Search Catalogue

Call No: 79ACR DOU
Author: Douglas, Malcolm; Oldmeadow, David
Source: AT
Place: Adelaide
Publisher: Rigby
PubDate: 1972
PhysDes: 200 p. : maps (on lining papers), plates (part col.) ; 25 cm
Subject: ACROSS THE TOP (AT, Malcolm Douglas, 1968)
Summary: Companion to tv series of same name
ISBN: 0851793673
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACROSS THE TOP AGAIN [TV] (AT, Malcolm Douglas, 1989)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ARNOLD, MALCOLM

Call No: 71(94) STR
Author: Stratton, David
Place: Chippendale, N.S.W.
Publisher: Pan Macmillan
PubDate: 1990
PhysDes: xiii, 465 p. : ill. ; 25 cm
Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985)
Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]
Notes: Includes index
ISBN: 0732902509
LON: 7520974
Donation: Simon Wincer
ID2: 255

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEACH BOYS: AN AMERICAN BAND, THE (US, Malcolm Leo, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEST MAN, THE (US, Malcolm D. Lee, 1999)

Author: Thoms, Albie
PhysDes: Article
Subject: BRITISH CINEMA; UNDERGROUND FILMS; DWOSKIN, STEPHEN; GIDAL, PETER; LARCHER, DAVID; LE GRICE, MALCOLM; LEGGETT, MIKE; SCHNEEMANN, CAROLEE; KEEN, JEFF
Summary: A discussion of British Underground films and the decline of the industry as part of a series of articles on European Underground cinema. Includes work by filmmakers including Stephen Dwoskin, Malcolm Legrice, David Larcher, Peter Gidal, Mike Leggett and Ian Breakwell, Carolee Schneemann and Jeff Keen.
Notes: First in this series of articles appears in Lumiere No. 11 p.37-39

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BROTHER MINISTER: THE ASSASSINATION OF MALCOLM X (US, Jack Baxter & Jefri Aalmuhammed, 1994)

Call No: 79MAL LEE
Author: Lee, Spike; Haley, Alex; Perl, Arnold; Wiley, Ralph; Balwin, James; X, Malcolm, 1925-1965. Autobiography of Malcolm X
Place: London
Publisher: Vintage
PubDate: 1993
PhysDes: xv, 314 p., [16] p. of plates ; 20 cm
Subject: MALCOLM X (US, Spike Lee, 1992)
Notes: Includes Malcolm X screenplay by James Baldwin, Arnold Perl and Spike Lee, based on the Autobiography of Malcolm X as told to Alex Haley
ISBN: 0099285312
LON: 9686421 9686421

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: DEAD QUICK: A PROFILE 0F WRITER PETER CORRIS (AT, Malcolm McDonald, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 16 x 22 cm + 2 film negatives : col. ; 35 mm
Subject: CORRIS, PETER; DEAD QUICK: A PROFILE 0F WRITER PETER CORRIS (AT, Malcolm McDonald, 1994)
Summary: Two black and white photographs and two colour 35 mm negatives relating to the film Dead quick: a profile of writer Peter Corris

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T TELL HER IT'S ME (US, Malcolm Mowbray, 1990)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DOUGLAS, MALCOLM

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: FARMER'S CINEMATHEQUE, THE (AT, Malcolm McKinnon/Ross Gibson, 2015)

Call No: 771 HAM
Author: Hamlyn, Nicky
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 224 p. : ill. ; 24cm
Subject: ART CINEMA; AESTHETICS; VIDEO ART; EXPERIMENTAL FILMS; BRAKHAGE, STAN; LE GRICE, MALCOLM; SNOW, MICHAEL; SHERWIN, GUY; SMITH, JOHN; HALL, DAVID; HILL, TONY; LARCHER, DAVID; RABAN, WILLIAM
Summary: "Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow as well as younger artists such as Karen Mirza and Brad Butler, Jennifer Nighting ale, and Colin Crockatt, among many others. Film Art Phenomena is a crucial intervention in debates about the modes of film-making that diverge from and oppose the mainstream." -- Back cover
Notes: Includes bibliography p. 188; includes index p. 195
ISBN: 0851709710. m
Contents: I. MEDIA -- 1. Film and video -- 2. Digital media -- 3. Expanded technologies -- 4. Installation and its audience -- II. THE APPARATUS -- 5. The frame and its dissolution -- 6. Framing -- 7. Holding the camera -- 8. Point of view -- III. AESTHETICS -- 9. Space -- 10. Location -- 11. Interactivity -- 12. Sound, sync, performance -- 13. Film, art, ideology

