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Call No: TITLE CLIPPINGS FILE
Subject: VENGEANCE OF PANCHO VILLA, THE [LOS 7 DE PANCHO VILLA] (GW, Joe Lacy, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VENGEANCE OF PANCHO VILLA, THE [LOS 7 DE PANCHO VILLA] (GW, Joe Lacy, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009)

Call No: S ABR
Author: Almodovar, Pedro
Place: SP
PhysDes: 216 pages
Subject: ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABRE LOS OJOS (SP, Alejandro Amenabar, 1997)

Call No: FESTIVAL CATALOGUE SHELVES; held 1990, 1992-1994, 2000
Place: US
PubDate: 1990-
Subject: FESTIVALS. LOS ANGELES
Notes: Also called: AFI Los Angeles Film Festival
ID2: 113

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme
Subject: ALBANILES, LOS (MX, Jorge Fons, 1976)

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: HOLLYWOOD; FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMANTES DEL CIRCULO POLAR, LOS (SP, Julio Medem, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMANTES PASAJEROS, LOS (SP, Pedro Almodovar, 2013); I'M SO EXCITED! (SP, Pedro Almodovar, 2013)

Call No: FESTIVAL CATALOGUE SHELVES; held 1993
Place: US
PubDate: 1993-
Subject: FESTIVALS. LOS ANGELES

Call No: FESTIVAL CATALOGUE SHELVES; held 1996
Place: US
PubDate: 1996-
Subject: FESTIVALS. LOS ANGELES

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: LOS ANGELES IN FILMS

Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1984
PhysDes: 28 cm
Subject: FESTIVALS. USA [VARIOUS]; FESTIVALS. LOS ANGELES [VARIOUS]; HOLLYWOOD
Notes: The 1984 Los Angeles International Film Exposition includes a selection of Hollywood and international films, as well as short films and animation. The catalogue also includes film summaries and numerous black and white stills. Held: 1972, 1975, 1984

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOS ANGELES PLAYS ITSELF (US, Thom Anderson, 2003)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. LOS ANGELES FILM CRITICS ASSOCIATION

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATTLE: LOS ANGELES (US, Jonathan Liebesman, 2011)

Call No: 408.1(46) KIN
Author: Kinder, Marsha
Place: Berkeley
Publisher: University of California Press
PubDate: 1993
PhysDes: xi, 553 p. : ill. ; 24 cm
Subject: SPAIN; INDUSTRY, FILM. UK; NATIONAL CULTURE AND THE CINEMA. SPAIN; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; VIOLENCE IN FILMS. SPAIN; DIRECTORS. USA; ERICE, VICTOR; SAURA, CARLOS; ALMODOVAR, PEDRO; BUNUEL, LUIS; SURCOS (SP, Jose Antonio Nieves Conde, 1951); MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955); GOLFOS, LOS (SP, Carlos Saura, 1959); COCHECITO, EL (SP, Marco Ferreri, 1959); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); RIO ABAJO (SP, Jose Luis Borau, 1984)
Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and index
ISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)
LON: 9293143

PhysDes: Article
Subject: LOS BUENOS SENTIMIENTOS (AG, Bernardo Bonenholtz 1971)
Summary: Short synopsis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CALLEJON DE LOS MILAGROS, EL (MX, Jorge Fons, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAMINO DE LOS INGLESES, EL (SP/UK, Antonio Banderas, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CANADIENSES, LOS (CN, Albert Kish, 1975)

Author: Chanan, Michael
PhysDes: Article
Subject: INUNDADOS, LOS (AG, Fernando Birri, 1961)
Summary: Reviews; Ill

Author: Arnwine, Clark & Lerner, Jesse (Guest Editors)
PhysDes: Article
Subject: LANDSCAPES IN FILMS; ARCHITECTURE AND THE CINEMA; AESTHETICS; LOS ANGELES IN FILMS
Summary: A second Wide Angle edition devoted to cityscapes in cinema. This edition focuses on the landscape of Los Angeles, California a topic explored through various articles on architecture, topography, urban environments, and modernisation.
Notes: For first Wide Angle edition on Cityscapes see Wide Angle Vol.19 Iss.4

