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Film theory and criticism : introductory readings / [edited by] Gerald Mast, Marshall Cohen New York: Oxford University Press, 1985.
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John Ford / Andrew Sinclair London: Allen and Unwin, 1979.
Call No: 81FOR SINAuthor: Sinclair, Andrew Source: UKPlace: LondonPublisher: Allen and UnwinPubDate: 1979PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cmSubject: FORD, JOHN ; IRON HORSE, THE (UK, John Ford, 1924) ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; TOBACCO ROAD (US, John Ford, 1941) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; MOGAMBO (US, John Ford, 1953) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; LAST HURRAH, THE (US, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; SEVEN WOMEN (US, John Ford, 1965) Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291ISBN: 0047910380
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The John Ford movie mystery / Andrew Sarris Bloomington IN: Indiana University Press, 1975.
Call No: 81FOR SARAuthor: Sarris, Andrew Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1975PhysDes: 192 p. ; 26 cmSeries: Cinema OneSubject: FORD, JOHN ; SARRIS, ANDREW ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; ARROWSMITH (US, John Ford, 1931) ; AIRMAIL (US, John Ford, 1932) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; INFORMER, THE (US, John Ford, 1935) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; MOGAMBO (US, John Ford, 1953) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; LAST HURRAH, THE (US, John Ford, 1958) ; GIDEON'S DAY (UK, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; TWO RODE TOGETHER (US, John Ford, 1961) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ISBN: 0253331676Donation: donated by the family of Wayne Levy, 2006
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Making meaning : inference and rhetoric in the interpretation of cinema / David Bordwell Cambridge, Mass.: Harvard University Press, 1989.
Call No: 62 BORAuthor: Bordwell, David, 1947 Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1989PhysDes: xvi, 334 p. : ill. ; 25 cmSeries: Harvard film studiesSubject: ALLEGORY IN FILMS ; AVANT-GARDE FILMS ; SEMANTICS ; MODERNISM AND THE CINEMA ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; PSYCHOANALYSIS AND THE CINEMA ; STRUCTURALISM ; BELLOUR, RAYMOND ; DOUCHET, JEAN ; MICHELSON, ANNETTE ; SARRIS, ANDREW ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; PSYCHO (US, Alfred Hitchcock, 1960) Notes: Includes bibliographical references (p. [277]-328)ISBN: 067454336X (pbk.); 0674543351 (alk. paper)LON: 6253502
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Movies and methods : an anthology / edited by Bill Nichols Berkeley: University of California Press, c1976.
Call No: 62(082) MOV v.1Author: Nichols, Bill Place: BerkeleyPublisher: University of California PressPubDate: c1976PhysDes: xi, 640 p. : ill. ; 24 cmSubject: STRUCTURALISM ; CRITICISM ; IDEOLOGY AND THE CINEMA ; IDEOLOGY IN FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GENRES ; AUTEUR THEORY ; FILM NOIR ; THEORY ; WESTERNS ; WOMEN AND THE CINEMA ; FILM NOIR ; SEMIOLOGY ; METHODOLOGY OF FILM CRITICISM ; ETHNOGRAPHIC FILMS ; FEMINISM AND THE CINEMA ; CAPRA, FRANK ; RAY, NICHOLAS ; VON STERNBERG, JOSEF ; GODARD, JEAN-LUC ; CITIZEN KANE (US, Orson Welles, 1941) ; SERPICO (US, Sidney Lumet, 1973) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; WIND FROM THE EAST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; KLUTE (US, Alan J. Pakula, 1971) ; TRUFFAUT, FRANCOIS ; SHOCK CORRIDOR (US, Samuel Fuller, 1963) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; BLOW JOB (US, Andy Warhol, 1963) ; RIO LOBO (US, Howard Hawks, 1970) ; YOUNG MR. LINCOLN (US, John Ford, 1939) Summary: "Film teachers and students will welcome this new anthology, which makes available in one source a comprehensive selection of recent theoretical work on film, including many articles difficult to locate in the scattered literature. The contents are drawn almost entirely from the publications of the past fifteen years, and include work by the most original film thinkers - some well known to a wide public, some widely known among readers of film journals. Several important film-makers are also represented." -- BOOK BLURBNotes: Includes index; This is volume 1ISBN: 0520031512LON: cln74022969; 10151896Contents: --- part 1 contextual criticism -- political criticism -- genre criticism -- feminist criticism -- part 2 formal criticism -- auteur criticism -- mise-en-scene criticism -- part 3 theory -- film theory -- structuralism-semiology --
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The non-Western films of John Ford / by J. A. Place Secaucus, N.J.: Citadel Press, c1979.
Call No: 81 FOR PLAAuthor: Place, J. A. (Janey Ann), 1946- Edition: First editionSource: USPlace: Secaucus, N.J.Publisher: Citadel PressPubDate: c1979PhysDes: 287 pages : illustrations ; 29 cmSubject: FORD, JOHN ; PILGRIMAGE (US, John Ford, 1933) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; JUDGE PRIEST (US, John Ford, 1934) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; TOBACCO ROAD (US, John Ford, 1941) ; LAST HURRAH, THE (US, John Ford, 1958) ; WHEN WILLIE COMES MARCHING HOME (US, John Ford, 1950) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THIS IS KOREA (US, John Ford, 1951) ; LOST PATROL, THE (US, John Ford, 1934) ; SUBMARINE PATROL (US, John Ford, 1938) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; INFORMER, THE (US, John Ford, 1935) ; PLOUGH AND THE STARS, THE (US, John Ford, 1936) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; UP THE RIVER (US, John Ford, 1930) ; AIRMAIL (US, John Ford, 1932) ; ARROWSMITH (US, John Ford, 1931) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; MOGAMBO (US, John Ford, 1953) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ; FUGITIVE, THE (US/MX, John Ford, 1947) Summary: "J.A. Place's first book, The Western Films of John Ford, presented and analysed all the Ford films laid in the American West and drawing upon its mythology. In this book she turns to Ford's work in other genres: Americana films, Celtic films, political films, military films, and war films. Easch motion picture is carefully re-created in words and pictures." - BOOK BLURBNotes: Continues The Western films of John FordISBN: 0806506431Contents: The American films -- The war films -- The Irish films -- The action films -- The "foreign" films.
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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YOUNG MR. LINCOLN : (US, John Ford, 1939)
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