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Authorship and criticism / by Dugald Williamson Sydney: Local Consumption Publications, 1989.
Call No: 621 WILAuthor: Williamson, Dugald Edition: [2nd ed.]Place: SydneyPublisher: Local Consumption PublicationsPubDate: 1989PhysDes: 98 p. ; 21 cmSeries: Critical categories series ; no. 1Subject: AUTHORSHIP ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; WEIR, PETER Notes: Previous ed.: Sydney : Local Consumption Publication, [1986?]; Includes index; Bibliography: p. 89-94ISBN: 0949793167 (pbk.) : $10.00LON: anb94979316; 6320460
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journal article
The Critics and the Movies in Montage (1967) iss.1 p.22
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Interim
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Horizons west: directing the western from John Ford to Clint Eastwood London: British Film Institute, 2004.
Call No: 736 KITAuthor: Kitses, Jim Edition: 2nd ed.Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2004PhysDes: 343 p. ; 23 cmSubject: WESTERNS ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; Peckinpah, Sam ; LEONE, SERGIO ; EASTWOOD, CLINT ; MANN, ANTHONY ; BOETTICHER, BUDD ; FORD, JOHN Notes: An expanded update on the 1969 edition, ‘Horizons West’ focuses on the ‘Western’ genre. It pays attention to the work of particular film directors (John Ford, Anthony Mann, Budd Boetticher, Sam Peckinpah, Sergio Leone, and Clint Eastwood) and the many themes that these people directed. Includes a brief assessment of criticism of the Western influenced by postmodernism and other cultural movements.ISBN: 1844570509
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How to appreciate motion pictures : a manual of motion-picture criticism prepared for high-school students / by Edger Dale New York: Macmillan, 1933.
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Making meaning : inference and rhetoric in the interpretation of cinema / David Bordwell Cambridge, Mass.: Harvard University Press, 1989.
Call No: 62 BORAuthor: Bordwell, David, 1947 Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1989PhysDes: xvi, 334 p. : ill. ; 25 cmSeries: Harvard film studiesSubject: ALLEGORY IN FILMS ; AVANT-GARDE FILMS ; SEMANTICS ; MODERNISM AND THE CINEMA ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; PSYCHOANALYSIS AND THE CINEMA ; STRUCTURALISM ; BELLOUR, RAYMOND ; DOUCHET, JEAN ; MICHELSON, ANNETTE ; SARRIS, ANDREW ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; PSYCHO (US, Alfred Hitchcock, 1960) Notes: Includes bibliographical references (p. [277]-328)ISBN: 067454336X (pbk.); 0674543351 (alk. paper)LON: 6253502
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Movies and methods : an anthology / edited by Bill Nichols Berkeley: University of California Press, c1976.
Call No: 62(082) MOV v.1Author: Nichols, Bill Place: BerkeleyPublisher: University of California PressPubDate: c1976PhysDes: xi, 640 p. : ill. ; 24 cmSubject: STRUCTURALISM ; CRITICISM ; IDEOLOGY AND THE CINEMA ; IDEOLOGY IN FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GENRES ; AUTEUR THEORY ; FILM NOIR ; THEORY ; WESTERNS ; WOMEN AND THE CINEMA ; FILM NOIR ; SEMIOLOGY ; METHODOLOGY OF FILM CRITICISM ; ETHNOGRAPHIC FILMS ; FEMINISM AND THE CINEMA ; CAPRA, FRANK ; RAY, NICHOLAS ; VON STERNBERG, JOSEF ; GODARD, JEAN-LUC ; CITIZEN KANE (US, Orson Welles, 1941) ; SERPICO (US, Sidney Lumet, 1973) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; WIND FROM THE EAST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; KLUTE (US, Alan J. Pakula, 1971) ; TRUFFAUT, FRANCOIS ; SHOCK CORRIDOR (US, Samuel Fuller, 1963) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; BLOW JOB (US, Andy Warhol, 1963) ; RIO LOBO (US, Howard Hawks, 1970) ; YOUNG MR. LINCOLN (US, John Ford, 1939) Summary: "Film teachers and students will welcome this new anthology, which makes available in one source a comprehensive selection of recent theoretical work on film, including many articles difficult to locate in the scattered literature. The contents are drawn almost entirely from the publications of the past fifteen years, and include work by the most original film thinkers - some well known to a wide public, some widely known among readers of film journals. Several important film-makers are also represented." -- BOOK BLURBNotes: Includes index; This is volume 1ISBN: 0520031512LON: cln74022969; 10151896Contents: --- part 1 contextual criticism -- political criticism -- genre criticism -- feminist criticism -- part 2 formal criticism -- auteur criticism -- mise-en-scene criticism -- part 3 theory -- film theory -- structuralism-semiology --
