Search Catalogue

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: 3-D ANIMATION

Call No: FESTIVAL CATALOGUE SHELVES
CorpAuthor: International animation film festival in New York
Source: US
Place: US
Publisher: [s.n]
PubDate: 1975
PhysDes: 34 p. : ill. ; 27 cm
Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER
Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: FESTIVAL CATALOGUE SHELVES; held 1963, 1979-1984
CorpAuthor: American Film Festival; Educational Film Library Association
Source: US
Place: New York, N.Y.
Publisher: Educational Film Library Association
PubDate: 1963-1984
PhysDes: 7 v. : ill. ; 28 cm
Subject: FESTIVALS. USA [VARIOUS]; FESTIVALS. NEW YORK [VARIOUS]; DOCUMENTARY FILMS; ANIMATION; EDUCATIONAL FILM LIBRARY ASSOCIATION; SHORT FILMS
Notes: The American Film Festival includes a showcase of films ranging from documentary to children's, experimental to educational. The catalogue also contains numerous black and white stills, film synopses and title index.
LON: 930252
ID2: 103

Author: Black, Daniel
PhysDes: Article; Bibliography; Illustration(s)
Subject: ANIMATION; BODY IN FILMS
Summary: Animation is explored in relation to its preoccuption with the body's surface and external form.

Call No: 772 ANI; FOLIO
Place: Warsaw
Publisher: ARS POLONA
PubDate: 1978?
PhysDes: 80 p. : ill [some col.] ; 33 cm
Subject: ANIMATED FILMS; ANIMATION
Language: various

Call No: held no.20-27 Feb. 1981-Nov. 1983
Source: US
Place: Minneapolis, Minn. : D. & K. Mruz
PhysDes: v. : ill. ; 22 cm
Subject: ANIMATION
Summary: Mindrot – The Animated Film Quarterly - was a fanzine edited by cartoon enthusiast David Mruz that started publication in Minneapolis in April 1976. Named for the alleged consequences of cartoon overconsumption, it was intended to fill the space left by the earliest animation journal, Funnyworld, which had just ceased publication. Alongside lengthy interviews and historical research, Mindrot featured detailed episode listings, and regular columns by animation historians. In February 1981 the name of the journal was changed to Animania, which was thought less confusing for readers, but many fans still referred to the journal by the original name. The journal lasted a couple of years longer but the final issue came in December 1983 and Mruz devoted the rest of his life to his work and family. He died in December 2020. -- AFIRC
Notes: Description based on: Issue 20 (Feb. 28, 1981); Continues Mindrot
LON: abn97047702; 13026338

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Crayford, Peter
Subject: BOX OFFICE; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; ANIMATION
Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour The author states that the real profits begin to accumulate for these films on DVD
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: FILMS 1. The Incredibles 2. Toy Story 3. Toy Story 2 4. A Bug’s Life 5. Monsters 6. Finding Nemo 7. Happy Feet 8. Open Season 9. The Wild 10. Ant Bully 11. Flushed Away 12. Ratatouille 13. Casino Royale 14. Shrek 2 FILM SALES The Incredibles - More $US1billion – ($1.27billion) Toy Story More - $US1billion – ($1.27billion) Toy Story 2 - More $US1billion – ($1.27billion) A Bug’s Life - More $US1billion – ($1.27billion) Monsters - More $US1billion – ($1.27billion) Finding Nemo - More $US1billion – ($1.27billion) FILMS SALES – US CINEMA RELEASE The Incredibles - $251 million Finding Nemo - $US339 million Shrek 2 - $US 436 million in 2006

Call No: 772 MAD
Author: Madsen, Roy
Source: US
Place: New York
Publisher: Interland Publishing
PubDate: 1969
PhysDes: xiii, 234 p. ; 21cm
Subject: ANIMATION; ANIMATED FILMS; ANIMATORS
Summary: "If yours is an interest in animation -one of the fastest growing fields of film making - then you are holding the book that presents every known technique of animation; and its uses in education, entertainment, sales, business, television, industrial and scientific film production. Animation is introduced at the level of the novice leading the reader progressively from the simplest concepts to the most sophisticated. The text is structured, with relevant and explanatory diagrams, charts and artwork. Its photographic illustrations are representative of virtually all major producers of animated films. Thoroughly researched, the work covers the historical background of animation since its inception to modern day usage throughout the world. It contains a comprehensive glossary of terms used in all phases of animation. Therefore: For the student - it is the entree to the world of film animation For the teacher - the programmed textbook For the professional - the opportunity to learn new skills relative to his own specialty and expand into new areas... For the advetiser and industrial filmmaker the means of understanding animation to enable cost-cutting and intelligent planning for its application. It is the most comprehensive book on animation ever published. " - BOOK JACKET
Notes: Bibliography: p. [203]-206.
Donation: donated by the family of Wayne Levy, 2006
Contents: -- foreword -- introduction -- acknowledgements -- 1: birth and growth -- 2: concepts and language -- 3: the animation stand -- 4: pan and zoom: planning and execution -- 5: the filmograph -- 6: script, storyboard, and film style -- 7: planning and drawing cartoon animation -- 8: cels: rendering and special uses -- 9: Background and tiles -- 10: exposure sheets -- 11: sound recording and bar sheets -- 12: multiple-exposure techniques -- 13: animation of objects, cutouts, and puppets -- 14: unusual animation techniques -- 15: the prodcution sequence -- bibliography -- filmography -- glossary -- index --

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ANIMATION

Call No: 772 FUR
Author: Furniss, Maureen
Edition: 2017
Place: London
Publisher: Thames & Hudson
PubDate: 2017
PhysDes: 464 pages : illustrated ; 28 cm
Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN
Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book. Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site
ISBN: 9780500252178

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ANIMATION. AUSTRALIA
URL status: URL: 'http://file://Q:/S/ANIMATION.AUSTRALIA.zip' Checked: 31/08/2021 12:40:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ANIMATION. BRITAIN

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: ANIMATION FOR LIVE ACTION (UK, Vera Neubauer, 1978)

Call No: 246CUL
Author: Culhane, Shamus
Source: UK
Place: London
Publisher: Columbus
PubDate: 1989, c1988
PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cm
Subject: ANIMATION; ANIMATORS; CARTOONS. USA; DIRECTORS. USA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS
Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.
Notes: Includes index
ISBN: 0862879590

Call No: 772(94) GRE
Author: Greenaway, Peter (Peter E.)
Place: [Melbourne?]
Publisher: [Latrobe University?]
PubDate: 1985
PhysDes: 25, 9 leaves ; 30 cm
Subject: ANIMATION. AUSTRALIA
Notes: Includes listing of Australian, animators, production houses and animated films held by the National Film and Sound Archive
LON: 4428407

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ANIMATION. JAPAN

Call No: held v.1 no.1-v.4 no.2 Fall 1992-Spring 1996
CorpAuthor: Animation journal (Tustin, Calif.)
Source: US
Place: Tustin, CA
Publisher: AJ Press
PubDate: 1992
PhysDes: v. : ill. ; 22 cm
Subject: ANIMATION
Notes: Title from cover; Imprint varies
ISSN: 1061-0308
Frequency: Semiannual
LON: 93642006; 10201397
URL status: URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/screenstudies/publication/28260/citation/815DD8C082704036PQ/6?accountid=13552' Checked: 31/08/2021 12:36:06 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: held v.1,no.1-v.13,no.7 (#80) Aug. 1987-July 1999
Source: US
Place: Los Angeles, Calif.
Publisher: Animation Magazine
PubDate: 1987
PhysDes: v. : ill. ; 28 cm
Subject: ANIMATION
Notes: Title from cover; Ceased subscription with Vol.13,No.7 (#80), July 1999
ISSN: 1041-617X
Frequency: Quarterly
LON: 88646417; 6238511

Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1997
Subject: ANIMATION

Call No: held v.7 no.1; no.22-28 May 1979-May 1982-; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: Portland Art Association. Northwest Film Study Center
Source: US
Place: [Portland, Or.]
Publisher: Northwest Film Study Center, Portland Art Association
Subject: ANIMATION
Notes: Description based on: No. 37 (fall 1985); title from caption
ISSN: 0889-5589
Frequency: Six no. a year
LON: sn 86002184; 4807756

Call No: 772(520) CLE
Author: Clements, Jonathan
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; CARTOONS; HISTORY OF CINEMA; HISTORY OF CINEMA. JAPAN; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) SEE SHIN TETSUWAN ATOM [TV]; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURB
Notes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and index
ISBN: 9781844573905
Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --

Call No: 772 (52) DRA
Author: Drazen, Patrick
Source: US
Place: Berkeley, Calif.
Publisher: Stone Bridge Press
PubDate: 2003
PhysDes: 369 p. : ill. ; 23 cm
Subject: ANIMATION; HOMOSEXUALITY IN FILMS. ASIA; MIYAZAKI, HAYAO; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000); MANGA
Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion.
Notes: Afterword: The Future of Anime: p.349-357 Bibliography: p.359-362 Index of Names and Titles: p.363-369 Includes Viewing Notes
ISBN: 1880656728

Call No: 772(520) NAP; 2 copies
Author: Napier, Susan
Edition: Revised
Source: US/UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 355 p. ; 24 cm
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995) SEE KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989)
Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB
Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.
ISBN: 9781403970527
Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --

Call No: 802.46(52) ANI
Source: US
Place: San Francisco, California
Publisher: Cadence Books
PubDate: 1997
PhysDes: 192 pages : illustrations ; 28 cm
Subject: ANIMATION. JAPAN; ANIMATORS. JAPAN; MANGA
Summary: "In this book you will hear insights directly froi the mouths and minds of the anime and manga creators themselves, in interviews which are often the only ones on record in English. Some of these creatirs are larger-than-life legends in their native Japan, some are up-and-coming young talents, but all have a lot to say on the subject of their work" -- taken from back cover
ISBN: 1569312206
Donation: donated by Alex Gionfriddo0
Contents: Introduction/ by the editors of Animerica -- Yoshiyuki Tomino / by James Matsuzaki -- Rumiko Takahashi / by Seiji Horibuchi -- Hayao Miyazaki / by Takashi Oshiguchi -- Masamune Shirow / by Trish Ledoux -- Ryoichi Ikegami / by Satoru Fujii -- Yukito Kishiro / by Seiji Horibuchi -- Yoshiki Takaya / by Takashi Oshiguchi -- Kosuke Fujishima / by Junco Ito -- Yasushiro Imagawa / by Takayuki Karahashi -- Hiroki Hayashi / by Takashi Oshiguchi -- Haruka Takachiho / by Takayuki Karahashi -- Hiroyuki Kitazume / by Takashi Oshiguchi -- Shoji Kawamori / by Takashi Oshiguchi -- Kei Kusunoki / by Takayuki Karahashi -- Buichi Terasawa / by Takayuki Karahashi -- Mamoru Oshii / by Carl Gustav Horn -- Gisaburo Sugii / by Toshifumi Yoshida -- Leiji Matsumoto / by Takayuki Karahashi -- Ryosuke Takahashi / by Takayuki Karahashi -- Nanase Okawa / by Takashi Oshiguchi -- Index -- Contributors

Call No: 772 FUR
Author: Furniss, Maureen
Place: Sydney
Publisher: John Libbey
PubDate: 1998
PhysDes: x, 278 p. : ill. (some col.) ; 25 cm
Subject: ANIMATION
Notes: Includes index
ISBN: 1864620382 (hbk.) : $85.00; 1864620390 : $45.00
LON: 13833885

Call No: SUBJECT CLIPPINGS FILE; ANIMATION. AUSTRALIA
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ANIMATION. AUSTRALIA; FESTIVALS. MELBOURNE. ANIMATION; STOP-MOTION TECHNIQUE; HUSK (AT, Paul Howell, 2014); STORY OF PERCIVAL PILTS, THE (AT, Janette Goodey/John Lewis, 2015)
Summary: In depth interviews with a number of Australian animators whose work will be shown at the upcoming Melbourne International Animation Festival. Interviewees include: Janette Goodey, John Lewis, Paul Howell, Anthony Lawrence

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: ANIMATION; CONFERENCES. AUSTRALIA. EFFECTS AND ANIMATION
Summary: The impact of artificial intelligence on animation was discussed at the Australian Effects and Animation Festival. Award winners are listed.

PhysDes: Article
Subject: SECRET OF NIMH, THE (US, Don Bluth, 1982); ANIMATION; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Article on 'The Secrets of NIMH' being of great interest to distributors at the Dallas Toy Fair.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOXER, THE: ADVENTURES IN ANIMATION 3D (CN, Pierre Lachapelle, 2004)

Author: Baker, Leo
PhysDes: Article
Subject: ANIMATION. AUSTRALIA; ANIMATION; ANIMATORS
Summary: Animator Leo Baker's brief report on the animation industry and why the Australian industry needs to create a more sustainable model if it wants to take on tough competition abroad. A link to the full report is also provided.

Call No: FESTIVAL CATALOGUE SHELVES; Held 1979
Place: Cambridge
Publisher: British Film Institute
PubDate: 1979
PhysDes: 48 p. : ill ; 30 cm
Subject: ANIMATED FILMS; ANIMATION
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(71) CLA
Author: Clandfield, David
Place: Toronto
Publisher: Oxford University Press
PubDate: 1987
PhysDes: viii, 136 p. ; 20 cm
Series: Perspectives on Canadian culture
Subject: CANADA; NATIONAL FILM BOARD OF CANADA; DOCUMENTARY FILMS. CANADA; ANIMATION. CANADA; Grierson, John
Notes: Includes index; Bibliography: p. 129-131
ISBN: 0195405811 : $9.95
LON: 5534042

Call No: F025:F772(437)"1963" BEN
CorpAuthor: Czechoslovak Film Institute
PubDate: 1963
Subject: ANIMATION; CARTOONS; PUPPET PROGRAMMES

Call No: 772 BEN
Author: Bendazzi, Giannalberto
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxiii, 514 p. : ill. (some col.) ; 25 cm
Subject: CARTOONS; ANIMATED FILMS; ANIMATION; ANIMATORS; DISNEY, WALT
Notes: Includes bibliographical references (p. [447]-456) and indexes
ISBN: 0253311683 (hbk.); 0253209374 (pbk.)
LON: 11082264

Call No: F025:F772(437) CAT
CorpAuthor: Czechoslovak State Film
PubDate: [196?]
Subject: CZECHOSLOVAKIA; ANIMATION; FILMOGRAPHIES

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CATFLAP ANIMATION

Call No: 79CHI SIB
Author: Sibley, Brian
Place: New York
Publisher: Abrams
PubDate: 2000
PhysDes: 191 p. : col. ill. ; 26 cm
Subject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000); ANIMATION; 3-D ANIMATION; AARDMAN ANIMATIONS; PARK, NICK; LORD, PETER
ISBN: 0810941244
LON: 21377070 21377070

Call No: 633 CUB
Author: Cubitt, Sean
Source: US
Place: Cambridge, MA
Publisher: Massachusetts Institute of Technology
PubDate: 2004
PhysDes: 456 p. ; 24 cm
Subject: IMAGE ANALYSIS; SPECIAL EFFECTS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; PHILOSOPHY AND THE CINEMA; MOTION CONTROL
Summary: It has been said that all cinema is an effect. In this highly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don’t quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience. [Taken from inside book jacket].
ISBN: 0262033127

Call No: 81MIY ROB
Author: Robinson, Jeremy Mark
Edition: Second edition
Source: UK
Place: Maidstone, Kent
Publisher: Crescent Moon Publishing
PubDate: 2011
PhysDes: 514 pages ; 24 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) SEE TONARI NO TOTORO; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) SEE MAJO NO TAKK YUBIN; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001) SEE SEN TO CHIHIRO NO KAMIKAKUSHI; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004) SEE HAURU NO UGOKU SHIRO; PONYO (JP, Hayao Miyazaki, 2008) SEE GAKE NO EU NO PONYO; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); ONLY YESTERDAY (JA, Isao Takahata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991)
Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees. To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation. This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs. The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation. Includes quotes by Miyazaki; fans on Miyazaki; and resources. Fully illustrated. With filmography, bibliography and notes. -- PUBLISHERS WEB SITE
Notes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadas
ISBN: 9781861713902
Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema -- Illustrations -- TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies -- Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography

Call No: 63(04) CIN
Author: De Lauretis, Teresa; Heath, Stephen
Place: London
Publisher: Macmillan
PubDate: 1980
PhysDes: x, 213 p., 8 p. of plates : ill. ; 23 cm
Subject: TECHNOLOGY AND THE CINEMA; SOUND; COLOUR; ANIMATION
Notes: Cinema films. Cinematography,. to 1978 - Conference proceedings (BNB/PRECIS); Conference papers; Includes index
ISBN: 033340470X (pbk); 0333236475
LON: 1861271

Call No: 772 FRI
Author: Frierson, Michael
Place: New York Toronto New York
Publisher: Twayne Maxwell Macmillan Canada Maxwell Macmillan International
PubDate: 1994
PhysDes: xvi, 278 p. : ill. ; 22 cm
Series: Twayne's filmmakers series
Subject: ANIMATION; BABY SNAKES (US, Frank Zappa, 1979)
Notes: Includes filmographies: p. 211-256; Includes bibliographical references (p. 205-209) and index
ISBN: 0805793283 (pbk. : alk. paper) : $18.95; 0805793275 (alk. paper)
LON: 93038644; 10549254

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPUTER ANIMATION SHOW, THE (US, Terry Thoren [producer], 1988)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPUTERIZED ANIMATION AND SPECIAL EFFECTS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. EFFECTS AND ANIMATION

Call No: 220"313" MCQ
Copy Management: Copy 1; Copy 2
Author: McQuire, Scott
CorpAuthor: Australian Key Centre for Cultural and Media Policy
Place: Brisbane
Publisher: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University
PubDate: 1997
PhysDes: [66] p. ; 30 cm
Series: Screen industry, culture and policy research series
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS. AUSTRALIA; TECHNICAL DEVELOPMENTS. AUSTRALIA; EDITING. AUSTRALIA
Notes: Includes bibliographical references; Bibliographical references : p. 64
ISBN: 0646327321
LON: 13359066

Author: Saul, Shiralee
PhysDes: Book review; Illustration(s)
Subject: COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; DIGITAL TECHNOLOGY
Summary: Detailed book review which focuses on the technological innovations which extend a filmmaker's ability to control the film image.

