Search Catalogue

Call No: SC ACR : 1.01
Place: AT
PubDate: [1988?]
PhysDes: 14 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Marked up script for reshooting of segment 1 of episode 1 only -- Includes annotations
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.02
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: 1988 Nov. 4
PhysDes: 58 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Marked up script -- Includes videotape work sheet, extensive annotations -- Accompanied by notes on storyline (8 leaves) -- Originally written as episode 1A, with working title of 'The Proxy Blonde'
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.03
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: c1988
PhysDes: 52 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate copy (with no annotations) held in storage -- Marked up script -- Includes videotape work sheet, preliminary post production schedule, extensive annotations, amendments -- Accompanied by storyline notes (5 leaves) -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Oscar Whitbread ; director, Ted Emery -- Originally written as episode 2 of this series
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.04
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: c1988
PhysDes: 55 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Three copies -- Duplicates kept in storage -- Marked up script -- Includes extensive annotations -- Accompanied by storyline (5 leaves), storyline has series working title of 'Espresso', correspondence ( 3 leaves) -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Ted Emery -- originally written as episode 3 of this series
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.05
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: c1988
PhysDes: 58 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate kept in storage -- Marked up script -- Includes videotape work sheet, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Ted Emery
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.06
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: c1989
PhysDes: 52 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate kept in storage -- Marked up script -- Includes videotape work sheet, call sheet (for episodes 5 and 6), extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Ted Emery
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.07
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: [1989?]
PhysDes: 53 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Marked up script -- Includes videotape worksheet, notes, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino Amenta
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.08
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: c1989
PhysDes: 46 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Marked up script -- Includes videotape worksheet, taping notes, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino Amenta
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.09
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: [1989?]
PhysDes: 54 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Marked up script -- Includes videotape work sheet, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino Amenta
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.10
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: c1989
PhysDes: 47 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Marked up script -- Includes videotape work sheet, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino Amenta
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.11
Author: Giannopoulos, Nick; Palomares, Simon; Kapiniaris, George
Place: AT
PubDate: c1989
PhysDes: 50 leaves ; 36 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Marked up script -- Includes videotape worksheets, extensive annotations -- Credits: executive producers, Ian Bradley, Gary Fenton ; producer, Peter Herbert ; director, Pino Amenta
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.05
Author: Hulme, Lachy; Boseley, Ray
Place: AT
PubDate: c1992
PhysDes: 32 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Blocked script -- Includes extensive annotations -- Accompanied by running times (1 leaf), videotape work sheets (3 leaves), rehearsal sheet (1 leaf) and 1 duplicate, videotape segment sheets ( 6 leaves) and 1 duplicate, call sheet ( 2 leaves) and 4 duplicate copies -- duplicate material kept in storage -- Credits: producer, Charles"Bud" Tingwell ; director, Mike Smith
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.06
Author: Boseley, Ray
Place: AT
PubDate: c1992
PhysDes: 36 leaves ; 30cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Blocked script -- Includes extensive annotations -- Accompanied by videotape work sheet (3 leaves), videotape segment sheet ( 6 leaves) and 1 duplicate copy, rehearsal sheet (1 leaf) and 1 duplicate copy, running times ( 2 leaves), call sheet (3 leaves) and 1 duplicate copy -- duplicate material kept in storage -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew Friedman
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.07
Author: Madafferi, Christine
Edition: Release
Place: AT
PubDate: c1992
PhysDes: 32 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Release script -- Two copies -- Duplicate material kept in storage -- Accompanied by amendments (22 leaves)
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.07
Author: Madafferi, Christine
Edition: Blocked shooting script
Place: AT
PubDate: c1992
PhysDes: 30 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Blocked shooting script -- Includes extensive annotions -- Accompanied by videotape segment sheet ( 5 leaves) and 1 duplicate copy, videotape work sheet (1 leaf), call sheet (2 leaves) and 8 duplicate copies, running times (1 leaf) , rehearsal schedule (1 leaf) and 2 duplicate copies -- duplicate material kept in storage -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew Friedman
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.08
Author: Kapiniaris, George; Glavacich, Julian
Edition: Release
Place: AT
PubDate: c1992
PhysDes: 30 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- duplicate material kept in storage
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.08
Author: Kapiniaris, George; Glavacich, Julian
Edition: Blocked script
Place: AT
PubDate: c1992
PhysDes: 30 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timing sheet (1 leaf), videotape work sheet (2 leaves), call sheet (2 leaves) and 1 duplicate copy, videotape segment sheet ( 6 leaves) and 2 duplicate copies -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew Friedman
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.09
Author: Coleman, Elizabeth; Herbert, Peter
Edition: Release
Place: AT
PubDate: c1992
PhysDes: 35 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate copy kept in storage
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.09
Author: Coleman, Elizabeth; Herbert, Peter
Edition: Blocked script
Place: AT
PubDate: c1992
PhysDes: 33 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timings (2 leaves), rehearsal sheet (1 leaf)
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.10
Author: Kapiniaris, George; Glavacich, Julian
Edition: Release
Place: AT
PubDate: c1992
PhysDes: 34 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.10
Author: Kapiniaris, George; Glavacich, Julian
Edition: Shooting script
Place: AT
PubDate: c1992
PhysDes: 33 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timing sheet (1 leaf), call sheet (2 leaves), rehearsal sheet(1 leaf) -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew Friedman
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.11
Author: Coustas, Mary
Edition: Release
Place: AT
PubDate: c1992
PhysDes: 36 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Three copies -- Duplicate material kept in storage
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.11
Author: Coustas, Mary
Edition: Shooting script
Place: AT
PubDate: c1992
PhysDes: 39 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by call sheet ( 2 leaves) and 2 duplicate copies, rehearsal sheet (1 leaf), timing sheet (1 leaf) -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew Friedman
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.12
Author: Giannopoulos, Nick
Edition: Release
Place: AT
PubDate: 1992 Sep. 14
PhysDes: 33 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.12
Author: Giannopoulos, Nick
Edition: Final draft
Place: AT
PubDate: 1992 Sep. 8
PhysDes: 34 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.12
Author: Giannopoulos, Nick
Edition: Shooting script
Place: AT
PubDate: 1992 Sep 16
PhysDes: 34 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Includes extensive annotations -- Accompanied by timing sheet (1 leaf), call sheet (two leaves), rehearsal sheet -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew Friedman
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.13
Author: Giannopoulos, Nick
Edition: 1st draft
Place: AT
PubDate: 1992 Sep. 14
PhysDes: 35 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- duplicate material in storage
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.13
Author: Giannopoulos, Nick
Edition: Shooting script
Place: AT
PubDate: 1992 Sep. 23
PhysDes: 39 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Two copies -- Duplicate material kept in storage
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.00
Place: AT
PhysDes: 134 leaves, bound ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Bound volume containg the scripts for episodes one to eight of Acropolis Now, series one.
Donation: Gift of Crawford Productions

