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: HARDWICHE, CATHERINE More info |
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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: HOGAN, MELANIE
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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: HESS, JARED
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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: HILL, ARTHUR
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in Velvet Light Trap (Fall 2005) iss.56 Call No: DVD RESEARCH FOLDER Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; STAR WARS [...] (US, 1977-99); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: GELBART, LARRY
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in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12 More info |
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in Australasian Cinema (27/8/1982) vol.11 iss.15 p.5 More info |
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: All their loving... Fangirls unite in Sunday Age [General News] (8/11/2015) p.4 More info |
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$1.5m in film cash in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2 More info |
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3 More info |
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3 exceptional films released GUO/FD in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1 More info |
 festival catalogue |
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7th Cleveland international film festival : April 8-24, 1983 / Cleveland international film festival US: [s.n.], 1983. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1983 PhysDes: 54 p. : ill. ; 21 cm Subject: FESTIVALS. USA [VARIOUS]; FOREIGN FILMS
USE: IMPORT OF FILMS Notes: The 7th Cleveland international film festival includes a program dedicated to showing a variety of feature length films from all over the world. The catalogue also includes film summaries and numerous black and white stills.
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$12m telemovie package draws to a close in Encore (2-15 July 1987) vol.5 iss.11 p.15-16 More info |
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14's good, 18's better [1981]. More info |
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16 mm : The American Dreamer in Films and filming (April 1972) vol.18 iss.7 p.75-76 More info |
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16mm Tonfilme Verleihhauptkatalog = 16mm Sound film rental general catalogue / Schmalfilmvertrieb Bruno Schmidt Berlin: Schmalfilmvertrieb Bruno Schmidt, [195-?]. More info |
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18 teasers to stave off the Hunger pangs in Sunday Telegraph [Insider] (15/11/2015) p.116 More info |
 festival catalogue |
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20th London lesbian and gay film festival : 29 March - 12 April 2006 / London lesbian and gay film festival London, UK: [s.n.], 2006. More info |
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21 years / Halas and Batchelor Cartoon Films Ltd London: Halas and Batchelor, 1961. Call No: 19HAL TWE CorpAuthor: Halas and Batchelor Cartoon Films Place: London Publisher: Halas and Batchelor PubDate: 1961 PhysDes: [32] p. : chiefly ill. ; 26 cm Subject: HALAS AND BATCHELOR CARTOON FILMS Notes: "A list of the principal productions completed by the Studio in all categories of film-making during 21 years"--Back cover; Cover title LON: abn87035187; 5049553
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15 More info |
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5 More info |
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42nd Street / J. Hoberman London: BFI Publishing, 1993. More info |
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48 shades / by Daniel Lapaine; based on the novel 48 shades of brown by Nick Earls AT: [2005]. More info |
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975. Call No: 802.25 FIF Author: Cowie, Peter Place: South Brunswick, N.J. Publisher: A. S. Barnes PubDate: c1975 PhysDes: 287 p. : ill. ; 29 cm Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA KON; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO Notes: Includes filmographies and index ISBN: 0498012557 : $20.00 LON: 723676 ID2: 291
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54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4 PhysDes: Article Subject: ACADEMY AWARDS; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); HEPBURN, KATHARINE; FONDA, HENRY; BEATTY, WARREN; STAPLETON, MAUREEN; ON GOLDEN POND (US, Mark Rydell, 1981); REDS (US, Warren Beatty, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); MEPHISTO (HU/GW, Istvan Szabo, 1981); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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55th Academy Award Winners in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1 More info |
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The 70s : a decade of classic movies May/June 2001. More info |
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004. Call No: 71(73)WOO Author: Wood, Jason Place: London Publisher: bfi Publishing PubDate: 2004 PhysDes: xiii, 263 p. : ill. ; 17 cm Series: BFI screen guides Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover]. Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index ISBN: 1844570061
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100 westerns / Edward Buscombe London: British Film Institute, 2006. Call No: 736.1 BUS Author: Buscombe, Edward CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute PubDate: 2006 PhysDes: 248 p. : 17 cm Series: BFI Screen Guides Subject: WESTERNS; AMERICAN INDIANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.] ISBN: 1844571122
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107: Bruce Gordon : $629 million in Australian Financial Review [Supplements] (26/05/2017) p.27 Call No: SUBJECT CLIPPINGS FILE; WIN CORPORATION Author: None PhysDes: Clippings File Article Subject: WIN CORPORATION; GORDON, BRUCE Summary: Listing of the wealth of WIN Corporation chief Bruce Gordon
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1895 Paris: Association francaise de recherche sur l'histoire du cinema, 1986-. Available at ProQuest (RMIT login required) Call No: No. 21 December 1996 and No. 22 July 1997 held only CorpAuthor: Association francaise de recherche sur l'histoire du cinema Source: France Place: Paris Publisher: Association francaise de recherche sur l'histoire du cinema PubDate: 1986- Subject: HISTORY OF CINEMA; FRANCE Notes: Donated by William Routt. ISSN: 07690959 Language: French Missing Issues: Incomplete Indexed In: FIAF
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The 1933 in National Film Theatre (Sept/Oct 1983) p.10-15 More info |
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The 1933 Show in National Film Theatre (Sep/Oct 1983) p.10-15 More info |
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The 1933 show in National Film Theatre (Sep/Oct 1983) p.10-15 More info |
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1945-1950 Die Deutschen filme = 1945-1950 The German film : eine Ubersicht = a summary / Der Neue Film Wiesbaden-Biebrich, Germany: Der Neue Film, [1950?]. More info |
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4 More info |
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1993 1994 BFI gay and lesbian catalogue London: British Film Institute, 1994. Call No: REFERENCE SECTION; 027(41)"1993/4" LES CorpAuthor: British Film Institute Source: UK Place: London Publisher: British Film Institute PubDate: 1994 PhysDes: 30 cm ; 48 p. Subject: HOMOSEXUALITY AND THE CINEMA Notes: catalogue
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The $5000 indy film that has conquered Hollywood in Sydney Morning Herald (28/03/2017) p.10 More info |
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120,000 admissions in 5 days for 'Breathless' in France in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5 More info |
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450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22 More info |
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"A hero for our times" : Foreign Correspondent, Hero, and The Bonfire of the Vanities in Hitchcock annual (1995-96) p.3-22 More info |
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A-League soccer strikes record $346m TV deal with Fox in Australian Financial Review (21/12/2016) p.2 Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIA Author: Stensholt, John PhysDes: Clippings File Article Subject: SPORT ON TV. AUSTRALIA; FOXTEL Summary: The TV broadcast deal for the Football Federation Australia (FFA) with Fox Sports, which gives broadcasting rights for the A-League, Socceroos and Matilda's matches. The FFA is looking to find a free to air broadcaster to show a number of A-League matches
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AAV Australia sold to Abacus in Encore (25 Feb, 1998) vol.16 iss.1 p.5 Author: Harty, Jason PhysDes: Article; Illustration(s) Subject: AAV AUSTRALIA; GREGORY, TED Summary: AAV Australia has been acquired by South African company Abacus Technology Holdings. Companies affected include Digital Pictures, Illoura Post Production, AAV Business Communications, AAV Imagestream, AAV Duplication Services and AAV New Zealand.
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The ABC : aunt Sally and the sacred cow / Clement Semmler Carlton, Victoria: Melbourne University Press, 1981. More info |
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981. Call No: 19ABC ABC Author: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting Commission Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1981 PhysDes: 3 v. Subject: STATE AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; HISTORY OF TV. AUSTRALIA; MEDIA AUSTRALIA; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission' Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1 ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) -- Donation: donated by M. S. Counihan Contents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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ABC-Netflix deal 'a waste of our taxes' in Daily Telegraph (10/11/2016) p.51 Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-) Author: - PhysDes: Clippings File Article Subject: NETFLIX; FILM VICTORIA; AUSTRALIAN BROADCASTING CORPORATION; SEVEN NETWORK; GLITCH [TV](AT, 2015-) Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable
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ABC's role quesitoned despite willingness to partner in The Australian (08/08/2016) p.18 More info |
 four corners [tv](at, 1961-) |
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ABC slammed over old, selective Nauru footage in The Australian (19/10/2016) p.1 More info |
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ABC tie-ins saddle up a winner in The Australian (22/05/2003) Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Brook, Stephen Subject: AUSTRALIAN BROADCASTING CORPORATION; MERCHANDISING; GRASSY, GRAHAME; SADDLE CLUB, THE [TV] (AT, 2001-) Summary: The importance for the ABC to earn revenue from its products. A few paragraphs on how it does this with its contribution to the show The Saddle Club Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Graheme Grassby - GM ABC Consumer Publishing - "We have now sold over 50,000 videos and DVDs and 10,000 Saddle Club journals... We would net probably $2 per unit sold." Thus on just video and DVD sales, and the annual Saddle Club journal, upwards of $120,000 will flow directly into ABC coffers.
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Abel Gance : a politics of spectacle / Norman King London: BFI Pub, 1984. Call No: 81GAN KIN Author: King, Norman Place: London Publisher: BFI Pub PubDate: 1984 PhysDes: 260 p. : ill ; 22 cm Subject: GANCE, ABEL Notes: Includes index; Filmography: p. 233-248; Bibliography: p. 249-256 ISBN: 0851701353; 0851701361 (pbk.) LON: bnb85170135; 3055772
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Abel Gance / Steven Philip Kramer Boston: Twayne Publishers, May 1978. Call No: 81 GAN KRA Author: Kramer, Steven Philip Edition: 1978 Source: US Place: Boston Publisher: Twayne Publishers PubDate: May 1978 PhysDes: 200 p. : ill. ; 21 cm. Series: Twayne's theatrical arts series Subject: GANCE, ABEL; GANCE, ABEL; J' ACCUSE (FR, Abel Gance, 1938); NAPOLEON (FR, Abel Gance, 1927); ROUE, LA (FR, Abel Gance, 1922); GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936) Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195. ISBN: 0805792546
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987. Call No: 451-054(=1-81) JEN Author: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme PubDate: 1987 PhysDes: iv, 167 leaves ; 30 cm Subject: AUSTRALIAN ABORIGINAL CINEMA; AUSTRALIAN ABORIGINES IN FILM; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67 LON: abn89090906; 9151758
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 how to change the world (canada/uk, jerry rothwell, 2015) |
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About life in AFR Weekend [Weekend Fin] (19 Sep 15) p.51 More info |
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Abrupt departure doesn't pass smell test in The Age (28/07/2015) p.19 Call No: SUBJECT CLIPPINGS FILE; NETWORK TEN Author: Knight, Elizabeth PhysDes: Clippings File Article Subject: NETWORK TEN; FOXTEL Summary: Discussion about the departure from Ten Holdings of Chief Executive Hamish McLennan, and why this looks odd considering Ten's strong performance in 2015. Some talk about Foxtel trying to take a stake in Ten and McLennan's supposedly cosy relationship with the Murdoch family
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Absent wives in Australian Financial Review (4/10/2014) p.51 More info |
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The Academy intimidation game in Sunday Telegraph [Insider] (22/02/2015) p.124 Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMY Author: Johnson, Neala PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; HISTORICAL FILMS Summary: Looking at how films based on fact that are nominated for Oscars are criticised for their accuracy.