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: FINNEGAN'S CHIN (UK, Malcolm Le Grice, 1981)

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1992
PhysDes: viii, 184 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; DEAD POETS SOCIETY (US, Peter Weir, 1989); MALCOLM (AT, Nadia Tass, 1986); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); SHAME (AT, Steve Jodrell, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); RADIO DAYS (US, Woody Allen, 1987); ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988); KILLING FIELDS, THE (UK, Roland Joffe, 1984); CRY FREEDOM (UK, Richard Attenborough, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); GALLIPOLI (AT, Peter Weir, 1981); CITIZEN KANE (US, Orson Welles, 1941); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); STAND AND DELIVER (US, Ramon Menendez, 1988); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); STREET HERO (AT, Michael Pattinson, 1984); STAND BY ME (US, Rob Reiner, 1986); DELINQUENTS, THE (AT, Chris Thomson, 1989); EDUCATING RITA (UK, Lewis Gilbert, 1983); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HIGH TIDE (AT, Gillian Armstrong, 1987); DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985); KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); PLACE AT THE COAST, THE (AT, George Ogilvie, 1987); SCALES OF JUSTICE [TV] (AT, 1983); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); MY LEFT FOOT (UK, Jim Sheridan, 1989); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)
Notes: Includes index; Bibliography: p. 183
ISBN: 019553218X
LON: 8815950
ID2: 290

Call No: 79FOL DOU
Author: Douglas, Malcolm
Source: AT
Place: Adelaide
Publisher: Rigby
PubDate: 1978
PhysDes: [8], 210 p. : ill. ; 25 cm.
Subject: DOUGLAS, MALCOLM
Summary: "The films and books produced by Malcolm Douglas on his Outback adventures have enthralled many thousands of Australians. In Follow The Sun, he presents a gripping story of his expedition to the Kimberly region to produce his film of the same name. He tells of months of danger, adventure, and hardship, pervaded by the dominating power of the land and its rugged coastline. He sailed by lugger across perilous waters churned by savage tides, and then travelled overland through the great rocky wilderness of the Kimberly" - BOOK JACKET
Notes: Northern Australia. Description & travel. Personal observations; Maps on endpapers.
ISBN: 0-7270-0503-0
Donation: donated by Senses of Cinema, 2010

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOURTY-FOUR] 44 INCH CHEST (UK, Malcolm Venville, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOAT, THE (US, Buster Keaton and Malcolm St. Clair, 1921)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: GUMSHOE (AT, Malcolm McDonald, 1992)

Call No: 771(410) GAA
Author: Gaal-Holmes, Patti
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: xviii, 231 pages ; 23 cm.
Subject: EXPERIMENTAL FILMS. UK; EXPERIMENTAL FILMS; BRAKHAGE, STAN; DWOSKIN, STEPHEN; GIDAL, PETER; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); LE GRICE, MALCOLM; MARXISM AND THE CINEMA; MCCALL, ANTHONY; VIDEO ART; WARHOL, ANDY; WOLLEN, PETER
Summary: "This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade"-- TROVE
Notes: Includes bibliographical references and index
ISBN: 9781349474912
Language: English
Contents: Introduction -- 1. Questions of history -- 2. Institutional frameworks and organisational strategies -- 3.Experimental film and other visual arts -- 4. Visionary, mythopoeia and diary films -- 5. Experiments with structure and material -- 6. Women and film -- Conclusion: (Re)cognitions and (Re)considerations for This History -- Notes -- Bibliography -- Index
ID2: 343

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ISLANDS OF ARNHEM LAND, THE (AT, Malcolm Douglas, 1984?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT CAME FROM HOLLYWOOD (US, Malcolm Leo & Andrew Solt, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JFK : THE SMOKING GUN (CN, Malcolm Mcdonald , 2013)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 17 x 22 cm
Subject: SHEERIN, JOHN; JARRATT, JOHN; TAYLOR, NOAH; HUDSON, ELAINE; YEMM, NORMAN; HAMILTON, JULIE; RIGG, REBECCA; HOWARD, JOHN; COOK, PENNY; LUCAS, BETTY; KENNARD, MALCOLM; BOSELL, SIMON; JOH'S JURY [TV] (AT, Ken Cameron, 1993)
Summary: One black and white photograph of the cast of the television mini-series Joh's Jury

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KENNARD, MALCOLM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEE, MALCOLM

Author: Curtis, David
Edition: 2020
Place: New Barnet, U.K
Publisher: John Libbey Publishing
PhysDes: vi, 170 pages : llustrated ; 25 cm
Subject: AVANT-GARDE FILMS; BOWIE, DAVID; LE GRICE, MALCOLM; ONO, YOKO; WARHOL, ANDY; CANTRILL, ARTHUR & CORINNE
Summary: This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre). The Robert Street 'New Arts Lab' (1969–71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response – in the context of a popular press already hostile to youth culture, experimental art and the 'underground'. With a Foreword by Andrew Wilson, Curator Modern & Contemporary British Art and Archives, Tate Gallery. -- publisher's web site
ISBN: 9780861967483
Contents: Foreword / Andrew Wilson -- Introduction -- Part one: Drury Lane Arts Lab Setting-up -- The Building -- The Programme Mix -- Theatre -- Poetry & Talks -- Music -- The Gallery -- The Soft Cinema -- Challenges -- Part two: The New Arts Lab at Robert St. (IRAT) -- Setting-Up -- The Building -- The Cybernetic Theatre -- The Gallery -- Music / Poetry / Talks -- The Print Workshop -- Video TVX -- Cinema and Film Workshop -- Closure – Appendices: Drury Lane and Robert Street Workers' After-lives -- Arts Labs & Related Phenomena / Addresses & News by Regions' (IT / BIT Oct '69) -- On the Southampton Arts Lab / Rob La Frenais & James Strangeways -- The Penis in Italy an Arts Lab Adventure / David Jeffrey -- My play Complexions at the Drury Lane Arts Lab / Jan Quackenbush -- Footnotes to Sketches From a Hunter's Album / Mo Throp & John King -- Index

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG, MALCOLM

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUDGATE, MALCOLM

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Author: Parker, David; Tass, Nadia
PhysDes: Article
Subject: MALCOLM (AT, Nadia Tass, 1986)
Summary: Article. Excerpts of talk given at AFTRS.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: MALCOLM (AT, Nadia Tass, 1986)

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Hoyts distribution
PubDate: 1986
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: MALCOLM (AT, Nadia Tass, 1986); FRIELS, COLIN; HARGREAVES, JOHN
Summary: Image of Colin Friels and John Hargraves inside a car.
Notes: Pencil annotations on reverse of photograph; Printed on agfa paper; Adhesive label on reverse of photograph; White border surrounds image with credit information below

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MALCOLM, DEREK

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MALCOLM, GEORGE DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MALCOLM IN THE MIDDLE [TV] (US, 2000-)

Author: Maddox, Garry
PhysDes: Article
Subject: MALCOLM (AT, Nadia Tass, 1986)
Summary: David Parker, producer of 'Malcolm' speaks at Nationa; Screenwriters Conference.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MALCOLM, ROBYN

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 25 cm
Subject: FRIELS, COLIN; HARGREAVES, JOHN; MALCOLM (AT, Nadia Tass, 1986)
Summary: One black and white photograph from the film Malcolm

Call No: TITLE CLIPPINGS FILE; MALCOLM (AT, Nadia Tass, 1986)
Author: Freebury, Jane
PhysDes: Clippings File Article
Subject: TASS, NADIA; PARKER, DAVID; MALCOLM (AT, Nadia Tass, 1986)
Summary: Interview with filmmaking team Nadia Tass and David Parker on their collaboration on the film MALCOLM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MALCOLM X (US, Spike Lee, 1992)

Author: Russell Edwards
PhysDes: Article
Subject: MALCOLM (AT, Nadia Tass, 1986)
Summary: Review of Malcolm

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MANIFESTATIONS OF SHIVA (US, Malcolm Leigh, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAWSON : LIFE AND DEATH IN ANTARCTICA (AT, Malcolm McDonald, 2008)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: MCDONALD, MALCOLM

