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Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: July 1998
Subject: INDUSTRY, FILM. UK; POST-PRODUCTION. UK; DIGITAL TECHNOLOGY. UK

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: POST-PRODUCTION. AUSTRALIA; OUR CENTURY [TV] (AT, 1999)
Summary: Archival film footage enhanced in post-production has been used in the Look Films/Film Australia television series "Our Century".

Call No: 20(94) TAY
Author: Taylor, Graeme; Dempster, Peter; Bureau of Industry Economics
Source: AT
Place: Canberra
Publisher: Bureau of Industry Economics
PubDate: 1994
PhysDes: 27 p. ; 30 cm
Series: Occasional paper (Bureau of Industry Economics) ; 20
Subject: BROADCASTING. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; DISTRIBUTION. AUSTRALIA; MUSIC, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND TV
Summary: Discussion paper on the audiovisual (AV) industry in Australia. Provides a statistical overview of the industry, a discussion of dynamic change in the AV sector, discusses key figures in the industry structure, and gives a critical review of Australia's performance in the AV sector

Call No: SUBJECT CLIPPINGS FILE; POST-PRODUCTION. AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: POST-PRODUCTION. AUSTRALIA; TAXES. AUSTRALIA
Summary: Examining the success of Australia's post-production, digital, and visual effects (PDV) industry with mentions of Illoura, Animal Logic, and Rising Sun. Criticism of the taxes offset difference between location shooting (at 16.5%) and PDV (30%) and how an overseas production can only claim one of these offsets

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: POST-PRODUCTION. AUSTRALIA
Summary: Examines the effect of new technology on post production in regard to quality and employment.

Call No: 220"313" OHA
Author: Ohanian, Thomas A; Phillips, Michael E
Place: Boston
Publisher: Focal Press
PubDate: c1996
PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cm
Subject: DIGITAL TECHNOLOGY; EDITING; PRODUCTION; POST-PRODUCTION; LUCAS, GEORGE; CAMERON, JAMES; BAKER, RICK; JONES, ED
Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]
Notes: Includes bibliographical references (p. 257) and index
ISBN: 0240802195 (paper : alk. paper)
LON: 12009091

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: POST-PRODUCTION. AUSTRALIA; HIGH DEFINITION TV; SOUND; EDITING. AUSTRALIA
Summary: Griffiths surveys the post-production industry in Australia in 2000. Visual and sound post-production firms reported that 1999 was a slow year but production is increasing in 2000. High-definition television will introduce new challenges to the post-production industry. Screen editors are frustrated by their working conditions and the expectation that they coordinate all aspects of post-production.

Author: Griffiths, Peter
PhysDes: Article
Subject: FILM AUSTRALIA; POST-PRODUCTION. AUSTRALIA
Summary: Film Australia's post-production facilities seek to support the low-budget production sector and in particular, the documentary sector.

Call No: 222(94) FIL
Author: Jeffrey, Tom; Parer, Damien, 1945
CorpAuthor: Australian Film, Television and Radio School
Edition: 2nd ed
Place: North Ryde, N.S.W. St Leonards, NSW
Publisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin
PubDate: 1995
PhysDes: x, 386 p. : ill., forms ; 25 cm
Subject: PRODUCING. AUSTRALIA; PRODUCTION. AUSTRALIA; COPYRIGHT. AUSTRALIA; FINANCING. AUSTRALIA; CASTING. AUSTRALIA; BUDGETING. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Notes: CIP confirmed; Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364
ISBN: 0642227055
LON: 11509898 11509898

Call No: 222(94) FIL
Author: Parer, Damien, 1945
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television and Radio School
PubDate: 1989
PhysDes: viii, 316 p. : ill., forms ; 24 cm
Subject: PRODUCING. AUSTRALIA; PRODUCTION. AUSTRALIA; COPYRIGHT. AUSTRALIA; FINANCING. AUSTRALIA; CASTING. AUSTRALIA; BUDGETING. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Notes: Bibliography: p. 304-308
ISBN: 0642146489 : price unknown
LON: 6422443