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ACCC mergers unit set to rule on Ten-Foxtel deal in Australian Financial Review (19//) p.28 Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA Author: Mason, Max PhysDes: Clippings File Article Subject: NETWORK TEN; FOXTEL; MEDIA AUSTRALIA Summary: Report on the Australian Competition and Consumer Commission who will be shortly ruling on the bid by Foxtel to purchase a stake in the Ten Network
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Accent on origins for Weaver : Chameleonic star Jacki Weaver's latest film - a comedy about euthanasia - brought a welcome return to home soil in The Age [Spectrum] (1/08/2015) p.10 More info |
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001. Call No: 462-054.72 NAF Author: Naficy, Hamid Source: US Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 2001 PhysDes: v, 374 p. : ill. ; 24 cm Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index. ISBN: 0691043914
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28 More info |
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005. More info |
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The acoustic mirror : the female voice in psychoanalysis and cinema / Kaja Silverman Bloomington: Indiana University Press, 1988. Call No: 626:396 SIL Author: Silverman, Kaja Place: Bloomington Publisher: Indiana University Press PubDate: 1988 PhysDes: x, 257 p. ; 25 cm Series: Theories of representation and difference Subject: PSYCHOANALYSIS AND THE CINEMA; SEMIOLOGY; FEMINISM AND THE CINEMA; FREUD, SIGMUND Summary: Analysis of the sound-track of films specifically focused on the female voice, understood not only as dialogue, narration or commentary but as means of generating subjectivity. Notes: Includes index; Bibliography: p. 235-253 ISBN: 0253204747 (pbk.); 0253302846 LON: 87045834; 5540482 Contents: Lost objects and mistaken subjects: a prologue -- Body talk -- The fantasy of the maternal voice: female subjectivity and the negative Oedipus complex -- Disembodying the female voice : Irigaray, experimental feminist cinema, and femininity -- The female authorial voice
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994. Call No: 451-01 BIN Author: Bingham, Dennis, 1954 Place: New Brunswick, N.J. Publisher: Rutgers University Press PubDate: 1994 PhysDes: x, 271 p. : ill. ; 24 cm Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and index ISBN: 0813520738; 0813520746 (pbk.) LON: 10548892
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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004. Call No: 730.3 TAS Author: Tasker, Yvonne Source: UK Place: Abingdon, Oxon Publisher: Routledge PubDate: 2004 PhysDes: 414 p. ; 25 cm Subject: ACTION FILMS; ADVENTURE FILMS; STARS; ORIENTAL ACTION FILMS; CHILDREN AND THE CINEMA; MELODRAMA; HISTORY OF CINEMA; GENDER AND THE CINEMA; VIOLENCE IN FILMS; WOMEN IN FILMS; WAR FILMS; MEN IN FILMS; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow. Notes: Includes note and index. ISBN: 0 415 23507 3 Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19 More info |
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The actor's life : journals, 1956-1976 / [by] Charlton Heston ; edited by Hollis Alpert London: Allen Lane, 1979. More info |
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Actor, soldier, poet / by R. Henderson-Bland ; with an appreciation by Sir Hubert Gough London: Heath Cranton, 1939. More info |
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Actors and directors in Bright Lights vol.1 iss.2 p.29-30 More info |
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Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013. Call No: 753.8VER Author: Verrone, William Source: UK Place: London Publisher: Bloomsbury academic PubDate: 2013 PhysDes: vi, 275 p. ; 24 cm Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE (CS/BE, Vera Chytilova, 1970); OVOCE STROMU RAJSKYCH JIME(CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
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HITLER - EIN FILM AUS DEUTSCHLAND; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977); STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
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NECO Z ALENKY; NECO Z ALENKY (SZ/GW/UK, Jan Svankmajor, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. -- Notes: Formerly CIP. --
Includes bibliographical references and index -- ISBN: 9781441163523 Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017. Call No: 753 ADA Author: Kennedy-Karpat, Colleen Place: Cham, Switzerland Publisher: Springer International Publishing PubDate: 2017 PhysDes: ix, illustrations (colour), 22cm Series: Palgrave studies in adaptation and visual culture Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrmann, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site] Notes: Includes index ISBN: 9783319528533 Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014. Call No: 753.1(73) SLE Author: Slethaug, Gordon E. Source: US Place: New York Publisher: Bloomsbury PubDate: 2014 PhysDes: vi, 275 p. : ill. ; 23 cm. Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CRITICISM; USA; THEORY; POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA. USA; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993); SHORT CUTS (US, Robert Altman, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); GREAT GATSBY, THE (US/AT, Baz Luhrmann, 2013); SMOKE SIGNALS (US, Chris Eyre, 1998); SMOKE (US, Wayne Wang, 1995); DO THE RIGHT THING (US, Spike Lee, 1989); BROKEN FLOWERS (US, Jim Jarmusch, 2005); SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURB Notes: Includes bibliographical references (p. [255]-269) and index ISBN: 9781623564407 Donation: Senses of Cinema Contents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005. Call No: 753.1 ADA Author: Harrison, Stephanie Edition: First edition Source: US Place: New York Publisher: Three Rivers Press PubDate: c2005 PhysDes: xix, 619 p. : ill. ; 24 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES (IT/UR, Nikita Mihalkov, 1987); OCI CIORNIE (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); MR. BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET. Notes: Also issued online ISBN: 1400053145 Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adaptations in the sound era : 1927-37 / Deborah Cartmell London: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2015. Call No: 753.1 CAR Author: Cartmell, Deborah Source: UK Place: London Publisher: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc PubDate: 2015 PhysDes: vii, 166 pages ; 24 cm. Series: Bloomsbury adaptation histories Subject: ADAPTATIONS; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. SOUND PERIOD Summary: There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early 30s about the advantages of sound, what we would call technophobia today, the inclusion of speech in screen versions of literary and theatrical works, undeniably revised what it was to be an adaptation: words. Focusing on promotional materials, Adaptations in the Sound Era tracks early attempts to promote sound through the elevation of words in adaptations in the early sound period. The popular appeal of these films clearly stands in opposition to academic regard for them and the book reflects on the presence and marketing of 'words' in a variety of adaptations, from the introduction of sound in the late 1920s to the mid 1930s. This book contextualizes a range of adaptations in relation to debates about 'picturizations' of books in the early sound era, including reactions to the talking adaptation by writers such as, Irwin Panofsky, Aldous Huxley and Graham Greene. Film adaptations of Shakespeare, Dickens, gothic fiction and biopics are also discussed in relation to their use and promotion of sound or, more precisely, words -- TAKEN FROM PUBLISHER'S SITE Notes: Formerly CIP.
Includes bibliographical references and index. ISBN: 9781623568788 Contents: Machine generated contents note: 1.Introduction: `Singin in the Rain': Adapting Literature to Film, 1927--37 -- 2.Sound Shakespeare -- 3.Sound Dickens -- 4.Gothic Adaptations `Sell It for Its Horror': 1931 Gothic/Horror Adaptations and the Victory of the Shadow -- 5.Biopic Adaptations: Adapting Charles Laughton -- 6.Adaptations for Children: From Pre-Code to Post-Code Hollywood -- 7.Conclusions: Radical Adaptations.
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010. Call No: 753(510) DEP Author: Deppman, Hsiu-Chuang Source: US Place: Honolulu Publisher: University of Hawai'i Press PubDate: c2010 PhysDes: viii, 243 p. : ill. ; 23 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CHINA; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
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DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
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FA YEUNG NIN WA; FA YEUNG NIN WA (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
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BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
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TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998)
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ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index ISBN: 9780824834548 Donation: donated by Senses of Cinema 2013 Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Addendum to Spitz's article in Postscript (Fall 1982) vol.2 iss.1 More info |
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Adding to shock value in Weekend Australian [Review] (22/10/2016) p.14 More info |
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972. Call No: 81TRU MAN Author: Trumbo, Dalton Source: CN Place: Toronto Publisher: Bantam Books PubDate: 1972 PhysDes: 620 p. ; 18cm Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book] Notes: Includes index ISBN: 55306951195
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ADIEU AU LANGUAGE : (FR, Jean-Luc Godard, 2014) More info |
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Adrienne Pickering in Sun Herald [Sunday Life] (16/04/2017) p.1 More info |
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19 More info |
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Adventures in the screen trade : a personal view of Hollywood and screenwriting / William Goldman New York: Warner Books, 1984. More info |
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22 More info |
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22 More info |
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[Adventures of Barry McKenzie : stills file] More info |
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[Adventures of Priscilla, Queen of the desert, The : stills file] / Lockwood, Elise Roadshow Film Distributors, More info |
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Aerograd (1935) in Australian film guide vol.1 iss.12 p.44 More info |
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017. Call No: 451-053.6(73) COL Author: Colling, Samantha Place: New York Publisher: Bloomsbury Academic PubDate: 2017 PhysDes: vii, 167 pages ; 24 cm. Subject: TEEN FILMS; YOUNG PEOPLE IN FILMS; MEAN GIRLS (US, Mark Waters, 2004); HAIRSPRAY (US, John Waters, 1988); HOUSE BUNNY, THE (US, Fred Wolf, 2008); WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index. ISBN: 9781501349010 Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6 More info |
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AFC future options : small players in the corporation sector in Filmnews (Australia) (May-87) vol.XVII iss.4 p.3 More info |
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AFC scheme floats 'Wreck' in Encore (Jan 29, 1999) vol.17 iss.1 p.16-17 More info |
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AFC stands on its record, Another $500,000 down the drain in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2 More info |
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The AFI awards in If magazine (Dec 1999-Jan 2000) iss.20 p.16 More info |
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[AFI cinema : poster, double-sided, promoting summer program at the Chauvel cinema, 1986-1987] / Australian Film Institute AT: More info |
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AFI conversations on film : 'blak looks' in Metro (2000) iss.121/122 p.150-153 More info |
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AFL women cast their spell on Fox Footy fans in Daily Telegraph (23/03/2017) p.52 Call No: SUBJECT CLIPPINGS FILE; SPORT AND TV. AUSTRALIA Author: Gilder, Paul PhysDes: Clippings File Article Subject: FOXTEL; SPORT ON TV. AUSTRALIA; SPORT AND TV. AUSTRALIA Summary: Interview with Fox Sports CEO Patrick Delany where he comments on the success of the inaugural season of the AFLW league and the upcoming 2017 AFL men's competition
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993. More info |
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African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010. Call No: 802.27(73)-054(=96) REG Author: Regester, Charlene Source: US Place: Bloomington Publisher: Indiana University Press PubDate: c2010 PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cm Subject: BLACKS AND THE CINEMA. US; BLACKS IN FILMS. USA; MADAME SUL-TE-WAN; BEAVERS, LOUISE; MCKINNEY, NINA MAE; WASHINGTON, FREDI; MCDANIEL, HATTIE; HORNE, LENA; SCOTT, HAZEL; WATERS, ETHEL; DANDRIDGE, DOROTHY ISBN: 9780253221926 Donation: donated by Senses of Cinema, 2013 Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992. More info |
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009. Call No: 730.5.0(6) DOV Author: Dovey, Lindiwe Source: US Place: New York Publisher: Columbia University Press PubDate: 2009 PhysDes: xviii, 334 p. : ill. Series: Film and culture Subject: AFRICA IN FILMS; AFRICAN COUNTRIES; SOUTH AFRICA; SOUTH AFRICA IN FILMS; VIOLENCE IN FILMS; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996); TSOTSI (UK/SA, Gavin Hood, 2005); WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998); CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995); KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001); GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVER ISBN: 9780231147552 Donation: donated by Senses of Cinema, 2012 Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13 Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's Author: Hawker, Philippa PhysDes: Clippings File Article Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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After the Co-op : the AFI or "the Cohen"? in Filmnews (Australia) (May-86) vol.XVI iss.2 p.5-6 More info |
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The age of the dream palace : cinema and society in Britain 1930-1939 / Jeffrey Richards London Boston: Routlege & K. Paul, 1984. More info |
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Age-old gags ooze timeless class in Weekend Australian [Review] (22/04/2017) p.15 Call No: TITLE CLIPPINGS FILE; GOING IN STYLE (US, Zach Braff, 2017) Author: Romei, Stephen PhysDes: Clippings File Article Subject: GOING IN STYLE (US, Zach Braff, 2017) Summary: Review of the film GOING IN STYLE. The film is an adaptation of the 1979 film Notes: S Rating: 4 out of 5 stars
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Age-old gags ooze timeless class : [Going in style] in Weekend Australian [Review] (22/04/2017) p.15 Call No: TITLE CLIPPINGS FILE; GOING IN STYLE (US, Zach Braff, 2017) Author: Romei, Stephen PhysDes: Clippings File Article Subject: GOING IN STYLE (US, Zach Braff, 2017) Summary: Review of the film GOING IN STYLE. The film is an adaptation of the 1979 film Rating: 4 out of 5 stars
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018. Call No: 81VAR DER Author: DeRoo, Rebecca J. Source: US Place: Oakland, California Publisher: University of California Press PubDate: c2018 PhysDes: x, 238 pages : illustrations ; 23 cm Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER Notes: Includes bibliographical references and index; Also issued online ISBN: 9780520279414 Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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AI KAEN SEUPIKEU [I CAN SPEAK] : (KO, Kim Hyun Je-hoon, 2017) More info |
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AIDC conference 99 in If magazine (Dec 1999-Jan 2000) iss.20 p.19, 34 Author: Pellow, Jackson PhysDes: Conference report; Illustration(s) Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999; HEYER, JOHN Summary: Overview of the Australian International Documentary Conference held in Adelaide in November 1999. Includes the announcement of the Stanley Hawes Award for services to Australia documentary filmmaking awarded to John Heyer.
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009. Call No: 81EAS HUG Author: Hughes, Howard Source: US/UK Place: London ; New York Publisher: I.B. Tauris PubDate: 2009 PhysDes: xxxi, 252 p. : ill. ; 25 cm. Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index ISBN: 9781845119027 Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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Airport in Interview (1970) vol.1 iss.6 p.16-17 Author: Corliss, Richard PhysDes: Article Subject: SEATON, GEORGE; HUNTER, ROSS; AIRPORT (US, George Seaton, 1970) Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden film Notes: Review
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[Alan Hopgood Collection] Call No: DONATION - ALAN HOPGOOD Source: AT PhysDes: 1 box Subject: HOPGOOD, ALAN; ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974); BELLBIRD [TV] (AT, 1967-1977); PACIFIC BANANA (AT, John Lamond, 1981) Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection.
Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors.
Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research Collection Donation: donated by Alan Hopgood, 2010 ID2: 56
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Aldous Huxley and film / by Virginia M. Clark Metuchen, N.J.: Scarecrow Press, 1987. Call No: 81HUX VIR Author: Clark, Virginia M. (Virginia Martha) Place: Metuchen, N.J. Publisher: Scarecrow Press PubDate: 1987 PhysDes: xii, 155 p., [14] p. of plates : ill. ; 22 cm Subject: HUXLEY, ALDOUS Notes: Includes index; Filmography: p. 131-134; Bibliography: p. 135-141 ISBN: 0810820021 LON: 87012308; 5331399
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Alec Guinness / Kenneth Tynan London: Rockliff, 1953. Call No: 81GUI TYN Author: Tynan, Kenneth Place: London Publisher: Rockliff PubDate: 1953 PhysDes: 1 v. : ill Subject: GUINNESS, ALEC LON: hum00125398; 14322576
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Alfred Hitchcock : the legacy of Victorianism / Paula Marantz Cohen Lexington, Ky.: University Press of Kentucky, 1995. Call No: 81HIT COH Author: Marantz Cohen, Paula, 1953 Place: Lexington, Ky. Publisher: University Press of Kentucky PubDate: 1995 PhysDes: 198 p., [8] p. of plates : ill. ; 24 cm Subject: HITCHCOCK, ALFRED Summary: This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination. Also central to her thesis is the Victorian model of the nuclear family and its permutations, especially the father-daughter dyad. She postulates a fundamental dynamic in Hitchcock's films, what she calls a "daughter's effect," and relates it to the social role of the family as an institution and to Hitchcock's own relationship with his daughter, Patricia, who appeared in three of his films; Cohen argues that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity - one that builds on a Victorian inheritance and ultimately discards it Notes: Includes bibliographical references (p. [169]-187) and index ISBN: 0813119308 (alk. paper); 0813108500 LON: 11443160
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Alfred Hitchcock : a guide to references and resources / Jane E. Sloan New York Toronto New York: G.K. Hall Maxwell Macmillan Canada Maxwell Macmillan International, 1993. Call No: 81HIT SLO Author: Sloan, Jane, 1946 Place: New York Toronto New York Publisher: G.K. Hall Maxwell Macmillan Canada Maxwell Macmillan International PubDate: 1993 PhysDes: xii, 602 p. ; 25 cm Series: Reference publication in film Subject: HITCHCOCK, ALFRED Notes: Includes bibliographical references and indexes ISBN: 0816190577 (alk. paper) LON: 92015103; 9008368
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Alfred Hitchcock : a life in darkness and light / Patrick McGilligan Chichester, West Sussex, UK: John Wiley, 2003. Call No: 81HIT MCG Author: McGilligan, Patrick Source: UK Place: Chichester, West Sussex, UK Publisher: John Wiley PubDate: 2003 PhysDes: 850 p. ; ill. ; 23 cm Subject: HITCHCOCK, ALFRED Summary: In a career that spanned six decades and more than sixty films, Alfred Hitchcock became the most widely recognised director who ever lived. His films set new standards for cinematic invention and storytelling elan. Since his death, Hitchcock has become crystallised in the public imagination as the macabre Englishman, the sexual obsessive, the Master of Suspense. But this biography draws on prodigious new research to restore Hitchcock the man - the ingenious craftsman, the avid collaborator, the constant trickster, provocateur, and romantic. (back cover) ISBN: 0470869739
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Alfred Hitchcock : registrar of births and deaths in Hitchcock annual (1997-98) p.3-18 Author: Sterritt, David PhysDes: Serial Subject: HITCHCOCK, ALFRED; FAMILY PLOT (US, Alfred Hitchcock, 1976) Summary: This essay employs biographical information about Hitchcock along with ideas from intertexual theory, Michel Chion's theorization of cinematic sound, and Zizek's contribution to Lacanian psychoanalysis. It suggests that Hitchcock's investment in religious thinking has a value in Hitchockian hermeneutics, and analyzes thematic concerns such as guilt and confession.
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Alfred Hitchcock / Filmoteca Nacional de Espana [Madrid]: Filmoteca Nacional de Espana, June 1978. Call No: 81 HIT HIT Edition: [1978] Place: [Madrid] Publisher: Filmoteca Nacional de Espana PubDate: June 1978 PhysDes: 182 p. : illus. ; 28 cm Subject: HITCHCOCK, ALFRED Language: Spanish
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Alfred Hitchcock / Gene D. Phillips London: Columbus Books, 1986. Call No: 81 HIT PHI Author: Phillips, Gene D. Source: UK Place: London Publisher: Columbus Books PubDate: 1986 PhysDes: [212] p. : ill., ports ; 22cm Series: Columbus filmmakers Subject: HITCHCOCK, ALFRED Notes: Originally published: Boston, Mass. : Twayne, 1984. --Includes bibliography and index. ISBN: 0862872081 Donation: Estate of Adrian Miles Contents: About the author --Editor's forward --Preface: "Alfred Hitchcock: Prankster of Paradox" --Acknowledgements --Chronology --1. Prologue: The Hitchcock Touch --2. The Twenties: The Silent Years --3. The Thirties: The Early Years of Sound --4. The Thirties: The Peak Years in Britain -- 5. The Forties: The Selznick Years --6. The Fifties: The Peak Years in Hollywood --7. "Alfred Hitchcock Presents": The Television Years --8. The Sixties and Seventies: The Vintage Years --9. Epilogue: The Touch of Class --Notes and References --Selected Bibliography --Filmography --Index
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Alfred Hitchcock and the making of Psycho / Stephen Rebello London: Mandarin, 1992. Call No: 79 PSY REB Author: Rebello, Stephen Place: London Publisher: Mandarin PubDate: 1992 PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm. Subject: BLOCH, ROBERT; HITCHCOCK, ALFRED; BASS, SAUL; STEFANO, JOEY; HERRMANN, BERNARD; MILES, VERA; PSYCHO (US, Alfred Hitchcock, 1960); DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955) Notes: Originally published: London : Boyars, 1990.
Bibliography: p. 207-211. Includes index. ISBN: 0749309709 Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath
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Alfred Hitchcock on music in films in Hitchcock annual (1994) p.149-157 More info |
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Alfred Hitchcock presents : an illustrated guide to the ten-year television career of the master of suspense / John McCarty and Brian Kelleher ; foreword by Robert Bloch New York: St. Martin's Press, 1985. Call No: 79 ALF MCC Author: McCarty, John; Kelleher, Brian Edition: First edition Source: US Place: New York Publisher: St. Martin's Press PubDate: 1985 PhysDes: xiv, 338 pages : illustrations, portraits. ; 24 cm Subject: HITCHCOCK, ALFRED; ALFRED HITCHCOCK PRESENTS [TV] (US, Alfred Hitchcock,1955-62) Notes: Includes index. -- Bibliography: p. 332-333. ISBN: 0312017111 Contents: Foreword: My Hitch with Hitchcock by Robert Bloch -- Introduction -- The Story Behind the Series -- Alfred Hitchcock Presents: an episode guide to all 266 shows -- The Alfred Hitchcock Hour: an episode guide to all 93 shows -- Major awards and nominations -- Appendix: Suspicion and Ford Startime -- Postscript -- Bibliography -- Index -- About the Authors
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Alfred hitchcock presents my favourites in suspense : [by various authors selected by A. J. Hitchcock] / Alfred Hitchcock London: Random House, 1960. Call No: 79 MYF HIT Author: Hitchcock, Alfred Source: UK Place: London Publisher: Random House PubDate: 1960 PhysDes: 269 p. ; 18cm Series: Alfred Hitchcock presents Subject: HITCHCOCK, ALFRED Donation: donated by the family of Wayne Levy, 2006
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Alfred Hitchcock's Easy Virtue (1927) : a descriptive shot list in Hitchcock annual (1993) p.41-95 More info |
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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991. Call No: 81HIT SHA Author: Sharff, Stefan Place: New York Publisher: Columbia University Press PubDate: 1991 PhysDes: vii, 258 p. : ill. ; 24 cm Subject: HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976); LANGUAGE AND THE CINEMA Notes: Includes bibliographical references and index ISBN: 0231069146 (acid-free paper) LON: 7477298 Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --
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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991. More info |
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Alfred Hitchcock's Number Seventeen (1932) : a descriptive shot list in Hitchcock annual (1994) p.76-148 More info |
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Alfred Hitchcock's The Manxman (1929) : a descriptive shot list in Hitchcock annual (1995-96) p.61-116 More info |
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Alfred Hitchcock & the British cinema / Tom Ryall Urbana: University of Illinois Press, 1986. Call No: 81HIT RYA Author: Ryall, Tom Place: Urbana Publisher: University of Illinois Press PubDate: 1986 PhysDes: ix, 193 p., [8] p. of plates ; 23 cm Subject: HITCHCOCK, ALFRED Notes: Includes index; "Filmography": p. 185-186; Bibliography: p. 187-188 ISBN: 0252013743 LON: 86011361; 4583120
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Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928. More info |
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Aline MacMahon and 'Gold Diggers of 1933' in Classic Images (Apr 1983) vol.94 p.58-59 More info |
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Alive and well in Sunday Herald Sun [TV Guide] (10/09/2017) p.1 Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-) Author: Vickery, Colin PhysDes: Clippings File Article Subject: BOOTH, EMMA; GLITCH [TV](AT, 2015-) Summary: Interview with GLITCH actor Emma Booth about her career and her role in the TV series
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All guns blaze, all the time in Daily Telegraph [Hit] (27/04/2017) p.18 More info |
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All hell breaks loose over priest push in Sydney Morning Herald (02/06/2016) p.23 Call No: TITLE CLIPPINGS FILE; GOD WILLING [SE DIO VUOLE] (IT, Edorado Maria Falcone, 2015) Author: Wilson, Jake PhysDes: Clippings File Article Subject: GOD WILLING [SE DIO VUOLE] (IT, Edorado Maria Falcone, 2015) Summary: Review of the film GOD WILLING (or known in Italian as SE DIO VUOLE) Notes: similar article in Canberra Times: 'Chrisitan parable - or buddy movie', Section: Panorama, p 20, 4 June 2016. Rating: 2.5 out of 5 stars
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All in the family in Weekend Australian [Review] (27/02/2016) p.23 Call No: TITLE CLIPPINGS FILE; HERE COME THE HABIBS [TV](AT, 2016) Author: Blundell, Graeme PhysDes: Clippings File Article Subject: HERE COME THE HABIBS [TV](AT, 2016) Summary: A positive review of the TV show HERE COME THE HABIBS and the comparision with this and Paul Fenech's work including HOUSOS
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All's Mel that ends well in Daily Telegraph (08/12/2016) p.3 More info |
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All stations to Comedy Central in Weekend Australian [Review] (25/07/2015) p.14 More info |
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All the burning bridges : a memoir / Steve Bisley Richmond, Victoria: Echo, a division of Bonnier Publishing Australia, 2017. Call No: 81 BIS BIS Author: Bisley, Steve Source: AT Place: Richmond, Victoria Publisher: Echo, a division of Bonnier Publishing Australia PubDate: 2017 PhysDes: 247 pages ; 21 cm Subject: BISLEY, STEVE; GIBSON, MEL; DAVIS, JUDY; MAD MAX (AT, George Miller, 1979); WATER RATS [TV] (AT, Hal McElroy, 1996); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); DOCTOR DOCTOR [TV] (AT, 2016) Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard. ISBN: 9781760400842
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[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?]. Call No: CRAWFORD STILL ALL Source: AT Publisher: Crawford Productions [distributor] PubDate: [1988?] PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cm Subject: CRAWFORD PRODUCTIONS; SACKS, MARTIN; SUMNER, PETER; WALLACE, ROWENA; MENDELSOHN, BEN; McKENZIE, JACQUELINE; MILLAR, MAGGIE; SMITHERS, JOY; HENSLEY, LISA; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way' Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets) Donation: Gift of Crawford Productions
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Crawford collection  crawford publicity all |
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[All the way. Publicity material] Call No: CRAWFORD PUBLICITY ALL PhysDes: 1 box ; 38 x 25 x 9 cm Subject: SMITHERS, JOY; SUMNER, PETER; MILLER, DENNIS; SACKS, MARTIN; WALLACE, ROWENA; MCDONALD, DOMINIC; TAYLOR, GRIGOR; MENDELSOHN, BEN; HENSLEY, LISA; MAMMONE, ROBERT; ALL THE WAY [TV] (AT, 1988) Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way' Donation: Gift of Crawford Productions Contents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)
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All work a Thor point for Tom in Sunday Telegraph [Insider] (26/02/2017) p.108 Call No: PERSONALITY CLIPPINGS FILE; HIDDLESTON, TOM Author: Johnson, Neala PhysDes: Clippings Subject: HIDDLESTON, TOM Summary: An artcle about Tom Hiddleston
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All you ever want to know about SEX - and how it sells in Courier-Mail (28/02/2004) p.75-76 More info |
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Allowing young filmmakers to spread their wings : the educational role of the experimental film and television fund / Ken Berryman B.A., B. Ed (Melb.) Melbourne: Centre for the Study of Educational Communication and Media, School of Education, La Trobe University, August, 1985. More info |
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ALLVARSAMMA LEKEN, DEN : NO/SW, Anja Breien, 1977 More info |
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7 More info |
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7 More info |
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27 More info |
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8 More info |
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Along Film Row in Australasian Cinema (24/9/1982) vol.11 iss.17 p.6-7 More info |
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36 More info |
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15 More info |
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6 More info |
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38 More info |
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11 More info |
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Along Film Row in Australasian Cinema (14/5/1982) vol.11 iss.8 p.6-7 PhysDes: Article Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); GREATER UNION Summary: Film news from across Australia.
