Crawford collection
script
Acropolis now : episode 1. Old bar new bar AT: [1988?].
Call No: SC ACR : 1.01Place: ATPubDate: [1988?]PhysDes: 14 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Marked up script for reshooting of segment 1 of episode 1 only -- Includes annotationsDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 1A. The proxy blues / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris AT: 1988 Nov. 4.
Call No: SC ACR : 1.02Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: 1988 Nov. 4PhysDes: 58 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Marked up script -- Includes videotape work sheet, extensive annotations -- Accompanied by notes on storyline (8 leaves) -- Originally written as episode 1A, with working title of 'The Proxy Blonde'Donation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 3. The Martinez enquiry / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris ; story edited by Peter Herbert AT: c1988.
Call No: SC ACR : 1.03Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: c1988PhysDes: 52 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate copy (with no annotations) held in storage -- Marked up script -- Includes videotape work sheet, preliminary post production schedule, extensive annotations, amendments -- Accompanied by storyline notes (5 leaves) -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Oscar Whitbread ; director, Ted Emery -- Originally written as episode 2 of this seriesDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 4. It's academic / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris ; story edited by Peter Herbert AT: c1988.
Call No: SC ACR : 1.04Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: c1988PhysDes: 55 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Three copies -- Duplicates kept in storage -- Marked up script -- Includes extensive annotations -- Accompanied by storyline (5 leaves), storyline has series working title of 'Espresso', correspondence ( 3 leaves) -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Ted Emery -- originally written as episode 3 of this seriesDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 5. The trouble with mothers / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris ; story edited by Peter Herbert AT: c1988.
Call No: SC ACR : 1.05Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: c1988PhysDes: 58 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate kept in storage -- Marked up script -- Includes videotape work sheet, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Ted EmeryDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 6. It's not unusual / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris story edited by Peter Herbert AT: c1989.
Call No: SC ACR : 1.06Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: c1989PhysDes: 52 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate kept in storage -- Marked up script -- Includes videotape work sheet, call sheet (for episodes 5 and 6), extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Ted EmeryDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 7. The key to her heart / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris ; story edited by Peter Herbert AT: [1989?].
Call No: SC ACR : 1.07Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: [1989?]PhysDes: 53 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Marked up script -- Includes videotape worksheet, notes, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino AmentaDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 8. Easter, Greek style / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris ; story edited by Peter Herbert AT: c1989.
Call No: SC ACR : 1.08Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: c1989PhysDes: 46 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Marked up script -- Includes videotape worksheet, taping notes, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino AmentaDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 9. Three skips and a joey / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris story edited by Peter Herbert AT: [1989?].
Call No: SC ACR : 1.09Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: [1989?]PhysDes: 54 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Marked up script -- Includes videotape work sheet, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino AmentaDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 10. Bucklovers / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris story edited by Peter Herbert AT: c1989.
Call No: SC ACR : 1.10Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: c1989PhysDes: 47 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Marked up script -- Includes videotape work sheet, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino AmentaDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : episode 11. Writer's block / written by Nick Giannopoulos, Simon Palomares and George Kapiniaris story edited by Peter Herbert AT: c1989.
Call No: SC ACR : 1.11Author: Giannopoulos, Nick ; Palomares, Simon ; Kapiniaris, George Place: ATPubDate: c1989PhysDes: 50 leaves ; 36 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Marked up script -- Includes videotape worksheets, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino AmentaDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode five. The Lars supper / written by Lachy Hulme and Ray Boseley AT: c1992.
Call No: SC ACR : 5.05Author: Hulme, Lachy ; Boseley, Ray Place: ATPubDate: c1992PhysDes: 32 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Blocked script -- Includes extensive annotations -- Accompanied by running times (1 leaf), videotape work sheets (3 leaves), rehearsal sheet (1 leaf) and 1 duplicate, videotape segment sheets ( 6 leaves) and 1 duplicate, call sheet ( 2 leaves) and 4 duplicate copies -- duplicate material kept in storage -- Credits: producer, Charles"Bud" Tingwell ; director, Mike SmithDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode six. Mum's the word / written by Ray Boseley AT: c1992.