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COCOTE (AG/GG/QT/DR, Nelson Carlo de Los Santos Arias, 2017)

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H2OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H-2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); A DECENT FACTORY (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, DEUX ANS APRES, LES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV](SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

PhysDes: Article
Subject: CROCODILE DUNDEE IN LOS ANGELES (US/AT, Simon Wincer, 2001)
Summary: Reviewed and listed as #1 in '25 worst movies of all time'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CROCODILE DUNDEE IN LOS ANGELES (US/AT, Simon Wincer, 2001)

Author: Michael Hutak
PhysDes: Article
Subject: CROCODILE DUNDEE IN LOS ANGELES (US/AT, Simon Wincer, 2001)
Summary: Review

Call No: 761 DOC
Author: Grant, Barry Keith; Sloniowski, Jeanette
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 1998
PhysDes: 488 p. ; 23 cm
Subject: DOCUMENTARY FILMS; FLAHERTY, ROBERT; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; BUNUEL, LUIS; WRIGHT, BASIL; RIEFENSTAHL, LENI; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); HURDES, LAS (SP, Luis Bunuel, 1933); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); CITY, THE (US, Ralph Steiner, 1939); SPANISH EARTH, THE (US, Joris Ivens, 1937); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); BLOOD OF THE BEASTS (FR, Georges Franju,1949); SANG DES BETES, LE (FR, Georges Franju,1949); MAITRES FOUS, LES (FR, Jean Rouch, 1955); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); DONT LOOK BACK (US, D.A. Pennebaker, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); AMERICAN FAMILY, AN [TV](US, 1973); DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982); THIS IS SPINAL TAP (US, Rob Reiner, 1984); SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]); I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986); JOURNEY, THE (CN, Peter Watkins, 1987); THIN BLUE LINE, THE (US, Errol Morris, 1988); ROGER AND ME (US, Michael Moore, 1989); TONGUES UNTIED (US, Marlon Riggs, 1989); PARIS IS BURNING (US, Jennie Livingston, 1990); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991)
Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITE
Notes: includes bibliiographic references and index
ISBN: 0814326390
Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage

PhysDes: Article
Subject: SOEURS BRONTE, LES (FR, Andre Techine, 1979); HOMME BLESSE, L' (FR, Patrice Chereau, 1983); SANTOS INOCENTES, LOS (SP, Mario Camus, 1984); EMPTY BEACH, THE (AT, Chris Thomson, 1985); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); COCOON (US, Ron Howard, 1985); EMERALD FOREST, THE (UK, John Boorman, 1985); REPO MAN (US, Alex Cox, 1984); PERFECT (US, James Bridges, 1985)
Summary: film reviews of the film listed in the subject field - Bronte Sisters/Adrian Martin, L'Homme Blesse/John Conomos, Holy Innocents/Penny Davies, Empty Beach/Kathe Boehringer, Back to the Future/Kathe Boehringer, Mad Max Beyond Thunderdome/Ross Gibson, Coca Cola Kid/Ross Gibson, Cocoon/Peter Kepm, Emerald Forest/Peter Kemp, Repo Man/Susan Charlton, Perfect/Susan Charlton

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOS MUNDOS DE ANGELITA, LOS (US, Jane Morrison, 1983)

Call No: 792 BUN
Author: Bunuel, Luis, 1900-1983
Place: London
Publisher: Lorrimer
PubDate: 1972
PhysDes: 299 p. illus. 21 cm
Subject: OLVIDADOS, LOS (MX, Luis Bunuel, 1951); NAZARIN (MX, Luis Bunuel, 1959); ANGEL EXTERMINADOR, EL (MX, Luis Bunuel, 1962)
ISBN: 0900855940; 0900855932 (pbk.)
LON: 409935

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FABULOUS TRINITY [FABULOSOS DE TRINIDAD, LOS] (SP/IT, Ignacio F. Iquino, 1972)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LOS ANGELES