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7 More info |
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Along Film Row in Australasian Cinema (16/4/1982) vol.11 iss.6 p.10 More info |
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Along Film Row in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.10-12 More info |
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6 More info |
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The altering eye : contemporary international cinema / Robert Phillip Kolker Oxford: Oxford University Press, 1983. Call No: 62 KOL Author: Kolker, Robert Phillip Source: US Place: Oxford Publisher: Oxford University Press PubDate: 1983 PhysDes: 428 p. : ill. ; 21 cm Subject: HISTORY OF CINEMA; CRITICISM; PHILOSOPHY AND THE CINEMA; DE SICA, VITTORIO; GODARD, JEAN-LUC Summary: " Most filmmakers, especially in the United States, have chosen not to upset their audiences. But since World War 2, an alternative cinema has emerged on a significant scale, particularly in Europe and Latin America- a cinema that challenges rather than soothes, that questions assumptions rather than reinforces them. This kind of film - "made in a spirit of resistance, rebellion, and refusal" - is the focus of this important and stimulating study. Investigating many movements and styles, Robert Phillip Kolker illuminates both their diversity and their common threads. He starts with the seminal achievements of the Italian neo-realists (Rossellini, De Sica, Visconti), examining the filmmakers who influenced them and their influence in turn on later filmmakers in Engalnd, Brazil, India and Europe. He looks at the modernist experiments of Resnais and Antonioni and pays special attention to the directors of the French New Wave (Godard, Truffaut, Chabrol, Rohmer, Rivette), who broke down the remaining traditions of cinematic storytelling and invented new ones.
With deftness and clarity, Kolker discusses the New Wave's influence on such older directors as Bresson and Bunuel, as well as on younger ones, such as Ken Russell, Nicolas Roeg, and Jean-Marie Straub. He investigates the New German Cinema of Fassbinder, Wenders, and Herzog, filmmakers who have furthered the effort to make cinema a tool of enquiry and visual invention. He concludes with a look at specific political and psychological elements in contemporary film, particularly in the work of revolutionary Latin American filmmakers, the Hungarian director Miklos Jancso, as well as Godard, Bertolucci, Fassbinder, Losey, and Bunuel." -- BOOK BLURB Notes: Includes index; Bibliography: p. 405-415 ISBN: 0195033027 Contents: -- introduction -- one: the vaildity of image -- two: the substance of form -- three: politics, psychology, and memory -- notes -- bibliography -- index --
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Alternative scriptwriting / Ken Dancyger and Jeff Rush Boston: Focal Press, 1995. More info |
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Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008. Call No: 735.3 (73) WAL Author: Walters, James Source: US Place: Bristol; Chicago Publisher: Intellect PubDate: 2008 PhysDes: 232 p. : ill. ; 23 cm Subject: HOLLYWOOD; FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.) Notes: Includes Filmography, Bibliography and Index ISBN: 9781841502021
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005. Call No: 81ALT THO Author: Altman, Robert and Thompson, David Source: UK Place: London Publisher: Faber and Faber PubDate: 2005 PhysDes: xxii, 306p. ; b+w ill. : 22cm. Subject: ALTMAN, ROBERT; M*A*S*H (US, Robert Altman, 1969); LONG GOODBYE, THE (US, Robert Altman, 1973); THIEVES LIKE US (US, Robert Altman, 1974); CALIFORNIA SPLIT (US, Robert Altman, 1974); NASHVILLE (US, Robert Altman, 1975); BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976); QUINTET (US, Robert Altman, 1979); PERFECT COUPLE, A (US, Robert Altman, 1979); HEALTH (US, Robert Altman, 1980); POPEYE (US, Robert Altman, 1980); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); STREAMERS (US, Robert Altman, 1983); SECRET HONOR (US, Robert Altman, 1984); FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond. Notes: Includes index and bibliography ISBN: 0571220894
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[Alvin rides again : stills file] More info |
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I AM A CHILD GENIUS [TV] : (AT, 2007-) More info |
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I Am A Fugitive From A Chain Gang in Metro (1997) iss.111 p.51 More info |
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I AM A GIRL : (AT/US/PP/CM/CB/AF, Rebecca Barry, 2013) More info |
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I Am A Girl in Australian Cinematographer (December 2012) iss.56 p.30-37 Author: Daly, Nicola PhysDes: Article Subject: DOCUMENTARY FILMS; BARRY, REBECCA; I AM A GIRL (US, Rebecca Barry, 2013) Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea
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I AM A SINGER : (AT, Megan Heywood, 1997) More info |
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I AM AN OLD TREE : (CN, Michael Rubbo, 1975) More info |
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I AM BECAUSE WE ARE : (US, Nathan Rissman, 2008) More info |
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I AM BIG BIRD: THE CAROLL SPINNEY STORY : (US, Dave LaMattina and Chad N. Walker, 2014) More info |
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I AM CAIT [TV] : (US, 2015) More info |
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I AM ELEVEN : (AT, Genevieve Bailey, 2011) More info |
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I AM HEATH LEDGER : (CN, Adrian Buitenhuis/Derik Murray, 2017) More info |
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I AM LEGEND : (US, Francis Lawrence 2007) More info |
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I AM MICHAEL : (US, Justin Kelly, 2015) More info |
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I AM MOTHER : (AT, Grant Sputore, 2019) More info |
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AM MUU GIAY GOT NHON : (V, Ham Tran, 2013) More info |
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I AM NO BIRD : (AT, Em Baker, 2020) More info |
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I AM NO GOD : (AT, Barrie Pattison, 1982) More info |
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I AM NOT A SERIAL KILLER : (IE/UK, Billy O'Brien, 2016) More info |
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I AM NOT A WITCH : (UK/FR, Rungano Nyoni, 2017) More info |
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I AM NOT YOUR NEGRO : (SZ/FR/BE, US, Raoul Peck, 2016) Digital clippings file available More info |
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I AM NUMBER FOUR : (US, D J Caruso) More info |
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I AM PAUL WALKER : (US, Adrian Buitenhuis, 2018) More info |
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I AM SAM : (US, Jessie Nelson, 2001) More info |
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I AM SEX ADDICT : (US, Caveh Zahedi, 2005) More info |
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I AM THAT : (US, Joy Marzec, 2020) More info |
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I AM THE CHEESE : (US, Robert Jiras, 1983) More info |
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I AM THE FUTURE : (RH, Godwin Mawuru, 1994) More info |
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I AM THE NIGHT [TV] : (US, 2019-) More info |
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I AM TRYING TO BREAK YOUR HEART : (US, Sam Jones, 2002) More info |
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I AM TRYING TO BREAK YOUR HEART : (US, Sam Jones, 2002) More info |
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I AM WOMAN : (AT, Unjoo Moon, 2019) Digital clippings file available More info |
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'Amadeus' begins shooting in prague in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2 More info |
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Amalgamated Holdings Annual report / Amalgamated Holdings Limited Sydney: Amalgamated Holdings Limited, 1985. Call No: ANNUAL REPORT SHELVES; held 1999-2011 CorpAuthor: Amalgamated Holdings Place: Sydney Publisher: Amalgamated Holdings Limited PubDate: 1985 PhysDes: v. ; 30 cm Subject: AMALGAMATED HOLDINGS; GREATER UNION; ATLAB Notes: Title from cover LON: 11371106
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AMANTES PASAJEROS, LOS : SP, Pedro Almodovar, 2013 More info |
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The amazing careers of Bob Hope : from gags to riches / by Joe Morella, Edward Z. Epstein and Eleanor Clark London New York: W. H. Allen, 1974. More info |
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Ambigous films: Le Beucher and Freaks in Film Psychology Review (Summer Fall 1980) vol.4 iss.2 p.196-206 More info |
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America 3000 : Low-budget Amazon women ride the post-nuclear range for Cannon Films, on location in Israel in Cinefantastique (March 1986) vol.16 iss.1 p.7, 52 More info |
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America, Americans in National Film Theatre (August 1983) p.2-8 More info |
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America, Americans in National film Theatre (August 1983) p.2-8 More info |
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America in the movies : or "Santa Maria, it had slipped my mind" / by Michael Wood New York: Basic books, 1975. Call No: 71 (73) WOO Author: Wood, Michael Source: US Place: New York Publisher: Basic books PubDate: 1975 PhysDes: xi, 206 p. : ill. ; 22 cm Subject: USA; HOLLYWOOD Notes: Includes index.
Also titled " Santa Maria, it had slipped my mind" ISBN: 0465000967 Donation: donated by Senses of Cinema, 2010 Contents: -- List of illustrations -- Acknowledgements -- The price of imagery -- America first -- The blame on mame -- Nice guys finish last -- The intrepidation of dreams -- Ceremonies of innocence -- Darkness in the dance -- Shake the superflux -- The sense of the past -- Index
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982. Call No: 71(73) BEH Author: Behlmer, Rudy, Place: New York Publisher: F. Ungar Pub. Co. PubDate: c1982 PhysDes: xix, 324 p. : ill. ; 24 cm Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and index ISBN: 080442036X; 0804460345 (pbk.) LON: 2175280
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010. Call No: 71(73) EAG Author: Eagan, Daniel Source: US Place: New York : London Publisher: Continuum PubDate: 2010 PhysDes: xxvii, 818 p. : ill. ; 26 cm Subject: BEST FILMS; BEST FILMS. US; CRITICISM; FILM; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; LIBRARY OF CONGRESS; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURB Notes: Formerly CIP ISBN: 9780826429773 Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980. Call No: 772(73) AME Author: Peary, Gerald; Peary, Danny, 1949 Edition: 1st ed Place: New York Publisher: Dutton PubDate: c1980 PhysDes: x, 310 p. : ill. ; 23 cm Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR. MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and index ISBN: 0525476393 : $10.95 LON: 1776676
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American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required) Call No: 408.3 (73/94) AME Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.) Source: SZ/AT Place: Cham, Switzerland Publisher: Palgrave Macmillan PubDate: c2018 PhysDes: xvii, 333 pages : illustrations ; 22 cm Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HOLLYWOOD; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER Notes: Includes bibliographical references and index ISBN: 9783319666754 Donation: Stephen Gaunson Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968. Call No: 802.25(73) SAR Author: Sarris, Andrew Edition: [1st ed.] Place: New York Publisher: Dutton PubDate: 1968 PhysDes: 383 p. 22 cm Subject: DIRECTORS. USA; LUBITSCH, ERNST; LOSEY, JOSEPH; FORD, JOHN; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; OPHULS, MAX; VON STERNBERG, JOSEF; PREMINGER, OTTO; STURGES, PRESTON; WALSH, RAOUL; LEWIS, JERRY; WELLES, ORSON LON: 31835
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.1 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.2 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273
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American dreaming : the films of John Cassavetes and the American experience / Raymond Carney Berkeley: University of California Press, 1985. Call No: 81CAS CAR Author: Carney, Raymond Place: Berkeley Publisher: University of California Press PubDate: 1985 PhysDes: x, 335 p. : ill. ; 24 cm Subject: CASSAVETES, JOHN; FACES (US, John Cassavetes, 1968); GLORIA (US, John Cassavetes, 1980); HUSBANDS (US, John Cassavetes, 1970); KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976); MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971); SHADOWS (US, John Cassavetes, 1960); TOO LATE BLUES (US, John Cassavetes, 1961); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311 ISBN: 0520050991 LON: 3055051 Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013. Call No: 769(73) MAC Author: MacDonald, Scott Source: US Place: Berkeley Publisher: University of California Press PubDate: 2013 PhysDes: viii, 415 pages : ill. ; 24 cm Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "-- ISBN: 9780520275621 Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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The American experimental film in the last decade / by Colin Young Paris : [s.n.]: UNESCO, 1964. Call No: 771(73) YOU Author: Young, Colin CorpAuthor: UNESCO Place: Paris : [s.n.] Publisher: UNESCO PubDate: 1964 PhysDes: 33 p. ; 27 cm Subject: EXPERIMENTAL FILMS. USA; HISTORY OF CINEMA. USA; FILMMAKING; AESTHETICS Notes: United Nations Educational, Scientific and Cultural Organization report; This report represents Unesco's contribution to the Mannheim round-table, organized under the auspieces of Unesco, the Unesco's Germand National Commission and the Mannheim Festival. LON: abn98184205; 13917802