Call No: SC ACR : 5.00
Place: AT
PhysDes: 6 leaves ; 30 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Videotape segment sheet (5 leaves) and rehearsal sheet (1 leaf) for episode 3 series 5 "Hair Razors"
Donation: Gift of Crawford Productions

Call No: CRAWFORD EPHEMERA ACR
PhysDes: 1 box ; 35 x 23 x 4 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Summary: Graphic materials -- Newspaper clippings -- Publicity brochure -- Treatment
Notes: Acropolis Now restaraunt menu (1 leaf), restaraunt floor plan (1 leaf) plus one duplicate copy -- series publicity brochure (1 leaf, double sided) and duplicate copies in storage (11) -- newspaper clippings ( 2 leafs) -- treatment ( 19 leaves , bound) -- corespondence ( 17 leaves) -- cast list for taping episode 4, Dec 1988 ( 3 leaves)
Donation: Gift of Crawford Productions

Call No: SC ACR : 1.01
Author: Palomares, Simon; Giannopoulos, Nick; Kapiniaris, George
Edition: Shooting script
Place: AT
PubDate: c1988
PhysDes: 33 leaves ; 33 cm
Subject: ACROPOLIS NOW [TV] (AT, 1989)
Notes: Unpublished script -- Expresso was the working title for the Acroplois Now series -- Pilot script
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL ACR
Source: AT
PubDate: [1989]
PhysDes: 40 slides : col. + 11 photographs : b&w. ; 26 X 21 cm.
Subject: CRAWFORD PRODUCTIONS; ACROPOLIS NOW [TV] (AT, 1989)
Summary: Photographs and slides relating to Acropolis Now, Series 1-2
Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 1 includes 28 slides; Series 2 includes 11 x photograph and 12 slides
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL ACR
Source: AT
PubDate: [1989]
PhysDes: 31 slides : col. + 18 photographs : b&w. 26 X 21 cm.
Subject: CRAWFORD PRODUCTIONS; ACROPOLIS NOW [TV] (AT, 1989)
Summary: Photographs and slides relating to Acropolis Now, Series 3-4
Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 3 includes 15 slides + 18 photographs; Series 4 includes 16 slides.
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACROPOLIS NOW [TV] (AT, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)

Call No: S ALL
Author: Morris, A.
PubDate: [1993]
PhysDes: 37 leaves
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Morris, Anthony
PubDate: 1992
PhysDes: 36 leaves
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Shooting script

Call No: S ALL
Author: Brennan, Shane
PubDate: 1991
PhysDes: 38 leaves
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Shooting script

Call No: S ALL
Author: Coleman, Elizabeth
PubDate: 1992
PhysDes: 37 leaves
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Shooting script

Call No: S ALL
Author: Brennan, Shane
PubDate: 1992
PhysDes: 37 leaves
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Shooting script

Call No: S ALL
Author: Sardi, Jan
PubDate: 1992
PhysDes: 35 leaves
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Shooting script

Call No: S ALL
Author: Morris, Anthony
PubDate: 1991
PhysDes: 37p
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Brennan, Shane
PubDate: 1990
PhysDes: 37p
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Morris, Anthony
PubDate: 1992
PhysDes: 36p
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Sardi, Jan
PhysDes: 35p
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Sardi, Jan
PhysDes: 35p
Subject: ALL TOGETHER NOW [TV] (AT, Pino Amenta, 1991)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL TOGETHER NOW (UK, Adrian Wills, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL TOGETHER NOW [TV] (AT, 2018 - )

Call No: 45:93 OCO
Author: O'Connor, John E
Source: US
Place: New York
Publisher: Ungar
PubDate: c1983
PhysDes: xliii, 420 p. : ill. ; 22 cm
Series: Ungar film library
Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BLACKS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55)
Notes: Includes index; Bibliography: p. 395-405
ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95
LON: 2795583

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters
Subject: AND NOW FOR SOMETHING COMPLETELY DIFFERENT (UK, Ian McNaughton, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AND NOW...LADIES AND GENTLEMEN... (FR/UK, Claude Lelouch, 2002)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ANY DAY NOW (US, Travis Fine, 2012)
URL status: URL: 'http://file://Q:/T/ANY_DAY_NOW.zip' Checked: 31/08/2021 1:27:33 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: APOCALYPSE NOW (US, Francis Ford Coppola, 1979)
URL status: URL: 'http://file://Q:/T/APOCALYPSE_NOW.zip' Checked: 31/08/2021 12:46:34 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: APOCALYPSE NOW REDUX (US, Francis Ford Coppola, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: APOCALYPSE NOW THE FINAL CUT (US, Francis Ford Coppola, 2019)
Notes: Simon Strong import_191126

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA. CINEFESTOZ; BUTLER, ROBYN; NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Interview with Robyn Butler, the writer and co-star of the upcoming film NOW ADD HONEY

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: HOLLYWOOD; DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; BLACKS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Film review of Australian film NOW ADD HONEY
Rating: 2 out of 5 stars

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: North Ryde, N.S.W. St. Leonards, N.S.W.
Publisher: Australian Film Television & Radio School Allen & Unwin
PubDate: 2000
PhysDes: vii, 224 p. : ill. ; 21cm
Subject: SOUND; AMERICAN INDIAN CINEMA; MUSIC IN FILMS; FILM NOIR; JAZZ IN FILMS; WESTERNS; DIALOGUE; NAZIS IN FILMS; PROMOTIONAL VIDEOS; LANG, FRITZ; WILLIAMS, HYPE; THOM, RANDY; MUSY, FRANCOIS; GODARD, JEAN-LUC; SHEA, DAVID; WELLES, ORSON; KWAIDAN (JA, Masaki Kobayashi, 1964); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLACK RIVER (AT, Kevin Lucas, 1991); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977)
Notes: Includes index; Bibliography
ISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098
LON: 21470326
Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Wilson, Jake
PhysDes: Article
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Ambivalent review of the Australian comedy

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Review of NOW ADD HONEY directed by Australian Wayne Hope
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Wilson, Jake
PhysDes: Article
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Short review of the new Australian comedy.