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Mysteries of cinema : reflections on film theory, history and culture 1982-2016 / Adrian Martin Amsterdam: Amsterdam University Press,
Call No: 62(081) MARAuthor: Martin, Adrian Edition: 2018Place: AmsterdamPublisher: Amsterdam University PressPhysDes: 424 pages ; 24 cmSeries: film culture in transitionSubject: AVANT-GARDE FILMS ; CINEPHILIA ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; THEORY. AUSTRALIA ; FILM HISTORY ; AKERMAN, CHANTAL ; ALMODOVAR, PEDRO ; CASSAVETES, JOHN ; DE PALMA, BRIAN ; FULLER, SAMUEL ; GARREL, PHILIPPE ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; POLANSKI, ROMAN ; RESNAIS, ALAIN ; RUIZ, RAUL ; SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; COTTON CLUB, THE (US, Francis Ford Coppola, 1984) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web siteISBN: 9789462986831Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling
PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced
PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism
PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment
PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema
PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality
PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez
Notes -- Sources of Texts -- Index
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The need for competent film music criticism : A pamphlet for those who care for "film as art", with a final section for those who do not. / by Hans Keller London: British Film Institute, October 1947.
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journal article
Playing the game : writing about the movies in Practice (1999) iss.4 p.16-22
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Star studies : a critical guide / Martin Shingler London: Palgrave Macmillan on behalf of the British Film Institute, 2012.
Call No: 465.1 SHIAuthor: Shingler, Martin Source: UKPlace: LondonPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2012PhysDes: vi, 233 p. : ill. ; 19 cmSeries: BFI book published by Palgrave MacmillanSubject: STAR SYSTEM ; STARS ; ACTORS ; FANS ; ADVERTISING FOR FILMS ; CRITICISM ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; DYER, RICHARD Summary: Star Studies: A Critical Guide provides a lively introduction to the major approaches and key developments within this key area of film studies. It identifies a number of dominant themes, explains major theories, concepts and methodologies, and explores the diversity of approaches that have helped shape the international study of stars and stardom. Comparing the stars and star systems of Hollywood, Bollywood, China and many European countries, from the early-twentieth to the first decade of the twenty-first century, Martin Shingler considers the multiple functions of stars: as an elite workforce within the film industry, as actors and performers, as role models and cultural representatives, as icons and images, as transnational and national symbols, and as commodities. The scope of star studies is wide, historically and geographically, but this book helpfully focuses on salient features of the discipline, providing a cogent overview of star studies, while suggesting some useful avenues for further research. Published in the BFI Film Stars series, Star Studies provides an essential theoretical and historical companion to the individual star volumes in the seriesNotes: "A BFI book." -- Includes bibliographical references (p. 186-219) and indexISBN: 9781844574902Contents: Machine generated contents note: 1.Star Studies: Mapping Out the Field of Star Scholarship Within Film Studies -- 2.Methods: Ways of Analysing Screen Performance -- 3.Star Quality: In Search of the Prerequisites For Stardom -- 4.Star Systems: The Mechanics of Star Production -- 5.Star Identities: From Image to Persona and Publicity to Gossip -- 6.Unstable Symbols: On the Representativeness of Film Star
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Understanding film texts / Patrick Phillips London: British Film Institute, 2000.
