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10 CONDITIONS OF LOVE, THE : (AT, Jeff Daniels, 2009)
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1000 women in horror / by Alexandra Heller-Nichols Orlando: BearManor Media, 2020.
Call No: 735.2-02 HELAuthor: Heller-Nichols, Alexandra Edition: 2020Place: OrlandoPublisher: BearManor MediaPubDate: 2020PhysDes: 592 pages ; illus. ; 27cmSubject: HORROR FILMS ; WOMEN AND THE CINEMA ; WOMEN FILMMAKERS ; WOMEN, FILMS MADE BY ; LOVE WITCH, THE (US, Anna Biller, 2016) Summary: Blowing a kiss back through time and space from Aaliyah to Jill Rae Zurborg, 1000 Women in Horror, 1895-2018 is a love letter to both the stars and the often-invisible women who have made the genre what it is today. From Classical Hollywood to alt-Nollywood, mumblegore to J-horror, this book offers a tiny global snapshot of the vast number of women who have worked in the creation of dark and spooky movies for well over a century, both behind and in front of the camera, and in films both widely known and comparatively obscure.
Featuring a selected filmography of over 700 feature films directed or co-directed by women, this book also features interviews with Rutanya Alda, Tara Anaïse, Tonjia Atomic, Anna Biller, Axelle Carolyn, Aislinn Clarke, BJ Colangelo, Mattie Do, Julia Ducournau, Jordan Hall, Catherine Hardwicke, Katherine Kean, Karen Lam, Izzy Lee, Barbara Magnolfi, Marsha Mason, Donna McRae, Patrushkha Mierzwa, Hannah Neurotica, Alexandra Paul, Isabel Peppard, Cassandra 'Elvira' Peterson, Debbie Rochon, Mia'Kate Russell, Gigi Saul Guerrero, Elizabeth Shepherd, Jen and Sylvia Soska, Brinke Stevens, Barbie Wilde and Silvana Zancolò. -- Book jacketISBN: 9781629333878
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poster
[A place for me : poster]
Call No: P PLAPhysDes: 4 posters : colour ; 100 x 70 cmSubject: PLACE FOR ME, A (US, Josh Boone, 2012) ; STUCK IN LOVE (US, Josh Boone, 2012) Summary: Image: Top half of poster features floating images of Jennifer Connelly, Greg Kinnear, Kristen Bell, Nat Wolff and Lily Collins. Bottom half of poster features Greg Kinnear and Jennifer Connelly walking on a beach.
Text: "A story about first loves and second chances."Notes: One poster has a small tear at the bottom
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ABC OF LOVE AND SEX...AUSTRALIAN STYLE, THE : (AT, John Lamond, 1978)
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ABOUT LOVE : (AT, George Schwarz, 1973)
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journal article
Accent On Love (1941) in Australian film guide vol.1 iss.10 p.12
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ACHILLES' LOVE : (US, Meredith Cole, 2000)
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newspaper article
Acting her age : Katherine Langford follows up her whirlwindrise in Netflix series 13 Reasons Why with her first big Hollywood movie Love, Simon in Herald Sun [Weekend] (31/3/2018) p.10
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
SEE
DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
SEE
FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
SEE
BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
SEE
TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
SEE
ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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ADDICTED TO LOVE : (US, Griffin Dunne, 1997)
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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journal article
The Age for Love in Films in review (April 1979) vol.30 iss.4 p.208
PhysDes: ArticleSubject: AGE FOR LOVE, THE (US, Frank Lloyd, 1931) Summary: Less than fifty words detailing "The Age for Love" credits. It does note that the film was based on the Ernest Pascal novel of the same name.
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AGE OF LOVE [TV] : (US, 2007)
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ALLVARSAMMA LEKEN, DEN : NO/SW, Anja Breien, 1977
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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AMERICAN LOVE STORY, AN : (US, Jennifer Fox, 1999)
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AMOR MENOS PENSADO, EL [AN UNEXPECTED LOVE] : (AG, Juan Vera, 2018)
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AMOUR A MORT, L' : (FR, Alain Resnais, 1984)
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AMOUR DE JEUNESSE, UN : (FR/G, Mia Hansen-Love, 2011)
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AMOUR IMPOSSIBLE, UN [IMPOSSIBLE LOVE, AN] : (FR/BE, Catherine Corsini, 2018)
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ANGELO, MY LOVE : (US, Robert Duvall, 1983)
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Anna Karenina. English / By Count Lyof N. Tolstoi ; translated by Nathan Haskell Dole ; illustrated with scenes from the photo play. A Metro-Goldwyn-Mayer production starring Greta Garbo and John Gilbert. London: Readers Library, [ca. 1936].
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016.
Call No: 740.1 APOSource: UKPlace: LondonPublisher: Lanham Rowman & LittlefieldPubDate: c2016PhysDes: xxii, 231 pages : illustrations ; 24 cm.Subject: APOCALYPSE IN FILMS ; DISASTER FILMS ; CIVILISATION (US, Raymond B. West, 1916) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; BED SITTING ROOM, THE (UK, Richard Lester, 1969) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's siteNotes: Includes bibliographical references and indexISBN: 9781442260276Donation: donated by Senses of Cinema, 2016Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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ART D'AIMER, L' : (FR/IT, Walerian Borowczyk, 1983)
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998.
Call No: 81MON WOLAuthor: Wolfe, Donald H. Source: USPlace: LondonPublisher: Little Brown and CompanyPubDate: 1998PhysDes: 532 p. : ill. ; 25 cmSubject: TWENTIETH CENTURY-FOX ; MONROE, MARILYN ; MILLER, ARTHUR ; MONTAND, YVES ; KENNEDY, JOHN F. ; SINATRA, FRANK ; ZANUCK, DARRYL F. ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; BUS STOP (US, Joshua Logan, 1956) ; LET'S MAKE LOVE (US, George Cukor, 1960) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009.
Call No: 81:634DEH STAAuthor: Starrs, David Bruno Source: ATPlace: Brisbane, QueenslandPubDate: 2009PhysDes: 263 p. : ill. ; 30 cmSubject: AUTEUR THEORY ; DIRECTORS. AUSTRALIA ; SOUND ; THEORY ; DE HEER, ROLF ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
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journal article
Aust. movie giant, Roadshow Film Dist., launch Roadshow Home Video in Australasian Cinema (28/5/1982) vol.11 iss.9 p.7
PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; ENDLESS LOVE (US, Franco Zeffirelli, 1981) ; ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980) ; VILLAGE ROADSHOW Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.
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book
Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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newspaper article
Australian 'powerhouse' feature is surprise hit of Venice in Sun Herald (04/09/2016) p.23
Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)Author: Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: FESTIVALS. VENICE ; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Report on the critical acclaim HOUNDS OF LOVE received at the 2016 Venice FIlm Festival and how it took the film's director Ben Young by surprise. Some detail on his career and why he made the film
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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AUTISM IN LOVE : (US, Matt Fuller, 2015) Digital clippings file available
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AWARDS.AUSTRALIA.LIVE AND LOVE
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Baby love in The Australian [News] (08/03/2014) p.23
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Bad done good in Sunday Herald Sun [Scene] (28/05/2017) p.4
Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: CURRY, STEPHEN ; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Stephen Curry discusses the role he plays in the film HOUNDS OF LOVE and why he went out of his way to play a character very much against his type
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BE HERE TO LOVE ME: A FILM ABOUT TOWNES VAN ZANDT : (US, Margaret Brown, 2004)
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Bel Canto and love in Cinema D' Oggi (7 May 1986) vol.10 iss.8 p.14
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BERLIN I LOVE YOU : (G, Various, 2019)
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BIG BAD LOVE : (US, Arliss Howard, 2001)
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BIG BAD LOVE : (AT, Briony Benjamin, 2016)
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book
Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980.
Call No: 81WIL DICAuthor: Dick, Bernard F. Source: USPlace: BostonPublisher: Twayne PublishersPubDate: 1980PhysDes: 188 p. : ill. ; 21 cmSeries: Twayne's Theatrical Arts SeriesSubject: WILDER, BILLY ; APARTMENT, THE (US, Billy Wilder, 1960) ; AVANTI (US, Billy Wilder, 1972) ; ACE IN THE HOLE (US, Billy Wilder, 1951) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FEDORA (GW/FR, Billy Wilder, 1978) ; [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943) ; FORTUNE COOKIE, THE (US, Billy Wilder, 1966) ; FRONT PAGE, THE (US, Billy Wilder, 1974) ; IRMA LA DOUCHE (US, Billy Wilder, 1963) ; KISS ME, STUPID (US, Billy Wilder, 1964) ; LOST WEEKEND, THE (US, Billy Wilder, 1945) ; LOVE IN THE AFTERNOON (US, Billy Wilder, 1957) ; MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970) ; SABRINA (US, Billy Wilder, 1954) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index.
Bibliography: p. 173-174.
Filmography: p. 175-183.ISBN: 0805792740Donation: donated by the family of Wayne Levy, 2006
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BLUME IN LOVE : (US, Paul Mazursky, 1973)
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journal article
'Bodyline' star for Margaret Fink's 'For Love Alone' in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.7
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BOOK OF LOVE : (US, Robert Shaye, 1990)
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BOYS IN LOVE 2 : (US, Todd Downing & Patrick McGuinn, 1998)
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Bruce Bereford : instincts of the heart / Peter Coleman Pymble, N.S.W.: Angus and Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Source: ATPlace: Pymble, N.S.W.Publisher: Angus and RobertsonPubDate: 1992PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cmSubject: BERESFORD, BRUCE ; FILMMAKING. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)ISBN: 0207175268
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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BYE BYE, LOVE : (US, Sam Weisman, 1995)
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CAFE OF LOVE : (AT, Jinks Dulhunty, 1982)
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I CAN MAKE YOU LOVE ME: THE STALKING OF LAURA BLACK : (US, Michael Switzer, 1993)
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CAN'T BUY ME LOVE : (US, Steve Rash, 1987)
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journal article
Can't buy me love in Cinema Papers (March 1988) iss.68 p.46-47
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CAPITALISM : A LOVE STORY : (US, Michael Moore, 2009)
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CARELESS LOVE : (AT, John Duigan, 2012)
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CASUALTIES OF LOVE : (US, John Herzfield, 1992)
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CHINA LOVE : (AT, Olivia Martin McGuire, 2018)
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Interim
book
Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003.
Call No: 71(51) CHIAuthor: Berry, Chris CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: viii, 216 p.. ill.. 24 cm.Subject: CITY OF SADNESS, A [ ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]Notes: Includes bibliographical references and indexISBN: 0851709869. v. pbk.ID2: 150
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinema interval / Trinh T. Minh-ha London: Routledge, 1999.
Call No: 81TRI TRIAuthor: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952 Place: LondonPublisher: RoutledgePubDate: 1999PhysDes: xiv, 274 p., [16] p. of plates : ill. (some col.) ; 23 cmSubject: TRINH, T. MINH-HA ; IMPERIALISM AND THE CINEMA ; CHINA IN FILMS ; VOYEURISM AND THE CINEMA ; VERHOEVEN, DEB ; REYNAUD, BERENICE ; SHOOT FOR THE CONTENTS (US, Trinh T. Minh-ha, 1991) ; TALE OF LOVE, A (US, Trinh T. Minh-ha, 1995) Notes: Includes indexISBN: 0415922011(pbk.) : ª14.99; 0415922003(cased) : ª50.00LON: 14606477
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Cinema Now Adelaide: Port Film Co-Op, 2018.
Call No: Held: 2018Source: ATPlace: AdelaidePublisher: Port Film Co-OpPubDate: 2018Subject: [MISTER] MR ACCIDENT (AT, Yahoo Serious, 2000) ; MARTIN, ADRIAN ; MOUSOULIS, BILL ; MANGANINNIE (AT, John Honey, 1980) ; RESISTANCE (AT, Paul Elliot & Hugh Keays-Byrne, 1992) ; DEAD HEART (AT, Nick Parsons, 1996) ; HARD WORD, THE (AT, Scott Roberts, 2002) ; BONDI TSUNAMI (AT, Rachael Lukas, 2003) ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) ; DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
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Cinema of obsession : erotic fixation and love gone wrong in the movies / written by Dominique Mainon and James Ursini New York: Limelight Editions, 2007.
Call No: 747.6 MAIAuthor: Mainon, Dominique ; Ursini, James Source: USPlace: New YorkPublisher: Limelight EditionsPubDate: 2007PhysDes: xv, 392 p. : ill. ; 24 cmSubject: GAZE IN FILMS ; LOVE IN FILMS ; SEX IN FILMS ; ROMANTIC FILMS Summary: "Fatal Attraction, Basic Instinct, The Killers, Wild at Heart, Last Tango in Paris, Vertigo - the names alone evoke dark images of peverse passion and erotic fixation, heartbreak, deception, and love gone terribly wrong. In Cinema of Obsession, noted film scribes Dominique Mainon and James Ursini tackle stories of love and its many dark permutations - the male domination of Phantom of the Opera and The Collector, the star-crossed love stories of Romeo and Juliet and Bonnie and Clyde, the violent female obsession of Mulholland Drive and Fatal Attraction - all of these and dozens more are discussed in depth, analyzed, and dissected. In addition to plot description, character analysis, and commentary, Mainon and Ursini offer psychological profiles of cinema's most infamous and tortured characters. No stone is left unturned in this, the first-ever comprehensive guide to the twisted side of romantic cinema. " -- BOOK BLURBNotes: Includes filmography: p. 367-387; Includes bibliographical references (p. 388-389) and indexISBN: 9780879103477Contents: -- Acknowledgments -- Introduction: Inverted Desire and Obsessive Love -- 1. Obsessive Love in the Cinema: The Seminal Films -- 2. Amour Fou: Postwar Sexual/Romantic Implosion -- 3. Love on the Run: The Fugitive Couple -- 4. A Voyeur's Tale: The Male Gaze -- 5. The Tables Turned: The Female Gaze -- Appendix: The Literary, Philosophical, and Psychological Roots of Obsession and Mad Love -- Filmography -- Selected Bibliography -- Index of titles --
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journal article
Cleaning up the queer : sex, love and ideology in Stephen Wallace's For love alone in Studies in Australasian cinema (2011) vol.5 iss.1 p.58-70
Author: Cook, Anne-Marie PhysDes: ArticleSubject: HOMOSEXUALITY IN FILMS ; WOMEN IN FILMS ; MARRIAGE IN FILMS ; FOR LOVE ALONE (AT, Stephen Wallace, 1985) Summary: This article positions Stephen Wallace's adaptation (1986) of Christina Stead's novel, For Love Alone (1944), as a conservative revision of a literary text whose radical engagement with queer desires challenged heteronormative values and institutions. Drawing upon production files, personal correspondence with the film-maker, literary and film criticism and textual analysis, the article quantifies the ideological work of the adaptation. It identifies Stead's treatment of non-monogamous heterosexual relationships, fantasies rooted alternative sexual practices and homoerotic triangulations as the basis for the novel's queer space. It then shows how the film imposed a heteronormative sensibility upon the narrative by eliminating references to any form of same-sex desire, framing the heroine's journey as a marriage quest that ignored other aspects of personal and professional development and confirming her abandonment of free love in favour of wedded bliss. The article traces this eradication of queer space to factors in the adaptation process, logistical issues that arose during production and promotional discourses that encouraged it to be received as a love story. By reflecting on the significance of the film's failure to register the novel's queer resonances, its active promotion of monogamous marriage and the circumstances that produced those creative decisions, the article sheds light on the ideological dynamics of both the film and the creative process as a whole. -- Abstract
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COLOR OF LOVE, THE : (US, Peggy Ahwesh, 1994)
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COMBIEN TU M'AIMES? : (FR, Bertrand Blier, 2005)
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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A companion to Wong Kar-wai / edited by Martha P. Nochimson Chichester, West Sussex ; Malden, MA: Wiley-Blackwell, 2016.
Call No: 81WONG COMSource: USPlace: Chichester, West Sussex ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2016PhysDes: xvi, 627 pages : illustrations ; 25 cmSeries: Wiley Blackwell Companions to Film DirectorsSubject: CITY OF SADNESS, A [ ; WONG KAR WAI ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004) ; FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violenceNotes: Includes bibliographical references (pages 586-599) and index.
Filmography: pages 558-561ISBN: 9781118424247Donation: donated by Senses of CinemaContents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index
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Context-free criminal in Weekend Australian [Review] (03/01/2016) p.15
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Coverted role for Sydney actress in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.4
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Coy tone strikes wrong note in The Age [News] (20/02/2014) p.33
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CRAZY LOVE : (BE, Dominique Deruddere, 1987)
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CRAZY LOVE : (US, Dan Klores & Fisher Stevens, 2007)
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CRAZY, STUPID, LOVE : (US, Glenn Ficarra & John Requa, 2011)
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CRIME D'AMOUR : FR, Alain Corneau, 2010
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Customs made for wit : the Arab Film Festival in AFR Weekend (30/07/2016) p.36
Call No: TITLE CLIPPINGS FILE; HALAL LOVE (GG/LE, Assad Fouladkar, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: FESTIVALS. AUSTRALIA. ARAB ; COMEDIES. MIDDLE EASTERN COUNTRIES ; COMEDIES. USA ; HALAL LOVE (GG/LE, Assad Fouladkar, 2016) Summary: Positive review of the comedy HALAL LOVE, and comments on watching the film at the Arab Film Festival amongst a largely Arab audience. The author looks at how interesting it is to think about a culture as represented in comedies and despairs that Western audiences favour popular comedies that are gross out fests (names DIRTY GRANDPA) compared to more sophisticated non Western comedies as represented by HALAL LOVE
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Cut to the bone in Sydney Morning Herald [Shortlist] (26/05/2017) p.6
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Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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DEAD HANDS DIG DEEP : (AT/US, Jai Love, 2016)
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Deadly passion in Weekend Australian [Review] (20/05/2017) p.3
Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)Author: Hawker, Philippa PhysDes: Clippings File ArticleSubject: HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Preview of the film HOUNDS OF LOVE. Director Ben Young discusses the process of casting the film and getting it made
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DEATH IN LOVE : (US, Boaz Yakin, 2008)
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DESPABILATE AMOR : (AG, Eliseo Subiela, 1996)
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DIDN'T DO IT FOR LOVE? : (GG, Monika Treut, 1998)
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Digital p/reservations : Kirsten Krauth reports from the Australian International Documentary Conference in Adelaide in Realtime (Dec 1999-Jan 2000) iss.34 p.12-13
Author: Krauth, Kirsten PhysDes: Conference report; Illustration(s)Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999 ; DIGITAL BROADCASTING ; SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) ; AMERICAN LOVE STORY, AN (US, Jennifer Fox, 1999) Summary: Report on the Australian International Documentary Conference held in Adelaide, November 1999, which focused on the issues of ethics, globalism and the impact of digital technologies. The article also looks at new avenues of distribution for documentary films, the Internet and CD/DVD-ROM. A given example is Film Australia's The Mabo CD-ROM Online project.
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[DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB : (UK, Stanley Kubrick, 1964) Digital clippings file available
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Doctor Strangelove in Montage (September 1965) p.18-19
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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Doing rude things : the history of the British sex film / David McGillivray n.p.: Wolfbait Books, 2017.
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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DONKEY LOVE : CN, Daryl Stoneage, 2012
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
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MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
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AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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DOWN WITH LOVE : (US, Peyton Reed, 2003)
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Dr. Strangelove : or how I learned to stop worrying and love the bomb / Peter George Oxford [Oxfordshire] ; New York: Oxford University Press, 1988.
