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Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Author: Rolfe, Dominic
PhysDes: Clippings File Article
Subject: CAMPION, JANE; LEE, GERARD; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Interviews with a series of 'creative couples.' This section is about Jane Campion and Gerard Lee, especially in relation to their project 'Top of the Lake'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHT] 8 (FR, Jane Campion, 2008)

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Subject: CAMPION, JANE; PIANO, THE (AT, Jane Campion, 1993)
ID2: 30

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER HOURS (AT, Jane Campion, 1984)

Call No: 79ANG JON
Author: Jones, Laura, 1951; Frame, Janet, 1924-
Place: London Sydney
Publisher: Pandora
PubDate: 1990
PhysDes: 93 p. : ill.; 26cm
Subject: ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990)
ISBN: 0044407432 (pbk.)
LON: abn90372392; 7655420

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit; Posters; Stills
Subject: ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 17 x 22 cm : 1 poster : col ; 60 x 84 cm
Subject: FOX, KERRY; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990)
Summary: 4 black and white photographs of actress Kerry Fox playing lead Janet frame. 1 black and white photograph of actress playing Janet Frame as a child. 1 full colour film poster.
Notes: Australian Broadcasting Corporation TV Publicity on the back of 3 of the photos

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Ellis, Bob
PhysDes: Article
Subject: HOLY SMOKE (US, Jane Campion, 1999); DOUBLE JEOPARDY (US, Bruce Beresford, 1999); SNOW FALLING ON CEDARS (US, Scott Hicks, 1999)

Author: Pearlman, Karen
PhysDes: Article
Subject: HISTORICAL FILMS; CAMPION, JANE; PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
URL status: URL: 'http://file://Q:/T/BRIGHT_STAR.zip' Checked: 31/08/2021 1:18:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79BRI KEA
Author: Keats, John
Source: UK
Place: London
Publisher: Vintage
PubDate: 2009
PhysDes: xvi, 525 p. ; 20 cm
Series: Vintage Classics
Subject: POETRY AND THE CINEMA; Keats, John; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Summary: "John Keats died in poverty and relative obscurity in 1821, aged only 25. He is now seen as one of the greatest English poets and a genius of the Romantic age. This collection, which contains all his most memorable works and a selection of his letters, is a feast for the senses, displaying Keat's gift for gorgeous imagery and sensuous language, his passionate devotion to beauty, as well as some of the most moving love poetry ever written. " -- BLURB
Notes: Introduction by Jane Campion
ISBN: 9780099529651

Call No: S BRI
Author: Campion, Jane
Edition: shooting script, 4th April 2008, includes all amendments
Place: AT
PubDate: c2009
PhysDes: 94 leaves
Subject: BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Notes: Unpublished script -- Donated by AFI -- shooting script -- Credit: producers, Jan Chapman, Caroline Hewitt ; production companies, Jan Chapman Productions Pty Ltd, Brightstar Films Limited, Pathe Productions Limited, Screen Australia, British Broadcasting Corporation, UK Film Council, New South Wales Film and Television Office.

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Author: Turk, Rachael (interviewer)
PhysDes: Article
Subject: PRODUCING. AUSTRALIA; PRODUCERS. AUSTRALIA; CHAPMAN, JAN; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009); PIANO, THE (AT, Jane Campion, 1993)
Summary: Jan Chapman discusses the role of producers, in particular influence on the creative direction of films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANCING DAZE (AT, Geoffrey Nottage, Peter Fisk and Jane Campion, 1986)

Call No: 626[396] GOD
Author: Godart, Caroline
Edition: 2016
Place: London ; New York
Publisher: Rowman & Littlefield International
PhysDes: xv, 138 pages
Subject: PIANO, THE (AT, Jane Campion, 1993); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); HOLY GIRL, THE [NINA SANTA, LA] (AG/IT/NE/SP, Lucrecia Martel, 2004)
Summary: The Dimensions of Difference departs from traditional takes on feminist film criticism, and in particular from the psychoanalytical focus on the gaze, to examine the question of sexual difference through three axes: space, time, and bodies. These are some of the most fundamental elements of cinema, which deploys the bodies of actors through space and time, for instance, through camerawork and editing. While this approach may not at first sight seem to be related to questions of gender and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by weaving together careful analyses of space, time, and bodies in women's cinema with close readings of the same concepts in the works of three philosophers: Luce Irigaray, Henri Bergson, and Gilles Deleuze. The book investigates how certain films generate a cinematic experience of sexual difference, and frames this analysis within a careful philosophical inquiry into the notion of alterity itself. These tools provide fruitful resources for feminist inquiry, giving insights into sexual difference as it operates within film aesthetics and, beyond cinema, in the world at large. The result is a compelling reflection on feminism, film form, and continental philosophy. -- publisher's web site
Notes: Signed and dedicated on the first page
ISBN: 9781783486557
Contents: Introduction -- 1. The Feminist Distance: Space in Jane Campion's The Piano -- 2. Claire Denis and the Flow of Time: Beau Travail -- 3. Time and Difference: Love in Claire Denis' Trouble Every Day -- 4. Lucrecia Martel and the Curious Body in The Holy Girl -- Conclusion -- Bibliography -- Index

Call No: 71(93) DIR
Author: Goldsmith, Ben (ed.); Lealand, Geoff (ed.)
Place: Bristol, UK
Publisher: Intellect
PubDate: 2010
PhysDes: 339 p. : ill. ; 30 cm
Series: Directory of world cinema ; v. 3
Subject: AUSTRALIA; NEW ZEALAND; WORLD CINEMA; HOLMES, CECIL; Powell, Michael; WEIR, PETER; LUHRMANN, BAZ; HORROCKS, SHIRLEY; KOTHARI, SHUICHI; WARD, VINCENT; WHALE RIDER (NZ/GG, Niki Caro, 2002); PIANO, THE (AT, Jane Campion, 1993); WOLF CREEK (AT, Greg McLean, 2005)
Summary: "This edition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, thier film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.
Notes: Includes bibliographical references
ISBN: 9781841503684
Contents: -- acknowledgments -- Introduction : Australian cinema -- Directors -- Cecil Holmes (1921-1994) -- Michael Powell (1905-1990) -- Peter Weir (1944-) -- Baz Luhrmann (1962-) -- Disability in the Australian cinema -- Short films -- Bushranger -- War cinema -- Crime -- Prison -- Period -- Comedy -- Coming of age -- Horror -- Road movies -- Science fiction and fantasy -- Ozploitation -- New Zealand: Introduction : New Zealand film in 2009: Geoff Lealand -- Experimental film: Martin Rumsby -- Directors -- Shirley Horrocks -- Shuichi Kothari -- Vincent Ward -- Genre and themes -- recommended reading -- Australia & New Zealand cinema online -- notes on contributors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=584346' Checked: 31/08/2021 1:24:36 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