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LOS ANGELES. INDEPENDENT

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LOS ANGELES. JEWISH

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LOS ANGELES. LATINO

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LOS ANGELES. OUTFEST

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. LOS ANGELES [VARIOUS]; FESTIVALS. LOS ANGELES. PAN AFRICAN; FESTIVALS. LOS ANGELES. SHORTS; FESTIVALS. LOS ANGELES. WIDESCREEN

Call No: 745.1 MAC
Author: MacBean, James Roy
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1975
PhysDes: viii, 339 p. : ill. ; 29 cm
Subject: REVOLUTIONARY THEMES IN FILMS; MARXISM AND THE CINEMA; REVOLUTION AND THE CINEMA; GORIN, JEAN-PIERRE; GODARD, JEAN-LUC; METZ, CHRISTIAN; VERTOV, DZIGA; WEEK-END (FR/IT, Jean-Luc Godard, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); MADE IN THE U.S.A. (FR, Jean-Luc Godard, 1966); ICE (US, Robert Kramer, 1970); CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971); LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968)
Notes: Includes bibliographical references and index
ISBN: 0253321891; 0253201918(pbk.)
LON: 737743
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 10268
Author: Quinlivan, Davina
Edition: 2015
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PhysDes: x, 188 p. : illus. ; 22 cm
Subject: PSYCHOLOGY AND THE CINEMA; WALTZ WITH BASHIR (IS/G/FR, Ari Forman, 2008); ABRAZOS ROTOS, LOS (SP, Pedro Almodovar, 2009); FELICIA'S JOURNEY (UK/CN, Atom Egoyan, 1999); TREE OF LIFE, THE (US, Terrence Malick, 2011); HERE (US, Braden King, 2011); BEGINNERS (US, Mike Mills, 2010); HUNGER (UK, Steve McQueen, 2008); CRONENBERG, DAVID
Notes: How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma. -- publisher's blurb
ISBN: 9781137361363

Call No: 81SAU DLU
Author: D'Lugo, Marvin
Place: Princeton, New Jersey
Publisher: Princeton University Press
PubDate: 1991
PhysDes: xii, 251 p. : ill. ; 25 cm.
Subject: CRITICISM; SPAIN; SAURA, CARLOS; EL DORADO (SP/FR, Carlos Saura, 1988); GOLFOS, LOS (SP, Carlos Saura, 1959); LLANTO POR UN BANDIDO (SP, Carlos Saura, 1963); CAZA, LA (SP, Carlos Saura, 1966); PEPPERMINT FRAPPE (SP, Carlos Saura, 1967); CARMEN (SP, Carlos Saura, 1983); STRESS ES TRES TRES (SP, Carlos Saura, 1968); JARDIN DE LAS DELICIAS, EL (SP, Carlos Saura, 1970); ANA Y LOS LOBOS (SP, Carlos Saura, 1972); CRIA CUERVOS (SP, Carlos Saura, 1976); OJOS VENDADOS, LOS (SP, Carlos Saura, 1978); MAMA CUMPLE 100 ANOS (SP/FR, Carlos Saura, 1979); ZANCOS, LOS (SP, Carlos Saura, 1984); AMOR BRUJO, EL (SP, Carlos Saura, 1986); NOCHE OSCURA, LA (SP, Carlos Saura, 1989); MADRIGUERA, LA (SP, Carlos Saura, 1969)
Summary: An analysis of the films of Carlos Saura from 1959-1989, looking particularly at the influence of Franco's enforced Spanish cultural identity on the filmmakers works.
Notes: Includes bibliographical references (p. 241-247). Includes index.
ISBN: 0691031428

Call No: FESTIVAL CATALOGUE SHELVES
Source: US
Place: US
Publisher: [s.n]
PubDate: 1971
PhysDes: 40 p. : ill. ; 24 cm
Subject: FESTIVALS. LOS ANGELES [VARIOUS]; FESTIVALS. USA [VARIOUS]; GRAUMAN, SID; HOLLYWOOD; HITCHCOCK, ALFRED
Notes: Contains black and white film stills; Contains summary of each film; Festival includes an Alfred Hitchcock marathon