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The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005.
Call No: 71"196"(73) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: New PressPubDate: 2005PhysDes: 461 p. ; 20 cmSubject: USA ; USA. 1960's ; POLITICS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. USA ; SPARTACUS (US, Stanley Kubrick, 1960) ; ALAMO, THE (US, John Wayne, 1960) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; CHASE, THE (US, Arthur Penn, 1966) ; EASY RIDER (US, Dennis Hopper, 1969) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURBNotes: Originally published: 2003ISBN: 1565849787Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index --
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Driving Ms crazy : intersections of women, madness and automobiles in recent Australian cinema in Australian Screen Education (1999) iss.20/21 p.47-50
Author: O'Sullivan, Jane PhysDes: Article; Illustration(s)Subject: WOMEN IN FILMS. AUSTRALIA ; ROAD MOVIES ; AUTOMOBILES IN FILMS. AUSTRALIA ; MENTAL HEALTH ISSUES IN FILMS. AUSTRALIA ; TRUE LOVE AND CHAOS (AT, Stavros Andonis Efthymiou, 1997) ; DOING TIME FOR PATSY CLINE (AT, Chris Kennedy, 1997) ; KISS OR KILL (AT, Bill Bennett, 1997) ; SPIDER & ROSE (AT, Bill Bennett, 1994) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989)
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Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
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DVOJE : YU, Aleksandar Petrovic, 1961
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EAT PRAY LOVE : (US, Ryan Murphy, 2010)
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ECONOMIE DU COUPLE, L' : (FR/BE, Joachim Lafosse, 2016)
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EDEN : (FR, Mia Hansen-Love, 2014)
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EDGE OF LOVE, THE : (UK, John Maybury, 2008)
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ELISA, VIDA MIA : (SP, Carlos Saura, 1977)
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book
Elvis : the Hollywood years / by David Bret London: Robson Books, 2001.
Call No: 81ELV BREAuthor: Bret, David Source: UKPlace: LondonPublisher: Robson BooksPubDate: 2001PhysDes: viii, 337 pages, illustrations; 24 cmSubject: MUSIC IN FILMS ; MUSIC AND THE CINEMA ; ROCK MUSIC IN FILMS ; PRESLEY, ELVIS ; LOVE ME TENDER (US, Robert D. Webb, 1956) ; LOVING YOU (US, Hal Kanter, 1957) ; JAILHOUSE ROCK (US, Richard Thorpe, 1957) ; KING CREOLE (US, Michael Curtiz, 1958) ; G.I. BLUES (US, Norman Taurog, 1960) ; FLAMING STAR (US, Don Siegel, 1960) ; WILD IN THE COUNTRY (US, Philip Dunne, 1961) ; BLUE HAWAII (US, Norman Taurog, 1961) ; FOLLOW THAT DREAM (US, Gordon Douglas, 1962) ; KID GALAHAD (US, Phil Karlson, 1962) ; GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962) ; IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963) ; FUN IN ACAPULCO (US, Richard Thorpe, 1963) ; KISSIN' COUSINS (US, Gene Nelson, 1964) ; VIVA LAS VEGAS (US, George Sidney, 1963) ; ROUSTABOUT (US, John Rich, 1964) ; GIRL HAPPY (US, Boris Sagal, 1965) ; TICKLE ME (US, Norman Taurog, 1965) ; HAREM HOLIDAY (US, Gene Nelson, 1965) ; FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966) ; PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966) ; CALIFORNIA HOLIDAY (US, Norman Taurog, 1966) ; EASY COME, EASY GO (US, John Rich, 1967) ; DOUBLE TROUBLE (US, Norman Taurog, 1967) ; CLAMBAKE (US, Arthur N. Nadel, 1967) ; STAY AWAY, JOE (US, Peter Tewkesbury, 1968) ; SPEEDWAY (US, Norman Taurog, 1968) ; LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968) ; CHARRO! (US, Charles Marquis Warren, 1969) ; TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969) ; CHANGE OF HABIT (US, William Graham, 1969) ; ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970) ; ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972) Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty.
Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKETNotes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'ISBN: 1861054165Donation: Donated by Peter KempContents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --
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ENDLESS LOVE : (US, Franco Zeffirelli, 1981)
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ENDLESS LOVE : (US, Shana Feste, 2014)
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ENDURING LOVE : (UK, Roger Michell, 2004)
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ENEMIES, A LOVE STORY : (US, Paul Mazursky, 1989)
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book
The English novel and the movies / edited by Michael Klein and Gillian Parker New York: Ungar, c
1981.
Call No: 753.4 ENGAuthor: Klein, Michael, 1939 ; Parker, Gillian Place: New YorkPublisher: UngarPubDate: c
1981PhysDes: xi, 383 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955) ; LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ADVENTURES OF ROBINSON CRUSOE ; ADVENTURES OF ROBINSON CRUSOE ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; BECKY SHARP (US, Rouben Mamoulian, 1935) ; [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931) ; DAVID COPPERFIELD (US, George Cukor, 1935) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; FRANKENSTEIN (US, James Whale, 1931) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; JANE EYRE (US, Robert Stevenson, 1944) ; JANE EYRE (UK, Delbert Mann, 1971) ; JOSEPH ANDREWS (UK, Tony Richardson, 1977) ; MAN WHO WOULD BE KING, THE (US, John Huston, 1975) ; NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979) ; OF HUMAN BONDAGE (US, John Cromwell, 1934) ; OF HUMAN BONDAGE (UK, Ken Hughes, 1964) ; PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965) ; PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977) ; PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940) ; SABOTAGE (UK, Alfred Hitchcock, 1936) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; TIME MACHINE, THE (US, George Pal, 1960) ; TOM JONES (UK, Tony Richardson, 1963) ; ULYSSES (UK/US, Joseph Strick, 1967) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; WUTHERING HEIGHTS (US, William Wyler, 1939) Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURBNotes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95LON: 80005342; 1937478
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EVERYONE SAYS I LOVE YOU : (US, Woody Allen, 1996)
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The eyes have it : cinema and the reality effect / Murray Pomerance New Jersey: Rutgers University Press, c2013.
Call No: 630.3 POMAuthor: Pomerance, Murray Source: USPlace: New JerseyPublisher: Rutgers University PressPubDate: c2013PhysDes: xii, 268 pages : illustrations ; 23 cmSeries: Techniques of the moving imageSubject: ART DIRECTION ; CINEMATOGRAPHY ; COMPUTER GENERATED IMAGERY ; MOTION CONTROL ; REALISM IN FILMS ; SET DECORATING ; SET DESIGNING ; SPECIAL EFFECTS ; HITCHCOCK, ALFRED ; KELLY, GENE ; Metro-Goldwyn-Mayer ; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002) ; ANNIE HALL (US, Woody Allen, 1977) ; ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992) ; BRIGADOON (US, Vincente Minnelli, 1954) ; CLOVERFIELD (US, Matt Reeves, 2008) ; DARK PASSAGE (US, Delmer Daves, 1947) ; DEFIANCE (US, Edward Zwick, 2008) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; IN HARM'S WAY (US, Otto Preminger, 1965) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; RANDOM HARVEST (US, Mervyn LeRoy, 1942) ; SIGNS (US, M. Night Shyamalan, 2002) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURBNotes: Contains illustrations, bibliographic references and indexISBN: 9780813560588
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FA YEUNG NIN WA : (HK, Wong Kar-Wai, 2000) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Press kit (poster storage); ClippingsSubject: IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) URL status: URL: 'http://file://Q:/T/IN_THE_MOOD_FOR_LOVE.zip'
Checked: 31/08/2021 1:06:11 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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FACE OF LOVE, THE : (US, Arie Posin, 2013)
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FACES OF LOVE : (FR/SZ, Michel Soutter, 1977)
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Falling for you : essays of cinema and performance / edited by Lesley Stern and George Kouvaros Sydney: Power Publications, 1999.
Call No: 227 FALAuthor: Stern, Lesley ; Kouvaros, George Place: SydneyPublisher: Power PublicationsPubDate: 1999PhysDes: 314 p. ; 22 cmSubject: ACTING ; COMEDIES ; BENJAMIN, WALTER ; GARLAND, JUDY ; STREISAND, BARBRA ; CASSAVETES, JOHN ; HARTLEY, HAL ; CHAPLIN, CHARLES ; Keaton, Buster ; FUNNY GIRL (US, William Wyler, 1968) ; LOVE STREAMS (US, John Cassavetes, 1984) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) Notes: Includes indexISBN: 1864870257 : $14.95LON: 20003607
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FALLING IN LOVE : (US, Ulu Grosbard, 1984)
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journal article
Falling in love in Filmnews (Mar 1985) vol.15 iss.2 p.12
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poster
[Falling in love : poster] US: 1984.
Call No: P FALPlace: USPubDate: 1984PhysDes: 1 poster : colour ; 67 x 34 cmSubject: FALLING IN LOVE (US, Ulu Grosbard, 1984) Summary: Text: Sometimes magic is the only thing that's real.
Image: A square-framed photograph in the center of a black background. The photograph depicts Frank Raftis (Robert De Niro) close behind Molly Gilmore (Meryl Streep). He is resting his head on her right shoulder while pointing to something out of frame.Notes: Discolouration, folds, and creases.
On the lower right corner of the reverse side of the poster, there is a numeral written in pencil: 21939.
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newspaper article
Family angst : Yule have seen it all before in The Age [Arts & Entertainment] (26/11/2015) p.32
Call No: TITLE CLIPPINGS FILE; LOVE THE COOPERS (US, Jessie Nelson, 2015)Author: Hawker, Phillippa PhysDes: Clippings File ArticleSubject: LOVE THE COOPERS (US, Jessie Nelson, 2015) Summary: Film review of LOVE THE COOPERS , a christmas/ heist movie directed by Jessie NelsonRating: 2 out of 5 stars
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Family drama revels in love and other bruises in The Australian (26/01/2016) p.32
Call No: TITLE CLIPPINGS FILE; LOVE MY WAY [TV] (AT, 2004- )Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: LOVE MY WAY [TV] (AT, 2004- ) Summary: A positive review of the third season of the Australian TV drama LOVE MY WAY, with the reviewer stating that the show is confronting and innovative
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FEAST OF LOVE : (US, Robert Benton, 2007)
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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FELINS, LES : (FR, Rene Clement, 1964)
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Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Film 68/69 : An anthology by the National Society of Film Critics / edited by Hollis Alpert aand Andrew Sarris Indianapolis [etc.]: Bobbs-Merrill Co. [etc.],
Call No: 67(04) FILAuthor: Alpert, Hollis (ed) ; Sarris, Andrew (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PhysDes: 281 p. ; 22 cmSubject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; FOR LOVE OF IVY (US, Daniel Mann, 1968) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BULLITT (US, Peter Yates, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; FACE OF WAR, A (US, Eugene S. Jones, 1968) ; MERCENARIES, THE (UK/US, Jack Cardiff, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; INSIDE NORTH VIETHAM (US, Felix Greene, 1967) ; JOANNA (UK, Michael Same, 1968) ; ODD COUPLE, THE (US, Gene Saks, 1968) ; OLIVER (UK, Carol Reed, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PETULIA (US, Richard Lester, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; TARGETS (US, Peter Bogdanovich, 1968) ; TELL ME LIES (UK/US, Peter Brook, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; UP TIGHT! (US, Jules Dassin, 1968) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) ; TANTE ZITA (FR, Robert Enrico, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; STAR (US, Robert Wise, 1968) Summary: Review of Films produced in the years 1968-69Notes: Includes indexISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Film analysis : a Norton reader / edited by Jeffrey Geiger and R.L. Rutsky New York : London: W. W. Norton & Company, Inc.,
Call No: 66(049.3)Author: Geiger, Jeffrey ; Rutsky, R.L. Edition: 2013Place: New York : LondonPublisher: W. W. Norton & Company, Inc.PhysDes: 1152 pp ; 23 cmSubject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; DO MA DAN (HK, Tsui Hark, 1986) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.ISBN: 9780393923247Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical TermsID2: 182
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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journal article
Film on campus : news and notes from New York University Insitiute of Film and Television in Interview (1970) vol.1 iss.8 p.5
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The film yearbook 1985 / edited by Al Clark South Yarra, Vic: Currey O'Neil Ross, 1984.
Call No: 058 FIL "1985"Author: Clark, Al Source: ATPlace: South Yarra, VicPublisher: Currey O'Neil RossPubDate: 1984PhysDes: 208 p.: ill. ; 28 cmSubject: HARGREAVES, JOHN ; HUGHES, WENDY ; SHEPARD, SAM ; CRUISE, TOM ; WOODS, JAMES ; QUAID, DENNIS ; EVERETT, RUPERT ; BEDELIA, BONNIE ; CONTI, TOM ; LITHGOW, JOHN ; HAZLEHURST, NONI ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; SUR, EL (SP/FR, Victor Erice, 1983) ; SILKWOOD (US, Mike Nichols, 1983) ; OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983) ; TRADING PLACES (US, John Landis, 1983) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; SPLASH (US, Ron Howard, 1984) ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; STRANGERS KISS (US, Matthew Chapman, 1983) ; STAYING ALIVE (US, Sylvester Stallone, 1983) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; HONORARY CONSUL, THE (US, John MacKenzie, 1983) ; BRAINSTORM (US, Douglas Trumbull, 1983) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BREATHLESS (US, Jim McBride, 1983)
LUNE DANS LA CANIVEAU, LA ; YENTL (US, Barbara Streisand, 1983) ; FOOTLOOSE (US, Herbert Ross, 1984) ; MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983)
SEE ; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) ; PHAR LAP (AT, Simon Wincer, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.Notes: On cover: with special Australian sectionISBN: 0859021548Language: EnglishDonation: donated by the family of Wayne Levy, 2006
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newspaper article
Filmmakers take their best Shot in The Age [Green Guide] (14/11/2016) p.16
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Films from the women's film fund / Women's film fund of the Australian film commission Marrickville, NSW: Southwood Press, 1984.
Call No: 744.7(94) WOMAuthor: Women's film fund of the Australian film commission Source: ATPlace: Marrickville, NSWPublisher: Southwood PressPubDate: 1984PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)Subject: WOMENS FILM FUND ; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND ; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980) ; AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983) ; BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982) ; CLIMBERS (AT, Rosalind Gillespie, 1979?) ; CONSOLATION PRIZE (AT, Rivka Hartman, 1979) ; EATING YOUR HEART OUT (AT, Chris Warner, 1984) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FLAMINGO PARK (AT, Clytie Jessop, 1980) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984) ; MUM'S THE WORD (AT, Carol Kostanish, 1982) ; NED WEATHERED (AT, Lee Whitmore, 1984) ; ON GUARD (AT, Susan Lambert, 1984) ; PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980) ; ROMA (AT, Jane Oehr, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; TISSUE (AT, Ros Horin, 1982) ; TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983) ; WOODEN FOREST, THE (AT, Penne West, ?) ; WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979) Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTIONNotes: There are two copies (second copy in clippings file) -- Includes film indexISBN: 0642959595Language: ENDonation: Megan McMurchyContents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.
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The films of John Hughes : a history of independent screen production in Australia / by John Cumming St Kilda West, Vic.: Australian Teachers of Media (ATOM), c2014.
Call No: 81HUG CUMAuthor: Cumming, John Source: ATPlace: St Kilda West, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2014PhysDes: 298p. : 24cmSeries: The Moving ImageSubject: PRODUCTION ; HISTORY OF CINEMA. AUSTRALIA ; AUSTRALIA ; HUGHES, JOHN (AT) ; MENACE (AT, John Hughes, 1977) ; NOVEMBER ELEVEN (AT, ?, 1978?) ; FILM WORK (AT, John Hughes, 1981) ; TRAPS (AT, John Hughes, 1985) ; ALL THAT IS SOLID (AT, John Hughes, 19887) ; ONE WAY STREET: FRAGMENTS FOR WALTER BENJAMIN (AT, John Hughes, 1992) ; WHAT I HAVE WRITTEN (AT, John Hughes, 1996) ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) ; INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009) ; LOVE & FURY: JUDITH WRIGHT & 'NUGGET' COOMBS (AT, John Hughes, 2013) Summary: "John Cumming's superb book is not only about the prodigous, exploratory, challenging films, videos and TV programs made by John Hughes - an underrated canny maverick of our national scene; it is also about what it takes to keep moving and changing with the times, how to negotiate with institutions and collaborate with sympathetic minds from other art forms, how to research and teach and theorise on the spot. Only after that concerted effort can a big picture - involving, in Hughes' case, a multimedia aesthetic of collage-design, and a long view of generations, conflicts, and transmissions in social history - be dscerned." -- BOOK BLURBISBN: 9781876467234Contents: -- acknowledgements -- introduction -- chapter 1: cybernetic synergies -- chapter 2: menace -- chapter 3: november eleven -- chapter 4: film-work -- chapter 5: traps -- chapter six: all that is solid -- chapter 7: one way street -- chapter 8: what I have written -- chapter nine: some aspects of Australian racism -- chapter 10: the archive project -- chapter 11: Indonesia calling and love & fury -- appendix 1: acronyms and abbreviations -- appendix II: filmography and media works - John Hughes -- appendix III: bibliography - John Hughes -- appendix: references -- appendix V: index --
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The films of Mira Nair : diaspora verite / Amardeep Singh Jackson: University Press of Mississipp, 2018.
Call No: 81 NAI SINAuthor: Singh, Amardeep Place: JacksonPublisher: University Press of MississippPubDate: 2018PhysDes: vii, 227 pages : illustrations ; 24 cm.Subject: NAIR, MIRA ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; MONSOON WEDDING (US/II, Mira Nair, 2001) ; MISSISSIPPI MASALA (US, Mira Nair, 1991) ; PEREZ FAMILY, THE (US, Mira Nair, 1995) ; MY OWN COUNTRY (US, Mira Nair, 1998) ; VANITY FAIR (UK/US, Mira Nair, 2004) ; KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996) ; NAMESAKE, THE (II/US, Mira Nair, 2006) ; RELUCTANT FUNDAMENTALIST, THE (US/UK/QATAR, Mira Nair, 2012) ; QUEEN OF KATWE (US, Mira Nair, 2016) Summary: "The Films of Mira Nair presents the first, full-length scholarly study of her cinema. Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe. Amardeep Singh delves into the complexities of Nair's films from 1981 to 2016, offering critical commentary on all of Mira Nair's major works, including her early documentary projects as well as shorts. The subtitle, "Diaspora Ve´rite´," alludes to Singh's primary theme: Nair's filmmaking project is driven aesthetically by her background in the documentary realist tradition (cinema ve´rite´) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair's filmmaking intends to document imaginatively the experiences of diasporic communities. Nair's focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair's adaptation of Thackeray's Vanity Fair. Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema."-- Provided by publisher.Notes: Includes bibliographical references (pages 211-220), filmography (pages 197-210) and index.ISBN: 9781496821164Contents: Mira Nair's diaspora ve´rite´ -- "Our hearts and eyes are wide open" : Mira Nair's documentaries -- The aesthetics of disillusionment : Salaam Bombay! (1988) -- A tale of two "chunaris" : the critique of Bollywood in Monsoon Wedding (2001) --
Into the diasporic mixing bowl : Mississippi Masala (1991), The Perez Family (1995), and My Own Country (1998) -- Feminist period pieces : Vanity Fair (2004) and Kama Sutra : a tale of love (1996) -- "Every day since then has been a gift" : The Namesake (2006) -- "I had a Pakistani once" : The Reluctant Fundamentalist (2013) and Nair's post-9/ 11 short films -- "Where do you belong?": returning to Uganda in Queen of Katwe (2016).