Call No: 408 TUR
Author: Graeme Turner (ed.)
Place: London; New York
Publisher: Routledge
PubDate: 2002
PhysDes: 524 p. ; 24 cm
Subject: CULTURE AND THE CINEMA; GENRES; AESTHETICS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCE RESEARCH; SOUND; THEORY; CREED, BARBARA; KUHN, ANNETTE; NATIONAL CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; GLOBALISATION; USA; MONROE, MARILYN; SEX IN FILMS; HORROR FILMS; ACTION FILMS; HOMOSEXUALITY IN FILMS; THRILLERS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); PIANO, THE (AT, Jane Campion, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); TECHNOLOGY AND THE CINEMA; INDUSTRY, FILM
Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.
ISBN: 0415252822

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992); BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS BROWN (UK, John Madden, 1997); MRS DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

PhysDes: Article
Subject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989); BODYWORK (AT, David Caesar, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); DEAD POETS SOCIETY (US, Peter Weir, 1989); MULL (AT, Don McLennan, 1988); SWEETIE (AT, Jane Campion, 1989); SPIRITS OF THE AIR, GREMLINS OF THE CLOUDS (AT, Alex Proyas, 1988); DEAD CALM (AT, Phillip Noyce, 1989)
Summary: Review, credits and images of Australian releases

Call No: 626[396] CUM
Author: Cummins, Kathleen
Source: CN
Place: Toronto, Ontario
Publisher: York University
PubDate: [2014]
PhysDes: 344 pages : illustrations ; 30 cm
Subject: FEMINISM AND THE CINEMA; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BEDEVIL (AT, Tracey Moffat, 1993); MY AMERICAN COUSIN (US, Sandy Wilson, 1985); LOYALTIES (CN, Anne Wheeler, 1986); PIANO, THE (AT, Jane Campion, 1993); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993)
Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.
Notes: Bibliography: pages 330-344.
Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes

Call No: 626:396 MEL
Author: Mellencamp, Patricia
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1995
PhysDes: xiii, 330 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: FEMINISM AND THE CINEMA; FEMINISM AND THE CINEMA. AUSTRALIA; BODY IN FILMS; EXPRESSIONISM; DASH, JULIE; DELEUZE, GILLES; CAMPION, JANE; ARMSTRONG, GILLIAN; POTTER, SALLY; Tarantino, Quentin; CHRISTIE, JULIE; DAVIS, GEENA; DAVIS, JUDY; EPHRON, NORA; GLYN, ELINOR; GOGOBERIDZE, LANA; HANKS, TOM; JAYAMANNE, LALEEN; LAFFONT, COLLETTE; LANGTON, MARCIA; RYAN, MEG; MOFFATT, TRACEY; HOOKS, BELL; PREER, EVELYN; STONE, SHARON; SWINTON, TILDA; TAYLOR, CLYDE; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THELMA & LOUISE (US, Ridley Scott, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); ANGIE (US, Martha Coolidge, 1994); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEDEVIL (AT, Tracey Moffat, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); COVER GIRL (US, Charles Vidor, 1944); DOLLY SISTERS (US, Irving Cummings, 1945); FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); GROUNDHOG DAY (US, Harold Ramis, 1993); ILLUSIONS (US, Julie Dash, 1983?); LITTLE WOMEN (US, Gillian Armstrong, 1994); PRIVILEGE (US, Yvonne Rainer, 1990); PULP FICTION (US, Quentin Tarantino, 1994); QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995); SHERLOCK, JR. (US, Buster Keaton, 1924); SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995); THRILLER (UK, Sally Potter, 1979); JEDDA (AT, Charles Chauvel, 1955); PIANO, THE (AT, Jane Campion, 1993); METROPOLIS (G, Fritz Lang, 1926)
Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminism
ISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)
LON: 11870265

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1992
PhysDes: viii, 184 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; DEAD POETS SOCIETY (US, Peter Weir, 1989); MALCOLM (AT, Nadia Tass, 1986); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); SHAME (AT, Steve Jodrell, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); RADIO DAYS (US, Woody Allen, 1987); ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988); KILLING FIELDS, THE (UK, Roland Joffe, 1984); CRY FREEDOM (UK, Richard Attenborough, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); GALLIPOLI (AT, Peter Weir, 1981); CITIZEN KANE (US, Orson Welles, 1941); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); STAND AND DELIVER (US, Ramon Menendez, 1988); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); STREET HERO (AT, Michael Pattinson, 1984); STAND BY ME (US, Rob Reiner, 1986); DELINQUENTS, THE (AT, Chris Thomson, 1989); EDUCATING RITA (UK, Lewis Gilbert, 1983); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HIGH TIDE (AT, Gillian Armstrong, 1987); DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985); KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); PLACE AT THE COAST, THE (AT, George Ogilvie, 1987); SCALES OF JUSTICE [TV] (AT, 1983); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); MY LEFT FOOT (UK, Jim Sheridan, 1989); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)
Notes: Includes index; Bibliography: p. 183
ISBN: 019553218X
LON: 8815950
ID2: 290

Author: Leotta, Alfio
PhysDes: Article
Subject: TOURISM AND THE CINEMA; LANDSCAPES IN FILMS; PIANO, THE (AT, Jane Campion, 1993)
Summary: Most of the critical commentaries about The Piano(Campion, 1993) focus on feminist, postcolonial or stylistic issues (Coombs and Gemmell 1999; Tincknell 2000; Margolis 2000; Verhoeven 2009). This article will draw from some of these works in order to present a conceptual framework for understanding the film in terms of the tourism it induced. The first section focuses on the devices used in the film to create the ideal spectator and to encourage his/her identification with both the protagonist and the camera. The second section deals with the imaginative geography constructed by the film. The article concludes with the analysis of the process through which Karekare beach, the most famous location of the film, has become a popular New Zealand icon. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL'S OWN STORY, A (AT, Jane Campion, 1983)