PhysDes: Article
Subject: GUSANOS LOS (CU, Camilo Vila, 1980)
Summary: Review; Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEROES MILLONARIOS, LOS (IT/FR/SP, Duccio Tessari, 1973)

Call No: FESTIVAL CATALOGUE SHELVES; Held 2001, 2003
CorpAuthor: IFP
Source: USA
Place: Los Angeles, USA
Publisher: [The Festival]
PubDate: 2001-2003
Subject: FESTIVALS. LOS ANGELES
ID2: 103

Subject: IM DSCHUNGEL IST DER TEUFEL LOS (GW, Harald Reinl. 1982)
Summary: Review; Ill; Port

Call No: 81SAY SHU
Author: Shumway, David R.
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: c2012
PhysDes: 182 p. : ill., ports. ; 22 cm
Series: Contemporary film directors
Subject: FILM; CRITICISM; REALISM IN FILMS; SAYLES, JOHN; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); LIANNA (US, John Sayles, 1983); BABY IT'S YOU (US, John Sayles, 1983); BROTHER FROM ANOTHER PLANET, THE (US, John Sayles, 1984); MATEWAN (US, John Sayles, 1987); EIGHT MEN OUT (US, John Sayles, 1988); CITY OF HOPE (US, John Sayles, 1991); PASSION FISH (US, John Sayles, 1992); LONE STAR (US, John Sayles, 1996); MEN WITH GUNS (US, John Sayles, 1997); LIMBO (US, John Sayles, 1999); CASA DE LOS BABYS (US/MX, John Sayles, 2003); SILVER CITY (US, John Sayles, 2004); HONEYDRIPPER (US, John Sayles, 2007)
Summary: "In this study, David R. Shumway examines the defining characteristic of Sayle's cinema: its realism. Positing the filmmaker as a critical realist, Shumway explores Sayle's attention to narrative in critically acclaimed and popular films such as Matewan, Eight Men Out, Passion Fish and Lone Star. The study also details the conditions under which Sayle's films have been produced, distributed, and exhibited, affecting the way in which these films have been understood and appreciated. In the process, Shumway presents Sayles as a teacher who tells historically accurate stories that invite audiences to consider the human world they all inhabit." -- BOOK BLURB
Notes: Includes bibliographical references, filmography and index
ISBN: 9780252078569
Contents: -- acknowledgments -- John Sayles: critical realist -- John Sayles: independent -- John Sayles: realist -- Beginnings: return of the Secaucus seven -- Establishing a career -- Lianna and Baby it's you -- The brother from another planet and Springsteen videos -- Matewan -- Eight Men out -- Place and melodrama: city of hope and passion fish -- Stories -- Lone star -- Men with guns -- Limbo -- Millennial ZSayles -- Casa de los babys -- Silver city -- Honeydripper -- interviews with John Sayles -- filmography -- bibliography -- index --

Call No: 82LAR LAR
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: 2015
PhysDes: xxviii, 454 pages : illustrations ; 23 cm
Subject: BLAXPLOITATION FILMS; LOS ANGELES IN FILMS; BLACKS AND THE CINEMA; BLACKS AND THE CINEMA. US; BLACKS IN FILMS. USA; BLACKS, FILMS MADE BY; BLACKS, FILMS MADE BY. US; L.A. REBELLION
Summary: "L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisher
Notes: Includes bibliographical references (pages 403-425) and index -- Filmography: pages (pages 355-402)
ISBN: 9780520284685
Contents: Preface : Once upon a time in the West...L.A. Rebellion / Clyde Taylor -- Introduction : Emancipating the image : the L.A. Rebellion of black filmmakers -- Allyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart -- Threads and nets : the L.A. Rebellion in retrospect and in motion / Chuck Kleinhans -- Rebellious unlearning : UCLA Project One films (1967-1978) / Allyson Nadia Field -- Tough enough : Blaxploitation and the L.A. Rebellion / Jan-Christopher Horak -- Anticipations of the rebellion : black music and politics in some earlier cinemas / David E. James -- Re/soundings : music and the political goals of the L.A. Rebellion / Morgan Woolsey -- Struggles for the Sign in the Black Atlantic: Los Angeles collective of black filmmakers / Michael T. Martin -- Bruising moments : affect and the L.A. Rebellion / Samantha N. Sheppard -- The L.A. Rebellion plays itself / Jacqueline Najuma Stewart -- Encountering the rebellion : liquid blackness reflects on the expansive possibilities of the L.A. Rebellion films / Alessandra Raengo -- Part two : L.A. Rebellion oral histories (pages 321-353)

