Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AZUCAR AMARGA (US, Leon Ichaso, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRIO (SP, Fernando Leon de Aranoa, 1998)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOD BOSS, THE [BUEN PATRON, EL] (SP, Fernando Leon De Aranoa, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROSSOVER DREAMS (US, Leon Ichaso, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCING IN THE DARK (CN, Leon Marr, 1986)

Call No: 620 DEL KEN
Author: Kennedy, Barbara M.
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2002
PhysDes: 229 pages ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; AESTHETICS; THEORY; CRITICISM; DELEUZE, GILLES; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ENGLISH PATIENT, THE (US, Anthony Minghella, 1996); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996); LEON (FR, Luc Besson, 1994)
Summary: "Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon this subtle and powerful book reintroduces debates about film as an art form and the place of film theory within our aesthetic sensibilities." - taken from back cover.
Notes: Includes bibliographical references and index. -- Filmography: pages 223-224.
ISBN: 0748617264
Contents: Introduction: Discovering the beautiful stranger ... -- From micro-politics to aesthetics -- From Oedipal myths ... to new interventions -- From abstract machines to Deleuzian becomings -- Constituting bodies : from subjectivity and affect to the becoming-woman of the cinematic -- Towards an aesthetics of sensation -- Orlando : Deleuzian landscapes of immanence -- The English patient : Deleuzian landscapes of immanence -- Romeo and Juliet : Deleuzian sensations -- Strange days : Deleuzian sensations -- Reconfiguring love ... a Deleuzian travesty? Leon and a molecular politics via the girl and the child.

Author: Rayns, Tony
PhysDes: Article
Subject: ITIM (PH, Mike de Leon, 1979)
Summary: Short reviews; credits; ill. For each film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ELES NAO USAM BLACK-TIE (BL, Leon Hirszman, 1981)

Call No: 753.8 MAZ
Author: Mazdon, Lucy
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: [vi], 169 p. : ill. ; 24 cm
Subject: FRANCE; REMAKES; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM. US; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA. FRANCE; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); SOMMERSBY (US, Jon Amiel, 1993); NIKITA (FR/IT, Luc Besson, 1990); LEON (FR, Luc Besson, 1994); BIRDCAGE, THE (US, Mike Nichols, 1996); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); TRUE LIES (US, James Cameron, 1994); SORCERER (US, William Friedkin, 1977); MON PERE, CE HEROS (FR, Gerard Lauzier, 1991); MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985); PEPE LE MOKO (FR, Julien Duvivier, 1937); ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976); TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985); TOTALE!, LA (FR, Claude Zidi, 1991); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); WOMAN IN RED, THE (US, Gene Wilder, 1984); ALGIERS (US, John Cromwell, 1938); CASBAH (US, John Berry, 1948); SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953); GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972)
Notes: Includes bibliographical references and index
ISBN: 0851708005(cased) : ¦45.00; 0851708005
LON: 21532807

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FINK, LEON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FORD, LEON

Subject: FREYLICHE KAPTSONIM (PL, Leon Jeannot, 1937)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GAST, LEON

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GAUMONT, LEON

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010)
URL status: URL: 'http://file://Q:/T/GRIFF_THE_INVISIBLE.zip' Checked: 31/08/2021 1:20:36 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S GRI
Author: Ford, Leon
Edition: Draft 7.1
Place: AT
PubDate: 2009 Sept.
PhysDes: 98 leaves
Subject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010)
Summary: "Griff, office worker by day, superhero by night, has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible." - from the official website
Notes: Unpublished script -- Copyright Everyday Pictures 2008 -- Developed with the assistance of Screen Australia through The Indivision Script Lab 2008 -- Director: Leon Ford -- Producer: Nicole O'Donohue -- Executive producers: Scott Meek and Jan Chapman
Donation: Australian Film Institute