Call No: 81 KOT KOT
Author: Kotcheff, Ted; Young, Jeff
Edition: 2017
Place: Toronto, Ontario
Publisher: ECW Press
PubDate: 2017
PhysDes: 440 pages : illustrated ; 23 cm
Subject: KOTCHEFF, TED; FIRST BLOOD (US, Ted Kotcheff, 1982); FOLKS! (US, Ted Kotcheff, 1992); JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985); NORTH DALLAS FORTY (US, Ted Kotcheff, 1979); SPLIT IMAGE (US, Ted Kotcheff, 1982); SWITCHING CHANNELS (US, Ted Kotcheff, 1988); UNCOMMON VALOR (US, Ted Kotcheff, 1983); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989); WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web site
ISBN: 9781770413610

Call No: 79DON SAN
Author: Sanderson, Mark
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: 84 p. : ill. ; 19 cm
Series: BFI modern classics
Subject: DON'T LOOK NOW (UK/IT, Nicolas Roeg, 1973)
Notes: Includes bibliographical references (p. 83-84)
ISBN: 0851705723
LON: abn96350754; 12798795

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T LOOK NOW (UK/IT, Nicolas Roeg, 1973)

Call No: 79DON SCO
Author: Scott, Allan
Place: London : Sight and Sound, 1997
PhysDes: 136 p. ; 20 cm
Subject: DON'T LOOK NOW (UK/IT, Nicolas Roeg, 1973)
Notes: Published exclusively to accompany the January 1997 issue of Sight andSound. Courtesy of Paramount Pictures
LON: abn98270646; 14065516

Call No: 753.4 BOY
Author: Boyum, Joy Gould, 1934
Place: New York
Publisher: New American Library
PubDate: 1985
PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cm
Subject: ADAPTATIONS; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); INNOCENTS, THE (UK, Jack Clayton, 1962); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); WOMEN IN LOVE (FR, Jacques Doillon, 1988); AMOUREUSE, L` (FR, Jacques Doillon, 1988); RAGTIME (US, Milos Forman, 1980); TESS (FR/UK, Roman Polanski, 1979); DAISY MILLER (US, Peter Bogdanovich, 1974); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); LORD OF THE FLIES (US, Harry Hook, 1990); WISE BLOOD (US/GW, John Huston, 1979); DEATH IN VENICE (IT/FR, Luchino Visconti, 1971) SEE MORTE A VENEZIA; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); UNDER THE VOLCANO (US, John Huston, 1984); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984) SEE AMOUR DE SWANN, UN; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984)
Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word. Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]
Notes: "A Plume book."; Includes index; Bibliography: p. 243-253
ISBN: 0452257220 (pbk.) : $10.95
LON: 85013848; 4087750

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: HOLLYWOOD; USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVENTURAS DE ROBINSON CRUSOE, LAS (MX, Luis Bunuel, 1952); ADVENTURES OF ROBINSON CRUSOE, THE (MX, Luis Bunuel, 1952); BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR. JEKYLL AND MR. HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ET MAINTENANT ON VA OU? (FR/LE/IT, Nadine Labaki, 2011); WHERE DO WE GO NOW? (FR/LE/IT, Nadine Labaki, 2011)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: WHERE DO WE GO NOW [ET MAINTENANT ON VA OU?] (FR/LE/UA/IT/QA, Nadine Labaki, 2011)
Cross Reference: WHERE DO WE GO NOW [ET MAINTENANT ON VA OÙ?]

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTAGLIA DI ALGERI (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); OSTRE SLEDOVANE VLAKY (CS, Jiri Menzel, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); DOCTOR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); CAZA, LA (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: 740 KLA
Author: Klawans, Stuart
Edition: 1999
Place: London
Publisher: Cassell
PubDate: 1999
PhysDes: 188pages : illustrated ; 22 cm
Subject: EPIC FILMS; GRIFFITH, DAVID WARK; INTOLERANCE (US, David Wark Griffith, 1916); LUDWIG (IT/FR/GW, Luchino Visconti, 1973); STROHEIN, ERICH VON; FOOLISH WIVES (US, Erich Von Stroheim, 1922); GREED (US, Erich von Stroheim, 1925); LANG, FRITZ; METROPOLIS (G, Fritz Lang, 1926); DUEL IN THE SUN (US, King Vidor, 1946); CLEOPATRA (US, Joseph L. Mankiewicz, 1963); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); ISHTAR (US, Elaine May, 1987); SOY CUBA (CU/UR, Mihail Kalatozov, 1964)
Notes: A history and theory of going too far, "Film Follies" examines those rare pictures that are both cinematic landmarks and monuments to a director's hybris, from Griffith's "Intolerance" through to Coppola's "Apocalypse Now" and Carax's "Les Amants du Pont-Neuf". Seeming madness and wasteful extravagance, fantastic architecture and the haphazard structure of a musical revue: such are the landmarks of those improbably great (and greatly improbable) films Klawans calls "follies" -- publisher's web site
ISBN: 9780304700547

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; BLACKS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: GO NOW (UK, Michael Winterbottom, 1995)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEAR AND NOW (US, Irene Taylor Brodsky, 2007)

Call No: 737(73) GIL
Author: Gilman, Owen W.
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2018
PhysDes: x, 252 pages ; 24 cm
Subject: WAR AND THE CINEMA; WAR AND THE CINEMA. USA; WAR FILMS. USA; WAR IN FILMS. AFGHANISTAN; WAR IN FILMS. IRAQ; AMERICAN SNIPER (US, Clint Eastwood, 2014); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVATAR (US, James Cameron, 2009); BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016); BODY OF LIES (US, Ridley Scott, 2008); BOURNE ULTIMATUM, THE (US, PAUL GREENGRASS, 2007); DA VINCI CODE THE (US, Ron Howard, 2006); DEER HUNTER, THE (US, Michael Cimino, 1978); DOCTOR STRANGE (US, Scott Derrickson, 2016); FAHRENHEIT 9/11 (US, Michael Moore, 2004); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GRACE IS GONE (US, James C. Strouse, 2007); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010); HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009); HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); JARHEAD (US, Sam Mendes, 2005); INFERNO (US/JA/TU/HU, Ron Howard, 2016); MULAN (US, Barry Cook & Tony Bancroft, 1998); REDACTED (US, Brian De Palma, 2007); UP (US, Pete Docter and Bob Peterson, 2009); WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Notes: Includes bibliographical references and index.
ISBN: 9781496815767
Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.

Call No: 45:93 HIS
Author: O'Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Call No: 49:930.2 HOL
Author: Rollins, Peter C.
Source: US
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: 1983
PhysDes: x, 276 p. : ill. ; 24 cm.
Subject: HOLLYWOOD; HISTORY AND THE CINEMA. USA; FOX STUDIOS; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); GRAPES OF WRATH, THE (US, John Ford, 1940); WILSON (US, Henry King, 1944); NEGRO SOLDIER, THE (US, Frank Capra, 1944); SNAKE PIT (US, Anatole Litvak, 1948); CULTURE AND THE CINEMA. USA; ON THE WATERFRONT (US, Elia Kazan, 1954); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADAPTATiONS. CONRAD, JOSEPH; CHAPLIN, CHARLES; VIETNAM WAR IN FILMS; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); CENSORSHIP. USA; RIVER, THE (US, Lorentz Pare, 1937)
Notes: Includes bibliographical references.
ISBN: 0813101549 (pbk.)