Call No: TITLE CLIPPINGS FILE; AMANTES PASAJEROS, LOS [I'M SO EXCITED!] (SP, Pedro Almodovar, 2013)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: AMANTES PASAJEROS, LOS [I'M SO EXCITED!] (SP, Pedro Almodovar, 2013)
Summary: Review of film I'm So Excited! (it's original title is Los Amantes Pasajeros, but it isn't used in this review).
Rating: 3 out of 5 stars

Call No: 745.2 MAR
Edition: 2015
Place: London; New York
Publisher: Berghahn Books
PubDate: July 2015
PhysDes: 290 p. : illus. ; 23 cm
Subject: MEDVEKIN, ALEXANDER; GODARD, JEAN-LUC; MARKER, CHRIS; STRAUB, JEAN-MARIE; HUILLET, DANIELE; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); PALESTINE
Notes: In Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films. -- publisher's web site
ISBN: 9781782386421
Contents: CONTENTS List of Figures Introduction -- Ewa Mazierska and Lars Kristensen PART I: PAST ACTIVISM Chapter 1. Between socialist modernisation and cinematic modernism: the revolutionary politics of aesthetics of Medvedkin’s cinema-train -- Gal Kirn Chapter 2. Politics and Aesthetics within Godard’s Cinema -- Jeremy Spence Chapter 3. Marker, Activism and Melancholy: Reflections on the Radical ‘60s in the later films of Chris Marker. -- Jon Kear Chapter 4. Marx Immemorial: workers and peasants in the cinema of Jean-Marie Straub and Danièle Huillet -- Manuel Ramos Martinez Chapter 5. In the Heat of the Factory: The Global Fires of The Hour of the Furnaces -- Bruce Williams PART II: PRESENT ACTIVISM Chapter 6. Contemporary political cinema: the impossibility of passivity -- William Brown Chapter 7. Cultural resistance through film: The case of Palestinian cinema -- Haim Bresheeth Chapter 8. The Contemporary Landscape of Video-Activism in Britain -- Steve Presence Chapter 9. Marxist Resistance at Bicycle Speed: Screening the Critical Mass Movement -- Lars Kristensen Chapter 10. Tales of a video blogger -- Michael Chanan Chapter 11. Recovering the Future: Marxism and Film Audiences -- Martin Barker Notes on Contributors Index

