serial
Artlines : a bulletin on art & law in the digital age Wooloomooloo, N.S.W.: Arts Law Centre of Australia, 1995.
Call No: held Vol.1, No.1-Vol.4, No.2 1995-1999CorpAuthor: Artlines (Wooloomooloo, N.S.W.)Source: ATPlace: Wooloomooloo, N.S.W.Publisher: Arts Law Centre of AustraliaPubDate: 1995PhysDes: v. : ill. ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA Notes: Ceased publication with Vol.4, No.2 (1999); Caption title; Issues also available in an electronic version at http://www.artslaw.asn.au/Sartslaw/artlines.htmlISSN: 1324-695XFrequency: Qarterly issue 2.1 (Mar./Apr. 1997)LON: abn95350455; 11953243
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997.
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journal article
Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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subject clippings file
DIGITAL TECHNOLOGY. AUSTRALIA
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Special issue
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Dot.com special Cannes 2000.
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The electric bookshop : research into current and future markets for interactive multimedia publications on cd rom Woolloomooloo, N.S.W.: Australian Film Commission, 1995.
Call No: 775(94) BRICorpAuthor: Australian Film Commission; Brigalow Digital PublishingPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: 1995PhysDes: v, 68 p. : ill. ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; CD-ROM AND THE CINEMA. AUSTRALIA ; MULTIMEDIA. AUSTRALIA Notes: "March 1995"; "Commissioned ... by Australian Film Commission"; "A report for the Australian Film Commission by Brigalow Digital Publishing, March 1995"--Cover; Bibliography: p. 68ISBN: 0642226148LON: 11462529
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Electronic/digital rights : a handbook for authors / by Lynne Spender ; illustrations by Veronica Jones Strawberry Hills, N.S.W.: Australian Society of Authors, 1997.
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Fair dealing in the digital age Redfern, N.S.W.: Australian Copyright Council, 1996.
Call No: 432.4(94) ACCCorpAuthor: Australian Copyright CouncilPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1996PhysDes: 68 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ISBN: 1875833277LON: 12447895
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journal article
Feature - digital effects in Encore (Feb 2000) vol.18 iss.1 p.21-30
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newspaper article
Filmmakers call 'lights, Apples, action' in Canberra Times [TV Guide] (13/04/2015) p.8
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newspaper article
Filmmakers call 'lights, Apples, action' in Sydney Morning Herald [TV Guide] (13/04/2015) p.8
Call No: SUBJECT CLIPPINGS FILE; DIGITAL TECHNOLOGY. AUSTRALIAAuthor: Barker, Gary PhysDes: Clippings File ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: Ben Allan and Clara Chong have made a feature film 'X was here' on a tight budget helped by Apple technology.
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From reel to unreal : Future opportunities for Australia's film, animation, special effects and electronic games industries / The Parliament of the Commonwealth of Australia Canberra, Australia: The Parliament of the Commonwealth of Australia, 2004.
Call No: 205.1(94) FROCorpAuthor: The Parliament of the Commonwealth of AustraliaPlace: Canberra, AustraliaPublisher: The Parliament of the Commonwealth of AustraliaPubDate: 2004PhysDes: 24 cm; 250 ppSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : ACT ; ANIMATION. AUSTRALIA ; SPECIAL EFFECTS. AUSTRALIA ; VIDEO GAMES. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET ; LABOUR. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.Notes: Government reportISBN: 0642784698
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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Media streaming and broadband in Australia : report to the Australian Broadcasting Authority / prepared by the Centre for Telecommunications Information Networking Sydney: Australian Broadcasting Authority, 2002.
Call No: 30(94) MEDSource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 2002PhysDes: 80 pages : illustration ; 30 cmSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET AND THE CINEMA. AUSTRALIA ; INTERNET AND TV. AUSTRALIA ; MOBILE AND ONLINE MEDIA ; MOBILE ONLINE MEDIA. AUSTRALIA ; VIDEO ON DEMAND Summary: A study on the potential uses of streaming technology and how this compares with other viewing technological advances that will become available mainly due to broadband technologyContents: About CTIN -- Executive summary -- 1. Introduction -- 2. The techologies of streaming and broadband -- 3. Estimates of streaming demand in Australia -- 4. The potential impact of corporate strateigs on streaming in Australia -- 5. Regulatory presssure points -- 6. Appendix 1: Packet versus circuit networks -- Appendix 2: identitites and links among existing corporations -- Bibliography -- Glossary
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New media technologies / edited by Ross Harley North Ryde, N.S.W. North Sydney: Australian Film Television & Radio School Australian Film Commission, 1993.
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journal article
Preparing for convergence in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Borella, Sonia ; Robertson, Ian Subject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: Looking at how new technologies in the media can effect the negotiation of contracts in terms of how revenue for products is divided. The term used is a convergent technologies. The authors take a legal position on convergence, stating that contracts should take into account future technologies in terms of sharing revenue.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).
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Projected Backwards into the Future : Cinemedia's Platform 1.0 on Federation Square in Wide Angle (January 1999) vol.21 iss.1 p.168-180
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Rental giant combats VOD with rival deilvery service in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Hull, David Subject: VIDEO ON DEMAND ; DIGITAL TECHNOLOGY. AUSTRALIA ; SET-TOP BOX ; VIDEO EZY ; UNIACKE, PAUL Summary: The Video Ezy rental chain is trying to secure it's position in the marketplace by introducing a video download system where customers can use a portable hard disk device (such as a memory stick) to download a film from a kiosk in store. Uniacke belives this will work in Australia as the video on demand (VOD) opportunities in Australia are not really there yet due to slow broadband. Very in depth article on new scheme.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).