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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digital clippings file
FIRE OF LOVE : (US/CN, Sara Dosa, 2022) Digital clippings file available
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title clippings file
FIRST LOVE : (US, Joan Darling, 1977)
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FIRST LOVE : (AT, Matt Dignam, 2009)
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FIRST LOVE : (AT/US, Claire Gorman, 2010)
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FIRST LOVE, LAST RITES : (US, Jesse Peretz, 1998)
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journal article
Five Oz films for Moscow fest. in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
Subject: WOMEN OF UTOPIA (AT, Keith Gow, 1984) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; FOR LOVE ALONE (AT, Stephen Wallace, 1985) ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. USSR Summary: Article on five Australian films (inc. 'Light Industrial' and 'Strike Bound') are being screened at the XIV international film festival, Moscow, 28/6-12/7/1985
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1998.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Edition: 2nd edSource: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1998PhysDes: viii, 248 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BLADE RUNNER (US, Ridley Scott, 1982) ; CITIZEN KANE (US, Orson Welles, 1941) ; CHARACTERIZATION IN FILMS ; CLUELESS (US, Amy Heckerling, 1995) ; COOLBAROO CLUB, THE (AT, Roger Scholes, 1996) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EMMA (UK, Douglas McGrath, 1996) ; FRONTLINE [TV] (AT, 1994- ) ; GALLIPOLI (AT, Peter Weir, 1981) ; GENRES ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; HOUSEKEEPING (US, Bill Forsyth, 1987) ; MITT LIV SOM HUND (SW, Lass Hallestrom, 1985) ; MURIEL'S WEDDING (AT, P.J. Hogan, 1994) ; NARRATIVE IN FILMS ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; POLICE ON TV ; PROOF (AT, Jocelyn Moorhouse, 1991) ; REALISM IN FILMS ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SEINFELD [TV] (US, 1990-98) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAME (AT, Steve Jodrell, 1988) ; SHINE (AT/UK, Scott Hicks, 1996) ; SITUATION COMEDY ; STAR WARS (US, George Lucas, 1977) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Notes: BibliographyISBN: 0195506774 : $26.95; 0195506774 (pbk.)LON: 13455821ID2: 290
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FLOW: FOR LOVE OF WATER : (US, Irena Salina, 2008)
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FOOD OF LOVE : (GG/SP, Ventura Pons, 2002)
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FOOL FOR LOVE : (US, Robert Altman, 1985)
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journal article
Fool for Love : Sufferin souls in Cinema Papers (September 1986) iss.59 p.47
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FOOTBALL FACTORY, THE : (UK, Nick Love, 2004)
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FOR LOVE ALONE : (AT, Stephen Wallace, 1985)
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journal article
For love alone : Love's labour won in Cinema Papers (May 1986) iss.57 p.82
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poster
[For love alone : poster]
Call No: P FORPhysDes: 1 poster : col. ; 99 X 65 cm.Subject: FOR LOVE ALONE (AT, Stephen Wallace, 1985) Summary: Image: men and women are kissing. Text: 'She was obsessed. She was daring...'Notes: Tears on the right hand side and left hand side.
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[For love alone : stills file]
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For love or money : post-production script [1983?].
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For love or money : a pictorial history of women and work in Australia / by Megan McMurchy, Margot Oliver and Jeni Thornley ; edited by Irina Dunn ; designed by Pam Brewster Ringwood, Vic.: Penguin, 1983.
Call No: 79FOR MCMAuthor: McMurchy, Megan, 1949 ; Dunn, Irina ; Thornley, Jeni, 1948 ; Oliver, Margot, 1947 Place: Ringwood, Vic.Publisher: PenguinPubDate: 1983PhysDes: 186 p. : ill., facsims., ports. ; 28 cmSubject: FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) Notes: Women. Employment. Australia, to date (ANB/PRECIS SIN 0597767); "Companion work to the feature film of the same name"; Includes index; Bibliography: p. 183-184ISBN: 0140064443 (pbk.) : $7.95 AustLON: 2303376
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FOR LOVE OR MONEY : (AT, Megan McMurchy & Jeni Thornley, 1983)
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title clippings file
FOR LOVE OR MONEY : (US, Barry Sonnenfeld, 1993)
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journal article
For love or money in Filmviews (December 1983) iss.118 p.25
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newspaper article
For the love of meat in Sydney Morning Herald [TV Guide] (17/10/2016) p.6
Call No: TITLE CLIPPINGS FILE; FOR THE LOVE OF MEAT [TV](AT, 2016)Author: KQ [Quinn, Karl] PhysDes: Clippings File ArticleSubject: FOR THE LOVE OF MEAT [TV] (AT, 2016) Summary: Review of the Australian TV series FOR THE LOVE OF MEAT, hosted by food critic and cook Matthew Evans
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FOR THE LOVE OF MEAT [TV] : (AT, 2016)
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title clippings file
FOR THE LOVE OF THE GAME : (US, Sam Raimi, 1999)
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FORBIDDEN LOVE- THE UNASHAMED STORIES OF LESBIAN LIVES : CN, Lynne Fernie and Aerlyn Weissman, 1992
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hounds of love (at, ben young, 2016)
Four minutes with Emma Booth in Herald Sun [Hit] (6/7/2017) p.26
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journal article
Franco Zeffirelli in Interview (1981) vol.11 iss.6&7 p.38-46
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journal article
Free Love in Film In Review (May 1979) p.280
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journal article
Freedom to love in Interview (1970) vol.1 iss.10 p.26
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title clippings file
FROM PARIS WITH LOVE : (FR, Pierre Morel, 2010)
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title clippings file
FROM RUSSIA WITH LOVE : (UK, Terence Young, 1963)
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book
From Russia with love / Ian Fleming London: Pan Books, 1957.
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title clippings file
FROM SYDNEY WITH LOVE : (II, Prateek Chakravorty, 2012)
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title clippings file
FUNNY ABOUT LOVE : (US, Lennard Nimoy, 1990)
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journal article
George Hamilton in Interview (October 1981) vol.11 iss.10 p.48-50
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book
Global melodramas : nation, body, and history in contemporary film / Carla Marcantonio Basingstoke: Palgrave Macmillan,
Call No: 733 MARAuthor: Marcantonio, Carla Edition: 2015Place: BasingstokePublisher: Palgrave MacmillanPhysDes: xii, 190 ; 23 cmSubject: MELODRAMA ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; SKIN I LIVE IN, THE (SP, Pedro Almodovar, 2011) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) ; BUBBLE (US, Steven Soderbergh, 2005) ; BABEL (US/MX/FR, Alejandro Gonzalez Ioarritu, 2006) ; GRAVITY (US/UK, Alfonso Cuaron, 2013) ; JUVENTUDE EM MARCHA [COLOSSAL YOUTH] (PO/FR/SZ, Pedro Costa, 2006) ; SHIJIE [WORLD, THE] (CN/JP/FR, Zhangke Jia, 2004) Notes: Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization. -- publisher's blurbISBN: 9781137530615
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GODINI ZA LYUBOV : (BU, Yanko Yankov, 1957)
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Going Steady / Pauline Kael Boston: Little Brown & Co., c1968.
Call No: 67 (049.32) KAEAuthor: Kael, Pauline Edition: 1stSource: USPlace: BostonPublisher: Little Brown & Co.PubDate: c1968PhysDes: xiii, 304 p. ; 22 cm.Subject: CRITICISM ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BOSTON STRANGLER, THE (US, Richard Fleischer, 1968) ; BROTHERHOOD, THE (US, Martin Ritt, 1968) ; BULLITT (US, Peter Yates, 1968) ; BYE BYE BRAVERMAN (US, Sidney Lumet, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CHARLY (US, Ralph Nelson, 1968) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; FIXER, THE (US, John Frankenheimer, 1968) ; FUNNY GIRL (US, William Wyler, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; ICE STATION ZEBRA (US, John Sturges, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; JOANNA (UK, Michael Same, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; MODEL SHOP, THE ( FR/US, Jacques Demy, 1969) ; NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968) ; NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET CEREMONY (UK, Joseph Losey, 1969) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SPLIT, THE (US, Gordon Flemyng, 1968) ; STALKING THE MOON (US, Robert Mulligan, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968) ; SWEET NOVEMBER (US, Robert Ellis Miller, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"Donation: Donated by Senses Of Cinema, 2009Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --
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GOODBYE CHARLIE BRIGHT : (UK, Nick Love, 2001)
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title clippings file
GOTA DE SANGRE PARA MORIR AMANDO, UNA : (SP/FR, Eloy de la Iglesia, 1973)
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title clippings file
GOTA DE SANGRE PARA MORIR AMANDO, UNA : (SP/FR, Eloy de la Iglesia, 1973)
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journal article
Greta Garbo : Her life, her films, her times (part two) in Australian film guide (February 1967) iss.6 p.5-11, 14
Author: Reid, John Howard PhysDes: ArticleSubject: BROWN, CLARENCE ; GABLE, CLARK ; GARBO, GRETA ; GILBERT, JOHN ; FLESH AND THE DEVIL (US, Clarence Brown, 1926) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; GRAND HOTEL (US, Edmund Goulding, 1932) ; INSPIRATION (US, Clarence Brown, 1931) ; LOVE (US, Edmund Goulding, 1927) ; ROMANCE (US, Clarence Brown, 1930) ; WOMAN OF AFFAIRS, A (US, Clarence Brown, 1928) Summary: Despite writer John Howard Reid's vaunted focus on Greta Garbo, this article does meander about discussing the careers of other people ranging from director Clarence Brown to actors such as John Gilbert and Clark GableNotes: John Howard Reid's exploration of Greta Garbo is both continued from the previous issue and is continued on in the next issue of the Australian Film Guide
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Online resource
script
Guess how much I love you : 210 - the lucky egg / written by Melanie Alexander; based on the books by Sam McBratney and Anita Jeram [AT]: 11/07/2014. Digital clippings file available
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Online resource
script
Guess how much I love you : 225 - feast day / written by Jane Schneider; based on the books by Sam McBratney and Anita Jeram [AT]: 4/09/2014. Digital clippings file available
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title clippings file
GUMRAH: THE LOVE AND HONOUR OF TWO BROTHERS : IR, A. Wahed Nazari, 2002
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title clippings file
HALAL LOVE : (GG/LE, Assad Fouladkar, 2016)
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title clippings file
HANDFULL KARLEK, EN : SW, Vilgot Sjoman, 1974
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personality clippings file
HANSEN-LOVE, MIA
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personality microfilm collection
HEWITT, JENNIFER LOVE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HEWITT, JENNIFER LOVE
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book
High anxiety : catastrophe, scandal, age & comedy / Patricia Mellencamp Bloomington: Indiana University Press, 1992.
Call No: 632.46 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: 1992PhysDes: xvi, 414 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: POPULAR CULTURE AND TV ; IMPERIALISM AND TV ; COMMERCIALS, TV ; GOVERNMENT CONTROL. USA ; PSYCHOANALYSIS AND TV ; DISASTERS ON TV ; LAWSUITS ; NARRATIVE IN TV ; SEX AND TV ; SITUATION COMEDY ; GULF WAR ON TV ; WOMEN ON TV ; TALK SHOWS. USA ; RIVERA, GERALDO ; DURAS, MARGUERITE ; BALL, LUCILLE ; BENSON, SUSAN PORTER ; RIVERS, JOAN ; ARNOLD, ROSEANNE ; BURNS, GEORGE ; DONAHUE, PHIL ; FAGIN, STEVE ; WAGNER, JANE ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?) ; ETERNAL FRAME [MM] (US, 1975?) ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) ; ROSEANNE [TV] (US, 1988- ) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) ; MURDER, SHE WROTE [TV] (US, 1984- ) ; MAJOR DAD [TV] (US, 1989- ) ; I LOVE LUCY [TV] (US, 1951-57) ; CURRENT AFFAIR, A [TV] (US, 1986- ) Notes: Includes bibliographical references (p. [381]-408) and indexISBN: 0253207355 (pbk.); 0253337445 (alk. paper)LON: 8666545
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Hollywood and the holocaust / Henry Gonshak Lanham, Maryland: Rowman & Littlefield, [2015].
Call No: 744(=924)(73) GONAuthor: Gonshak, Henry Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: [2015]PhysDes: x, 357 pages : illustrations ; 24 cmSeries: Film and HistorySubject: WORLD WAR II FILMS ; WORLD WAR II FILMS. USA ; WORLD WAR II AND THE CINEMA ; JEWS IN FILMS. USA ; JEWS AND THE CINEMA ; HOLOCAUST IN FILMS ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; HITLER'S CHILDREN (US, Edward Dymtryk, 1943) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; CABARET (US, Bob Fosse, 1972) ; ODESSA FILE, THE (UK/GW, Ronald Neame, 1974) ; MARATHON MAN (US, John Schlesinger, 1976) ; BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989) ; TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; MOTHER NIGHT (US, Keith Gordon, 1996) ; GREY ZONE, THE (US, Tim Blake Nelson, 2001) Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the IntroductionNotes: Includes bibliographical references (pages 343-349) and indexContents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?
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Old collection
book
Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins Lexington, Ky.: University Press of Kentucky, 1983.
Call No: 49:930.2 HOLAuthor: Rollins, Peter C. Source: USPlace: Lexington, Ky.Publisher: University Press of KentuckyPubDate: 1983PhysDes: x, 276 p. : ill. ; 24 cm.Subject: HISTORY AND THE CINEMA. USA ; FOX STUDIOS ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; MODERN TIMES (US, Charles Chaplin, 1936) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WILSON (US, Henry King, 1944) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CULTURE AND THE CINEMA. USA ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ADAPTATiONS. CONRAD, JOSEPH ; CHAPLIN, CHARLES ; VIETNAM WAR IN FILMS ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; CENSORSHIP. USA ; RIVER, THE (US, Lorentz Pare, 1937) Notes: Includes bibliographical references.ISBN: 0813101549 (pbk.)
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book
Hollywood, interrupted : insanity chic in Babylon - the case against celebrity / by Andrew breitbart an Mark Ebner Hoboken, New Jersey: John Wiley and Sons, 2004.
Call No: 46(794) BREAuthor: Breitbart, Andrew ; Ebner, Mark Edition: 2004Place: Hoboken, New JerseyPublisher: John Wiley and SonsPubDate: 2004PhysDes: 394 pages : illustrations ; 22 cmSubject: CELEBRITIES ; LOVE, COURTNEY ; MADONNA ; JACKSON, MICHAEL ; SPIELBERG, STEVEN Summary: Hollywood, Interrupted is a sometimes frightening, occasionally sad, and frequently hysterical odyssey into the darkest realms of showbiz pathology, the endless stream of meltdowns and flameouts, and the inexplicable behavior on the part of show business personalities.
Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, Hollywood, Interrupted takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter — covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media — delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves.
Celebrities somehow believe that it's their god-given right to inflict their pathology on the rest of us. Hollywood, Interrupted illustrates how these dysfunctional dilettantes are mad as hell... And we're not going to take it any more. -- publisher's web siteISBN: 9780471706243
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title clippings file
HOMAGE TO CHAGALL: THE COLOURS OF LOVE : (CN, Harry Rasky, 1977)
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title clippings file
HOMME A LA HAUTEUR, UN : (FR, Laurent Tirard, 2016)
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Online resource
digital clippings file
HOMME À LA HAUTEUR, UN [UP FOR LOVE] : (FR, Laurent Tirard, 2016) Digital clippings file available
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title clippings file
HOTEL DE LOVE : (AT, Craig Rosenberg, 1996)
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title clippings file
HOUNDS OF LOVE : (AT, Ben Young, 2016)
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script
Hounds of love / written by Ben Young. AT: [2015].
Call No: S HOUAuthor: Young, Ben Edition: Draft 6.6 (revisions)Place: ATPubDate: [2015]PhysDes: 95 leaves ; 30 cm.Subject: HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: "In 1987 Perth, Austraila, John and Evelyn White. are a pair of serial killers who target teenage girls. One night, Vicki Maloney, who impetuously sneaks out of the house for a forbidden party, is lured by the pair into their clutches. Now paying dearly for her naivety, Vicki must endure a horrific nightmare of confinement and torture at the hands of this depraved pair. Against these murderers, Vicki's only chance of survival is a mix of subterfuge, cunning, and mind games while her estranged parents and her boyfriend desperately try to learn what has happened and what can be done to find her. Meanwhile, the Whites have growing problems of their own, which could provide the only hope Vicki could have to survive." Written by Kenneth Chisholm (kchishol@rogers.com) - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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poster
[Hounds of love : poster]
Call No: P HOUPhysDes: 1 poster : colour illustrations ; 100 X 70 cm.Subject: HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Image: Illustrations of two hound dogs.Notes: Possible duplicate copy.
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title clippings file
I'LL LOVE YOU FOREVER...TONIGHT : (US, Edgar Michael Bravo, 1993)
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title clippings file
IF YOU LOVE THIS PLANET : (NZ, Dr. Helen Caldicott, 1983)
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title clippings file
IKITERUDAKEDE AI [LOVE AT LEAST] : (JA, Kosai Sekine, 2018)
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book
Imagining reality : the Faber book of the documentary / [edited by] Kevin Macdonald and Mark Cousins London: Faber and Faber, 1996.
Call No: 761 MACAuthor: Macdonald, Kevin, 1967- ; Cousins, Mark Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: xii, 400 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; CINEMA-DIRECT ; GENOCIDE IN FILMS ; NEWSREELS ; PROPAGANDA FILMS ; SOCIAL PROBLEMS IN FILMS ; WAR IN FILMS ; VERTOV, DZIGA ; ROUCH, JEAN ; IMAMURA, SHOHEI ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; Grierson, John ; HUSTON, JOHN ; ANDERSON, LINDSAY ; BUNUEL, LUIS ; ALVAREZ, SANTIAGO ; ANTONIO, EMILE DE ; BALAZS, BELA ; BLUE, JAMES ; BROOMFIELD, NICK ; CAVALCANTI, ALBERTO ; COLINA, JOSE DE LA ; COOPER, MERIAN C. ; DIETRICH, MARLENE ; FLAHERTY, ROBERT ; IVENS, JORIS ; IWASAKI, AKIRA ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; KAUL, MANI ; LANZMANN, CLAUDE ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; MORRIS, ERROL ; RIEFENSTAHL, LENI ; SCHELL, MAXIMILIAN ; SHUB, ESTHER ; TSUCHIMOTO, NORIAKI ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919) ; PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969) ; LET THERE BE LIGHT (US, John Huston, 1946) ; MARLENE (GW, Maximilian Schell, 1984) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; REGEN (NE, Joris Ivens, 1929) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; CRUMB (US, Terry Zwigoff, 1994) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987) ; FIRST LOVE (US, Joan Darling, 1977) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; HOOP DREAMS (US, Steve James, 1994) ; LAS HURDES (SP, Luis Bunuel, 1932) Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield.
