Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'GRADY,OLIVER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER, PAUL

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTY (SA/FR/G, Oliver Hermanus, 2011) SEE SKOONHEID
Cross Reference: BEAUTY (SA/FR/G, Oliver Hermanus, 2011) SEE SKOONHEID
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: A-X-L (US, Oliver Daly, 2018)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ACKLAND, OLIVER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALEXANDER (FR/UK/NE, Oliver Stone, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ANY GIVEN SUNDAY (US, Oliver Stone, 1999)

Call No: 81 HAR MCC
Author: McCabe, John
Edition: 1993
Place: London
Publisher: Robson Books
PubDate: 1989
PhysDes: xii, 224 page : illustrated; 22 cm
Subject: HARDY, OLIVER
ISBN: 0860516121

Author: Marks, Dick
PhysDes: Article
Subject: MINING FILMS; TELEVISION, FILMS MADE FOR; OLIVER, TOBY; BEACONSFIELD [TV](AT, Glendyn Ivin, 2012)
Summary: Director of Photography, Toby Oliver discusses technical details of lighting while filming inside a mine, for TV movie, 'Beaconsfield' about the Beaconsfield Mine Disaster, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BORN ON THE FOURTH OF JULY (US, Oliver Stone, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BURKE AND WILLS (AT, Oliver Torr & Matthew Zeremes, 2006)
ID2: 82

Author: Rod Yates
PhysDes: Article
Subject: ZEREMES, MATT; TORR, OLIVER; BURKE AND WILLS (AT, Oliver Torr & Matthew Zeremes, 2006)
Summary: Review of Burke and Wills

Author: Ben McEachen
PhysDes: Article
Subject: TORR, OLIVER; ZEREMES, MATT; BURKE AND WILLS (AT, Oliver Torr & Matthew Zeremes, 2006)
Summary: D.V.D. review of Burke and Wills

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: CHARLENE DOES MED AT UNI (AT, Margot Oliver, 1977)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 26 x 21 cm
Subject: PHILLIPS, ODETTE; CHARLENE DOES MED AT UNI (AT, Margot Oliver, 1977)
Summary: One black and white photograph relating to the film Charlene does med at uni

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHATEAU CHUNDER: A WINE REVOLUTION (AT/UK, Stephen Oliver, 2012)

Call No: 802.25(73) KOL
Author: Kolker, Robert
Edition: 3rd ed.
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 2000
PhysDes: xvii, 484 p. : ill. ; 24 cm
Subject: PENN, ARTHUR; STONE, OLIVER; KUBRICK, STANLEY; SCORSESE, MARTIN; SPIELBERG, STEVEN; ALTMAN, ROBERT
Notes: Filmography: p. [421]-464. Includes bibliographical references (p. [407]-419) and index
ISBN: 0195123506

Call No: 81TAR BRA
Author: Brancati, Simona
Edition: English
Source: US
Place: Washington, DC
Publisher: New Academia Publishing
PubDate: 2014
PhysDes: x, 186 pages : color facsimiles ; 23 cm.
Subject: TARANTINO, QUENTIN; PULP FICTION (US, Quentin Tarantino, 1994); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); RESERVOIR DOGS (US, Quentin Tarantino, 1992); TRUE ROMANCE (US, Tony Scott, 1993); NATURAL BORN KILLERS (US, Oliver Stone, 1994); [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); JACKIE BROWN (US, Quentin Tarantino, 1997); DEATH PROOF (US, Quentin Tarantino, 2007)
Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)
ISBN: 9780989916981
Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.

Call No: 626(73) COR
Author: Corrigan, Timothy, 1951
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: x, 258 p. : ill. ; 23 cm
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979)
Notes: Includes index; Bibliography: p. [233]-250
ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00
LON: bnb41507133; 8595450

Call No: 71(430):45:32 COL
Author: Fisher, Jaimey (ed.); Prager, Brad (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vi, 431 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000) SEE UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006)
Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780814333778
Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMANDANTE (US/SP, Oliver Stone, 2003)

Author: Ogilive, George
PhysDes: Article
Subject: COMEDIES; COMEDIES. AUSTRALIA; THEATRE AND THE CINEMA; AUDIENCE RECEPTION; FIELDS, W.C.; LEWIS, JERRY; Keaton, Buster; LAUREL, STAN; HARDY, OLIVER; CHAPLIN, CHARLES
Summary: Transcript of a talk given by George Ogilive of the Melbourne Theatre Company, where he discusses basic aspects of comedy including rhythm and timing, as well as criticising the work of Jerry Lewis in his films "Three on a Couch" and "The Patsy.

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CORRESPONDENCE (AT, Oliver Waghorn, 2007)

Call No: 408 CUL
Author: Braendlin, Bonnie
CorpAuthor: Florida State University Conference on Literature and Film (14th : 1989)
Place: Tallahassee Gainesville, FL
Publisher: Florida State University Press Orders to University Presses of Florida
PubDate: 1991
PhysDes: vii, 202 p. ; 21 cm
Subject: POPULAR CULTURE AND THE CINEMA; FEMINISM AND THE CINEMA; ADVERTISING; ANDY HARDY IN FILMS; GENRES; HORROR FILMS; CRITICS; SCHWARTZ, DELMORE; ORDINARY PEOPLE (US, Robert Redford, 1980); WALL STREET (US, Oliver Stone, 1987); HAIRSPRAY (US, John Waters, 1988); FRIDAY THE 13TH [...] (US, 1980-); NIGHTMARE ON ELM STREET[...], A (US, 1984-)
Notes: Includes bibliographical references and index
ISBN: 0813010969
LON: 90027304; 7695410

Call No: 81LEA SIL
Author: Silver, Alain; Ursini, James; Wise, Robert (foreword)
Edition: 1st Silman-James Press edition 1992
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1992
PhysDes: 294 p. : ill. ; 23 cm
Subject: Lean, David; IN WHICH WE SERVE (UK, David Lean and Noel Coward, 1942); THIS HAPPY BREED (UK, David Lean, 1944); BLITHE SPIRIT (UK, David Lean, 1945); BRIEF ENCOUNTER (UK, David Lean, 1945); GREAT EXPECTATIONS (UK, David Lean, 1946); OLIVER TWIST (UK, David Lean, 1948); MADELEINE (UK, David Lean, 1950); BREAKING THE SOUND BARRIER (UK, David Lean, 1952); SOUND BARRIER, THE (UK, David Lean, 1952); HOBSON'S CHOICE (UK, David Lean, 1954); PASSIONATE FRIENDS, THE (UK, David Lean, 1949); SUMMER MADNESS (UK/US, David Lean, 1955); SUMMERTIME (UK/US, David Lean, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); LAWRENCE OF ARABIA (UK, David Lean, 1962); [DOCTOR] DR ZHIVAGO (US, David Lean, 1965); RYAN'S DAUGHTER (UK, David Lean, 1970); PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: "Updated and extensively revised, this first American edition of David Lean and His Films offers the reader an in-depth analysis, discussion, and critique of Lean's directorial output. In their film-by-film accounting of his work, authors Silver and Ursini uncover the themes and concerns that have been sustained throughout Lean's career." -- BOOK BLURB
Notes: Includes bibliographical references (p. [275]-285) and index; Filmography: p. [241]-266
ISBN: 1879505002
Contents: -- acknowledgements -- foreword -- introduction -- 1: the early films: in which we serve (1942); this happy breed (1944); blithe spirit (1945) -- 2: brief encounter (1945) -- 3: the Dickens adaptations: great expectations (1946) and oliver twist (1948) -- 4: madeleine (1950) -- 5: the sound barrier (1952) -- 6: hobson's choice (1954) -- 7: the passionate friends (1949) and summer madness (1955) -- 8: the bridge on the river kwai (1957) -- 9: lawrence of arabia (1962) -- 10: doctor zhivago (1965) -- 11: ryan's daughter (1970) -- 12: a passage to india (1984) -- a personal afterword -- biography -- filmography -- footnotes -- selected bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DEMONLOVER (FR/JA/MX/US, Oliver Assayas, 2002)
ID2: 62

