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Author: Marks, Dick
PhysDes: Article
Subject: LIGHTING; DOCUMENTARY FILMS. AUSTRALIA; NATURE IN FILMS; SHEMESH, JOE
Summary: Cinematographer, Joe Shemesh discusses his experience filming spiders inside caves for the documentary, Sixteen Legs, about the Tasmanian Cave Spider

Call No: 63 STE
Author: Stephenson, Ralph; Debrix, J. R.
CorpAuthor: Penguin
Edition: Revised edition, reprint
Place: Harmondsworth
Publisher: Penguin
PubDate: 1969
PhysDes: 270 p., [32] p. of plates ; 18 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; EDITING; CINEMATOGRAPHY; SOUND; COSTUMES; MAKE-UP; COLORIZATION; LIGHTING
Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.]
Notes: Illustrated. Includes index.
Donation: Donated by La Trobe University Library

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961); CHRONICLE OF A SUMMER (FR, Jean Rouch & Edgar Morin, 1961); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Author: Copping, Robin
PhysDes: Article
Subject: CAMERAS; CINEMATOGRAPHY; INDUSTRY, FILM. UK; LIGHTING; Lean, David; YOUNG, FREDDIE; ASPHYX, THE (UK, Peter Newbrook, 1973); DOCTOR ZHIVAGO (US, David Lean, 1965); LAWRENCE OF ARABIA (UK, David Lean, 1962); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938); RYAN'S DAUGHTER (UK, David Lean, 1970)
Summary: Interview with cameraman Freddie Young, second person ever to receive the Alfred Hitchcock award for outstanding achievements in film from the British Film Industry. He discusses his career and cinematographic techniques, and his working relationship with director David Lean

Call No: 63 BOO
Author: Boorstin, Jon
Edition: 1st ed.
Place: New York
Publisher: Cornelia & Michael Bessie Books
PubDate: 1990
PhysDes: x, 224 p. : ill. ; 25 cm.
Subject: AESTHETICS; EDITING; SOUND; LIGHTING
Summary: An examination of Hollywood film production and direction with reference to how films are experienced by the viewer, and drawing on the author's own experiences in the industry.
Notes: Includes index.
ISBN: 0060391138

Call No: 232 FRE
Author: Freeman, Michael, 1945
Edition: Rev. ed
Place: London
Publisher: HarperCollins
PubDate: 1992, c1990
PhysDes: 192 p. : ill. (some col.) ; 23 cm
Series: Collins photography workshop
Subject: LIGHTING; PHOTOGRAPHY AND THE CINEMA
Notes: Reprint. Rev. ed. published: London : Collins, 1990; Includes index; Bibliography: p. 188
ISBN: 0004122496; 0004125843 (pbk.)
LON: 10780822

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: LIGHTING

Call No: 802.3 SCH
Author: Schaefer, Dennis; Salvato, Larry
Source: US
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1984
PhysDes: 355 p. :23 cm
Subject: LIGHTING; CINEMATOGRAPHY; FILM WORKERS; ALMENDROS, NESTOR; ALONZO, JOHN; BAILEY, JOHN; BUTLER, BILL; CHAPMAN, MICHAEL; FRAKER, BILL; HALL, CONRAD; KOVACS, LASZLO; ROIZMAN, OWEN; STORARO, VITTORIO; TOSI, MARIO; WEXLER, HASKELL; WILLIAMS, BILLY; WILLIS, GORDON; ZSIGMOND, VILMOS
Summary: "Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. In the past two decades a whole new generation of cinematographers has emerged on the international film scene. Often using spare and original lighting and camera techniques that would have horrified oldtime Hollywood, directors of photography have made a public mark on the film-making process that was all but un-thinkable in earler years. No other volume of in-depth conversations with the generation of cinematographers is available to students and moviegoers. These interviews are rich in practical detail as well as stimulating discussions of aesthetic issues. Thus, reading this book is like taking a class from fifteen top cameramen. Taken together, the conversations in this book reveal the remarkable range of creativity and dedication demanded of the visual artist in feature filmmaking today." -- BOOK BLURB
Notes: Includes index
ISBN: 0520053362
Donation: donated by the family of Wayne Levy, 2006
Contents: -- introduction -- Nestor Almendros -- John Alonzo -- John Bailey -- Bill Butler -- Michael Chapman -- Bill Draker -- Conrad Hall -- Laszlo Kovacs -- Owen Roizman -- Vittorio Storaro -- Mario Tosi -- Haskell Wexler -- Billy Williams -- Gordon Willis -- Vilmos Zsigmond -- glossary -- index --

Call No: 633.2 ALT
Author: Alton, John
Source: US
Place: New York
Publisher: Macmillan
PubDate: 1949
PhysDes: 191 p. ; 24 cm
Subject: CINEMATOGRAPHY; LIGHTING; CLOSE-UPS; EQUIPMENT
Donation: donated by the family of Wayne Levy, 2006
Contents: 1. Hollywood photography; 2. Motion picture illumination; 3. Mystery lighting; 4. Special illumination; 5. The Hollywood closeup; 6. Outdoor photography; 7. Symphony in snow; 8. Ocean voyage; 9. Visual music; 10. The portrait studio; 11. The laboratory; 12. Day and light, ladies, watch your light; 13. Motion picture theatres; 14. The world is a huge television studio and we are all photographers.

PhysDes: Article
Subject: RANK ORGANISATION; LIGHTING
Summary: Article on Osram appointing Rank Electronics to distribute HMI/MEI lamps.

Call No: 22(07) MAT
Author: Matzkin, Myron A
Source: US
Place: New York
Publisher: Focal Press
PubDate: 1976
PhysDes: x, 298 p. : ill ; 23 cm
Subject: FILMMAKING; CAMERAS; SOUND EQUIPMENT; LIGHTING; EDITING; PROJECTION; ANIMATION; CLOSE-UPS; SPECIAL EFFECTS
Summary: This comprehensive guide both to the technical and to the creative sides of modern Super 8 mm cinematography gives special emphasis to the hardware in use. [Taken from inside front cover.]
ISBN: 024050755X
Donation: donated by the family of Wayne Levy, 2006

Call No: 761 BAD
Author: Baddeley, Hugh W.
Edition: 4th rev. ed
Place: London
Publisher: Focal Press
PubDate: 1975
PhysDes: 282 p. : ill. ; 23 cm
Series: The library of communication techniques
Subject: BUDGETING; CAMERAS; CINEMATOGRAPHY; DISTRIBUTION; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; INSURANCE, FILM; LIGHTING; LOCATION FINDING; LOCATION SHOOTING; MUSIC AND THE CINEMA; PRE-PRODUCTION; POST-PRODUCTION; PRODUCTION; PRODUCTION COSTS; SCRIPTWRITING; SOUNDTRACKS; SOUND EDITING; SOUND RECORDING
Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production. Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKET
Notes: First ed. published 1963; Includes index
ISBN: 0240509158; 0240509293 (pbk.)
LON: 8735625 8735625
URL status: URL: 'http://-' Checked: 31/08/2021 12:59:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; LIGHTING; OLIVER, TOBY; WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: Director of Photography, Toby Oliver discusses the lighting techniques and methods used filming the Australian horror film sequel, Wolf Creek 2