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Encore Hollywood : remaking French cinema / Lucy Mazdon London: British Film Institute, 2000.
Call No: 753.8 MAZAuthor: Mazdon, Lucy CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: [vi], 169 p. : ill. ; 24 cmSubject: FRANCE ; REMAKES ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM. US ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA. FRANCE ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; SOMMERSBY (US, Jon Amiel, 1993) ; NIKITA (FR/IT, Luc Besson, 1990) ; LEON (FR, Luc Besson, 1994) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; TRUE LIES (US, James Cameron, 1994) ; SORCERER (US, William Friedkin, 1977) ; MON PERE, CE HEROS (FR, Gerard Lauzier, 1991) ; MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976) ; TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985) ; TOTALE!, LA (FR, Claude Zidi, 1991) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; WOMAN IN RED, THE (US, Gene Wilder, 1984) ; ALGIERS (US, John Cromwell, 1938) ; CASBAH (US, John Berry, 1948) ; SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953) ; GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972) Notes: Includes bibliographical references and indexISBN: 0851708005(cased) : ¦45.00; 0851708005LON: 21532807
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Mists of regret : culture and sensibility in classic French film / Dudley Andrew Princeton, N.J.: Princeton University Press, 1995.
Call No: 408.1(44) ANDAuthor: Andrew, Dudley, 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1995PhysDes: xv, 409 p. : ill. ; 24 cmSubject: FRANCE ; NATIONAL CULTURE AND THE CINEMA. FRANCE ; POETIC REALISM ; SURREALISM AND THE CINEMA ; ALLEGRET, MARC ; BECKER, JACQUES ; BERNARD, RAYMOND ; CHENAL, PIERRE ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; GREMILLON, JEAN ; MAC ORLAN, PIERRE ; MEERSON, LAZARE ; PREVERT, JACQUES ; VIGO, JEAN ; ZOLA, EMILE ; PAGNOL, MARCEL ; RENOIR, JEAN ; BUNUEL, LUIS ; CARNE, MARCEL ; CLAIR, RENE ; DUVIVIER, JULIEN ; GABIN, JEAN ; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; JOUR SE LEVE, LE (FR, Marcel Carne, 1939) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; BELLE EQUIPE, LA (FR, Julien Duvivier, 1936) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; CASQUE D'OR (FR, Jacques Becker, 1952) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: Includes bibliographical references (p. [391]-396) and indexesISBN: 0691008833 (pbk.); 0691056862 (hard)LON: 10901107
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PEPE LE MOKO : (FR, Julien Duvivier, 1937)
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Visions of the East : orientalism in film / edited by Matthew Bernstein and Gaylyn Studlar New Brunswick, N.J.: Rutgers University Press, c1997.
Call No: 626-054 VISAuthor: Berstein, Matthew; Studlar, Gaylyn Source: USPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: c1997PhysDes: ix, 330 p. : ill. ; 23 cmSubject: ETHNOGRAPHY AND THE CINEMA ; ETHNOGRAPHIC FILMS ; ANTHROPOLOGY AND THE CINEMA ; RACIAL STEREOTYPES IN FILMS ; ASIANS IN FILMS ; INDOCHINE (FR, Regis Wargnier, 1992) ; ALADDIN (US, John Musker & Ron Clements, 1992) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; CAESAR AND CLEOPATRA (UK, Gabriel Pascal, 1945) Summary: "Some of the most popular and frequently discussed titles in movie history are imbued with orientalism, the politically charged way in which Western artists have represented gender, race, and ethnicity in the cultures of North Africa and Asia. This is the first anthology to address and highlight orientalism in film from pre-cinema fascinations with Egyptian culture through the "Whole New World" of Aladdin. Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism. Other films discussed include The Letter, Caesar and Cleopatra, Lawrence of Arabia, Indochine, and severeal films of France's 'cinema colonial'."-BOOK BLURBNotes: includes bibliographical references (p. [315]-318) and indexISBN: 0813522951Contents: Acknowledgements / Matthew Bernstein -- Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema / Ella Shohat -- The Curse of the Pharaoh, or How Cinema Contracted Egyptomania / Antonia Lant --"Out-Salomeing Salome": Dance, the New Woman, and Fan Magazine Orientalism / Gaylyn Studlar -- The Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole / Andrienne L. McLean -- The Family Romance of Orientalism: From Madame Butterfly to Indochine / Marina Heung -- A Whole New (Disney) World Order: Alladin, Atomic Power, and the Muslim Middle East / Alan Nadel -- The "Cinema colonial" of 1930s France: Film Narration as Spatial Practice / Charles O'Brien -- Praying Mantis: Enchantment and Violence in French Cinema of the Exotic / Dudley Andrew -- In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko / Janice Morgan -- Timeless Histories: A British Dream of Cleopatra / Mary Homer.
Reading the Letter in a Postcolonial World / Phebe Shih Chao -- Orientalism in Film: A Select Bibliography
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