Call No: P GRI
PubDate: c2010
PhysDes: 1 poster : col. ; 98 x 70 cm
Subject: GRIFF THE INVISIBLE (AT, Leon Ford, 2010)
Summary: [Image: A man in a hat and yellow trenchcoat casting the shadow of a superhero figure, to the right a woman watches him. Text: 'Love is the greatest superpower']

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HIRSZMAN, LEON

Call No: 802.3(73) HIG
Author: Higham, Charles
Source: UK
Place: London
Publisher: Thames and Hudson in association with the British Film Institute
PubDate: 1970
PhysDes: 176 p. : illus., ports. ; 20 cm
Series: Cinema One
Subject: CINEMATOGRAPHY; DANIELS, WILLIAM; STRUSS, KARL; MILLER, ARTHUR C.; HOWE, JAMES WONG; SHAMROY, LEON; GARMES, LEE
ISBN: 0500480141

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ITIM (PH, Mike de Leon, 1979)

Call No: 81MEL VIN
Author: Vincendeau, Ginette
Source: UK
Place: London
Publisher: British Film Institue
PubDate: 2003
PhysDes: vii, 278 p. : ill. ; 24cm.
Subject: MELVILLE, JEAN-PIERRE; [VINGT-QUATRE] 24 HEURES DE LA VIE D'UN CLOWN (FR, Jean-Pierre Melville, 1946); ENFANTS TERRIBLES, LES (FR, Jean-Pierre Melville, 1950); QUAND TU LIRAS CETTE LETTRE (FR, Jean-Pierre Melville, 1953); SILENCE DE LA MER, LE (FR, Jean-Pierre Melville, 1949); DOULOS, LE (FR/IT, Jean-Pierre Melville, 1962); LEON MORIN, PRETRE (FR, Jean-Pierre Melville, 1961); ARMEE DES OMBRES, L' (FR/IT, Jean-Pierre Melville, 1969); BOB LE FLAMBEUR (FR, Jean-Pierre Melville, 1956); AINE DES FERCHAUX, L' (FR, Jean-Pierre Melville, 1963); DEUX HOMMES DANS MANHATTAN (FR, Jean-Pierre Melville, 1959); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); CERCLE ROUGE, LE (FR/IT, Jean-Pierre Melville, 1970); [SECOND] 2ND WIND [DEUXIEME SOUFFLE, LE] (FR, Jean-Pierre Melville, 1966); FLIC, UN (FR/IT, Jean-Pierre Melville, 1972)
ISBN: 0851709494

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KING MANGARAP KA'T MAGISING (PH, Mike De Leon, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: LEON (FR, Luc Besson, 1994)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DE LEON, MIKE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEON MORIN, PRETRE (FR, Jean-Pierre Melville, 1961)

PhysDes: Review
Subject: MELVILLE, JEAN-PIERRE; LEON MORIN, PRETRE (FR, Jean-Pierre Melville, 1961)
Summary: A review of Melville's film 'Leon Morin, Pretre'

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Press kit; Clippings
Subject: LEON THE PIG FARMER (UK, Vadim Jean & Gary Sinyor, 1992)

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MAN OF THE TREES (NZ, Leon Narbey, 1981)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: NARBEY, LEON

Subject: HOYTS; FINK, LEON
Summary: Article on the purchase of the Hoyts company by Leon Fink et al

Author: Nicolaidi, Mike
PhysDes: Article
Subject: ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987)
Summary: Review of NZ film activity and two new films 'Starlight Hotel' and 'Illustrious Energy'