Call No: 401"313" CUL
Author: Hayward, Philip
Place: London
Publisher: J. Libbey
PubDate: 1990]
PhysDes: viii, 248 p. : ill. ; 25 cm
Subject: POPULAR CULTURE AND THE CINEMA; VIDEO ART; MUSIC TELEVISION; TECHNOLOGY AND THE CINEMA; COMPUTERS AND THE CINEMA; DIGITAL TECHNOLOGY; SOUND; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COLORS (US, Dennis Hopper, 1988)
Notes: Spine title: Culture, technology & creativity; Includes bibliographical references and index
ISBN: 0861962664
LON: 7559951

Call No: F025:F772(437)"1966" BEN
CorpAuthor: Czechoslovak Film Institute
PubDate: [196?]
Subject: CZECHOSLOVAKIA; CARTOONS; ANIMATION; PUPPET PROGRAMMES
Language: French, English and German

Call No: F025:F772(437)"1961" CZE
CorpAuthor: Czechoslovak Film Institute
PubDate: 1961
Subject: CZECHOSLOVAKIA; CARTOONS; ANIMATION; PUPPET PROGRAMMES

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DABBLE ANIMATION

Call No: 772 GOD
Author: Godfrey, Bob; Jackson, Anna; Geesin, Ron; Gilliam, Terry; Hayward, Stan; Williams, Richard
Edition: 1974
Place: North Ryde [N.S.W.]
Publisher: Australian Film and Television School
PubDate: January 1983
PhysDes: 96 pages : Illus. ; 23 cm
Subject: GODFREY, BOB; ANIMATION; HOME MOVIES
Notes: "Five television programes [sic] on BBC1 Produced by David Hargreaves First broadcast on BBC1 from April 1974" -- IFC; "This British Broadcasting Corporation publication is reprinted by the Australian Film and Television School under licence from the BBC. Copies in Australia are obtainable only from the Australian FIlm and Television School." -- IFC
ISBN: 0563108290

Call No: 772 DRA
Author: Coyle, Rebecca (ed.)
Source: US/UK
Place: London ; Oakville
Publisher: Equinox
PubDate: 2010
PhysDes: x, 258 p. : ill. ; 24 cm
Series: Genre, music and sound
Subject: ANIMATION; ANIMATORS; MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; SOUND; SOUND TRACKS
Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film. Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9781845533526
Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --

Call No: 772(52) SCH
Author: Schodt, Frederik L., 1950
Place: Berkeley, Calif.
Publisher: Stone Bridge Press
PubDate: 1996
PhysDes: 360 p. : ill. (some col.) ; 23 cm
Subject: MANGA; ANIMATION; CARTOONS; COMIC STRIPS
Notes: Includes bibliographical references (p. 348-356) and index
ISBN: 188065623X (paper)
LON: 12295069

Call No: 772(73) LEN
Author: Lenburg, Jeff
Place: New York, N.Y.
Publisher: Da Capo Press
PubDate: [1983], c1981
PhysDes: 190 p. : ill. ; 31 cm
Subject: ANIMATION; CARTOONS; BUGS BUNNY; FELIX THE CAT; FLINTSTONES, THE [TV] (US, 1960-65); TOM & JERRY
Notes: Reprint. Originally published: Westport, Conn. : Arlington House, c1981; Includes index
ISBN: 0306801914 (pbk.) : $14.95
LON: 2488867 2488867

Call No: 77 EPH
Author: Grainge, Paul, 1972 -
Place: Houndsmill, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: viii, 236 pages : illustrations ; 24 cm.
Subject: CONVERGENCE; INTERNET AND THE CINEMA; INTERNET AND TV; SOCIAL MEDIA AND THE CINEMA; ONLINE VIDEO PROGRAMMING; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; YOUTUBE; ADVERTISING
Summary: "From the television interstitials that appear between programmes to the brief clips and videos that proliferate on YouTube, contemporary screen culture is populated by short-forms that make claims for our attention. Ephemeral Media provides a unique focus on these fleeting but increasingly ubiquitous texts. Through case studies in television and web entertainment, this original book looks at the production of media at the edges, within the junctions, and that surround the output of networks and studios. Analyzing promos and idents, emergent forms of online TV and web drama, and the burgeoning world of worker- and user-generated content, this new collection also examines screen forms that circulate "between," "beyond" and "below" the TV programs and films traditionally privileged within screen studies. With essays by leading international scholars in television, film and new media studies, as well as interviews with key industry figures, Ephemeral Media explores the practices, strategies and textual forms helping producers (and viewers) negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, Ephemeral Media provides a new perspective on the transitory, and transitional, nature of screen culture in the early 21st century"-- Blurb
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 9781844574346
Donation: Adrian Miles
Contents: Introduction: Ephemeral media, Paul Grainge -- I Media transition and transitory media -- 1. The recurrent, the recombinatory, and the ephemeral: William Uricchio -- 2. Television, abridged: ephemeral texts, monumental seriality and TV-Digital media convergence, Max Dawson -- II Between: interstitials and idents -- 3. Interstitials: how the 'bits in between' define the programmes, John Ellis -- 4. 'Music is Half the Picture': the soundworld of television idents, Mark Brownrigg and Peter Meech -- 5. TV promotion and broadcast design: An interview with Charlie Mawer, Red Bee Media -- III Beyond: online TV and web drama -- 6. The evolving media ecosystem: An interview with Victoria Jaye, BBC, Elizabeth Jane Evans -- 7. Beyond the broadcast text: new economies and temporalities of online TV, JP Kelly -- 8. Time slice: web drama and the attention economy, Jon Dovey -- 9. 'Carnaby Street, 10am': KateModern and the ephemeral dynamics of online drama, Elizabeth Jane Evans -- IV Below: worker- and user-generated content -- 10. Corporate and worker ephemera: the industrial promotional surround, paratexts and worker blowback, John T. Caldwell -- 11. Reenactment: fans performing movie scenes from the stage to YouTube, Barbara Klinger -- 12. Digital intimacies: aesthetic and affective strategies in the production and use of online video, Rosamund Davies.

Call No: PERSONALITY CLIPPINGS FILE; JOLLIFFE, ANNE
PhysDes: Clippings File Article
Subject: ANIMATION. AUSTRALIA; JOLLIFFE, ANNE
Summary: In depth article where Anne Jolliffe discusses her career as an animator and the process of producing animation. [her name is mispelt as Anne Joliffe]
Notes: old clips pile from June 2015

Call No: 246.8 WEE
Author: Weetch, Owen
Source: UK
Place: Basingstoke
Publisher: Palgrave Macmillan
PubDate: [2016]
PhysDes: xi, 168 pages : illustrations (colour) ; 22 cm
Series: Palgrave close readings in film and television
Subject: 3-D ANIMATION; 3-D AND THE CINEMA; 3-D FILMS; AVATAR (US, James Cameron, 2009); GRAVITY (US/UK, Alfonso Cuaron, 2013); HOLE, THE (US, Joe Dante, 2009); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); FROZEN (US, Chris Buck & Jennifer Lee, 2013)
Summary: "This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Greta Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film's narrative and themes." - taken from back cover.
Notes: Includes index. -- Includes glossary of stereoscopic terms.
ISBN: 9781349712946
Contents: 1.Introduction: The Expressivity of Space -- 2.'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 3.`You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 4.`You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 5.`There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 6.`Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- 7.Conclusion: A Special Plea for Off-the-Screen Space.

Call No: FESTIVAL CATALOGUE SHELVES held 1982-1983, 1985, 1998
Place: Canada
Publisher: [s.n.]
PubDate: 1982-1998
PhysDes: 4 v. : ill. ; 23-31 cm
Subject: FESTIVALS. CANADA; FOREIGN FILMS USE: IMPORT OF FILMS; SHORT FILMS; DOCUMENTARY FILMS; ANIMATION
Notes: The Festival International du Nouveau Cinema and Video Montreal includes a selection of feature length films, short films, documentaries and animated films. The festival also hosts special programs relating to world cinema such as new Italian cinema and French-Canadian cinema. The catalogues also include numerous black and white stills and film synopses in both French and English languages. Prior to 1985 the festival title was referred to as the Festival International du Nouveau Cinema Montreal.
ID2: 103

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Press kit
Subject: FESTIVAL. AUSTRALIA. ANIMATION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. PHILIP MORRIS ANIMATION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. ANIMATION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. BRISBANE. ANIMATION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. INTERNATIONAL TOURNEE OF ANIMATION; ANIMATION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Press kit
Subject: FESTIVALS. MELBOURNE. INTERNATIONAL ANIMATION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SAN FRANCISCO. OUTRAGEOUS ANIMATION

Call No: 22 COY
Author: Coynik, David
Edition: Rev. ed
Source: US
Place: Evanston
Publisher: McDougal, Littel & Company
PubDate: 1976
PhysDes: 216 p. : ill. ; 28 cm
Subject: FILMMAKING; EDITING; COLOUR; SOUND; GENRES; DOCUMENTARY FILMS; ANIMATION
Summary: This book gives a background for some of the techniques which filmmakers use to communicate, and in the final chapter gives information on making a film.
Notes: Includes index
ISBN: 0883433044
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
URL status: URL: 'http://-' Checked: 31/08/2021 1:12:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 236 SCH
Author: Schechter, Harold; Everitt, David
Source: US
Place: New York
Publisher: Harlin Quist
PubDate: 1980
PhysDes: 218 p. : ill. ; 28 cm
Subject: SPECIAL EFFECTS; MOTION CONTROL; ANIMATION
Summary: A history and examination of special effects used in movies that includes descriptions of how special effects are achieved
ISBN: 082522599X
Donation: donated by the family of Wayne Levy, 2006

Call No: 205.1(94) FRO
CorpAuthor: The Parliament of the Commonwealth of Australia
Place: Canberra, Australia
Publisher: The Parliament of the Commonwealth of Australia
PubDate: 2004
PhysDes: 24 cm; 250 pp
Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; ANIMATION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; VIDEO GAMES. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET; LABOUR. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA
Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.
Notes: Government report
ISBN: 0642784698

Call No: 246 ENG
Author: Engler, Robi
Source: SI
Place: Singapore
Publisher: Asian Mass Communication Research8
PubDate: 1984
PhysDes: 366p. : ill. ; 30cm
Subject: ANIMATION; CINEMATOGRAPHY
Notes: Title and text in Thai
ISBN: 9971905175
Language: Thai

PhysDes: Article
Subject: HEIDI'S SONG (US, Robert Taylor, 1982); INDUSTRY, FILM. USA; ANIMATION; ADVERTISING FOR FILMS
Summary: Article on the promotional 'Heidi's Song' float at the New York City Thanksgiving Parade.