Call No: SC ACR : 5.06Author: Boseley, Ray Place: ATPubDate: c1992PhysDes: 36 leaves ; 30cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Blocked script -- Includes extensive annotations -- Accompanied by videotape work sheet (3 leaves), videotape segment sheet ( 6 leaves) and 1 duplicate copy, rehearsal sheet (1 leaf) and 1 duplicate copy, running times ( 2 leaves), call sheet (3 leaves) and 1 duplicate copy -- duplicate material kept in storage -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew FriedmanDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode seven. Coward's end / written by Christine Madafferi AT: c1992.
Call No: SC ACR : 5.07Author: Madafferi, Christine Edition: ReleasePlace: ATPubDate: c1992PhysDes: 32 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Release script -- Two copies -- Duplicate material kept in storage -- Accompanied by amendments (22 leaves)Donation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode seven. Coward's end / written by Christine Madafferi AT: c1992.
Call No: SC ACR : 5.07Author: Madafferi, Christine Edition: Blocked shooting scriptPlace: ATPubDate: c1992PhysDes: 30 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Blocked shooting script -- Includes extensive annotions -- Accompanied by videotape segment sheet ( 5 leaves) and 1 duplicate copy, videotape work sheet (1 leaf), call sheet (2 leaves) and 8 duplicate copies, running times (1 leaf) , rehearsal schedule (1 leaf) and 2 duplicate copies -- duplicate material kept in storage -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew FriedmanDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : Series five. Episode eight. The battle of the sexists / written by George Kapiniaris and Julian Glavacich AT: c1992.
More info
Crawford collection
script
Acropolis now : series five. Episode eight. The battle of the sexists / written by George Kapiniaris and Julian Glavacich AT: c1992.
Call No: SC ACR : 5.08Author: Kapiniaris, George ; Glavacich, Julian Edition: Blocked scriptPlace: ATPubDate: c1992PhysDes: 30 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timing sheet (1 leaf), videotape work sheet (2 leaves), call sheet (2 leaves) and 1 duplicate copy, videotape segment sheet ( 6 leaves) and 2 duplicate copies -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew FriedmanDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode nine. Torn between two lovers / written by Elizabeth Coleman and Peter Herbert AT: c1992.
More info
Crawford collection
script
Acropolis now : series five. Episode nine. Torn between two lovers / written by Elizabeth Coleman and Peter Herbert AT: c1992.
Call No: SC ACR : 5.09Author: Coleman, Elizabeth ; Herbert, Peter Edition: Blocked scriptPlace: ATPubDate: c1992PhysDes: 33 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timings (2 leaves), rehearsal sheet (1 leaf)Donation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode ten. Stupidstition / written by George Kapiniaris and Julian Glavacich AT: c1992.
More info
Crawford collection
script
Acropolis now : series five. Episode ten. Stupidstition / written by George Kapiniaris and Julian Glavacich AT: c1992.
Call No: SC ACR : 5.10Author: Kapiniaris, George ; Glavacich, Julian Edition: Shooting scriptPlace: ATPubDate: c1992PhysDes: 33 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timing sheet (1 leaf), call sheet (2 leaves), rehearsal sheet(1 leaf) -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew FriedmanDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode eleven. Confessions of a hair gel goddess / written by Mary Coustas AT: c1992.
Call No: SC ACR : 5.11Author: Coustas, Mary Edition: ReleasePlace: ATPubDate: c1992PhysDes: 36 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Three copies -- Duplicate material kept in storageDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode eleven. Confessions of a hair gel goddess / written by Mary Coustas AT: c1992.
Call No: SC ACR : 5.11Author: Coustas, Mary Edition: Shooting scriptPlace: ATPubDate: c1992PhysDes: 39 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by call sheet ( 2 leaves) and 2 duplicate copies, rehearsal sheet (1 leaf), timing sheet (1 leaf) -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew FriedmanDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode twelve. Here come the brides (part 1) / written by Nick Giannopoulos AT: 1992 Sep. 14.
More info
Crawford collection
script
Acropolis now : series five. Episode twelve. Here come the brides / written by Nick Giannopoulos AT: 1992 Sep. 8.
More info
Crawford collection
script
Acropolis now : series five. Episode twelve. Here come the brides (part 1) / written by Nick Giannopoulos AT: 1992 Sep 16.
Call No: SC ACR : 5.12Author: Giannopoulos, Nick Edition: Shooting scriptPlace: ATPubDate: 1992 Sep 16PhysDes: 34 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Includes extensive annotations -- Accompanied by timing sheet (1 leaf), call sheet (two leaves), rehearsal sheet -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew FriedmanDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode thirteen. Here come the brides (part II) / written by Nick Giannopoulos AT: 1992 Sep. 14.
