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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; AMERICAN INDIANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 736.1 MAY
Author: Maynard, Richard A.
Place: Rochelle Park, NJ
Publisher: Hayden Book Company
PubDate: 1974
PhysDes: vii, 130 p. : ill. ; 23 cm.
Series: Hayden film attitudes and issues series
Subject: WESTERNS; AMERICAN INDIANS IN FILMS; TYPE CHARACTERS IN FILMS; BILLY THE KID IN FILMS; FORD, JOHN; WILD BUNCH, THE (US, Sam Peckinpah, 1969)
Summary: Compares the reality of the American West with literary fiction and also its treatment in Hollywood. The last chapter deals with trends of the Western genre since 1960.
Notes: "Filmography": p. 125-130.
ISBN: 0810458950

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Call No: 62 DEN
Author: DeNitto, Dennis,
Place: New York
Publisher: Harper & Row
PubDate: c1985
PhysDes: xv, 544 p. : ill. ; 23 cm
Subject: THEORY; CRITICISM; EDITING; HISTORY OF CINEMA; REALISM IN FILMS; EXPRESSIONISM; MONTAGE; NEOREALISM; NOUVELLE VAGUE; COMEDIES; DOCUMENTARY FILMS; CINEMA VERITE; PROPAGANDA FILMS; WESTERNS; MUSICALS; VARIETE (G, E.A. Dupont, 1925); GOLD RUSH, THE (US, Charles Chaplin, 1925); PRODUCERS, THE (US, Mel Brooks, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); MAN OF ARAN (UK, Robert Flaherty, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); STAGECOACH (US, John Ford, 1939); SHANE (US, George Stevens, 1953); WILD BUNCH, THE (US, Sam Peckinpah, 1969); TOP HAT (US, Mark Sandrich, 1935); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); WEST SIDE STORY (US, Robert Wise, 1961); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956)
Notes: Includes indexes; Bibliography: p. 493-503
ISBN: 0060416297 (pbk.)
Order Received: 2000
Order Type: Donation
LON: 3664711

Author: Murray, John C.
PhysDes: Article
Subject: Peckinpah, Sam; STRAW DOGS (UK, Sam Peckinpah, 1971); WILD BUNCH, THE (US, Sam Peckinpah, 1969); CRITICISM
Summary: An analysis of Sam Peckinpah's STRAW DOGS, THE WILD BUNCH, and GUNS IN THE AFTERNOON.

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); EL TOPO (MX, Alexando Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); JOHN CARPENTER'S VAMPIRES (US, John Carpenter, 1998); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); LE MARIEE ETAIT EN NOIR (FR/IT, Francois Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); DAMNED, THE (IT/GW, Luchino Visconti, 1969); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR, CLaude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); LA CINA E VICINA (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 747.19 RUS
Author: Russell, Catherine, 1959
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1995
PhysDes: vii, 271 p. : ill. ; 24 cm
Subject: NOUVELLE VAGUE; NARRATIVE IN FILMS; DEATH IN FILMS; ALLEGORY IN FILMS; MELODRAMA; LANG, FRITZ; Wenders, Wim; OSHIMA, NAGISA; GODARD, JEAN-LUC; ALTMAN, ROBERT; BENJAMIN, WALTER; LYNCH, DAVID; Peckinpah, Sam; PENN, ARTHUR; RAY, NICHOLAS; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); NASHVILLE (US, Robert Altman, 1975); NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979); SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960); SHONEN (JA, Nagisa Oshima, 1969); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Notes: Includes bibliographical references (p. 253-262) and index
ISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)
LON: 10942855

Call No: 81PEC SEY
Author: Seydor, Paul
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: 1997
PhysDes: xxvi, 410 p. : ill. ; 24 cm.
Subject: WESTERNS; WILD BUNCH, THE (US, Sam Peckinpah, 1969); Peckinpah, Sam
Summary: "Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at a low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville...This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes o f Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, inclusing an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources." -- BOOK BLURB
ISBN: 0252022688
Donation: Donated by Simon Wincer
Contents: List of illustrations -- Foreword: David Weddle -- Introduction -- 1. Westerners -- 2. The high country -- 3. The Dundee story -- 4. The farmer and the farmer's wife -- 5. Men without women: the wild bunch as epic -- 6. The world elsewhere -- 7. Two killers elite -- 8. The masculine principle in American art and expression -- World of our fathers: an American artist and his traditions -- Notes -- Sources: bibliographic notes, filmography, and videography -- Acknowledgements -- Index
ID2: 201

Call No: 81PEC MCK
Author: Mckinney, Doug
Source: US
Place: Boston
Publisher: Tyayne Publishers
PubDate: 1979
PhysDes: 266 p. : ill. ; 21cm
Series: Twayne's Theatrical Arts series
Subject: FILM CULTURE; FILM STUDY AND RESEARCH; Peckinpah, Sam; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); WILD BUNCH, THE (US, Sam Peckinpah, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); STRAW DOGS (UK, Sam Peckinpah, 1971); GETAWAY, THE (US, Sam Peckinpah, 1972); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); CROSS OF IRON (UK/GW, Sam Peckinpah, 1977)
Summary: This book looks at Sam Peckinpah the film maker and his attempt to look critically at the system in which he remained to make films It looks at the themes and artistry of his films
Notes: Bibliography p.249 to 252; Filmography p. 253 to 263; Includes index
ISBN: 0805792643

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: WILD BUNCH, THE (US, Sam Peckinpah, 1969)