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Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVENTURAS DE ROBINSON CRUSOE, LAS (MX, Luis Bunuel, 1952); ADVENTURES OF ROBINSON CRUSOE, THE (MX, Luis Bunuel, 1952); BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR. JEKYLL AND MR. HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FAR FROM THE MADDING CROWD (UK/US, Thomas Vinterberg, 2014)
URL status: URL: 'http://file://Q:/T/FAR_FROM_THE_MADDING_CROWD.zip' Checked: 31/08/2021 1:37:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTAGLIA DI ALGERI (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); OSTRE SLEDOVANE VLAKY (CS, Jiri Menzel, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); DOCTOR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); CAZA, LA (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: TITLE CLIPPINGS FILE; FAR FROM THE MADDING CROWD (UK/US, Thomas Vinterberg, 2014)
Author: Hall, Sanndra
PhysDes: Clippings File Article
Subject: FAR FROM THE MADDING CROWD (UK/US, Thomas Vinterberg, 2014)
Summary: Review of the film 'Far from the Madding crowd'
Rating: 4 out of 5 stars

Author: Loney, G. M
PhysDes: Article
Subject: FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967)
Summary: gives reasons for censorship cuts for this film; interview; ill.

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); LE MARIEE ETAIT EN NOIR (FR/IT, Francois Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); DAMNED, THE (IT/GW, Luchino Visconti, 1969); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR, CLaude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); LA CINA E VICINA (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: TITLE CLIPPINGS FILE; FAR FROM THE MADDING CROWD (UK/US, Thomas Vinterberg, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: FAR FROM THE MADDING CROWD (UK/US, Thomas Vinterberg, 2014)
Summary: Review of the film 'Far from the Madding crowd'
Rating: 3.5 out of 5 stars

Author: Reisman, Marvin
PhysDes: Article
Subject: CENSORSHIP; CENSORSHIP. AUSTRALIA; EXHIBITION. AUSTRALIA; EXHIBITION; POOR COW (UK, Kenneth Loach, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); DANCE OF THE VAMPIRES (UK, Roman Polanski, 1967)
Summary: Article concerning recent film censorship and bannings of films in Australia at the time this issue was printed.