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book		The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi London: Bloomsbury Academic, 2017. Call No: 761 WIN Author: Winston, Brian; Vanstone, Gail; Chi, Wang Source: UK Place: London Publisher: Bloomsbury Academic PubDate: 2017 PhysDes: xii ; 271 pages : illustrations ; 23 cm Subject: DOCUMENTARY FILMS; FILMMAKING; AESTHETICS; EDITING; PRODUCTION; CAMERAS Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USA Notes: Includes bibliographical references and index ISBN: 9781501309175 More info
journal article		L'acte cinemtographique in Vertigo (1991) iss.6/7 p.59-64 Author: Alain Bergala Subject: DIRECTION; EDITING; THEORY Summary: Examines the enormous number of cinematic choices which must be decided on in filming even the most banal situation, from shooting through to the editing process. In French. More info
book		Add sound to your movies : a practical guide for the amateur film maker / Mike Kent London: Macmillan, 1979. Call No: 244.7(036) KEN Author: Kent, Mike Source: UK Place: London Publisher: Macmillan PubDate: 1979 PhysDes: xv, 235 p. : ill ; 23 cm Subject: SOUND; SOUND RECORDING; SOUND TRACKS; SOUND EDITING; COMMENTARY Summary: Add Sound to Your Movies covers almost every aspect of the subject, from recording techniques and easy 'music-and-voice-over' to advanced track laying. [Taken from back cover.] ISBN: 0333271262 Donation: donated by the family of Wayne Levy, 2006 More info
serial		American cinemeditor : a publication of ... American Cinema Editors, Inc [Los Angeles]: The Editors, 1971-c1991. Call No: held Vol. 36 No. 1-Vol.41 No.3 Summer/Fall 1986-Summer 1991 lacks Vol. 40 No.4; -- IN STORAGE. OVERNIGHT RETRIEVAL CorpAuthor: American Cinema Editors Source: US Place: [Los Angeles] Publisher: The Editors PubDate: 1971-c1991 PhysDes: 21 v. : ill. ; 31 cm Subject: EDITING Notes: Title from cover ISSN: 0044-7625 Frequency: Quarterly LON: 20072294 More info
journal article		Apple final cut pro in If magazine (Dec 1999-Jan 2000) iss.20 p.80-81 Author: Blasina, Peter PhysDes: Review; Illustration(s) Subject: EDITING Summary: Review of the Final Cut Pro computer editing software. More info
book		The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948]. Call No: 632 LIN Author: Lindgren, Ernest Place: London Publisher: G. Allen and Unwin PubDate: 1948] PhysDes: xiv, 242 p., [32] p. of plates : ill., ports. ; 22 cm Subject: PRODUCTION; SOUND; EDITING; MUSIC, FILM; ACTING; CINEMATOGRAPHY; GRIFFITH, DAVID WARK Notes: Includes bibliography : p. 195-196, and index LON: abn84263007; 3585806 More info
book		The art of the sound effects editor / Marvin M. Kerner Boston ; London: Focal Press, 1989. Call No: 242 KER Author: Kerner, Marvin M. Place: Boston ; London Publisher: Focal Press PubDate: 1989 PhysDes: ix, 107 p. : ill. ; 24 cm. Subject: SOUND EFFECTS; SOUND EDITING; SOUND; DIRTY HARRY (US, Don Siegel, 1971) Summary: Begins with the history and purpose of sound effects in film and television but is primarily a technical guide to the creation, use, and organisation of effects. A critical case study is provided in the form of the film Dirty Harry. Notes: Includes index. ISBN: 0240800087 More info
book		Audio-vision : sound on screen / Michel Chion ; edited and translated by Claudia Gorbman ; with a foreword by Walter Murch New York: Columbia University Press, 1994. Call No: 634 CHI Author: Chion, Michel, 1947; Gorbman, Claudia; Murch, Walter, 1943 Place: New York Publisher: Columbia University Press PubDate: 1994 PhysDes: xxvii, 239 p. : ill. ; 22 cm Subject: SOUND; SOUND EDITING; SOUND RECORDING; SOUNDTRACKS Summary: "In Audio-vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy on sound in cinema -- La voix au cinema, Le son au cinema, and La toile trouvee -- while providing an overview of the functions and aesthetics of sound in film and television. He considers the effects of evolving audiovisual technologies such as widescreen, multitrack sound, and Dolby stereo on audio-vision, influences of sound on the perception of space and time, and contemporary forms of audio-vision embodied in music videos, video art, and commercial television. His final chapter presents a model fo audiovisual analysis of film" -- Back cover Notes: Includes bibliographical references p. ([225]-227) and index ISBN: 0231078994 (pbk. : alk. paper); 0231078986 (alk. paper) LON: 93023982; 10140132 More info
journal article		Australian laboratory undergous major refit in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.24 PhysDes: Article Subject: ATLAB; SOUND EDITING; SOUND EFFECTS; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA Summary: Article on the technological updates at Atlab Australia, particularly in their sound department. More info
Interim book		British film editors : the heart of the movie / Roy Perkins / Martin Stollery London: British Film Institute, 2004. Call No: 635.41(41) PER Author: Perkins, Roy; Stollery, Martin Source: UK Place: London Publisher: British Film Institute PubDate: 2004 PhysDes: 248 p. ; ill. ; 23 cm Subject: EDITING; EDITORS. UK Summary: Based upon interviews with many distinguished editors who have worked on films as diverse as Blade Runner and Carry on Up the Khyber, Die Hard 2 and Blow-Up, American Beauty and Performance. British Film editors provides a historical overview of editing, together with extensive filmographies. (back cover) Notes: Appendix: Select Filmographies Art, craft, class and education Women in British editing Bibliography Select glossary Index ISBN: 1844570088 More info
journal article		Casablanca - an editing package that schools can afford in Metro Education (2000) iss.12 p.49-50 Author: Benjamin, Phillip PhysDes: Article Subject: EDITING. AUSTRALIA Summary: Looks at the features of Casablanca, a non-linear video editing programme, and it's usefulness for schools. More info
book		The cinema as a graphic art (on a theory of representation in the cinema) / With an appreciation by S. M. