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An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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