PhysDes: Article
Subject: GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: GUO award winners

Call No: 45[3-02] GOD
Author: Johnson, Bethan Lloyd; Millikan, Matt
Edition: 2023
Place: Port Melbourne
Publisher: Thames & Hudson
PhysDes: 272 pages : illustrated ; 24cm
Subject: WOMEN AND THE CINEMA; MAGNANI, ANNA; LI, GONG; PICKFORD, MARY; MONROE, MARILYN; LUI, NAKHAH; BERGMAN, INGRID; WEST, MAE; DUNYE, CHERYL; BOW, CLARA; LINGYU, RUAN; COLLINS, JOAN; NORMAND, MABEL; FEARLESS, NADIA; GRIER, PAM; Yeoh, Michelle; THERON, CHARLIE; SEDMIKRASKY (CS, Vera Chytilova, 1966); SWEETIE (AT, Jane Campion, 1989); I WAS A TEENAGE SERIAL KILLER (US, Sarah Jacobson, 1993); MARLINA THE MURDERER IN FOUR ACTS (IO/ FR / MY / TH, Mouly Surya, 2017)
Summary: The screen goddess is a formidable figure, renowned for her power, complexity and so often beauty. From Joan Crawford and Bette Davis to Laverne Cox and Michelle Yeoh, these women disrupted and redefined the female ideal by pushing boundaries, fighting gender stereotypes and transcending tired tropes. Goddess examines cinema history through a feminist lens, charting the evolution of women’s on-screen representation and challenging dominant narratives and misconceptions. Contributors, including film critics, actors, podcasters, journalists and academics, share behind-the-scenes stories and celebrate some of cinema’s most memorable female characters at a time when the film industry is undergoing a long-awaited reckoning. -- publisher's web site
ISBN: 9781760763466

Call No: 71(93) BAB
Author: Babington, Bruce
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 2007
PhysDes: x, 290 p. : ill. ; 24 cm
Subject: TORR, OLIVER; DONALDSON, ROGER; REID, JOHN; PRESTON, GAYLENE; CAMPION, JANE; WARD, VINCENT; JACKSON, MICHAEL; JACKSON, PETER (NZ); CARO, NIKI; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BAD BLOOD (NZ, Mike Newell, 1981); BRAINDEAD (NZ, Peter Jackson, 1992); BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004); JACK BE NIMBLE (NZ, Garth Maxwell, 1993); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SOLO (NZ/AT, Tony Williams, 1978); WHALE RIDER (NZ/GG, Niki Caro, 2002); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]
Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes index
ISBN: 9780719075414(hbk.); 9780719075421(pbk.)
Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Press kit; Publicity
Subject: HOLY SMOKE (US, Jane Campion, 1999)

Call No: 79HOL HOL
Place: Melbourne
PubDate: 1999
Subject: HOLY SMOKE (US, Jane Campion, 1999)
Notes: Production booklet from distributor (Roadshow)

Call No: S HOL
Author: Campion, Anna; Campion, Jane
PubDate: [1998]
PhysDes: 112 leaves
Subject: HOLY SMOKE (US, Jane Campion, 1999)
Notes: Unpublished script

Call No: S HOL
PubDate: 1998
PhysDes: 112p
Subject: HOLY SMOKE (US, Jane Campion, 1999)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Production notes; Clippings
Subject: IN THE CUT (US/AT, Jane Campion, 2003)
URL status: URL: 'http://file://Q:/T/IN_THE_CUT.zip' Checked: 31/08/2021 1:10:15 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: 81CAM JAN
Author: Campion, Jane; Wexman, Virginia Wright
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c1999
PhysDes: xxvii, 216 p. : ill. ; 23 cm
Series: Conversations with filmmakers series
Subject: CAMPION, JANE; HUNTER, HOLLY; JONES, LAURA; KIDMAN, NICOLE; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Notes: Filmography: p. [xxiii]-xxvii; Includes bibliographical references (p. xx) and index
ISBN: 1578060826 (cloth : alk. paper); 1578060834 (pbk. : alk. paper)
LON: 14173448

Call No: 81CAM POL
Author: Polan, Dana
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 186p. : ill. ; 19 cm
Series: BFI world directors.
Subject: BONGERS, SALLY; ARMSTRONG, GILLIAN; CAMPION, JANE; AFTER HOURS (AT, Jane Campion, 1984); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); HOLY SMOKE (US, Jane Campion, 1999); PEEL (AT, Jane Campion, 1982); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989)
Notes: Includes bibliographical references and index
ISBN: 0851708560(pbk.)

Call No: 81CAM CHE
Author: Cheshire, Ellen
Source: UK
Place: Harpenden, Herts
Publisher: Pocket Essentials
PubDate: 2000
PhysDes: 96 p. ; 18 cm
Series: Pocket Essentials Film
Subject: CAMPION, JANE; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); HOLY SMOKE (US, Jane Campion, 1999); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989)
Notes: Includes list of reference materials
ISBN: 1903047242

Call No: 81CAM MCH
Author: McHugh, Kathleen Anne
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2007
PhysDes: xii, 186 p. : ill., ports. ; 21 cm
Series: Contemporary film directors
Subject: CAMPION, JANE; PIANO, THE (AT, Jane Campion, 1993); IN THE CUT (US/AT, Jane Campion, 2003); SWEETIE (AT, Jane Campion, 1989); HOLY SMOKE (US, Jane Campion, 1999); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: Jane Campion's work calls us to attend these mysteries and passions of family, especially among sisters [taken from "acknowledgments" part]
Notes: Includes index Bibliography: p [169]-175 Filmography: p [163]-167
ISBN: 9780252074479