Call No: 737(73) ADA
Author: Adair, Gilbert
Place: London New York, N.Y. New York, N.Y.
Publisher: Proteus Pub. Co. Distributed by Scribner Book Co.
PubDate: 1981
PhysDes: 190 p. : ill. ; 27 cm
Subject: VIETNAM WAR FILMS; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); EASY RIDER (US, Dennis Hopper, 1969); COMING HOME (US, Hal Ashby, 1978); DEER HUNTER, THE (US, Michael Cimino, 1978); APOCALYPSE NOW (US, Francis Ford Coppola, 1979)
Notes: Includes index; Filmography: p. 169-190
ISBN: 0906071860 : ª7.95
LON: 2093047

Call No: 744 ROF
Author: Roffman, Peter, 1950; Purdy, Jim,
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1981
PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cm
Subject: SOCIAL PROBLEMS IN FILMS. USA; DEPRESSION IN FILMS; DRUGS IN FILMS; MADNESS IN FILMS; BAD GUYS; FASCISM AND THE CINEMA; FALLEN WOMEN IN FILMS; DELINQUENTS IN FILMS; JEWS IN FILMS; BLACKS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; BLACKLISTING. USA; JOURNALISTS IN FILMS; POLITICAL PERSONALITIES IN FILMS; POPULISM AND THE CINEMA. USA; RACIAL PROBLEMS IN FILMS; RURAL LIFE IN FILMS; WARNER BROS.; Metro-Goldwyn-Mayer; LANG, FRITZ; BORZAGE, FRANK; CHAPLIN, CHARLES; GARFIELD, JOHN; CAPRA, FRANK; VIDOR, KING; BLACK LEGION (US, Archie L. Mayo, 1936); CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932); DEAD END (US, William Wyler, 1937); FORCE OF EVIL (US, Abraham Polonsky, 1948); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); STATE'S ATTORNEY (US, George Archainbaud, 1932); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); THREE COMRADES (US, Frank Borzage, 1938); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951); LAWLESS, THE (US, Joseph Losey, 1950); LAWYER MAN (US, Wilhelm Dieterle, 1932); LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934); MASSACRE (US, Alan Crosland, 1933); MEET JOHN DOE (US, Frank Capra, 1941); MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932); OUR DAILY BREAD (US, King Vidor, 1934); PINKY (US, Elia Kazan, 1949); PRESIDENT VANISHES, THE (US, William Wellman, 1934); RIFFRAFF (US, J. Walter Ruben, 1936); [MISTER] MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); MODERN TIMES (US, Charles Chaplin, 1936); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MORTAL STORM, THE (US, Frank Borzage, 1940); MY MAN GODFREY (US, Gregory La Cava, 1936); ON THE WATERFRONT (US, Elia Kazan, 1954); BODY AND SOUL (US, Robert Rossen, 1947); GRAPES OF WRATH, THE (US, John Ford, 1940); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); HEROES FOR SALE (US, William A. Wellman, 1933); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351
ISBN: 0253127076; 0253202612 (pbk.)
LON: 1763505

Call No: 737(73) BIN
Author: Binns, Daniel
Edition: 2017
Place: Bristol, UK ; Chicago, USA
Publisher: Intellect Books
PubDate: 2017
PhysDes: 172 pages : illustrated ; 23 cm
Subject: WAR FILMS. USA; VIETNAM WAR FILMS. USA; WORLD WAR II FILMS. USA; VIDEO GAMES; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COPPOLA, FRANCIS FORD; FULL METAL JACKET (UK, Stanley Kubrick, 1987); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); M*A*S*H (US, Robert Altman, 1969); PATTON (US, Franklin J. Schaffner, 1970); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); STEEL HELMET, THE (US, Samuel Fuller, 1951)
Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon. Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web site
ISBN: 9781783207541
Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.

Call No: 733 HOM
Author: Gledhill, Christine
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Pub.
PubDate: 1987
PhysDes: 364 p. : ill. ; 22 cm
Subject: MELODRAMA; FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; MINNELLI, VINCENTE; SIRK, DOUGLAS; GRIFFITH, DAVID WARK; NOW, VOYAGER (US, Irving Rapper, 1942); STELLA DALLAS (US, King Vidor, 1937); BROKEN BLOSSOMS (US, David Wark Griffith, 1919)
Notes: Includes index; Bibliography: p. 350-356
ISBN: 0851702007 (pbk.); 085170199X : ª18.00
LON: bnb85170199; 5363079

Call No: 10667
Author: Folsom, Tom
Edition: 2013
Place: New York
Publisher: It Books
PubDate: 2013
PhysDes: 306 pages : illustrated ; 23 cm
Subject: HOPPER, DENNIS; BRANDO, MARLON; DEAN, JAMES; FONDA, PETER; NICHOLSON, JACK; STOCKWELL, DEAN; WOOD, NATALIE; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLUE VELVET (US, David Lynch, 1986); EASY RIDER (US, Dennis Hopper, 1969); LAST MOVIE, THE (US, Dennis Hopper, 1971); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955)
Notes: Easy Rider. Apocalypse Now. Blue Velvet. Rebel Without a Cause. An unflinching adventure through American pop culture, Hopper is a wild ride amid the many lives of Hollywood outlaw Dennis Hopper-mentored by James Dean, a collaborator with Andy Warhol, a confidant of Elvis Presley, a favorite of Charles Manson. Hopper races full speed ahead to the decadent heights of fame as the visionary director of Easy Rider crashes and burns in drug-addled madness in the desert . . . only to reemerge in one of the greatest Hollywood comebacks of all time. -- publisher's web site
ISBN: 9780062206954
Donation: Megan McMurchy

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HOW I LIVE NOW (UK, Kevin Macdonald, 2013)
URL status: URL: 'http://file://Q:/T/HOW_I_LIVE_NOW.zip' Checked: 31/08/2021 1:41:13 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 737.9:959.7 AUS
Author: Auster, Albert; Quart, Leonard
Place: New York
Publisher: Praeger
PubDate: 1988
PhysDes: xv, 171 p. : ill. ; 24 cm
Subject: VIETNAM WAR FILMS; VIETNAM WAR IN FILMS; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DEER HUNTER, THE (US, Michael Cimino, 1978); KILLING FIELDS, THE (UK, Roland Joffe, 1984); RAMBO [...] (US, 1982-1988); ASHES AND EMBERS (US, Haile Gerima, 1982); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980); STEEL HELMET, THE (US, Samuel Fuller, 1951); UNCOMMON VALOR (US, Ted Kotcheff, 1983)
Notes: Includes index; Bibliography: p. [157]-161
ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)
LON: 5685995