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American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57 More info |
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American film genres : approaches to a critical theory of popular film / by Stuart M. Kaminsky Dayton, Ohio: Pflaum Pub., [1974]. Call No: 64GEN KAM Author: Kaminsky, Stuart M Place: Dayton, Ohio Publisher: Pflaum Pub. PubDate: [1974] PhysDes: 232 p. : ill. ; 23 cm Subject: GENRES Notes: Includes bibliographies, filmographies, and index ISBN: 0827802781; 0827802773(pbk.) LON: 463843
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The American film heritage : impressions from the American Film Institute archives / Tom Shales... [et. al.] Washington DC: Acropolis Books, 1972. Call No: 11(73) AME CorpAuthor: American Film Institute Source: US Place: Washington DC Publisher: Acropolis Books PubDate: 1972 PhysDes: 184 p. : illus. ; 26 cm Subject: ARCHIVES & INSTITUTES, FILM; American Film Institute; HISTORY OF CINEMA. USA Summary: A collection of essays and observations by film critics and historians on films held by the American Film Institute ISBN: 874913365
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The American film musical / Rick Altman London: British Film Institute, 1989. Call No: 751 ALT Author: Altman, Rick Place: London Publisher: British Film Institute PubDate: 1989 PhysDes: [386] p. : ill. ; 26cm Subject: MUSICALS. USA; ASTAIRE, FRED; BERKELEY, BUSBY; EDDY, NELSON; GARLAND, JUDY; MACDONALD, JEANETTE; MAMOULIAN, ROUBEN; ROGERS, GINGER; VIDOR, KING; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951); APPLAUSE (US, Rouben Mamoulian, 1929); OKLAHOMA! (US, Fred Zinneman, 1955) Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes index ISBN: 0851702279 (pbk) : ª12.95 : CIP confirmed LON: 6008672 6008672
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979. Call No: 409(73) AME Author: O'Connor, John E; Jackson, Martin A Place: New York Publisher: Ungar PubDate: c1979 PhysDes: xxix, 290 p. : ill. ; 22 cm Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; BLACKS IN FILMS. USA; BLACKS AND THE CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282 ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95 LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983. Call No: 45:93 OCO Author: O'Connor, John E Source: US Place: New York Publisher: Ungar PubDate: c1983 PhysDes: xliii, 420 p. : ill. ; 22 cm Series: Ungar film library Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BLACKS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405 ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95 LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987. Call No: 735.2 WAL Author: Waller, Gregory A. (Gregory Albert), 1950 Place: Urbana Publisher: University of Illinois Press PubDate: c1987 PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219 ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper) LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001. Call No: 71(73) AME Author: Hillier, Jim Place: London Publisher: British Film Institute PubDate: 2001 PhysDes: xvii, 283 p. : ill., ports. ; 24 cm Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; BLACK CINEMA; BLACKS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL 6 (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99 LON: 20980358
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The American movies : the history, films, awards / Paul Michael, editor in chief ; James Robert Parish, associate editor ; John Robert Cocchi, Ray Hagen, Jack Edmund Nolan, contributing editors New York: Galahad, 1969. More info |
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American scenarios : the uses of film genre / Joseph W. Reed Middletown, Conn.: Wesleyan University Press, c1989. Call No: 64GEN REE Author: Reed, Joseph W., 1932 Edition: 1st ed Place: Middletown, Conn. Publisher: Wesleyan University Press PubDate: c1989 PhysDes: xii, 362 p. : ill. ; 22 cm Subject: GENRES Notes: Includes indexes; Bibliography: p. 293-294 ISBN: 0819552151 : $24.95 LON: 6060043
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993. Call No: 802.24(73) SCH Author: Wright, Thomas Lee, 1953; Schanzer, Karl Place: New York Publisher: Avon Books PubDate: c1993 PhysDes: xii, 274 p. ; 22 cm Subject: SCRIPTWRITERS. USA; PRODUCTION DEALS; VALDEZ, LUIS; BLACK, SHANE; CAMERON, JAMES; PRICE, RICHARD; RUBIN, BRUCE JOEL; KHOURI, CALLIE; ROBINSON, PHIL ALDEN; SINGLETON, JOHN; DIXON, LESLIE; THOMPSON, CAROLINE; KAZAN, NICHOLAS; ESZTERHAS, JOE; RASCOE, JUDITH; GANZ, LOWELL; MANDEL, BABALOO; RICKMAN, THOMAS; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.) LON: 9905548 9905548
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American silent film / William K. Everson New York: Oxford University Press, 1978. More info |
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The American West in film : critical approaches to the Western / Jon Tuska Lincoln: University of Nebraska Press, 1988. More info |
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The Americans, baby : a discontinuous narrative of stories and fragments / Frank Moorhouse Sydney: Angus and Robertson, 1972. Call No: N79AME MOO Author: Moorhouse, Frank Source: AT Place: Sydney Publisher: Angus and Robertson PubDate: 1972 PhysDes: 220 p. ; 20 cm Subject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980); GIRL FROM THE FAMILY OF MAN, THE (AT, Michael Thornhill, 1970); AMERICAN POET'S VISIT, THE (AT, Michael Thornhill, 1969); MACHINE GUN, THE (AT, Michael Thornhill, 1971) ISBN: 0207124914 Donation: donated by the family of Wayne Levy, 2006
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AMOUR DE JEUNESSE, UN : (FR/G, Mia Hansen-Love, 2011) More info |
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AMOURS IMAGINAIRES, LES : (CA, Xavier Dolan, 2010) More info |
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An amusing and uncommunicative trio in Foreign sales Italian movie trade (April/May 1984) vol.10 iss.4/5 p.18 More info |
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Anarchists in films / by Pietro Ferrua Portland, Or.: P. Ferrua, 1983. More info |
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Anatomy of a Chase in Lumiere (December, 1972) iss.19 p.10-13 More info |
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Anatomy of a genius in Sydney Morning Herald [TV Guide] (24/04/2017) p.1 Call No: TITLE CLIPPINGS FILE; GENIUS [TV](US, 2017) Author: Miller, Nick PhysDes: Clippings File Article Subject: RUSH, GEOFFREY; GENIUS [TV](US, 2017) Summary: Interviews with actors in the TV biographical series GENIUS, with a focus on the male lead actor, Geoffrey Rush Notes: A
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Andrew Lau and Alan Mak's Infernal Affairs - the trilogy / Gina Marchetti Hong Kong: Hong Kong University Press, 2007. Call No: 792INF MAR Author: Marchetti, Gina Source: HK Place: Hong Kong Publisher: Hong Kong University Press PubDate: 2007 PhysDes: xii, 210 pages : illustrations ; 19 cm Series: The New Hong Kong Cinema Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003) Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB Notes: Includes bibliographical references ISBN: 9789622098015 Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema
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'Android' licensed to Bulgaria in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4 More info |
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Andrzej Wajda : history, politics, and nostalgia in Polish cinema / by Janina Falkowska New York: Berghahn Books, 2007. Call No: 81WAJ FAL Author: Falkowska, Janina Source: US Place: New York Publisher: Berghahn Books PubDate: 2007 PhysDes: viii, 340, [8] p. of plates : ill., plates ; 24 cm Subject: HISTORY AND THE CINEMA. POLAND; POLITICS AND THE CINEMA. POLAND; NOSTALGIA IN FILMS; POLAND; WAJDA, ANDRZEJ Summary: "The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements such as Socialist Realism, Italian Neorealism, the documentary tradition, French New Wave, Surrealism, the grotesque, the theatre of the absurd, propaganda film, Polish Romantic tradition and many other artistic phenomena (jazz, Polish student subculture). It is the reworking of all these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities."--BOOK JACKET. Notes: Formerly CIP; Includes bibliographical references (p. [294]-304) and index; Filmography: p. [305]-331 ISBN: 1845452259 Contents: -- acknowledgments -- Introduction : Andrzej Wajda : his words and his archives -- 1. The life and times of Andrzej Wajda -- 2. The birth of a master : films of the fifties -- 3. Fight for perfection : films of the sixties -- 4. Between politics and the themes of life and death : films of the seventies -- 5. Nostalgia and remorse : films of the eighties -- 6. Grande finale : films of the nineties -- conclusion -- illustrations -- endontes bibliography -- filmography -- prizes --
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[Angel at my table, an : stills file] Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 5 photographs : b&w ; 17 x 22 cm : 1 poster : col ; 60 x 84 cm Subject: FOX, KERRY; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) Summary: 4 black and white photographs of actress Kerry Fox playing lead Janet frame. 1 black and white photograph of actress playing Janet Frame as a child. 1 full colour film poster. Notes: Australian Broadcasting Corporation TV Publicity on the back of 3 of the photos
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[Angel baby : stills file] More info |
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Angel Heart : Director Alan Parker films William Hjortsberg's supernatural shocker in Cinefantastique (March 1987) vol.17 iss.2 p.13 Author: Scapperotti, Dan PhysDes: Article Subject: HJORTSBERG, WILLIAM; ANGEL HEART (US, Alan Parker, 1987) Summary: William Hjortsberg's detective novel with supernatural overtones "Falling Angel" has been brought to the screen by director Alan Parker. The article discusses the making of the film "Angel Heart" and Hjortsberg's opinion of the adaptation Notes: Appraisal. - synopsis. - credits. - subject. - rating. - this issue of “Federation News” is a double issue with 96 pages rather than the standard 64
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'Angel' investor in $1m wager in Saturday Age [Arts] (29/8/15) p.39 More info |
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Los Angeles international film exposition / Filmex Society US: [s.n.], 1984. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1984 PhysDes: 28 cm Subject: FESTIVALS. USA [VARIOUS]; FESTIVALS. LOS ANGELES [VARIOUS]; HOLLYWOOD Notes: The 1984 Los Angeles International Film Exposition includes a selection of Hollywood and international films, as well as short films and animation. The catalogue also includes film summaries and numerous black and white stills.
Held: 1972, 1975, 1984
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Anh 'crowes' over film in Herald Sun [Confidential] (05/04/2016) p.18 More info |
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The animal instinct in Sydney Morning Herald [TV Guide] (03/10/2016) p.1 Call No: PERSONALITY CLIPPINGS FILE; FRIELS, COLIN Author: Munro, Peter PhysDes: Clippings File Article Subject: FRIELS, COLIN; SECRET DAUGHTER, THE [TV] (AT, 2016) Summary: Interview with actor Colin Friels about his career and his various roles, including his recent work on Australian TV drama series THE SECRET DAUGHTER
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Animations of mortality / [by] Terry Gilliam [with Lucinda Cowell] London: Eyre Methuen, 1978. More info |
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013. Call No: 772(520) CLE Author: Clements, Jonathan Source: UK Place: Basingstoke, Hampshire Publisher: Palgrave Macmillan PubDate: 2013 PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cm Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; CARTOONS; HISTORY OF CINEMA; HISTORY OF CINEMA. JAPAN; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
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SHIN TETSUWAN ATOM [TV]; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURB Notes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and index ISBN: 9781844573905 Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006. Call No: 81MIY CAV Author: Cavallaro, Dani Source: US Place: Jefferson, N. C. Publisher: McFarland & Company Inc. PubDate: 2006 PhysDes: viii, 204p. ; 26cm. Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARU NO HAKA (JA, Isao Takahata, 1989); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); HAURU NO UGOKU SHIRO (JA, Hayao Miyazaki, 2004) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors. Notes: Includes bibliography and index.