Call No: 81CAM JAN
Author: Radner, Hilary; Fox, Alistair; Bessiere, Irene
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: 2009
PhysDes: xiv, 329 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television
Subject: CAMPION, JANE; DIRECTORS; WOMEN FILM WORKERS. AUSTRALIA; WOMEN AND THE CINEMA; PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996)
Notes: Includes bibliographical references, filmography and index
ISBN: 9780814334324
Contents: Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner -- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner -- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin -- The Campions indulge in the audition / Harriet Margolis -- Campion-Keitel Connections, a.k.a. "We are the piano" / Chris Holmlund -- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's autobiography / Lawrence Jones -- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox -- Portraits of a woman: Jane Campion and Henry James / Irene Bessiere -- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh -- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessiere -- The suburb in Jane Campion's films / Rochelle Simmons -- From antipodean cinema to international art cinema / Raphaelle Moine -- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley -- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett -- Jane Campion and the moral occult / Ann Hardy -- On viewing Jane Campion as an antipodean / Annabel Cooper

Author: O'Donnell, Justine
PhysDes: Article
Subject: CAMPION, JANE; SWEETIE (AT, Jane Campion, 1989); PEEL (AT, Jane Campion, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: Analysis of the absurd in Jane Campion's short films and first feature 'Sweetie'.

Call No: 81CAM FOX
Author: Fox, Alistair
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2011
PhysDes: xii, 269 p. : ill. ; 23 cm
Subject: FILM; CAMPION, JANE; SWEETIE (AT, Jane Campion, 1989); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); HOLY SMOKE (US, Jane Campion, 1999); IN THE CUT (US/AT, Jane Campion, 2003); WATER DIARY THE (AT, Jane Campion, 2006); BRIGHT STAR (UK/AT/FR, Jane Campion, 2009)
Summary: "Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of Campion's mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780253223012
Contents: -- acknowledgments -- Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship -- motes -- works cited filmography -- index --

Call No: 753CAM TIN
Author: Tincknell, Estella
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 139 pages : illustrated ; 22 cm
Series: The adaptation series
Subject: ADAPTATIONS; ADAPTATIONS. JAMES, HENRY; AUTEUR THEORY; AUTHORSHIP; DIRECTORS; FEMINISM AND THE CINEMA; GENRES; LITERATURE AND THE CINEMA; MYTH AND THE CINEMA; CAMPION, JANE; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BRIGHT STAR (UK/AT/FR, Jane Campion, 2009); IN THE CUT (US/AT, Jane Campion, 2003); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989); TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: "In Jane Campion and Adaptation Estella Tincknell presents a compelling analysis of the interplay between literature and cinema in relation to Campion's work. The text takes a distinct approach to understanding Campion's films, positioning them not simply as the work of a cinematic auteur, but as the culmination of a complex set of textual relationships and practices. In doing so, Tincknell argues persuasively that the director's use of adaptation goes well beyond the conventionally respectful approach to literary texts, opting instead for a playful, subversive and challenging re-imagining of the connections between literature, myth, cultural identity and cinema." -- PORTION OF BOOK BLURB
Notes: Contains bibliographic references and index -- list of illustrations included as looseleaf in front of book
ISBN: 9780230229006
Contents: -- pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic -- Re-articulating film genres four: In the Cut's rewriting of film noir -- conclusion -- notes -- bibliography -- index --

Call No: 79PIA PIA
Author: Margolis, Harriet E. (Harriet Elaine)
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xiv, 204p. : ill. ; 23 cm
Subject: CAMPION, JANE; NYMAN, MICHAEL; PIANO, THE (AT, Jane Campion, 1993); IMPERIALISM AND THE CINEMA; MAORI IN FILMS; WOMEN IN FILMS; MUSIC IN FILMS; ADAPTATIONS; MELODRAMA
Notes: Includes bibliographical references
ISBN: 0521597218 (pbk.); 0521592585; 0521597218(pbk.)
LON: 21113370 21113370

Call No: 626:396 KIS
Author: Jayamanne, Laleen
Place: Sydney
Publisher: Power Publications
PubDate: 1995
PhysDes: 285 p. ; 22 cm
Subject: FEMINISM AND THE CINEMA; BIGELOW, KATHRYN; RUIZ, RAUL; MOFFATT, TRACEY; JAYAMANNE, LALEEN; PATRIOTIN, DIE (GW, Alexander Kluge, 1979); BAD TIMING (UK, Nicolas Roeg, 1980); NEAR DARK (US, Kathryn Bigelow, 1987); BLUE STEEL (US, Kathryn Bigelow, 1989); POINT BREAK (US, Kathryn Bigelow, 1991); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); BEDEVIL (AT, Tracey Moffat, 1993); RAGING BULL (US, Martin Scorsese, 1980); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948)
Notes: Includes bibliographical references
ISBN: 0909952264
LON: 11555393

Call No: 79LAS GAR
Author: Garner, Helen, 1942
Place: Ringwood, Vic.
Publisher: McPhee Gribble
PubDate: 1992
PhysDes: xii, 225 p. ; 20 cm
Subject: LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986)
ISBN: 0869141228 (pbk.) : $14.95 (est.)
LON: 8560752

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNE
Author: Dennehy, Luke
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Snippet on the upcoming Melbourne International Film Festival and the screening of the TV series TOP OF THE LAKE

Call No: 45:32 ROS
Author: Rosenbaum, Jonathan
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1997
PhysDes: xi, 359 p. ; 24 cm
Subject: POLITICS AND THE CINEMA; POLITICAL FILMS; RACIAL ISSUES IN FILMS; WELLES, ORSON; KIESLOWSKI, KRZYSZTOF; BUNUEL, LUIS; BRESSON, ROBERT; TATI, JACQUES; RAY, NICHOLAS; ZWIGOFF, TERRY; ENDFIELD, CY; HOU HSIAO-HSIEN; CARAX, LEOS; AKERMAN, CHANTAL; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); PIANO, THE (AT, Jane Campion, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991); CRUMB (US, Terry Zwigoff, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FORREST GUMP (US, Robert Zemeckis, 1994); NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991); OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]); PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]); PUPPET MASTER, THE (US, David Schmoeller, 1989); REDS (US, Warren Beatty, 1981); SAFE (US, Todd Haynes, 1995); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SOLARIS (UR, Andrei Tarkovsky, 1972)
Notes: Includes bibliographical references and index
ISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)
Order Received: 1997
LON: 96009916; 12700123