The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITENotes: Includes bibliographical references and index; Faber book of the documentaryISBN: 0571177239LON: 13068333Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning QuestionID2: 47
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title clippings file
IN LOVE : (US, Chuck Vincent, 1983)
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title clippings file
IN LOVE AND WAR : (US, Richard Attenborough, 1996)
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journal article
In love in Sydney in 1932 in Encore (18 April - 8 May 1985) vol.3 iss.5 p.13-14
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book
In the mood for love : [Huayang nianhua] / Tony Rayns London, New York: Palgrave, 2015.
Call No: 79INT RAYAuthor: Rayns, Tony Source: UK/USPlace: London, New YorkPublisher: PalgravePubDate: 2015Series: BFI film classicsSubject: WONG KAR WAI ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) Summary: A personal insight into the production of the film In The Mood For Love with; analysis and criticism of the film, exploration of the choices made by Wong Kar Wai and the film production company Jet Tone, a detailed rundown of the film, and the film's relationship with Hong Kong cinemaISBN: 9781844578740Contents: Acknowledgements --Valse triste -- Secret origins -- Oblique strategies -- Miscellany -- Credits
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newspaper article
Incredible rise of DVD in Sun Herald (06/02/2005) p.64
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: De Lisle, Tim Subject: DVD, FILMS ON ; DISTRIBUTION ; DISTRIBUTION. DVD ; FOOTBALL FACTORY, THE (UK, Nick Love, 2004) Summary: A detailed look at how DVD is becoming more and more popular with studios looking at DVD sales as becoming a more and more important stream of revenue. Looks at the distribution details of the film The Football Factory.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "everybody's looking for a franchise".; -- ""Extras are believed to loom large in our purchasing decisions"
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title clippings file
INCREDIBLY TRUE ADVENTURES OF TWO GIRLS IN LOVE, THE : (US, Maria Maggenti, 1995)
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book
Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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An interview with Margot Nash in Filmviews (December 1983) iss.118 p.34
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IT AIN'T LOVE : (US, Andy Young & Susan Todd, 1997)
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IT'S ALL ABOUT LOVE : (DK, Thomas Vinterberg, 2003)
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book
"It's only a movie, Ingrid" : encounters on and off screen / Alexander Walker London: Headline Book Publishing, 1989.
Call No: 67(04) WALAuthor: Walker, Alexander Source: UKPlace: LondonPublisher: Headline Book PublishingPubDate: 1989PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cmSubject: CRITICISM ; FESTIVALS. CANNES ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; BOGARDE, DIRK ; BURTON, RICHARD ; CHAPLIN, CHARLES ; COPPOLA, FRANCIS FORD ; COOPER, GARY ; Crawford, Joan ; CRAWFORD, NOEL ; DAVIS, BETTE ; EVANS, EDITH ; Fellini, Federico ; FORBES, BRYAN ; GARBO, GRETA ; GIELGUD, JOHN ; GRANT, CARY ; GREENE, GRAHAM ; HARVEY, LAURENCE ; HEPBURN, KATHARINE ; HITCHCOCK, ALFRED ; HOWARD, TREVOR ; HUSTON, JOHN ; KAZAN, ELIA ; KUBRICK, STANLEY ; Lean, David ; LEIGH, VIVIEN ; LOSEY, JOSEPH ; Shakespeare, William ; TRACY, SPENCER ; TYNAN, KENNETH ; VON STERNBERG, JOSEF ; WELLES, ORSON ; ZINNEMANN, FRED ISBN: 0747230218Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"
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JABBED: LOVE, FEAR AND VACCINES [TV] : (AT, Sonya Pemberton, 2013)
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book
James Bond in the cinema / John Brosnan London: Tantivy Press, 1972.
Call No: 757JAM BROAuthor: Brosnan, John Source: UKPlace: LondonPublisher: Tantivy PressPubDate: 1972PhysDes: 176 p. : illus. ; 21 cmSubject: ADAPTATIONS. FLEMING, IAN ; JAMES BOND IN FILMS ; LITERATURE AND THE CINEMA ; DIAMONDS ARE FOREVER (UK, Guy Hamilton, 1971) ; [DOCTOR] DR NO (US, Terence Young, 1962) ; FROM RUSSIA WITH LOVE (UK, Terence Young, 1963) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969) ; THUNDERBALL (UK, Terence Young, 1965) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Early James Bond filmsDonation: Donated by the family of Wayne LevyContents: Introduction --1. Why so popular? -- 2. Dr No -- 3. From Russia with love -- 4. Goldfinger -- 5. Thunderball -- 6. You only live twice -- 7. On her majesty's secret service -- 8. Diamonds are forever -- Appendices
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Jane Austen's Love and friendship - or - the spirit of jealousy and perversity of malice / adapted from her unfinished novella by Whit Stillman Dublin: 22-May-15. Digital clippings file available
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JOHN AND YOKO: A LOVE STORY : (US, Sandor Stern, 1985)
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KAMA SUTRA: A TALE OF LOVE : (II, Mira Nair, 1996)
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KEEPING LOVE ALIVE : (US, Stephen Garrett & David Robinson, 1987)
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book
Ken Russell / edited by Thomas R. Atkins New York: Monarch Press, 1976.
Call No: 81RUS KENAuthor: Atkins, Thomas R., 1939 Source: USPlace: New YorkPublisher: Monarch PressPubDate: 1976PhysDes: xi, 132 p. : ill. ; 24 cmSubject: DIRECTORS. UK ; SEXUALITY AND THE CINEMA ; TELEVISION, FILMS MADE FOR ; ADAPTATIONS ; RUSSELL, KEN ; AMELIA AND THE ANGEL (UK, Ken Russell, 1959) ; DEVILS, THE (UK, Ken Russell, 1971) ; MUSIC LOVERS, THE (UK, Ken Russell, 1971) ; PEEP SHOW (UK, Ken Russell, 1956) ; POET'S LONDON (UK, Ken Russell, 1959) ; SAVAGE MESSIAH (UK, Ken Russell, 1972) ; TOMMY (UK, Ken Russell, 1975) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; OMNIBUS [TV](UK, 1967-2003) Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]Notes: Bibliography: p. 131-132ISBN: 0671081020 : $2.95LON: 75023545; 741449Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography
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KIKI, EL AMOR SE HACE : (SP, Paco León, 2016)
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journal article
Ladies must love in Films In Review (Mar 1979) p.141-142
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book
Landmark films : the cinema and our century / [by] William Wolf with Lillian Kramer Wolf London: Paddington Press, 1979.
Call No: REFERENCE SECTION; 02 WOLAuthor: Wolf, William ; Wolf, Lillian Kramer Place: LondonPublisher: Paddington PressPubDate: 1979PhysDes: 429 p. : ill. ; 25 cmSubject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; FRANKENSTEIN (US, James Whale, 1931) ; DUCK SOUP (US, Leo McCarey, 1933) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; MODERN TIMES (US, Charles Chaplin, 1936) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; STAGECOACH (US, John Ford, 1939) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; FANTASIA (US, Walt Disney, 1940) ; CITIZEN KANE (US, Orson Welles, 1941) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; RASHOMON (JA, Akira Kurosawa, 1950) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; ROOM AT THE TOP (UK, Jack Clayton, 1959) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; ULYSSES (UK/US, Joseph Strick, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; DEEP THROAT (US, Jerry Gerard, 1972) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SLEEPER (US, Woody Allen, 1973) ; NASHVILLE (US, Robert Altman, 1975) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: incl. indexISBN: 0709208758LON: vtb00270168; 10429365
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LANDMINES A LOVE STORY : (AT, Dennis O'Rourke, 2005)
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[Language of love : stills file]
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LEATHER JACKET LOVE STORY : (US, David DeCoteau, 1997)
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LENS LOVE STORY : (AT, Sonia Whiteman, 2006)
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LETTERS NOT ABOUT LOVE : (US, Jacki Ochs, 1997)
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LIEBE IN DEUTSCHLAND, EINE : (FR/GW, Andrzej Wajda, 1983)
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LIKE SOMEONE IN LOVE : (FR/JA, Abbas Kiarostami, 2012)
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LILY IN LOVE : (US, Karoly Makk, 1984)
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LOCKS OF LOVE : (AT, Various , 2014)
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LOOK OF LOVE, THE : (UK/US, Michael Winterbottom, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LOOK OF LOVE, THE (UK/US, Michael Winterbottom, 2013) URL status: URL: 'http://file://Q:/T/LOOK_OF_LOVE,_THE.zip'
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LOOKING FOR LOVE : (US, Don Weis, 1964)
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LOT LIKE LOVE A : (US, Nigel Cole, 2005)
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LOVE : (US, Edmund Goulding, 1927)
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LOVE : (US, William Eubank, 2011)
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LOVE : (FR/BE, Gaspar Noe, 2015)
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I LOVE A MAN IN UNIFORM : (CN, David Wellington, 1993)
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LOVE AAJ KAL : (II, Imtiaz Ali, 2009)
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LOVE, ACTUALLY : (UK, Richard Curtis, 2003)
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LOVE AFFAIR : (US, Glenn Gordon Caron, 1994)
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LOVE ALWAYS : (US, Jude Pauline Eberhard, 1996)
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LOVE AMONG THE RUINS : (US, George Cukor, 1975)
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LOVE AND A .45 : (US, C.M. Talkington, 1994)
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LOVE AND BASKETBALL (US, Gina Prince-Bythewood, 2000)
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LOVE AND BETRAYAL: THE MIA FARROW STORY : (CN/US, Karen Arthur, 1995)
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LOVE AND BULLETS : (UK, Stuart Rosenberg, 1978)
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LOVE AND DEATH : (US, Woody Allen, 1975)
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LOVE AND DEATH ON LONG ISLAND : (UK/CN Richard Kwietniowski, 1997)
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LOVE AND ENGINEERING : (GG/FI/BU, Tonislav Hristov, 2014) Digital clippings file available
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LOVE AND HUMAN REMAINS : (CN, Denys Arcand, 1993)
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LOVE AND MONEY : (US/GW, James Toback, 1982)
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LOVE AND MONEY [TV] : (AT, Susan Lambert, 2003)
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LOVE AND OTHER CATASTROPHES : (AT, Emma-Kate Croghan, 1996)
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[Love and other catastrophes : stills file] NewVision Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: NewVision FilmsPhysDes: 2 photographs : b&w ; 13 x 18 cm - 26 x 21 cm ; 15 film stills : col. 5 x 5 cmSubject: MITCHELL, RADHA ; O'CONNOR, FRANCES ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) Summary: 2 black and white photographs of Frances O'Connor as Mia and Radha Mitchell as Danni laughing in a bedroom, and Frances O'Connor profile shot. 15 colour film stills of all the actors in various scenes.
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LOVE AND OTHER DRUGS : (US, Edward Zwick, 2010)
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LOVE AND SEX : (US, Valerie Breiman, 2000)
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LOVE AT FIRST BITE : (US, Stan Dragoti, 1979)
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LOVE AT LARGE : (US, Alan Rudolph, 1990)
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LOVE AT STAKE : (US, John Moffitt, 1987)
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personality microfilm collection
LOVE, BESSIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LOVE, BESSIE
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LOVE BIRDS : (NZ, Paul Murphy, 2011)
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LOVE BITE, THE : (UK, Douglas Hickox, 1979)
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LOVE BROKERS : (AT, Garnet Mae, 1999)
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LOVE BYTES [TV] : (AT, 2003)
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LOVE, CHEAT AND STEAL : (US, William Curran, 1994)
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LOVE CHILD : (US, Larry Peerce, 1982)
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script
Love child : Series 4. episode 5 / by Vanessa Alexander. AT: 2017 Mar. 6.
Call No: S LOVAuthor: Alexander, Vanessa Place: ATPubDate: 2017 Mar. 6PhysDes: 54 leaves ; 30 cm.Subject: LOVE CHILD [TV] (AT, 2014-) Summary: "Joan attempts to bury her grief by throwing herself back into work, but is it too soon? Meanwhile, Elena is torn between love and duty when the father of her child proposes marriage. Martha's first dinner party could end her marriage." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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Love child : Series 4. episode 10. / by Sarah Smith AT: 2017 Apr. 11.
Call No: S LOVAuthor: Smith, Sarah Place: ATPubDate: 2017 Apr. 11PhysDes: 50 leaves ; 30 cm.Subject: LOVE CHILD [TV] (AT, 2014-) Summary: "Joan risks everything to be reunited with her missing child. Matron makes a shock announcement when she is accused of unethical behavior. Debbie takes extreme action to locate Ed and reunite him with Elena." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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script
Love child : series 2 episode 1 / written by Cathryn Strickland 1st May 2014. Digital clippings file available
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script
Love child : series 2 episode 3 / written by Tim Pye 8th May 2014. Digital clippings file available
Call No: DIGITAL FILEAuthor: Pye, Tim Edition: 2014PubDate: 8th May 2014PhysDes: 55 leaves ; 30cmSubject: LOVE CHILD [TV] (AT, 2014-) Notes: shooting script; Unpublished scriptDonation: AFI / AACTA
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script
Love child : episode 2 / written by Tim Pye & Giula Sandler 27/08/2013. Digital clippings file available
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script
Love child : episode 5 / written by Liz Doran & Sarah Lambert 27/08/2013. Digital clippings file available
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LOVE CHILD, THE : (UK, Robert Smith, 1987)
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LOVE CHILD [TV] : (AT, 2014-)
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LOVE CITY JALALABAD : (NO/AT/AF, George Gittoes & Torstein Grude, 2013)
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LOVE, COURTNEY
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LOVE, COURTNEY
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LOVE CRIMES : (US, Lizzie Borden, 1992)
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I LOVE DICK [TV] : (US, 2016-)
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LOVE EPIDEMIC, THE : (AT, Brian Trenchard-Smith, 1975)
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[Love epidemic, the : stills file]
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LOVE ETC. : (FR, Marion Vernoux, 1996)
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LOVE FIELD : (US, Johnathan Kaplan, 1992)
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LOVE & FRIENDSHIP : (IE/NE/FR/US/UK, Whit Stillman, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LOVE & FRIENDSHIP (IE/NE/FR/US/UK, Whit Stillman, 2016) URL status: URL: 'http://file://Q:/T/LOVE_AND_FRIENDSHIP.zip'
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LOVE, GILDA : (CN/ US, Lisa D'Apolito, 2018)
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LOVE GOD : (US, Frank Grow, 1997)
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LOVE GURU, THE : (US, Marco Schnabel, 2008)
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LOVE, HONOUR AND OBEY : (UK, Dominic Anciano & Ray Burdis, 2000)
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LOVE IN AMBUSH : (AT, Carl Schultz, 1997)
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LOVE IN BRIGHT LANDSCAPES Digital clippings file available
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poster
[Love in bright landscapes: poster] : the story of David McComb and the Triffids
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subject clippings file
LOVE IN FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: LOVE IN FILMS
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LOVE IN LIMBO : (AT, David Elfick, 1992)
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book
Love in the film / William K. Everson Seacaucus: Citadel Press, 1979.
Call No: 747.5 EVEAuthor: Everson, William K. Source: USPlace: SeacaucusPublisher: Citadel PressPubDate: 1979PhysDes: 251 p. : ill. ; 29 cmSubject: ALGIERS (US, John Cromwell, 1938) ; ANNIE HALL (US, Woody Allen, 1977) ; BERKELEY SQUARE (US, Frank Lloyd, 1933) ; BRIEF ECSTASY (UK, Edmond T. Greville, 1937) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920) ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DESIRE (US, Frank Borzage, 1936) ; DON JUAN (US, Alan Crosland, 1926) ; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933) ; FIRST LOVE (US, Henry Koser, 1939) ; HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933) ; HOT SATURDAY (US, William A. Seiter, 1932) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; LOST HORIZON (US, Frank Capra, 1937) ; MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944) ISBN: 080650644XDonation: donated by the family of Wayne Levy, 2006
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LOVE IN THE FIRST DEGREE : (AT, Michael Egan, 2006)
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LOVE IN THE TIME OF CHOLERA : (US, Mike Newell, 2007)
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LOVE IN THE TIME OF MADNESS : (US, Melissa Johnson & Robertino Zambrano, 2014)
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LOVE IN THE TIME OF MARCH MADNESS : (US, Melissa Johnson and Robertino Zambrano, 2014)
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LOVE IS A DOG FROM HELL : (US, Dominique Deruddere, 1987)
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LOVE IS A FOUR LETTER WORD [TV] : (AT, Tony Tilse, Daniel Nettheim, Kay Pavlou, 2001)
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LOVE IS A MANY-SPLENDORED THING : (US, Henry King, 1955)
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LOVE IS ALL THERE IS : (US, Renee Taylor & Joseph Bologna, 1996)
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LOVE IS ALL YOU NEED : (DK/SW/IT/FR/G, Susanne Bier, 2012)
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[Love is hate : stills file] / Carol Jerrems
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 19 x 24 cmSubject: LOVE IS HATE (AT, Ian Macrae, 1974) Summary: One black and white photograph relating to the film Love is hate
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LOVE IS NOW : (AT, Jim Lounsbury, 2014)
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Love is Now / By Jim Lounsbury; story by Jim Lounsbury & Behren Schulz Stanmore, NSW: 11-Jul-14. Digital clippings file available
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LOVE IS STRANGE : (US/FR/BL/GR, Ira Sachs, 2014) Digital clippings file available
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LOVE IS THE DEVIL : (UK, John Maybury, 1998)
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LOVE ISLAND [TV] : (AT, 2018-)
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LOVE JONES : (US, Theodore Witcher, 1997)
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LOVE LETTER : (JA, Shunji Iwai, 1995)
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LOVE LETTER, THE : (AT, Seth Keen, 1997)
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LOVE LETTER, THE : (US, Chan Ho-Sun, 1999)
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LOVE LETTERS : (US, Amy Holden-Jones, 1983)
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LOVE LETTERS FROM A WAR : (AT, Wain Fimeri, 2003)
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LOVE LETTERS FROM TERALBA ROAD : (AT, Stephen Wallace, 1977)
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[Love letters from Teralba road : stills file]
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LOVE LIFE [TV] : (US, 2020) Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: LOVE LIFE [TV] (US, 2020) Cross Reference: LOVE LIFE [TV] (US, 2020)
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LOVE, LUST AND LIES : (AT, Gillian Armstrong, 2010)
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THE LOVE MACHINE : (US, Gordon Eriksen, 2000)
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LOVE MACHINE, THE : (US, Jack Haley Jr., 1972)
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LOVE MARRIAGE IN KABUL : (AT/AF, Amin Palangi, 2014)
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LOVE ME TENDER : (US, Robert D. Webb, 1956)
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LOVE & MERCY : (US, Bill Pohled, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LOVE & MERCY (US, Bill Pohled, 2014) URL status: URL: 'http://file://Q:/T/LOVE_AND_MERCY.zip'
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book
Love, Mortality and the Moving Image / by Emma Wilson Basingstoke, England: Palgrave Macmillan, 2012.