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IF YOU LIVED HERE YOU WOULD BE HOME BY NOW (US, David Peterson, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: IN THE ARMY NOW (US, Daniel Petrie Jr., 1994)

PhysDes: Article
Subject: INDUSTRY, FILM. USA; ADVERTISING FOR FILMS; NOW AND FOREVER (AT, Adrian Carr, 1983)
Summary: Announcement of Interplanetary Productions joining the American Film Marketing Association, thus allowing them to represent 'Now and Forever' at the American Film Market.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIGHT NOW, WRONG THEN [JI-GEUM-EUN-MAT-GO-GEU-DDAE-NEUN-TEUL-LI-DA] (KO, Sang-soo Hong, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985)

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Review of Australian film NOW ADD HONEY written and directed by husband and wife team Wayne Hope and Robyn Butler. The authour comments that the movie feels a lot like a TV sitcom.

Call No: 753(04) WEL
Author: Walsh, James M.; Lev, Peter
Source: US
Place: Maryland
Publisher: Scarecrow Press
PubDate: 2007
PhysDes: xxviii, 361p. ; 23cm
Subject: ADAPTATIONS; ADAPTATIONS. SHAKESPEARE, WILLIAM; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); MOBY DICK (UK, John Huston, 1956); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996); HOUSE OF MIRTH, THE (UK, Terence Davies, 2000); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); VERTIGO (US, Alfred Hitchcock, 1958); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); RIDE WITH THE DEVIL (US, Ang Lee, 1999)
Summary: From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history—often a separate category of film study—can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.
Notes: Includes index and bibliographic references
ISBN: 9780810859494
Contents: Introduction: Issues of screen adaptation : what is truth? / James M. Welsh -- It wasn't like that in the book-- / Brian McFarlane -- Literature vs. literacy : two futures for adaptation studies / Thomas M. Leitch -- Adaptation studies and the history of ideas : the case of Apocalypse now / Donald M. Whaley -- Adaptation studies revisited : purposes, perspectives, and inspiration / Sarah Cardwell -- The Cold War's "undigested apple-dumpling" : imaging Moby-Dick in 1956 and 2001 / Walter C. Metz -- Trying harder : probability, objectivity, and rationality in adaptation studies / David L. Kranz -- What is a "Shakespeare film," anyway? / James M. Welsh -- Returning to Naples : seeing the end in Shakespeare film adaptation / Yong Li Lan -- Pop goes the Shakespeare : Baz Luhrmann's William Shakespeare's Romeo and Juliet / Elsie Walker -- Reframing adaptation : representing the invisible (on The house of mirth, directed by Terence Davies, 2000) / Wendy Everett -- Sucking Dracula : mythic biography into fiction into film, or Why Francis Ford Coppola's Dracula is not really Bram Stoker's Dracula or Wallachia's Dracula / James M. Welsh -- Vertigo, novel and film / Peter Lev -- Heinlein, Verhoeven, and the problem of the real : Starship troopers / J. P. Telotte -- Literary hardball : the novel-to-screen complexities of The Manchurian candidate / Linda Constanzo Cahir -- The oak : a balancing act from page to screen / Odette Caufman-Blumenfeld -- Adaptation and the Cold War : Mankiewicz's The quiet American / Brian Neve -- All the quiet Americans / C. Kenneth Pellow -- Camille Claudel : biography constructed as melodrama / Joan Driscoll Lynch -- W. C. Handy goes uptown : Hollywood constructs the American blues musician / John C. Tibbetts -- Memoir and the limits of adaptation / William Mooney -- Getting it right : the Alamo on film / Frank Thompson -- "Plains" speaking : sound, sense, and sensibility in Ang Lee's Ride with the devil / John C. Tibbetts -- Where are we going, where have we been? / Thomas M. Leitch -- The future of adaptation studies / Peter Lev.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LOOK WHO'S TALKING NOW (US, Tom Ropelewski, 1993)

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); EL TOPO (MX, Alexando Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); JOHN CARPENTER'S VAMPIRES (US, John Carpenter, 1998); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE IS NOW (AT, Jim Lounsbury, 2014)

Call No: DIGITAL FILE
Author: Lounsbury, Jim; Schulz, Behren
Edition: Yellow revision
Place: Stanmore, NSW
PubDate: 11-Jul-14
PhysDes: 106 leaves
Subject: LOVE IS NOW (AT, Jim Lounsbury, 2014)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: 71"198"(73) HOB
Author: Hoberman, J.
Place: New York
Publisher: New Press
PhysDes: xii, 398 pages; illustrations ; 23 cm
Subject: COMMUNISM AND THE CINEMA. USA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COPPOLA, FRANCIS FORD; CRUISE, TOM; EASTWOOD, CLINT; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FONDA, JANE; GHOSTBUSTERS (US, Ivan Reitman, 1984); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); KAEL, PAULINE; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MADONNA; MILIUS, JOHN; MUSIC TELEVISION; REAGAN RONALD; RIGHT STUFF, THE (US, Philip Kaufman, 1983); ROCKY (US, John G. Avildsen, 1976); RED DAWN (US, John Milius, 1984); STONE, OLIVER
ISBN: 9781595580061

Call No: 45:32 ROS
Author: Rosenbaum, Jonathan
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1997
PhysDes: xi, 359 p. ; 24 cm
Subject: POLITICS AND THE CINEMA; POLITICAL FILMS; RACIAL PROBLEMS IN FILMS; WELLES, ORSON; KIESLOWSKI, KRZYSZTOF; BUNUEL, LUIS; BRESSON, ROBERT; TATI, JACQUES; RAY, NICHOLAS; ZWIGOFF, TERRY; ENDFIELD, CY; HOU, HSIAO-HSIEN; CARAX, LEOS; AKERMAN, CHANTAL; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); PIANO, THE (AT, Jane Campion, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991); CRUMB (US, Terry Zwigoff, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FORREST GUMP (US, Robert Zemeckis, 1994); NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991); OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]); PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]); PUPPET MASTER, THE (US, David Schmoeller, 1989); REDS (US, Warren Beatty, 1981); SAFE (US, Todd Haynes, 1995); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SOLARIS (UR, Andrei Tarkovsky, 1972)
Notes: Includes bibliographical references and index
ISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)
Order Received: 1997
LON: 96009916; 12700123