Call No: SC ACR : 5.13Author: Giannopoulos, Nick Edition: 1st draftPlace: ATPubDate: 1992 Sep. 14PhysDes: 35 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- duplicate material in storageDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : series five. Episode thirteen. Here come the brides (part II) / written by Nick Giannopoulos AT: 1992 Sep. 23.
Call No: SC ACR : 5.13Author: Giannopoulos, Nick Edition: Shooting scriptPlace: ATPubDate: 1992 Sep. 23PhysDes: 39 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storageDonation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : post production scripts. Series 1. Episodes 1- 8 AT:
Call No: SC ACR : 1.00Place: ATPhysDes: 134 leaves, bound ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Bound volume containg the scripts for episodes one to eight of Acropolis Now, series one.Donation: Gift of Crawford Productions
More info
Crawford collection
script
Acropolis now : additional material. Series five / written by AT:
Call No: SC ACR : 5.00Place: ATPhysDes: 6 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Videotape segment sheet (5 leaves) and rehearsal sheet (1 leaf) for episode 3 series 5 "Hair Razors"Donation: Gift of Crawford Productions
More info
Crawford collection
crawford ephemera acr
Acropolis now
Call No: CRAWFORD EPHEMERA ACRPhysDes: 1 box ; 35 x 23 x 4 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Summary: Graphic materials -- Newspaper clippings -- Publicity brochure -- TreatmentNotes: Acropolis Now restaraunt menu (1 leaf), restaraunt floor plan (1 leaf) plus one duplicate copy -- series publicity brochure (1 leaf, double sided) and duplicate copies in storage (11) -- newspaper clippings ( 2 leafs) -- treatment ( 19 leaves , bound) -- corespondence ( 17 leaves) -- cast list for taping episode 4, Dec 1988 ( 3 leaves)Donation: Gift of Crawford Productions
More info
Crawford collection
script
[Acropolis now] Expresso : episode 1. Old bar, new bar / written by Simon Palomares, Nick Giannopoulos and George Kapiniaris AT: c1988.
More info
Crawford collection
still
[Acropolis now: series 1-2 album # 1] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 40 slides : col. + 11 photographs : b&w. ; 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 1-2Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 1 includes 28 slides; Series 2 includes 11 x photograph and 12 slidesDonation: Gift of Crawford Productions
More info
Crawford collection
still
[Acropolis now: series 3-4 album # 2] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 31 slides : col. + 18 photographs : b&w. 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 3-4Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 3 includes 15 slides + 18 photographs; Series 4 includes 16 slides.Donation: Gift of Crawford Productions
More info
title clippings file
ACROPOLIS NOW [TV] : (AT, 1989)
More info
title clippings file
ALL TOGETHER NOW : [TV] (AT, Pino Amenta, 1991)
More info
script
ALL TOGETHER NOW : School's Out, Episode 101 [1993].
More info
script
All together now : "That Old Black Magic", episode 63, draft 4 / writer: Anthony Morris 1992.
More info
script
All together now : "The Green, Green, Grass of Home", episode 13, draft 3 / writer: Shane Brennan 1991.
More info
script
All together now : "Hey Good Lookin'", episode 65, draft 4 / writer: Elizabeth Coleman 1992.
More info
script
All together now : "Jump in My Car", episode 67, draft 4 / writer: Shane Brennan 1992.
More info
script
All together now : "The Real Thing", episode 73, draft 4 / writer: Jan Sardi 1992.
More info
script
All Together Now : Help Me Make it Through the Night 1991.
More info
script
All Together Now : Love Hurts, Episode 57, Draft 4 1990.
More info
script
All Together Now : That Old Black Magic, Episode 63, Draft 4 1992.
