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Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H2OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H-2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); A DECENT FACTORY (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, DEUX ANS APRES, LES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV](SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: (029)763(94)ICI
CorpAuthor: ICI Film Library
Place: Melbourne
Publisher: ICI Australia Ltd
PubDate: [1970s]
PhysDes: [128 p.] ; 25 cm
Subject: SCIENCE AND THE CINEMA; SCIENCE IN FILMS
Donation: Donated by Peter Datson

Call No: TITLE CLIPPINGS FILE; MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: SEQUELS; ACTION FILMS; SCIENCE IN FILMS; THRILLERS; BALL, WES; O'BRIEN, DYLAN; SCODELARIO, KAYA; GILLEN, AIDEN; CLARKSON, PATRICIA; MAZE RUNNER, THE (US, Wes Ball, 2014); MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)
Summary: Review and film critique of the movie 'Maze Runner: The Scorch Trials,' sequel of 'The Maze Runner,' including plot summary.
Rating: 2.5 out of 5 stars

Call No: 735.1 "195" SAL
Author: Saleh, Dennis
Edition: 1st ed
Source: US
Place: New York
Publisher: McGraw-Hill
PubDate: 1979
PhysDes: 191 p. : ill. ; 28 cm
Subject: SCIENCE-FICTION FILMS; SCIENCE IN FILMS; ALIENS IN FILLMS; ROBOTS IN FILMS; SPACE TRAVEL IN FILMS; TECHNOLOGY IN FILMS; UTOPIA IN FILMS; THING, THE (US, Christian Nyby, 1951); DAY THE EARTH STOOD STILL, THE (US, Robert Wise, 1951); IT CAME FROM OUTER SPACE (US, Jack Arnold, 1953); INVADERS FROM MARS (US, Tobe Hooper, 1986); THEM! (US, Gordon Douglas, 1954); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956)
Summary: 14 classics films from the 50s with their stories, commentary, and credits. All films are science fiction films, which include invasions, mutations, radiations. (taken from back cover)
ISBN: 0070544670

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SCIENCE IN FILMS

Call No: 735.1 VIE
Author: Veith, Errol
Source: UK
Place: London
Publisher: Scarecrow Press, Inc.
PubDate: 2001
PhysDes: 263 p. : ill. ; 22 cm
Subject: SCIENCE IN FILMS; SCIENCE-FICTION FILMS; SPECIAL EFFECTS; DRIVE-IN CINEMAS; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); INVASION OF THE BODY SNATCHERS (US, Philip Kaufman, 1978); INVADERS FROM MARS (US, Tobe Hooper, 1986); THING, THE (US, Christian Nyby, 1951); THING, THE (US, John Carpenter, 1982)
Summary: Inspects science fiction film, the way in which films construct that science, the end result of that construction, and the totality of the discourses of power and influence.
Notes: Includes tables Includes epilogue Includes bibliography Includes index Incudes About the Author
ISBN: 0810840235

Call No: 749.0 SEX
Author: Basaran, Aylin ; Köhne, Julia B ; Sabo, Klaudija ; Wieder, Christina
Place: Berlin
Publisher: Mandelbaum
PubDate: 2018
PhysDes: 400 pages : illustrations ; 24 cm
Subject: SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHY AND THE CINEMA; PORNOGRAPHY IN FILMS; SCIENTISTS IN FILMS; SCIENCE IN FILMS; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EKSTASE (CZ/A, Gustav Machaty, 1933); BERKELEY, BUSBY; EISENSTEIN, SERGEI M.; JOHNNY GUITAR (US, Nicholas Ray, 1954); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964); RANI RADOVI (YU, Zelmir Zilnik, 1969); YUGOSLAVIA; REPRODUCTION IN FILMS; TANGOS - L'EXIL DE GARDEL (FR/AG, Fernando E. Solanas, 1985); ZOMBIES IN FILMS AND TV; BLACK PANTHER (US, Ryan Coogler, 2018)
Summary: "Wie inszeniert das Medium Film das Zusammenspiel von Sexualität, Widerstand und Körperpolitiken? Welche Formen von Sexualität und erotischer Sinnlichkeit, die entweder als widerständige Handlungsweisen oder als Teil von politischem Widerstand adressiert werden können, wurden in den vergangenen Jahrzehnten in internationalen Filmkulturen visualisiert und damit hervorgehoben? Kann die Darstellung des sexualisierten Körpers oder sexuellen Akts in bestimmten Kontexten zu einer politischen Waffe werden? Welchen Raum erhalten dabei divergierende sexuelle Orientierungen und Praktiken etwa im Verbund mit homosexuellem Begehren? Der Sammelband vereint eine Mischung aus interdisziplinären und künstlerischen Zugängen zum Thema Sexualität und Widerstand und spürt seinen (audio-)visuellen Vermittlungen aus lokaler und transnationaler Perspektive nach. Das breite Spektrum an Text­genres reicht von akademischen Reflexionen über Malerei bis hin zu Dichtkunst und Bildcollagen. Fragen der Film-, ­Medien-, Kultur- und Literaturwissenschaft sowie Geschlechterforschung und Zeitgeschichte treffen in diesem Band auf sexualwissenschaftliche und medizinhistorische Ansätze." -- FROM BLURB
Notes: In German and English
ISBN: 9783854768265
Language: German and English
Donation: Senses of Cinema
Contents: Sexualität und Widerstand : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder -- "Aufklärung? Abschreckung? in der mit Sexualität gespannten Atmosphäre des Kinos?" : Sexualität in Wiener klinischen und populärwissenschaftlichen Filmen der Moderne / Katrin Pilz -- 'Die neue Frau' oder 'die verlorene Rebellion' / Karin Moser -- Experiment : Projektionenserie / Barbara Eichinger -- From Siegfried Kracauer to Busby Berkeley : Ornamental Bodies in 1930 's film / Isabel Capeloa Gil -- Eisensteins sexuelle Politiken / Peter Grabher -- Sex als Tauschmittel : Beispiele aus Mauthausen / Helga Amesberger und Brigitte Halbmayr -- "That's big talk for a little gun" : Geschlechterrollenwechsel in Nicholas Rays "Johnny Guitar" (1954) / Klaus S. Davidowicz -- Treibsand und Abgrund : Sexualität und Geschlechterkampf in Hiroshi Teshigaharas "Die Frau in den Dünen" (1964) / Gerda Klingenböck -- Erotik, Gewalt und Folklore : die Inszenierung geschlechtlicher und ethnischer Differenz im jugoslawischen Kino um 1968 / Anna Schober -- Die Revolution nach der Revolution : die jugoslawische Jugend im Aufbruch im Film "Rani Radovi" (1961 von Želimir Žilnik / Klaudija Sabo -- Absentes vergegenwärtigen : Schwangerschafisabbruch und Fötalimagologie in westlichen Filmkulturen seit den 1960er Jahren / Julia Barbara Köhne -- Ästhetische Grenzüberschreitungen und widerständige Körper in Fernando Solanas' "Tangos : El Exilio de Gardel" (1985) / Christina Wieder -- Vor der Vertreibung aus dem Paradies : Živko Nikolic' "Lepota Poroka" ["Die Schönheit der Sünde"] (1986) / Andreas Filipovic -- Sexy Zombies? : On the Improbable Possibility of Loving the Undead / Kobi Kabalek -- Goldene Zitronen : Körperpolitiken in Beyoncés "Lemonade" (2016) / Marietta Kesting -- Figurationen der Unkalkulierbarkeit : Maren Ades "Toni Erdmann" (2016) / Monika Bernold -- Wie man Körper wahrnimmt : eine Einübung nach Lukrez / Thomas Ballhausen -- What If the Revolution could be Televised? : "Black Panther" (2018) and the Utopia of Wakanda / Aylin Basaran and Justin Leggs -- Come on Baby, Light my Fire / Sonja Gassner -- Frank Stern zum 75sten / Andreas Huyssen -- Verzeichnis der Autorinnen und Autoren.