Call No: 734.1 HIR
Author: Hirsch, Foster
Edition: [1st Limelight ed.]
Place: New York
Publisher: Limelight Editions
PubDate: [1999]
PhysDes: 398 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; FILM NOIR. FRANCE; FULLER, SAMUEL; CHANDLER, RAYMOND; Wenders, Wim; WOOLRICH, CORNELL; Tarantino, Quentin; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); CRISS CROSS (US, Robert Siodmak, 1948); GETAWAY, THE (US, Sam Peckinpah, 1972); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LAST SEDUCTION, THE (US, John Dahl, 1994); NATURAL BORN KILLERS (US, Oliver Stone, 1994); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BETRAYED (US, Constantin Costa-Gavras, 1988); BLUE VELVET (US, David Lynch, 1986); BOYZ N THE HOOD (US, John Singleton, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); CHINATOWN (US, Roman Polanski, 1974); CONVERSATION, THE (US, Francis Ford Coppola, 1974); DEATH WISH (US, Michael Winner, 1974)
Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and index
ISBN: 0879102888
Order Received: 2000
LON: 20214725

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIANA (UK/US/SW, Oliver Hirschbiegel, 2013); CAUGHT IN FLIGHT (UK/US/SW, Oliver Hirschbiegel, 2013)

Call No: 753DIC ZAM
Author: Zambrano, A. L
Place: New York
Publisher: Gordon Press
PubDate: 1976
PhysDes: 442 pages : illustrations ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; LITERATURE AND THE CINEMA; MUSICALS; SURREALISM AND THE CINEMA; THEATRE AND THE CINEMA; GRIFFITH, DAVID WARK; EISENSTEIN, SERGEI M.; DAVID COPPERFIELD (US, George Cukor, 1935); GREAT EXPECTATIONS (UK, David Lean, 1946); GREAT EXPECTATIONS (UK, Joseph Hardy, 1975); OLIVER TWIST (UK, David Lean, 1948); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); TALE OF TWO CITIES, A (US, Jack Conway, 1935)
Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.
Notes: Includes filmography -- collection's copy is fragile, handle with care
ISBN: 0879684569
LON: 76016479; 174074

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DONKEY PUNCH (UK, Oliver Blackburn, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: DOORS, THE (US, Oliver Stone, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ELSER [13 MINUTES] (GG, Oliver Hirschbiegel, 2015)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photographs : b&w ; 13 x 18 cm - 28 x 21 cm
Subject: MOTHERWELL, PHIL; DALY, JIM; FIELD, DAVID [actor]; MORGAN, ROBERT; HUNTER, BILL; WOODWARD, SIMON; SHAW, JAMES; OLIVER, TOBY; EVERYNIGHT, EVERYNIGHT (AT, Alkinos Tsilimidos, 1994)
Summary: Thirteen black and white photographs relating to the film Everynight, everynight (including two photocopies of original files which are under the Oliver, Toby and Shaw, James files)
Notes: Contains duplicates

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: EXPERIMENT, THE [EXPERIMENT, DAS] (GG, Oliver Hirschbiegel, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FADE TO BLACK (UK, Oliver Parker, 2006)

Call No: TITLE CLIPPINGS FILE; ELSER [13 MINUTES] (G, Oliver Hirschbiegel, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ELSER [13 MINUTES] (GG, Oliver Hirschbiegel, 2015)
Summary: Film review for 13 Minutes also known as Elser. This film is about George Elser and his attempt to kill Hitler in 1939.
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIBROS AND THE SILVERTAILS, THE (AT, Paul Oliver, 2007)

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 753 LEI
Author: Leitch, Thomas
Edition: John Hopkins paperback edition, 2009
Source: US
Place: Baltimore MD
Publisher: John Hopkins University Press
PubDate: 2007
PhysDes: xi, 354 p. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DOYLE, ARTHUR CONAN; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. DICKENS, CHARLES; AUTEUR THEORY; AUTHORSHIP; LITERATURE AND THE CINEMA; STONE, OLIVER; GONE WITH THE WIND (US, Victor Fleming, 1939); PASSION OF THE CHRIST, THE (US, Mel Gibson, 2004); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995)
Summary: "Most books on film adaptation - the relation between films and their literary sources - focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation. Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. Leitch's analysis moves beyond literary sources to consider why a small number of adaptors have risen to the status of auteurs and how illustrated books, comic strips, video games, and true stories have been adaptated to the screen." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [325]-338) and index
ISBN: 9780801892714
Contents: -- acknowledgments -- 1: Literature versus literacy -- 2: One-reel epics -- 3: The word made film -- 4: Entry-level Dickens -- 5: Between adaptation and allusion -- 6: Exceptional fidelity -- 7: Traditions of quality -- 8: Streaming pictures -- 9: The hero with a hundred faces -- 10: The adapter as auteur -- 11: Postliterary adaptation -- 12: Based on a true story -- notes -- bibliography -- index --

Call No: 738.1 HAY
Author: Hayward, Susan
Edition: 2020
Place: London, New York
Publisher: Routledge
PhysDes: 116 pages : figures ; 23cm
Subject: ECOLOGY FILMS; MILDRED PIERCE (US, Michael Curtis, 1945); GIANT (US, George Stevens, 1956); ERIN BROKOVICH (US, Stephen Soderbergh, 2000); WALL STREET (US, Oliver Stone, 1987); WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013); HOTEL RWANDA (SA/UK/IT/US, Terry George, 2004)
Summary: Using the Regenerative economic model – also known as Doughnut Economics – Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary approach to both film theory and film practice. This book attempts to answer the questions posed by T.J. Demos (in Against the Anthropocene, 2017): how do we find a way to address planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the model set out in Kate Raworth’s book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. These arguments are brought to life with examples from mainstream narrative films such as The Giant (1956), Mildred Pierce (1945), Erin Brockovich (2000), Wall Street (1987), Hotel Rwanda (2004), and Missing Figures (2016). This approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process. -- publisher's web site
ISBN: 9780367265519
Contents: Introduction -- Chapter One: Film and ecology, Doughnut Economics, and film theory -- Chapter Two: Film and the Anthropocene: dirty Capitalism – Mildred Pierce (1945), Tulsa (1949), and Giant (1956) -- Chapter Three: Where we are now and where we need to be: from Source and Sink to Take > Make > Use > Re-use – Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013) -- Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaum (2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIVE] 5 MINUTES OF HEAVEN (UK/IE, Oliver Hirschbiegel, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FREEZE (AT, Paul Oliver, 1999)