Call No: 772(494) EDE
Author: Edera, Bruno
Publisher: Cinematique-Travelling
PubDate: 1978
PhysDes: 247 p. : ill. ; 21 cm
Subject: ANIMATED FILMS; ANIMATION
Language: French

Call No: 772(492) HOL
Author: Camping, Henk and Visser, Maarten (ed.)
Place: The Hague
Publisher: Holland Animation
PubDate: 1981
PhysDes: 72 p. : ill. ; 21 cm
Subject: ANIMATED FILMS; ANIMATION
Language: English and Dutch

Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY ANIMATION AUSTRALIA
Author: Chenoweth, Neil
PhysDes: Clippings
Subject: WALT DISNEY ANIMATION AUSTRALIA; BUENA VISTA INTERNATIONAL; TAXES. AUSTRALIA
Summary: Medium length front page article on Disney's corporate restructure that turned a $1 share trade into a $1.3 billion profit less than a month later.

Call No: 246 KIN
Author: Kinsey, Anthony
Source: US
Place: New York
Publisher: Viking Press
PubDate: 1970
PhysDes: 95 p. : ill. ; 26 cm
Subject: ANIMATION; SPECIAL EFFECTS
Summary: Introduction to the techniques and usages of animated film is designed for the interested layman or educator who may be moved to try making an animated film. [Taken from inside front cover.]
ISBN: 0670383910
Donation: donated by the family of Wayne Levy, 2006

Call No: 772 ILL
Author: Cholodenko, Alan
CorpAuthor: Power Institute of Fine Arts
Place: Sydney
Publisher: Power Publications, in association with the Australian Film Commission, Sydney
PubDate: 1991
PhysDes: 312 p. : ill. ; 21 cm
Subject: ANIMATION; CONFERENCES. AUSTRALIA. AMIMATION; CARTOONS; JONES, CHUCK; MAGIC TOYSHOP, THE (UK, David Wheatley, 1986); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); FLY, THE (US, David Cronenberg, 1986)
Notes: Published by the Power Institute of Fine Arts, University of Sydney; "Based on ... The Illusion of life, the world's first international conference on animation and Australia's first large-scale international festival of animation" -- p. 9; Includes bibliographical references
ISBN: 0909952183
LON: 7242798
Contents: Introduction / Alan Cholodenko -- What's up, down under? / Chuck Jones talks at THE ILLUSION OF LIFE conference -- The animation of sound / Philip Brophy -- Saturday Morning Fever / Ben Crawford -- Life-threatening life: Angela Carter and the uncanny / Robyn Ferrell -- Animation - AIDS in science/fiction / Rosalyn Diprose and Cathryn Vasseleu -- The work-shop of filty animation / Peter Hutchings -- For the noise of a fly / Lisa Trahair -- 'Who Framed Roger Rabbit', or the framing of animation / Alan Cholodenko -- PRHSTHR: The T(r)opology of pyromania / Keith Clancy -- The illusion of illusion / Keith Broadfoot and Rex Butler -- Mosaic infinity / Edward Colless and David Kelly -- Appendix

Call No: 220"313"(94) INN
CorpAuthor: Prime Minister's Science, Engineering and Innovation Council (Australia)
Source: AT
Place: Canberra
Publisher: Dept. of Industry, Science and Resources
PubDate: 2000
PhysDes: viii, 54 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM. AUSTRALIA; TECHNICAL DEVELOPMENTS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; GOVERNMENT AID. AUSTRALIA
Notes: ISR 2000/112; "A paper prepared by an independent working group for consideration by the Prime Minister's Science, Engineering and Innovation Council at its fifth meeting, 2 June 2000"
ISBN: 0642720711
LON: 21659459

Author: Burton, Lee
PhysDes: Article; Illustration(s)
Subject: ANIMATION
Summary: Exlpores ways to introduce primary school students to filmmaking practises by creating animated films on 16mm film stock.

Call No: REFERENCE SECTION; 058 INT "1985"
Author: Cowie, Peter; Elley, Derek
Place: London
Publisher: Tantivy Press
PubDate: 1984
PhysDes: 538p. in various pagings : ill. (some col.), ports. ; 21cm
Series: A Tantivy guide
Subject: FRANCE; FESTIVALS. BERLIN; ANIMATION
ISBN: 0900730226; 0900730226 (pbk.)
LON: 13206910

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
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Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT'S LIKE THAT (AT, Southern Ladies Animation Group, 2003)

Call No: 81 SVA JOH
Author: Johnson, Keith Leslie, 1974-, (author)
Source: US
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: c2017
PhysDes: xii, 191 pages : illustrations ; 21 cm
Series: Contemporary Film Directors
Subject: SVANKMAJER, JAN; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); FAUST (FR/CZ/UK/GG, Jan Svankmajer, 1994); CONSPIRATORS OF PLEASURE (CS/SZ/UK, Jan Srankmajer, 1996); SURVIVING LIFE (THEORY AND PRACTICE) [PREZIT SVUJ ZIVOT (TEORIE A PRAXE)] (CZ/SO/JA, Jan Svankmajer, 2010); LAST TRICK OF MR. SCHWARCEWALLDE AND MR. EDGAR, THE [POSLEDNI TRIK PANA SCHWARCEWALLDEA A PANA EDGARA] (CS, Jan Svankmajer, 1964); ET CETERA (CS, Jan Svankmajer, 1967); OSSUARY, THE [KOSTNICE] (CS, Jan Svankmajer, 1970); HISTORIA NATURAE, SUITA (CS, Jan Svankmajer, 1967); PICKNICK MIT WEISMANN (AU, Jan Svankmajer, 1969); DIMENSIONS OF DIALOGUE [MOZNOSTI DIALOGU] (CS, Jan Svankmajer, 1983); DEATH OF STALINISM IN BOHEMIA, THE [KONEC STALINISMU V CECHACH] (CS, Jan Svankmajer, 1991); ANIMATION
Summary: "Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist. Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes.... In Johnson's view, Svankmajer implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies." - BOOK BLURB
Notes: Includes bibliographical references (pages 177-185) and index. Includes filmography.
ISBN: 9780252083020
Donation: Senses of Cinema
Contents: Animist cinema -- humiliation, or object life -- Wunderkammer, or Creaturely Life -- Haptics, or Animal Life -- Imagination, or Political Life -- Stalinism in Bohemia -- Survival, or Ecological Life -- Interviews with Jan S vankmajer.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: KYOTO ANIMATION
Notes: import_Batch10C_simon Strong

Call No: 775 MAN
Author: Manovich, Lev
Source: US
Place: Cambridge, Mass. London
Publisher: MIT Press
PubDate: c2001
PhysDes: xxxix, 354 p. : ill. ; 24 cm
Series: Leonardo
Subject: DIGITAL BROADCASTING; DIGITAL TECHNOLOGY; MEDIA; INTERACTIVE CINEMA; INTERNET AND THE CINEMA; INTERNET AND TV; COMPUTER GRAPHICS; COMPUTER GAMES; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; ANIMATION; VIRTUAL REALITY; LOOP FILMS; NARRATIVE IN FILMS; BARTHES, ROLAND; BENJAMIN, WALTER; COMOLLI, JEAN-LOUIS; MELIES, GEORGES; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); JURASSIC PARK (US, Steven Spielberg,, 1993)
Notes: Includes bibliographical references and index
ISBN: 0262133741 : No price
LON: 21628309

Author: Marks, Dick
PhysDes: Article
Subject: COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; PLAISTED, PABLO; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014)
Summary: Pablo Plaisted, shares his techniques and methods as a cinematographer, working on the computer animated film, The Lego Movie

Author: Honisett, Georgie
PhysDes: Article; Illustration(s)
Subject: WOMEN ON TV; ANIMATION; SIMPSONS, THE [TV] (US, 1989-); KING OF THE HILL [TV] (US, 1997-)
Summary: Honisett argues that animation produces strong female role models because viewers judge their characters rather than their appearance.