Call No: 722.81(72):735.2(72) GRE
Author: Greene, Doyle
Source: US
Place: Jefferson, N.C
Publisher: McFarland & Co
PubDate: 2007
PhysDes: ix, 205 p. : ill. ; 26 cm
Subject: HORROR FILMS; EXPLOITATION FILMS; HORROR FILMS. MEXICO; TOPO, EL (MX, Alexandro Jodorowsky, 1971); MANSION DE LA LOCURA (MX, Juan Lopes Moctezuma, 1973); MANSION OF MADNESS (MX, Juan Lopes Moctezuma, 1973); ALUCARDA, LA HIJA DE LAS TINIEBLAS (MX, Juan Lopes Moctezuma, 1978); GUYANA: CULT OF THE DAMNED (MX/SP/PN, Rene Cardona Jr, 1979); ATAQUE DE LOS PAJAROS, EL (MX/SP, Rene Cardona Jr, 1987); SANTA SANGRE (IT, Alexandro Jodorowsky, 1989); SANTA SANGRE (MX/IT, Alexandro Jodorowsky, 1989)
Notes: Includes filmography (p. 175-177) Includes bibliographical references (p. 195-197) and index
ISBN: 9780786429998
Donation: donated by Senses of Cinema, 2010
Contents: 1. The Counterculture Cinema of Cruelty: El Topo (The Mole, 1969) 2. Madness and Modernity: La mansio´n de la locura (The Mansion of Madness, 1971) 3. The New Dark Ages: Alucarda, la hija de las tinieblas (Alucarda, Daughter of Darkness, 1975) 4. The Filming of the Disaster: Guyana, el cremin del siglo (Guyana, Crime of the Century, 1979) 5. Lines of Flight, or, Death from Above: Ataque de los p¿jaros (Attack of the Birds, 1986) 6. National Oedipus: Santa sangre (Holy Blood, 1988)

Call No: 71(72) NOB
Author: Noble, Andrea
Source: UK
Place: Abingdon, Oxon, UK
Publisher: Routledge
PubDate: 2005
PhysDes: viii, 224p. : ill. ; 23cm
Subject: MEXICO; MEXICO IN FILMS; NATIONAL CULTURE AND THE CINEMA. MEXICO; NATIONAL CULTURE IN FILMS. MEXICO; INDUSTRY, FILM. MEXICO; AUDIENCES. MEXICO; MOVEMENTS AND STYLES IN FILM HISTORY; POLITICS IN FILMS. MEXICO; POLITICAL FILMS. MEXICO; REVOLUTION AND THE CINEMA. MEXICO; DOCUMENTARY FILMS. MEXICO; MELODRAMA. MEXICO; MUJER DEL PUERTO, LA (MX, Arcady Boytler, 1933); MUJER DEL PUERTO, LA (MX, Arturo Ripstein, 1991); MARIA CANDELARIA (MX, Emilio Fernández, 1943); UNE FAMILIA DE TANTAS (MX, Alejandro Galindo, 1948); CASTILLO DE LA PUREZA, EL (MX, Arturo Ripstein, 1972); CALLEJON DE LOS MILAGROS, EL (MX, Jorge Fons, 1995); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ESPALDAS MOJADAS (MX, Alejandro Galindo, 1955); JARDIN DEL EDÉN, EL (MX, María Novaro, 1994); Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001)
Summary: Mexican National Cinema offers an account of the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the "Golden Age" of the 1940s and the Nuevo Cine of the 1960s, to the renaissance in Mexican cinema in the 1990s. The book moves from broad historical and theoretical context, particularly theories of nation, emergent discourses of "mexicanidad" and the establishment and development of the Mexican industry, towards readings of key film texts and genres. Individual chapters discuss the relationship between Hollywood cinema and Mexican cinema, the stars of the "Golden Age," the role of foreign auteurs in the founding of Mexican cinema, tensions in the industry in the 1960s, and the national and international reception of contemporary films and film-makers. The author then examines the portrayal of Mexican nationhood through critical analysis of film genres including Revolutionary films, machismo and "mexicanidad," the prostitute, and the work of female auteurs.
ISBN: 0415230101

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOCHE DE LOS LAPICES, LA (AG, Hector Olivera, 1986); NIGHT OF THE PENCILS (AG, Hector Olivera, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOSOTROS LOS NOBLES (MX, Gary Alazraki, 2013); NOBLE FAMILY, THE (MX, Gary Alazraki, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOS OJOS DE JULIA (SP, Guillem Morales, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OJOS VENDADOS, LOS (SP, Carlos Saura, 1978)