Call No: TITLE CLIPPINGS FILE; STOP LAUGHING ... THIS IS SERIOUS [TV]
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: COMEDY PROGRAMMES. AUSTRALIA; STOP LAUGHING ... THIS IS SERIOUS [TV](AT, Stephen Oliver, 2015)
Summary: Review of three part documentary on Australian humor and comedians

Call No: 738(71) MAC
Author: MacDonald, Scott
Place: Berkeley, California
Publisher: University of California Press
PubDate: 2001
PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cm
Subject: INDEPENDENT FILMS; NATURE IN FILMS; PLACE IN FILMS; PLACE IN FILMS. USA; CITIES IN FILMS; NEW YORK IN FILMS; GOTTHEIM, LARRY; COLE, THOMAS; MURPHY, J. J.; ANGER, KENNETH; MENKEN, MARIE; SCHNEEMANN, CAROLEE; BRAKHAGE, STAN; KELLER, MARJORIE; ROBERTSON, ANNE CHARLOTTE; LOWDER, ROSE; MANGOLTE, BABETTE; BENNING, JAMES; STONE, OLIVER; SPIRO, ELLEN; DEBONT, JAN; KUCHAR, GEORGE; BURCKHARDT, RUDY; WEEGEE; THOMPSON, FRANCIS; MENKEN, MARIE; HARRIS, HILARY; LEE, SPIKE; STAUFFACHER, FRANK; BAILLIE, BRUCE; RUDNICK, MICHAEL; GEHR, ERNIE; O'NEILL, PAT; MARTIN, EUGENE; MEKAS, JONAS; GREAVES, WILLIAM; FRAMPTON, HOLLIS; HUOT, ROBERT; DORSKY, NATHANIEL; HUTTON, PETER; DASH, JULIE; FRANKLIN, CARL; CONNER, BRUCE; HERZOG, WERNER; LANZMANN, CLAUDE; STRAND, CHICK; NOREN, ANDREW; PIERCE, LEIGHTON; GATTEN, DAVID
Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."
Notes: Includes distribution sources for films and videos (in US), notes and index
ISBN: 0520227387

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Call No: 451-015 MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown Publishers
PubDate: 1978
PhysDes: xvii, 238 p. : ill. ; 26 cm
Subject: COMEDIANS; CHAPLIN, CHARLES; ARBUCKLE, ROSCOE "FATTY"; LLOYD, HAROLD; ROGERS, WILL; FIELDS, W.C.; THREE STOOGES; HOPE, BOB; KAYE, DANNY; SKELTON, RED; LEWIS, JERRY; ALLEN, WOODY; LAUREL, STAN; HARDY, OLIVER; NORMAND, MABEL; LANGDON, HARRY; CHASE, CHARLEY [psued. of Charles Parrott]; GRIFFITH, RAYMOND; DRESSLER, MARIE; BROWN, JOE E.; MARX BROTHERS; COSTELLO, LOU
Notes: Includes filmographies and index
ISBN: 0517532417
LON: 77020233; 1040069

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HARDY, OLIVER

Call No: 409(73) NAT
Author: Natoli, Joseph, 1943
Place: Albany
Publisher: State University of New York Press
PubDate: 1994
PhysDes: xi, 238 p. ; 24 cm
Series: SUNY series in postmodern culture
Subject: SOCIETY AND THE CINEMA. USA; POPULAR CULTURE AND THE CINEMA. USA; NATIONAL CULTURE AND THE CINEMA. USA; CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; NATIVE AMERICANS IN FILMS; ROBIN HOOD IN FILMS; KING, RODNEY; PHOENIX, RIVER; STONE, OLIVER; CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); BASIC INSTINCT (US, Paul Verhoeven, 1992); PRINCE OF TIDES, THE (US, Barbra Streisand, 1991); HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991); OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991); ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991); GRAND CANYON (US, Lawrence Kasdan, 1991); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); WALL STREET (US, Oliver Stone, 1987); UNFORGIVEN (US, Clint Eastwood, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); BOB ROBERTS (US, Tim Robbins, 1992)
Notes: Includes bibliographical references (p. 227-238)
ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)
LON: 10867366

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HEAVEN AND EARTH (US, Oliver Stone, 1993)

Call No: 802.27
Author: JAKe; Sellers, Robert
Edition: 2011
Place: London
Publisher: Self Made Hero
PubDate: 2011
PhysDes: 168 p. : illus. ; 24 cm
Subject: BURTON, RICHARD; O'TOOLE, PETER; HARRIS, RICHARD; REED, OLIVER
Notes: The story of four of the greatest boozers of all time: Richard Burton, Richard Harris, Peter O'Toole and Oliver Reed. Robert Sellers and JAKe deftly weave the four stories seamlessly into one fast-paced adventure of drunken binges, orgies, parties and fun. We begin our tale in a typical London boozer at Christmas time. Our hero, Martin, sits alone at the bar, drinking himself into oblivion. Enter our four hellraisers. In turn, Burton, Harris, Reed and finally O'Toole take this disillusioned soul on a personal tour of their lives: their tumultuous childhoods, rise to stardom and chaotic personal lives. -- publisher's blurb
ISBN: 9781906838362

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HEURE D'ETE, L' (FR, Oliver Assayas, 2008)
ID2: 62

Call No: 71(93) BAB
Author: Babington, Bruce
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 2007
PhysDes: x, 290 p. : ill. ; 24 cm
Subject: TORR, OLIVER; DONALDSON, ROGER; REID, JOHN; PRESTON, GAYLENE; CAMPION, JANE; WARD, VINCENT; JACKSON, MICHAEL; JACKSON, PETER (NZ); CARO, NIKI; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BAD BLOOD (NZ, Mike Newell, 1981); BRAINDEAD (NZ, Peter Jackson, 1992); BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004); JACK BE NIMBLE (NZ, Garth Maxwell, 1993); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SOLO (NZ/AT, Tony Williams, 1978); WHALE RIDER (NZ/GG, Niki Caro, 2002); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]
Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes index
ISBN: 9780719075414(hbk.); 9780719075421(pbk.)
Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN FACE OF THE PACIFIC, THE [TV] (AT, Oliver Howes, 1983)

Call No: 802.27 WOR
Author: Worrell, Denise
Source: US
Place: New York
Publisher: Atlantic Monthly
PubDate: 1989
PhysDes: xvii, 270 p. : ill. ; 24 cm.
Subject: MADONNA; SPIELBERG, STEVEN; MARTIN, STEVE; NEWMAN, PAUL; KINSKI, NASTASSJA; DYLAN, BOB; Lean, David; LUCAS, GEORGE; MIDLER, BETTE; STONE, OLIVER; JACKSON, MICHAEL
Summary: "The in-depth psychological portraits presented in Icons are unlike any collection of celebrity profiles ever published. Most of these people have been interviewed so many times their answers had been turned to stone. Interviewers, too, are icon builders, and ask the same questions over and over. Celebreties, despite fame, are struggling to maintain their own living voices. It is Worrell's special gift as an interviewer and writer to hold up a mirror to the most closely held of reflections. Icons reads like a collection of finely honed short storie and raises the craft of celebrity reporting to the finest journalism." -- BOOK BLURB
ISBN: 0871133067
Donation: Donated by Simon Wincer
Contents: Author's note -- Acknowledgements -- Introduction by Otto Friedrich -- Madonna is her given name -- The Eternal Childhood of Steven Spielberg -- Steve Martin in color -- Plain-wrap superstar Paul Newman -- Nastassia Kinski: wild child -- Bob Dylan down executioner's row -- David Lean on the far horizon -- The dark side of George Lucas -- Very very Bette Midler -- Oliver Stone goes to war -- Michael Jackson in Never-Never Land.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: IDEAL HUSBAND, AN (UK, Oliver Parker, 1999)