Call No: SUBJECT CLIPPINGS FILE; ANIMAL LOGIC
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ANIMAL LOGIC; IMAGINE ENTERTAINMENT; ANIMATION
Summary: Report on the new deal between Australian animation studio Animal Logic and the Ron Howard's production company Imagine Entertainment to make six family films with an overall production budget of $500 million

Call No: held: issue 01 (home) - issue 02 (phantasmagoria)
Source: France
Place: Levallois-Perret
Publisher: Marimo S.A.S.
PubDate: 2017
PhysDes: v. : illustrated; 24 cm
Subject: ANIMATION; ANIMATORS
Summary: Marimo Magazine is an independent, bi-lingual publication (French and English) devoted to all things animation. Co-founded by Adeline Marteil and Ingrid Mengdehl, Marimo offers insight into the world of animation and all the complexities it offers through feature articles, profiles on creatives in the industry, and interviews. One of the standouts of Marimo are the beautiful illustrations commissioned for the publication. Issue 01, Home, was published in 2017, which the editors describe as an “intricate, multifaceted concept, of which a clear definition is difficult to pinpoint.” The contents of this Issue are further demarcated around categories such as ‘Moving’, ‘Nesting’ and ‘Belonging’ with articles ranging from an exploration of the works of animation legend Don Bluth, to a close analysis of Makoto Shinkai’s 2013 film The Garden of Words. Issue 02, Phantasmagoria, was published in 2018, and explored everything ghostly The title also alludes to animation's beginnings in the phantasmagoric images of magic lanterns! Works in this Issue looked at everything from the Brothers Quay to LAIKA (the studio behind Coraline and ParaNorman). Issue 02 was published in English only. Sadly Issue 02 has been the last of Marimo for the time being, but both Issues are available for you to peruse at the AFIRC. -- AFIRC
ISSN: 2557-9223
Language: Issue 1 in French and English, issue 2 in English only.

Call No: 772(520):737.0 MEC
Author: Lunning, Frenchy
Source: US
Place: Minneapolis; London
Publisher: University of Minnesota Press
PubDate: c2009
PhysDes: xiv, 338 p. : ill. ; 26 cm
Series: Mechademia ; v. 4
Subject: ANIMATION; ANIMATION. JAPAN; COMIC STRIPS; COMIC STRIPS AND THE CINEMA; JAPAN; POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND THE CINEMA. JAPAN; VIDEO GAMES; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); NEON GENESIS EVANGELION (JA, 199?)
Summary: "The themes of war and time are intertwined in unique ways in Japanese culture, freighted as that nation is with the multiple legacies of World War II: the country's militarization, its victories and defeats, Hiroshima and Nagasaki, and the uneasy pacifism imposed by the victors. Delving into topics ranging from the production of wartime propoganda to the multimedia adaptations of romance narrative, contributors to the fourth volume in the Mechademia series address the political, cultural, and technological continuum between war and the everyday time of orderly social productivity that is reflected, confronted, and changed in manga, anime, and other forms of Japanese popular culture." -- BOOK BLURB
ISBN: 9780816667499
Contents: -- preface: war/time / Thomas Lamarre -- [Part 1]. Legacies of sovereignty. The filmic time of coloniality: on Shinkai Makoto's The Place promised in our early days / Gavin Walker -- Theorizing manga: nationalism and discourse on the role of wartime manga / Rei Okamoto Inouye -- Transcending the victim's history: Takahata Isao's Grave of the fireflies / Wendy Goldberg. [Part 2]. Control room. Gothic politics: Oshii, war, and life without death / Tom Looser -- Oshii Mamoru's Patlabor 2: terror, theatricality, and exceptions that prove the rule / Mark Anderson -- Waiting for the messiah: the becoming-myth of Evangelion and Densha otoko / Christophe Thouny -- War by metaphor in Densha otoko / Michael Fisch. [Part 3]. History/memory. Imagined history, fading memory: mastering narrative in Final Fantasy X / Dennis Washburn -- Haunted travelogue: hometowns, ghost towns, and memories of war / Michael Dylan Foster -- Three views of the rising sun, obliquely: Keiji Nakazawa's A-bomb, Osamu Tezuka's Adolf, and Yoshinori Kobayashi's Apologia / Sheng-Mei Ma -- Virtual creation, simulated destruction, and manufactured memory at the Art Mecho Museum in Second life / Christopher Bolton. [Part 4]. Genre violence. Ninja, Hidden Christians, and the two Ferreiras: On Endo Shusaku and Yamada Futaro / Takayuki Tatsumi ; translated by Seth Jacobowitz -- Monsters at war: the great Yo¯kai Wars, 1968-2005 / Zilia Papp -- From Jusuheru to Jannu: girl knights and christian witches in the work of Miuchi Suzue / Rebecca Suter. [Part 5]. Mobilization/Domestication. Empire through the eyes of a Yapoo: male abjection in the cult classic Beast Yapoo / Christine Marran -- Nippon ex machina: Japanese postwar identity in robot anime and the case of UFO Robo Grendizer / Marco Pellitteri -- Kobayashi Yoshinori is dead: imperial war/sick liberal peace/neoliberal class war / Mark Driscoll -- Manga: a comic interlude from Darumasan-ga-koronda, "Land mine in Central Park" / Yoji Sakate ; translated by Manami Shima, art by Chinami Sango -- Review and commentary -- two phases of Japanese illustrated fiction / Charles Shiro Inouye -- paradise lost...and found? / Paul Jackson -- molten hot: Japanese gal subcultures and fashions / Theresa M. Winge -- monstrous toys of capitalism / Brent Allison -- if Casshern doesn't do it, who will? / Deborah Shamoon -- psychoanalytic cyberpunk midsummer-night's dreamtime: Kon Satoshi's Paprika / Timothy Perper and Martha Cornog -- Torendo -- interview with Murase Shuko and Sato Dai / Deborah Scally, Angela Drummond - Mathews and Marc Hairston --

Call No: 62(04) BOR
Author: Bordwell, David; Thompson, Kristin
Source: US
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2011
PhysDes: 292 p. : ill. ; 24 cm
Subject: ANIMATION; CRITICISM; FILM; GENRES; PRODUCTION; THEORY
Summary: "Minding movies presents a selection from over three hundred essays on genre movies, art films, animation, and the business of Hollywood that have graced David Bordwell and Kristin Thompson's blog Observations on Film Art since its debut in 2006. Informal pieces, conversational in tone but grounded in three decades of authoritative research, the essays gathered here range from in-depth analyses of individual films such as Slumdog Millionaire and Inglourious Basterds to adjustments of Hollywood media claims and forays into cinematic humor. For Bordwell and Thompson, the most fruitful place to begin is how movies are made, how they work, and how they work on us. Written for film lovers, these essays- on topics ranging from Borat to blockbusters and back again - will delight current fans and gain new enthusiasts. Serious but not solemn, vibrantly informative without condescension, and above all illuminating reading, Minding Movies offers ideas sure to set film lovers thinking - and keep them returning to the silver screen. " -- BOOK BLURB
Notes: Includes index
ISBN: 9780226066998
Contents: -- preface -- acknowledgments -- pt. 1. The business : World rejects Hollywood blockbusters!? ; Live with it! There'll always be movie sequels. Good thing, too ; Superheroes for sale ; What won the weekend? Or, how to understand box-office figures ; Snakes, no; Borat, yes: not all internet publicity is the same ; Don't knock the blockbusters -- pt. 2. Writing about movies : In critical condition ; Love isn't all you need ; Do filmmakers deserve the last word? ; Crix nix Variety's tics -- pt. 3. Film as art : But what kind of art? ; This is your brain on movies, maybe ; Movies still matter -- pt. 4. Storytelling and style : Anatomy of the action picture ; Times go by turns ; Grandmaster flashback ; Originality and origin stories ; Good actors spell good acting ; By Annie standards ; Unsteadicam chronicles ; Pausing and chortling: a tribute to Bob Clampett -- pt. 5. Films : A behemoth from the dead zone ; Cronenberg's violent reversals ; The movie looks back at us ; Lessons from Babel ; Slumdogged by the past ; Rat rapture ; A welcome basterdization -- pt. 6. Into the future : New media and old storytelling ; The celestial multiplex ; Take my film, please -- index --

Call No: 70"00" COO
Author: Cook, Olive
Place: London
Publisher: Hutchinson
PubDate: 1963
PhysDes: 142 p., 13 leaves of plates ; 26 cm
Subject: ANIMATION; PRE-CINEMA HISTORY
Notes: Includes index; Bibliography: p.137-138
LON: 3685398

Call No: 236 BRO
Author: Brosnan, John
Source: UK
Place: London
Publisher: Abacus
PubDate: 1977
PhysDes: 207 p. : ill. ; 20 cm
Subject: SPECIAL EFFECTS; HORROR FILMS; SCIENCE-FICTION FILMS; FANTASTIC FILMS; DISASTER FILMS; MODEL WORK; MONSTERS IN FILMS; WAR FILMS; ANIMATION; MONSTER DESIGN; MINIATURE WORK; OPTICAL EFFECTS; MATTES; FRONT PROJECTION; CINEMATOGRAPHY; HIGH-SPEED CINEMATOGRAPHY; MAKE-UP; SPLIT SCREEN; STOP-MOTION TECHNIQUE; STUNTS; CAMERAS; TRAVELLING MATTE; EXPLOSIONS IN FILMS; HARRYHAUSEN, RAY; PAL, GEORGE; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972)
Notes: first published in Great Britain by Macdonald and Jane's 1974; Includes: Appendix with Academy Awards winners and nominees for Engineering Effects/Special Effects from 1927-8 to 1975-6; References; Bibliography; Index of Names; Index of Film Titles; Index of Subjects and Techniques
ISBN: 0349103682
Donation: donated by the family of Wayne Levy, 2006

Call No: 802 CHE
Author: Chell, David
Source: US
Place: Redmond, Wash
Publisher: Microsoft Press
PubDate: 1987
PhysDes: ix, 357 p. : ill. ; 24 cm
Subject: CINEMATOGRAPHY; EDITING; SOUND; ART DIRECTION; MAKE-UP; SPECIAL EFFECTS; ANIMATION; COMPUTER GRAPHICS; COSTUME DESIGNING; FILM WORKERS; DAVIAU, ALLEN; MENGES, CHRIS; LITTLETON, CAROL; NOBLE, THOM; NEWMAN, CHRIS; VARNEY, BILL; ISHIOKA, EIKO; BRANDENSTEIN, PATRIZIA VON; ZEA, KRISTI; WESTMORE, MICHAEL; CRUIKSHANK, SALLY; PICKER, JIMMY; ABEL, ROBERT; DEMOS, GARY; ARBOGAST, ROY; MUREN, DENNIS; EVANS, CHRIS; FULMER, MIKE; ERLAND, JONATHAN
Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.
ISBN: 1556150032
Donation: donated by the family of Wayne Levy, 2006

Author: Jacobs, Heather
PhysDes: Article; Illustration(s)
Subject: SPECIAL BROADCASTING SERVICE; 3D FILMS [PRODUCTION COMPANY]; ANIMATION. AUSTRALIA; LUCAS, ANTHONY
Summary: 3D Films create a series of unusual animation commercials for SBS.

