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The 3-D world of Vlahos in Lumiere (May, 1973) iss.23 p.24-27
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Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Australian laboratory undergous major refit in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.24
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Beyond the screen : emerging cinema and engaging audiences / Sarah Atkinson New York: Bloomsbury Academic, 2014.
Call No: 409(-017.2) ATKAuthor: Atkinson, Sarah Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: 2014PhysDes: xiv, 293 pages ; 24 cm.Subject: AUDIENCES ; DIGITAL MEDIA AND THE CINEMA ; MOBILE AND ONLINE MEDIA ; MOBILE CINEMAS ; POPULAR CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back coverNotes: Includes bibliographical references, filmography and index.ISBN: 9781501308659Donation: donated by Senses of Cinema, 2016Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue.
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: HOLLYWOOD ; DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; BLACKS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Cheap shots in Saturday Age [Spectrum] (15/04/2017) p.15
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The Cinema to-day / by D.A. Spencer and H.D. Waley London: Oxford University Press, 1956.
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The Cinematic apparatus / edited by Teresa de Lauretis and Stephen Heath London: Macmillan, 1980.
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; HOLLYWOOD ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACKS, FILMS MADE BY. USA ; BLACKS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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Copyright, technology and transaction costs in Lumina (Summer 2010) iss.2 p.216-267
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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Electronic eros : bodies and desire in the postindustrial age / by Claudia Springer Austin, TX: University of Texas Press, c1996.
Call No: 735.1 SPRAuthor: Springer, Claudia Source: USPlace: Austin, TXPublisher: University of Texas PressPubDate: c1996PhysDes: x, 182 pages : illustrations ; 23 cmSubject: AUTOMOBILES IN FILMS ; BODY IN FILMS ; COMIC STRIPS AND THE CINEMA ; COMPUTERS AND THE CINEMA ; COMPUTERS IN FILMS ; COMPUTERS AND TV ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; GENDER AND THE CINEMA ; GENDER AND TELEVISION ; POSTMODERNISM AND THE CINEMA ; ROBOTS IN FILMS ; ROBOTS ON TV ; SCIENCE AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEXUALITY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGY AND TV ; TECHNOLOGY IN FILMS ; TECHNOLOGY ON TV ; VIRTUAL REALITY ; BLADE RUNNER (US, Ridley Scott, 1982) ; EVE OF DESTRUCTION (US, Duncan Gibbins, 1991) ; LAWNMOWER MAN, THE (US, Brett Leonard, 1992) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Summary: "The love affair between humans and the machines that have made us faster and more powerful has expanded into cyberspace, where computer technology seems to offer both the promise of heightened erotic fulfilment and the threat of human obsolescence. In this pathfinding study, Claudia Springer explores the techno-erotic imagery in recent films, cyberpunk fiction, comic books, television, software, and writing on virtual reality and artificial intelligence to reveal how these futuristic images actually encode current debates concerning gender roles and sexuality." -- BOOK BLURBNotes: Includes indexISBN: 0292776977Donation: M.S. Counihan
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Film app brings cinema to the blind in The Australian (13/04/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; DISABLED AND THE CINEMAAuthor: Swan, David PhysDes: Clippings File ArticleSubject: DISABLED AND THE CINEMA ; DEMAND.FILM ; TECHNOLOGY AND THE CINEMA Summary: Interview with Demand.Film chief David Doepel about his company's innovation called MovieReading, which allows sight imparied people to have a film's audio and a description of events to be played through a mobile phone appNotes: A
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The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; HONG KONG ; HOLLYWOOD ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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The geopolitical aesthetic : cinema and space in the world system / Fredric Jameson Bloomington London: Indiana University Press BFI Pub., 1992.