Filmography: p. 181-186. ISBN: 0786423692
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Anime Explosion! : The What? Why? & Wow! of Japanese Animation / Patrick Drazen Berkeley, Calif.: Stone Bridge Press, 2003. Call No: 772 (52) DRA Author: Drazen, Patrick Source: US Place: Berkeley, Calif. Publisher: Stone Bridge Press PubDate: 2003 PhysDes: 369 p. : ill. ; 23 cm Subject: ANIMATION; HOMOSEXUALITY IN FILMS. ASIA; MIYAZAKI, HAYAO; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000); MANGA Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion. Notes: Afterword: The Future of Anime: p.349-357
Bibliography: p.359-362
Index of Names and Titles: p.363-369
Includes Viewing Notes ISBN: 1880656728
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Anime from Akira to Howl's Moving Castle : experienceing contemporary Japanese animation / Susan Napier Basingstoke, England: Palgrave Macmillan, 2005. Call No: 772(520) NAP; 2 copies Author: Napier, Susan Edition: Revised Source: US/UK Place: Basingstoke, England Publisher: Palgrave Macmillan PubDate: 2005 PhysDes: 355 p. ; 24 cm Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995)
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KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARU NO HAKA (JA, Isao Takahata, 1989); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989) Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001. ISBN: 9781403970527 Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --
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Ann Hui's Song of the exile / Audrey Yue Hong Kong: Hong Kong University Press, 2010. Call No: 79KET YUE Author: Yue, Audrey Source: HK Place: Hong Kong Publisher: Hong Kong University Press PubDate: 2010 PhysDes: xii, 148 p. : ill. ; 19 cm Series: The New Hong Kong cinema series Subject: HONG KONG; IMPERIALISM AND THE CINEMA; HUI, ANN; KE TU CHIU HEN (HK/TZ, Ann Hui, 1990) Summary: "With due emphases on diasporic intimacies, cine-feminism, and transcultural literacy, Audrey Yue has written a sensitive and lucid study, doing justice to a remarkable film by a remarkable director."---Rey Chow, Duke University --
"This book pushes the boundaries of existing studies on Hong Kong cinema studies. Yue provides us with innovative ways of reading intimacy in the diaspora: as nostalgia for the familiar or idealised; as cultural memories that make up diasporic archives; as modes of transformation of kinship Structures; as affects produced through new media technologies. The book concludes with a self-reflexive exploration of teaching Song in Australia. By situating the film under the rubric of critical multiculturalism, Yue demonstrates how the teaching of postcolonial cinema can be sustained as a political pedagogy that resists the pluralist demands of a neoliberal curriculum. This is a carefully researched, rigorously analytical and intellectually profound study that will make its mark in the fields of diaspora, transcultural communication and cinema studies."---Jacqueline Lo, Australian National University --
The resolutely independent filmmaker Ann On-wah Hui continues to inspire critical acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a pioneering career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. --
In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonate strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favourite among returning Hong Kong emigrants and international cinema students. --
This book examines how Hui challenges the myth of the original home as singular, familial and romantic, and constructs the second home as a new space for Hong Kong modernity. Yue also discusses the teaching of the film in the diaspora, demonstrating its potential as an affective and performative text of transcultural literacy and diasporic negotiations in the cross-cultural classroom. --Book Jacket. Notes: includes filmography; includes bibliographical references ISBN: 9789888028757 Contents: -- Series Preface -- Acknowledgements -- Introduction -- 1. The Diasporas of Hong Kong -- 2. Re-turn to Hong Kong: Authorship, Memory, Intimate Biography -- 3. Teaching Song of the Exile in the Diaspora: Minor Cinema, Transcultural Literacy and Border Pedagogy -- Notes -- Awards and Nominations -- Ann Hui's Filmography -- Bibliography -- ID2: 91
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Anna Karenina. English / By Count Lyof N. Tolstoi ; translated by Nathan Haskell Dole ; illustrated with scenes from the photo play. A Metro-Goldwyn-Mayer production starring Greta Garbo and John Gilbert. London: Readers Library, [ca. 1936]. More info |
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[Annie's coming out : stills file] More info |
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Annie screenwriter turns to the law in Encore (25th October-7th November 1984) vol.2 iss.18 p.10 Author: Maddox, Garry PhysDes: Article Subject: SOCIAL ISSUES IN FILMS; HANDICAPPED IN FILMS; BORTHWICK, CHRIS; AWARDS. AUSTRALIAN FILM INSTITUTE; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) Summary: Garry Maddox focuses on slef-characterised perpetually bleak Chris Borthwick, co-writer of "Annie's Coming Out". Borthwick reveals his dissatisfaction with the film's script, despite it's picking up an award from the AFI, as it did not eventuate in the social change which he had aimed for in regards to the rights and life of the physically handicapped. Maddox relates how Borthwick's disallusionment has led to the scriptwriter's decision to enrol in a law degree at the University of Melbourne Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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Another 1150 new jobs for Queenslanders in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25 More info |
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985. Call No: 408.1(540) ROB Author: Roberge, Gaston Source: II Place: Calcutta Publisher: Seagull Books PubDate: 1985 PhysDes: 151p. : ill. ; 22cm Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb ISBN: 0861320751 Donation: donated by the family of Wayne Levy, 2006 Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another day in the life in Weekend Australian [Review] (23/08/2016) p.14 More info |
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Another day in the life in Weekend Australian [Review] (23/08/2016) p.14 More info |
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Anthony Minghella's The English Patient : Monoscopic seeing of novelistic heteroglossia in UTS Review (Nov 1998) vol.4 iss.2 p.57-79 More info |
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Anti-siphoning rules 'for all' in Australian Financial Review (03/10/2016) p.29 Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIA Author: Mason, Max PhysDes: Clippings File Article Subject: SPORT ON TV. AUSTRALIA; FOXTEL Summary: An interview with Foxtel's chief Peter Tonagh about his company's request to change the anti-siphoning legislation, which currently allows free to air broadcasters to bid on the rights for certain sporting events before subscription broadcasters such as Foxtel
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005. Call No: 735.2 (93) ASH Author: Ashton, Romana Source: AT Place: Queensland PubDate: 2005 PhysDes: 317 p. ; 30 cm Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2' Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography. ID2: 290
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Antipodes Festival : Melbourne's Greek-Australian national celebration / the Antipodes Festival Incorporated Melbourne: Antipodes Festival Incorporated, 1987-. Call No: FESTIVAL CATALOGUE SHELVES; 1987, 1994, 1995 CorpAuthor: Antipodes Festival Incorporated Source: AT Place: Melbourne Publisher: Antipodes Festival Incorporated PubDate: 1987- Subject: FESTIVALS. MELBOURNE. GREEK; GREECE Notes: Cover title; Text in English and Greek LON: 5199851
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985. Call No: 81ANT CHA Author: Chatman, Seymour, 1928 Source: US Place: Berkeley Publisher: University of California Press PubDate: 1985 PhysDes: 290 p. : ill. ; 24 cm Subject: ANTONIONI, MICHELANGELO; GRIDO, IL (US/IT, Michelangelo Antonioni, 1957); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281 ISBN: 0520052056; 0520053419 (pbk.) LON: 85001025; 3748072
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Antonioni / [by] Ian Cameron & Robin Wood London: Studio Vista, 1968. Call No: 81ANT CAM Author: Cameron, Ian, 1937; Wood, Robin, 1931- joint author Place: London Publisher: Studio Vista PubDate: 1968 PhysDes: [144] p. : illus. ; 17 x 18 cm Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951); GRIDO, IL (US/IT, Michelangelo Antonioni, 1957); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966) Notes: Bibliography: p. 144; "Filmography": p. 141- [144] ISBN: 0289795982 LON: 70397126; 63651
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Antonioni / Sam Rohdie London: BFI Pub., 1990. Call No: 81ANT ROH Author: Rohdie, Sam, 1939 Place: London Publisher: BFI Pub. PubDate: 1990 PhysDes: 213 p. : ill., ports. ; 24 cm Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); GRIDO, IL (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse. Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210 ISBN: 0851702740 (pbk.); 0851702732 LON: bnb85170273; 7278793
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011. Call No: 736.11 Author: Grant, Kevin Edition: August 2013 Place: Godalming, Surrey Publisher: FAB Press PubDate: May 2011 PhysDes: 480 pages : illustrated ; 26 cm Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; NERO, FRANCO; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966); BLINDMAN (US/IT, Ferdinando Baldi, 1972); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); CORBUCCI, SERGIO; EASTWOOD, CLINT; FULCI, LUCIO; HILL, TERENCE; SPENCER, BUD; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web site Notes: Foreword by Franco Nero ISBN: 9781903254615
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3 More info |
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Anything for a quiet life : with a postscript by Doreen Hawkins / Jack Hawkins London: Coronet, 1975, c1973. Call No: N81 HAW HAW Author: Hawkins, Jack Source: UK Place: London Publisher: Coronet PubDate: 1975, c1973 PhysDes: 223p, [8]p of plates : ill., ports ; 18cm Subject: HAWKINS, JACK Summary: The book deals with the career of Jack Hawkins, on stage, on radio, and television.and the many films he made, before he contracted throat cancer. The book deals with his stuggle with the disease, and the long road to recovery and his return to films Notes: Originally published: London : Elm Tree Books, 1973.
Includes index. ISBN: 0340198664
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The apartment; and, The fortune cookie : two screenplays / by Billy Wilder and I.A.L. Diamond London: Studio Vista, [1971]. More info |
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016. Call No: 740.1 APO Source: UK Place: London Publisher: Lanham Rowman & Littlefield PubDate: c2016 PhysDes: xxii, 231 pages : illustrations ; 24 cm. Subject: APOCALYPSE IN FILMS; DISASTER FILMS; CIVILISATION (US, Raymond B. West, 1916); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); BED SITTING ROOM, THE (UK, Richard Lester, 1969); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's site Notes: Includes bibliographical references and index ISBN: 9781442260276 Donation: donated by Senses of Cinema, 2016 Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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Apocalypse postponed / Umberto Eco ; edited by Robert Lumley Bloomington London: Indiana University Press British Film Institute, 1994. Call No: 403 ECO Author: Eco, Umberto; Lumley, Robert, 1951 Place: Bloomington London Publisher: Indiana University Press British Film Institute PubDate: 1994 PhysDes: vii, 227 p. : ill. ; 24 cm Series: Perspectives Subject: POPULAR CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; GINGER E FRED (IT/FR/GW, Federico Fellini, 1986); GINGER AND FRED (IT/FR/GW, Federico Fellini, 1986) Summary: An erudite and witty collection of Umberto Eco's essays on mass culture from the 1960s through the 1980s, including major pieces which have not been translated into English before. The discussion is framed by opposing characterizations of current intellectuals as apocalyptic and opposed to all mass culture, or as integrated intellectuals, so much a part of mass culture as to be unaware of serving it. Organized in four main parts, "Mass Culture: Apocalypse Postponed," "Mass Media and the Limits of Communication," "The Rise and Fall of Counter-Cultures," and "In Search of Italian Genius," Eco looks at a variety of topics and cultural productions, including the world of Charlie Brown, distinctions between highbrow and lowbrow, the future of literacy, Chinese comic strips, whether countercultures exist, Fellini's Ginger and Fred, and the Italian genius industry Notes: Includes bibliographical references and index ISBN: 0851704468 (pbk.); 0253318513 (U.S. : cloth); 0851704182 (cloth) LON: 10612725
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Apocalypto in Empire (Australian Ed.) (February 2007) iss.71 p.21 More info |
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Apocalypto in Empire (Australian Ed.) (July 2007) iss.76 p.108 More info |
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Appertiser for the finale in Weekend Australian [Review] (22/11/2014) p.15 More info |
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The appetite for satire in AFR Weekend (20/08/2016) p.36 More info |
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[Applaude please : stills file] Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 3 photographs : b&w ; 22 x 19 cm - 25 x 19 cm Subject: GILLIES, MAX; APPLAUSE PLEASE (AT, Ivan Gaal, 1975) Summary: 3 black and white photographs of Max Gillies, Boy Thorneycroft and Joe Bolza spinning a prize wheel and showing off the prize of a TV.
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Approaches to popular film / edited by Joanne Hollows and Mark Jancovich Manchester New York New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1995. More info |
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Are we ready for a black-themed film? in Encore (8-21 May 1986) vol.4 iss.7 p.13 More info |
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Armand Assante is Mike Hammerin I, the jury : Film preview in Prevue (Dec/Jan 1983) vol.2 iss.10 p.32-37 More info |
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Armed with principles in Weekend Australian [Review] (05/11/2016) p.14 More info |
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ARMSTRONG, ALICIA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: HARMON, JOHN
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The Armstrong Lie in Sunday Herald Sun (09/03/2014) p.79 More info |
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An Army of Phantoms : American movies and the making of the Cold War / by J.Hoberman New York: The New Press, c2011. Call No: 71(73) HOB Author: Hoberman, J. Source: US/UK Place: New York Publisher: The New Press PubDate: c2011 PhysDes: xxi, 383 p. ; 24 cm Subject: CULTURE AND THE CINEMA. USA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HOLLYWOOD; USA; FORT APACHE (US, John Ford, 1948); RIO GRANDE (US, John Ford, 1950); HIGH NOON (US, Fred Zinnemann, 1952); ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952); THEM! (US, Gordon Douglas, 1954); KISS ME DEADLY (US, Robert Aldrich, 1955); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade.
Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career.
Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe.
Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket. Notes: Includes bibliographical references (p. [341]-366) and index ISBN: 9781595580054 Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --
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ARNACOEUR, L' : (FR/MC, Pascal Chaumeil, 2010) More info |
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ARRETE OU JE CONTINUE : (FR, Sophie Fillieres, 2014) More info |
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ARRIBA HAZANA : (SP, Jose Maria Gutierrez, 1978) More info |
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Art and organisation : making Australian cultural policy / Deborah Stevenson St. Lucia, Qld.: Queensland University Press, 2000. More info |
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008. Call No: 771 ART Author: Leighton, Tanya Source: UK Place: London Publisher: Tate Publishing in association with Afterall PubDate: 2008 PhysDes: 496 p. Ilustrations (some color) ; 25cm Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website. Notes: Includes bibliographical references and index. ISBN: 9781854376251 Donation: Adrian Miles Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Art history for filmmakers : the art of visual storytelling / Gillian McIver London: Bloomsbury, c2016. Call No: 61:75 MCI Author: McIver, Gillian Source: US/UK Place: London Publisher: Bloomsbury PubDate: c2016 PhysDes: 256 pages : illustrations (colour) ; 27 cm Subject: THEORY; ART IN FILMS; REALISM IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; VIOLENCE IN FILMS; HORROR FILMS; LANDSCAPES IN FILMS; MOVEMENTS IN FILM HISTORY; MOVEMENTS AND STYLES IN FILM HISTORY; HEROS IN FILMS; ART AND THE CINEMA Summary: "Since cinema's earliest days, literary adaptation has provided the movies with stories. But there is another way of looking at film, and that is through its close relationship with the visual arts. Art history for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. It reveals how the visual culture that gave rise to cinema has itself been shaped and informed by the development of painting, the oldest of the art forms.Featuring stunning images from classic films and iconic artwork, this book will build your appreciation of the history of art, enrich your understanding of the visual language of film, and help to feed that understanding into your own original filmmaking" -- BACK COVER BOOK BLURB Notes: Formerly CIP; Includes bibliographical references and index ISBN: 9781472580658 Donation: Senses of Cinema Contents: Introduction. How does art history relate to cinema history? -- A brief linear (traditional) history of art - -Toward an "alternative" history of art -- Visual culture and storytelling. Narrative and storytelling in art -- Color and narrative -- Kandinsky's color theory in painting and in cinema -- Perspective and composition -- Light -- Case study: Peter Greenaway and Dutch painting -- Realism. What is realism? - -What is representation? -- Art after photography: modern conceptions of realism in art -- Case study: Realism and the camera obscura -- Beyond realism. Fantasy worlds in cinema and art -- Oneiric: the world of dreams -- Surrealism -- Going beyond the real -- Case study: The Archers -- Sex and violence. Sex in art and cinema -- Violence in art and cinema -- Sex and violence -- Case study: Martin Scorsese and Caravaggio -- Horror. Religious horror -- Supernatural horror -- Body horror -- Monsters -- Case study: Guillermo del Toro and Francisco de Goya -- Landscape. Why landscape? -- Beautiful, picturesque, or sublime? -- The American landscape and the American West -- Case study: The road movie -- Heroes and heroic acts. History painting; victory, virtue, and the hero - -Heroism and the Western -- Case study: Subverting the heroic genre -- Modern movements. Culture or mass culture? -- expressionism -- Abstraction -- Abstract expressionism -- Minimalism -- Going "Beyond the West" -- Case study: Hokusai to Disney -- Conclusion. How can we use art history in filmmaking? Case studies --
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Art in stop-motion in Saturday Age [Spectrum] (20/06/2015) p.22-23 More info |
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Art into film July 1994. More info |
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The art of horror in Lumina (2009) iss.1 p.84-91 Author: Cameron, Allan PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; GENRES; INDUSTRY, FILM. AUSTRALIA; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996. Call No: 761 COR Author: Corner, John, 1943 Place: Manchester New York, NY, Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press PubDate: 1996 PhysDes: 212 p. : ill. ; 24 cm Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; CINEMA VERITE; LIVING ON THE EDGE (UK, Michael Grigsby, 1987); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); ROGER AND ME (US, Michael Moore, 1989); HANDSWORTH SONGS (UK, John Akomfrah, 1986); COAL FACE (UK, Alberto Cavalcanti, 1935); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); LOOK IN ON LONDON (UK, 1956); CATHY COME HOME (UK, Ken Loach, 1966); WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURB Notes: Includes bibliographical references (p. [197]-201) and index ISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper) LON: 12095813
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The art of the cinematographer : a survey and interviews with five masters / Leonard Maltin Toronto: General Publishing Company, 1978. More info |
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948]. More info |
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The Art of war in Australian Cinematographer (December 2016) iss.72 p.18 - 27 Author: Cecil, Garth PhysDes: Article Subject: DUGGAN, SIMON; HACKSAW RIDGE (US/AT, Mel Gibson, 2016) Summary: Simon Duggan talks about being the cinematograher on the Mel Gibson directed film Hacksaw Ridge. He talks about the choreography of shooting action scenes and the important role of the editor in these types of scenes. He also talks about shooting in Australia and having it double for American and Japanese locations.
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992. More info |
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992. More info |
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Artistic licence in Australian Financial Review (27/12/2014) p.51 More info |
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996. More info |
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Arts budget hammered in The Age (16/12/2015) p.4 More info |
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Arts feel sting of government cuts in Sydney Morning Herald (16/12/2015) p.5 More info |
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Arts funding and public culture / Donald Horne Nathan, Qld.: Institute for Cultural Policy Studies, Division of Humanities, Griffith University, 1988. Call No: 205.3(94) HOR Author: Horne, Donald, 1921 CorpAuthor: Griffith University. Institute for Cultural Policy Studies Place: Nathan, Qld. Publisher: Institute for Cultural Policy Studies, Division of Humanities, Griffith University PubDate: 1988 PhysDes: 11 p. ; 30 cm Subject: GOVERNMENT AID. AUSTRALIA; GRANTS. AUSTRALIA Notes: Includes bibliographical references ISBN: 0868573132 LON: 5923643
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AS BOAS MANEIRAS : (BL/FR/GG, Marco Dutra /Juliana Rojas, 2017) More info |
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[As happy as Larry : stills file] More info |
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Asia-Pacific set to boom in Movie Trader (August 2000) p.14 More info |
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013. Call No: 756(5) TEO Author: Teo, Stephen Source: UK Place: Oxford [Oxfordshire] ; New York Publisher: Routledge PubDate: 2013 PhysDes: xv, 269 p. : ill., ports. ; 24 cm Series: Media, culture and social change in Asia ; 30 Subject: INDIAN CINEMA; CHINA; JAPAN; KOREA; HONG KONG; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB Notes: Includes bibliographic references and index; Includes filmography ISBN: 9781138815780 Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990. More info |
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Astaire and Rogers / Susanne Topper New York: Nordon Publications, 1976. Call No: 81AST TOP Author: Topper, Susanne Source: US Place: New York Publisher: Nordon Publications PubDate: 1976 PhysDes: 206 p. : ill. ; 18 cm Subject: DANCE FILMS; MUSICALS; ASTAIRE, FRED; ROGERS, GINGER; GAY DIVORCEE, THE (US, Mark Sandrich, 1934); TOP HAT (US, Mark Sandrich, 1935); SWING TIME (US, George Stevens, 1936); SHALL WE DANCE (US, Mark Sandrich, 1937); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) Summary: The book is about Fred Astaire and Ginger Rogers, the dance team whose films entertained America during the Depression ISBN: 0843900380 Donation: donated by the family of Wayne Levy, 2006
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001. More info |
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Athens international film festival : April 25 - May 3, 1986 / Athens international film festival US: [s.n.], 1986. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1986 PhysDes: 63 p. : ill. ; 28 cm Subject: FESTIVALS. USA [VARIOUS]; HOLLYWOOD
RT: USA; FOREIGN FILMS
USE: IMPORT OF FILMS; Powell, Michael Notes: The Athens international film festival includes a selection of feature length films, short films, animated films and documentary films. Highlights of the festival include a Michael Powell retrospective and a New French Cinema program. The catalogue also includes film summaries and numerous black and white stills.
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The Atlanta international film festival 1972 : August 11-20 / The Atlanta international film festival US: [s.n.], 1972. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1972 PhysDes: 48 p. : ill. ; 28 cm Subject: FESTIVALS. USA [VARIOUS]; HOLLYWOOD; FOREIGN FILMS
USE: IMPORT OF FILMS; PREMINGER, OTTO; CAPRA, FRANK; WATKINS, PETER Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.
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The atomic bomb in Japanese cinema : critical essays / edited by Matthew Edwards Jefferson, N. C.: McFarland & Company Inc, 2015. Call No: 737.34 EDW Author: Edwards, Matthew Source: US Place: Jefferson, N. C. Publisher: McFarland & Company Inc PubDate: 2015 PhysDes: viii, 288 pages : illustrations ; 26 cm Subject: NUCLEAR WARFARE IN FILMS; MONSTERS IN FILMS; GOJIRA (JA/US, Inoshiro Honda & Terry Morse, 1955); HIROSHIMA (JA, Hideo Sekigawa, 1953) Summary: "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included." -- BOOK BLURB ISBN: 9780786479122 Contents: Prologue: Hiroshima Nagasaki / Matthew Edwards -- Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens -- Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience / Jason C. Jones -- Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb / John Vohlidka -- Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation / Matthew Edwards -- Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima / Mick Broderick and Junko Hatori -- The shadow of the bomb in Hiroshi Teshigahara's The face of another / Tony Pritchard -- Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls / Julia Alekseyeva -- The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen) / Kenji Kaneko -- Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience / Keiko Takioto Miller -- Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory / Robert McParland -- Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films / Yuki Miyamoto -- Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life / Yoshiko Fukushima -- Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation / Senjo Nakai -- The sound of the bomb: Go Shibata's nn891102 / Johannes Schonherr -- Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War / Greg Nielsen and Margaret M. Ferrara -- Hiroshima: an interview with director Roger Spottiswoode / Matthew Edwards -- White light/Black rain: the "atomic films" of Steven Okazaki / Matthew Edwards -- A[nime] bomb: an interview with Hibakusha director Steve Nguyen / Matthew Edwards -- Hibakusha: our life to live: an interview with director David Rothauser / Matthew Edwards -- All that remains: an interview with Ian and Dominic Higgins / Matthew Edwards
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Atonement time for Mel in Hollywood in Sunday Telegraph [General News] (08/01/2017) p.13 Call No: PERSONALITY CLIPPINGS FILE; GIBSON, MEL Author: Crane, Kris PhysDes: Clippings Subject: GIBSON, MEL Summary: Mel Gibson won best director for his film Hacksaw Ridge At the AACTA International Wards 2017.
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Attack of the leading ladies : gender, sexuality, and spectatorship in classic horror cinema / Rhona J. Berenstein New York: Columbia University Press, 1996. Call No: 735.2 BER Author: Berenstein, Rhona J Place: New York Publisher: Columbia University Press PubDate: 1996 PhysDes: xvi, 274 p. : ill. ; 24 cm Series: Film and culture Subject: SPECTATORSHIP; HORROR FILMS; WOMEN IN FILMS; GENDER AND THE CINEMA; RACE AND THE CINEMA; GAZE IN FILMS Summary: "From the earliest days of Hollywood sound productions, horror proved to be a popular and lucrative genre. At the center of the industry's first cycle of horror films was the terrified woman. Eyes straining and mouth open wide as she emitted an ear-piercing scream, the damsel in distress awaited rescue from the monster's horrible attentions. Or so it semmed.
The first book to explore the gender dynamics of classic horror film, 'Attack of the leading ladies' addresses the roles of women both on- and off-screen. Combining close textual analysis with the study of advertising campaigns, reviews, fan magazines and censorship materials, Rhona J. Berenstein presents an in-depth look at such films as 'Bride of Frankenstein', 'Dr. X', 'Dracula', 'King Kong', 'Mad Love', 'Svengali', and 'White Zombie'."-- BOOK COVER Notes: Filmography: p. [237]-246; Includes bibliographical references (p. [247]-258) and index ISBN: 0231084633 (pbk. : alk. paper); 0231084625 (cloth : alk. paper) LON: 11723761 Contents: Introduction: horror of classic horrors -- Spectatorship-as-drag: re-dressing classic horror cinema -- Horror for sale: the marketing and reception of classic horror cinema -- Looks could kill: the powers of the gaze in hypnosis films -- The interpretation of screams: female fear, homosocial desire, and mad-doctor movies -- White skin, white masks: Race, gender, and monstrosity in jungle-horror cinema
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Attenborough returns to the reef in Australian Financial Review (17/03/2015) p.11 More info |
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Attenborough series takes reef to the world in Sydney Morning Herald (04/12/2015) p.13 Call No: TITLE CLIPPINGS FILE; GREAT BARRIER REEF WITH DAVID ATTENBOROUGH (UK/AT, 2015) Author: AAP PhysDes: Clippings File Article Subject: GREAT BARRIER REEF WITH DAVID ATTENBOROUGH (UK/AT, 2015) Summary: David Attenborough has premiered his latest documentary at Australia House in London. It will be shown on Australian television next year
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Attenborough TV tourism boost to Reef in Sunday Herald Sun (15/11/2015) p.22 More info |
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Audiences warm to Schepsis's Iceman in Australian Film Review (May 10-23, 1984) vol.2 iss.6 p.6 More info |
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Audiences warm to Schepsis's Iceman in Australian Film Review (May 10-23 1984) vol.2 iss.6 p.6 More info |
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Audiovisual works, TV formats and multiple markets / edited by Michael Keane, Albert Moran, and Mark Ryan Brisbane: Griffith University, 2003. Call No: 30 AUD Source: AT Place: Brisbane Publisher: Griffith University PubDate: 2003 PhysDes: 63 p. ; 30 cm Series: Australian UNESCO Orbicom Working Papers in Communications ; no. 1 Subject: FORMATS; SALE OF FILMS AND PROGRAMMES; COPYRIGHT TV
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994. Call No: 81HEP MAY Author: Maychick, Diana Source: UK Place: London Publisher: Pan Books PubDate: 1994 PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cm Subject: HEPBURN, AUDREY; ROMAN HOLIDAY (US, William Wyler, 1953); SABRINA (US, Billy Wilder, 1954); LOVE IN THE AFTERNOON (FR, Eric Rohmer, 1972); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CHILDREN'S HOUR, THE (US, William Wyler, 1961); MY FAIR LADY (US, George Cukor, 1964); TWO FOR THE ROAD (UK, Stanley Donen, 1966); BLOODLINE (US, Terence Young, 1979); THEY ALL LAUGHED (US, Peter Bogdanovich, 1981); NUN'S STORY, THE (US, Fred Zinneman, 1958); AMOUR L'APRES-MIDI, L' (FR, Eric Rohmer, 1972) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover] Notes: First published ; London; Sidgwick & Jackson, 1993 ISBN: 0330333976
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Audrey Hepburn : an intimate portrait / by Diana Maychick Secaucus, NJ: Carol Pub. Group, c1993. Call No: 81HEP MAY Author: Maychick, Diana Place: Secaucus, NJ Publisher: Carol Pub. Group PubDate: c1993 PhysDes: viii, 247 p. ; 24 cm Subject: HEPBURN, AUDREY Notes: "A Birch Lane Press book." ISBN: 1559721952 : $21.95 ($26.95 Can) LON: 10182789 10182789
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Audrey Hepburn / Ian Woodward New York: St. Martin's Press, 1984. Call No: 81HEP WOO Author: Woodward, Ian Source: S Place: New York Publisher: St. Martin's Press PubDate: 1984 PhysDes: 318 p. : ill. ; 18cm. Subject: HEPBURN, AUDREY ISBN: 0312900767
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AUGE DEL HUMANO, EL : (AG/BL/PO, Eduardo Williams, 2016) More info |
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Aura of an era in Australian Financial Review (12/10/2013) p.48 More info |
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AURORE [I GOT LIFE] : (FR, Blandine Lenoir, 2017) More info |
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Ausblick lookout Woollahra : Mitteilungen = news / Goethe-Institut Sydney Woollahra, N.S.W.: Goethe Institute, 1985-. Call No: Rare books - held July 1985-Apr. 1988 incomplete CorpAuthor: Goethe Institute (Sydney, N.S.W.) Source: AT Place: Woollahra, N.S.W. Publisher: Goethe Institute PubDate: 1985- PhysDes: v. : ill. ; 30 cm Subject: Goethe Institute Notes: Cover title; Available from The Secretary, Goethe Institute, P.O. Box 37, Woollahra, N.S.W. 2025 ISSN: 0817-7163 LON: ans00817716; 4794552
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Aussat satellite in doubt : Union boss says "too expensive" in Australasian Cinema (22/7/1983) vol.12 iss.13 p.4 More info |
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Aussie Assault settlement in Australian film review (10-23rd May 1984) vol.2 iss.6 p.2 PhysDes: Article Subject: HOYTS; AUSSIE ASSAULT (AT, Harvey Spencer, 1984) Summary: Report on the out-of-court settlement, between the producers of "Aussie Assault" and the film's theatrical distributor "Hoyts", over a dispute regarding video distribution
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Aussie fairytale wrapped up in teen comedy is a winner in Sunday Telegraph (11/09/2016) p.113 Call No: TITLE CLIPPINGS FILE; GIRL ASLEEP (AT, Rosemary Myers, 2015) PhysDes: Clippings File Article Subject: GIRL ASLEEP (AT, Rosemary Myers, 2015) Summary: Review of the film GIRL ASLEEP Rating: 3.5 out of 5 stars
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Australia : a camera study / by Frank Hurley. Sydney: Angus and Robertson, 1966. Call No: 81HUR HUR Author: Hurley, Frank, 1885-1962 Edition: Rev. ed Place: Sydney Publisher: Angus and Robertson PubDate: 1966 PhysDes: 224 p. : ill. (some col.), maps ; 29 cm Subject: HURLEY, FRANK LON: 66017963; 654817
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Australia Council stripped of $104m in Sydney Morning Herald [Arts] (13/05/2015) p.13 More info |
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Australia Council stripped of $104m in Sydney Morning Herald [Arts] (13/05/2015) p.13 More info |
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Australia on the small screen 1970-1995 : the complete guide to tele-features and mini-series / Scott Murray Melbourne: Oxford University Press, 1996. More info |
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Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24 PhysDes: Article; Illustration(s) Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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Australia to get premium PS3 in Australian Financial Review (29/01/2007) p.48 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Gliddon, Joshua Subject: BLU-RAY; HIGH DEFINITION DVD Summary: The author delves into the price war over rival gaming systems from Xbox to Playstation 3 and Nintendos Wii Console. The articles compare units sold between each system and also the development of the rival high definition DVD Formats including Sony developed Blu–ray and Toshiba developed HD – DVD format.