Call No: SUBJECT CLIPPINGS FILE; ANIMATION. AUSTRALIA
Author: Griffith, Chris
PhysDes: Clippings File Article
Subject: ANIMATION; ANIMATION. AUSTRALIA; ANIMATION EQUIPMENT; ANIMAL LOGIC; WETA WORKSHOP
Summary: Review of new animation software Adobe Character Animator and a discussion with notable Australian animators about the technological developments and how it has impacted on their work.

Call No: 220 OXF
Author: Richardson, John; Gorbman, Claudia; Vernallis, Carol
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2013
PhysDes: Oxford University Press
Subject: TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS; TECHNOLOGY AND TV; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; YOUTUBE; AESTHETICS; ANIMATION; MULTIMEDIA; SOUND REPRODUCTION; MEDIA; SOUND
Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.
Notes: Includes bibliographical references and index.
ISBN: 9780199733866
Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora

PhysDes: Article
Subject: MUSIC, FILM; ANIMATION; WILLIAMS, PAUL; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Article on Paul Williams' career and future musical score for 'The Secrets of NIMH'.

Call No: 772 ROS
Author: Rosing, Lilian Munk
Edition: Paperback edition
Source: US/UK
Place: New York; London
Publisher: Bloomsbury Academic, an imprint of Bloomsburg Publishing
PubDate: 2017
PhysDes: 181 pages : illustrations ; 23 cm
Subject: PIXAR; ANIMATION; THEORY; LACAN, JACQUES; TOY STORY (US, John Lasseter, 1995); TOY STORY 2 (US, John Lasseter, 1999); TOY STORY 3 (US, Lee Unkrich, 2010); BUG'S LIFE, A (US, John Lasseter & Andrew Stanton, 1998); MONSTERS, INC. (U S, Peter Docter & David Silverman, 2001); FINDING NEMO (US, Andrew Stanton & Lee Unkrich, 2003); INCREDIBLES, THE (US, Brad Bird, 2004); CARS (US, John Lasseter and Joe Ranft, 2006); RATATOUILLE (US, Brad Bird, Jan Pinkava, 2007); WALL-E (US, Andrew Stanton, 2008); UP (US, Pete Docter and Bob Peterson, 2009)
Summary: The films from Pixar Animation Studios are among the most popular family films today. From Monsters Inc. to Toy Story and Wall-E, Pixar's animated characters take on human qualities that demand more than just cultural analysis. What animates the human subject according to Pixar? What are the ideological implications of that animation? Pixar with Lacan has the double aim of analyzing pixar films while at once exemplifying important psychoanalytic concepts (the voice, the gaze, the partial object, the Other, the object a, the primal father, the name-of-the-father, symbolic castration, the imaginary/the real/the symbolic, desire and drive, the four discourses, masculine/feminine). In so doing , Lilian Munk Rosing expertly examines the ideological implications of the images of human existance in Pixar films.-- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781501320170
Contents: -- Introduction -- Beyond the Name of the Father: Toy Story -- Big O is Watching You: Toy Story 2 -- Sadism in the Kindergarten: Toy Story 3 -- entertainment as warfare : A Bug's Life -- There is Nothing More Toxic than a Human Child: Monsters, Inc -- Just Keep Swimming: Finding Nemo -- More than Super: The Incredibles -- the Mother Road: Cars -- Man is a Puppet, Soul is a Rat: Ratatouille -- Humanity Stuck in Vacation Hell: Wall-E -- His Master's Voice: Up -- epilogue: animation and capitalism -- references -- filmography -- index --

Call No: D Play
Source: AT
Place: Melbourne, Australia
Publisher: Short Play Publications
PubDate: 2010
PhysDes: 1 DVD (PAL) (75 min.) : sd., col. ; 4 ¾ in. + booklet
Series: Short Play ; 00:01
Subject: FILM; MEDIA; ANIMATION; ART IN FILMS
Summary: "Play, the inaugural volume of the Short Play publication, brings together a selection of 14 video works from artists who employ elements of play within their practice. Dancing, singing, frolicking, flying, teleporting and time travelling, these works share a playful vivacity that acts as a vehicle for sly subversion. Including six essays that expand on the concepts in the work, this diverse and challenging volume runs the gamut of play's myriad possiblities, in terms of both its role in contemporary art and its significance to everyday life. The result is often a double-edged sword of profundity and fun; a tongue-in-cheek delinquency projecting something deeper while eschewing any po-faced sentimentality of the past. " -- BLURB/BACK OF CONTAINER
Notes: This is volume 00:01; Includes acompanying pamphlet with six written essays
ISBN: 9780980876109
Contents: -- runaway (5:55) 2008 / Brown Council -- killing two birds (2:18) 2004 / Hit&Miss -- echoes of gold (7:19) 2008 / Rachel Feery & Lisa Stewart -- the t1 19 (1:18) 2009 / Timothy P Kerr -- dancing auswitz (silenced) (6:33) 2009-10 / Jane Korman -- green eye hill sound (6:22) 2010 / Alanna + Mathew Lorenzon-- memento mori (5:57) 2010 / Riki-Metisse Marlow -- study for retrograde motion (installation) (2:21) 1988/2008 / Ms&Mr -- sugar sweet (3:12) 2009-10 / Hannah Raisin -- safari team dig to china - part III (11:51) 2008-09 / Safari Team -- permutation set (edit) (8:54) 2010 / Sam Smith -- a someone else's problem field (0:59) 2009-10 / Lachlan Tetlow-Stuart -- the servants of the moon (4:58) 2007 / Michael Vale -- trilogy (7:10) 2001 / Jemima Wyman --
Technical Details: PAL ; All regions
Credits: Contributing artists: Brown Council ; Hit&Miss ; Rachel Feery & Lisa Stewart ; Timothy P Kerr ; Jane Korman ; Alanna & Matthew Lorenzon ; Riki-Metisse Marlow ; Ms& Mr ; Hannah Raisin ; Safari Team ; Sam Smith ; Lachlan Tetlow-Stuart ; Michael Vale ; Jemima Wyman ; Contributing writers: Davina Adamson ; Laura Castagnini ; Rachel Feery ; Shae Nagorcka ; Jessie Scott ; Jadan Sproule-Carroll curated/produced by Rachel Feery ; edited by Mark Hewitt ; Graphic designer Carla McKee; Sound designer Ed Gould; Motion graphics by Jayt Buchanan; Video Authoring by Thomas Kinsman
Standard Number: 9780980876109

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ETHNIC GROUPS IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: PUPPET ANIMATION (AT,David Johnson, 1983)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 10 x 12 cm
Subject: PUPPET ANIMATION (AT,David Johnson, 1983)
Summary: One black and white photograph from this eighteen minute film, which looks in detail at the techniques of making and animating for filming a wide variety of puppets.

Call No: SUBJECT CLIPPING FILES
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: ANIMATION; HANNA-BARBERA; TOM AND JERRY [TV](US, Joseph Barbera, William Hanna, 1965-1972); CARTOONS. USA; CARTOON CHARACTERS IN FILMS
Summary: An article about the longevity of success of Tom and Jerry. Also, gives a brief history of the partnership of Hanna-Barbera.

Call No: TITLE CLIPPINGS FILE; OSCAR WILDE'S THE NIGHTINGALE AND THE ROSE
Author: Taylor, Andrew
PhysDes: Clippings File Article
Subject: ANIMATION. AUSTRALIA; BARTON, DEL KATHRYN; OSCAR WILDE'S THE NIGHTINGALE AND THE ROSE (AT, Del Kathryn Barton and Brendan Fletcher, 2015)
Summary: Del Kathryn Barton talks about the process of making her first short film Oscar Wilde's The Nightingale and The Rose. Mentions Sarah Blasko, Geoffrey Rush, and Brendan Fletcher.