Call No: 79OLV POL
Author: Polizzotti, Mark
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 87 p. : 19 cm
Series: BFI Film Classics
Subject: OLVIDADOS, LOS (MX, Luis Bunuel, 1951); BUNUEL, LUIS; MEXICO
Summary: Los Olvidados (1950) established Luis Buñuel’s reputation as a world-class director. Set in the slums of Mexico City, it follows the crime-filled and violent lives of a group of juvenile delinquents. The film exhibits some of Buñuel’s trademark themes – unrequited love, social injustice and surrealism – but with a layer of compassion that sets it apart from many of his other films. In 2003, Los Olvidados was inducted into UNESCO’s Memory of the World programme, which preserves documentary heritage of world significance. Mark Polizzotti explores the historical context, aesthetic importance ad biographical significance of the film, providing the first complete overview of Los Olvidados in English. He also presents an introduction to the Mexican film industry and places Buñuel and his films within it. While many critics have taken Los Olvidados as a film about urban poverty, Mark Polizzotti sees it as a much more personal and mysterious statement about yearning, loss and the need for redemption. By taking the notion of hunger as its structural principle, he explores the themes of betrayal, desire and death that make the film such a powerful statement more than fifty years after its release. [Taken from back cover.]
ISBN: 1844571211

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PLACERES OCULTOS, LOS (SP, Eloy de la Igelsia, 1977)

Call No: 401(73) (092) HAL
Author: Halberstam, David
Source: US
Place: New York
Publisher: Alfred E. Knopf
PubDate: 1979
PhysDes: 772 p. ; 24 cm
Subject: MEDIA. USA; POLITICS AND TV. USA; COLUMBIA BROADCASTING SYSTEM; LOS ANGELES TIMES; TIME INC.; WASHINGTON POST
ISBN: 0394503813
Donation: donated by the family of Wayne Levy, 2006

Call No: 738.6 FOW
Author: Fowler, Catherine; Helfield, Gillian
Source: US
Place: Detroit Mich.
Publisher: Wayne State University Press
PubDate: 2006
PhysDes: ix, 369 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: CRITICISM; LAND IN FILM; CINEMAS. SPANISH; HISTORY OF CINEMA; TERRE, LA (FR, André Antoine, 1921); SANTOS INOCENTES, LOS (SP, Mario Camus, 1984); ASHANI SANKET (II, Satyajit Ray, 1973); HORA DA ESTRELA, A (BL, Suzana Amaral, 1985); FARREBIQUE (FR, Georges Rouquier, 1945); BIQUEFARRE (FR, Georges Rouquier, 1983); DHIL AL ARDH (TI/FR, Taieb Louhichi, 1982); BILLY ELLIOT (UK, Stephen Daldry, 2000); COLOR PURPLE, THE (US, Steven Spielberg, 1985); THIASSOS, O (GR, Theo Angelopoulos, 1975); QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992); YI GE DOU BU NENG SHAO (CC, Zhang Yimou, 1999); WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999); ROAD HOME, THE (CC, Zhang Yimou, 1999)
Summary: Representing the Rural breaks new ground in the writing of cinema history, offering fresh perspectives on the character and place of national identity in cinematic explorations of the land, peasants, landscapes, and culture caught up in the transition from rural to metropolitan spaces [taken from back cover]
Notes: Formerly CIP Includes bibliographical references and index Includes filmography: p. 341-343
ISBN: 0814333052

Call No: TITLE CLIPPINGS FILE
Subject: DRACULA SAGA, THE [SAGA DE LOS DRACULA, LA] (SP, León Klimovsky, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRACULA SAGA, THE [SAGA DE LOS DRACULA, LA] (SP, León Klimovsky, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: SANTOS INOCENTES, LOS (SP, Mario Camus, 1984)