Call No: 222(94) FIL
Author: Jeffrey, Tom; Parer, Damien, 1945
CorpAuthor: Australian Film, Television and Radio School
Edition: 3rd ed
Source: AT
Place: Crows Nest, N.S.W.
Publisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin
PubDate: 2006
PhysDes: x, 451 p. : forms ; 23 cm
Subject: PRODUCING. AUSTRALIA; PRODUCTION. AUSTRALIA; COPYRIGHT. AUSTRALIA; FINANCING. AUSTRALIA; CASTING. AUSTRALIA; BUDGETING. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Notes: Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364
ISBN: 1741146461

Call No: 24 CAS
Author: Case, Dominic
Place: Jordan Hill, Oxford
Publisher: Focal Press
PubDate: 1997
PhysDes: 192 p. : ill. ; 22 cm
Subject: POST-PRODUCTION; EDITING; DIGITAL TECHNOLOGY; SOUND RECORDING; TECHNICAL DEVELOPMENTS
Notes: Includes index
ISBN: 0240514637
LON: 13426507

Call No: 222(41) JON
Author: Jones, Chris, 1967; Jolliffe, Genevieve
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 448 p. : ill., forms, ports. ; 21 cm
Subject: FINANCING. UK; PRODUCTION. UK; PRE-PRODUCTION. UK; POST-PRODUCTION. UK; PRODUCTION MANAGING. UK; WHITE ANGEL (UK, Chris Jones, 1993); BOY MEETS GIRL (UK, Ray Brady, 1993); STAGGERED (UK, Martin Clunes, 1993); CLOCKWORK MICE (UK, Vadim Jean, 1994); SHOPPING (UK, Paul Anderson, 1994)
Notes: Includes index
ISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540
Order Received: 1997
LON: gb 97008239; 13003901

Call No: 761 GIL
Author: Gillezeau, Marcus
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1997
PhysDes: 25 p. ; 30cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; EQUIPMENT; FILMMAKING; CAMERAS; SOUND; SOUND RECORDING; PRODUCTION; POST-PRODUCTION; EDITING
Summary: "This paper outlines production and post-production paths for low budget documentaries with budgets ranging from $20,000 to $100,000. It explores both digital and analogue methods. It includes pointers on what needs to be considered during pre-production and the shoot which will result in time and cost savings during post-production." -- TAKEN FROM INTRODUCTION TO REPORT
LON: abn98003903; 13617349

Call No: 24 MUR
Author: Murch, Walter
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: Sydney
Publisher: Australian Film, Television & Radio School
PubDate: c1992
PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm
Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988)
Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]
Notes: Includes bibliographical references and index
ISBN: 0642180377 : price unknown
LON: 9030756 9030756

Call No: 222(73) GOO
Author: Goodell, Gregory
Edition: 1st ed
Place: New York, N.Y.
Publisher: St Martin's Press
PubDate: c1982
PhysDes: xxv, 323 p. ; 22 cm
Subject: INDEPENDENT PRODUCTION; FINANCING; BUDGETING; CASTING; PRODUCING; POST-PRODUCTION; DISTRIBUTION
Notes: Includes index
ISBN: 0312413076 : $17.95
LON: 2227689 2227689

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: LOCATION SHOOTING. AUSTRALIA; POST-PRODUCTION. AUSTRALIA
Summary: Partly due to location shoots, there is a growth in the number of productions using temporary editing facilities.

Author: Harty, Jason
PhysDes: Article
Subject: POST-PRODUCTION. AUSTRALIA; EDITING. AUSTRALIA
Summary: Changing and diminishing role of the assistant editor is causing concern among editors.