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MCDOWELL, MALCOLM

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MCLAREN, MALCOLM

Call No: 756.1-25 MEL
Author: Tsiolkas, Christos
Edition: 2022
Place: Collingwood, Vic.
Publisher: Melbourne International Film Festival; Black Inc.
PhysDes: 320 pages ; 24cm
Subject: GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); OZ: A ROCK AND ROLL ROAD MOVIE (AT, Chris Lofven, 1976) SEE OZ; MALCOLM (AT, Nadia Tass, 1986); CASTLE, THE (AT, Rob Sitch, 1997); MAD MAX (AT, George Miller, 1979); MONKEY GRIP (AT, Ken Cameron, 1982); LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); CLUB, THE (AT, Bruce Beresford, 1980); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); NOISE (AT, Matthew Saville, 2007); DEATH IN BRUNSWICK (AT, John Ruane, 1991); CLAY (AT, Giorgio Mangiamele, 1964); HEAD ON (AT, Ana Kokkinos, 1998); DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: A collection of bold new writing capturing Melbourne’s identity in cinema Melbourne International Film Festival (MIFF) is Australia's most revered celebration of cinema. It is one of the world's oldest and most storied film festivals, continuously running since 1952. To commemorate MIFF’s 70th anniversary, Black Inc. has partnered with the festival to produce an exciting collection of essays on Melbourne-made cinema. Melbourne has a long, rich and diverse film history. It was the city where the first ever feature-length film was screened in 1906 – The Story of the Kelly Gang. It was also the birthplace of classics like Monkey Grip, Ghosts … of the Civil Dead, The Castle and Mad Max, plus many fascinating shorts and experimental films. Melbourne on Film is both a celebration of filmmaking in Melbourne, and a tribute to the city’s unique creative history. The first collection of its kind, it includes personal reflections on the legacy and influence of these key films by some of the city’s favourite writers, including Christos Tsiolkas, Sarah Krasnostein, John Safran, Osman Faruqi, Tristen Harwood and Judith Lucy. Melbourne on Film will be treasured by cinephiles and readers of intelligent essays on arts and culture. -- publisher's web site
ISBN: 9781760643928

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN OF THE DESERT (AT, Malcolm Douglas, 1984)

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; AMERICAN FILM MARKET; MALCOLM (AT, Nadia Tass, 1986); BLISS (AT, Ray Lawrence, 1985); ARCHER (AT, Denny Lawrence, 1985); AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); DEVIL IN THE FLESH (AT, Scott Murray, 1986); DOT AND KEETO (AT, Yoram Goss, 1986); FAIR GAME (AT, Mario Andreacchio, 1986); KANGAROO (AT, Tim Burstall, 1986); PERFECTIONIST, THE (AT, Chris Thomson, 1985); TWELFTH NIGHT (AT, Neil Armfield, 1986)
Summary: List of Australian productions screening at the American Film Market. Later pages include posters for MALCOM and BLISS.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHT SCHOOL (US, Malcolm D. Lee, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO TURNING BACK (AT, Malcolm McDonald, 1988)

Author: Ball, Steven
PhysDes: Article; Bio-filmography; Credits
Subject: MEN IN FILMS; EXPERIMENTAL FILMS. UK; REEVES, DANIEL; LE GRICE, MALCOLM; DWOSKIN, STEPHEN; OBSESSIVE BECOMING (UK, Daniel Reeves, 1995); CHRONOS FRAGMENTED (UK, Malcolm Le Grice, 1995); TRYING TO KISS THE MOON (UK, Stephen Dwoskin, 1994)
Summary: Ball's essay explores the personal avant-garde video works of Daniel Reeves, Malcolm Le Grice and Stephen Dwoskin. Includes Reeves and Le Grice filmography.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONCE UPON A TIME IN PUNCHBOWL (AT, Malcolm McDonald, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE WET SEASON [TV] (AT, Malcolm Douglas, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUT COLD (US, Malcolm Mowbray, 1989)

Call No: 19AUS HAR
Author: Harding, Richard
Source: AT
Place: Melbourne
Publisher: Sun Books
PubDate: 1979
PhysDes: viii, 219 pages : illustrations ; 22 cm
Subject: AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING TRIBUNAL; BROADCASTING. AUSTRALIA; ECONOMICS AND TV. AUSTRALIA; LEGISLATION. AUSTRALIA; PROGRAMME COMPLAINTS; PROGRAMME CONTENT. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA; RADIO AND TV. AUSTRALIA; SPORT ON TV. AUSTRALIA; STATE AND THE MEDIA. AUSTRALIA; STATE AND TV. AUSTRALIA; TELEVISION. AUSTRALIA; FRASER, MALCOLM; GYNGELL, BRUCE; PACKER, KERRY; ALVIN PURPLE (AT, Tim Burstall, 1973)
Summary: "In recent years the Australian Broadcasting Commission has been racked with storm and strife. The public mud-slinging and political gesturing that has kept it in the news have been accompanied by the simmering background of internal wars that affect the media monolith. Professor Richard Harding has been a man inside the ABC - among the men with the hottest seats and the best views of the bloody circus, the Commissioners. His brilliant observation of the events that have occurred in his time at the ABC gives a fresh insight into many of the issues that made headlines - the Bland affair, the staff commissioner, the continuing crisis and cries of "bias" in current affairs programmes, 2JJ and access radio, FM, the department of the media, the sports coverage tangle, etc. The effects of politics and government funding on the Australian Broadcasting Commission, and the role of the ABC as an opinion maker are seen in a realistic light from the centre of affairs." - BOOK BLURB
Notes: Includes bibliographic references and index
ISBN: 0725103159
Donation: donated by the family of Wayne Levy, 2006

Author: Maddox, Gary
PhysDes: Article
Subject: MALCOLM (AT, Nadia Tass, 1986)
Summary: On location with Malcolm.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PRISONER OF PARADISE (US/CN/G/UK, Malcolm Clarke & Stuart Sender, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Scripts; Clippings
Subject: PRIVATE FUNCTION, A (UK, Malcolm Mowbray, 1984)

Author: Douglas, Malcolm
PhysDes: Article
Subject: DOUGLAS, MALCOLM; DOCUMENTARIES. AUSTRALIA; FOLLOW THE SUN (AT, David Oldmeadow, 1979); ABORIGINAL AUSTRALIANS IN FILMS; DISTRIBUTION. AUSTRALIA; PRODUCTION COSTS
Summary: Article by documentarian Malcolm Douglas on documentary filmmaking, including the process of getting a documentary marketed and distributed.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUICK BROWN FOX, THE (AT, Malcolm Robertson, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROLL BOUNCE (US, Malcolm D. Lee, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCARY MOVIE 5 (US, Malcolm D. Lee, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEASON OF SNOW, A [TV] (AT, Malcolm Douglas, 1984)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
Subject: SHELTER (AT, Malcolm Wallhead, 1965)
URL status: URL: 'http://file://Q:/S/SHELTER.zip' Checked: 31/08/2021 1:46:44 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHELTER (AT, Malcolm Wallhead, 1965)

PhysDes: Article
Subject: COCAINE BLUES (US, Malcolm Barbour/John Langley, 1983)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SMITH, MALCOLM

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SPACE JAM A NEW LEGACY (US, Malcolm D. Lee, 2020)