Call No: 64POS DEN
Author: Denzin, Norman K
Source: US
Place: Newbury Park
Publisher: Sage
PubDate: 1991
PhysDes: xii, 179 p. ; 24 cm
Subject: POSTMODERNISM AND THE CINEMA; USA. 1980's; Baudrillard, Jean; LYOTARD, JEAN-FRANCOIS; JAMESON, FREDRIC; BLUE VELVET (US, David Lynch, 1986); WALL STREET (US, Oliver Stone, 1987); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DO THE RIGHT THING (US, Spike Lee, 1989); PARIS, TEXAS (GW/US, Wim Wenders, 1984); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989)
Notes: Bibliography: p. 158-174 Includes index
ISBN: 0803985150
Contents: Part 1: The postmodern -- 1. Defining the postmodern terrain -- 2. Postmodern social theory -- 3. Takes on the postmodern: Baudrillard, Lyotard, and Jameson -- 4. Learning from Mills -- Part 2: Learning from cinema -- 5. Wild about Lynch: beyond Blue velvet -- 6. Nouveau capitalists on Wall street -- 7. Crimes and misdemeanous in Manhattan -- 8. The postmodern sexual order: sex, lies, and yuppie love -- 9. Do the right thing: race in the USA -- 10. Paris, Texas: Mills and Baudrillard in America -- 11. In conclusion: the eye of the postmodern

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: IMPORTANCE OF BEING EARNEST, THE (UK, Oliver Parker, 2002)

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: 802.25 BRE
Author: Breskin, David
Place: Boston
Publisher: Faber and Faber
PubDate: c1992
PhysDes: vii, 366 p. ; 22 cm
Subject: COPPOLA, FRANCIS FORD; LYNCH, DAVID; STONE, OLIVER; LEE, SPIKE; CRONENBERG, DAVID; ALTMAN, ROBERT; BURTON, TIM
Notes: "These interviews first appeared in slightly different form in issues of Rolling stone magazine between 1990 and 1992"--T.p. verso; Includes filmographies
ISBN: 0571129293 (paper) : $15.95
LON: 9271051

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

PhysDes: Article
Subject: KIDMAN, NICOLE; CRAIG, DANIEL; INVASION, THE (US, OLIVER HIRSCHBIEGEL, 2007)
Summary: Article on the production problems faced during the making of The Invasion

Author: Simon Crook
PhysDes: Article
Subject: KIDMAN, NICOLE; INVASION, THE (US, OLIVER HIRSCHBIEGEL, 2007)
Summary: Review of The Invasion

Author: Michael Adams
PhysDes: Article
Subject: KIDMAN, NICOLE; INVASION, THE (US, OLIVER HIRSCHBIEGEL, 2007)
Summary: D.V.D. review of The Invasion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INVASION, THE (US, OLIVER HIRSCHBIEGEL, 2007)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: IRMA VEP (FR, Oliver Assayas, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JAMIE OLIVER: AUSTRALIAN DIARY [TV] (UK, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JAMIE OLIVER : EAT TO SAVE YOUR LIFE [TV] (UK, 2008)

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 38 leaves
Subject: JAPAN: THE RICE LADLE (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 32 leaves
Subject: JAPAN: TOMORROW AND YESTERDAY (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 36 leaves
Subject: JAPAN: RAW FISH AND PICKLE (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 35 leaves
Subject: JAPAN: A WORKING COUPLE (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 37 leaves
Subject: JAPAN: LIFETIME EMPLOYMENT (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 34 leaves
Subject: JAPAN: THE CAREER ESCALATOR (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JEFFERS, OLIVER

Call No: 79JFK STO
Author: Stone, Oliver, 1946; Sklar, Zachary,; Garrison, Jim, 1921- On the trail of the assassins; Marrs, Jim. Crossfire
Place: New York, NY
Publisher: Applause
PubDate: 1992
PhysDes: 593 p., [26] p. of plates : ill. ; 23 cm
Series: The Applause screenplay series
Subject: JFK (US, Oliver Stone, 1991)
Notes: "Based on the "Trail of the assassins" by Jim Garrison and "Crossfire--the plot that killed Kennedy" by Jim Marrs [and] public sources."; "Oliver Stone's research notes compiled by Jane Rusconi."; "The JFK debate: 97 reactions and commentaries by Norman Mailer, Tom Wicker, Gerald R. Ford & others"--Cover; Includes bibliographical references (p. 573-577)
ISBN: 1557831289; 1557831270 (pbk.)
LON: 8666143

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings; Study guide
Subject: JFK (US, Oliver Stone, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY ENGLISH REBORN (US/FR/UK, Oliver Parker, 2011)

Call No: 81TAR WOO
Author: Woods, Paul A
Place: London
Publisher: Plexus
PubDate: 1996
PhysDes: 160 p., [8] p. of plates : ill. (some col.) ; 23 cm
Subject: Tarantino, Quentin; RESERVOIR DOGS (US, Quentin Tarantino, 1992); PULP FICTION (US, Quentin Tarantino, 1994); NATURAL BORN KILLERS (US, Oliver Stone, 1994); TRUE ROMANCE (US, Tony Scott, 1993)
Notes: Filmography: p. 158-160
ISBN: 0859652351
LON: 12302477

Call No: F53 PER
Author: Perkins, W. H.
Source: Australia
Place: Hobart
Publisher: Fullers Bookshop
PubDate: 1968
PhysDes: 320 p. ; 18 cm
Subject: COURSES, FILM. AUSTRALIA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. SHAKESPEARE, WILLIAM; WESTERNS; LAW IN FILMS; TRIALS IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; OLIVER TWIST (UK, David Lean, 1948); GREAT EXPECTATIONS (UK, David Lean, 1946); HENRY V (UK, Laurence Olivier, 1944); TWELVE ANGRY MEN (US, Sidney Lumet, 1957); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); BACK OF BEYOND, THE (AT, John Heyer, 1953)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LENNIE CAHILL SHOOTS THROUGH (AT, Paul Oliver, 2003)

Call No: P LET
Place: AT
PhysDes: 1 poster : col. ; 34 x 75cm
Subject: LET THE BALLOON GO (AT, Oliver Howes, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET THE BALLOON GO (AT, Oliver Howes, 1976)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOKY LOOKY HERE COMES COOKY (AT, Steven Oliver,2020)
Cross Reference: LOOKY LOOKY HERE COMES COOKY (AT, Steven Oliver,2020)

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE YOUR MAMA (US, Ruby L. Oliver, 1990)

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b & w ; 18 x 25 cm.
Subject: MAGUIRE, GERARD; FENNELL, WILLIE; TOBIAS, OLIVER
Summary: Production still of Maguire, Gerard and Fennel, Willie and Tobias, Oliver in action
Notes: sticker on reverse with details; description reads: 'Each member of the Fireback family entertains his own thoughtss as the first sight of Australia is glimpsed through the early morning sunlight...'; sticky tape residue

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1976?]
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: LUKE'S KINGDOM [TV] (AT, 1976); TOBIAS, OLIVER
Summary: Head shot of Oliver Tobias yelling at something out of shot.