Call No: 735 WOO
Author: Aylish Wood
Source: UK
Place: New York; Manchester
Publisher: Manchester University Press
PubDate: 2002
PhysDes: 200 p ; 21 cm
Series: Inside Popular Film
Subject: TECHNOLOGY AND THE CINEMA. USA; SCIENCE IN FILMS; SCIENCE-FICTION FILMS
Summary: Technoscience in contemporary film is an innovative analysis of images of science and technology from popular films of the 1980s and 1990s. It argues that films as diverse as the science fiction film Jurassic Park, the melodrama Lorenzo's Oil and the Gremlin comic fantasies contribute to popular understandings of science and technology.[Taken from back cover]
ISBN: 0719057736

Call No: 738.5 BOU
Author: Bouse Derek
Place: Philadelphia PA
Publisher: University of Pennsylvania Press
PubDate: 2005
PhysDes: 23 cm ; 280 pp
Subject: NATURAL HISTORY FILMS; COUSTEAU, JACQUES; SCIENCE IN FILMS; DOCUMENTARY FILMS; IMAX; ADVENTURE FILMS
Summary: Wildlife and natural history films have boomed in popularity and have become one of modern society's most important sources of information about the natural world. Yet they have been largely ignored by film and television critics and scholars - up until now. In Wildlife Films, Derek Bouse challenges conventional thinking about this neglected area of film and television, arguing that the wildlife genre has been underrated as an area of filmic creativity, yet overrated as a tool for science education and nature conservation. He argues that wildlife films owe a greater debt formally and thematically to Hollywood entertainment than to documentary. Indeed, throughout its history, the wildlife film's most salient attribute has been its proclivity for telling stories rather than for revealing scientific fact. Through storytelling devices, such as individualizing animal behaviour to engage audiences' emotions, wildlife films have become enormously successful at popularizing science. Wildlife Films asks, however, whether an overreliance on storytelling devices may also lead to distorted portrayals of evolutionary biology, and to depictions of animal family and social interactions that may sometimes be better reflections of our own values than of behavioural realities. Bouse argues that if the projection onto nature of our moral vision and our models of society comes at the expense of scientific accuracy, it is the predictable result of the "tyranny of formula" in popular film and television, where the pressures of convention are imposed by the economics of a competitive, ratings-driven industry. Wildlife Films considers the entire history of the wildlife and natural history genre, from its nineteenth-century origins, to the safari films of the 1920s and '30s, to the studio-bound television programs of the '50s, right up to today's animal "docu-soaps" and spectacular IMAX productions. It shows how a film genre unfairly dismissed by media historians and critics has given rise to a powerful global industry that is today helping to spearhead digital high-definition television. Tracing over 100 years of wildlife and natural history filmmaking, Wildlife Films shows that this is a significant force in broadcasting and a genre as vibrant and creative as any. [Taken from back cover]
ISBN: 0812217284

Call No: 763 STR
Author: Strasser, Alexander
Place: London New York
Publisher: Focal Press
PubDate: 1972
PhysDes: 306 p. illus. 24 cm
Subject: SCIENCE IN FILMS
Notes: Bibliography: p. 286-288
ISBN: 0240507428
LON: 544705