Call No: 62 JAMAuthor: Jameson, Fredric Place: Bloomington LondonPublisher: Indiana University Press BFI Pub.PubDate: 1992PhysDes: xvi, 220 p. : ill. ; 23 cmSubject: POSTMODERNISM AND THE CINEMA ; SOCIETY AND THE CINEMA ; CONSPIRACY FILMS ; AESTHETICS ; MEDIA ; NARRATIVE IN FILMS ; TECHNOLOGY AND THE CINEMA ; THIRD WORLD ; GODARD, JEAN-LUC ; RENOIR, JEAN ; TARKOVSKY, ANDREI ; TAHIMIK, KIDLAT ; GIDE, ANDRE ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; BLOWOUT (US, Brian De Palma, 1981) ; PARALLAX VIEW, THE (US, Alan J. Pakula, 1974) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; VIDEODROME (CN, David Cronenberg, 1983) ; K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986) ; UNDER FIRE (US, Roger Spottiswoode, 1983) Notes: Includes bibliographical references and indexISBN: 0253330939 (U.S.); 0851703119 (England)LON: 8458641
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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How I Learned to Stop Worrying : (And Love Colin Bennett!) Part 2 in Montage (September 1970) p.9-13
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Immersed in technology : art and virtual environments / edited by Mary Anne Moser with Douglas MacLeod for the Banff Centre for the Arts Cambridge, Mass.: MIT Press, c1996.
Call No: 409(04) IMMAuthor: Moser, Mary Anne
MacLeod, Douglas Source: USPlace: Cambridge, Mass.Publisher: MIT PressPubDate: c1996PhysDes: xxv, 339p. : ill. ; 24cmSubject: VIRTUAL REALITY ; TECHNOLOGY AND THE CINEMA ; DIGITAL TECHNOLOGY Summary: Collection of essays examining the effects of cyberspace on society and culture.Notes: Includes bibliographical references and indexISBN: 0262133148Language: EnglishContents: Contents: Preface / Douglas MacLeod -- Introduction / Mary Anne Moser -- Embodied Virtuality: Or How to Put Bodies Back Into the Picture / N. Katherine Hayles -- Virtual Skin: Articulating Race in Cyberspace / Cameron Bailey -- Mysteries of the Bioapparatus / Nell Tenhaaf -- When Is the Ear Pierced?: The Clashes of Sound, Technology, and Cyberculture / Frances Dyson -- Cyberdammerung at Wellspring Systems / Allucquere Rosanne Stone -- A Disappearance of Community / Avital Ronell -- Fascination, Masculinity, and Cyberspace / Rob Milthorp -- A City for Bachelors / Jeanne Randolph -- Aboriginal Narratives in Cyberspace / Loretta Todd -- Nature Morte: Landscape and Narrative in Virtual Environments / Margaret Morse -- Time Traveling in the Gallery: An Archeological Approach in Media Art / Erkki Huhtamo -- Objects of Ritual / Will Bauer and Steve Gibson -- Archeology of a Mother Tongue / Toni Dove and Michael Mackenzie.
Dancing with the Virtual Dervish: Virtual Bodies / Diane J. Gromala and Yacov Sharir -- Bar Code Hotel / Perry Hoberman -- VR on $5 a Day / Ron Kuivila -- Placeholder / Brenda Laurel and Rachel Strickland -- Field Recording Studies / Michael Naimark -- Dancing with the Virtual Dervish: Worlds in Progress / Marcos Novak -- Topological Slide / Michael Scroggins and Stewart Dickson -- Inherent Rights, Vision Rights / Lawrence Paul Yuxweluptun.
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In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992.
Call No: 24 MURAuthor: Murch, Walter CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Australian Film, Television & Radio SchoolPubDate: c1992PhysDes: viii, 108 p. : 6 col. ports. ; 21 cmSubject: AUDIENCES ; CONTINUITY ; EDITING ; EMOTION IN FILMS ; FILM WORKERS ; POST-PRODUCTION ; TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA ; COPPOLA, FRANCIS FORD ; MURCH, WALTER ; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]Notes: Includes bibliographical references and indexISBN: 0642180377 : price unknownLON: 9030756 9030756
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Innovation in the Australian film industry / Prime Minister's Science, Engineering and Innovation Council Canberra: Dept. of Industry, Science and Resources, 2000.