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: LUKE'S KINGDOM [TV] (AT, 1976); MAGUIRE, GERARD; FENNELL, WILLIE; TOBIAS, OLIVER
Summary: Gerard Maguire Willie Fennel and Oliver Tobias on horses rounding up sheep flock.
Notes: sticker on reverse with details.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 15 photographs : b&w ; 24 x 16 cm - 26 x 21 cm
Subject: TOBIAS, OLIVER; CROSBY, ELIZABETH; MAGUIRE, GERARD; FENNELL, WILLIE; MORSE, HELEN; HARRIES-JONES, ROY; CONDON, JAMES; ANOUX, VICTORIA; PEGGE, EDMUND; HAYWOOD, CHRIS; WATKIN, IAN; REYNOLDS, NICK; LUKE'S KINGDOM [TV] (AT, 1976)
Summary: Fifteen black and white photographs from various episodes of the television series Luke's kingdom

Call No: 71"198"(73) HOB
Author: Hoberman, J.
Place: New York
Publisher: New Press
PhysDes: xii, 398 pages; illustrations ; 23 cm
Subject: COMMUNISM AND THE CINEMA. USA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COPPOLA, FRANCIS FORD; CRUISE, TOM; EASTWOOD, CLINT; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FONDA, JANE; GHOSTBUSTERS (US, Ivan Reitman, 1984); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); KAEL, PAULINE; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MADONNA; MILIUS, JOHN; MUSIC TELEVISION; REAGAN RONALD; RIGHT STUFF, THE (US, Philip Kaufman, 1983); ROCKY (US, John G. Avildsen, 1976); RED DAWN (US, John Milius, 1984); STONE, OLIVER
ISBN: 9781595580061

Call No: 79HEA SIN
Author: Singer, Michael; Stone, Oliver, 1946; Hayslip, Le Ly; Le, Thi Hiep
Place: Frenchs Forest, N.S.W.
Publisher: Tower Books
PubDate: 1993
PhysDes: 153 p. : ill. (col.) ; 28 cm
Subject: HEAVEN AND EARTH (US, Oliver Stone, 1993)
Summary: Screenplay based on the autobiographical books by Le Ly Hayslip, When heaven and earth changed places, written with Jay Wurts, and Child of war, woman of peace, written with James Hayslip
ISBN: 0646152592 (pbk.)
LON: abn94125657; 10834717

Call No: TITLE CLIPPINGS FILE; ELSER [13 MINUTES] (G, Oliver Hirschbiegel, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: ELSER [13 MINUTES] (GG, Oliver Hirschbiegel, 2015)
Summary: Review of the film 13 MINUTES
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: MAPANTSULA (SA/AT/UK, Oliver Schmitz, 1988)

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 802.25 MYF
Author: Lowenstein, Stephen
Source: UK
Place: London
Publisher: Faber and Faber Limited
PubDate: 2000
PhysDes: xiv, 360 p. ; [12 plates]
Subject: ALMODOVAR, PEDRO; ANDERS, ALLISON; BUSCEMI, STEVE; COEN, JOEL & ETHAN; DICILLO, TOM; FIGGIS, MIKE; FREARS, STEPHEN; HOGAN, P.J.; JORDAN, NEIL; LEE, ANG; LEIGH, MIKE; LEVINSON, BARRY; LOACH, KENNETH; MANGOLD, JAMES; MINGHELLA, ANTHONY; NAIR, MIRA; OLDMAN, GARY; SMITH, KEVIN; STONE, OLIVER; TAVERNIER, BERTRAND; BLOOD SIMPLE (US, Joel Coen, 1984); GAS FOOD LODGING (US, Allison Anders, 1992); JOHNNY SUEDE (US, Tom DiCillo, 1991); CLERKS (US, Kevin Smith, 1994); DINER (US, Barry Levinson, 1982); SALVADOR (US, Oliver Stone, 1986); ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982); TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990); SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); STORMY MONDAY (UK, Mike Figgis, 1988); PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980); TREES LOUNGE (US, Steve Buscemi, 1996); NIL BY MOUTH (UK, Gary Oldman, 1997); TUI SHOU (TZ, Ang Lee, 1992); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); HEAVY (US, James Mangold, 1995); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); BLEAK MOMENTS (UK, Mike Leigh, 1971); POOR COW (UK, Kenneth Loach, 1967); GUMSHOE (UK, Stephen Frears, 1971)
Summary: Interviews with film-makers about making their first film.
ISBN: 0571196691

Call No: 79NAT TAR
Author: Tarantino, Quentin
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: 119 p. ; 22 cm
Subject: NATURAL BORN KILLERS (US, Oliver Stone, 1994)
ISBN: 0571176178 (pbk) : ª7.99 : Formerly CIP; 0571176178
LON: gb 95072451; 11887515

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: NATURAL BORN KILLERS (US, Oliver Stone, 1994)

Call No: N79NAT AUG
Author: August, John; Hamsher, Jane
Source: US
Place: New York
Publisher: Penguin Books USA
PubDate: 1994
PhysDes: 236 p. : [8] p. of plates : ill., ports. ; 18 cm
Subject: NATURAL BORN KILLERS (US, Oliver Stone, 1994)
ISBN: 0451182642
Donation: donated by the family of Wayne Levy, 2006

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE: TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings; Press kit
Subject: NIXON (US, Oliver Stone, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER! (UK, Carol Reed, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER & COMPANY (US, George Scribner, 1988)

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER, JAMIE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OLIVER, MARGOT

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OLIVER, POM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER'S STORY (US, John Korty, 1978)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER SACKS (US, Ric Burns, 2019)

Call No: 81STO BEA
Author: Beaver, Frank Eugene
Place: New York Toronto New York
Publisher: Twayne Publishers Maxwell Macmillan Canada Maxwell Macmillan International
PubDate: 1994
PhysDes: xvi, 243 p. : ill. ; 23 cm
Series: Twayne's filmmakers series
Subject: STONE, OLIVER
Summary: Oliver Stone is a master of in-your-face movie making. In picture after picture - in what the director refers to as "wakeup cinema" - he takes on big, controversial topics and verges on filmic assault of the audience to drive home his point of view. Stone's artistic warfare, evidenced in such widely seen films as Platoon and JFK, has brought him acclaim as one of the few commercially successful Hollywood directors unafraid to make bold, meaningful films and has brought him criticism as a self-anointed sayer of the truth on whatever subject his eye comes to rest; His provocative style has triggered an enormous critical response, with interviews, reviews, and commentaries numbering in the thousands - remarkable especially for a filmmaker whose first noteworthy film, Salvador, opened in 1986. In this thoroughgoing assessment of Stone's life and work, Frank Beaver not only uses the rich response to the films to inform his own analysis but makes the case that the director has used it as well. There is, Beaver suggests, "a telling symbiosis between critical response and ongoing practice in Stone's emergence as a unique director." Beaver explores the way in which criticism has undeniably helped to shape the course of Stone's ideas and filmmaking techniques
Notes: Filmography: p. 235-238; Includes bibliographical references (p. 200-234) and index
ISBN: 0805793267 (alk. paper); 0805793321 (pbk. : alk. paper)
LON: 93039729; 10549578

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER STONE'S SECRET HISTORY OF AMERICA (US, Oliver Stone, 2010)

