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CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACE AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); STAR WARS [...] (US, 1977-99); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Syvret, Paul
Subject: PORNOGRAPHIC FILMS. AUSTRALIA; RATING FOR FILMS. AUSTRALIA; CENSORSHIP. AUSTRALIA; OFFICE OF FILM AND LITERATURE CLASSIFICATION; PORNOGRAPHIC DVD. AUSTRALIA; PORNOGRAPHIC FILMS AND THE INTERNET; DISTRIBUTION. DVD. AUSTRALIA; AXIS; CALVISTA AUSTRALIA; GALLERY GLOBAL NETWORKS; TRANSACT BROADBAND; NEWNHAM, HUI
Summary: An overview of the sex industry in Australia. It has a large focus on the DVD (adult video industry) and looks at government restrictions on X rated material.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Calvista general manager Hui Newnham says it produces 10,000 DVDs a week for distribution in Australia. That's sine half a million X-rated movies a year, from just one company.; -- Groups such as Calvista estimate the bulk of the adult retail market in Australia (books, toys and films) to be worth $1.6 billion to $1.7 billion a year. But Newnham says legally compliant operators such as Calvista and Gallery make up only about 40 per cent of the wholesale market. The rest at best operate in a grey zone, or at worst, just flog pirated material that would be unlikely to pass muster with the Office of FIlm and Literature Classification.

Call No: 775(94) AUS
CorpAuthor: Australian Film Commission. Multimedia Conference (4th :, 1998 : Melbourne); Australian Film Commission
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 1998
PhysDes: 1 v (38 p.) ; 30 cm
Subject: CONFERENCES. AUSTRALIA. AFC. MULTIMEDIA; INTERNET AND THE CINEMA. AUSTRALIA; MULTIMEDIA. AUSTRALIA; INTERNET AND TV. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA
LON: 14511419

Call No: 386.5 KLI
Author: Klinger, Barbara
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2006
PhysDes: xii, 310 pages : illustrations ; 24 cm
Subject: CABLE TV; DVD, FILMS ON; HOME EXHIBITION; INTERNET AND THE CINEMA; PRIVATE CINEMAS; TECHNOLOGICAL DEVELOPMENTS
Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURB
Notes: Formerly CIP.; Includes bibliographical references (p. 281-287) and index
ISBN: 9780520245860
Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures

Author: Spencer, Megan
PhysDes: Article; Illustration(s)
Subject: INDEPENDENT FILMS. USA; INTERNET AND THE CINEMA; ADVERTISING FOR FILMS; BLAIR WITCH PROJECT, THE (US, Daniel Myrick & Eduardo Sanchez, 1999)
Summary: Considers how "The Blair witch project", a low budget mockumentary, used the internet and a clever advertising campaign by distributor Artisan Entertainment to produce a box office success.

Call No: 775(94) JAC
Author: Jacko, Marion
Source: AT
Place: Sydney, N.S.W.
Publisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media Policy
PubDate: 2001
PhysDes: 104p. : 30cm.
Series: Screen Industry, Culture and Policy Research Series
Subject: TELEVISION AND MEDIA SERVICES; INTERNET AND TV. AUSTRALIA; DIGITAL BROADCASTING
ISBN: 0642487189

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN AND THE INTERNET

Call No: 62 BRA
Author: Branston, Gill
Source: US
Place: Philadelphia
Publisher: Open University Press
PubDate: 2000
PhysDes: p. cm
Series: Issues in cultural and media studies
Subject: POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; AUTHORSHIP; STAR SYSTEM; AUDIENCES; GLOBALISATION; CAPITALISM AND THE CINEMA; CLASS AND THE CINEMA; WALT DISNEY PRODUCTIONS; CULTURE AND THE CINEMA; HOLLYWOOD; INTERNET AND THE CINEMA; PERCEPTION; NARRATIVE IN FILMS; GENDER AND THE CINEMA; TYPE CHARACTERS IN FILMS; STUDIO SYSTEM; GAZE IN FILMS; CONSUMERISM AND THE CINEMA; MULVEY, LAURA; THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: "Cinema and Cultural Modernity carves a path through the complex histories and issues of film and cinema studies and vividly explores these in their social and political contexts. It focuses on selected topics such as Hollywood's histories and how authorship, stardom and globalized blockbuster cinema, its pleasures and disappointments, might be thought out. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. She shows how such debates and histories might connect both the very real pleasures of 'consuming' cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity." -- BOOK COVER
Notes: Includes bibliographical references and index
ISBN: 033520077X (HB); 0335200761 (PB)
LON: 21519736

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: 202 JEN
Author: Jenkins, Henry
Source: US
Place: New York, NY
Publisher: NYU Press
PubDate: 2006
PhysDes: 308 p. : b+w ill. ; 24cm
Subject: MEDIA; MEDIA STUDIES; COMPUTER GAMES; COMPUTER GAMES AND THE CINEMA; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; SOCIETY AND TV; SOCIETY AND THE CINEMA; SURVIVOR [TV]; AMERICAN IDOL [TV] (US, 2002-); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); HARRY POTTER AND THE PHILOSOPHER'S STONE (UK/US, Chris Columbus, 2001)
Summary: "The standard convergence narrative of recent years presents media concentration as a threat both to the diversity of communication channels and to individuals' opportunities to engage in public discourse. A respected and well-established media scholar, Jenkins (MIT) here counters such pessimistic perspectives on the brave new media world with theoretical and evidentiary attestations to the growing power of individuals and grassroots groups to affect the larger media landscape."
Notes: Includes index; Includes glossary
ISBN: 9780814742815

Author: Molloy, Simon
PhysDes: Article
Subject: TECHNOLOGY AND THE CINEMA; COPYRIGHT; INTERNET AND THE CINEMA
Summary: This article considers development of a copyright register to facilitate acquisition of rights.