Call No: 236 FRY
Author: Fry, Ron; Fourzon, Pamela
Source: UK
Place: London
Publisher: Robert Hale & Company
PubDate: 1978
PhysDes: 212 p. ; 29 cm
Subject: ANIMATION; Metro-Goldwyn-Mayer; MINIATURE WORK; MODEL WORK; MONSTERS IN FILMS; ROBOTS IN FILMS; SCIENCE-FICTION FILMS; SPECIAL EFFECTS; SPECIAL EFFECTS DESIGNERS; STOP-MOTION TECHNIQUE; STORMS IN FILMS; WORLD WAR II AND THE CINEMA; COOPER, MERIAN C.; FULTON, JOHN P.; DEMILLE, CECIL B.; DISNEY, WALT; DUNN, LINWOOD; GILLESPIE, A. ARNOLD; O'BRIEN, WILLIS; PAL, GEORGE; EARTHQUAKE (US, Mark Robson, 1974); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); [TWENTY THOUSAND] 20,000 LEAGUES UNDER THE SEA (US, Richard Fleischer, 1954)
ISBN: 0709170738
Contents: 1. A definition of "special effects" -- 2. The birth of an industry: Edison, Melies, Urban, Paul, and Porter -- 3. Epics without soundtracks: Griffith, Sennett, Keaton, and Lang -- 4. The entertainment decade: Warner's sound, Dunn's optical printer, and O'Brien's King Kong -- 5. Re-creating a world at war: Gillespie, Jennings, Edouart, Hitchcock, and Disney -- 6. The creature-ridden fifties: Pal, Corman, Howard, Japan's Toho studios, Harryhausen and De Mille -- 7. The spectacular sixties, from The time machine to 2001: Vogel, Cruickshank, Danforth, Lee, and Knoth -- 8. The "disastrous" seventies: Allen, Trumbull, Abbott, Mattey, Robinson, Whitlock, and Von Buelow -- Epilogue: De Laurentis' King Kong - the present (and future) of special effects

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: ANIMATION. AUSTRALIA; SAUCER OF WATER FOR THE BIRDS, A (AT, Ann Shenfield, 1993)
Summary: Black and white cartoon of man and woman.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 sketch : b&w ; 13 x 18 cm
Subject: ANIMATION; SEA OF STARS (AT, Doris Unger, 1990)
Summary: Cartoon of 2 women sitting having coffee in a house.

Author: Durston, Joy [compiler]
PhysDes: Article
Subject: AROUND PERCEPTION [AUTOUR DE LA PERCEPTION] (CN, Pierre Hebert, 1968); AROUND PERCEPTION [AUTOUR DE LA PERCEPTION] (CN, Pierre Hebert, 1968); COMPUTER GRAPHICS; ANIMATION. CANADA
Summary: Note that the article refers to Pierre Hebert as "Creator of animation" only and not as "Director" despite his clear directorial role for the experimental film "Around Perception" that was one of the earliest explorations of computer animated film. A number of reviewers outlined its alienating visual and auditory effects for most audiences
Notes: Credits. - synopsis. - reviews. - ratings

Call No: FESTIVAL CATALOGUE SHELVES
Place: Durban, South Africa
Publisher: [s.n.]
PubDate: 1984
PhysDes: 1 v. : ill. ; 21 cm
Subject: FESTIVALS. DURBAN; SOUTH AFRICA; WORLD CINEMA; EUROPEAN CINEMA; ANIMATION
Notes: The Sixth Durban International Film Festival includes a selection of feature length films and animated films. The festival program includes a special focus on contemporary German cinema, as well as compilations of British and Canadian animation. The catalogue also includes numerous black and white stills and film synopses.

Author: Marks, Dick
PhysDes: Article
Subject: ANIMATION. AUSTRALIA; SHORT FILMS. AUSTRALIA; ROSSITER, JO; SLEIGHT OF HAND (AT, Jo Rossiter, 2013)
Summary: Interview with Jo Rossiter ACS, 2013 Australian Cinematographer of the Year, about his work on short animated film, 'Sleight of Hand'
Notes: Interview

Call No: 326 MCC
Author: McClean, Shilo
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1998
PhysDes: vii, 103 p. : ill. ; 21 cm
Subject: DIGITAL TECHNOLOGY; SPECIAL EFFECTS; STORY BOARDS; ANIMATION; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; BUDGETING
Notes: Includes index
ISBN: 1876351055 : $20.00; 1876351055; 1876351055 (pbk.); 1876351055 (Pbk)
LON: 13911081

Call No: 772(47) ASE
Author: S. Asenin
Place: Moscow
Publisher: Sovexportfilm
PhysDes: 64 p. : col. ill. ; 23 cm
Subject: ANIMATED FILMS; ANIMATION
Language: English and Russian

Call No: 236 FIN
Author: Finch, Christopher
Source: US
Place: New York
Publisher: Abbeville Press
PubDate: c1984
PhysDes: 252 p. : ill. (some col.) ; 27 cm
Subject: COMPUTER GRAPHICS; DIGITAL TECHNOLOGY; COMPUTERS AND THE CINEMA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTER GENERATED IMAGERY; COSTUME DESIGNING; TECHNICAL DEVELOPMENTS; MOTION CONTROL; MAKE UP; TECHNOLOGY AND THE CINEMA; PRODUCTION TECHNOLOGY; SPECIAL EFFECTS; CINEMATOGRAPHY; SET DESIGNING; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); TRON (US, Steven Lisberger, 1982)
Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 244
ISBN: 0896594521
Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --

Call No: 465.1 STA
Author: Henry, Charlotte; Ndalianis, Angela
Source: UK
Place: London
Publisher: Praeger Publishers
PubDate: 2002
PhysDes: xviii, 185p. : illus. : 24cm.
Subject: ACTORS; ANIMATION; CELEBRITIES IN FILMS; COMPUTER GAMES; DE NIRO, ROBERT; HOPPER, DENNIS; Peckinpah, Sam; PRINCESS OF WALES, DIANA; REEVES, KEANU; SCHWARZENEGGER, ARNOLD; STALLONE, SYLVESTER; ROCKY (US, John G. Avildsen, 1976)
Notes: Includes bibliographic references and index.
ISBN: 0275974804

Call No: 81MIY MIY
Author: Miyazaki, Hayao
Edition: English edition
Source: JA/US
Place: San Francisco, California
Publisher: VIZ Media
PubDate: c2009
PhysDes: 461 pages : colour illustrations ; 23 cm
Subject: ANIMATION. JAPAN; ANIMATORS; AUTHORSHIP; DIRECTION; DIRECTORS. JAPAN; JAPAN; MANGA; STUDIO GHIBLI; MIYAZAKI, HAYAO
Summary: "In the first two decades of his career, filmmaker Hayao Miyazaki laid the groundwork for his legendary movies. Starting Point: 1979-1006 is a collection of essays, interviews, and memoirs that go back to the roots of Miyazaki's childhood, the formulation of his theories of animation, and the founding of Studio Ghibli. Before directing such acclaimed films as Spirited Away, Miyazaki was just another salaried animator, but with a vision of his own. Follow him as he takes his first steps on the road to success; experience his frustrations with the manga and animation industries that often suffocate creativity; and realise the importance of bringing the childhood dreams of the world to life." -- BOOK BLURB
Notes: Originally published: Japan : Tokuma Shoten, 1996. -- includes biographical chronology -- translated into English from the Japanese -- Miyazaki's second autobiography, Turning Point, is also available in the collection
ISBN: 9781421561042
Language: English

Call No: 802.25(520) ODE
Author: Odell, Colin; Le Blanc, Michelle
Source: UK
Place: Harpenden, Herts, UK
Publisher: Kamera
PubDate: 2009
PhysDes: 157 p., [8] p. of plates : col. ill. ; 20 cm
Series: Kamera Books series
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; JAPAN; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984); KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); ONLY YESTERDAY [OMOHIDE PORO PORO] (JA. Isao Takhata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991); PORCO ROSSO (JA, Hayao Miyazaki, 1993); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); GEDO SENKI (JA, Goro Miyazaki, 2006); PONYO (JP, Hayao Miyazaki, 2008); GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); STORY OF THE YANAGAWA CANALS, THE (JA, Takahata Isao, 1987); YANAGAWA HORIWARI MONOGATARI (JA, Takahata Isao, 1987)
Summary: "This Kamera Book examines all their major works such as Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbor Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and My Neighbours the Yamadas, as well as the critically acclaimed Spirited Away and Howl's Moving Castle. The authors examine the early output of Hayao Miyazaki and Isao Takahata, exploring the cultural and thematic threads that bind these films together. " -- BOOK BLURB
Notes: Includes index Includes bibliographical references: (p. 153)
ISBN: 9781842432792
Contents: -- 1: introduction -- 2 the pre-Ghibli works of Takahata Isao and Miyazaki Hayao -- 3 the films of Studio Ghibli -- 4: other projects -- bibliography -- index --

Call No: 22(07) MAT
Author: Matzkin, Myron A
Source: US
Place: New York
Publisher: Focal Press
PubDate: 1976
PhysDes: x, 298 p. : ill ; 23 cm
Subject: FILMMAKING; CAMERAS; SOUND EQUIPMENT; LIGHTING; EDITING; PROJECTION; ANIMATION; CLOSE-UPS; SPECIAL EFFECTS
Summary: This comprehensive guide both to the technical and to the creative sides of modern Super 8 mm cinematography gives special emphasis to the hardware in use. [Taken from inside front cover.]
ISBN: 024050755X
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: BLUTH, DON; ANIMATION
Summary: Synopsis of 'The Secrets of NIMH'