Call No: 71(931) NEW
Author: Conrich, Ian (ed); Murray, Stuart (ed)
Source: US
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: C2007
PhysDes: xiii, 374 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: MAORI CINEMA; NEW ZEALAND; LYE, LEN; O'SHEA, JOHN; PRESTON, GAYLENE; BARCLAY, BARRY; MITA, MERATA; WELLS, PETER; DONALDSON, ROGER; MURPHY, GEOFFREY; MUNE, IAN; LAWRENCE, BRUNO; LAING, JOHN; REID, JOHN; NARBEY, LEON; WARD, VINCENT; CAMPION, JANE; MACLEAN, ALISON; JACKSON, PETER (NZ); BLYTH, DAVID; BAD BLOOD (NZ, Mike Newell, 1981); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); BOUNTY, THE (UK/US, Roger Donaldson, 1984); BRAINDEAD (NZ, Peter Jackson, 1992); BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986); CADILLAC MAN (US, Roger Donaldson, 1990); DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence Bayler
Notes: Bibliography: p. 349-353; Includes index
ISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
URL status: URL: 'http://file://Q:/T/PERFECT_DAY,_A.zip' Checked: 31/08/2021 1:45:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PINERO (US, Leon Ichaso, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRODIGY (US, Nathan Leon, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SANGANDAAN (PH, Mike de Leon, 1984)

Call No: 81(049.3)EIS NES
Author: Nesbet, Anne
Edition: 1st ed.
Source: UK
Place: London
Publisher: I.B Taurus
PubDate: 2003
PhysDes: ix, 260 p. : ill. ; 24 cm
Subject: U.S.S.R IN FILMS; RUSSIANS IN FILMS; POLITICAL FILMS; HISTORICAL FILMS; STALIN [J.] IN FILMS; LENIN [V.I.] IN FILMS; POPULAR CULTURE AND THE CINEMA; CIRCUS AND THE CINEMA; PHILOSOPHY AND THE CINEMA; LITERATURE AND THE CINEMA; MYTH AND THE CINEMA; AESTHETICS; ALEXANDROV, GROGORIO; BABEL, ISAAK; BRETON, ANDRE; DISNEY, WALT; FREUD, SIGMUND; HEGEL, GEORG, WILHELM, FRIEDRICH; SHKLOVSKY, VICTOR; SHUMIATSKII, BORIS; SINCLAIR, UPTON; SONTAG, SUSAN; TISSE, EDUARD; TOLSTOY, LEV; TROTSKY, LEON; VERTOV, DZIGA; WELLS, H.G; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); STRUCTURALISM; RUSSIA; THEORY
Summary: Based on extensive research in the archives of legendary Russian film director Sergei Eisenstein, this book explores his wide ranging consumption of high and low culture and his wide ranging experience in ‘thinking in pictures’. Savage Junctures plays close attention to the multiple contexts within which Eisenstein’s films evolved. Eisenstein was particularly interested in the possibilities of visual thinking and, in this spirit; each chapter addresses the question of his image based philosophy from a different perspective. [Taken from back cover].
ISBN: 1850433305

Call No: S SAV
Author: Palmer, John
PubDate: [1980?]
PhysDes: 103 leaves
Subject: SAVE THE LADY (AT, Leon Thau, 1981)
Notes: Unpublished script
ID2: 118

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: SAVE THE LADY (AT, Leon Thau, 1981)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Tasmanian Film Corporation
PhysDes: 3 photographs : b&w ; 21 x 26 cm
Subject: KERR, BILL; TESTER, DESMOND; EWART, JOHN; SAVE THE LADY (AT, Leon Thau, 1981)
Summary: 3 black and white photographs of the Lady Hope ship. Stars Matthew Excell, Miranda Cartledge, Kim Clifford, and Robert Clarkson. Tasmania.

