); POR PRIMERA VEZ (CU, Octavio Cortazar, 1967); NOW (CU, Santiago Alvarez, 1965); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); RAPE (US, JoAnn Elam, 1975); KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974); SPANISH EARTH, THE (US, Joris Ivens, 1937)
Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKS
Notes: Includes bibliographies and indexes
ISBN: 0810822172 (pbk.); 0810817063
LON: 84005603; 3178777
Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John Ramirez
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Call No: 81REN FAU
Author: Faulkner, Christopher
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1986
PhysDes: x, 210 p. ; 23 cm
Subject: RENOIR, JEAN
Notes: Includes index; Bibliography: p. 199-204
ISBN: 0691066736 : $30.00
LON: 85043276; 4219603

Call No: FESTIVAL CATALOGUE SHELVES held 1961-1963, 1965, 2001, 2008
Place: Canada
Publisher: [s.n.]
PubDate: 1961-2008
PhysDes: 6 v. : ill. ; 23-28 cm
Subject: FESTIVALS. CANADA; FOREIGN FILMS USE: IMPORT OF FILMS; SHORT FILMS; DOCUMENTARY FILMS; ANIMATION; RENOIR, JEAN
Notes: The Vancouver International Film Festival includes a selection of feature length films, short films, documentaries and animated films. The festival also hosts various film related seminars and retrospectives on classic film directors. The catalogues also include numerous black and white and colour stills and film synopses. The 1963 festival catalogue also includes a separate press book.
ID2: 100