Call No: 747.19 WILAuthor: Wilson, Emma Source: UK/USPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2012PhysDes: ix, 184 p., [8] p. of plates : col. ill. ; 23 cmSubject: LOVE IN FILMS ; DEATH IN FILMS ; VIDEO ART Summary: "In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study scrutinizes emotions and sensations surrounding mortality and longing. Its focus is on love, tenderness, and eroticism, on the undoing of the self in desire and loss, and on the pursuit of relations with a missing other. In dialogue with Judith Butler on greivability, and Giorgio Agamben on bare life, Emma Wilson traces connections between imaging of intimate losses and public acts of mourning in response to atrocity, the Shoah and Hurricane Katrina. The book lays out a series of sensitive new readings of works by Agnes Varda, Pedro Almodovar, Ingmar Bergman, Sophie Calle, and many others. Attending to images of tactility, to fine details of texture, light, and affect, it re-imagines the role of the sensuous in lens-based art. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780230308398Contents: -- acknowledgments -- plates -- introduction -- 1.Love -- 2.Mother -- 3.Child -- 4.Coma -- 5.Pieta -- 6.Touch -- 7.Home -- Conclusion -- Notes -- References -- Moving Image Artworks -- index --
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I LOVE MY MUM : (UK, Alberto Sciamma, 2018)
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LOVE MY WAY : [TV] (AT, 2004- )
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LOVE MY WAY : [TV](AT, John Edwards & Claudia Karvan, 2004-)
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LOVE MY WAY [TV] : (AT, 2004) Digital clippings file available
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LOVE NEVER DIES : (AT, Brett Sullivan, Simon Phillips, 2012)
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LOVE OF LIONEL'S LIFE, THE : [TV] (AT, John Ruane, 2000)
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LOVE ON THE SPECTRUM : (AT, Cian O'Clery, 2019)
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LOVE ON THE SPECTRUM [TV] : (AT, , 2019)
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LOVE OPERA : (AT, Liselle Mei, 2020) Digital clippings file available
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journal article
Love Patrol in Australian Cinematographer (March 2013) iss.57 p.20-25
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LOVE POTION NO. 9 : (US, Dale Launer, 1992 [prod. 1990])
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LOVE RIO : (US, Stanley Donen, 1983)
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LOVE, ROSIE : (GG/UK, Christian Ditter, 2014) Digital clippings file available
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LOVE'S BROTHER : (AT, Jan Sardi, 2003)
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script
Love's brother / written by Jan Sardi 2003.
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LOVE'S DEADLY TRIANGLE: THE TEXAS CADET MURDER : [TV] (US, 1997?)
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LOVE'S HARVEST [TV] : (AT, Brian McKenzie, 2008)
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LOVE'S LABOUR'S LOST : (US, Kenneth Branagh, 2000)
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LOVE'S TRAGEDIES [TV] : (AT, Don Parham, 1998)
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LOVE SARAH : (UK, Eliza Schroeder, 2020) Digital clippings file available
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Love serenade / Shirley Barrett Sydney: Currency Press, 1997.
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LOVE SERENADE : (AT, Shirley Barrett, 1996)
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LOVE, SIMON : (US, Greg Berlanti, 2018) Digital clippings file available
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LOVE SONG : (AT, Bruce Currie, 1998)
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LOVE SONIA : (II, Tabrez Noorani, 2018)
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still
[Love : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 9 x 14 cm - 16 x 13 cmSubject: LOVE (AT, Alan Ingram, 1970) Summary: 3 black and white photographs of Basia Bonkowski as Marguerite, Mort Clark as Joe, and Alan Andrews as Paul
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LOVE STINKS : (US, Jeff Franklin, 1999)
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LOVE STINKS: BILDER DES TAGLICHEN WAHNSINNS : (GW, Birgit Hein & Wilhelm Hein, 1983)
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poster
[Love stories : poster]
Call No: P LOVPhysDes: 1 poster : col. ; 71 X 46 cm.Subject: LOVE STORIES (AT, Robert Randall, -) ; RANDELLI'S LOVE STORIES (AT, Robert Randall, -) Summary: Image: 6 stills from the movie on an abstract(y) background. Text: 'Blind date/Love fever/Brief encounter/For ever yours/Femmes de mode/A question of style'.Notes: Unable to find much information on this film/video installation.; Considerable creasing around most edges.
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LOVE STORY : (US, Arthur Hiller, 1970)
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LOVE STORY : (NZ, Florian Habicht, 2011)
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LOVE STREAMS : (US, John Cassavetes, 1984)
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LOVE THE BEAST : (AT, Eric Bana, 2009)
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[Love the beast : poster] AT:
Call No: P LOVPlace: ATPhysDes: 1 poster : col. ; 69 x 100cmSubject: LOVE THE BEAST (AT, Eric Bana, 2009) Summary: Full-colour glossy poster. Features image of Eric Bana in red car.Notes: Tear in bottom
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LOVE THE COOPERS : (US, Jessie Nelson, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LOVE THE COOPERS (US, Jessie Nelson, 2015) URL status: URL: 'http://file://Q:/T/LOVE_THE_COOPERS.zip'
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LOVE THIS TIME : (AT, Rhys Graham, 2006)
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I LOVE TROUBLE : (US, Charles Shyer, 1994)
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LOVE! VALOUR! COMPASSION! : (US, Joe Mantello, 1997)
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I LOVE VIENNA : (AU, Houchang Allahyari, 1992)
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LOVE WALKED IN : (US, Juan Campanella, 1998)
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LOVE WEDDING REPEAT : (UK/IT, Dean Craig, 2020) Digital clippings file available
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LOVE WEDDINGS AND OTHER DISASTERS : (US, Dennis Dugan, 2020) Digital clippings file available
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script
LOVE WISE : Shooting Draft
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LOVE WITCH, THE : (US, Anna Biller, 2016) Digital clippings file available
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I LOVE YOU : (FR/IT, Marco Ferreri, 1986)
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LOVE YOU BABY : (AT, Jonathon Keys, 1995)
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I LOVE YOU, DADDY : (US, Louis C.K., 2017)
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I LOVE YOU...DON'T TOUCH ME : (US, Julie Davis, 1997)
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I LOVE YOU, MAN : (US, John Hamburg, 2009)
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I LOVE YOU PHILLIP MORRIS : (FR/US, Glenn Ficarra/John Requa, 2009)
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I LOVE YOU TO DEATH : (US, Lawrence Kasdan, 1990)
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LOVE YOU TO DEATH [TV] : (US, John Waters, 2007)
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I LOVE YOU TOO : (AT, Daina Reid, 2009)
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script
I love you too / written by Peter Helliar AT: [2009].
Call No: S ILOAuthor: Helliar, Peter Edition: Orange amendment June 04 2009Place: ATPubDate: [2009]PhysDes: 111 leavesSubject: I LOVE YOU TOO (AT, Daina Reid, 2009) Notes: Unpublished script -- Donated by AFI -- Orange amendment -- production company, Hell & High Waters P/L.
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LOVE YOUR MAMA : (US, Ruby L. Oliver, 1990)
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book
Lovers / Linda Sunshine Atlanta, Ga.: Turner Pub., c1992.
Call No: 802.27 SUNAuthor: Sunshine, Linda Edition: 1st edPlace: Atlanta, Ga.Publisher: Turner Pub.PubDate: c1992PhysDes: 204 p. : ill. ; 24 cmSubject: LOVE IN FILMS ; GARBO, GRETA ; GILBERT, JOHN ; GABLE, CLARK ; HARLOW, JEAN ; Crawford, Joan ; ASTAIRE, FRED ; ROGERS, GINGER ; LOY, MYRNA ; MACDONALD, JEANETTE ; EDDY, NELSON ; FLYNN, ERROL ; DE HAVILLAND, OLIVIA ; POWELL, WILLIAM ; PIDGEON, WALTER ; GARLAND, JUDY ; ROONEY, MICKEY ; GARSON, GREER ; BOGART, HUMPHREY ; BACALL, LAUREN ; LEIGH, VIVIEN ; OLIVIER, LAURENCE ; TAYLOR, ELIZABETH ; BURTON, RICHARD ; NEWMAN, PAUL ; WOODWARD, JOANNE ; TRACY, SPENCER ; HEPBURN, KATHARINE ; ALLEN, WOODY ; Keaton, Diane ; FARROW, MIA Notes: Includes bibliographical references (p. 201), filmographies, and indexISBN: 1878685031 : $29.95LON: 8931051
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LUNATICS : A LOVE STORY : (US, Tosh Becker, 1991)
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MAD BOMBER IN LOVE : (AT, James Bogle, 1992)
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[Mad bomber in love : poster]
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[Mad bomber in love : stills file] / Patrick Rivere
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newspaper article
Mad dog's tale in The Australian [Review] (19/05/2012) p.16
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MAD LOVE : (US, Antonia Bird, 1995)
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book
Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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MAKING LOVE : (US, Arthur Hiller, 1982)
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journal article
Making Love in Australasian Cinema (23/07/1982) vol.11 iss.13 p.7
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MALCOM AND BARBARA: LOVE'S FAREWELL : (UK, 2007)
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MALEDETTI, VI AMERO : (IT, Marco Tullio Giordana, 1980)
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book
A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H, THE (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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MANHATTAN LOVE SUICIDES : (US, Richard Kern, 1985)
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MANUALE D'AMORE : (IT, Giovanni Veronesi, 2005)
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music lp
Manuel and the music of the movies [sound recording] : Manuel and the music of the mountains / recording produced by Norman Newell, recording engineer: Peter Brown Hartwell, Victoria: World Record Club,
Call No: LP Manuel and the music of moviesAuthor: Bacharach-David ; Barry ; Bergman-Legrand ; Black-Jones ; Delerue ; Gold-Gimbel ; Jones-Weil ; Lerner-Loewe ; Lewis-King ; Martin-Theodorakis ; Newell, Norman ; Rota ; Webb-Newell Source: USPlace: Hartwell, VictoriaPublisher: World Record ClubPhysDes: 1 sound disc : analog, 33 1/3 rpm, stereo. ; 12 inSubject: BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CACTUS FLOWER (US, Gene Saks, 1969) ; ITALIAN JOB, THE (UK, Peter Collinson, 1969) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET OF SANTA VITTORIA, THE (US, Stanley Kramer, 1970) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) Contents: -- side one -- wand'rin star / Lerner-Loewe -- women in love / Delerue -- midnight cowboy / Barry -- life goes on and on / Martin-Theodorakis -- the lonely ones / Lewis-King -- the windmills of your mind / Bergman-Legrand -- side two -- raindrops keep fallin' on my head / Bacharach-David -- a time for love / Jones-Weil -- the story of santa vittoria (stay) / Gold-Gimbell -- one brief summer / Webb-Newell -- on days like these / Black-Jones -- love theme from romeo and juliet / Rota --Music Type: Motion Picture MusicPublisher Number: World Records Club: S-5534
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MAORI MAID'S LOVE, A : (AT, Raymond Longford, 1916)
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still
[Maori maid's love, a : stills file] Ronin Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Ronin FilmsPhysDes: 1 photograph : b&w ; 17 x 22 cmSubject: MAORI MAID'S LOVE, A (AT, Raymond Longford, 1916) Summary: Black and white photograph of Lottie Lyell, a mixed descent Maori person with a Maori girl and Maori decorative wall work behind. Description on back of photo says he is in conflict with mainstream society.Notes: 1 duplicate
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journal article
Margaret Fink to produce new film "For Love Alone" in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
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MARIANNE AND LEONARD: WORDS OF LOVE : (US, Nick Broomfield, 2019)
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book
Marketing and distribution / written by Jennifer Stott ; edited by John Cruthers Sydney: Australian Film, Television & Radio School and the Australian Film Commission, 1990, c1989.
Call No: 210.2(94) TAKAuthor: Stott, Jennifer ; Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: SydneyPublisher: Australian Film, Television & Radio School and the Australian Film CommissionPubDate: 1990, c1989PhysDes: vi, 146 p. : ill. ; 30 cmSeries: Taking care of businessSubject: DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; YOUNG EINSTEIN (AT, Yahoo Serious [pseud of Greg Praed], 1988) ; BODYWORK (AT, David Caesar, 1989) ; PURSUIT OF HAPPINESS, THE (AT, Martha Ansara, 1987) ISBN: 064214981XLON: 6830474
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newspaper article
A meaty look at where our food comes from in The Australian (03/11/2016) p.17
Call No: TITLE CLIPPINGS FILE; FOR THE LOVE OF MEAT [TV](AT, 2016)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: FOR THE LOVE OF MEAT [TV] (AT, 2016) Summary: Review of the TV show FOR THE LOVE OF MEAT and a look at the show's host Matthew Evans style of TV show
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MEKTOUB MY LOVE INTERMEZZO : (FR/TI, Abdellatif Kechiche, 2019)
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book
Melbourne on film : cinema that defines our city / introduction by Christos Tsiolkas Collingwood, Vic.: Melbourne International Film Festival, Black Inc.,
Call No: 756.1-25 MELAuthor: Tsiolkas, Christos Edition: 2022Place: Collingwood, Vic.Publisher: Melbourne International Film Festival; Black Inc.PhysDes: 320 pages ; 24cmSubject: GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; OZ: A ROCK AND ROLL ROAD MOVIE (AT, Chris Lofven, 1976)
SEE
OZ ; MALCOLM (AT, Nadia Tass, 1986) ; CASTLE, THE (AT, Rob Sitch, 1997) ; MAD MAX (AT, George Miller, 1979) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) ; HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; CLUB, THE (AT, Bruce Beresford, 1980) ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; NOISE (AT, Matthew Saville, 2007) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; CLAY (AT, Giorgio Mangiamele, 1964) ; HEAD ON (AT, Ana Kokkinos, 1998) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) Summary: A collection of bold new writing capturing Melbourne’s identity in cinema
Melbourne International Film Festival (MIFF) is Australia's most revered celebration of cinema. It is one of the world's oldest and most storied film festivals, continuously running since 1952. To commemorate MIFF’s 70th anniversary, Black Inc. has partnered with the festival to produce an exciting collection of essays on Melbourne-made cinema.
Melbourne has a long, rich and diverse film history. It was the city where the first ever feature-length film was screened in 1906 – The Story of the Kelly Gang. It was also the birthplace of classics like Monkey Grip, Ghosts … of the Civil Dead, The Castle and Mad Max, plus many fascinating shorts and experimental films. Melbourne on Film is both a celebration of filmmaking in Melbourne, and a tribute to the city’s unique creative history.
The first collection of its kind, it includes personal reflections on the legacy and influence of these key films by some of the city’s favourite writers, including Christos Tsiolkas, Sarah Krasnostein, John Safran, Osman Faruqi, Tristen Harwood and Judith Lucy. Melbourne on Film will be treasured by cinephiles and readers of intelligent essays on arts and culture. -- publisher's web siteISBN: 9781760643928
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MEN IN LOVE : (US, Marc Huestis, 1990)
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MERA UR KARLEKENS SPRAK : (SW, Torgny Wickman, 1970)
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book
Mercy in her eyes : the films of Mira Nair / by John Kenneth Muir New York: Applause Theatre & Cinema Books, c2006.
Call No: 81NAI MUIAuthor: Muir, John Kenneth Source: USPlace: New YorkPublisher: Applause Theatre & Cinema BooksPubDate: c2006PhysDes: ix, 290 p., [16] p. of plates : col. ill., ports. ; 23 cmSubject: INDIA ; FILM ; NAIR, MIRA ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; MISSISSIPPI MASALA (US, Mira Nair, 1991) ; PEREZ FAMILY, THE (US, Mira Nair, 1995) ; KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996) ; MY OWN COUNTRY (US, Mira Nair, 1998) ; LAUGHING CLUB OF INDIA, THE (US/II, Mira Nair, 1999) ; MONSOON WEDDING (US/II, Mira Nair, 2001) ; HYSTERICAL BLINDNESS (US. Mira Nair, 2002) ; 11'09"01 [ELEVEN'NINE"01]- SEPTEMBER 11 (FR, Youssef Chahine & Amos Gitai & Alejandro Gonzalen Inarritu & Shohei Imamura & Claude LeLouch & Ken Loach & Samira Makhmalbaf & Mira Nair & Idrissa Quedraogo & Sean Penn & Dennis Tanovic, 2002) ; VANITY FAIR (UK/US, Mira Nair, 2004) ; NAMESAKE, THE (II/US, Mira Nair, 2006) Summary: "This is the first book to examine the films of the acclaimed and popular Indian-born and Harvard-educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. Noted film authority John Kenneth Muir analyzes all of Nair's work." "Among those interviewed for this book are the actors Gena Rowlands (Hysterical Blindness) and Naveen Andrews (Kama Sutra: A Tale of Love, 1997); My Own Country, 1998), currently a star of TV's Lost; and Julian Fellowes, the screen writer of Vanity Fair."--BOOK JACKET.Notes: Includes index; Bibliography: p. [261]-268ISBN: 9781557836496Contents: -- acknowledgments -- A local storyteller at the global cinema : an introduction to Mercy in her eyes : the films of Mira Nair -- Ch. 1. Mahurat : the auspicious beginning of Mira Nair's career in film -- Ch. 2. Salaam Bombay! (1998) -- Ch. 3. Mississippi Masala (1991) and The Perez family (1995) -- Ch. 4. Kama Sutra: a tale of love (1997), My own country (1998), and The laughing club of India (1999) -- Ch. 5. Monsoon wedding (2001), Hysterical blindness (2002), 11'09'01 (2002), and Vanity fair (2004) -- Ch. 6. Sneak peek : The namesake (2006) -- Life is such a comedy : a conclusion to Mercy in her eyes -- App. You know you're in a Mira Nair film when you see ... -- notes -- selected bibliography -- index --
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MESSAGE TO LOVE : (US, Murray Lerner, 1996)
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[MISTER] MR. LOVE : (UK, Ray Battersby, 1985)
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MODERN LOVE : (AT, Alex Frayne, 2006)
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[More about the language of love : stills file]
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Interim
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More long shots : Australian cinema successes in the 90s / by Mary Anne Reid Sydney: Australian Film Commission, 1999.
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MORE LOVE STORIES : (AT, Robert Randall & Frank Bendinelli, 1984)
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still
[More love stories : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 9 photographs : b&w 13 x 18 - 21 x 26 cmSubject: SMART, REBECCA ; HARDY, JONATHAN ; GRUBB, ROBERT ; LUCAS, BETTY ; HACKFORTH-JONES, PENNE ; WALLACE, ROWENA ; MOIR, RICHARD ; MORE LOVE STORIES (AT, Robert Randall & Frank Bendinelli, 1984) ; MORE WINNERS [TV] (AT, 1991) Summary: 9 black and white photographs from the 'More Winners' series of Rebecca Smart, Steven Scott-Young, David Presser, Erica Kennedy, Jonathon Hardy, Simon Grey, Scott Major, Robert Grubb, Betty Lucas, Tamblyn Lord, Penne Hackforth-Jones, Nathan Croft, Richard Moir, Rowena Wallace, Bruno Lawrence, Justin Rozniak, and Cameron Nugent.
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The movie that changed my life / edited by David Rosebnberg New York: Penguin, 1993.