Call No: 735.2(46) SCH
Author: Schlegel, Nicholas
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: xxiv, 208 p. : ill. ; 24 cm
Subject: HORROR FILMS. SPAIN; BELL FROM HELL [CAMPANA DEL INFERNO, LA] (FR/SP, Claudio Guerin Hill, 1973); KLIMOVSKY, LEON; NASCHY, PAUL [MOLINA, JACINTO]; OSSORIO, AMANDO DE
Summary: From 1968 to 1977, Spain experienced a boom in horror-movie production under a restrictive economic system established by the country’s dictator, Francisco Franco. Despite hindrance from the Catholic Church and Spanish government, which rigidly controlled motion picture content, hundreds of horror films were produced during this ten-year period. This statistic is even more remarkable when compared with the output of studios and production companies in the United States and elsewhere at the same time. What accounts for the staggering number of films, and what does it say about Spain during this period? In Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, Nicholas G. Schlegel looks at movies produced, distributed, and exhibited under the crumbling dictatorship of General Franco. The production and content of these films, the author suggests, can lead to a better understanding of the political, social, and cultural conditions during a contentious period in Spain’s history. The author addresses the complex factors that led to the “official” sanctioning of horror films—which had previously been banned—and how they differed from other popular genres that were approved and subsidized by the government. In addition to discussing the financing and exhibiting of these productions, the author examines the tropes, conventions, iconography, and thematic treatments of the films. Schlegel also analyzes how these movies were received by audiences and critics, both in Spain and abroad. Finally, he looks at the circumstances that led to the rapid decline of such films in the late 1970s and early 1980s. By examining how horror movies thrived in Spain during this decade, this book addresses a sorely neglected gap in film scholarship and also complements existing literature on Spanish national cinema. Sex, Sadism, Spain, and Cinema will appeal to fans of horror films as well as scholars of film history, European history, genre studies, and cultural studies. -- publisher's blurb
ISBN: 9781442251151

Call No: TITLE CLIPPINGS FILE; PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Summary: Review of the film A PERFECT DAY
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SMASH HIS CAMERA (US, Leon Gast, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUGAR HILL (US, Leon Ichaso, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: TAKE, THE [TV] (US, Leon Ichaso, 1990)

Call No: 226.4 BRU
Author: Bruzzi, Stella, 1962
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xxi, 226 p. : ill. ; 24 cm
Subject: COSTUMES; FASHION AND THE CINEMA; GANGSTER FILMS; ETHNIC GROUPS IN FILMS; FEMME FATALE; TRANSVESTISM; GENDER AND THE CINEMA; SHAFT (US, Gordon Parks Jr., 1971); SABRINA (US, Billy Wilder, 1954); PRETTY WOMAN (US, Garry Marshall, 1990); TROP BELLE POUR TOI (FR, Bertrand Blier, 1989); READY TO WEAR (US, Robert Altman, 1994); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PIANO, THE (AT, Jane Campion, 1993); PULP FICTION (US, Quentin Tarantino, 1994); LEON (FR, Luc Besson, 1994); NEW JACK CITY (US, Mario Van Peebles, 1991); BOYZ N THE HOOD (US, John Singleton, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); DISCLOSURE (US, Barry Levinson, 1994); SINGLE WHITE FEMALE (US, Barbet Schroeder, 1992); LAST SEDUCTION, THE (US, John Dahl, 1994); GLEN OR GLENDA (US, Edward D. Wood, 1953); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MRS DOUBTFIRE (US, Chris Columbus, 1993); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); CRYING GAME, THE (UK, Neil Jordan, 1992); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992)
Notes: Includes bibliographical references (p. 208-216) and index; Filmography: p. 204-207
ISBN: 0415139562 (hbk : alk. paper); 0415139570 (pbk : alk. paper)
LON: 97007260; 13082009
ID2: 38

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COME BACK ALWAYS, ABBAS! [VOLTE SEMPRE, ABBAS!] (BL, Leon Cakoff/Renata de Almeida, 1999)

Call No: TITLE CLIPPINGS FILE; HAIRSPRAY LIVE! [TV](US, Kenny Leon and Alex Rudzinsky, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: HAIRSPRAY LIVE! [TV](US, Kenny Leon and Alex Rudzinsky, 2016)
Summary: Review of the musical broadcast of HAIRSPRAY LIVE!

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WHEN WE WERE KINGS (US, Leon Gast, 1996)
ID2: 81
URL status: URL: 'http://file://Q:/T/WHEN_WE_WERE_KINGS.zip' Checked: 31/08/2021 12:55:57 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Summary: Review of the film A PERFECT DAY
Rating: 4 out of 5 stars