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Screen culture in the digital age : multimedia for filmmakers, artists and the community / Garry Brennan Melbourne, Vic.: Open Channel Co-operative Limited, 1995.
Call No: 775(94) BREAuthor: Brennan, Garry CorpAuthor: Australian Film Commission; Open Channel (Television station : Melbourne, Vic.); Perth Institute of Film and Television; Metro Television; Brisbane Independent Filmmakers; Media Resource Centre (Adelaide, S. Aust.)Place: Melbourne, Vic.Publisher: Open Channel Co-operative LimitedPubDate: 1995PhysDes: 74 p. ; 30 cmSubject: MULTIMEDIA. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA Notes: Cover title; "A report to the Australian Film Commission from the screen culture organisations : Open Channel, Melbourne ; Media Resource Centre, Adelaide ; Film and Television Institute, Perth ; Metro Television, Sydney ; Brisbane Independent Filmmakers, Brisbane" -- Cover; Available from, Open Channel Co-operative Limited, 13 Victoria Street, Fitzroy Vic. 3065ISBN: 0646263781LON: 11907082
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Towards an Australian Humanities Digital Archive : a report on a scoping study for the establishment of a national digital research resource for the humanities / prepared by Professor Graeme Turner Faha with the assistance of Lesley Pruitt Canberra: Australian Academy of the Humanities, 2008.
Call No: 116(94) FAH; IN REPAIRAuthor: Faha, Graeme Turner Source: ATPlace: CanberraPublisher: Australian Academy of the HumanitiesPubDate: 2008PhysDes: 26p. ; 30cmSubject: ARCHIVES & INSTITUTES, FILM ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; DIGITAL TECHNOLOGY ; DIGITAL TECHNOLOGY. AUSTRALIA Summary: "The Australian Academy of the Humanities is pleased to present this report on its scoping study on the development of a national scholarly digital archive in the humanities. The primary aim of the scoping study was to establish exactly what materials would need to be included in such an archive. The resulting report provides rational, evidence-based advice leading towards an answer to that question. " -- OVERVIEW (page 4)Contents: -- overview and recommendations -- introduction -- method -- the need for an Australian Digital Archive for the Humanities -- preservation and access -- governance -- principles for selection -- collaboration -- technology: possibilities for innovation and challenges -- researcher engagement. education and training -- references -- appendix A: digital humanities outside Australia: a selection -- appendix B: list of those interviewed for this scoping study -- appendix C: suggested non-electronic resources suitable for high priority --
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Turning Off the Television : Broadcasting's Uncertain Future / Jock Given Sydney, NSW: University of New South Wales Press, 2003.
Call No: 220"313"(94) GIVAuthor: Given, Jock Source: ATPlace: Sydney, NSWPublisher: University of New South Wales PressPubDate: 2003PhysDes: 328 p. ; 23 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; TELEVISION AND MEDIA SERVICES ; TELEVISION. AUSTRALIA ; STATE AND TV. AUSTRALIA
STATE AND TV. US ; STATE AND TV. UK ; PROGRAMME POLICY ; DIGITAL TECHNOLOGY ; DIGITAL TECHNOLOGY. AUSTRALIA Summary: About tomorrow's braodcasting. From the dot-com crash to Marconi and back, from the digital age forward into an uncertain future, Jock Given expores the constant shifts in the technologies, business models and social uses of TV and radio. He explains the enduring aspects of broadcast media that have attracted so much government policy attention, and what might happen to them in the future. Sceptical about the hype, optimistic about the possibilities, honest about the scale of the policy challenges, it is essential reading for anyone interested in the future of media.Notes: Notes: p.283-306
Selected Bibliography: p.307-312
Acronyms and Abbreviations: p.313-314
Acknowledgments: p.315-316
Index: p.317-327ISBN: 0868405000
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VaultAge : digitizing and contextualizing Australian audio-visual content: Australianscreen online (aso.gov.au) in Studies in Australasian cinema (2009) vol.3 iss.2 p.205-222
Author: Aveyard, Karina PhysDes: ArticleSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL TECHNOLOGY. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL FILM AND SOUND ARCHIVE ; EXHIBITION. AUSTRALIA Summary: Australia is on the path to achieving a full-scale conversion to digital cinema exhibition probably within the next five to ten years. Despite early optimism that digitization could provide a catalyst for greater democratization of the Australian exhibition market by creating more opportunities for audiences to see independent and alternate films, this outcome now appears far from certain. The launch and ongoing roll-out of the international standard for digital exhibition, which is now firmly controlled by the major American studios, is intensifying, rather than diminishing, the market dominance of these media conglomerates and their local allies, the major Australian exhibition chains. Independent film exhibition and alternative presentation formats, on the other hand, are being pushed even further to the periphery by these increasingly centralized market forces. While independent and major exhibitors have historically coexisted, although at times in a somewhat uneasy relationship, the financial imperatives of digital cinema now threaten to drive many independent cinemas to the edge, and with them the ongoing diversity of cinema culture in Australia. Of particular concern is the late of independent theatres in regional and rural locations where many provide the only public screening opportunities within large geographic areas. This article outlines digital developments in Australia's commercial cinema industry within a national and international context, and in doing so considers the impact of digital exhibition technologies on Australia's independent cinema sector. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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Who's who in the digital media zoo? in Lumina (Winter 2009) iss.1 p.171-179
Author: McCarthy, Paul PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA Summary: The 'ANZ Digital Universe' is a new index of the 100 largest and arguably most interesting organisations active in digital media and information services in Australia and New Zealand in 2009. The list is a weighted raning based on: 1. organisation size, 2. global community interest and 3. industry recognition. This article details methodology and records the list.
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