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Interzone : media arts in Australia / Darren Tofts Fishermens Bend, Vic.: Craftsman House, 2005.
Call No: 771(94) INTAuthor: Tofts, Darren Source: ATPlace: Fishermens Bend, Vic.Publisher: Craftsman HousePubDate: 2005PhysDes: 145 p. ; 24 cmSeries: New ArtSubject: VIDEO ART ; EXPERIMENTAL FILMS. AUSTRALIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI) ; AESTHETICS ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; TECHNICAL DEVELOPMENTS Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].ISBN: 097573038X
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Iterations : the new image / exhibition curated by Timothy Druckrey and Charles Stainback ; edited by Timothy Druckrey New York : International Center of Photography ; Cambridge, Massachusetts :: MIT Press, 1993.
Call No: 604DRUAuthor: Druckrey, Timothy Place: New York : International Center of Photography ; Cambridge, Massachusetts :Publisher: MIT PressPubDate: 1993PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cmSubject: VIDEO ART ; EXPERIMENTAL FILMS ; AESTHETICS ; TECHNOLOGY AND THE CINEMA ; TECHNICAL DEVELOPMENTS ; EXHIBITION. USA Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196ISBN: 026204143X
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La La Land snaps up tech's newest starlets in The Australian [IT Today] (14/03/2017) p.29
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The language of interactivity : [conference abstracts of] the Australian Film Commission's Multimedia Conference, 11-13 April 1996 [Sydney?]: Australian Film Commission, 1996.
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Living screens : melodrama and plasticity in contemporary film and television / Monique Rooney London -- Lanham, Maryland: Rowman & Littlefield International Ltd, 2015.
Call No: 733 ROOAuthor: Rooney, Monique Source: UKPlace: London -- Lanham, MarylandPublisher: Rowman & Littlefield International LtdPubDate: 2015PhysDes: x, 197 pages : illustrations ; 23 cmSeries: DisruptionsSubject: MELODRAMA ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGY AND TV ; WEINER, MATTHEW ; HAYNES, TODD ; VON TRIER, LARS ; MAD MEN [TV] (US, 2007) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; MILDRED PIERCE [TV](US, 2011) Summary: Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner s Mad Men, Lars von Trier s Melancholia and Todd Haynes s Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau s foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a plastic form with the capacity to mould and be moulded and that speaks to fundamental processes of mediationNotes: Includes bibliographical references (pages 171-188), filmography (pages 188-189), and indexISBN: 9781783480470Contents: Introduction -- Mad Men: melodrama and metamorphosis -- Turned back: advertising, televisual melodrama and metamorphosis in Mad Men -- Earth-object: melodrama and plasticity in Lars Von Trier's Melancholia -- Melodrama and plasticity in Todd Haynes's Mildred Pierce -- Postlude: Animated statue, melody, encore (moi!)
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The New media book / Edited by Dan Harries London: bfi Publishing, 2002.
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The Oxford handbook of new audiovisual aesthetics / edited by John Richardson, Claudia Gorbman, Carol Vernallis New York: Oxford University Press, c2013.
Call No: 220 OXFAuthor: Richardson, John ; Gorbman, Claudia ; Vernallis, Carol Source: USPlace: New YorkPublisher: Oxford University PressPubDate: c2013PhysDes: Oxford University PressSubject: TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; TECHNICAL DEVELOPMENTS ; TECHNOLOGY AND TV ; INTERNET ; INTERNET AND THE CINEMA ; INTERNET AND TV ; YOUTUBE ; AESTHETICS ; ANIMATION ; MULTIMEDIA ; SOUND REPRODUCTION ; MEDIA ; SOUND Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.Notes: Includes bibliographical references and index.ISBN: 9780199733866Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora
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Peep at the Peepshows in Montage (1962) vol.1 iss.1 p.7 and 11
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Questions of cinema / Stephen Heath London: Macmillan, 1981.