Call No: 432.4(94) ACC
Author: Baulch, Libby
CorpAuthor: Australian Copyright Council
Place: Redfern, N.S.W.
Publisher: Australian Copyright Council
PubDate: 1997
PhysDes: vi, 54 p. ; 30 cm
Subject: COPYRIGHT. AUSTRALIA; INTERNET AND THE CINEMA. AUSTRALIA
Notes: "April 1997"; Also available in an electronic version on the Internet at: http://www.copyright.org.au; Includes bibliographical references; Copyright and the Internet
ISBN: 1875833455
LON: 13234418

Call No: 301(-5) IOR
Edition: 2012
Place: St Andrews, Scotland
Publisher: St Andrews Film Studies
PubDate: 2012
PhysDes: viii, 223 p. ; 23 cm
Subject: DIGITAL DISTRIBUTION; INTERNET AND THE CINEMA; DISTRIBUTION; COPYRIGHT; YOUTUBE
Summary: ‘Nobody knows anything’, said William Goldman of studio filmmaking. The rule is ever more apt as we survey the radical changes that digital distribution, along with the digitisation of production and exhibition, is wreaking on global film circulation. Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but turbulent history of on-line distribution. It provides a realistic assessment of the genuine and not-so-promising methods that have been tried to address the disruptions that moving from ‘analogue dollars’ to ‘digital cents’ has provoked in the film industry. Paying close attention to how the Majors have dealt with the challenges – often unsuccessfully – it focuses as much attention on innovations and practices outside the mainstream. Throughout, it is alive to, and showcases, important entrepreneurial innovations such as Mubi, Jaman, Withoutabox and IMDb. Written by leading academic commentators that have followed the fortunes of world cinema closely and passionately, as well as experienced hands close to the fluctuating fortunes of the industry, Digital Disruption: Cinema Moves On-line is an indispensable guide to great changes in film and its audiences. -- publisher's web site
ISBN: 9780956373076
Donation: donated by Senses of Cinema, 2014
Contents: Digital Disruption: Technological Innovation and Global Film Circulation / Dina Iordanova -- On-line Film Distribution: Its History and Global Complexion / Stuart Cunningham and Jon Silver -- Digital Revolution: Active Audiences and Fragmented Consumption / Michael Gubbins -- Internet-enabled Dissemination: Managing Uncertainty in the Film Value Chain / Michael Franklin -- Convergence, Digitisation and the Future of Film Festivals / Marijke De Valck -- Mission Unreachable: How Jaman Is Shaping the Future of On-line Distribution / Jon Silver, Stuart Cunningham, Mark David Ryan -- ‘IMDb Helps Me Sleep at Night’: How a Simple Database Changed the World of Film / Alex Fischer -- ‘The Fully Clickable Submission’: How Withoutabox Captured the Hearts and Minds of Film Festivals Everywhere / Alex Fischer -- Spotlight on MUBI: Two Interviews with Efe Cakarel, Founder and CEO of MUBI / Paul Fileri and Ruby Cheung -- ‘What Do You Do with What You See?’: Patterns and Uses of Cinéphilia, Then and Now / Ben Slater -- Appendix 1: Timeline – On-line Distribution of Feature Films / Stuart Cunningham and Jon Silver -- Appendix 2: A Selection of / Mostly Legal) VOD and On-line Content Providers / Stuart Cunningham and Jon Silver -- Appendix 3: Comparative Internet Rankings: 40 International On-line Movies-on-demand Sites / Stuart Cunningham and Jon Silver -- Appendix 4: Comparative Deal Terms in 2009 / Stuart Cunningham and Jon Silver -- Appendix 5: Related Websites / Alexander Marlow-Mann

Call No: 761 DOC
Author: Winston, Brian
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 416 pages ; 25 cm
Subject: AFRICA; ART CINEMA; ANTHROPOLOGY AND THE CINEMA; BLACK CINEMA; BRAZIL; CINEMA-DIRECT; CINEMA VERITE; DOCUMENTARIES; DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; ETHICS AND THE CINEMA; ETHNOGRAPHIC FILMS; HISTORY ON TV; HOMOSEXUALITY AND THE CINEMA; ISRAEL; INTERNET AND THE CINEMA; LATIN AMERICAN COUNTRIES; PALESTINE; POLITICAL FILMS; RACE AND THE CINEMA; REVOLUTIONARY THEMES IN FILMS; MOVEMENTS IN FILM HISTORY; REALITY TV; GRIERSON, JOHN; MOORE, MICHAEL; VERTOV, DZIGA; AFRICA RISING (US, Paula Heredia, 2009); AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003); CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); NANOOK OF THE NORTH (US, Robert Flaherty, 1922)
Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURB
ISBN: 9781844573417
Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index