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTRALIA
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: INDUSTRY, TV. AUSTRALIA; UPPER MIDDLE BOGAN [TV] (AT, 2013 - ); TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Round up of TV news in Australia and the USA. News includes: poor ratings for Nine Network and its highly promoted show RENO RUMBLE, New season for acclaimed Australian/UK drama TOP OF THE LAKE, a US adaptation for Australian comedy UPPER MIDDLE BOGAN

Call No: 71(931) DUN
Author: Dunleavy, Trisha; Joyce, Hester
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2011
PhysDes: 291 p. : ill. ; 24 cm
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND; MAORI IN FILMS; SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); NGATI (NZ, Barry Barclay, 1987); SHORTLAND STREET [TV] (NZ, 1992-); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WHALE RIDER (NZ/GG, Niki Caro, 2002); BOY (NZ, Taika Waititi, 2010)
Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURB
Notes: includes glossary of Maori terms; includes bibliographical references; includes index
ISBN: 9781841504575
Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --

Call No: 71(931) NEW
Author: Conrich, Ian (ed); Murray, Stuart (ed)
Source: US
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: C2007
PhysDes: xiii, 374 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: MAORI CINEMA; NEW ZEALAND; LYE, LEN; O'SHEA, JOHN; PRESTON, GAYLENE; BARCLAY, BARRY; MITA, MERATA; WELLS, PETER; DONALDSON, ROGER; MURPHY, GEOFFREY; MUNE, IAN; LAWRENCE, BRUNO; LAING, JOHN; REID, JOHN; NARBEY, LEON; WARD, VINCENT; CAMPION, JANE; MACLEAN, ALISON; JACKSON, PETER (NZ); BLYTH, DAVID; BAD BLOOD (NZ, Mike Newell, 1981); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); BOUNTY, THE (UK/US, Roger Donaldson, 1984); BRAINDEAD (NZ, Peter Jackson, 1992); BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986); CADILLAC MAN (US, Roger Donaldson, 1990); DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence Bayler
Notes: Bibliography: p. 349-353; Includes index
ISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PASSIONLESS MOMENTS (AT, Jane Campion and Gerard Lee, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Slides; Clippings
Subject: PEEL (AT, Jane Campion, 1982)

Call No: 79PIA CAM
Author: Campion, Jane
Place: London
Publisher: Bloomsbury
PubDate: 1993, c1992
PhysDes: 153 p. : ill. ; 20 cm
Subject: PIANO, THE (AT, Jane Campion, 1993)
ISBN: 0747516855 : ª7.99
LON: bnb74751685; 10494320

Call No: 79PIA CAM
Author: Campion, Jane; Pullinger, Kate
Place: Jakarta
Publisher: Penerbit PT
PubDate: 1995
PhysDes: 297 p. ; 18 cm
Subject: PIANO, THE (AT, Jane Campion, 1993)
Notes: Indonesian translation of The Piano
ISBN: 9796053888
Language: Indonesian
Donation: donated by the family of Wayne Levy, 2006
ID2: 29

Call No: 79PIA JON
Author: Jones, Gail
CorpAuthor: Australian Film Commission: National Film and Sound Archive
Source: Australia
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2007
PhysDes: viii, 85 p. : ill. ; 20cm
Series: Australian Screen Classics
Subject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; REGIONAL CINEMA. AUSTRALIA; REGIONAL CINEMA. NEW ZEALAND; IMPERIALISM AND THE CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. NEW ZEALAND; NEW ZEALAND IN FILMS; PEOPLE WITH DISABILITIES IN FILMS; SPEECH; ROMANCE IN FILMS; LOVE IN FILMS; SEA IN FILMS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; RACE AND THE CINEMA. NEW ZEALAND; MOTHERS IN FILMS; CHILDREN IN FILMS; MUSIC IN FILMS; SILENCE IN FILMS; EROTICISM IN FILMS; VIOLENCE IN FILMS; JANE CAMPION; PIANO, THE (AT, Jane Campion, 1993)
Summary: "When 'The Piano' opened in 1993 it was hailed by many as a modern masterpiece. Written and directed by Jane Campion, it won the Palme d'Or at Cannes, making her the first woman ever to win this prestigious award. It went on to win Academy Awards for Best Original Screenplay (Campion), Best Actress (Holly Hunter) and Best Supporting Actress (Anna Paquin). "In this thoughtful and perceptive critique, Gail Jones assesses the film's unearthly and controversial visions, its poetic power and its capacity to entrance and to alienate."
Notes: Includes notes, bibliography, filmography, 'The Piano' credits and synopses of other books in the 'Australian Screen Classics' series.
ISBN: 9780868197999

Call No: 79PIA JON
Author: Jones, Gail
Source: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2007
PhysDes: viii, 85 p.: ill. ; 19 cm
Series: Australian Screen Classics
Subject: PIANO, THE (AT, Jane Campion, 1993)
Summary: Film critique
Notes: Includes bibilographic references
ISBN: 9780868197999
ISSN: 1447557X
Language: English

Author: Michael Adams
PhysDes: Article
Subject: PIANO, THE (AT, Jane Campion, 1993)
Summary: D.V.D. review of The Piano

Call No: S PIA
Author: Campion, J.
PubDate: [1991]
PhysDes: 118 leaves
Subject: PIANO, THE (AT, Jane Campion, 1993)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 79PIA PIA
Author: Coombes, Felicity; Gemmell, Suzanne
Place: Sydney
Publisher: John Libbey
PubDate: c1999
PhysDes: xvi, 175 p.: col. ill., ports. ; 24 cm
Series: Southern screen classics ; 1
Subject: WOMEN IN FILMS; MELODRAMA; BODY IN FILMS; COSTUMES; IMPERIALISM AND THE CINEMA; WHITES IN FILMS; LANDSCAPES IN FILMS; PIANO, THE (AT, Jane Campion, 1993); UTU (NZ, Geoffrey Murphy, 1983)
ISBN: 1864620358 : $27.50
LON: 14533230