More info
script
All Together Now : The Real Thing, Episode 73, Draft 4 (1st copy)
More info
script
All Together Now : The Real Thing, Episode 73, Draft 4 (2nd copy)
More info
title clippings file
ALL TOGETHER NOW : (UK, Adrian Wills, 2008)
More info
title clippings file
ALL TOGETHER NOW [TV] : (AT, 2018 - )
More info
book
American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
More info
title clippings file
AND NOW FOR SOMETHING COMPLETELY DIFFERENT : (UK, Ian McNaughton, 1971)
More info
title clippings file
AND NOW...LADIES AND GENTLEMEN... : (FR/UK, Claude Lelouch, 2002)
More info
Online resource
digital clippings file
ANY DAY NOW : US, Travis Fine, 2012 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: ANY DAY NOW (US, Travis Fine, 2012) URL status: URL: 'http://file://Q:/T/ANY_DAY_NOW.zip'
Checked: 31/08/2021 1:27:33 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
Online resource
digital clippings file
APOCALYPSE NOW : (US, Francis Ford Coppola, 1979) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: APOCALYPSE NOW (US, Francis Ford Coppola, 1979) URL status: URL: 'http://file://Q:/T/APOCALYPSE_NOW.zip'
Checked: 31/08/2021 12:46:34 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
title clippings file
APOCALYPSE NOW REDUX : (US, Francis Ford Coppola, 2001)
More info
title clippings file
APOCALYPSE NOW THE FINAL CUT : (US, Francis Ford Coppola, 2019)
More info
newspaper article
Bogans hit sweet spot on screen in Sydney Morning Herald (26/08/2015) p.18
More info
book
Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
More info
newspaper article
Celebrity send-up comes unstuck in Sunday Age [Arts & Entertainment] (08/11/2015) p.19
More info
book
Cinematic overtures : how to read opening scenes / Annette Insdorf New York: Columbia University Press, [2017].
Call No: 632.14 INSAuthor: Annette Insdorf Place: New YorkPublisher: Columbia University PressPubDate: [2017]PhysDes: xi, 188 pages, 2 unnumbered pages of plates : illustrations (some color) ; 22 cmSeries: Leonard Hastings Schoff memorial lectures.Subject: OPENINGS OF FILMS ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; FLASHBACKS ; MONTAGE Summary: A great movie's first few minutes provide the key to the rest of the film. ..., they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. [Some] sequences lead the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading....From Joe Gillis's voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, Mon Amour to the slowly unfolding beginning of Schindler's List, [the book] analyzes opening shots from a range of Hollywood as well as international films. Including dozens of frame enlargements that illustrate the strategies of opening sceneNotes: Includes bibliographical references and index.
Also published electronically.ISBN: 9780231182256
More info
book
Cinesonic : cinema and the sound of music / edited by Philip Brophy North Ryde, N.S.W. St. Leonards, N.S.W.: Australian Film Television & Radio School Allen & Unwin, 2000.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W. St. Leonards, N.S.W.Publisher: Australian Film Television & Radio School Allen & UnwinPubDate: 2000PhysDes: vii, 224 p. : ill. ; 21cmSubject: SOUND ; NATIVE AMERICAN CINEMA ; MUSIC IN FILMS ; FILM NOIR ; JAZZ IN FILMS ; WESTERNS ; DIALOGUE ; NAZIS IN FILMS ; PROMOTIONAL VIDEOS ; LANG, FRITZ ; WILLIAMS, HYPE ; THOM, RANDY ; MUSY, FRANCOIS ; GODARD, JEAN-LUC ; SHEA, DAVID ; WELLES, ORSON ; KWAIDAN (JA, Masaki Kobayashi, 1964) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLACK RIVER (AT, Kevin Lucas, 1991) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) Notes: Includes index; BibliographyISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098LON: 21470326Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
More info
journal article
Comedy aims to please but script goes awry in The Age [Arts & entertainment] (5/11/2015) p.20
More info
newspaper article
Comedy aims to please but stumbles as it searches for meaning in Sydney Morning Herald [Arts & Entertainment] (05/11/2015) p.20
Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: NOW ADD HONEY (AT, Wayne Hope, 2015) Summary: Review of NOW ADD HONEY directed by Australian Wayne HopeRating: 2 out of 5 stars
More info
journal article
Comedy spirals out of control in Canberra Times [Panorama] (7/11/2015) p.22
More info
book
Director's cut : my life in film / Ted Kotcheff with Jeff Young Toronto, Ontario: ECW Press, 2017.
Call No: 81 KOT KOTAuthor: Kotcheff, Ted ; Young, Jeff Edition: 2017Place: Toronto, OntarioPublisher: ECW PressPubDate: 2017PhysDes: 440 pages : illustrated ; 23 cmSubject: KOTCHEFF, TED ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; FOLKS! (US, Ted Kotcheff, 1992) ; JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985) ; NORTH DALLAS FORTY (US, Ted Kotcheff, 1979) ; SPLIT IMAGE (US, Ted Kotcheff, 1982) ; SWITCHING CHANNELS (US, Ted Kotcheff, 1988) ; UNCOMMON VALOR (US, Ted Kotcheff, 1983) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989) ; WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life
Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors.