Call No: 79TOY KEM
Author: Kemper, Tom
Source: UK
Place: London
Publisher: BFI published by Palgrave
PubDate: 2015
PhysDes: 110 pages : illustrations (black and white, colour) ; 19 cm.
Series: BFI Film Classics
Subject: ANIMATION; ANIMATED FILMS; ANIMATED FILMS. USA; TOY STORY (US, John Lasseter, 1995)
Summary: "The first computer-generated animated feature film, Toy Story (1995) sustains a dynamic vitality that proved instantly appealing to audiences of all ages. Like the great Pop Artists, Pixar Studios affirmed the energy of modern commercial popular culture and, in doing so, created a distinctive alternative to the usual Disney formula. Tom Kemper traces the film's genesis, production history and reception to demonstrate how its postmodern mishmash of pop culture icons and references represented a fascinating departure from Disney's fine arts style and fairytale naturalism. By foregrounding the way in which Toy Story flipped the conventional relationship between films and their ancillary merchandising by taking consumer products as its very subject, Kemper provides an illuminating, revisionist exploration of this groundbreaking classic."--Page [4] of cover.
ISBN: 9781844576678

Call No: F025:F772(430.2)"year" TRI held 1954/64-1966
CorpAuthor: DEFA
Subject: GERMAN DEMOCRATIC REPUBLIC; ANIMATION; FILMOGRAPHIES
Notes: Catalogues of animations held with DEFA Studio in the 1950s and 1960s
Language: German, French, English and Spanish

Call No: 81MIY MIY
Author: Hayao Miyazaki
Edition: English edition
Source: JA/US
Place: San Francisco, California
Publisher: VIZ Media
PubDate: c2014
PhysDes: 452 pages : colour illustrations ; 24 cm
Subject: ANIMATION. JAPAN; ANIMATORS; AUTHORSHIP; DIRECTION; DIRECTORS. JAPAN; JAPAN; MANGA; STUDIO GHIBLI; MIYAZAKI, HAYAO; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); SPIRITED AWAY (JA, Hayao Miyazaki, 2001); PONYO (JP, Hayao Miyazaki, 2008); GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008)
Summary: "In the mid-1990s, filmmaker Hayao Miyazaki moved from success to success as his work found an audience outside of Japan. His animated films of the era, including Princess Mononoke, Howl's Moving Castle, and Ponyo, were internationally lauded, and Miyazaki won an Academy Award in 2003 for his popular and critical hit Spirited Away. Follow Miyazaki as his vision matures, as cinema-lovers worldwide embrace his creations, and critics such as Roger Ebert take up the cause of animation and Miyazaki's films." -- BOOK BLURB
Notes: Originally published in Japan as Orikaeshiten, 1997-1998, by Iwanami Shoten, Publishers, 2008 -- Miyazaki's first autobiography, Starting Point, also available in the collection
ISBN: 9781421560908
Language: English

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: ANIMATION. AUSTRALIA; SHORT FILMS. AUSTRALIA; UNCLE (AT, Adam Elliot, 1996)
Summary: Black and white photograph of the animated Uncle.

Call No: FESTIVAL CATALOGUE SHELVES held 1983
Place: Canada
Publisher: [s.n.]
PubDate: 1983
PhysDes: 1 v. ; 22 cm
Subject: FESTIVALS. CANADA; FOREIGN FILMS USE: IMPORT OF FILMS; SHORT FILMS; DOCUMENTARY FILMS; ANIMATION; STUDENTS, FILMS MADE BY
Notes: The Universiade International Student Film Festival includes a selection of feature length films, short films, documentaries and animated films. The catalogue includes a synopsis of films in competition.

Call No: FESTIVAL CATALOGUE SHELVES held 1962, 1964
Place: Canada
Publisher: [s.n.]
PubDate: 1962-1964
PhysDes: 2 v. : ill. ; 23 cm
Subject: FESTIVALS. CANADA; FOREIGN FILMS USE: IMPORT OF FILMS; SHORT FILMS; DOCUMENTARY FILMS; ANIMATION
Notes: The Vancouver International Amateur Film Festival includes a selection of feature length films, short films, documentaries and animated films made by amateur filmmakers. The catalogues also include numerous black and white stills and film synopses.

Call No: FESTIVAL CATALOGUE SHELVES held 1961-1963, 1965, 2001, 2008
Place: Canada
Publisher: [s.n.]
PubDate: 1961-2008
PhysDes: 6 v. : ill. ; 23-28 cm
Subject: FESTIVALS. CANADA; FOREIGN FILMS USE: IMPORT OF FILMS; SHORT FILMS; DOCUMENTARY FILMS; ANIMATION; RENOIR, JEAN
Notes: The Vancouver International Film Festival includes a selection of feature length films, short films, documentaries and animated films. The festival also hosts various film related seminars and retrospectives on classic film directors. The catalogues also include numerous black and white and colour stills and film synopses. The 1963 festival catalogue also includes a separate press book.
ID2: 100

Call No: REFERENCE SECTION; 058 INT "1997"
Author: Cowie, Peter
Place: London
Publisher: Andre Deutsch
PubDate: 1996
PhysDes: 424 p. : ill., ports. ; 25 cm
Subject: LASER DISCS, FILMS ON; MUSIC, FILM; ANIMATION; FESTIVALS. HAUGESUND; ANGELOPOULOS, THEO; MANN, MICHAEL; MORETTI, NANNI; VERHOEVEN, PAUL; WANG, WAYNE
ISBN: 0233990232
LON: 13485291

Call No: REFERENCE SECTION; 058 INT "1998"
Author: Cowie, Peter
Place: London
Publisher: Andre Deutsch
PubDate: 1997
PhysDes: 432 p. : ill., ports. ; 25 cm
Subject: SPAIN; FESTIVALS. MILL VALLEY; MUSIC, FILM; ANIMATION; BESSON, LUC; BRANAGH, KENNETH; COEN, JOEL & ETHAN; GREENAWAY, PETER; LEE, ANG
ISBN: 0233991832
LON: 13851765

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WALLACE AND GROMIT: THE BEST OF AARDMAN ANIMATION (UK, Nick Park, 1996)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: WALT DISNEY ANIMATION AUSTRALIA

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 19 cm
Subject: ANIMATION. AUSTRALIA; WALTZING MATILDA (AT, Michael Chestaway & Michael Cusack, 1985)
Summary: 2 black and white photographs of scenes from the animation.

Call No: 21 MAN
Author: Manvell, Roger
Source: UK
Place: London
Publisher: Macdonald
PubDate: 1965
PhysDes: 184 p. ; 19 cm
Subject: ANIMATION; FILM STUDY AND RESEARCH; FILM TERMINOLOGY; MUSIC IN FILMS
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: WINNIE THE POOH AND A DAY FOR EEYORE (US, REINHERT, 1983); ANIMATION
Summary: Review of the latest Disney feature 'Winnie the Pooh and a Day for Eeyore'

Call No: 246 QUI
Author: Quigley, Marian
Place: Mentone, Vic.
Publisher: Insight
PubDate: 2005
PhysDes: vi, 160 p. : ill. ; 22 cm + 1 DVD
Subject: WOMEN FILM WORKERS; WOMEN AND TV. AUSTRALIA; WOMEN AND TV; DIRECTORS; ANIMATION; ANIMATORS; JOLLIFFE, ANNE; CARTER-HANSEN, JILL; WHITMORE, LEE; STARKIEWICZ, ANTOINETTE; SHENFIELD, ANN; CLUTTERBUCK, LUCINDA; SMITH, KATHY; CHANDLER, WENDY; PARKER, SHARON LEE; KIM, SUSAN
Summary: This work presents the story of Australian women animators. It introduces the work and views of independent women animators in Australia and the factors that have contributed to their emergence, growth and development. -Libraries Australia
ISBN: 1-921088-14-1
Contents: Acknowledgements -- glossary -- chapter : Introduction by Marian Quigley -- Interviews and filmographies -- Chapter 2: Anne Jollife -- Chapter 3: Jill Carter-Hansen -- Chapter 4: Lee Whtimore -- Chapter 5: Antoinette Starkiewicz -- Chapter 6: Ann Shenfield -- Chapter 7: Lucinda Clutterbuck -- Chapter 8: Kathy Smith -- Chapter 9: Wendy Chandler -- Chapter 10: Sharon Lee Parker -- Chapter 11: Susan Kim -- Resources

Call No: 772 SPI
Author: Spiegel, Josh
Source: US
Place: Philadelphia
Publisher: The Critical Press
PubDate: c2015
PhysDes: vi, 105p. ;
Subject: ANIMATION; PIXAR; NOSTALGIA IN FILMS; TOY STORY (US, John Lasseter, 1995); TOY STORY 2 (US, John Lasseter, 1999); TOY STORY 3 (US, Lee Unkrich, 2010); CARS (US, John Lasseter and Joe Ranft, 2006); UP (US, Pete Docter and Bob Peterson, 2009); MONSTERS UNIVERSITY (US, Dan Scanlon, 2013)
Summary: " Since its first feature film in 1995, Pixar Animation Studios has often been treated as a powerful, influential, and forward-thinking animation company. However, many of its films are incredibly besotted with a nostalgic longing for the past. From the Toy Story trilogy to the first Cars film, many of Pixar’s films are about chasing what used to be instead of embracing the future. In this book, published on the 20th anniversary of the original Toy Story’s release, Josh Spiegel examines some of the films from Pixar and Disney over the past 20 years that have embodied one of the most important lines of dialogue in Disney history, courtesy of theme-park narration: “Here, tomorrow is today. And yesterday is forever.” -- BOOK BACK COVER BLURB
ISBN: 9781941629239
Contents: -- acknowledgments -- introduction -- Toy Story and Cars -- Toy Story 2 and Up -- Toy Story 3 and Monsters University -- Disney animation in the 2010s -- conclusion -- notes -- about the author --