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings; Posters; Transparency
Subject: PIANO, THE (AT, Jane Campion, 1993)
URL status: URL: 'http://file://Q:/T/PIANO,_THE.zip' Checked: 31/08/2021 12:45:57 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S PIA
Author: Campion, J.
PubDate: [1991]
PhysDes: 118 Leaves
Subject: PIANO, THE (AT, Jane Campion, 1993)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 13 x 18 - 26 x 21 cm ; 1 slide : col. ; 5 x 5 cm ; 1 transparency : b&w ; 10 x 12 cm
Subject: HUNTER, HOLLY; PAQUIN, ANNA; NEILL, SAM; PIANO, THE (AT, Jane Campion, 1993)
Summary: 7 black and white photographs of scenes from the film and 1 cartoon from newspaper, the Herald Sun (Melbourne) 22/3/1994, p. 14.
Notes: 6 duplicates

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PORTRAIT: JANE CAMPION AND THE PORTRAIT OF A LADY (AT, Kate Ellis & Peter Long, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: POWER OF THE DOG (UK/AT/US/CA/NZ, Jane Campion, 2021)

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM & TV. AUSTRALIA [weekly summaries]
Author: Michael Bodey
PhysDes: Clippings File Article
Subject: FESTIVALS. CANNES; BOX OFFICE. AUSTRALIA; JUNGLE in production; FROM NOWHERE (US, Matthew Newton, 2016); DEADPOOL (US, Tim Miller, 2016); TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Snippets on various aspects of the Australian film industry in March 2016. Articles include -- Speculation about which Australian productions and productions involving Australians will screen at the 2016 Cannes Film Festival, with the most likely being the Cate Shortland helmed BERLIN SYNDROME. Some notable films such as: LION, WAR MACHINE will be most likely be screened at festivals later in the year. -- Greg McLean is to start the production of JUNGLE, which is based on a memoir. It will be adapted by Justin Monjo -- FROM NOWHERE, directed by Australian Matthew Newton, has won an award at the South By Southwest Film Festival -- DEADPOOL has earned $40 million at the Australian box office, whilst other films mentioned in regards to Box Office are THE DAUGHTER, LADY IN THE VAN, ZOOTOPIA, LONDON HAS FALLEN, THE WITCH, THE REVENANT, GODS OF EGYPT, and STAR WARS: THE FORCE AWAKENS. -- Discussion of the casting for the new season of TOP OF THE LAKE -- Australian actors Guy Pearce and Rachel Griffiths will appear in the US TV drama series WHEN WE RISE

Call No: 634.6(94) SCR
Author: Coyle, Rebecca
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1998
PhysDes: 247 p. : ill., ports. ; 25 cm
Subject: MUSIC IN FILMS; SOUNDTRACKS; SOUND; SOUND EDITING; BROPHY, PHILIP; WEIR, PETER; SERIOUS, YAHOO; ARMIGER, MARTIN; MAD MAX [...] (AT, 1979-85); ROMPER STOMPER (AT, Geoffrey Wright, 1991); PIANO, THE (AT, Jane Campion, 1993); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); SHINE (AT/UK, Scott Hicks, 1996)
Summary: This volume provides a series of in-depth analyses of the ways in which contemporary Australian cinema has used music in its soundtracks. Individual chapters analyze films including "Shine", "The Piano", "Priscilla: Queen of the Desert", "Romper Stomper" and the "Mad Max" trilogy.
Notes: Includes discography of Australian feature film sound tracks; Includes bibliographies and index; Signed by author
ISBN: 1876351004 : $24.95
LON: abn97403192; 13568834
Contents: 1. Music and textual identity -- Creating a sonic character: non-diagetic sound in the Mad Max trilogy -- The violence of sound: Romper Stomper -- Emotional times: the music of The piano -- Avant-garde meets mainstream: the film scores of Philip Brophy -- 2. Musical associations -- Sound, cinema and Aboriginality -- Music and camp: popular music performance in Priscilla and Muriel's wedding -- Italo-Australian cinematic soundscapes -- Shine: musical narratives and narrative scores -- 3. Directors and film music -- Sound and author/auteurship: music in the films of Peter Weir -- Sonic semaphore: music in the films of Yahoo Serious -- Life in the bush: the orchestration of nature in Australian Animated feature films -- 4. Film industry -- Film music costs and copyright -- Screen composition in Australia: the work of Martin Armiger -- Music for film - a composer's view

Author: Flann, Elizabeth
PhysDes: Article; Bibliography; Illustration(s)
Subject: IMPERIALISM AND THE CINEMA; BLACK ROBE (CN/AT, Bruce Beresford, 1991); PIANO, THE (AT, Jane Campion, 1993)
Summary: Essay explores the personal rites-of-passage of the protagonists in "The Piano" and "Black Robe" to a foreign or 'Other' world.