Call No: 70 (04) CHA
Author: Chapman, James and Glancy, Mark and Harper, Sue
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: xi, 256p. : 23cm.
Subject: MOTION PICTURES - HISTORY; HISTORY AND THE CINEMA; NATIONAL IDENTITY AND AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS; INDUSTRY, FILM. UK; SCRIPTWRITERS; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003); NOW, VOYAGER (US, Irving Rapper, 1942); GONE WITH THE WIND (US, Victor Fleming, 1939); GALLIPOLI (AT, Peter Weir, 1981); BLACKMAIL (UK, Alfred Hitchcock, 1929); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); WICKER MAN, THE (UK, Robin Hardy, 1973); FONDA, JANE; BERGMAN, INGMAR
Notes: Includes bibliographical references and index; Contents:; Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes; History and representation : the case of 1970s British cinema / Sue Harper 27; Gallipoli (1981) : 'a poignant search for national identity' / Mark Connelly 41; 'This ship is England' : history, politics and national identity in Master and commander : the far side of the world (2003) / James Chapman 55; Art in context : British film design of the 1940s / Laurie Ede 73; The author as author : restoring the screenwriter to British film history / Andrew Spicer 89; When 'Hanoi Jane' conquered Hollywood : Jane Fonda's films and activism, 1977-81 / Peter Kramer 104; The politics of the swashbuckler / Jeffrey Richards 119; The Stalinist musical / Richard Taylor 137; Now, voyager (1942) : melodrama then and now / Martin Shingler 152; From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby 166; Blackmail (1929), Hitchcock and film nationalism / Mark Glancy 185; British cinema, American reception : Black Narcissus (1947) and the legion of decency / Sarah Street 201; Studying cross-cultural marketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter, and Tim Bergfelder 215; The wicker man (1973) email digest : a case study in Web ethnography / Justin Smith 229
ISBN: 9780230001695
Language: English

PhysDes: Article
Subject: PORKY'S II: THE NEXT DAY (CN/US, Bob Clark, 1983); YELLOWBEARD (UK, Mel Damski, 1983); NOW AND FOREVER (AT, Adrian Carr, 1983); TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Summary: Updates for Roadshow films

Call No: 735.2 NEW
Author: Newman, Kim
Edition: The new ed
Place: London
Publisher: Bloomsbury
PubDate: 1988
PhysDes: xiii, 255 p. : ill. ; 25 cm
Subject: CRITICISM; HORROR FILMS; ADAMSON, AL; ANTONIONI, MICHELANGELO; ALLEN, NANCY; ARGENTO, DARIO; BAVA, MARIO; CAINE, MICHAEL; CARPENTER, JOHN; CARRADINE, JOHN; COHEN, LARRY; CRONENBERG, DAVID; DE PALMA, BRIAN; FULCI, LUCIO; HARPER, JESSICA; HITCHCOCK, ALFRED; HOOPER, TOBE; KING, STEPHEN; LEE, CHRISTOPHER; LEWIS, HERSCHELL GORDON; LYNCH, RICHARD; LUCAS, GEORGE; Perkins, Anthony; PLEASENCE, DONALD; ROMERO, GEORGE; WARHOL, ANDY; WATERS, JOHN (US); ALIEN (UK, Ridley Scott, 1979); ALONE IN THE DARK (US, Jack Sholder, 1982); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981); AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); DAY OF THE WOMAN (US, Meir Zarchi, 1978); HALLOWEEN (US, John Carpenter, 1978); JAWS (US, Steven Spielberg, 1975); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); LOST BOYS, THE (US, Joel Schumacher, 1987); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); ROSEMARY'S BABY (US, Roman Polanski, 1968); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); SHIVELS (CA, David Cronenberg, 1975); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); THING, THE (US, John Carpenter, 1982); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88); THING, THE (US, John Carpenter, 1982)
Notes: Includes bibliographical references (p. 216-217) and index
ISBN: 0747502951

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: NOT NOW, DARLING (UK, Denby Sloman, 1972)

Call No: 79APO COP
Author: Coppola, Eleanor
Place: New York
Publisher: Limelight Editions
PubDate: 1991
PhysDes: 292 p. : ill. ; 23 cm
Subject: COPPOLA, FRANCIS FORD; COPPOLA, ELEANOR; APOCALYPSE NOW (US, Francis Ford Coppola, 1979)
Notes: Cover title: Notes on the making of Apocalypse now; Reprint with new afterword. Originally published: New York : Simon & Schuster, 1979
ISBN: 0879101504 : $14.95
LON: 91024001; 8200950

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: NOW (US, Jeremy Whelehan, 2014)
Cross Reference: NOW

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)

Call No: DIGITAL FILE
Author: Butler, Robyn
Edition: release script
Place: Balaclava, Vic.
PhysDes: 104 leaves
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: NOW AND FOREVER (AT, Adrian Carr, 1983)

Call No: S NOW
Author: Cassidy, Richard
PubDate: 1982
PhysDes: 148 leaves
Subject: NOW AND FOREVER (AT, Adrian Carr, 1983)
Notes: Unpublished script; screenplay adapted from the novel "Now and forever" by Danielle Steel

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: NOW AND THEN (AT, Mark Turnbull, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: NOW AND THEN (US, Lesli Linka Glatter, 1995)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : col. ; 21 x 26 cm ; 2 photographs : b&w ; 21 x 26 cm
Subject: GILMOUR, IAN; NOW AND THEN (AT, Mark Turnbull, 1980)
Summary: 2 black and white and 3 colour photographs of Ian Gilmour in scenes in the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NOW CHINATOWN (US, Steven Dunning, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOW I KNOW (US/IE, Robert Kane Pappas, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I NOW PRONOUNCE YOU CHUCK AND LARRY (US, Denis Duigan, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOW SOUND MELBOURNE'S LISTENING, THE (AT, Tobias Willis, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOW & THEN: FROM FROSH TO SENIORS (US, David Geller & Danya Goldfine, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOW, VOYAGER (US, Irving Rapper, 1942)