With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web siteISBN: 9781770413610
More info
book
Don't look now / Mark Sanderson London: British Film Institute, 1996.
Call No: 79DON SANAuthor: Sanderson, Mark CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1996PhysDes: 84 p. : ill. ; 19 cmSeries: BFI modern classicsSubject: DON'T LOOK NOW (UK/IT, Nicolas Roeg, 1973) Notes: Includes bibliographical references (p. 83-84)ISBN: 0851705723LON: abn96350754; 12798795
More info
title clippings file
DON'T LOOK NOW : UK/IT, Nicolas Roeg, 1973
More info
Yet to catalogue
book
Don't look now / screenplay by Allan Scott and Chris Bryant ; from the story by Daphne du Maurier London : Sight and Sound, 1997:
More info
book
Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
More info
book
Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
More info
book
The English novel and the movies / edited by Michael Klein and Gillian Parker New York: Ungar, c
1981.
Call No: 753.4 ENGAuthor: Klein, Michael, 1939 ; Parker, Gillian Place: New YorkPublisher: UngarPubDate: c
1981PhysDes: xi, 383 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955) ; LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ADVENTURES OF ROBINSON CRUSOE ; ADVENTURES OF ROBINSON CRUSOE ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; BECKY SHARP (US, Rouben Mamoulian, 1935) ; [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931) ; DAVID COPPERFIELD (US, George Cukor, 1935) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; FRANKENSTEIN (US, James Whale, 1931) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; JANE EYRE (US, Robert Stevenson, 1944) ; JANE EYRE (UK, Delbert Mann, 1971) ; JOSEPH ANDREWS (UK, Tony Richardson, 1977) ; MAN WHO WOULD BE KING, THE (US, John Huston, 1975) ; NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979) ; OF HUMAN BONDAGE (US, John Cromwell, 1934) ; OF HUMAN BONDAGE (UK, Ken Hughes, 1964) ; PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965) ; PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977) ; PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940) ; SABOTAGE (UK, Alfred Hitchcock, 1936) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; TIME MACHINE, THE (US, George Pal, 1960) ; TOM JONES (UK, Tony Richardson, 1963) ; ULYSSES (UK/US, Joseph Strick, 1967) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; WUTHERING HEIGHTS (US, William Wyler, 1939) Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURBNotes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95LON: 80005342; 1937478
More info
title clippings file
ET MAINTENANT ON VA OU? : FR/LE/IT, Nadine Labaki, 2011
More info
Online resource
digital clippings file
ET MAINTENANT ON VA OU? [WHERE DO WE GO NOW] : (FR/LE/UA/IT/QA, Nadine Labaki, 2011) Digital clippings file available
More info
book
Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
More info
book
FIlm follies : the cinema out of order / by Stuart Klawans London: Cassell, 1999.
Call No: 740 KLAAuthor: Klawans, Stuart Edition: 1999Place: LondonPublisher: CassellPubDate: 1999PhysDes: 188pages : illustrated ; 22 cmSubject: EPIC FILMS ; GRIFFITH, DAVID WARK ; INTOLERANCE (US, David Wark Griffith, 1916) ; LUDWIG (IT/FR/GW, Luchino Visconti, 1973) ; STROHEIN, ERICH VON ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; GREED (US, Erich von Stroheim, 1925) ; LANG, FRITZ ; METROPOLIS (G, Fritz Lang, 1926) ; DUEL IN THE SUN (US, King Vidor, 1946) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; ISHTAR (US, Elaine May, 1987) ; I AM CUBA [SOY CUBA] (CU/UR, Mihail Kalatozov, 1964) Notes: A history and theory of going too far, "Film Follies" examines those rare pictures that are both cinematic landmarks and monuments to a director's hybris, from Griffith's "Intolerance" through to Coppola's "Apocalypse Now" and Carax's "Les Amants du Pont-Neuf". Seeming madness and wasteful extravagance, fantastic architecture and the haphazard structure of a musical revue: such are the landmarks of those improbably great (and greatly improbable) films Klawans calls "follies" -- publisher's web siteISBN: 9780304700547
More info
book
Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
More info
title clippings file
GO NOW : (UK, Michael Winterbottom, 1995)
More info
title clippings file
HEAR AND NOW : (US, Irene Taylor Brodsky, 2007)
More info
book
The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
More info
book
History on/and/in film : selected papers from the 3rd Australian History and Film Conference, Perth / edited by Tom O'Regan & Brian Shoesmith Perth, [W.A.]: History and Film Association of Australia (W.A.), 1987.