Call No: 79LAW MOR
Author: Morris, Robert L.; Raskin, Lawrence
Source: US
Place: New York
Publisher: Doubleday
PubDate: c1992
PhysDes: xvii, 237 pages : illustrations ; 29 cm
Subject: ACADEMY AWARDS; CINEMATOGRAPHY; CASTING; COSTUME DESIGNING; COSTUMES; LOCATION SHOOTING; POSTERS; POST-PRODUCTION; PRE-PRODUCTION; PREMIERES; RESTORED FILMS; Lean, David; SPIEGEL, SAM; LAWRENCE OF ARABIA (UK, David Lean, 1962)
Summary: 'Two years in the making and the winner of seven Academy Awards, including Best Picture of the Year, the Sam Spiegel-David Lean screen classic LAWRENCE OF ARABIA has been seen and enjoyed by millions since its original release in 1962. This volume, specially compiled to herald the film's thirtieth anniversary, provides, for the first time, a visual and textual account of this remarkable epic's genesis, artistry, and influence, as well as a fascinating new look at the life and legend of T.E. Lawrence." [TAKEN FROM BOOK JACKET]
Notes: Includes bibliography
ISBN: 0385424787
Donation: Simon Wincer
Contents: Foreword / Martin Scorsese -- Chapter 1: the legend of Lawrence -- Chapter 2: the epics that never were -- Chapter 3: Spiegel and Lean -- Chapter 4: preproduction -- Chapter 5: on location -- Chapter 6: postproduction -- Chapter 7: premieres, reviews and Oscars: 1962 and 1963 -- Chapter 8: the lost picture show -- Chapter 9: reconstruction and restoration -- Chapter 10: premieres, reviews and video: 1989 -- Chapter 11: accolades and celebration -- Chapter 12: Lawrence of Arabia: an icon -- Cast and credits

Author: Mooney, Jacqueline
PhysDes: Production report; Illustration(s)
Subject: ANIMAL LOGIC; POST-PRODUCTION. AUSTRALIA; THIN RED LINE, THE (US, Terrence Malick, 1998)
Summary: Details of post-production done by Australian company, Animal Logic, for Terrence Malick's "Thin Red Line".

PhysDes: Interview
Subject: POST-PRODUCTION. AUSTRALIA
Summary: Interview with four Australian post-production houses who attended National Association of Broadcasting Convention 2000.

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: POST-PRODUCTION. AUSTRALIA; SPECIAL EFFECTS; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999)
Summary: Post production house Omnilab recreated some memorable sequences from 'The Matrix' for an TV commercial for DB Breweries. Describes the technical set-ups for these sequences.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: POST-PRODUCTION. AUSTRALIA

Call No: 222 CHA
Author: Chambers, Everett, 1926
Place: New York
Publisher: Prentice Hall Press
PubDate: 1986
PhysDes: ix, 229 p. : ill. ; 24 cm
Subject: TELEVISION, FILMS MADE FOR; PRODUCTION; PRE-PRODUCTION; POST-PRODUCTION
Notes: Includes index
ISBN: 0671607324 : $24.95; 0671607278
LON: 84023450; 3464381

Call No: 210.2(73) VAC
Author: Vachon, Christine; Edelstein, David
Place: New York
Publisher: Avon Books
PubDate: c1998
PhysDes: 335 p. : ill. ; 21 cm
Subject: INDEPENDENT PRODUCTION; BUDGETING; DISTRIBUTION; POST-PRODUCTION; FINANCING; HAYNES, TODD; VACHON, CHRISTINE; VELVET GOLDMINE (UK, Todd Haynes, 1998); I SHOT ANDY WARHOL (US, Mary Harron, 1996); KIDS (US, Larry Clark, 1995); SAFE (US, Todd Haynes, 1995); STONEWALL (US/UK, Nigel Finch, 1995)
Notes: Includes index
ISBN: 0380
LON: 13921660

Call No: SUBJECT CLIPPINGS FILE; PRODUCTION COSTS
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: PRODUCTION, TV; POST-PRODUCTION, TV; SPECIAL EFFECTS; PRODUCTION COSTS
Summary: Report on the costs of producing 'high quality' tv series, with mention of GAME OF THRONES.