- In a move reminiscent of the VHS and Beta war of the early 80’s Blu-ray and HDDVD are incompatible, so which one a consumer opts for they could be backing the wrong horse. Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan, Call No: 246(94) TOR Author: Torre, Dan; Torre, Lienors Edition: 2018 Place: Cham, Switzerland Publisher: Palgrave Macmillan PhysDes: xii, 260 pages : illustrated ; 22 cm Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site ISBN: 9783319954912
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Australian Broadcasting Tribunal Australian content proposal for commercial television / Australian Broadcasting Tribunal [Australia]: Australian Broadcasting Tribunal, December 1988. More info |
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Australian Broadcasting Tribunal manual / Australian Broadcasting Tribunal Sydney: The Tribunal, 1990. More info |
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The Australian cinema [Sydney]: Pacific Books, 1970]. More info |
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982. Call No: 71(94) TUL Author: Tulloch, John, 1942 Place: Sydney Publisher: George Allen & Unwin PubDate: 1982 PhysDes: 272 p. : ill. ; 23 cm Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index ISBN: 0868611484 (pbk.); 0868611409 : price unknown LON: 2138387
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Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987. More info |
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004. Call No: 71(94) COL Author: Collins, F.; Davis, T. Place: Port Melbourne Publisher: Cambridge University Press PubDate: 2004 PhysDes: vii, 204 p. ; 24 cm Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES; AUSTRALIAN ABORIGINAL CINEMA; AUSTRALIAN ABORIGINES AND THE CINEMA; AUSTRALIAN ABORIGINES IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); AUSTRALIAN ABORIGINES AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover) Notes: Index: p.200-204; Bibliography ISBN: 0521834805 :
0521542561 (pbk.) Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001. Call No: 71(94) AUS Author: Craven, Ian Place: London Publisher: Frank Cass PubDate: 2001 PhysDes: 239 p. ; 22 cm Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN ABORIGINES ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliography ISBN: 0714649740; 0714680346(pbk.) : ª16.50 LON: 21663632 Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith ID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41 Author: Ryan, Mark David PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; FUNDING. AUSTRALIA; AUDIENCES. AUSTRALIA; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models. Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015. Call No: 732(94) SPE Author: Speed, Lesley Source: AT Place: St. Kilda, Vic. Publisher: Australian Teachers of Media (ATOM) PubDate: c2015 PhysDes: 128 pages : illustrations ; 24 cm. Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMOY ROW (AT, F.W. Thring, 1934); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober] ISBN: 9781876467258 Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian content standard for television & paragraph 160(d) of the Broadcasting Services Act 1992 / report by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee [Canberra]: The Committee, 1999. More info |
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993. More info |
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Australian delegation to American Film Market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3 More info |
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Australian directory of philanthropy Port Melbourne: Thorpe in association with Australian Association of Philanthropy, 1990. Call No: 213.15(94) AUS; HELD 1998/99 - CorpAuthor: Australian Association of Philanthropy Source: AT Place: Port Melbourne Publisher: Thorpe in association with Australian Association of Philanthropy PubDate: 1990 PhysDes: v. ; 30 cm Subject: GRANTS. AUSTRALIA ISSN: 1321-0734 LON: 7744524
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Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011. More info |
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Australian eco-horror and Gaia's revenge : animals, eco-nationalism and the 'new nature' in Studies in Australasian cinema (2010) vol.4 iss.1 p.43-54 Author: Simpson, Catherine PhysDes: Article Subject: ANIMALS IN FILMS; NATURE IN FILMS; HORROR FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA AUSTRALIA; RAZORBACK (AT, Russell Mulcahy, 1984); DARK AGE (AT/US, Arch Nicholson, 1988); ROGUE (AT, Greg Mclean, 2007); MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987); DYING BREED (AT, Jody Dwyer, 2008) Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature. Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009. Call No: 771(94) HOO Author: Hooton, Fiona Place: Saarbru¨cken, Germany Publisher: VDM PubDate: 2009 PhysDes: 174 p. : ill. ; 22 cm. Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB Notes: Includes bibliographical references. ISBN: 9783639115932 Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography ID2: 343
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Australian film / Saskia Vanderbent Harpenden, UK: Pocket Essentials, 2006. Available at ProQuest (RMIT login required) Call No: 71(94) VAN Author: Vanderbent, Saskia Source: AU Place: Harpenden, UK Publisher: Pocket Essentials PubDate: 2006 PhysDes: 160 p. ; 18 cm Subject: DIRECTORS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA Summary: This book analyses over 80 significant works from silent through to contemporary themes. The author examines how directors have used the medium of film to explore and come to terms with their problematic past, in particular British colonialism and the treatment of indigenous Ausralians, and dramatise issues of landscape, masculinity, anti-authoritarianism and the pioneering spirit. The careers of several actors are also traced. [Adapted from back cover.] Notes: Cover title: The pocket essential Australian film. ISBN: 1904048587
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34 PhysDes: Article Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALA SUMMER, AN (AT, Megan Simpson, 1986); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewers Notes: Reviews. - synopsis. - credits. - illus.
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The Australian Film and Television and Radio school in Filmviews (Winter 1987) vol.32 iss.132 p.32-34 More info |
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The Australian Film and Television and Radio School in Filmviews (Winter 1987) vol.32 iss.132 p.32-34 PhysDes: Article Subject: GOOD WEEKEND, THE (AT, Kate Stone, 1986) Summary: short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's opening night and other stories; Freely given; The Good Weekend; Flying; Say a little Prayer; Speed Graphic; Shopping town; Trickle of Sanity
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Australian Film Awards in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2 PhysDes: Article Subject: MAD MAX II (AT, George Miller, 1981); LONELY HEARTS (AT, Paul Cox, 1982); MILLER, GEORGE; HAZLEHURST, NONI; MONKEY GRIP (AT, Ken Cameron, 1982); ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); AUSTRALIAN FILM INSTITUTE AWARDS Summary: List of winners at the 1982 Australian Film Institute Awards.
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988); UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986); SILVER CITY (AT, Sophia Turkiewicz, 1984); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9 More info |
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2 More info |
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978]. Call No: 151(73) AUSTRALIAN "1978" CorpAuthor: New South Wales Film Corporation Australian Films Office Inc. Source: AT Publisher: New South Wales Film Corporation Australian Films Office Inc. PubDate: [1978] PhysDes: 32 leaves : illustrations ; 30 cm Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Film Festivals : audience, place, and exhibition culture / by Kirsten Stevens New York: Palgrave Macmillan, c2016. Call No: 151(94) STE Author: Stevens, Kirsten Source: AT/US Place: New York Publisher: Palgrave Macmillan PubDate: c2016 PhysDes: xi, 270 pages ; 22 cm Series: Framing film festivals Subject: FESTIVALS; FESTIVALS. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; AUDIENCES; AUDIENCES. AUSTRALIA; EXHIBITION; EXHIBITION. AUSTRALIA; SOCIETY AND THE CINEMA Summary: "This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia. " -- BOOK BACK COVER Notes: Includes bibliographical references and index ISBN: 9781137586377 Contents: -- 1: Introduction -- 2: Enthusiastic Amateurs: Origins of Australia's Film Festival Movement -- 3: Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultures -- 4: From Film Weeks to Festivals: The Spread of the Urban Film Festival After 1980 -- 5: Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival -- 6: Programming Perceptions: Film Festivals and the Construction of Taste -- 7: A Festival for Every Occasion: Niche Programming, Event Culture, and Vertically Integrated Film Festivals -- 8: Conclusion -- Appendix 1: Early Features of Melbourne and Sydney Film Festival Programmes (1952-1965) -- Appendix 2: Summary of Select Film Culture and Festival Activities, 1960s-1970s -- Appendix 3: Selective List of Film Events in Melbourne, 1949-2000 -- Appendix 4: Film Festivals in Melbourne and Sydney, 2015 -- Notes -- archives and Research Collections -- Bibliography -- Index --
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14 More info |
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Australian film-making pioneer dies in The Age [-] (24/09/1963) Call No: PERSONALITY CLIPPINGS FILE; HIGGINS, ARTHUR Author: - PhysDes: Clippings File Article Subject: HIGGINS, ARTHUR Summary: Snippet on the death of Australian filmmaker Arther Higgins Notes: old clips pile from June 2015
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Australian film posters 1906-1960 / [by] Judith Adamson Sydney: Currency Press with Australian Film Institute, 1978. Call No: 915(94) ADA Author: Adamson, Judith, 1930 CorpAuthor: Australian Film Institute Place: Sydney Publisher: Currency Press with Australian Film Institute PubDate: 1978 PhysDes: 56p. : chiefly col.ill. ; 37cm Subject: POSTERS; AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955) ISBN: 090802388X : $7.50 Aust LON: anb90802388; 1473255 Donation: Simon Wincer ID2: 229
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985. Call No: 71(94) AUS Author: Moran, Albert, 1942; O'Regan, Tom, 1956 Place: Sydney Publisher: Currency Press PubDate: 1985 PhysDes: 391 p. ; 21 cm Series: Australian screen Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, ?, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379 ISBN: 086819123X (pbk.) : $24.95 Aust LON: anb86819123; 4105507
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Australian film studies : Efftee Productions / by Ina Bertrand Bundoora, Vic.: Centre for the Study of Educational Communication and Media, La Trobe University, 1977. Call No: 19EFF BER Author: Bertrand, Ina, 1939 CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and Media Place: Bundoora, Vic. Publisher: Centre for the Study of Educational Communication and Media, La Trobe University PubDate: 1977 PhysDes: 26p. ; 30cm Series: Media Centre papers ; 7 Subject: EFFTEE STUDIO; THRING, F.W.; DIGGERS (AT, F.W. Thring, 1931); TICKET IN TATTS, A (AT, F. W. Thring, 1934); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932);
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