Call No: 802.25(94) SEC
Author: Burton, Geoff; Caputo, Raffaele
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1999
PhysDes: x, 342 : ill. ; 23 cm
Subject: DIRECTORS. AUSTRALIA; PREVIEWS; EALING STUDIOS; FOX STUDIOS AUSTRALIA; DUIGAN, JOHN; WATT, HARRY; ROWE, GLENYS; MILLER, GEORGE; CAMPION, JANE; BERESFORD, BRUCE; ARMSTRONG, GILLIAN; FRANKLIN, RICHARD; ROEG, NICOLAS; ZUBRYCKI, TOM; RUBBO, MICHAEL; NOONAN, CHRIS; BENNETT, BILL; LOWENSTEIN, RICHARD; HICKS, SCOTT; SIRENS (AT/UK, John Duigan, 1994); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); MAD MAX (AT, George Miller, 1979); BABE (AT, Chris Noonan, 1995); LITTLE WOMEN (US, Gillian Armstrong, 1994); WALKABOUT (UK, Nicolas Roeg, 1971); KISS OR KILL (AT, Bill Bennett, 1997); SHINE (AT/UK, Scott Hicks, 1996); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); DOCUMENTARY FILMS. AUSTRALIA; EUREKA STOCKADE (UK, Harry Watt, 1949 [prod. 1948]); FLIRTING (AT, John Duigan, 1991); DOGS IN SPACE (AT, Richard Lowenstein, 1986); MYTH AND THE CINEMA. AUSTRALIA; OVERLANDERS, THE (UK, Harry Watt, 1946); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); RACE AROUND THE WORLD [TV] (AT, John Lander, 1997-); STRIKEBOUND (AT, Richard Lowenstein, 1984)
Notes: Includes index
ISBN: 1864487658 : $19.95
LON: 14469038
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 45:2 MIL
Author: Miles, Margaret Ruth
Source: US
Place: Boston
Publisher: Beacon Press
PubDate: c1996
PhysDes: xvi, 254 p. ; 23 cm
Subject: RELIGION AND THE CINEMA; ETHICS IN FILMS; ETHNIC GROUPS IN FILMS; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); JESUS DE MONTREAL (CN/FR, Denys Arcand, 1989); MISSION, THE (UK, Roland Joffe, 1986); ROMERO (US, John Duigan, 1989); NOT WITHOUT MY DAUGHTER (US, Brian Gilbert, 1991); CHOSEN, THE (US, Jeremy Paul Kagan, 1981); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); RAPTURE, THE (US, Michael Tolkin, 1991); LONG WALK HOME, THE (US, Richard Pearce, 1990); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); THELMA & LOUISE (US, Ridley Scott, 1991); PIANO, THE (AT, Jane Campion, 1993); JUNGLE FEVER (US, Spike Lee, 1991); PARIS IS BURNING (US, Jennie Livingston, 1990)
Notes: Includes bibliographical references and index
ISBN: 0807010316

Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: The second season of the TV drama TOP OF THE LAKE is about to be shot in Sydney with Jane Campion, many of the key crew, and star Elizabeth Moss

Author: Cordaiy, Hunter; Burrell, Kim
PhysDes: Article
Subject: GIRL'S OWN STORY, A (AT, Jane Campion, 1984)

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: 631.2-02 THO
Author: Thornham, Sue
CorpAuthor: 2019
Edition: 2019
Place: London
Publisher: Bloomsbury on behalf of the British Film Institute
PhysDes: x, 226 pages : index ; 24 cm
Subject: WOMEN FILMMAKERS; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); BLUE STEEL (US, Kathryn Bigelow, 1989); CHAOS (FR, Coline Serreau, 2001); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); FALLING, THE (UK, Carol Morley, 2014); MEEK'S CUTOFF (US, Kelly Reichardt, 2011); MRS DALLOWAY (US, Marleen Gorris, 1997); RED ROAD (UK/DK, Andrea Arnold, 2006); WHITE MATERIAL (FR/CM, Claire Denis, 2009); WINTER'S BONE (US, Debra Granik, 2010)
Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web site
ISBN: 9781844579112
Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: SWEETIE (AT, Jane Campion, 1989)

Call No: 79SWE SWE
Source: AT
PubDate: 2009
PhysDes: ca. 280 p. : ill. ; 30cm
Subject: FAMILY IN FILMS; FAMILY IN FILMS. AUSTRALIA; CAMPION, JANE; SWEETIE (AT, Jane Campion, 1989)
Summary: This is a collection of items on Jane Campion's Sweetie. It contains a press kit, journal articles, book chapters, internet newspaper articles, and ordinary newspaper articles.
Notes: The items in this bound compilation were from Jane Campion items donated to the AFI Research Collection
Contents: -- press kit -- journal articles and book chapters -- internet newspaper articles -- newspaper articles --

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 21 x 26 cm ; 2 photographs : col. ; 12 x 18 cm
Subject: LEMON, GENEVIEVE; COLSTON, KAREN; SWEETIE (AT, Jane Campion, 1989)
Summary: 6 black and white and 2 colour photographs of scenes from the film
Notes: 2 duplicates

Call No: 79SWE LEE
Author: Lee, Gerard, 1951; Campion, Jane
Place: St.Lucia, Qld.
Publisher: University of Queensland Press
PubDate: 1991
PhysDes: xii, 64 p., [8] p. of plates : ill., ports. ; 20 cm
Series: UQP screenplays
Subject: SWEETIE (AT, Jane Campion, 1989)
ISBN: 0702223719 (pbk.) : price unknown
LON: 7679240

Call No: 753 SYD
CorpAuthor: University of Sydney. Dept. of English; English Association. Sydney Branch
Place: Sydney, N.S.W.
Publisher: University of Sydney
PubDate: 1975/76
PhysDes: v. ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA; ADAPTATIONS; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); TEMPEST (US, Paul Mazursky, 1982); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE DORRIT (UK, Christine Edzard, 1987); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); X-FILES, THE [TV] (US, 1993-)
Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"
ISSN: 0156-5419
LON: abn84028394; 3052804

Call No: P PIA
PhysDes: 1 poster : col. ; 65 X 34 cm.
Subject: PIANO, THE (AT, Jane Campion, 1993)
Summary: Image: Has photos of Holly Hunter and Anna Paquin.
Notes: Tear on right hand side.
ID2: 344

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOP OF THE LAKE: CHINA GIRL [TV] (AT/UK/NZ/US, Jane Campion/Ariel Kleiman, 2017)

Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: This article reviews the success of Top of the Lake TV series, created by Jane Campion and Gerard Lee. Consequently hopes are high for other TV series, including The Kettering Incident.

Call No: S TOP
Author: Campion, Jane and Lee. Gerard
Edition: Shooting script (Pink amendments)
Place: AT
PubDate: 2016 Mar. 3
PhysDes: 30 leaves ; 30 cm
Subject: TOP OF THE LAKE: CHINA GIRL [TV] (AT/UK/NZ/US, Jane Campion/Ariel Kleiman, 2017)
Notes: Unpublished script -- See-Saw Films
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)

Call No: 71(94) TWI
Place: Melbourne
Publisher: Damned Publishing
PubDate: 1999
PhysDes: 558 p.
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL IDENTITY IN FILMS. NEW ZEALAND; NATIONAL IDENTITY IN FILMS. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; AUSTRALIA. 1970's; WARD, VINCENT; HALL, KEN G.; DARK CITY (US, Alex Proyas, 1997); BABE: PIG IN THE CITY (AT, George Miller, 1998); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FLOATING LIFE (AT, Clara Law, 1996); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); ON THE BEACH (US, Stanley Kramer, 1959); YATGO HO YAN (HK, Samo Hung, 1997); RADIANCE (AT, Rachel Perkins, 1998); VACANT POSSESSION (AT, Margot Nash, 1995)
ISBN: 1876310006
LON: 20154200
ID2: 29

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: TWO FRIENDS [TV] (AT, Jane Campion, 1986)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 15 x 22 cm
Subject: TWO FRIENDS [TV] (AT, Jane Campion, 1986)
Summary: Black and white photograph of 2 teenage girls.