Call No: Journal Shelves. Moving Pictures
PubDate: Cannes 2000
Subject: DIGITAL TECHNOLOGY; DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET AND THE CINEMA; INTERNET AND THE CINEMA. AUSTRALIA

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Moses, Alexa
Subject: ADVERTISING FOR FILMS; INTERNET AND THE CINEMA
Summary: The author laments the old websites that hang around whilst the films they promote have long gone.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: Jim Noonan - Snr VPres and Gen Mgr Warner Bros. Online - "Noonan says the web monuments of old and, often, flop films have a lot to do with promoting video rentals and DVD sales, as well as luring television networks who are looking for content. "There's a natural evolution there and an ongoing interest for us to continue to market them online," he says.

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: INTERNET AND THE CINEMA. AUSTRALIA; STATE OF ENTROPY (AT, Stefanos Ioannidis, [in prod.])
Summary: Entropy Films is using the Internet to gauge audience interest in its low-budget feature, "State of entropy", in order to raise funds to complete the production.

Call No: 77 EPH
Author: Grainge, Paul, 1972 -
Place: Houndsmill, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: viii, 236 pages : illustrations ; 24 cm.
Subject: CONVERGENCE; INTERNET AND THE CINEMA; INTERNET AND TV; SOCIAL MEDIA AND THE CINEMA; ONLINE VIDEO PROGRAMMING; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; YOUTUBE; ADVERTISING
Summary: "From the television interstitials that appear between programmes to the brief clips and videos that proliferate on YouTube, contemporary screen culture is populated by short-forms that make claims for our attention. Ephemeral Media provides a unique focus on these fleeting but increasingly ubiquitous texts. Through case studies in television and web entertainment, this original book looks at the production of media at the edges, within the junctions, and that surround the output of networks and studios. Analyzing promos and idents, emergent forms of online TV and web drama, and the burgeoning world of worker- and user-generated content, this new collection also examines screen forms that circulate "between," "beyond" and "below" the TV programs and films traditionally privileged within screen studies. With essays by leading international scholars in television, film and new media studies, as well as interviews with key industry figures, Ephemeral Media explores the practices, strategies and textual forms helping producers (and viewers) negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, Ephemeral Media provides a new perspective on the transitory, and transitional, nature of screen culture in the early 21st century"-- Blurb
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 9781844574346
Donation: Adrian Miles
Contents: Introduction: Ephemeral media, Paul Grainge -- I Media transition and transitory media -- 1. The recurrent, the recombinatory, and the ephemeral: William Uricchio -- 2. Television, abridged: ephemeral texts, monumental seriality and TV-Digital media convergence, Max Dawson -- II Between: interstitials and idents -- 3. Interstitials: how the 'bits in between' define the programmes, John Ellis -- 4. 'Music is Half the Picture': the soundworld of television idents, Mark Brownrigg and Peter Meech -- 5. TV promotion and broadcast design: An interview with Charlie Mawer, Red Bee Media -- III Beyond: online TV and web drama -- 6. The evolving media ecosystem: An interview with Victoria Jaye, BBC, Elizabeth Jane Evans -- 7. Beyond the broadcast text: new economies and temporalities of online TV, JP Kelly -- 8. Time slice: web drama and the attention economy, Jon Dovey -- 9. 'Carnaby Street, 10am': KateModern and the ephemeral dynamics of online drama, Elizabeth Jane Evans -- IV Below: worker- and user-generated content -- 10. Corporate and worker ephemera: the industrial promotional surround, paratexts and worker blowback, John T. Caldwell -- 11. Reenactment: fans performing movie scenes from the stage to YouTube, Barbara Klinger -- 12. Digital intimacies: aesthetic and affective strategies in the production and use of online video, Rosamund Davies.

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: INTERNET AND TV. AUSTRALIA; LITTLE DOVE - BIG VOYAGE [TV] (AT, [in prod.])

Call No: 33 MIN
Author: Mingant, Nolwenn; Tirtaine, Cecilia; Augros, Joel
Source: UK
Place: London
Publisher: BFI book published by Palgrave
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: ADVERTISING FOR FILMS; ADVERTISING; DIGITAL TECHNOLOGY; TRANSNATIONAL CINEMA; DISTRIBUTION; INTERNET AND THE CINEMA; COMPUTERS AND THE CINEMA; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002); MY LIFE IN RUINS (US, Donald Petrie, 2009); ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002); ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012); HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012); HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013); HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ, Peter Jackson, 2014); BAIT (AT, Kimble Rendall, 2012); AVATAR (US, James Cameron, 2009)
Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing. The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844578382
Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --

Call No: 398 DEI REF
Author: Deivert, Bert, 1950; Harries, Dan, 1963
Place: Studio City, CA
Publisher: M.W. Publications
PubDate: 1996
PhysDes: vii, 252 p. ; 21 cm
Subject: INTERNET AND THE CINEMA
Notes: Videography: p. 245; Includes bibliographical references (p. 245) and index; Film and video on the Internet
ISBN: 094118854X
LON: 12224298

PhysDes: Article
Subject: INTERNET AND THE CINEMA. AUSTRALIA; INTERNET AND TV. AUSTRALIA
Summary: A new online information resource for the film and television industries.

Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIA
Author: Mitchell, Jake -- Swan, David
PhysDes: Clippings File Article
Subject: PIRACY. AUSTRALIA; INTERNET. AUSTRALIA; FOXTEL; VILLAGE ROADSHOW
Summary: Foxtel and Village Roadshow have won a Federal Court order that forces internet service providxers to block access to five well-known 'pirate' websites that provide free film/tv downloads

Call No: 205.1(94) FRO
CorpAuthor: The Parliament of the Commonwealth of Australia
Place: Canberra, Australia
Publisher: The Parliament of the Commonwealth of Australia
PubDate: 2004
PhysDes: 24 cm; 250 pp
Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; ANIMATION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; VIDEO GAMES. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET; LABOUR. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA
Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.
Notes: Government report
ISBN: 0642784698

Call No: 432.4 DEC
Author: Decherney, Peter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2013
PhysDes: xii, 287 pages : illustrations ; 23 cm
Subject: AUTHORSHIP; COPYRIGHT; COPYRIGHT. USA; HISTORY OF CINEMA; HOLLYWOOD; HOME VIDEO; INTERNET; INTERNET AND THE CINEMA; LAW AND THE CINEMA; LAW AND TV; PARODY; PIRACY; PLAGIARISM; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; LUCAS, GEORGE; MOTION PICTURE ASSOCIATION OF AMERICA; YOUTUBE
Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURB
Notes: Contains list of illustrations and index
ISBN: 9780231159470

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Ziffer, Daniel
Subject: PIRACY; PIRACY. AUSTRALIA; INTERNET AND THE CINEMA. AUSTRALIA; INTERNET AND TV. AUSTRALIA
Summary: Downloading of television shows and films over the internet using peer-to-peer software (BitTorrent). Difficult to quantify how this service effects DVD sales. Though author thinks that the move by some to start shooting films to go straight to 'video' has been impacted by the smaller gap between film release and it's appearance on DVD.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). ; -- article written with Guardian, Telegraph
Quotations: -- "The average wait for a film to be released on DVD is only four months - down from 12 months just 10 years ago."

Author: Efrat, Zilla
PhysDes: Article
Subject: INTERNET AND TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: Discussion of the possible impact of the GST and stock exchange listings on Australian media industries.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET AND THE CINEMA

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET AND THE CINEMA. AUSTRALIA
URL status: URL: 'http://file://Q:/S/INTERNET_AND_THE_CINEMA._AUSTRALIA.zip' Checked: 31/08/2021 1:17:00 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET AND TV

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET AND TV. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET FILTERING

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET FILTERING. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET IN FILMS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET MOVIE DATABASE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET'S OWN BOY, THE : THE STORY OF AARON SWARTZ (US, Brian Knappenberger, 2014)

Call No: 30(94) ABA
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Authority
PubDate: 1995
PhysDes: 45 p. ; 30 cm
Subject: INTERNET AND THE CINEMA. AUSTRALIA; INTERNET AND TV. AUSTRALIA; INTERNET. AUSTRALIA
Summary: "An issues paper intended to provide a basis for interested parties to make submissions to the ABA's investigation into on-line services. The paper identifies a range of on-line services that are available now and expected in the forseeable future. The paper considers developments in the on-line industry and identifies options for dealing with content issues in a manner which reflects community standards, industry needs and accommodates technological advances and service trends" - taken from introduction

Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIA
Author: Swan, David
PhysDes: Clippings File Article
Subject: PIRACY. AUSTRALIA; INTERNET. AUSTRALIA; FOXTEL; VILLAGE ROADSHOW
Summary: Village Roadshow and Foxtel have been successful in obtaining a ruling by the Federal Court that forces internet services providers to ban access to 'pirate' websites that allow illegal downloading of films/tv shows

Call No: 775(94) AUS
CorpAuthor: Australian Film Commission. Multimedia Conference, (1996 : Sydney); Australian Film Commission
Source: AT
Place: [Sydney?]
Publisher: Australian Film Commission
PubDate: 1996
PhysDes: 48 p. ; 30 cm
Subject: CONFERENCES. AUSTRALIA. AFC. MULTIMEDIA; INTERNET AND THE CINEMA; MULTIMEDIA; COMPUTER GAMES; COMPUTERS AND THE CINEMA; TECHNOLOGY AND THE CINEMA
LON: 12753158