Call No: TITLE CLIPPINGS FILE; SNOWDEN (US/FR/GG, Oliver Stone, 2016)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: SNOWDEN (US/FR/GG, Oliver Stone, 2016)
Summary: Review of the film SNOWDEN. The author agrees with the film's message regarding the dangers of survelliance but doesn't think its very entertaining

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: OLIVER, TOBY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OLIVER, TOM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER, TOM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER TWIST (UK, Clive Donner, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: OLIVER TWIST (FR/UK/CZ, Roman Polanski, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER TWIST [TV] (UK, Renny Rye, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER TWIST [TV] (AT, Richard Slapczynski, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ON SACRED GROUND (AT, Oliver Howes, 1981)

Call No: S ONS
PubDate: 1980
PhysDes: 75 leaves
Subject: ON SACRED GROUND (AT, Oliver Howes, 1981)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit
Subject: OTHELLO (UK, Oliver Parker, 1995)

Call No: TITLE CLIPPINGS FILE; ELSER [13 MINUTES] (G, Oliver Hirschbiegel, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: ELSER [13 MINUTES] (GG, Oliver Hirschbiegel, 2015)
Summary: Film review of 13 Minutes

Call No: 408.1 PER
Author: Sobchak, Vivian Carol
Source: US
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: 265 pages ; 24 cm
Series: AFI film readers
Subject: TELEVISION; HISTORY AND THE CINEMA; HISTORY AND TV; THEORY; KING, RODNEY; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TEN COMMANDMENTS, THE (UK, Phil Mulloy, 1996); JFK (US, Oliver Stone, 1991); HOLOCAUST (US, Marvin J. Chomsky, 1978); ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969); SHOAH (FR/SZ, Claude Lanzmann, 1985); SCHINDLER'S LIST (US, Steven Spielberg, 1993); MORRIS, ERROL
Summary: "The Persistence of History examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts, from The Ten Commandments to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's JFK and Spielberg's Schindler's List, the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible" -- Publisher
Notes: Includes bibliographical references and index.
ISBN: 0415910846
Contents: Introduction: History Happens / Vivian Sobchack -- 1. The Modernist Event / Hayden White -- 2. Cinematic Shots: The Narration of Violence / Janet Staiger -- 3. Historical Consciousness and the Viewer: Who Killed Vincent Chin? / Bill Nichols -- 4. "I'll See It When I Believe It": Rodney King and the Prison-House of Video / Frank P. Tomasulo -- 5. Antimodernism as Historical Representation in a Consumer Culture: Cecil B. Demille's The Ten Commandments, 1923, 1956, 1993 / Sumiko Higashi -- 6. Modernism and the Narrative of Nation in JFK / Robert Burgoyne -- 7. Andrei Rublev: The Medieval Epic as Post-Utopian History / Denise J. Youngblood -- 8. Subject Positions, Speaking Positions: From Holocaust, Our Hitler, and Heimat to Shoah and Schindler's List / Thomas Elsaesser -- 9. Historical Ennui, Feminist Boredom / Patrice Petro -- 10. The Future of the Past: Film and the Beginnings of Postmodern History / Robert A. Rosenstone. -- 11. Interrotroning History: Errol Morris and the Documentary of the Future / Shawn Rosenheim -- 12. The Professors of History / Dana Polan. -- Contributors -- Index

Call No: 403 MAR
Author: Martin, Adrian
Place: Ringwood, Vic.
Publisher: McPhee Gribble
PubDate: 1994
PhysDes: xii, 212 p. ; 21 cm
Subject: POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND TV; VIETNAM WAR FILMS; THRILLERS; MYTH AND THE CINEMA; COMEDIES; BLOCKBUSTERS; SURREALISM AND THE CINEMA; YOUNG PEOPLE IN FILMS; CITIES IN FILMS; ENDINGS OF FILMS; CAPRA, FRANK; EDWARDS, BLAKE; SCORSESE, MARTIN; THIRTYSOMETHING [TV] (US, 1987-91); JFK (US, Oliver Stone, 1991); BENNY HILL SHOW, THE [TV] (UK, 1979); DUNLEAVY [TV] (US, 1992?); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946)
Notes: Includes index; CIP confirmed; Subtitle on cover: The dreams and desires at the heart of our popular culture; Bibliography: p. 199-201
ISBN: 0869142917 (pbk.)
LON: 10669030

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PLATOON (US, Oliver Stone, 1986)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PLATT, OLIVER

Call No: TITLE CLIPPINGS FILE; SNOWDEN (US/FR/GG, Oliver Stone, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: SNOWDEN (US/FR/GG, Oliver Stone, 2016)
Summary: Review of the film SNOWDEN
Rating: 4 out of 5 stars

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: POSTGATE, OLIVER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUIET ONE, THE (UK, Oliver Murray, 2019)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: REED, OLIVER

Call No: 754.11 ROA
Author: Cohan, Steven; Hark, Ina Rae
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xv, 379 p. : ill. ; 24 cm
Subject: ROAD MOVIES; BUDDY FILMS; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; EASY RIDER (US, Dennis Hopper, 1969); MAD MAX [...] (AT, 1979-85); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); PARIS, TEXAS (GW/US, Wim Wenders, 1984); RAIN MAN (US, Barry Levinson, 1988); SEARCHERS, THE (US, John Ford, 1956); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); BONNIE AND CLYDE (US, Arthur Penn, 1967); BOYS ON THE SIDE (US, Herbert Ross, 1995); FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966); LIVING END, THE (US, Gregg Araki, 1992); MIDNIGHT RUN (US, Martin Brest, 1988); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NATURAL BORN KILLERS (US, Oliver Stone, 1994); PERFECT WORLD, A (US, Clint Eastwood, 1993); SORPASSO, IL (IT, Dino Risi, 1962); THELMA & LOUISE (US, Ridley Scott, 1991); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: Includes bibliographical references and indexes
ISBN: 0415149363 (hbk.); 0415149371 (pbk.)
LON: 97008924; 13107383

Call No: 751.1(73) KEN
Author: Kennedy, Matthew
Place: Oxford ; New York
Publisher: Oxford University Press
PhysDes: x, 307 pages ; 25 cm
Subject: MUSICALS. USA; ANDREWS, JULIE; HARRISON, REX; STREISAND, BARBRA; CABARET (US, Bob Fosse, 1972); CAMELOT (US, Joshua Logan, 1967); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DARLING LILI (US, Blake Edwards, 1970); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); FUNNY GIRL (US, William Wyler, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); HAPPIEST MILLIONAIRE, THE (US, Norman Tokar, 1967); HELLO, DOLLY! (US, Gene Kelly, 1969); MAN OF LA MANCHA (US/IT, Arthur Hiller, 1972); MY FAIR LADY (US, George Cukor, 1964); OLIVER (UK, Carol Reed, 1968); PAINT YOUR WAGON (US, Joshua Logan, 1969); SONG OF NORWAY (US, Andrew L. Stone, 1970); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); SWEET CHARITY (US, Bob Fosse, 1969); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967)
Summary: A study on the Hollywood musical of the late 1960's and how after the remarkable box office highs of The Sound of Music, musicals were generally financial and critical disappointments for a number of years.
ISBN: 9780199925674
Contents: Machine generated contents note: ch. 1 The Musical That Ate Hollywood -- ch. 2 "I, Too, Can Sing" -- ch. 3 The Animal Kingdom -- ch. 4 Movie Stars -- ch. 5 Smoke and Gold -- ch. 6 Over-Egg the Pudding -- ch. 7 Do Little -- ch. 8 Casting About -- ch. 9 Buying and Selling -- ch. 10 "Impossible to Control the Cost of This Gown" -- ch. 11 Battle of the Girls -- ch. 12 Delayed Adolescence -- ch. 13 The Paramount Bloodsuckers -- ch. 14 Goodbye, MGM -- ch. 15 Numbers -- ch. 16 "Magnificent Apathy" -- ch. 17 Acts of Faith -- ch. 18 The Impossible Dream