Call No: 244 SOU
Author: Kalinak, Kathryn (ed.)
Source: US/UK
Place: London
Publisher: I.B. Tauris
PubDate: 2015
PhysDes: 222 pages : illustrations ; 24 cm
Series: Behind the silver screen ; 10
Subject: SOUND; SOUND EFFECTS; SOUND EDITING; SOUND RECORDING; SOUND TRACK; SOUNDTRACKS; MUSIC IN FILMS; MUSIC AND THE CINEMA; DIALOGUE; CINEMATOGRAPHY; HISTORY OF CINEMA; POST-PRODUCTION; PRODUCTION
Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVER
Notes: Includes bibliographical references (pages 203-206) and index
ISBN: 9781784534059
Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --

Call No: 761 BAD
Author: Baddeley, Hugh W.
Edition: 4th rev. ed
Place: London
Publisher: Focal Press
PubDate: 1975
PhysDes: 282 p. : ill. ; 23 cm
Series: The library of communication techniques
Subject: BUDGETING; CAMERAS; CINEMATOGRAPHY; DISTRIBUTION; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; INSURANCE, FILM; LIGHTING; LOCATION FINDING; LOCATION SHOOTING; MUSIC AND THE CINEMA; PRE-PRODUCTION; POST-PRODUCTION; PRODUCTION; PRODUCTION COSTS; SCRIPTWRITING; SOUNDTRACKS; SOUND EDITING; SOUND RECORDING
Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production. Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKET
Notes: First ed. published 1963; Includes index
ISBN: 0240509158; 0240509293 (pbk.)
LON: 8735625 8735625
URL status: URL: 'http://-' Checked: 31/08/2021 12:59:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 22(73) BRO
Author: Brouwer, Alexandra; Wright, Thomas Lee
Source: US
Place: New York
Publisher: Crown Publishers
PubDate: c1990
PhysDes: xii, 546 pages ; 25 cm
Subject: ADVERTISING FOR FILMS; ANIMALS IN FILMS; ART DIRECTION; CAMERAS; CASTING; CHOREOGRAPHY; CINEMATOGRAPHY; COMPOSERS; COSTUME DESIGNERS; DIRECTION; DISTRIBUTION; EDITING; EXHIBITION; FINANCING; LAW AND THE CINEMA; LOCATION HUNTING; LOCATION SHOOTING; MAKE-UP ARTISTS; MUSIC IN FILMS; POST-PRODUCTION; PRE-PRODUCTION; PRODUCERS; PRODUCING; PRODUCTION; PROJECTION; SCRIPTWRITING; SET DESIGNING; SOUND; SPECIAL EFFECTS; STUNTS
Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]
Notes: Includes index
ISBN: 0517574012; 9780517574010
Donation: Simon Wincer
Contents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --

Call No: 761 ROS
Author: Rosenthal, Alan, 1936
Edition: Rev. ed
Source: US
Place: Carbondale
Publisher: Southern Illinois University Press
PubDate: 1996
PhysDes: xii, 301 p. : ill. ; 24 cm
Subject: COMMENTARY; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; PRE-PRODUCTION; PRODUCING; PRODUCTION; POST-PRODUCTION; SCRIPTWRITING; SOUND; VOICE OVER
Summary: An internationally renowned documentary filmmaker with more than sixty films to his credit, including the Peabody Award-winning Out of the Ashes, Rosenthal has written the first book to address the realities involved in the making of a documentary. Rather than dealing with theory or hardware. Rosenthal tackles the day-to-day problems from initial concept through distribution. Simply and clearly, Rosenthal explains how to write, direct, and produce the new documentary, whether film or video. He emphasizes the research and writing of the documentary, from approach and structure through interviewing, narration writing, and the complexities of editing. This emphasis makes his book unique
Notes: Rev. ed. of: Writing, directing, and producing documentary films. c1990; Includes bibliographical references (p. 291-292) and index
ISBN: 0809320134 (alk. paper); 0809320142 (pbk. : alk. paper)
LON: 95017159; 11606022