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Replications : a robotic history of the science fiction film / J.P. Telotte Urbana: University of Illinois Press, 1995.
Call No: 735.14 TELAuthor: Telotte, J. P., 1949 Place: UrbanaPublisher: University of Illinois PressPubDate: 1995PhysDes: 222 p. : ill. ; 24 cmSubject: SCIENCE-FICTION FILMS ; ROBOTS IN FILMS ; DOUBLES ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; TECHNOLOGY AND THE CINEMA ; BLADE RUNNER (US, Ridley Scott, 1982) ; METROPOLIS (G, Fritz Lang, 1926) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; CHERRY 200 (US, Steve de Jarnatt, 1988) ; FUTUREWORLD (US, Richard Heffron, 1976) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; WESTWORLD (US, Michael Crichton, 1973) Notes: Filmography: p. [197]-208; Includes bibliographical references (p. [209]-215) and indexISBN: 0252021770 (cloth : acidb-sfree paper); 0252064666 (paper)LON: 95006586; 11513238
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journal article
Serving Processes in Montage (September 1967) p.21-28
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journal article
Sound Profile: Smart Theatre Systems in Australasian Cinema (29/10/1982) vol.11 iss.19 p.24
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book
Special effects : creating movie magic / by Christopher Finch New York: Abbeville Press, c1984.
Call No: 236 FINAuthor: Finch, Christopher Source: USPlace: New YorkPublisher: Abbeville PressPubDate: c1984PhysDes: 252 p. : ill. (some col.) ; 27 cmSubject: COMPUTER GRAPHICS ; DIGITAL TECHNOLOGY ; COMPUTERS AND THE CINEMA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; TECHNICAL DEVELOPMENTS ; MOTION CONTROL ; MAKE UP ; TECHNOLOGY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; SPECIAL EFFECTS ; CINEMATOGRAPHY ; SET DESIGNING ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; TRON (US, Steven Lisberger, 1982) Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURBNotes: Includes index; Bibliography: p. 244ISBN: 0896594521Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --
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The spectacular modern woman : Feminine visibility in the 1920s / Liz Conor Bloomington, Indiana: Indiana University Press, 2004.
Call No: 451 02 "192" CONAuthor: Conor, Liz Edition: 1st ed.Source: USAPlace: Bloomington, IndianaPublisher: Indiana University PressPubDate: 2004PhysDes: 334 p. : b+w ill. ; 23 cmSubject: WOMEN AND THE CINEMA ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; WOMEN, FILMS FOR ; PROSTITUTES IN FILMS ; POPULAR CULTURE AND THE CINEMA ; HISTORY AND THE CINEMA ; MEDIA ; TECHNOLOGY AND THE CINEMA ; SOCIETY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; ADVERTISING ; CARTOONS ; CELEBRITIES IN FILMS ; IMPERIALISM AND THE CINEMA ; FASHION AND THE CINEMA ; MODERNISM AND THE CINEMA ; RACE AND THE CINEMA ; DE BEAUVOIR, SIMONE ; KELLERMAN, ANNETTE ; VALENTINO, RUDOLPH ; LYELL, LOTTIE ; MOTH OF MOONBI, THE (AT, Charles Chauvel, 1926) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GREENHIDE (AT, Charles Chauvel, 1926) Summary: In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Wetter industrial societies into visual or ‘oculacentric’ cultures with significant and complex consequences for women’s lives. With the rise of mass media, Conor shows how women’s identities were intimately tied to the visual culture of the day. [Taken from back cover].ISBN: 0253216702
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The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996.