Call No: 634 WAL
Author: Walker, Elsie
Source: UK/US
Place: New York
Publisher: Oxford University Press
PubDate: c2015
PhysDes: ix, 435 pages : illustrations ; 26 cm
Subject: SOUND; SOUND TRACKS; SOUNDTRACKS; THEORY; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; GENRES; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SEARCHERS, THE (US, John Ford, 1956); DEAD MAN (US, Jim Jarmusch, 1995); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TEN CANOES (AT, Rolf De Heer, 2006); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); PIANO, THE (AT, Jane Campion, 1993); SHUTTER ISLAND (US, Martin Scorsese, 2010); REBECCA (US, Alfred Hitchcock, 1940); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); BIGGER THAN LIFE (US, Nicholas Ray, 1956)
Summary: "Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references, filmography (page 419) and index; Includes filmography
ISBN: 9780199896325
Donation: Oxford University Press
Contents: -- acknowledgments -- general introduction -- pt. I GENRE STUDIES -- 1.Introduction: "A Semantic/Syntactic Approach to Film Genre" / Rick Altman -- 2.The Searchers -- 3.Dead Man -- pt. II POSTCOLONIALISM -- 4.Introduction: "Colonialism, Racism, and Representation: An Introduction" / Robert Stam and Louise Spence -- 5.Rabbit-Proof Fence -- 6.Ten Canoes -- pt. III FEMINISM -- 7.Introduction: "Visual Pleasure and Narrative Cinema" / Laura Mulvey -- 8.To Have and Have Not -- 9.The Piano -- pt. IV PSYCHOANALYSIS -- 10.Introduction: "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes" / Todd McGowan -- 11.Bigger Than Life -- 12.Shutter Island -- pt. V QUEER THEORY -- 13.Introduction: "Imitation and Gender Insubordination" / Judith Butler -- 14.Rebecca -- 15.Heavenly Creatures -- coda -- select filmography -- further perceiving -- select glossary index --

Call No: 226.4 BRU
Author: Bruzzi, Stella, 1962
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xxi, 226 p. : ill. ; 24 cm
Subject: COSTUMES; FASHION AND THE CINEMA; GANGSTER FILMS; ETHNIC GROUPS IN FILMS; FEMME FATALE; TRANSVESTISM; GENDER AND THE CINEMA; SHAFT (US, Gordon Parks Jr., 1971); SABRINA (US, Billy Wilder, 1954); PRETTY WOMAN (US, Garry Marshall, 1990); TROP BELLE POUR TOI (FR, Bertrand Blier, 1989); READY TO WEAR (US, Robert Altman, 1994); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PIANO, THE (AT, Jane Campion, 1993); PULP FICTION (US, Quentin Tarantino, 1994); LEON (FR, Luc Besson, 1994); NEW JACK CITY (US, Mario Van Peebles, 1991); BOYZ N THE HOOD (US, John Singleton, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); DISCLOSURE (US, Barry Levinson, 1994); SINGLE WHITE FEMALE (US, Barbet Schroeder, 1992); LAST SEDUCTION, THE (US, John Dahl, 1994); GLEN OR GLENDA (US, Edward D. Wood, 1953); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MRS DOUBTFIRE (US, Chris Columbus, 1993); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); CRYING GAME, THE (UK, Neil Jordan, 1992); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992)
Notes: Includes bibliographical references (p. 208-216) and index; Filmography: p. 204-207
ISBN: 0415139562 (hbk : alk. paper); 0415139570 (pbk : alk. paper)
LON: 97007260; 13082009
ID2: 38

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WATER DIARY THE (AT, Jane Campion, 2006)

Author: Hessey, Ruth
PhysDes: Interview; Illustration(s)
Subject: CAMPION, JANE; HOLY SMOKE (US, Jane Campion, 1999)

PhysDes: Article
Subject: GREATER UNION; WOMEN AND THE CINEMA. AUSTRALIA; SHORT FILMS. AUSTRALIA; DANCE OF DEATH (AT, Dennis Tupicoff, 1983); PEEL (AT, Jane Campion, 1982); STATIONS (AT, Jackie McKimmie, 1983); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); FIRST CONTACT (AT, Bob Connolly & Robin Anderson, 1983); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); MORE TRICKS THAN WE HAVE (AT, Cinemedia, 1982); THREE HORSEMEN (AT, David & Judith MacDougall, 1982)
Summary: Article on the films nominated for the Greater Union Awards for Australian Short Films, with a high percentage being dircted by women.

Author: Burrell, Kim
PhysDes: Article
Subject: FILM AUSTRALIA. WOMEN'S FILM UNIT; AFTER HOURS (AT, Jane Campion, 1984)
Summary: Review of films from the 1984 Women's Film Unit. In her appraisal of "After Hours" Kim Burrell positions the film as ambitious and innovative in terms of subject choice. Burrell also notes that Jane Campion's handling of the direction, script, and cinematography are remarkably adept
Notes: Films from the 1984 Women's Film Unit. - credits. - illustration

Call No: 451-02 WOM
Author: French, Lisa (ed.)
Source: AT
Place: Melbourne, Australia
Publisher: Damned Publishing
PubDate: 2003
PhysDes: 336 p. : ill. ; 24 cm
Subject: WOMEN AND THE CINEMA; WOMEN FILM WORKERS; GENDER AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; ABORIGINAL AUSTRALIANS AND THE CINEMA; PIANO, THE (AT, Jane Campion, 1993); MOFFATT, TRACEY
Summary: Provides an insight into the diversity and breadth of recent women's filmmaking and digital production in australia.
Notes: Includes index
ISBN: 1876310014