Call No: 81POL MOR
Author: Morrison, James
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois Press
PubDate: 2007
PhysDes: xi, 191 p. ; 22 cm
Series: Contemporary Film Directors
Subject: ART CINEMA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. HARDY, THOMAS; ADAPTATIONS; MODERNISM AND THE CINEMA; AESTHETICS; IMAGE ANALYSIS; POLANSKI, ROMAN; BORDWELL, DAVID; REPULSION (UK, Roman Polanski, 1965); CUL-DE-SAC (UK, Roman Polanski, 1966); ROSEMARY'S BABY (US, Roman Polanski, 1968); MACBETH (US/UK, Roman Polanski, 1971); CHINATOWN (US, Roman Polanski, 1974); LOCATAIRE, LE (FR, Roman Polanski, 1976); TESS (FR/UK, Roman Polanski, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); PIANIST, THE (UK/GG/FR/PL, Roman Polanski, 2002); OLIVER TWIST (FR/UK/CZ, Roman Polanski, 2005)
ISBN: 9780252074462
Contents: Captive minds: Polanski and modernity. -- Comedy, melodrama, and gentrification in Polanski's films -- Cul-de-Sac and the 1960's art cinema -- Polanski in the new Hollywood -- Polanski and the art film's second wave -- Rendering classics: Macbeth and Tess -- Discovering the Figural in Polanski's films -- Interviews with Roman Polanski -- filmography, bibliography, index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ROMANTIC ROAD (CN/BA/II/NP/UK, Oliver McGarvey, 2017)
Cross Reference: ROMANTIC ROAD (CN/BA/II/NP/UK, Oliver McGarvey, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: SALVADOR (US, Oliver Stone, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAVAGES (US, Oliver Stone, 2012)

Call No: S SAY
Author: Jones, Laura
PubDate: [1977?]
PhysDes: 90 leaves
Subject: SAY YOU WANT ME [TV] (AT, Oliver Howes, 1977)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAY YOU WANT ME [TV] (AT, Oliver Howes, 1977)

Call No: 45:179 SCR
Author: French, Karl
Place: London
Publisher: Bloomsbury
PubDate: 1996
PhysDes: vi, 250 p. ; 21 cm
Subject: VIOLENCE IN FILMS; VIOLENCE ON TV; SERIAL KILLERS IN FILMS; CENSORSHIP; DELINQUENTS IN FILMS; CHILDREN, EFFECTS OF FILM ON; WATERS, JOHN (US); MCCALLION, JAMES; STONE, OLIVER; EASTWOOD, CLINT; GRISHAM, JOHN; AMIS, MARTIN; SCHWARZENEGGER, ARNOLD; STALLONE, SYLVESTER; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); CHILD'S PLAY [...] (US, 1988-1991)
ISBN: 0747525498
LON: abn96397172; 12886978

Call No: 45:2 SCR
Author: Ostwalt, Conrad Eugene, 1959; Martin, Joel W., 1956
Place: Boulder
Publisher: Westview Press
PubDate: c1995
PhysDes: x, 193 p. ; 24 cm
Subject: MYTH AND THE CINEMA. USA; RELIGION AND THE CINEMA. USA; IDEOLOGY AND THE CINEMA. USA; DISASTERS IN FILMS; ALLEGORY IN FILMS; WOMEN IN FILMS; HERO IN FILMS; RACIAL ISSUES AND THE CINEMA; ALIENS IN FILMS; VIETNAM WAR IN FILMS; NINE 1/2 WEEKS (US, Adrian Lyne, 1986); PSYCHO (US, Alfred Hitchcock, 1960); BLOOD SIMPLE (US, Joel Coen, 1984); PLATOON (US, Oliver Stone, 1986); STAR WARS (US, George Lucas, 1977); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ROCKY (US, John G. Avildsen, 1976); IRONWEED (US, Hector Babenco, 1987); BLUE VELVET (US, David Lynch, 1986)
Notes: Includes bibliographical references (p. 161-182) and index
ISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)
LON: 11259176

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHADOWPLAY (UK, Oliver Stapleton, 1980)

Call No: 732 KER; FOLIO
Author: Kerr, Walter, 1913
Edition: 1st ed
Place: New York
Publisher: Knopf
PubDate: 1975
PhysDes: 372 p. : ill. ; 31 cm
Subject: COMEDIANS; COMEDIES; Keaton, Buster; HARDY, OLIVER; LAUREL, STAN; GRIFFITH, RAYMOND; LANGDON, HARRY; SENNETT, MACK; LLOYD, HAROLD; CHAPLIN, CHARLES
Notes: Includes index
ISBN: 0394469070 : $17.95
LON: 384380

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SLACK VANGUARD (AT, Oliver Robb, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SNOWDEN (US/FR/GG, Oliver Stone, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUTH OF THE BORDER (US, Oliver Stone, 2009)

Call No: 749.2 WAL
Author: Waldrep, Shelton
Edition: 2021
Place: New York
Publisher: Bloomsbury
PubDate: 2021
PhysDes: 294 pages : illustrated ; 24 cm
Subject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999); FULL METAL JACKET (UK, Stanley Kubrick, 1987); KUBRICK, STANLEY; PORNOGRAPHIC FILMS; CANYONS, THE (US, Paul Schrader, 2013); MAGIC MIKE (US, Steven Soderbergh, 2012); SAVAGES (US, Oliver Stone, 2012); NYMPHOMANIAC [VOL. I AND VOL. II] (DK/G/BE/UK/FR, Lars von Trier, 2013); LOVE (FR/BE, Gaspar Noe, 2015); JAMES BOND IN FILMS
Summary: As film and television become ever more focused on the pornographic gaze of the camera, the human body undergoes a metamorphosis, becoming both landscape and building, part of an architectonic design in which the erotics of the body spread beyond the body itself to influence the design of the film or televisual shot. The body becomes the mise-en-scène of contemporary moving imagery. Opening The Space of Sex, Shelton Waldrep sets up some important tropes for the book: the movement between high and low art; the emphasis on the body, looking, and framing; the general intermedial and interdisciplinary methodology of the book as a whole. The Space of Sex's second half focuses on how sex, gender, and sexuality are represented in several recent films, including Paul Schrader's The Canyons (2013), Oliver Stone's Savages (2012), Steven Soderbergh's Magic Mike (2012), Lars Von Trier's Nymphomaniac (2013), and Joseph Gordon-Levitt's Don Jon (2013). Each of these mainstream or independent movies, and several more, are examined for the ways they have attempted to absorb pornography, if not the pornography industry specifically, into their plot. According to Waldrep, the utopian elements of seventies porn get reprocessed in a complex way in the twenty-first century as both a utopian impulse-the desire to have sex on the screen, to re-eroticize sex as something positive and lacking in shame-with a mixed feeling about pornography itself, with an industry that can be seen in a dystopian light. In other words, sex, in our contemporary world, still does not come without compromise. -- publisher's web site
ISBN: 9781501333057
Contents: Introduction -- Part One: Topographies of Desire -- 1.Framing the Image: The Female Body in Late Kubrick -- 2.The Spy Who Loved Me: Bond and the Playboy Aesthetic -- Part Two: The Pornographic Imaginary -- 3.Theorizing Pornography -- 4.Body of Art -- Part Three: The Space of Sex in Contemporary Film and Television -- 5.Porn as Form and Content -- 6.Spatializing Desire -- Bibliography -- Index