Call No: 201(4) FINAuthor: Finney, Angus, 1964 Place: LondonPublisher: CassellPubDate: 1996PhysDes: x, 262 p. ; 24 cmSubject: INDUSTRY, FILM. EUROPEAN COUNTRIES ; EDUCATION, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; DISTRIBUTION. EUROPEAN COUNTRIES ; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES ; POLYGRAM ; EURIMAGES ; NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994) ; ROB ROY (US, Michael Caton-Jones, 1995) ; TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; GUILTRIP (IE, Gerard Stembridge, 1995) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; FLOR DE MI SECRETO, LA (SP, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255ISBN: 0304333026 (pbk)LON: abn96337602; 12766083
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Synthetics : aspects of art and technology in Australia, 1956-1975 / Stephen Jones Cambridge, Massachusetts: MIT Press,
Call No: 220"313" JONAuthor: Jones, Stephen Edition: 2011Place: Cambridge, MassachusettsPublisher: MIT PressPhysDes: xii,395 p. : illustrated ; 24 cmSeries: LeonardoSubject: TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; COMPUTER GRAPHICS. AUSTRALIA ; COMPUTERS AND THE CINEMA ; BURNS, TIM ; CANTRILL, ARTHUR & CORINNE ; GLASHEEN, MICHAEL ; PERRY, DAVID ; THOMS, ALBIE ; ULURU (AT, Michael Glasheen, 1978) Summary: New technologies continually arise, offering repeated opportunities to artists in search of the technologically novel. Stephen Jones calls this phenomenon the "rolling new," and in Synthetics he describes how artists in Australia used new technologies in their art, from the early days of digital computing in the 1950s to a landmark exhibition in 1975. Jones looks at not only the artists and the artworks they produced but also at the evolution of computing technologies and video displays as these new forms of media developed into tools that artists could use. He also examines the collaborations that sprang up between artists and the technologists who taught them how to use these new devices. The process, he finds, was reciprocal: the offerings of the engineer could inspire the artist as much as the needs of the artist could inspire the engineer.
Jones discusses the constraints imposed by the limitations of new technologies as they developed and shows that different types of output and display technologies made for the production of very different kinds of images. He explores the development of computer graphics, the use by artists of such new conceptual paradigms as post-object art, and the emergence of video art in the late 1960s and early 1970s. By 1975, the art and technology movement in Australia reached something of a watershed. The work itself became established as an art form just as funding dwindled and a popular and supportive left-wing government left office. And yet, Jones writes, the early electronic artists laid the foundation for today's burgeoning culture of new media art in Australia. -- publisher's web siteISBN: 9780262014960Donation: Megan McMurchy
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The technique of motion picture production : a symposium of papers presented at the 51st semi-annual convention of the Society of Motion Picture Engineers, Hollywood, California / for the Society of Motion Picture Engineers New York: Interscience, 1944.
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Online resource
digital clippings file
TECHNOLOGY AND THE CINEMA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TECHNOLOGY AND THE CINEMA URL status: URL: 'http://file://Q:/S/TECHNOLOGY_AND_THE_CINEMA.zip'
Checked: 31/08/2021 12:54:19 PM
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newspaper article
Technology helps stars live forever in Canberra Times [Saturday Forum] (04/02/2017) p.2
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Interim
book
Technoscience in contemporary film : Beyond science fiction / Wood, Aylish Manchester: Manchester University Press, 2002.
Call No: 735 WOOAuthor: Aylish Wood Source: UKPlace: New York; ManchesterPublisher: Manchester University PressPubDate: 2002PhysDes: 200 p ; 21 cmSeries: Inside Popular FilmSubject: TECHNOLOGY AND THE CINEMA. USA ; SCIENCE IN FILMS ; SCIENCE-FICTION FILMS Summary: Technoscience in contemporary film is an innovative analysis of images of science and technology from popular films of the 1980s and 1990s. It argues that films as diverse as the science fiction film Jurassic Park, the melodrama Lorenzo's Oil and the Gremlin comic fantasies contribute to popular understandings of science and technology.[Taken from back cover]ISBN: 0719057736
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