Call No: S NOW
PubDate: 1979
PhysDes: 60 leaves
Subject: NOW YOU'RE TALKING - 1930-1940 (AT, Keith Gow, 1979)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NOW YOU SEE ME (FR/US, Louis Leterrier, 2013)
URL status: URL: 'http://file://Q:/T/NOW_YOU_SEE_ME.zip' Checked: 31/08/2021 1:27:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NOW YOU SEE ME 2 (US, Jon M. Chu, 2016)
URL status: URL: 'http://file://Q:/T/NOW_YOU_SEE_ME_TWO.zip' Checked: 31/08/2021 1:43:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: AIRPLANE (US, Jim Abrahams & David Zucker & Jerry Zucker, 1980); ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: PARADISE NOW (FR/GG/NE/IS, Hany Abu-Assad, 2005)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: 634.6 POP
Author: Lannin, Steve; Caley, Matthew
Source: UK
Place: Bristol, UK; Porland, Oregon
Publisher: Intellect
PubDate: 2005
PhysDes: 173 p. : 23 cm
Subject: POP MUSIC AND THE CINEMA; POP MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; ADVERTISING FOR FILMS; COHEN, LEONARD; MORETTI, NANNI; DOORS, THE; COPPOLA, FRANCIS FORD; SOGGY BOTTOM BOYS; COEN, JOEL & ETHAN; PFEIFFER, MICHELLE; Damon, Matt; KLOVES, STEVE; MINGHELLA, ANTHONY; VALLI, FRANKIE; CIMINO, MICHAEL; RIGHTEOUS BROTHERS; ZUCKER, JERRY; REED, LOU; BOYLE, DANNY; STEALERS WHEEL; Tarantino, Quentin; BAKER, CHET; WEBER, BRUCE; WINGS; ARMITAGE, GEORGE; COLLINS, PHIL; BRICKMAN, PAUL; MASSIVE ATTACK; WONG KAR WAI; CARO DIARIO (IT/FR, Nanni Moretti, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); DEER HUNTER, THE (US, Michael Cimino, 1978); GHOST (US, Jerry Zucker, 1990); TRAINSPOTTING (UK, Danny Boyle, 1996); RESERVOIR DOGS (US, Quentin Tarantino, 1992); LET'S GET LOST (US, Bruce Weber, 1988); GROSSE POINTE BLANK (US, George Armitage, 1997); RISKY BUSINESS (US, Paul Brickman, 1983); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995)
Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture. "The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)
Notes: Includes index
ISBN: 184150078X

Author: Walsh, Mike
PhysDes: Article; Illustration(s)
Subject: SHORT FILMS. AUSTRALIA; BOOKKEEPER, THE (AT, Michael Cusack, 1999?); CLASSROOM IN THERESIENSTADT, A (AT, Sandra Lepore, 1999?); ETERNITY NOW (AT, Matthew Bate, 1999?); POH-LING (AT, Matthew Phipps, 1999?); SCAM, THE (AT, Matthew Holmes, 1999?); SWEEPER, THE (AT, Julie Byrne, 1999?); ZOOT SUIT (US, Luis Valdez, 1981); FESTIVALS. ADELAIDE
Summary: The 1999 ZOOM! SA ShortsFest represents a short film competition that is a co-operative effort between the South Australian Film Corporation, the Media Resource Centre, and the SA Young Filmmaker's Festival.

Call No: TITLE CLIPPINGS FILE; STARTING FROM...NOW [TV] (AT, 2014-)
Author: Munro, Peter
PhysDes: Clippings File Article
Subject: STARTING FROM...NOW [TV] (AT, 2014-)
Summary: Snippet about the success of the Australian drama production STARTING FROM...NOW, which first was created to be shown online but was recently screened on SBS

Author: Kirihara, Donald
PhysDes: Article
Subject: SPECTATORSHIP; AUDIENCE RECEPTION; AVANT-GARDE FILMS; NOW, VOYAGER (US, Irving Rapper, 1942)
Summary: Wide Angle edition on spectatorship and audience reception to film.

Call No: S RED
Author: MacLean, Danielle
Edition: Final script, 20th May 2012
Place: AT
PubDate: [2012]
PhysDes: 56 leaves
Subject: REDFERN NOW [TV] (AT, 2012)
Notes: Unpublished script -- Donated by AFI -- Final script -- Credit: developed with the assistance of ABC Television & Screen Australia.

Call No: S RED
Author: McGregor, Steven
Edition: final script 04 June 2012
Place: AT
PubDate: [2012]
PhysDes: 57 leaves
Subject: REDFERN NOW [TV] (AT, 2012)
Notes: Unpublished script -- Donated by AFI -- Final script 04 June 2012 -- Credit: production company, Blackfella Films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REDFERN NOW: PROMISE ME [TV] (AT, Rachel Perkins, 2015)

Call No: DIGITAL FILE
Author: McGregor, Steven
Edition: final script
Place: Paddington, NSW
PubDate: 4/09/2014
PhysDes: 102 leaves
Subject: REDFERN NOW: PROMISE ME [TV] (AT, Rachel Perkins, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REDFERN NOW [TV] (AT, 2012)

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS MELBOURNE
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA; FESTIVALS MELBOURNE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Discussion around the screening of Australian films in opening nights of major Australian film festivals

Call No: 45:2 MAY
Author: Bird, Michael (Michael S.), 1941; May, John R
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: c1982
PhysDes: xviii, 257 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: Includes index; Bibliography: p. 242-244
ISBN: 0870493523
LON: 2165498

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICHARD PRYOR HERE AND NOW (US, Richard Pryor, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIGHT HERE RIGHT NOW (AT, Matthew Newton, 2004)

Author: Gibbs, Ed
PhysDes: Article
Subject: AUSTRALIAN ABORIGINAL CINEMA; AUSTRALIAN ABORIGINES AND THE CINEMA; AUSTRALIAN ABORIGINES IN FILMS; DALE, DARREN; PERKINS, RACHEL; PURCELL, LEAH; MCKENZIE, CATRIONA; BLAIR, WAYNE; KRAWITZ, TONY; SAPPHIRES, THE (AT, Wayne Blair, 2012); SATELLITE BOY (AT, Catriona McKenzie, 2012); REDFERN NOW [TV] (AT, 2012); MABO [TV] (AT, Rachel Perkins, 2012); TALL MAN, THE (AT, Tony Krawitz, 2011); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Through a series of interviews and research, Ed Gibbs looks at the overall industry of filmmaking in Australia and explores how Indigenous filmmakers are fitting into this.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: RIVER RUNS DIFFERENT NOW, THE (AT, Eddie Safarik, 2020)
Cross Reference: RIVER RUNS DIFFERENT NOW, THE (AT, Eddie Safarik, 2020)

Call No: 81DUV SLA
Author: Slawson, Judith
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1986
PhysDes: 198 p. : ill. ; 19 cm
Subject: DUVALL, ROBERT; BRANDO, MARLON; DE NIRO, ROBERT; COPPOLA, FRANCIS FORD; FOOTE, HORTON; CANBY, VINCENT; KAEL, PAULINE; GROSBARD, ULU; ANGELO, MY LOVE (US, Robert Duvall, 1983); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHASE, THE (US, Arthur Penn, 1966); GREAT SANTINI, THE (US, Lewis John Carlino, 1979); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); GODFATHER, THE (US, Francis Ford Coppola, 1972); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); TOMORROW (US, Joseph Anthony, 1972); TENDER MERCIES (US, Bruce Beresford, 1982)
ISBN: 0312904231
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROBIN CAMPBELL - OLD FELLOW NOW (AT, Alec Morgan, 1979)