Call No: 67(049.32) THESource: USPlace: New YorkPublisher: PenguinPubDate: 1993PhysDes: xv, 304 p. ; 22 cmSubject: BEST FILMS ; PORNOGRAPHIC FILMS ; BAMBI (US, David Hand, 1942) ; LAST TRAIN FROM MADRID, THE (US, James P. Hogan, 1937) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; PREMATURE BURIAL (US, Roger Corman, 1962) ; THING, THE (US, Christian Nyby, 1951) ; DRACULA (US, Tod Browning, 1931) ; GILDA (US, Charles Vidor, 1946) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; LOVE ME OR LEAVE ME (US, Charles Vidor, 1955) ; BOY WITH GREEN HAIR, THE (US, Joseph Losey, 1948) ; [THREE] 3 WOMEN (US, Robert Altman, 1977) ; OUR VINES HAVE TENDER GRAPES (US, Roy Rowland, 1945) ; FATAL GLASS OF BEER, THE (US, Clyde Bruckman, 1933) ; WOMEN, THE (US, George Cukor, 1939) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; SEVEN BRIDES FOR SEVEN BROTHERS (US, Stanley Donen, 1954) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: Exploring 23 writer's cultural experiences in relation to movies.Notes: First published : 1991 : Viking PenguinISBN: 0140169520Donation: donated by the family of Wayne Levy, 2006
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Levy Collection
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Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR/IT, Claude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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MR [MISTER] MORGAN'S LAST LOVE : (G/BE/US/FR, Sandra Nettelbeck, 2013)
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MUST LOVE DOGS : (US, Gary David Goldberg, 2005)
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newspaper article
Muted vibrations in Weekend Australian [Review] (27/6/2015) p.14
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newspaper article
Muted vibrations in Weekend Australian [Review] (27/6/2015) p.14
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MY DOG: AN UNCONVENTIONAL LOVE STORY : (US, Mark St. Germain, 2009)
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MY SUMMER OF LOVE : (UK, Paul Pawlikowski, 2004)
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NAPOLEON & JOSEPHINE: A LOVE STORY : (US, Richard T. Heffron, 1987)
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journal article
New films at the co-op in Filmnews (November/December 1983) vol.18 iss.11&12 p.9
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journal article
The new Greek cinema in Facets Features (May 1983) p.8-10
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journal article
New video reviews in Filmviews (Autumn 1985) vol.30 iss.123 p.55-57
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NEW YORK, I LOVE YOU : (FR/US, Fatih Akin/Yvan Attal, 2009)
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journal article
News in Lumiere (March, 1973) iss.21 p.2-3
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journal article
News from Roadshow in Australasian Cinema (16/07/1982) vol.11 iss.12 p.26
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NIM-A, GEU-GANG-EUL GEON-NEO-JI MA-O : (KO, Mo-young Jin, 2014)
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NO ORDINARY LOVE : (US, Doug Witkins, 1995)
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newspaper article
Noise not so merry in this Christmas comedy in Sunday Age [M] (29/11/2015) p.19
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LE NOM DES GENS : (FR, Michel Leclerc, 2010)
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NORMAL LOVE : (US, Jack Smith, 1964 --)
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NOT A LOVE STORY: A FILM ABOUT PORNOGRAPHY : (CN, Bonnie Sherr Klein, 1981)
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book
Nuclear war films / Edited by Jack G. Shaheen Carbondale: Southern Illinois University Press, 1978.
Call No: 737.34 SHAAuthor: Shaheen, Jack G. (editor) Place: CarbondalePublisher: Southern Illinois University PressPubDate: 1978PhysDes: 21 cm ; xx, 194 pagesSubject: NUCLEAR ISSUES IN FILMS ; WAR AND THE CINEMA ; BEGINNING OR THE END, THE (US, Norman Taurog, 1947) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959) ; ON THE BEACH (US, Stanley Kramer, 1959) ; LADYBUG, LADYBUG (US, Frank Perry, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FAIL SAFE (US, Sidney Lumet, 1964) ; BEDFORD INCIDENT, THE (UK/US, James B. Harris, 1965) ; WAR GAME, THE (UK, Peter Watkins, 1966) ISBN: 0809308797AFIRC Location: Stacks
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OF LOVE AND SHADOWS : (US, Betty Kaplan, 1994)
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newspaper article
Oh baby : a new doctor, fresh complications in The Australian (02/05/2017) p.15
Call No: TITLE CLIPPINGS FILE; LOVE CHILD [TV] (AT, 2014-)Author: Boland, Michaela PhysDes: Clippings File ArticleSubject: LOVE CHILD [TV] (AT, 2014-) Summary: Review of latest season of the Australian tv drama LOVE CHILD
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OLD MAN WHO READ LOVE STORIES : (AT/SP/FR/NL, Rolf de Heer, 2000)
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journal article
The Old Man Who Read Love Stories in Empire (Australian Ed.) (April 2004) iss.37 p.35
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newspaper article
Old West shows its female side in Weekend Australian [Review] (14/03/2015) p.15
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OMELETTE: A MULTICULTURAL LOVE STORY : (AT, Christina Heristanidis, 1998)
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ONE I LOVE, THE : (US, Charlie McDowell, 2014)
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ORANGE LOVE STORY : (AT, Tom Cowan, 2003)
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newspaper article
Out of the closet in Weekend Australian [Review] (31/3/2018) p.15
Call No: TITLE CLIPPINGS FILM; LOVE, SIMON (US, Greg Berlanti, 2018)Author: Stratton, David PhysDes: Clippings File_ArticleSubject: LOVE, SIMON (US, Greg Berlanti, 2018) ; EARLY MAN (US/UK/FR, Nick Park, 2018) ; ENDLESS, THE (US, Justin Benson / Aaron Moorhead, 2017) Summary: David Stratton reviews the new releases.Rating: 3.5 out of 5 stars; 3 out of 5 stars; 3 out of 5 stars
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script
Outbreak of love : Episode 2 "Summer ripeness"
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script
Outbreak of love : Episode 2 "Summer ripeness"
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P.S. I LOVE YOU : (US, Richard LaGravenese, 2007)
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book
Paul Thomas Anderson / George Toles Chicago: University of Illinois Press, C2016.
Call No: 81 AND TOLAuthor: Toles, George Source: USPlace: Urbana; ChicagoPublisher: University of Illinois PressPubDate: C2016PhysDes: xii, 209 pages : illustrations ; 21 cmSeries: Contemporary film directorsSubject: ANDERSON, PAUL THOMAS ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; PUNCH-DRUNK LOVE (US, Paul Thomas Anderson, 2002) ; THERE WILL BE BLOOD (US, Paul Thomas Anderson, 2007) ; MASTER, THE (US, Paul Thomas Anderson, 2012) Notes: Formerly CIP; Includes bibliographical references (pages 201-204), filmography (pages 193-199) and indexISBN: 97800252081859Contents: -- Words and Music: The Magnolia Crisis -- Wise Up -- The Sledgehammer of Eros in Punch-Drunk Love -- The Trail of the Ellipsis in There Will Be Blood -- Form and Formlessness in The Master -- Notes -- Composite Interview -- filmography -- bibliography -- index --
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PERE DE MES ENFANTS, LES : (FR/GR, Mia Hansen-Love, 2009)
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book
Philosophy and film / edited and with an introduction by Cynthia A. Freeland and Thomas E. Wartenberg New York: Routledge, 1995.
Call No: 626 PHIAuthor: Freeland, Cynthia A ; Wartenberg, Thomas E Place: New YorkPublisher: RoutledgePubDate: 1995PhysDes: 258 p. ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; FEMINISM AND THE CINEMA ; FILM NOIR ; HORROR FILMS ; ETHNIC GROUPS IN FILMS ; LEE, SPIKE ; SEA OF LOVE (US, Harold Becker, 1989) ; CASABLANCA (US, Michael Curtiz, 1942) ; GHOST (US, Jerry Zucker, 1990) ; WHITE PALACE (US, Luis Mandoki, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; EUROPA, EUROPA (FR/GW, Agnieszka Holland, 1990) ; PERSONA (SW, Ingmar Bergman, 1966) Notes: Includes bibliographical references and indexISBN: 0415909201; 041590921X (pbk.)LON: 11213335
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The piano / Gail Jones Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79PIA JONAuthor: Jones, Gail CorpAuthor: Australian Film Commission: National Film and Sound ArchiveSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 85 p. : ill. ; 20cmSeries: Australian Screen ClassicsSubject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; REGIONAL CINEMA. AUSTRALIA ; REGIONAL CINEMA. NEW ZEALAND ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. NEW ZEALAND ; NEW ZEALAND IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS ; SPEECH ; ROMANCE IN FILMS ; LOVE IN FILMS ; SEA IN FILMS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; RACE AND THE CINEMA. NEW ZEALAND ; MOTHERS IN FILMS ; CHILDREN IN FILMS ; MUSIC IN FILMS ; SILENCE IN FILMS ; EROTICISM IN FILMS ; VIOLENCE IN FILMS ; JANE CAMPION ; PIANO, THE (AT, Jane Campion, 1993) Summary: "When 'The Piano' opened in 1993 it was hailed by many as a modern masterpiece. Written and directed by Jane Campion, it won the Palme d'Or at Cannes, making her the first woman ever to win this prestigious award. It went on to win Academy Awards for Best Original Screenplay (Campion), Best Actress (Holly Hunter) and Best Supporting Actress (Anna Paquin).
"In this thoughtful and perceptive critique, Gail Jones assesses the film's unearthly and controversial visions, its poetic power and its capacity to entrance and to alienate."Notes: Includes notes, bibliography, filmography, 'The Piano' credits and synopses of other books in the 'Australian Screen Classics' series.ISBN: 9780868197999
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Politics and the American television comedy : a critical survey from "I Love Lucy" through " South Park" / Doyle Greene Jefferson, North Carolina: McFarland & co, c2008.
Call No: 732 GREAuthor: Greene, Doyle Source: USPlace: Jefferson, North CarolinaPublisher: McFarland & coPubDate: c2008PhysDes: ix, 265 p. : ill. ; 23 cmSubject: COMEDY PROGRAMMES. USA ; POLITICS AND TV ; I LOVE LUCY [TV] (US, 1951-57) ; SOUTH PARK [TV] (US, 1997-) Summary: This work examines the unique and ever changing relationship between politics and comedy through an analysis of several popular American tv programs. [Provided by the publisher.]Notes: Bibliography: p. 249-253; Includes indexISBN: 9780786432356Donation: Donated by Senses Of Cinema, 2009
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POLLY ME LOVE : (AT, Peter Maxwell, 1977)
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POMPATUS OF LOVE, THE : (US, Richard Schenkman, 1995)
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Portman's lifeless take on a vivid Oz in The Age [Arts & Entertainment] (14/04/2016) p.20
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Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll Madison: University of Wisconsin Press, 1996.
Call No: 62 POSAuthor: Bordwell, David, 1947 ; Carroll, Noel (NoFl E.) Place: MadisonPublisher: University of Wisconsin PressPubDate: 1996PhysDes: 564 p. : 23 cmSeries: Wisconsin studies in filmSubject: THEORY ; FILM STUDY AND RESEARCH ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HORROR FILMS ; TRUTH IN FILMS ; MUSIC, FILM ; NON-FICTION FILMS ; REALISM IN FILMS ; AVANT-GARDE FILMS ; SPECTATORSHIP ; JAPAN ; DENMARK ; EXHIBITION ; CHARACTERIZATION IN FILMS ; AUDIENCES ; CONSTRUCTIVISM ; EDITING ; PERCEPTION ; PSYCHOLOGICAL EFFECTS OF FILMS ; GENRES ; LOVE IN FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; COLUMBIA PICTURES ; WARNER BROS. ; BRECHT, BERTOLT ; GIBSON, JAMES J. ; COHN, HARRY ; JAMESON, FREDRIC ; MANDEL, ERNEST ; RENOV, MICHAEL ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; CASABLANCA (US, Michael Curtiz, 1942) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) Notes: Includes bibliographical references and indexISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)LON: 95037052; 11859923
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PRIEST OF LOVE : (UK, Christopher Miles, 1981)
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Prime time, prime movers : from I love Lucy to L.A. law--America's greatest TV shows and the people who created them / David Marc and Robert J. Thompson Syracuse, N.Y.: Syracuse University Press, 1995.
Call No: 802.22(73) MARAuthor: Marc, David ; Thompson, Robert J., 1959 Edition: 1st Syracuse University Press edPlace: Syracuse, N.Y.Publisher: Syracuse University PressPubDate: 1995PhysDes: 340 p. : ill. ; 24 cmSeries: The Television seriesSubject: DRAMAS ; SOAP OPERAS ; GAMES SHOWS ; DOCUMENTARIES ; BROOKS, JAMES L. ; BURNS, KEN ; WOLPER, DAVID ; SPELLING, AARON ; RICH, LEE ; MARTIN, QUINN ; MARSHALL, GARRY ; LINK, WILLIAM ; CHAYEFSKY, PADDY ; CANNELL, STEPHEN J. ; BOCHCO, STEVEN ; BARRIS, CHUCK ; ARNAZ, DESI ; WERNER, TOM ; WEBB, JACK ; SCHWARTZ, SHERWOOD ; PHILLIPS, IRNA ; NIXON, AGNES ECKHARDT ; LEVINSON, RICHARD ; LEAR, NORMAN ; LARSON, GLEN ; HUGGINS, ROY ; HENNING, PAUL ; HARRIS, SUSAN ; GOODSON, MARK ; GLEASON, JACKIE ; ENGLISH, DIANE ; MANN, MICHAEL ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) ; MIAMI VICE [TV] (US, 1984-90) ; ALAS SMITH AND JONES [TV] (US, 1971-73?) ; ALL IN THE FAMILY [TV] (US, 1971-?) ; BEVERLY HILLBILLIES, THE [TV] (US, 1962-71) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; GILLIGAN'S ISLAND [TV] (US, 1964-66) ; GOLDEN GIRLS, THE [TV] (US, 1985-93) ; HAPPY DAYS [TV] (US, 1974-1984) ; HILL STREET BLUES [TV] (US, 1980-87) ; L.A. LAW [TV] (US, 1986-94) ; I LOVE LUCY [TV] (US, 1951-57) Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and indexISBN: 0815603118 (paper : acid-free paper)LON: 95001812; 11442893
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PRO LYUBOV. TOLKO DLYA VZROSLYKN : (RU, Rezo Gigineishvili, Anna Melikyan, Pavel Ruminov, Nigina Sayfullaeva, Evgeniy Shelyakin, Aleksey Chupov & Natalya Merkulova, 2017)
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PUNCH-DRUNK LOVE : (US, Paul Thomas Anderson, 2002) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: PUNCH-DRUNK LOVE (US, Paul Thomas Anderson, 2002) URL status: URL: 'http://file://Q:/T/PUNCH_DRUNK_LOVE.zip'
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PURSUIT OF LOVE, THE [TV] : (UK, 2020) Digital clippings file available
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PYROMANIAC'S LOVE STORY, A : (US, Joshua Brand, 1995)
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QUEENIE IN LOVE : (US/FR, Amos Kollek, 2001)
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Queer girls, temporality and screen media : not 'just a phase' / Whitney Monaghan London: Palgrave Macmillan,
Call No: 451-03 MONAuthor: Monaghan, Whitney Edition: 2016Place: LondonPublisher: Palgrave MacmillanPhysDes: x, 192 p. : illustrated ; 22 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY ON TV ; BLUE IS THE WARMEST COLOR (FR/BE/SP, Abdellatif Kechiche, 2013) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CRUEL INTENTIONS (US, Roger Kimble, 1999) ; DEGRASSI JUNIOR HIGH [TV] (CN, 1987-1991) ; ELLEN [TV] (US, 1995-) ; GLEE [TV] (US, Ryan Murphy, 2009) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; NEIGHBOURS [TV] (AT, 1985-) Summary: This book takes up the queer girl as a represented and rhetorical figure within film, television and video. In 1987, Canada’s Degrassi Junior High featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiary characters within forgettable storylines, queer girls are a regular feature of contemporary screen media. Analysing the terms of this newfound visibility, Whitney Monaghan provides a critical perspective on this, arguing that a temporal logic underpins many representations of queer girlhood. Examining an archive of screen texts that includes teen television series and teenpics, art-house, queer and independent cinemas as well as new forms of digital video, she expands current discourse on both queer representation and girls’ studies by looking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representation in contemporary screen media. -- publisher's web siteISBN: 9781137555977Donation: Whitney Monaghan
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R rating 'a grown-up decision' in Saturday Age [Insight] (26/9/15) p.29
Call No: TITLE CLIIPINGS FILE; LOVE (FR/BE, Gaspar Noe, 2015)Author: Hawker, Philippa PhysDes: ClippingsSubject: LOVE (FR/BE, Gaspar Noe, 2015) Summary: Discussion around the ABFC rating of Noe's latest film whcich features scenes of unsimulated sex.
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Recent releases : Core mio (November 1982) vol.XVI iss.19 p.10
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Reconfiguring rusticity: feminizing Australian cinema's country towns in Studies in Australasian cinema (2008) vol.2 iss.1 p.47-59
Author: Simpson, Catherine PhysDes: ArticleSubject: RURAL LIFE IN FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; RADIANCE (AT, Rachel Perkins, 1998) ; SOMERSAULT (AT, Cate Shortland, 2004) ; OYSTER FARMER, THE (AT/UK, Anna Reeves, 2004) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; ROAD TO NHILL (AT, Sue Brooks, 1997) Summary: Country towns in Australian cinema are commonly seen in opposition to a fixed, imagined urban normalcy. The first part of this paper discusses the urban/rural dialectic in the construction of rusticity. The second section examines the role women play in the rustic sphere. The last decade has seen a feminizing of the country town in films made predominantly by female directors such as Radiance (Rachel Perkins, 1998), Somersault (Cate Shortland, 2004) and The oyster farmer (Anna Reeves, 2005). The final part of this paper focuses on two break-through films from the mid-1990s, also from female creative teams, which signal a significant shift in the portrayal of women's subjectivity and agency in country towns: Love serenade (Shirley Barrett, 1996) and Road to Nhill (Sue Brooks, 1997). Although these films do not challenge the stereotype of country towns as 'irrelievably dull', their surreal lensing and black comic tone, I suggest, reconfigure rusticity. -- Abstract
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REDEEMING LOVE : (US, D.J. Caruso, 2022) Digital clippings file available
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Renaissance of the film / Edited and with an introd. and headnotes by Julius Bellone [New York]: Collier Books, [1970].
Call No: 67(04) RENAuthor: Bellone, Julius, comp Place: [New York]Publisher: Collier BooksPubDate: [1970]PhysDes: xi, 366 p. illus. 21 cmSubject: Ray, Satyajit ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; GERTRUD (DK, Carl Th. Dreyer, 1964) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; LOLA (FR/IT, Jacques Demy, 1961) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; ORDET (DK, Carl Th. Dreyer, 1955) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; STRADA, LA (IT, Federico Fellini, 1954) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; TYSTNADEN (SW, Ingmar Bergman, 1963) ; SERVANT, THE (UK, Joseph Losey, 1963) ; THIS SPORTING LIFE (UK, Lindsay Anderson, 1963) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; FROKEN JULIE (SW, Alf Sjoberg, 1950) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MARNIE (US, Alfred Hitchcock, 1964) ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964) Notes: Bibliography: p. [349]-353LON: 102599
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RICH IN LOVE : (US, Bruce Beresford, 1992)
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[ROAD OF SELFLESS LOVE, THE] : (UR, Agasi Babayan, ?)
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Robert Duvall : Hollywood maverick / Judith Slawson New York: St. Martin's Press, 1986.
Call No: 81DUV SLAAuthor: Slawson, Judith Source: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1986PhysDes: 198 p. : ill. ; 19 cmSubject: DUVALL, ROBERT ; BRANDO, MARLON ; DE NIRO, ROBERT ; COPPOLA, FRANCIS FORD ; FOOTE, HORTON ; CANBY, VINCENT ; KAEL, PAULINE ; GROSBARD, ULU ; ANGELO, MY LOVE (US, Robert Duvall, 1983) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHASE, THE (US, Arthur Penn, 1966) ; GREAT SANTINI, THE (US, Lewis John Carlino, 1979) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; TOMORROW (US, Joseph Anthony, 1972) ; TENDER MERCIES (US, Bruce Beresford, 1982) ISBN: 0312904231Donation: donated by the family of Wayne Levy, 2006
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Robert Duvall shows how to produce drama using real people in Australian film review (17th December-18th January 1983/1984) vol.1 iss.23 p.17
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ROCK OF LOVE WITH BRET MICHAELS [TV] : (US, 2007)
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Romantic comedy in Hollywood : from Lubitsch to Sturges / James Harvey New York: Knopf, 1987.