Call No: 775 MAN
Author: Manovich, Lev
Source: US
Place: Cambridge, Mass. London
Publisher: MIT Press
PubDate: c2001
PhysDes: xxxix, 354 p. : ill. ; 24 cm
Series: Leonardo
Subject: DIGITAL BROADCASTING; DIGITAL TECHNOLOGY; MEDIA; INTERACTIVE CINEMA; INTERNET AND THE CINEMA; INTERNET AND TV; COMPUTER GRAPHICS; COMPUTER GAMES; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; ANIMATION; VIRTUAL REALITY; LOOP FILMS; NARRATIVE IN FILMS; BARTHES, ROLAND; BENJAMIN, WALTER; COMOLLI, JEAN-LOUIS; MELIES, GEORGES; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); JURASSIC PARK (US, Steven Spielberg,, 1993)
Notes: Includes bibliographical references and index
ISBN: 0262133741 : No price
LON: 21628309

Call No: 403 CRE
Author: Creed, Barbara
Source: AT
Place: Crows Nest, NSW
Publisher: Allen and Unwin
PubDate: 2003
PhysDes: vii, 216 p. ; 21 cm
Subject: SEX AND THE CINEMA; SEX AND TV; REALITY "SHOWS"; REALITY SHOWS, TV. AUSTRALIA; REALITY TV; REALITY TV. AUSTRALIA; WOMEN AND THE CINEMA; WOMEN AND TV; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY AND TV; INTERNET AND THE CINEMA; INTERNET AND TV; Sprinkle, Annie; SEX AND THE CITY [TV] (US, 1998)
Summary: An examination of popular culture, film and old and new media in relation to a matrix where ideas and forms of sexuality, identity and the self are formed and performed.
ISBN: 1865089265

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Bickers, Claire
PhysDes: Clippings File Article
Subject: MEDIA. AUSTRALIA; STATE AND TV. AUSTRALIA; INTERNET AND TV. AUSTRALIA; OWNERSHIP, TV. AUSTRALIA
Summary: Heads of the Australian commercial tv networks and other major media met with the Prime Minister to discuss the possibility of media reforms

Call No: 30(94) MED
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Authority
PubDate: 2002
PhysDes: 80 pages : illustration ; 30 cm
Subject: DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET AND THE CINEMA. AUSTRALIA; INTERNET AND TV. AUSTRALIA; MOBILE AND ONLINE MEDIA; MOBILE ONLINE MEDIA. AUSTRALIA; VIDEO ON DEMAND
Summary: A study on the potential uses of streaming technology and how this compares with other viewing technological advances that will become available mainly due to broadband technology
Contents: About CTIN -- Executive summary -- 1. Introduction -- 2. The techologies of streaming and broadband -- 3. Estimates of streaming demand in Australia -- 4. The potential impact of corporate strateigs on streaming in Australia -- 5. Regulatory presssure points -- 6. Appendix 1: Packet versus circuit networks -- Appendix 2: identitites and links among existing corporations -- Bibliography -- Glossary

Call No: JOURNAL SHELVES.SIGHT AND SOUND SPECIAL ISSUES
PubDate: March 1999
Subject: DIGITAL TECHNOLOGY; VIDEODISCS; INTERNET AND THE CINEMA

Call No: SUBJECT CLIPPINGS FILE INTERNET AND TV. AUSTRALIA
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; INTERNET AND TV. AUSTRALIA; NETFLIX
Summary: ABC and SPA lobby govt for local content on internet services.

Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA; INTERNET AND TV. AUSTRALIA
Summary: Australia's television networks should trade attention instead of the cost of reaching a thousand people, says Multi Channel Network chief executive Anthony Fitzgerald as advertisers divert bigger chunks of their budgets to digital video. Google's YouTube and Facebook have been some of the biggest beneficiaries of advertisers shifting spending from TV to chase viewers who have migrated to online video, but networks are failing to exploit the ad backlash against the tech giants, Mr Fitzgerald told Media.

Call No: SUBJECT CLIPPINGS FILE; NINE NETWORK
Author: Mitchell, Jake
PhysDes: Clippings File Article
Subject: NINE NETWORK; INTERNET AND TV. AUSTRALIA
Summary: The digital and marketing officer of Nine Entertainment Co. Alex Parsons discussing Nine's digital strategy

Call No: SUBJECT CLIPPINGS FILE; INTERNET MOVIE DATABASE
Author: Maher, Kevin
PhysDes: Clippings File Article
Subject: INTERNET MOVIE DATABASE; STARS; NEEDHAM, COL; PATTINSON, ROBERT
Summary: Interivew with the founder and chief execuive of the Internet Movie Database, Col Needham. He discusses how the database was created, why it is popular, and the website's StarMeter function, which is very influential in the Hollwood film industry

Call No: 220 OXF
Author: Richardson, John; Gorbman, Claudia; Vernallis, Carol
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2013
PhysDes: Oxford University Press
Subject: TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS; TECHNOLOGY AND TV; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; YOUTUBE; AESTHETICS; ANIMATION; MULTIMEDIA; SOUND REPRODUCTION; MEDIA; SOUND
Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.
Notes: Includes bibliographical references and index.
ISBN: 9780199733866
Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora

Call No: SUBJECT CLIPPINGS FILE; PIRACY. AUSTRALIA
Author: Smith, Paul
PhysDes: Clippings File Article
Subject: PIRACY. AUSTRALIA; INTERNET FILTERING. AUSTRALIA
Summary: Anti-piracy legislation has been approved in an Australian Senate report. The blocking of access to websites that break copyright will need to be done by Internet Service Providers