Call No: 45:93 HISAuthor: O'Regan, Tom, 1956 ; Shoesmith, Brian CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)Place: Perth, [W.A.]Publisher: History and Film Association of Australia (W.A.)PubDate: 1987PhysDes: 180 p. ; 30 cmSubject: HISTORY AND THE CINEMA ; HISTORICAL FILMS ; EUROPEAN COUNTRIES ; FRANCE ; INDIA ; JAPAN ; COMMONWEALTH FILM UNIT ; HISTORY OF EXHIBITION. AUSTRALIA ; AUSTRALIA. 1970's ; FASCISM AND THE CINEMA ; MARXISM AND THE CINEMA ; Grierson, John ; CHAUVEL, CHARLES ; HEIMAT [TV] (GW, Edgar Reitz, 1984) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; SEE IT NOW (US, Edward Murrow, 1954?) ; ROMAN SCANDALS (US, Frank Tuttle, 1933) ; ASSAULT ON SALAMAUA (AT, 1943) ; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976) Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985ISBN: 0729800563 (pbk.)LON: 5567713
More info
Old collection
book
Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins Lexington, Ky.: University Press of Kentucky, 1983.
Call No: 49:930.2 HOLAuthor: Rollins, Peter C. Source: USPlace: Lexington, Ky.Publisher: University Press of KentuckyPubDate: 1983PhysDes: x, 276 p. : ill. ; 24 cm.Subject: HISTORY AND THE CINEMA. USA ; FOX STUDIOS ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; MODERN TIMES (US, Charles Chaplin, 1936) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WILSON (US, Henry King, 1944) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CULTURE AND THE CINEMA. USA ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ADAPTATiONS. CONRAD, JOSEPH ; CHAPLIN, CHARLES ; VIETNAM WAR IN FILMS ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; CENSORSHIP. USA ; RIVER, THE (US, Lorentz Pare, 1937) Notes: Includes bibliographical references.ISBN: 0813101549 (pbk.)
More info
book
Hollywood's Vietnam : from the Green berets to Apocalypse now / Gilbert Adair London New York, N.Y. New York, N.Y.: Proteus Pub. Co. Distributed by Scribner Book Co., 1981.
Call No: 737(73) ADAAuthor: Adair, Gilbert Place: London New York, N.Y. New York, N.Y.Publisher: Proteus Pub. Co. Distributed by Scribner Book Co.PubDate: 1981PhysDes: 190 p. : ill. ; 27 cmSubject: VIETNAM WAR FILMS ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; EASY RIDER (US, Dennis Hopper, 1969) ; COMING HOME (US, Hal Ashby, 1978) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) Notes: Includes index; Filmography: p. 169-190ISBN: 0906071860 : ª7.95LON: 2093047
More info
book
The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MENTAL HEALTH ISSUES IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; ETHNIC GROUPS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL ISSUES IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
More info
book
The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017.
Call No: 737(73) BINAuthor: Binns, Daniel Edition: 2017Place: Bristol, UK ; Chicago, USAPublisher: Intellect BooksPubDate: 2017PhysDes: 172 pages : illustrated ; 23 cmSubject: WAR FILMS. USA ; VIETNAM WAR FILMS. USA ; WORLD WAR II FILMS. USA ; VIDEO GAMES ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COPPOLA, FRANCIS FORD ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; M*A*S*H (US, Robert Altman, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon.
Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web siteISBN: 9781783207541Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.
More info
book
Home is where the heart is : studies in melodrama and the woman's film / edited by Christine Gledhill London: BFI Pub., 1987.
Call No: 733 HOMAuthor: Gledhill, Christine CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI Pub.PubDate: 1987PhysDes: 364 p. : ill. ; 22 cmSubject: MELODRAMA ; FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; MINNELLI, VINCENTE ; SIRK, DOUGLAS ; GRIFFITH, DAVID WARK ; NOW, VOYAGER (US, Irving Rapper, 1942) ; STELLA DALLAS (US, King Vidor, 1937) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) Notes: Includes index; Bibliography: p. 350-356ISBN: 0851702007 (pbk.); 085170199X : ª18.00LON: bnb85170199; 5363079
More info
book
Hopper : a savage American journey / Tom Folsom New York: It Books, 2013.