Call No: 732(73) HARAuthor: Harvey, James, 1929 Edition: 1st edSource: USPlace: New YorkPublisher: KnopfPubDate: 1987PhysDes: xii, 716 p. : ill. ; 25 cmSubject: ACTORS ; COMEDIES ; DIRECTORS ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; Metro-Goldwyn-Mayer ; ROMANTIC COMEDY ; ROMANTIC FILMS. USA ; PARAMOUNT STUDIOS ; STAR SYSTEM ; ARTHUR, JEAN ; ASTAIRE, FRED ; BRACKEN, EDDIE ; CAGNEY, JAMES ; CAPRA, FRANK ; COLBERT, CLAUDETTE ; COOPER, GARY ; DUNNE, IRENE ; GABLE, CLARK ; GRANT, CARY ; HARLOW, JEAN ; HAWKS, HOWARD ; LA CAVA, GREGORY ; Lombard, Carole ; LOY, MYRNA ; LUBITSCH, ERNST ; MCCAREY, LEO ; MCCREA, JOEL ; POWELL, WILLIAM ; ROGERS, GINGER ; Stanwyck, Barbara ; STEVENS, GEORGE ; STURGES, PRESTON ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; LADY EVE, THE (US, Preston Sturges, 1941) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; NINOTCHKA (US, Ernst Lubitsch, 1939) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; UNFAITHFULLY YOURS (US, Preston Sturges, 1948) Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]Notes: Includes indexISBN: 0394503392LON: 5273661
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RU GUO AI : (C/MY/HK, Peter Chan, 2005)
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Sam Neill reunited with Margaret Fink in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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Schonell Theatre off to good start in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
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Screen memories : Hollywood cinema on the psychoanalytic couch / Harvey Roy Greenberg New York: Columbia University Press, 1993.
Call No: 626:159.964.2 GREAuthor: Greenberg, Harvey R Place: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: 277 p. : ill. ; 24 cmSubject: PSYCHOANALYSIS AND THE CINEMA ; CASABLANCA (US, Michael Curtiz, 1942) ; MALTESE FALCON, THE (US, John Huston, 1941) ; RED DAWN (US, John Milius, 1984) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ALIEN (UK, Ridley Scott, 1979) ; BOSTONIANS, THE (UK/US, James Ivory, 1984) ; ALWAYS (US, Steven Spielberg, 1989) ; ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989) ; WORKING GIRL (US, Mike Nichols, 1988) Summary: Screen Memories delves into the psychological aspects of mainstream American movies ranging from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Greenberg writes in a candid, entertaining style that will appeal to cineasts and scholars alike. Beginning with a basic overview of psychoanalytic film criticism, Greenberg directs his focus on characters, motivations, and conflicts in detective, war, science fiction, and horror movies, as well as cult cinema. In "On the McMovie," he probes the hollow, escapist fare that emerged from Hollywood in the 1970s and 1980s and embraced nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in such McMovies as Rambo and Top Gun; Screen Memories concludes by addressing two important films of the late 1980s. Greenberg decries Working Girl as a "Co-opt" film with a seemingly liberal agenda, which nevertheless mocks and subverts the very social advances it appears to affirm. But Enemies: A Love Story - with its humor, manic energy, and theme of renewal in the teeth of death - is seen as evidence of a tentative but hopeful return to quality in HollywoodNotes: Includes bibliographical references (p. [241]-268) and indexISBN: 0231072864 (acid-free paper)LON: 92041710; 9733268
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SEA OF LOVE : (US, Harold Becker, 1989)
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Seen for you : Amanti miei in Foreign sales Italian movie trade (October 1979) vol.5 iss.10 p.19, 34
PhysDes: ArticleSubject: AMANTI MIEI (IT, Aldo Grimaldi, 1979) ; CINDY'S LOVE GAMES (IT, Aldo Grimaldi, 1979) Summary: After detailing credits and synopsis for the Italian film "Amanti Miei" (Eng. trans. "Cindy's Love Games") the review goes provides brief description of the characteristics of the film that notes potential censorship issues may arise from this light hearted sex comedyNotes: Synopsis. - credits. - illustration
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The sensuous cinema of Wong Kar-Wai : film poetics and the aesthetic of disturbance / Gary Bettinson Hong Kong: Hong Kong University Press, 2015.
Call No: 81WON BETAuthor: Bettinson, Gary Source: HKPlace: Hong KongPublisher: Hong Kong University PressPubDate: 2015PhysDes: 156 pages, 8 unnumbered pages of plates : color illustrations ; 24 cm.Subject: WONG KAR WAI ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
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FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) Summary: The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and "disturbance" achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular. -- taken from back of bookNotes: Includes bibliographical references (pages 141-149) and index.ISBN: 9789888139293Contents: Acknowledgments -- Wong Kar-wai and the poetics of Hong Kong cinema -- Romantic overtures : music in Chungking express -- Partial views : visual style and the aesthetic of disturbance -- Parallel lives : poetics of the postproduction plot -- Frustrating formulas : popular genre and In the mood for love -- Appropriations, reflections, and future directions.ID2: 240
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SHAKESPEARE IN LOVE : (UK, John Madden, 1998)
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Shakespeare in love / Marc Norman and Tom Stoppard London: Faber, 1999.
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Shakespeare's Romeo and Juliet : the relationship between text and film / by Courtney Lehmann London: Methuen Drama: A & C Black Publishers, 2010.
Call No: 753: 79ROM LEHAuthor: Lehmann, Courtney Source: UKPlace: LondonPublisher: Methuen Drama: A & C Black PublishersPubDate: 2010PhysDes: xi, 288 p. ; 20 cmSeries: Screen adaptationsSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; Shakespeare, William ; WEST SIDE STORY (US, Robert Wise, 1961) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROMEO + JULIET (US, Baz Luhrmann, 1996)
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WILLIAM SHAKESPEARE'S ROMEO + JULIET ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; WATER (CN/II, Deepa Mehta, 2005) Summary: "Shakespeare's work has been adaptated for the screen since the early days of cinema but no single day has proved to be as popular as Romeo and Juliet. Focusing in the main on West Side story, Franco Zeffirellis' 1968 'flower child' version, and Baz Luhrmann's iconic film, this book offers unique insight into the adaptation process by tracing the ways in which the play's complex textual origins have led filmmakers to approach it from often unexpected angles, ranging from parodies to tragedies of genocidal proportions, as Shakespeare in Love and Deepa Mehta's controversial 2005 film Water, retrospectively demonstrate. Providing a comprehensive analysis of the production and reception of screen adaptations of Romeo and Juliet across time, place, culture, and medium, this book is an indispensible companion for students, film historians, and curious admirers of the world's greatest love story. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [272]-282) and index.ISBN: 9780713679120Contents: -- acknowledgments -- a note on the texts -- timeline: cinematic adaptations of Romeo and Juliet -- part one: literary contexts -- a tale of adaptation -- the 'bad', the 'good', and the ugly: the complex -- text(s) of Shakespeare's Romeo and Juliet -- 'what more in the name of love? Issues for adaptation -- part two: from text to screen -- a brief history of Romeo and Juliet on screen -- now showing: West Side Story -- Shakespeare with a view: Zeffirelli's Romeo and Juliet -- William Shakespeare's Romeo + Juliet -- a cinematic detour through the play's textual origins -- part three: critical responses and the afterlife of the play's adaptations -- West Side success -- Zeffirelli's Romeo and Juliet: then and now -- Romeo + Juliet takes the 'A' train -- afterlives: the never-ending story -- select biography -- index --
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Short cuts : Wenham to direct film set in sex shop in The Age (02/07/2015) p.20
Call No: TITLE CLIPPINGS FILE in production; LOVE MACHINE in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: LOVE MACHINE in production Summary: Snippet about the film LOVE MACHINE, set in a Kings Cross sex shop. It is to be directed by David Wenham
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Short cuts : 'crazy' wait for Oscar nominations in The Age (17/12/2015) p.32
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Short cuts : A tale of love and madness in Sunday Age [Inside Out] (10/04/2016) p.11
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SHOT OF LOVE : (AT, James Harkness, 2003)
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Shot of Love in Empire (Australian Ed.) (September 2006) iss.66 p.33
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SISTER'S LOVE, A : (AT, Ivan Sen, 2007)
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SISTERLY LOVE : (AT, Mark De Friest, 1988)
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[Sisterly love : stills file] Australian Screen Associates Limited,
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Skype love-in for Gaspar Noe in The Age [Arts & Entertainment] (22/10/2015) p.30
Call No: LOVE 3D (FR/BE, Gaspar Noé, 2015); TITLE CLIPPINGS FILEAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: LOVE 3D (FR/BE, Gaspar Noé, 2015) Summary: Love 3D billed as the year's most contoversial cinematic experience.
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SLAVE TO LOVE : (AT, Caroline Toomey, 1993)
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[Slave to love : stills file]
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SLEEP, MY LOVE : (US, Douglas Sirk, 1947)
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Small screen aesthetics : from TV to the Internet / Glen Creeber London: Palgrave Macmillan, 2013.
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SOLO : (FR, Jean-Pierre Mocky, 1968)
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SOLO : (FR, Jean-Pierre Mocky, 1968)
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SOMEBODY TO LOVE : (US, Alexandre Rockwell, 1994)
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SOMEONE TO LOVE : (US, Henry Jaglom, 1987)
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SONEZAKI SHINJU : (JP, Kurisaki Midori, 1980)
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SORRY MY LOVE : (AT, John Hoomer & Ghassan Hariri, 1997)
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Sound of love [1977?].
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SOUND OF LOVE, THE : [TV] (AT, John Power, 1979)
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The sound of touch, or Lubitsch talks! (1929-48) in Metro (1997) iss.110 p.78-79
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The space of sex : the porn aesthetic in contemporary film and television / Shelton Waldrep New York: Bloomsbury, 2021.
Call No: 749.2 WALAuthor: Waldrep, Shelton Edition: 2021Place: New YorkPublisher: BloomsburyPubDate: 2021PhysDes: 294 pages : illustrated ; 24 cmSubject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; KUBRICK, STANLEY ; PORNOGRAPHIC FILMS ; CANYONS, THE (US, Paul Schrader, 2013) ; MAGIC MIKE (US, Steven Soderbergh, 2012) ; SAVAGES (US, Oliver Stone, 2012) ; NYMPHOMANIAC [VOL. I AND VOL. II] (DK/G/BE/UK/FR, Lars von Trier, 2013) ; LOVE (FR/BE, Gaspar Noe, 2015) ; JAMES BOND IN FILMS Summary: As film and television become ever more focused on the pornographic gaze of the camera, the human body undergoes a metamorphosis, becoming both landscape and building, part of an architectonic design in which the erotics of the body spread beyond the body itself to influence the design of the film or televisual shot. The body becomes the mise-en-scène of contemporary moving imagery. Opening The Space of Sex, Shelton Waldrep sets up some important tropes for the book: the movement between high and low art; the emphasis on the body, looking, and framing; the general intermedial and interdisciplinary methodology of the book as a whole.
The Space of Sex's second half focuses on how sex, gender, and sexuality are represented in several recent films, including Paul Schrader's The Canyons (2013), Oliver Stone's Savages (2012), Steven Soderbergh's Magic Mike (2012), Lars Von Trier's Nymphomaniac (2013), and Joseph Gordon-Levitt's Don Jon (2013). Each of these mainstream or independent movies, and several more, are examined for the ways they have attempted to absorb pornography, if not the pornography industry specifically, into their plot. According to Waldrep, the utopian elements of seventies porn get reprocessed in a complex way in the twenty-first century as both a utopian impulse-the desire to have sex on the screen, to re-eroticize sex as something positive and lacking in shame-with a mixed feeling about pornography itself, with an industry that can be seen in a dystopian light. In other words, sex, in our contemporary world, still does not come without compromise. -- publisher's web siteISBN: 9781501333057Contents: Introduction -- Part One: Topographies of Desire -- 1.Framing the Image: The Female Body in Late Kubrick -- 2.The Spy Who Loved Me: Bond and the Playboy Aesthetic -- Part Two: The Pornographic Imaginary -- 3.Theorizing Pornography -- 4.Body of Art -- Part Three: The Space of Sex in Contemporary Film and Television -- 5.Porn as Form and Content -- 6.Spatializing Desire -- Bibliography -- Index
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Spaces mapped and monstrous : digital 3D cinema and visual culture / Nick Jones New York: Columbia University Press, 2020.
Call No: 725.236 JONAuthor: Jones, Nick Edition: 2020Place: New YorkPublisher: Columbia University PressPubDate: 2020PhysDes: xiv, 288 pages : illustrated ; 25 cmSeries: film and culture seriesSubject: 3D DIGITAL ; AVATAR (US, James Cameron, 2009) ; GOODBYE TO LANGUAGE (FR, Jean-Luc Godard, 2014) ; LOVE (FR/BE, Gaspar Noe, 2015) ; CLASH OF THE TITANS (UK/US, Louis Leterrier, 2010) Summary: Digital 3D has become a core feature of the twenty-first-century visual landscape. Yet 3D cinema is a contradictory media form: producing spaces that are highly regimented and exhaustively detailed, it simultaneously relies upon distortions of vision and space that are inherently strange.
Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema to offer a critical analysis of an inescapable part of contemporary culture. Considering 3D’s distinctive visual qualities and its connections to wider digital systems, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts. He examines 3D’s relationship with computer interfaces, virtual reality, and digital networks as well as tracing its lineage to predigital models of visual organization. Jones emphasizes that 3D is not only a technology used in films but also a tool for producing, controlling, and distorting space within systems of surveillance, corporatization, and militarization. The book features detailed analysis of a wide range of films—including Avatar (2009), Goodbye to Language (2014), Love (2015), and Clash of the Titans (2010)—demonstrating that 3D is not merely an augmentation of 2D cinema but that it has its own unique properties. Spaces Mapped and Monstrous brings together media archaeology, digital theory, and textual analysis to provide a new account of the importance of 3D to visual culture today. -- publisher's web siteISBN: 9780231194235Donation: Senses of CinemaContents: List of Illustrations -- Acknowledgments -- Introduction -- Part I: Contexts -- 1. History: The Long View of 3D Film and Theory -- 2. Visualization: From Perspective to Digital 3D -- Part II: Mapped Spaces -- 3. Simulation: Dematerializing and Enframing -- 4. Immersion: Entering the Screen -- 5. Surveillance: Converting Image to Space, World to Data -- Part III: Monstrous Spaces -- 6. Defamiliarization: Rethinking the Screen Plane -- 7. Distortion: Unfamiliar and Unconventional Space -- 8. Intimacy: The Boundedness of Stereoscopic Media -- Conclusion: Seeing in 3D -- Notes -- Bibliography -- Index.
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A stellar odyssey in Weekend Australian [Review] (08/11/2014) p.14
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Story : substance, structure, style, and the principles of screenwriting London: Methuen, 1999.
Call No: 224 MCKAuthor: McKee, Robert, 1941 Source: UKPlace: LondonPublisher: MethuenPubDate: 1999PhysDes: [xi], 466 p. ; 23 cmSeries: MethuenfilmSubject: SCRIPTWRITING ; DIALOGUE ; ENDINGS OF FILMS ; AUDIENCES ; ADAPTATIONS ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; ALIEN (UK, Ridley Scott, 1979) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHINATOWN (US, Roman Polanski, 1974) ; LOVE STORY (US, Arthur Hiller, 1970) Notes: Includes index; Bibliography: p. 421-422; Filmography: p. 423-455ISBN: 0413715604 (pbk.) : ¦12.99LON: 20148607
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STRANGE LOVE AFFAIR, A : (NE/BE, Eric de Kuyper & Paul Verstraten, 1985)
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STRANGE LOVE OF MARTHA IVERS, THE : (US, Lewis Milestone, 1946)
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STUCK IN LOVE : (US, Josh Boone, 2012)
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SUMMER LOVE : (PL, Piotr Uklanski, 2006)
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SUMMER OF LOVE : [TV](AT, Wayne Groom, 2001)
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SWEENEY, THE : (UK, Nick Love, 2012)
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SYLVIE'S LOVE : (US, Eugene Ashe, 2020) Digital clippings file available
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SZERELEM : (HU, Karoly Makk, 1971)
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SZERELEM : (HU, Karoly Makk, 1971)
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TAK LASKA ZACINA : (CS, Hynek Bocan, 1975)
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TAK LASKA ZACINA : (CS, Hynek Bocan, 1975)
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TALE OF LOVE, A : (US, Trinh T. Minh-ha, 1995)
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TALE OF LOVE AND DARKNESS, A : (IS, Natalie Portman, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TALE OF LOVE AND DARKNESS, A (IS, Natalie Portman, 2015) URL status: URL: 'http://file://Q:/T/TALE_OF_LOVE_AND_DARKNESS,_A.zip'
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Talented team reunite in Australasian Cinema (11/3/1983) vol.12 iss.4 p.2
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Tears and triumphs of unwed motherhood in The Australian (26/11/2015) p.17
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Interim
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The television genre book / edited by Glen Creeber ; associate editors, Toby Miller and John Tulloch London: British Film Institute, 2001.
Call No: 720 TELAuthor: Creeber, Glen ; Miller, Toby ; Tulloch, John Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xi, 163 p. : ill., ports. ; 25 cmSubject: PROGRAMME GENRES ; DRAMAS ; SOAP OPERAS ; CHILDREN, PROGRAMMES FOR ; NEWS PROGRAMMES ; DOCUMENTARIES ; ADAPTATIONS. AUSTEN, JANE ; SOAP OPERAS ; SITUATION COMEDY ; HOMOSEXUALITY ON TV ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; SIMPSONS, THE [TV] (US, 1989-) ; SOUTH PARK [TV] (US, 1997-) ; I LOVE LUCY [TV] (US, 1951-57) ; ROSEANNE [TV] (US, 1988- ) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; WILL & GRACE[TV] (US, 1998-) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; DALLAS [TV] (US, 1978-91) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; ALLY MCBEAL [TV] (US, 1997-) ; AVENGERS, THE [TV] (UK, 1961-69) ; HILL STREET BLUES [TV] (US, 1980-87) ; E.R. [TV] (US, 1994 - ) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DAY AFTER, THE (US, Nicholas Meyer, 1983) ; ROOTS [TV] (US, 1977) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Notes: Includes bibliographical references and indexISBN: 0851708498(pbk.)
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Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIO ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
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THEY'LL LOVE ME WHEN I'M DEAD : (US, Morgan Neville, 2018)
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THIN LINE BETWEEN LOVE AND HATE, A : (US, Martin Lawrence, 1996)
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THING CALLED LOVE, THE : (US, Peter Bogdanovich, 1993)
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I THINK I LOVE MY WIFE : (US, Chris Rock, 2007)
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This christmas movie proves to be an enormous turkey in Sunday Telegraph [Insider] (29/11/2015) p.121
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THIS LITTLE LOVE OF MINE : (AT, Christine Luby, 2021) Digital clippings file available
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THIS YEAR'S LOVE : (UK, David Kane, 1999)
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THOMAS BANKS QUEST FOR LOVE : (AT, Pip Kelly, 2019) Digital clippings file available
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THOR LOVE AND THUNDER : (US, Taika Waititi, 2022) Digital clippings file available
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Those dashing McDonagh sisters : Australia's first female filmmaking team / Mandy Sayer Sydney: NewSouth Publishing, 2022.