Author: Lobato, Ramon
PhysDes: Article
Subject: INTERNET AND THE CINEMA. AUSTRALIA; INTERNET AND THE CINEMA; DIGITAL DISTRIBUTION; DISTRIBUTION. AUSTRALIA
Summary: The hype around digital film distribution is now at fiver pitch, with promises of a brave new world of instant delivery, unfettered consumer choice and new revenue streams for film-makers. Surveying the current array of commercial online video-on-demand (VOD) services, this article offers some critical reflections on these emerging circulatory models. The focus is on power relations within the online VOI industry and on issues of audience access and equity. The article argues that distribution should be a key concern for contemporary film researchers, given the power of distributors to determine the range of films available to viewers and the conditions under which they are accessible. While the ‘democratizing’ potential of online distribution may be appealing, it is important to recognize that digital delivery infrastructures may not result in any real diversification of film culture, that much of the Australian audience will be excluded from their reach and that the vast majority of online film consumption will continue to take place in the extralegal realm. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PORNOGRAPHY AND THE INTERNET

Call No: SUBJECT CLIPPINGS FILE AUSTRALIAN BROADCASTING CORPORATION
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; INTERNET AND TV. AUSTRALIA; NETFLIX
Summary: ABC and SPA lobby govt for local content on internet services.

Call No: SUBJECT CLIPPINGS FILE NATIONAL CONTENT. AUSTRALIA.
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; INTERNET AND TV. AUSTRALIA; NETFLIX
Summary: ABC and SPA lobby govt for local content on internet services.

Call No: 725.3 JAN
CorpAuthor: BFI Publishing
Place: London UK
Publisher: bfi Publishing
PubDate: 2003
PhysDes: 23 cm, 204 pp
Subject: NBC TELEVISION NETWORK; TELEVISION. UK; ELLEN [TV] (US, 1995-); STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); VIOLENCE ON TV; INTERNET AND TV
Summary: Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts much of mainstream cinema to shame. Quality Popular Television examines this new category of mostly US-Produced 'cult' television and the reasons for its emergence. Looking at shows as diverse as Ally McBeak, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen, the book identifies the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. [Taken from back cover.]
ISBN: 0851709419

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RALPH BREAKS THE INTERNET (US, Phil Johnston & Rich Moore, 2018)

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: INTERNET AND TV. AUSTRALIA; SEVEN NETWORK
Summary: Detailed article on Seven West Media's push to make e-commerce a more important part of their income stream. Seven's Chief Digital Officer Clive Dickens was interviewed

Call No: 301.76 LOB
Author: Lobato, Ramon
Source: UK
Place: London
Publisher: Palgrave macmillan [on behalf of the] bfi
PubDate: 2012
PhysDes: viii, 168 p. ; 24 cm
Series: Cultural histories of cinema
Subject: DISTRIBUTION; PIRACY; DIGITAL DISTRIBUTION; COPYRIGHT; INTERNET
Summary: "How do people access movies today?; What are the most popular and powerful channels for media distribution on a global scale?; How are film industries changing in the face of media convergence and digitisation? To answer questions such as these, argues Ramon Lobato, we must shift our gaze away from the legal film business and toward cinema's shadow economies. All around the world, films are bought from roadside stalls, local markets, and grocery stores; they are illegally downloaded and streamed; they are watched in makeshift video clubs, on street corners, and in restaurants, shops and bars. International film culture in its actually-existing forms is a messy affair; and it relies to a great extent on black and grey media markets. Examining the industrial dynamics of these subterranean film networks across a number of different sites-from Los Angeles to Lagos, Melbourne to Mexico City-this book shows how they constitute a central rather than marginal part of audiovisual culture and commerce. Combining film industry analysis with cultural theory, Shadow Economies of Cinema opens up a new area of inquiry for cinema studies, putting industry research into dialogue with wider debates about economic informality and commodity circulation. Written in an accessible style, this book offers an original 'bottom-up' perspective on the global cinema industry for researchers and students in film studies, cultural studies, and media and communications."-BOOK BLURB
Notes: includes appendix: Film Distribution Research Guide; includes bibliographical references; includes index
ISBN: 9781844574117
Contents: Machine generated contents note: Why distribution? -- Formal and informal film economies -- Shadows, sites and circuits -- 1.Distribution from Above and Below -- Redefining distribution: theory and practice -- Distribution from below -- The cultural politics of distribution -- Conclusion -- 2.The Straight-to-video Slaughterhouse -- `Anything with sprocket holes' -- The STV aesthetic -- Transnational STV circuits -- Shooting and selling STV action in the Asia-Pacific -- The slaughterhouse of cinema -- Conclusion -- 3.Informal Media Economies -- The formal and the informal -- The centrality of informality -- Informal economies of cinema -- Informality, cinema and the state -- Between formal and informal distribution: Tropa de elite -- 4.Nollywood at Large -- A short history of the Nigerian video boom -- The formalising imperative -- Formalising international distribution -- Conclusion -- 5.Six Faces of Piracy -- Copyright and the construction of piracy -- Piracy as theft -- Contents note continued: Piracy as free enterprise -- Piracy as free speech -- Piracy as authorship -- Piracy as resistance -- Piracy as access -- Everyday ethics of piracy in Tepito, Mexico City -- Tepito postscript 2010 -- 6.The Grey Internet -- Mapping the online distribution ecology -- Linking sites -- Video-hosting sites -- Cyberlockers -- Informal enforcement on the digital frontier -- Conclusion -- Conclusion: Coordinates for Studying Distribution in a Digital Age -- From pipelines to swarms -- Rethinking informational freedom

