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Call No: 81TAR BRA
Author: Brancati, Simona
Edition: English
Source: US
Place: Washington, DC
Publisher: New Academia Publishing
PubDate: 2014
PhysDes: x, 186 pages : color facsimiles ; 23 cm.
Subject: TARANTINO, QUENTIN; PULP FICTION (US, Quentin Tarantino, 1994); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); RESERVOIR DOGS (US, Quentin Tarantino, 1992); TRUE ROMANCE (US, Tony Scott, 1993); NATURAL BORN KILLERS (US, Oliver Stone, 1994); FOUR ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); JACKIE BROWN (US, Quentin Tarantino, 1997); DEATH PROOF (US, Quentin Tarantino, 2007)
Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)
ISBN: 9780989916981
Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.

Call No: 734.1 HIR
Author: Hirsch, Foster
Edition: [1st Limelight ed.]
Place: New York
Publisher: Limelight Editions
PubDate: [1999]
PhysDes: 398 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; FILM NOIR. FRANCE; FULLER, SAMUEL; CHANDLER, RAYMOND; Wenders, Wim; WOOLRICH, CORNELL; Tarantino, Quentin; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); CRISS CROSS (US, Robert Siodmak, 1948); GETAWAY, THE (US, Sam Peckinpah, 1972); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LAST SEDUCTION, THE (US, John Dahl, 1994); NATURAL BORN KILLERS (US, Oliver Stone, 1994); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BETRAYED (US, Constantin Costa-Gavras, 1988); BLUE VELVET (US, David Lynch, 1986); BOYZ N THE HOOD (US, John Singleton, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); CHINATOWN (US, Roman Polanski, 1974); CONVERSATION, THE (US, Francis Ford Coppola, 1974); DEATH WISH (US, Michael Winner, 1974)
Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and index
ISBN: 0879102888
Order Received: 2000
LON: 20214725

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996)

Call No: S FRO
Author: Tarantino, Q.
Subject: FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); EL TOPO (MX, Alexando Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); JOHN CARPENTER'S VAMPIRES (US, John Carpenter, 1998); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE, TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407