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Azaria : the mysterious disappearance of Azaria Chamberlain / Richard Shears Surry Hills, NSW: Century Hutchinson Australia, 1982.
Call No: N79EVI SHEAuthor: Shears, Richard Source: ATPlace: Surry Hills, NSWPublisher: Century Hutchinson AustraliaPubDate: 1982PhysDes: 234 p. ; 18 cm.Subject: STREEP, MERYL ; EVIL ANGELS (AT, Fred Schepisi, 1988) Summary: Richard Shears looks at the disappearance of Azaria Chamberlain on 17 August, 1980, the two inquests into the matter, the lengthy murder trial, the Royal Commission, and the development, that led to the controversial release of Lindy Chamberlain from Berrimah Prison in Darwin. A film, starring Meryl Streep, was made of the book.ISBN: 0091691818
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Cinematography 1987 in Encore (19 November - 2 December 1987) vol.5 iss.21 p.23-32
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digital clippings file
EVIL ANGELS : (AT, Fred Schepisi, 1988) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Posters; Press kit; StillsSubject: EVIL ANGELS (AT, Fred Schepisi, 1988) Notes: Stills in closed access. Please see staff.URL status: URL: 'http://file://Q:/T/EVIL_ANGELS.zip'
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Evil angels / John Bryson Ringwood, Vic.: Penguin, 1988.
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Evil Angels in Cinema Papers (January 1989) iss.71 p.55-56
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[Evil angels : stills file]
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journal article
The 'Evil Angels' transition to film in Encore (13-26 August 1987) vol.5 iss.14 p.20
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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Fred Schepisi : interviews / edited by Tom Ryan Jackson: University Press of Mississippi, c2017.
Call No: 81SCH FREAuthor: Ryan, Tom (ed.) Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2017PhysDes: xxxvi, 200 pages : illustrations ; 24 cmSeries: Conversations with filmmakers seriesSubject: FILM ; AUSTRALIA ; SCHEPISI, FRED ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; BARBAROSA (US, Fred Schepisi, 1982) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; LAST ORDERS (UK, Fred Schepisi, 2001) ; IT RUNS IN THE FAMILY (US, Fred Schepisi, 2003) Summary: In the New Yorker, Stephen Schiff has described Fred Schepisi (b. 1939) as "probably the least-known great director working in the mainstream American cinema--a master storyteller with a serenely muscular style that can make more flamboyant moviemakers look coarse and overweening." Schepisi's launch in Australia during the country's film renaissance of the 1970s and his ongoing international work have rightfully earned him a reputation as an actors' director. But he has also become a skillful stylist, forging his own way as he works alongside a talented team of collaborators.
This volume includes twenty interviews with Schepisi and two with longtime collaborators, cinematographer Ian Baker and composer Paul Grabowsky. The interviews trace the filmmaker's career from his beginnings in advertising, through his two early Australian features--The Devil's Playground and The Chant of Jimmie Blacksmith--to his subsequent work in the United States and beyond on films as various as Plenty, Roxanne, A Cry in the Dark, The Russia House, Six Degrees of Separation, Empire Falls, Last Orders, and Eye of the Storm. Schepisi's films are diverse thematically and visually. In what is effectively a master class on film direction, Schepisi discusses his creative choices and his work with actors and collaborators behind the scenes. In the process, he provides a goldmine of insights into his films, his filmmaking style, and what makes him tick as an artist." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Includes filmography; Also published electronicallyISBN: 9781496811479Contents: -- foreword by Gillian Armstrong -- introduction -- chronology -- filmology -- Fred Schepisi / Sue Mathews (1984) -- Devil's playground: an interview with Fred Schepisi / Brian McFarlane ( 2015) -- Playboy interview: Fred Schepisi / Rennie Ellis (1982) -- Fred Schepisi: the Australian director talks about his new controversial film, Barbarosa / Michael Sragow (1982) -- Altered states in The great white north / James Verniere (1983) -- Fred Schepisi: taking Hollywood by drizzle / David Edelstein (1984) -- Man of plenty / Brent Lewis (1985) -- Man of plenty / David Stratton (1986) -- Dialogue on film: Fred Schepisi / American film (1987) -- The making of Evil angels: director Fred Schepisi talks about private moments, public realities and dingoes / Philippa Hawker (1988) -- The man Meryl Streep trusts / Rennie Ellis (1989) -- Fred Schepisi / Peter Malone (1998) -- Fred Schepisi: pushing the boundaries / Scott Murray (1990) -- A cinematic gallant / Stephen Schiff (1993) -- Last orders: an interview with Fred Schepisi / Cynthia Fuchs ( 2001) -- Fred Schepisi on last orders / Tom Ryan (2001) -- Fred Schepisi on It runs in the family / Tom Ryan (2003) -- Shooting dialogue as action: an interview with Fred Schepisi / Fincina Hopgood ( 2011) -- All against one and one against all: Fred Schepisi's outsiders / Dan Callahan (2014) -- Fred Schepisi on making movies, "what I'm most interested in 'always" is the humanity of the piece" / Tom Ryan ( 2015) -- appendicies -- planning and problem solving : an interview with Ian Baker / Tom Ryan (2016) -- key notes: an interview with Paul Grabowsky / Tom Ryan (2016) -- additional resources -- index --
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Future co-productions get no guide from 'Evil Angels' decision in Encore (10-23 September 1987) vol.5 iss.16 p.3-4
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journal article
Get out your handkerchiefs in Freeze Frame (June 1987) vol.1 iss.3 p.7
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High anxiety : catastrophe, scandal, age & comedy / Patricia Mellencamp Bloomington: Indiana University Press, 1992.
Call No: 632.46 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: 1992PhysDes: xvi, 414 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: POPULAR CULTURE AND TV ; IMPERIALISM AND TV ; COMMERCIALS, TV ; GOVERNMENT CONTROL. USA ; PSYCHOANALYSIS AND TV ; DISASTERS ON TV ; LAWSUITS ; NARRATIVE IN TV ; SEX AND TV ; SITUATION COMEDY ; GULF WAR ON TV ; WOMEN ON TV ; TALK SHOWS. USA ; RIVERA, GERALDO ; DURAS, MARGUERITE ; BALL, LUCILLE ; BENSON, SUSAN PORTER ; RIVERS, JOAN ; ARNOLD, ROSEANNE ; BURNS, GEORGE ; DONAHUE, PHIL ; FAGIN, STEVE ; WAGNER, JANE ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?) ; ETERNAL FRAME [MM] (US, 1975?) ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) ; ROSEANNE [TV] (US, 1988- ) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) ; MURDER, SHE WROTE [TV] (US, 1984- ) ; MAJOR DAD [TV] (US, 1989- ) ; I LOVE LUCY [TV] (US, 1951-57) ; CURRENT AFFAIR, A [TV] (US, 1986- ) Notes: Includes bibliographical references (p. [381]-408) and indexISBN: 0253207355 (pbk.); 0253337445 (alk. paper)LON: 8666545
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Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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The making of Evil Angels in Cinema Papers (November 1988) iss.70 p.8-13
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R-CC out of 'Evil Angels' in Encore (28 January - 10 February 1988) vol.5 iss.24 p.2
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; ...AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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