Call No: 611 CRE
Author: Creeber, Glen
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: iv, 181 pages : illustrations ; 25 cm
Subject: TELEVISION; TELEVISION AND THE CINEMA; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; I LOVE LUCY [TV] (US, 1951-57); CNN; HBO; AVENGERS, THE [TV] (UK, 1961-69); SOPRANOS, THE [TV] (US, 1999-)
Summary: In this book the author gives a critical and historical account of small screen aesthetics, tracing its origins from the early days of television through to the arrival of the internet, YouTube and beyond.
Notes: Includes bibliographical references (pages 161-172 ) and index.
ISBN: 9781844574094
Donation: Estate of Adrian Miles
Contents: 1. Early Television: Creating an Image --2. TV Comes of Age: A Medium in Its Own Right --3. The Converging Screen: The Influence of Cinema and the internet on TV --4. Web TV: The New Small Screen.

Call No: 229.5(73) CUN
Author: Cunningham, Stuart ; Craig, David
Source: US
Place: New York
Publisher: New York University Press
PubDate: 2019
PhysDes: x, 353 pages : figures, illustrations, tables ; 23 cm
Subject: AUDIENCES; INTERNET AND THE CINEMA; SOCIAL MEDIA AND THE CINEMA; AUDIENCE RESEARCH
Summary: "How the transformation of social media platforms and user-experience have redefined the entertainment industry In a little over a decade, competing social media platforms, including YouTube, Facebook, Twitter, Instagram, and Snapchat, have given rise to a new creative industry: social media entertainment. Operating at the intersection of the entertainment and interactivity, communication and content industries, social media entertainment creators have harnessed these platforms to generate new kinds of content separate from the century-long model of intellectual property control in the traditional entertainment industry. Social media entertainment has expanded rapidly and the traditional entertainment industry has been forced to cede significant power and influence to content creators, their fans, and subscribers. Digital platforms have created a natural market for embedded advertising, changing the worlds of marketing and communication in their wake. Combined, these factors have produced new, radically shifting demands on the entertainment industry, posing new challenges for screen regimes, media scholars, industry professionals, content creators, and audiences alike. Stuart Cunningham and David Craig chronicle the rise of social media entertainment and its impact on media consumption and production. A massive, industry-defining study with insight from over 100 industry insiders, Social Media Entertainment explores the latest transformations in the entertainment industry in this time of digital disruption." -- book blurb
Notes: Includes bibliography, index, notes
ISBN: 9781479846894
Contents: 1. Introduction -- 2. Platform strategy -- 3. Creator labor -- 4. Social media entertainment intermediaries -- 5. Authenticity, community, and brand culture -- 6. Cultural politics of social media entertainment -- 7. Globalizing social media entertainment -- 8. Conclusion

Call No: 632.2 THO
Author: Thompson, Kristin
Edition: 1st ed.
Source: USA
Place: Cambridge, Massachusetts
Publisher: Harvard University Press
PubDate: 2003
PhysDes: 172 p ; 20cm + b&w ill.
Subject: ADAPTATIONS; ADVERTISING; CHARACTERS ON TV; DRAMAS; INTERNET; SCRIPTWRITING; SYMBOLISM ON TV; NARRATIVE IN FILMS; NARRATIVE IN TV; SEQUELS; SERIALS; SITUATION COMEDY; SOAP OPERAS; MERCHANDISING; BORDWELL, DAVID; CLEESE, JOHN; FROST MARK; KAEL, PAULINE; LYNCH, DAVID; NEWCOMB, HORACE; WILLIAMS, RAYMOND; WODEHOUSE, P.G; AVENGERS, THE [TV] (UK, 1961-69); BAD GIRLS [TV] (UK, 1999-); BLUE VELVET (US, David Lynch, 1986); BOB NEWHART SHOW, THE [TV] (US, 1961-62); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); HILL STREET BLUES [TV] (US, 1980-87); MURPHY BROWN [TV] (US, 1988-); ROYLE FAMILY, THE [TV] (UK, 1998-2000); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOPRANOS, THE [TV] (US, 1999); STAR WARS (US, George Lucas, 1977); YES MINISTER [TV] (UK, 1980-84)
Summary: Author Kristin Thompson analyses the narrative workings of television and film, looking at the narrative techniques the two media share. Thomson then focuses on the specific challenges that series television presents and the tactics writers have devised to meet them – tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. [Taken from back cover].
ISBN: 0674010876