Call No: 81LEE SPI
Author: Massood, Palua J.
Source: US
Place: Philadelphia
Publisher: Temple University Press
PubDate: c2008
PhysDes: xxviii, 276 p. : ill. ; 23 cm
Subject: LEE, SPIKE; SCHOOL DAZE (US, Spike Lee, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); MALCOLM X (US, Spike Lee, 1992); CROOKLYN (US, Spike Lee, 1994); CLOCKERS (US, Spike Lee, 1995); GET ON THE BUS (US, Spike Lee, 1996); SUMMER OF SAM (US, Spike Lee, 1999); BAMBOOZLED (US, Spike Lee, 2000); INSIDE MAN (US, Spike Lee, 2006)
Summary: "This rich and timely anthology brings together classic and original essays on Spike Lee's major films. These thought-provoking yet accessible pieces explore such topics as the significance of Lee's aesthetic choices, his contributions to African American film history, his place in the American cinematic landscape, and his negotiations with ideologies of race, gender, sexuality, and class. The contributors' engagement with Lee's oeuvre exemplifies the diverse responses his work has inspired for more than twenty years and will secure his place as one of the most influential cultural producers of our time. " - Valerie Smith, Director, Center for African American Studies and Woodrow Wilson Profesor of Literature, Princeton University -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [259]-263) and index; Includes filmography: p. [255]-258
ISBN: 9781592134854
Contents: We've gotta have it--Spike Lee, African American film, and cinema studies / Paula J. Massood -- "Whose pussy is this" : a feminist comment / Bell Hooks -- Programming with School daze / Toni Cade Bambara -- Spike Lee and Black women / Michele Wallace -- But compared to what? reading realism, representation, and essentialism in School daze, Do the right thing, and the Spike Lee discourse / Wahneema Lubiano -- The double truth, Ruth : Do the right thing and the culture of ambiguity / James C. McKelly -- Spike Lee and the fever in the racial jungle / Ed Guerrero -- "Spike, don't mess Malcolm up" : courting controversy and control in Malcolm X / Anna Everett -- Through the looking glass and over the rainbow : exploring the fairy tale in Spike Lee's Crooklyn / Mark D. Cunningham -- Clockers (Spike Lee 1995) : adaptation in black / Keith M. Harris -- Reel men : Get on the bus and the shifting terrain of Black masulinities / S. Craig Watkins -- We shall overcome : preserving history and memory in 4 little girls / Christine Acham -- Spike Lee meets Aaron Copland / Krin Gabbard -- Race and Black American film noir : Summer of Sam as lynching parable / Dan Flory -- Racial kitsch and Black performance / Tavia Nyong'o -- "I be smackin' my hoes" : paradox and authenticity in Bamboozled / Beretta E. Smith-Shomade -- De profundis : a love letter from the inside man / David A. Gerstner.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: THIS IS ELVIS (US, Andrew Solt & Malcolm Leo, 1981)

PhysDes: Article
Subject: THIS IS ELVIS (US, Andrew Solt & Malcolm Leo, 1981); DOCUMENTARY DRAMAS
Summary: Review of 'This is Elvis'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: UNDERCOVER BROTHER (US, Malcolm D Lee, 2002)

PhysDes: Article
Subject: UNITED INTERNATIONAL PICTURES; DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982); STRANGER IS WATCHING, A (US, Sean S. Cunningham, 1981); BLACK STALLION RETURNS, THE (US, Robert Dalva, 1983); IT CAME FROM HOLLYWOOD (US, Malcolm Leo & Andrew Solt, 1982)
Summary: Current, coming, and in-production films from United International Pictures.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WALKABOUT WITH MALCOLM DOUGLAS [TV] (AT, 2007)

PhysDes: Article
Subject: WARNER BROS.; FIREFOX (US, Clint Eastwood, 1982); LOONEY LOONEY LOONEY BUGS BUNNY MOVIE (US, Friz Freleng & others..., 1981); THIS IS ELVIS (US, Andrew Solt & Malcolm Leo, 1981); MIDSUMMER NIGHT'S SEX COMEDY, A (US, Woody Allen, 1982); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); HOUSE OF WAX (US, Andre de Toth, 1953); SUPERMAN II (US, Richard Lester, 1980); BLADE RUNNER (US, Ridley Scott, 1982); NIGHT SHIFT (US, Ron Howard, 1982); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); BEST FRIENDS (US, Norman Jewison, 1982); LOVE CHILD (US, Larry Peerce, 1982); SHINING, THE (UK, Stanley Kubrick, 1980); HONKYTONK MAN (US, Clint Eastwood, 1982); NATIONAL LAMPOON'S VACATION (US, Harold Ramis, 1983); STROKER ACE (US, Hal Needham, 1983); TWICE UPON A TIME (US, John Korty & Charles Swenson, 1983); SUPERMAN III (US, Richard Lester, 1983)
Summary: List of current, coming, and in-production titles from Warner Bros.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: WATCH THE WATCH (AT, Malcolm McDonald, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 sketches : b&w ; 22 x 17 cm
Subject: WATCH THE WATCH (AT, Malcolm McDonald, 1994)
Summary: 2 black and whitesketches of a male face and a female face looking at his/her watch.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: WHO KILLED MALCOLM SMITH? (AT, Nicholas Adler & Caroline Sherwood, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm
Subject: INDIGENOUS; WHO KILLED MALCOLM SMITH? (AT, Nicholas Adler & Caroline Sherwood, 1992)
Summary: Black and white photograph of Aboriginal people living in poverty.