Call No: 10667Author: Folsom, Tom Edition: 2013Place: New YorkPublisher: It BooksPubDate: 2013PhysDes: 306 pages : illustrated ; 23 cmSubject: HOPPER, DENNIS ; BRANDO, MARLON ; DEAN, JAMES ; FONDA, PETER ; NICHOLSON, JACK ; STOCKWELL, DEAN ; WOOD, NATALIE ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLUE VELVET (US, David Lynch, 1986) ; EASY RIDER (US, Dennis Hopper, 1969) ; LAST MOVIE, THE (US, Dennis Hopper, 1971) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Notes: Easy Rider. Apocalypse Now. Blue Velvet. Rebel Without a Cause.
An unflinching adventure through American pop culture, Hopper is a wild ride amid the many lives of Hollywood outlaw Dennis Hopper-mentored by James Dean, a collaborator with Andy Warhol, a confidant of Elvis Presley, a favorite of Charles Manson. Hopper races full speed ahead to the decadent heights of fame as the visionary director of Easy Rider crashes and burns in drug-addled madness in the desert . . . only to reemerge in one of the greatest Hollywood comebacks of all time. -- publisher's web siteISBN: 9780062206954Donation: Megan McMurchy
More info
Online resource
digital clippings file
HOW I LIVE NOW : (UK, Kevin Macdonald, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: HOW I LIVE NOW (UK, Kevin Macdonald, 2013) URL status: URL: 'http://file://Q:/T/HOW_I_LIVE_NOW.zip'
Checked: 31/08/2021 1:41:13 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
How the war was remembered : Hollywood & Vietnam / Albert Auster & Leonard Quart New York: Praeger, 1988.
Call No: 737.9:959.7 AUSAuthor: Auster, Albert ; Quart, Leonard Place: New YorkPublisher: PraegerPubDate: 1988PhysDes: xv, 171 p. : ill. ; 24 cmSubject: VIETNAM WAR FILMS ; VIETNAM WAR IN FILMS ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; RAMBO [...] (US, 1982-1988) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) ; UNCOMMON VALOR (US, Ted Kotcheff, 1983) Notes: Includes index; Bibliography: p. [157]-161ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)LON: 5685995
More info
title clippings file
IF YOU LIVED HERE YOU WOULD BE HOME BY NOW : (US, David Peterson, 1996)
More info
title clippings file
IN THE ARMY NOW : (US, Daniel Petrie Jr., 1994)
More info
journal article
Interplanetary joins the American Film Marketing Assoc. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
More info
title clippings file
JI GEUM EUN MAT GO GEU DDAE NEUN TEUL LI DA : (KO, Sang-soo Hong, 2016)
More info
title clippings file
JOSHUA THEN AND NOW : (CN, Ted Kotcheff, 1985)
More info
title clippings file
JOSHUA THEN AND NOW : (CN, Ted Kotcheff, 1985)
More info
newspaper article
Licence to chill in AFR Weekend (14/11/2015) p.51
Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)Author: McDonald, John PhysDes: Clippings File ArticleSubject: NOW ADD HONEY (AT, Wayne Hope, 2015) Summary: Review of Australian film NOW ADD HONEY written and directed by husband and wife team Wayne Hope and Robyn Butler. The authour comments that the movie feels a lot like a TV sitcom.
More info
book
The literature/film reader : issues of adaptation / edited by James M. Walsh and Peter Lev Maryland: Scarecrow Press, 2007.
Call No: 753(04) WELAuthor: Walsh, James M. ; Lev, Peter Source: USPlace: MarylandPublisher: Scarecrow PressPubDate: 2007PhysDes: xxviii, 361p. ; 23cmSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; MOBY DICK (UK, John Huston, 1956) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; HOUSE OF MIRTH, THE (UK, Terence Davies, 2000) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; VERTIGO (US, Alfred Hitchcock, 1958) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; RIDE WITH THE DEVIL (US, Ang Lee, 1999) Summary: From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history—often a separate category of film study—can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies.
Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology.
Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.Notes: Includes index and bibliographic referencesISBN: 9780810859494Contents: Introduction: Issues of screen adaptation : what is truth? / James M. Welsh -- It wasn't like that in the book-- / Brian McFarlane -- Literature vs. literacy : two futures for adaptation studies / Thomas M. Leitch -- Adaptation studies and the history of ideas : the case of Apocalypse now / Donald M. Whaley -- Adaptation studies revisited : purposes, perspectives, and inspiration / Sarah Cardwell -- The Cold War's "undigested apple-dumpling" : imaging Moby-Dick in 1956 and 2001 / Walter C. Metz -- Trying harder : probability, objectivity, and rationality in adaptation studies / David L. Kranz -- What is a "Shakespeare film," anyway? / James M. Welsh -- Returning to Naples : seeing the end in Shakespeare film adaptation / Yong Li Lan -- Pop goes the Shakespeare : Baz Luhrmann's William Shakespeare's Romeo and Juliet / Elsie Walker -- Reframing adaptation : representing the invisible (on The house of mirth, directed by Terence Davies, 2000) / Wendy Everett -- Sucking Dracula : mythic biography into fiction into film, or Why Francis Ford Coppola's Dracula is not really Bram Stoker's Dracula or Wallachia's Dracula / James M. Welsh -- Vertigo, novel and film / Peter Lev -- Heinlein, Verhoeven, and the problem of the real : Starship troopers / J. P. Telotte -- Literary hardball : the novel-to-screen complexities of The Manchurian candidate / Linda Constanzo Cahir -- The oak : a balancing act from page to screen / Odette Caufman-Blumenfeld -- Adaptation and the Cold War : Mankiewicz's The quiet American / Brian Neve -- All the quiet Americans / C. Kenneth Pellow -- Camille Claudel : biography constructed as melodrama / Joan Driscoll Lynch -- W. C. Handy goes uptown : Hollywood constructs the American blues musician / John C. Tibbetts -- Memoir and the limits of adaptation / William Mooney -- Getting it right : the Alamo on film / Frank Thompson -- "Plains" speaking : sound, sense, and sensibility in Ang Lee's Ride with the devil / John C. Tibbetts -- Where are we going, where have we been? / Thomas M. Leitch -- The future of adaptation studies / Peter Lev.
More info
title clippings file
LOOK WHO'S TALKING NOW : (US, Tom Ropelewski, 1993)
More info
book
Lost highways : an illustrated history of road movies / edited by Jack Sargeant and Stephanie Watson London: Creation, 1999.
Call No: 754.11 SARAuthor: Sargeant, Jack ; Watson, Stephanie Place: LondonPublisher: CreationPubDate: 1999PhysDes: 256 p. : ill. ; 25 cmSeries: Creation cinema collection ; 15Subject: ROAD MOVIES ; WESTERNS ; MOTORCYCLE FILMS ; HORROR FILMS ; VAMPIRE FILMS ; SCIENCE-FICTION FILMS ; Wenders, Wim ; LYNCH, DAVID ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACKROADS (AT, Philip Noyce, 1977) ; BADLANDS (US, Terrence Malick, 1973) ; BLUE VELVET (US, David Lynch, 1986) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BUTTERFLY KISS (UK, Michael Winterbottom, 1995) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CRASH (CN, David Cronenberg, 1996) ; DELIVERANCE (US, John Boorman, 1972) ; EASY RIDER (US, Dennis Hopper, 1969) ; TOPO, EL (MX, Alexandro Jodorowsky, 1971) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; GALLIVANT (UK, Andrew Kotting, 1996) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KALIFORNIA (US, Dominic Sena, 1993) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) ; KISS OR KILL (AT, Bill Bennett, 1997) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; JETEE, LA (FR, Chris Marker, 1963) ; LOST HIGHWAY (US, David Lynch, 1996) ; MAD MAX [...] (AT, 1979-85) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; TRUE ROMANCE (US, Tony Scott, 1993) ; TWO LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; WILD AT HEART (US, David Lynch, 1990) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1871592682(pbk.) : ª14.95LON: 20894332
More info
title clippings file
LOVE IS NOW : (AT, Jim Lounsbury, 2014)
More info
Online resource
script
Love is Now / By Jim Lounsbury; story by Jim Lounsbury & Behren Schulz Stanmore, NSW: 11-Jul-14. Digital clippings file available
More info
Results limited to first 100 items for performance.