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 81 slides : col. + 23 transparencies : b&w ; 120 mm + 1 transparency : col. ; 120 mm + 9 negatives : b&w ; 35 mm
Subject: HAWKINS, ANTHONY; CASSELL, ALAN; DIEDRICH, JOHN; GILLING, REBECCA; MORTIMER, IAN; BANNISTER, KERRIE; WINCHESTER, ARNA-MARIA; UPJOHN, WILLIAM; GILL, VINCE; MCKAY, KERRY; CHILVERS, SIMON; ANDREWS, GAEL; LOBEZ, SUSANNA; LESLEY, LORNA; DUNCAN, CARMEN; SMILLIE, JIM; HAGAN, JENNIFER; WOODBURNE, JACKIE; OLIVER, TOM; CRAWFORD, ANNA; ALDENHOVEN, LISA; MAGUIRE, GERARD; QUAST, PHILIP; TAYLOR, GRIGOR; ARNOLD, RONNIE; ABIGAIL; HANNAN, JOHN; SALTMARSH, KIER; DEANS, JUDITH; DAHLSEN , PETER; SCOTT, RENEE; GALLACHER, FRANK; BISLEY, STEVE; GREGG, JOHN; HAYWOOD, CHRIS; FURNESS, DEBORRA-LEE; MCLUSKIE, KASSIE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs, slides and negatives relating to the series 'Special Squad'
Notes: Images are arranged in groupings as received by Crawford Productions with their accompanying promotional sheets
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ST TRINIAN'S (UK, Oliver Parker and Barnaby Thompson, 2007)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: STONE, OLIVER
URL status: URL: 'http://file://Q:/P/STONE,_OLIVER.zip' Checked: 31/08/2021 12:53:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE; STONE, OLIVER
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: STONE, OLIVER
Summary: Interview with US director Oliver Stone about his career and his latest proposed project on Russian leader Vladimir Putin

PhysDes: Article
Subject: STONE, OLIVER; EMBASSY ROADSHOW
Summary: Article on Oliver Stone and Steve Roth's future projects together, including two Lawrence Bloch novels; "Eight Million Ways to Die" and "A Stab in the Dark"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STOP LAUGHING ... THIS IS SERIOUS [TV](AT, Stephen Oliver, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWIMMING WITH MEN (UK, Oliver Parker, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKEN 3 (FR, Oliver Megaton, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: TALK RADIO (US, Oliver Stone, 1988)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: TENNIS COURT OPERA (AT, Leslie Oliver, 1985)
Summary: 2 black and white photographs of a tennis court.

Call No: 61[77] DAN
Author: Danks, Adrian
PhysDes: 233 p. ; 29 cm.
Subject: AESTHETICS; PHOTOGRAPHY AND THE CINEMA; AUTEUR THEORY; AVANT-GARDE FILMS; AVANT-GARDE FILMS. AUSTRALIA; EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; Powell, Michael; PRESSBURGER, EMERIC; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BADLANDS (US, Terrence Malick, 1973); SONG OF AIR (AT, Merilee Bennett, 1987); CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944); PEEPING TOM (UK, Michael Powell, 1960); JFK (US, Oliver Stone, 1991); CALENDAR (CN/GG/AR, Atom Egoyan, 1993); WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959)
Summary: This thesis analyses the representation of 'home' photographic materials within a range of historically, aesthetically and generically diverse cinematic works. [Taken from thesis summary.]
Notes: PhD thesis

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TOBIAS, OLIVER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TORR, OLIVER

Call No: 21(73) LEW
Author: Lewis, Jerry
Source: UK
Place: London
Publisher: Vision
PubDate: 1974
PhysDes: 208p. : ill. ; 22cm
Subject: DIRECTION; INDUSTRY, FILM. USA; PRODUCTION; BRANDO, MARLON; CHAPLIN, CHARLES; HARDY, OLIVER; LAUREL, STAN; LEWIS, JERRY; WISE, ROBERT; WYLER, WILLIAM; BONNIE AND CLYDE (US, Arthur Penn, 1967); MODERN TIMES (US, Charles Chaplin, 1936)
Summary: "Adapted from his lectures to university post-graduate students, The Total Film-Maker is Jerry Lewis's frank, sometimes irreverent account, from the director's viewpoint, of the splendours and miseries of film-making. Replete with anecdotes and asides, the book details almost every aspect of the production of a motion picture, including the marshalling of actors and technicians, the preparation for filming itself, the cutting and editing processes, and the not always amicable transactions with distributors and would-be exploiters that follow the making of a film. The final section deals with the art of film comedy: how it is created, what makes it work, and who the great comedians are and why" -Book blurb
ISBN: 01854780238
Donation: donated by the family of Wayne Levy, 2006
Contents: To the reader -- Prologue -- Part one - production -- The humanities of film -- The total film-maker -- The money man -- Script and writer -- Actors -- The million-dollar hug -- Pre-production chores -- The crew -- Homework -- Filming it! -- Part two - post-production -- Editing -- Music and dubbing -- distribution and exploitation -- Other film-makers, other films -- Part three - comedy -- Laughs are our thing -- The visuals of comedy -- The comedians -- Kind of a wrap

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: U-TURN (US, Oliver Stone, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: UNTERGANG, DER (GG, Oliver Hirschbiegel, 2004)

Call No: REFERENCE SECTION; 058 INT "1996"
Author: Cowie, Peter
Place: London
Publisher: Hamlyn
PubDate: [1995]
PhysDes: 448 p. : ill., ports. ; 25 cm
Subject: ARMSTRONG, GILLIAN; HOU HSIAO-HSIEN; KIAROSTAMI, ABBAS; STONE, OLIVER; TRIER, LARS VON; FESTIVALS. HONG KONG; LASER DISCS, FILMS ON; MUSIC, FILM
Notes: Includes index to advertisers
ISBN: 060058822X (pbk.)
LON: 12059614

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: W. (US/HK/G/UK/AT, Oliver Stone, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WALL STREET (US, Oliver Stone, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WALL STREET: MONEY NEVER SLEEPS (US, Oliver Stone, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: WOKABOUT BILONG TONTEN (AT/PP, Oliver Howes, 1974)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b& w ; 21 x 26 cm
Subject: WOKABOUT BILONG TONTEN (AT/PP, Oliver Howes, 1974)
Summary: 7 black and white photographs of scenes from the film.

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; LIGHTING; OLIVER, TOBY; WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: Director of Photography, Toby Oliver discusses the lighting techniques and methods used filming the Australian horror film sequel, Wolf Creek 2

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-Rom press kit
Subject: WORLD TRADE CENTER (US, Oliver Stone, 2006)
ID2: 248