Call No: 410 SEI
Author: Seiter, Ellen, 1957
Place: Oxford New York
Publisher: Clarendon Press
PubDate: 1998
PhysDes: 154 p. : ill. ; 25 cm
Series: Oxford television studies
Subject: AUDIENCES; INTERNET AND TV; RELIGION AND TV; FEMINISM AND TV; ADVERTISING; AUDIENCE RESEARCH; CHILDREN AND TV; COSBY SHOW, THE [TV] (US, 1984-92); FLINTSTONES, THE [TV] (US, 1960-65)
Summary: Why is talk about television forbidden at a Montessori school? Why does a mother feel guilty about watching Star Trek in front of her 4-year-old child? Why would retired men turn to daytime soap operas for entertainment? Cliches about television mask the complexity of our relationship to media technologies. Through case studies, the author explains what audience research tells us about the uses of technologies in the domestic sphere and the classroom, the relationship between gender and genre, and the varied interpretation of media technologies and media forms
Notes: Includes bibliographical references (p. [141]-148) and index
ISBN: 0198711425 (hardcover : alk. paper); 0198711417 (pbk. : alk. paper); 0198711425(cased) : No price; 0198711417(pbk.) : No price
LON: 14044097

Call No: 410.3(94) ACN
CorpAuthor: ACNielsen Media
Source: AT
Place: [Sydney]
Publisher: [Nielsen in association with B& T Weekly]
PubDate: 1998
PhysDes: 27 pages : colour illustrations ; 30 cm
Series: TV trends
Subject: ADVERTISING. TV. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; BROADCASTING. AUSTRALIA; ECONOMICS AND TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; INTERNET AND TV. AUSTRALIA; RATINGS. AUSTRALIA; TELEVISION. AUSTRALIA
Summary: "The 1998 TV Trends again looks at the free-to-air TV market and at general viewing habits as well as free-to-air Network Shares and the Top Programmes of 1997." - INTERIOR COVER
Notes: Publication information sourced from Trove
Contents: The Australian television market -- People meter coverage -- viewing trends -- TV and VCR ownership -- Games and computers -- The Internet -- Network shares -- Top rating programmes -- Television advertising

Call No: SUBJECT CLIPPINGS FILE8; MEDIA. AUSTRALIA
Author: Editorial
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA; INTERNET AND TV. AUSTRALIA; STATE AND TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA
Summary: Editorial on the importance of reforming media to allow traditional media a more even playing field with Internet based giants Facebook and Google

Author: Brophy, Chris
PhysDes: Article
Subject: INTERNET AND THE CINEMA
Summary: List of websites which provide information on film, television, video and new media.

Call No: 408 ALL
Author: Allocca, Kevin
Place: London
Publisher: Bloomsbury Publishing
PubDate: 2018
PhysDes: xv, 335 pages : illustrations ; 22 cm.
Subject: YOUTUBE; ONLINE VIDEO PROGRAMMING; SOCIAL MEDIA AND THE CINEMA; SPECTATORSHIP; INTERNET
Summary: From YouTube's Head of Culture and Trends, a rousing and illuminating behind-the-scenes exploration of internet video's massive impact on our world. Whether your favorite YouTube video is a cat on a Roomba, Gangnam Style, the Bed Intruder song, an ASAPscience explainer, Rebecca Black's Friday, or the Evolution of Dance, Kevin Allocca's Videocracy reveals how these beloved videos and famous trends--and many more--came to be and why they mean more than you might think. YouTube is the biggest pool of cultural data since the beginning of recorded communication, with four hundred hours of video uploaded every minute. (It would take you more than sixty-five years just to watch to watch the vlogs, music videos, tutorials, and other content posted in a single day!) This activity reflects who we are, in all our glory and ignominy. As Allocca says, if aliens wanted to understand our planet, he'd give them Google. If they wanted to understand us, he'd give them YouTube. In Videocracy, Allocca lays bare what YouTube videos say about our society and how our actions online--watching, sharing, commenting on, and remixing the people and clips that captivate us--are changing the face of entertainment, advertising, politics, and more. Via YouTube, we are fueling social movements, enforcing human rights, and redefining art--a lot more than you'd expect from a bunch of viral clips.
Notes: Includes bibliographical references (pages 308-323) and index.
ISBN: 9781408880272

Call No: 19YOU
Author: Burgess, Jean; Green, Joshua
Source: UK
Place: Cambridge
Publisher: Polity Press
PubDate: 2009
PhysDes: xi, 172 p. : ill. ; 21 cm
Series: Digital media and society series
Subject: YOUTUBE; INTERNET; MEDIA; MEDIA DEVELOPMENTS; DIGITAL TECHNOLOGY
Summary: " Youtube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how Youtube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society, and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how Youtube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural 'production' and 'consumption' "-- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 152-169) and index
ISBN: 9780745644790
Contents: Contents: 1. How YouTube matters -- 2. YouTube and the mainstream media -- 3. YouTube's popular culture -- 4. YouTube's social network -- 5. YouTube's cultural politics -- 6. YouTube's uncertain futures -- What happened before YouTube / Henry Jenkins -- Uses of YouTube : digital literacy and the growth of knowledge / John Hartley.