Call No: 761 SHO
Author: Waugh, Thomas, 1948
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1984
PhysDes: xxvii, 508 p. : ill. ; 23 cm
Subject: NEWSREELS; FEMINISM AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARY FILMS. THIRD WORLD; ALVAREZ, SANTIAGO; VERTOV, DZIGA; SHUB, ESTHER; BRECHT, BERTOLT; GODARD, JEAN-LUC; IVENS, JORIS; RENOIR, JEAN; SOLANAS, FERNANDO E.; VAN DONGEN, HELEN; STRAND, PAUL; SCHEUMANN, PETER; MIEVILLE, ANNE-MARIE; KOPPLE, BARBARA; GUZMAN, PATRICIO; GETINO, OCTAVIO; ELAM, JOANN; ALLENDE, SALVADOR; BIRRI, FERNANDO; HURWITZ, LEO; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970); NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976); SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975); HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972); POR PRIMERA VEZ (CU, Octavio Cortazar, 1967); NOW (CU, Santiago Alvarez, 1965); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); RAPE (US, JoAnn Elam, 1975); KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974); SPANISH EARTH, THE (US, Joris Ivens, 1937)
Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKS
Notes: Includes bibliographies and indexes
ISBN: 0810822172 (pbk.); 0810817063
LON: 84005603; 3178777
Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John Ramirez
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Call No: TITLE CLIPPINGS FILE
Subject: VENGEANCE OF PANCHO VILLA, THE [SIETE DE PANCHO VILLA, LOS] (DW, Joe Lacy, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VENGEANCE OF PANCHO VILLA, THE [SIETE DE PANCHO VILLA, LOS] (DW, Joe Lacy, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIN NOMBRE, LOS (SP, Jaime Balaguero, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOS SURES (US, Diego Echeverria, 1984)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
Subject: ALL THE COLORS OF THE DARK [TODOS LOS COLORES DE LA OSCURIDAD] (SP/IT, Sergio Martino, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL THE COLORS OF THE DARK [TODOS LOS COLORES DE LA OSCURIDAD] (SP/IT, Sergio Martino, 1972)

Call No: TITLE CLIPPINGS FILE
Subject: TRAITORS, THE [TRAIDORES, LOS] (AG, Raymundo Gleyzer, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRAITORS, THE [TRAIDORES, LOS] (AG, Raymundo Gleyzer, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWILIGHT: LOS ANGELES (US, Marc Levin, 2000)

Author: Borst, Ron
PhysDes: Article
Subject: HORROR FILMS; DRACULA IN FILMS; VAMPIRE FILMS; CARRY ON SCREAMING (UK, Gerald Thomas, 1966); CASTILLO DE LOS MONSTRUOS, EL (MX, Julian Soler, 1958); COUNT YORGA, VAMPIRE (US, Bob Kelljan, 1970); DR. TERROR'S HOUSE OF HORRORS (UK, Freddie Francis, 1964); HAND OF NIGHT, THE (UK, Frederick Goode, 1965); BLOOD OF DRACULA (US, Herbert L. Strock, 1957); NOT OF THIS EARTH (US, Roger Corman, 1957); VAMPIRI, I (IT, Riccardo Freda, 1957); BLOOD OF THE VAMPIRE (UK, Henry Cass, 1958); RETURN OF DRACULA, THE (US, Paul Landres, 1958); CURSE OF THE UNDEAD (US, Edward Dein, 1959); VAMPIRO, EL (MX, Paul Nagle, 1959); CAPERUCITA Y PULGARCITO CONTRA LOS MONSTRUOS (MX, Roberto Rodriguez, 1962)
Notes: See also individual entries by film title

Call No: TITLE CLIPPINGS FILE
Subject: SCHOOL TRIP [VIAJES ESCOLARES, LOS] (SP, Jaime Chavarri, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCHOOL TRIP [VIAJES ESCOLARES, LOS] (SP, Jaime Chavarri, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: VIRGEN DE LOS SICARIOS, LA (FR/CK, Barbet Scroeder, 2000)

Call No: P VIV
PubDate: 2013
PhysDes: 1 poster : col. ; 99 X 69 cm.
Subject: VIVIR ES FACIL CON LOS OJOS CERRADOS (SP, David Trueba, 2013)
Summary: Man, woman and male teenager around a car, parked seaside

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIVIR ES FACIL CON LOS OJOS CERRADOS (SP, David Trueba, 2013); LIVING IS EASY WITH EYES CLOSED (SP, David Trueba, 2013)

Author: Jayamanne, Laleen
PhysDes: Article
Subject: HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969)