Call No: 512.1 PHIAuthor: Phillips, Patrick Place: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: xiii, 158 p. : ill. ; 24 cmSubject: AESTHETICS ; METHODOLOGY OF FILM CRITICISM ; AUDIENCE RECEPTION ; COSTUMES ; DIALOGUE ; EDITING ; EXHIBITION ; NARRATIVE IN FILMS ; PERCEPTION ; REALISM IN FILMS ; SPECTATORSHIP ; VIRTUAL REALITY ; DICAPRIO, LEONARDO ; MUNSTERBERG, HUGO ; AFTER LIFE (JA, Hirokazu Kore-eda, 1998) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FESTEN (DK, Thomas Vinterberg, 1998) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; LOLA RENNT (G, Tom Tykwer, 1998) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SECRETS & LIES (FR/UK, Mike Leigh, 1996) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SLIDING DOORS (US, Peter Howitt, 1998) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ISBN: 085170798X; 0851707998(pbk.)LON: 21445642
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The world in a frame : what we see in films / Leo Braudy Garden City, N.Y.: Anchor Press, 1976.
Call No: 62 BRAAuthor: Braudy, Leo Source: USPlace: Garden City, N.Y.Publisher: Anchor PressPubDate: 1976PhysDes: 274 p. ; 22 cmSubject: CRITICISM ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; AESTHETICS ; THEORY ; AUTEUR THEORY ; SEMIOLOGY ; BRAUDY, LEO Summary: "After an introduction that discusses the special problems faced by film criticism, the three major sections focus in turn on the objects within a film and the visual forms they produce; the typical plots that films follow and the cinematic conventions (like those of the western or musical) which support them; and finally the ways in which movies have portrayed human nature, their methods of characterization, and the role of film-acting within American society." - taken from cover.ISBN: 0385035926URL status: URL: 'http://-'
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Writing national cinema : film journals and film culture in Peru / Jeffrey Middents Hanover, N.H. ; London: Dartmouth College, 2009.
Call No: 71(85) MIDAuthor: Middents, Jeffrey Source: USPlace: Hanover, N.H. ; LondonPublisher: Dartmouth CollegePubDate: 2009PhysDes: viii, 276 p. : ill. ; 24 cmSubject: PERU ; CRITICISM ; CRITICISM: METHODOLOGY OF FILM CRITICISM Summary: "Writing National Cinema traces the twenty-year history of the Peruvian film journal Hablemos de cine alongside that of Peruvian filmmaking and film culture. Similar to the influential French journal Cahiers du cinema, Hablemos de cine began with a group of young critics interested in claiming the director's use of mise-en-scene as the exclusive method of film analysis rather than thematic or star-oriented topics - hence, the title of the publication, derived from their battle cry at post-screening discussions: "Let's talk about film." Their critical authority grew with the rise of local filmmaking and the nationalist fervor of the late 1960s and early 1970s.".
"When government sponsorship spurred feature filmmaking in the mid-1970s, their perspective eschewed the politically militant readings that characterized most writing and film from the rest of Latin America at the time. by the 1980s, the critics at Hablemos de cine had helped to engender a commercial, Hollywood-influenced cinematic vision - best exemplified by Peruvian auteur Francisco Lombardi - and stimulated a unique, if isolating, national identity through the film." "The first book-length study of Peruvian film culture to appear in English, Middents's work offers a thoughtful consideration of the impact of criticism on the visual stylings of a national cinema."--BOOK JACKETISBN: 9781584657767Donation: donated by Senses of Cinema, 2012Contents: A history of the Peruvian cinematic tradition -- Publication, authority, identity: constructing the film journal -- Shaping Peruvian taste: "good" and "bad" Peruvian movies -- Latin American dis/connections: Peru versus the new Latin American cinema -- For a few minutes: considering the short-film industry -- Creating the "Lombardi generation": the rise of an urban cinematic aesthetic -- The changing of the guard: Peruvian cinema in the twenty-first century
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