Call No: 81 MCD SAYAuthor: Sayer, Mandy Edition: 2022Place: SydneyPublisher: NewSouth PublishingPubDate: 2022PhysDes: xii, 321 pages, illustratedSubject: HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. SILENT PERIOD ; MCDONAGH, ISABEL ; MCDONAGH, PAULETTE ; MCDONAGH, PHYLLIS ; THOSE WHO LOVE (AT, Paulette McDonagh, 1926) ; FAR PARADISE, THE (AT, Paulette McDonagh, 1928) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933) Summary: The trailblazing McDonagh sisters were the first women in Australia to form their own film production company. Between 1926 and 1933, while they were in their mid-twenties, these sassy sisters produced four feature films and a number of documentaries.
The youngest, Paulette, was one of only five women film directors in the world. Phyllis produced, art directed, and conducted publicity. And the eldest, Isabel, under her stage name Marie Lorraine, acted superbly in all the female leads. Together, the sisters transformed Australian cinema’s preoccupations with the outback and the bush – and what they mocked as ‘haystack movies’ – into a thrilling, urban modernity.
Their private lives were equally adventurous, and their suitors included a famous magician, a wealthy rubber broker, a defrocked Anglican priest, and a number of silent film stars.
In Those Dashing McDonagh Sisters, Mandy Sayer reveals the sisters’ remarkable story, from daughters of a respected Sydney surgeon with a love of theatre and the arts, to their first feature film, Those Who Love (1926), an instant hit, and their controversial final film, Two Minutes Silence (1933). Today, their most famous feature, The Cheaters, is frequently screened at international film festivals around the world, most notably in New York and London, to rapturous reviews. -- publisher's web siteISBN: 9781742237435
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THOSE WHO LOVE : (AT, Paulette McDonagh, 1926)
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[Those who love : film characters enjoying a picnic at the beach] 1926.
Call No: TITLE STILL AUSTRALIASource: ATPubDate: 1926PhysDes: 1 photograph : b&w ; 17 x 22 cm.Subject: THOSE WHO LOVE (AT, Paulette McDonagh, 1926) Summary: A young woman in a swimming costume dances before friends at a beach side picnic. Behind her is a gramophone and beyond that the ocean.Notes: Pencil annotations on reverse of photograph; White border surrounds image; Adhesive label on reverse of photograph
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still
[Those who love : stills file]
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newspaper article
Thrills lost in translation in Weekend Australian [Review] (21/11/2015) p.14
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TO ALL THE BOYS PS I STILL LOVE YOU : (US, Michael Fimognari, 2020) Digital clippings file available
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digital clippings file
TO ROME WITH LOVE : (US/IT/SP, Woody Allen, 2012) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TO ROME WITH LOVE (US/IT/SP, Woody Allen, 2012) URL status: URL: 'http://file://Q:/T/TO_ROME_WITH_LOVE.zip'
Checked: 31/08/2021 1:24:53 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
TO SINGAPORE, WITH LOVE : (SI, Tan Pin Pin, 2013)
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journal article
Toni Hamilton appointed nat'l. marketing manager of Roadshow Home Video in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
PhysDes: ArticleSubject: VIDEO, FILMS ON. AUSTRALIA ; ADVERTISING FOR FILMS ; INDUSTRY, FILM. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; CALIGULA (IT, Giovanni Tinto Brass, 1979) ; LOVE AT FIRST BITE (US, Stan Dragoti, 1979) Summary: Article on the success of Roadshow Home Video, and the announcement of their new marketing manager, Toni Hamilton.
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TOSCA: A TALE OF LOVE AND TORTURE : (AT, Trevor Graham, 2000)
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title clippings file
TOUCH OF LOVE : (UK, Waris Hussein, 1969)
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title clippings file
TOUCHED BY LOVE : (US, Gus Trikonis, 1980)
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title clippings file
TRIUMPH OF LOVE : (UK/IT, Clare Peploe, 2001)
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title clippings file
TRUE LOVE : (US, Nancy Savoca, 1989)
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script
True love and chaos / by Stavros Andonis Efthymiou Melbourne: [1996?].
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title clippings file
TRUE LOVE AND CHAOS : (AT, Stavros Andonis Efthymiou, 1997)
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script
TRUE LOVE AND CHAOS [1994].
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title clippings file
TRUE STORY ABOUT LOVE : (AT, Melissa Kyu-jnng Lee, 2001)
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title clippings file
TUG OF LOVE [TV] : (AT, Tosca Looby, 2004)
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journal article
Two films by Douglas Sirk in Cinema (UK) (August 1970) iss.6/7 p.62-64
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title clippings file
UNCONDITIONAL LOVE : (US, P.J. Hogan, 2002)
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UNCONTAINED LOVE : (AT, Jude Kalman, 2017)
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title clippings file
UNDYING LOVE : (CN, Helene Klodawsky, 2002)
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journal article
UNESCO award for "Angelo My Love" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.2
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digital clippings file
VALLEY OF LOVE : (FR/ BE, Guillaume Nicloux, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: VALLEY OF LOVE (FR/ BE, Guillaume Nicloux, 2015) URL status: URL: 'http://file://Q:/T/VALLEY_OF_LOVE.zip'
Checked: 31/08/2021 1:43:40 PM
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title clippings file
VERMEER - LIGHT, LOVE AND SILENCE : (UK, Michael Gill, 1996)
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newspaper article
Veterans are great bed fellows in family comedy in Sunday Telegraph [Insider] (08/03/2015) p.129
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title clippings file
VIDEO FOOL FOR LOVE : (AT, Robert Gibson, 1995)
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still
[Video fool for love, a : stills file]
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poster
[VIDEO FOOL FOR LOVE : POSTER] AT:
Call No: P VIDPlace: ATPhysDes: 1 poster : col. ; 96 X 68 cm.Subject: VIDEO FOOL FOR LOVE (AT, Robert Gibson, 1995) Summary: Image: Out of focus close-up of woman looking away as man moves to kiss her. In the foreground on the right is a statue of a couple in a passionate embrace. The male figure is holding a video camera.
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title clippings file
VIRSTA DRAGOSTEI, LA : (RM, Francisc Munteanu, 1964)
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book
Visions of independents : an AFI national film event Sydney: Australian Film Institute, 1984.
Call No: 721.210.4 VISCorpAuthor: Australian Film InstituteEdition: 1984Place: SydneyPublisher: Australian Film InstitutePubDate: 1984PhysDes: 28 p. : illus. ; 21 cmSubject: INDEPENDENT FILMS ; OUT (US, Eli Hollander, 1982) ; PROSTITUTE (UK, Tony Garnett, 1980) ; STATIONS (AT, Jackie McKimmie, 1983) ; THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982) ; CHAN IS MISSING (US, Wayne Wang, 1982) ; NIGHT OF SHADOWS (AT, Brian Thompson, 1983) ; ON GUARD (AT, Susan Lambert, 1984) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) ; GHOST DANCE (UK/GW, Ken Mullen, 1983) ; IMPOSTORS (GW/US, Mark Rappaport, 1979) ; LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983) ; BUCKEYE AND PINTO (AT, Phil Pinder, 1979) ; DOZENS, THE (US, Christine Dall and Randall Conrad, 1980) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FORDS ON WATER (UK, Barry Bliss, 1983) ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; SLOW MOVES (US, Jon Jost, 1984) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983) ; QUEENSLAND (AT, John Ruane, 1975) ; BROTHERS AND SISTERS (UK, Richard Woolley, 1980) ; KING BLANK (US, Michael Oblowitz, 1982) ; CAFE OF LOVE (AT, Jinks Dulhunty, 1982) ; EMERALD CITIES (US, Richard R. Schmidt, 1983) ; VOICE OVER (UK, Chris Monger, 1981) ; SHADOWPLAY (UK, Oliver Stapleton, 1980) ; EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980) ; FILLETING MACHINE, THE (UK, Murray Martin, 1981) ; OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; SMITHEREENS (US, Susan Seidelman, 1982) ; GOING DOWN (AT, Haydn Keenan, 1982) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; AGAINST THE GRAIN (AT, Tim Burns, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) ; PURE S (AT, Bert Deling, 1976) ; GAL YOUNG UN (US, Victor Nunez, 1979) ; BURNING AN ILLUSION (UK, Menelik Shabazz, 1981) ; HEARTLAND (US, Richard Pearce, 1979) ; LOOKS AND SMILES (UK, Kenneth Loach, 1981) Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.
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title clippings file
I WANT YOUR LOVE : (US, Travis Mathews, 2012)
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WANT YOUR LOVE, I : (US, Travis Mathews, 2012)
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title clippings file
WAR AND LOVE : (US, Moshe Mizrahi, 1985)
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journal article
Warner Bros. Product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.4
PhysDes: ArticleSubject: WARNER BROS. ; FIREFOX (US, Clint Eastwood, 1982) ; LOONEY LOONEY LOONEY BUGS BUNNY MOVIE (US, Friz Freleng & others..., 1981) ; THIS IS ELVIS (US, Andrew Solt & Malcolm Leo, 1981) ; MIDSUMMER NIGHT'S SEX COMEDY, A (US, Woody Allen, 1982) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HOUSE OF WAX (US, Andre de Toth, 1953) ; SUPERMAN II (US, Richard Lester, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; BEST FRIENDS (US, Norman Jewison, 1982) ; LOVE CHILD (US, Larry Peerce, 1982) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; NATIONAL LAMPOON'S VACATION (US, Harold Ramis, 1983) ; STROKER ACE (US, Hal Needham, 1983) ; TWICE UPON A TIME (US, John Korty & Charles Swenson, 1983) ; SUPERMAN III (US, Richard Lester, 1983) Summary: List of current, coming, and in-production titles from Warner Bros.
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newspaper article
The way it used to be in Canberra Times (16/02/2014) p.27
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newspaper article
The way of all flesh : Matthew Evans investigates Australia's love affair with meat and its implications for animals and consumers in Weekend Australian [Review] (15/10/2016) p.27
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digital clippings file
WHAT'S LOVE GOT TO DO WITH IT : (US, Brian Gibson, 1993) Digital clippings file available
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newspaper article
When Austen met Stillman in AFR Weekend (23/07/2016) p.36
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title clippings file
WHEN LOVE COMES : (NZ, Garth Maxwell, 1999)
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title clippings file
WHEN LOVE COMES TO TOWN [TV] : AT, 2014
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title clippings file
WHO WILL LOVE MY CHILDREN? : (US, John Erman, 1983)
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title clippings file
WHY DO FOOLS FALL IN LOVE? : (US, Gregory Nava, 1998)
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title clippings file
WICKED LOVE : THE MARIA KORP STORY [TV] : (AT, Ian Watson, 2010)
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title clippings file
WITH LOVE TO THE PERSON NEXT TO ME : (AT, Brian McKenzie, 1987)
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title clippings file
WITH LOVE TO THE PERSON NEXT TO ME : (AT, Brian McKenzie, 1987)
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poster
[With love to the person next to me : poster]
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still
[With love to the person next to me : stills file]
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book
WKW : the cinema of Wong Kar Wai / Wong Kar Wai, John Powers New York: Rizzoli, 2016.
Call No: 81WON POW; FOLIOAuthor: Kar Wai, Wong ; Powers, John Source: USPlace: New YorkPublisher: RizzoliPubDate: 2016PhysDes: 303 pages : illustrations (colour), portraits ; 32 cmSubject: WONG KAR-WAI ; HONG KONG CINEMA ; LEUNG, TONY ; CHEUNG, LESLIE ; CHEUNG, MAGGIE ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) ; FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website]ISBN: 9780847846177Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments
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Woman and film : a bibliography / Rosemary Ribich Kowalski Metuchen, NJ: Scarecrow Press, 1979.
Call No: NEW HOLDINGS SHELVES; 722-02KOWAuthor: Kowalski, Rosemary Ribich Source: USPlace: Metuchen, NJPublisher: Scarecrow PressPubDate: 1979PhysDes: ix, 278 p. ; 23 cmSubject: WOMEN AND THE CINEMA ; ARZNER, DOROTHY ; BOW, CLARA ; BROOKS, LOUISE ; CLARKE, SHIRLEY ; DAVIS, ANDREW ; DEREN, MAYA ; FONDA, JANE ; GARBO, GRETA ; GARLAND, JUDY ; GISH, LILLIAN ; HAYES, HELEN ; HARLOW, JEAN ; HEPBURN, KATHARINE ; HORNE, LENA ; KAEL, PAULINE ; KAPLAN, NELLY ; KELLY, GRACE ; LEIGH, VIVIEN ; LITTLEWOOD, JOAN ; LODEN, BARBARA ; LOOS, ANITA ; LOREN, SOPHIA ; LOVE, BESSIE ; Lupino, Ida ; MCDANIEL, HATTIE ; MANSFIELD, JAYNE ; MEYER, RUSS ; MICHELSON, ANNETTE ; MINNELLI, LIZA ; MONROE, MARILYN ; MOORE, COLLEEN ; MOOREHEAD, AGNES ; MOREAU, JEANNE ; NEGRI, POLA ; NELSON, GUNVOR ; PERRY, ELEANOR ; PICKFORD, MARY ; REICHERT, JULIA ; RIEFENSTAHL, LENI ; ROGERS, GINGER ; ROTHSCHILD, AMALIE R. ; SCHLONDORFF, VOLKER ; SONTAG, SUSAN ; SWANSON, GLORIA ; TAYLOR, ELIZABETH ; VARDA, AGNES ; WEBER, LOIS ; WEILL, CLAUDIA ; WEST, MAE Notes: Includes indexISBN: 0810809745
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Women film-makers in Australia : (1920 - 1933) / Sally Speed [Australia] : [s.n.], 1984:
Call No: 462-02(94) SPEAuthor: Speed, Sally Place: [Australia] : [s.n.], 1984PhysDes: 64 leaves ; 30 cmSubject: WOMEN FILMMAKERS. AUSTRALIA ; LYELL, LOTTIE ; LOVELY, LOUISE ; MCDONAGH, PAULETTE ; MCDONAGH, ISABEL ; PAVIS, YVONNE ; HOWARD, KATE ; MALLON, MARY ; DE LA RUZE, JULIETTE ; KELLERMAN, ANNETTE ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; THOSE WHO LOVE (AT, Paulette McDonagh, 1926) ; FAR PARADISE, THE (AT, Paulette McDonagh, 1928) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933) ; POSSUM PADDOCK (AT, Kate Howard, 1921) ; BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921) ; DINKUM BLOKE, THE (AT, Raymond Longford, 1923) ; FISHERS GHOST (AT, Lottie Lyell, 1924) ; PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925) ; CIRCUMSTANCE (AT, Yvonne Pavis, 1922) ; DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922) ; SUNSHINE SALLY (AT, Yvonne Pavis, 1922) ; JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; EXHIBITION OF SILENT FILMS LON: abn98267376; 14063689
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WOMEN IN LOVE : (UK, Ken Russell, 1969)
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Interim
book
Wong Kar-wai London: British Film Institute, 2005.
Call No: 81KAR TEOAuthor: Teo, Stephen Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005Series: World directorsSubject: WONG KAR-WAI ; DIRECTORS. HONG KONG ; CRITICISM ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: A study of film director Wong Kar-wai, looking at his films, advertising work, and music videos he has directed. It explores how he draws from various film and literary elements that influence his work and examines his legacy amongst Hong Kong, and world, cinema.ISBN: 1844570290ID2: 291
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Wong Kar-wai / Peter Brunette Urbana: University of Illinois Press, 2005.
Call No: 81KAR BRUAuthor: Brunette, Peter Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2005PhysDes: xviii, 149 p. : ill. ; 21cm.Series: Contemporary Film DirectorsSubject: DIRECTORS. CHINA ; WONG KAR WAI ; DOYLE, CHRISTOPHER ; LEUNG, TONY ; CHEUNG, MAGGIE ; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) ; CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: Taken from backcover: This book traces film director, Wong Kar-wai's themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of Hong Kong to the People's Republic of China.Notes: Includes transcripts of interviews with Wong Kar-wai.
Filmography: p.[135] - 141.
Includes bibliography and index.ISBN: 9780252072376
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Words and images : Australian novels into film / Brian McFarlane Richmond, Vic.: Heinemann in association with Cinema Papers, 1983.
Call No: 753 MCFAuthor: McFarlane, Brian, 1934 Place: Richmond, Vic.Publisher: Heinemann in association with Cinema PapersPubDate: 1983PhysDes: vi, 210 p. : ill. ; 24 cmSubject: ADAPTATIONS. AUSTRALIA ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978) ; LUCINDA BRAYFORD [TV] (AT, John Gauci, 1980) ; OUTBREAK OF LOVE [TV] (AT, Oscar Whitbread, 1981) Summary: Words and Images is the first Australian book to examine the relationship between literature and film. Taking nine major examples of recent films adapted from Australian novels - including The Getting of Wisdom, My Brilliant Career and The Year of Living Dangerously- he looks at some of the issues in transposing a narrative from one medium to the other. [Taken from BOOK JACKET]Notes: Includes bibliographical references and notesISBN: 0858593165 : $14.95 AustLON: dup85859316; 2746398
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newspaper article
You need a great deal of ignorance to take on a great challenge in Sydney Morning Herald [Spectrum] (24/10/2015) p.4
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title clippings file
YOUNG DOCTORS IN LOVE : (US, Garry Marshall, 1982)
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YOUNG NURSES IN LOVE : (US, Chuck Vincent, 1989 [prod. 1986])
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Zakazane! : Banned films of the Czechoslovak New Wave / Michael Surina Sydney: Museum of Contemporary Art, Sydney, May 1994.
Call No: 71(437)SURAuthor: Surina, Michael Edition: 1994Place: SydneyPublisher: Museum of Contemporary Art, SydneyPubDate: May 1994PhysDes: 24 p. : illus. ; 21 cm.Subject: CZECHOSLOVAKIA ; BANNED FILMS ; AND THE FIFTH HORSEMAN IS FEAR [A PATY JEZDEC JE STRACH] (CZ, Zbynek Brynych, 1964) ; ADELHEID (CZ, Frantisek Vlacil, 1969) ; COURAGE FOR EVERYDAY (CS, Evald Schom, 1964) ; ALL MY COMPATRIOTS (CZ, Vojtech Jasny, 1968) ; RETROSPECTION (CZ, Antonin Masa, 1968) ; NOBODY GETS THE LAST LAUGH (CZ, Hynek Bocan, 1965) ; JOKE, THE (CZ, Jaromil Jires, 1968) ; CEILING, THE (CZ, Vera Chytilova, 1961) ; [TRI DVA DVA] 322 (CZ, Dusan Hanak, 1969) ; PICTURES OF THE OLD WORLD (CZ, Dusan HanaK, 1972) ; BIRDS, ORPHANS AND FOOLS (CZ, Juraj Jakubisko, 1969) ; FIELD LILLIES (CZ, Elias Havetta, 1972) ; I LOVE, YOU LOVE (CZ, Dusan Hanak, 1980) Notes: Program with A4 insert of screening details.ISBN: 1875632247
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