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: In the article, Robyn Butler discusses her inspiration behind the film 'Now Add Honey'

Call No: TITLE CLIPPINGS FILE; REDFERN NOW: PROMISE ME [TV]
Author: Burke, Justin
PhysDes: Clippings File Article
Subject: REDFERN NOW: PROMISE ME [TV](AT, Rachel Perkins, 2015)
Summary: Review of the new Redfern Now made for tv movie.
Notes: split

Call No: 792 SCR
Author: MacDonald, Scott, 1942
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: ix, 339 p. : ill. ; 24 cm
Subject: SCRIPTS; INDEPENDENT FILMS; MULVEY, LAURA; WOLLEN, PETER; SNOW, MICHAEL; TRINH, T. MINH-HA; FRIEDRICH, SU; ONO, YOKO; GREAVES, WILLIAM; BENNING, JAMES; ROSE, PETER; FISHER, MORGAN; FLEMING, ANN MARIE; RAINER, YVONNE; FRAMPTON, HOLLIS; REASSEMBLAGE (US, Trinh T. Minh-ha, 1983); NAKED SPACES (US, Trinh T. Minh-ha, 1985); PRIVILEGE (US, Yvonne Rainer, 1990); NEW SHOES : AN INTERVIEW IN EXACTLY 5 MINUTES (CN?, Ann Marie Fleming, 1990); YOU TAKE CARE NOW (CN?, Ann Marie Fleming, 1989); SYMBIOPSYCHOTAXIPLASM : TAKE ONE (US, William Greaves, 1991 [prod.1967]); ZORNS LEMMA (US, Hollis Frampton, 1970); POETIC JUSTICE (US, Hollis Frampton, 1972); GLORIA! (US, Hollis Frampton, 1979); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); GRAND OPERA (US, James Benning, 1979); HIM AND ME (GW, James Benning, 1982); SO IS THIS (CN, Michael Snow, 1982); PLEASURES OF THE TEXT (US, Peter Rose, 1985); SECONDARY CURRENTS (US, Peter Rose, 1983); STANDARD GAUGE (US, Morgan Fisher, 1985?); GENTLY DOWN THE STREAM (US, Su Friedrich, 1983); SINK OR SWIM (US, Su Friedrich, 1981)
Notes: Includes bibliographical references (p. 337-339)
ISBN: 0520080246 (cloth : alk. paper); 0520080254 (pbk. : alk. paper)
LON: 9335490

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEVEN MEN FROM NOW (US, Budd Boetticher, 1956)

Call No: TITLE CLIPPINGS FILE in production; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Shooting has begun for the Australian film Now Add Honey. The creative team of Robyn Butler and Wayne Hope are producing and directing the film

Call No: TITLE CLIPPINGS FILE; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: TANNA (AT/VU, Bentley Dean and Martin Butler, 2015); NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: The release of two new Australian films Tanna and Now Add Honey.

Call No: 761 SHO
Author: Waugh, Thomas, 1948
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1984
PhysDes: xxvii, 508 p. : ill. ; 23 cm
Subject: NEWSREELS; FEMINISM AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARY FILMS. THIRD WORLD; ALVAREZ, SANTIAGO; VERTOV, DZIGA; SHUB, ESTHER; BRECHT, BERTOLT; GODARD, JEAN-LUC; IVENS, JORIS; RENOIR, JEAN; SOLANAS, FERNANDO E.; VAN DONGEN, HELEN; STRAND, PAUL; SCHEUMANN, PETER; MIEVILLE, ANNE-MARIE; KOPPLE, BARBARA; GUZMAN, PATRICIO; GETINO, OCTAVIO; ELAM, JOANN; ALLENDE, SALVADOR; BIRRI, FERNANDO; HURWITZ, LEO; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970); NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976); SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975); HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972); POR PRIMERA VEZ (CU, Octavio Cortazar, 1967); NOW (CU, Santiago Alvarez, 1965); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); RAPE (US, JoAnn Elam, 1975); KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974); SPANISH EARTH, THE (US, Joris Ivens, 1937)
Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKS
Notes: Includes bibliographies and indexes
ISBN: 0810822172 (pbk.); 0810817063
LON: 84005603; 3178777
Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John Ramirez
URL status: URL: 'http://-' Checked: 31/08/2021 12:36:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

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PhysDes: Clippings; Publicity
Subject: SOMEBODY NOW (AT, David Goldie, 1996)

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PhysDes: Clippings
Subject: SPECTACULAR NOW, THE (US, James Ponsoldt, 2013)

Call No: TITLE CLIPPINGS FILE; NOW YOU SEE ME 2 (US, Jon M Chu, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: NOW YOU SEE ME 2 (US, Jon M Chu, 2016)
Summary: Review of NOW YOU SEE ME 2
Notes: similar published in The Age: 'All-star cast can't work magic in same-old-tricks sequel' p 24, same date; Canberra Times: 'Oh, it's you again'. 4 June 2016, Section Panorama, p 19.
Rating: 2 out of 5 stars

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PhysDes: Clippings
Subject: STARTING FROM...NOW [TV] (AT, 2014-)

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Subject: SUBMIT TO ME NOW (US, Richard Kern, 1987)

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PhysDes: Clippings
Subject: THAT WAS THEN... THIS IS NOW (US, Christopher Cain, 1985)

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PhysDes: Clippings
Subject: I THINK WE'RE ALONE NOW (US, Reed Morano, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE; NOW, VOYAGER (US, Irving Rapper, 1942)
Author: Cavell, Stanley
PhysDes: Article
Subject: MELODRAMA; MARRIAGE IN FILMS. USA; NOW, VOYAGER (US, Irving Rapper, 1942)

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PhysDes: Clippings
Subject: WAY WE LIVE NOW, THE [TV] (UK, David Yates, 2001)

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PhysDes: Clippings
Subject: WE'RE ALL INDEPENDENT NOW (AT, Don Parnham, 1995)

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PhysDes: Clippings
Subject: I WILL, I WILL,...FOR NOW (US, Norman Panama, 1976)

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Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: YOU CAN'T TOUCH ME NOW (AT, Rick Randall, 1985)
Summary: 2 black and white photographs of scenes from the film

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PhysDes: Clippings
Subject: YOU CAN' TOUCH ME NOW (AT, Rick Randall, 1985)

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PhysDes: Stills
Subject: YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966)

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Subject: YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966)

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PhysDes: Clippings
Subject: YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966)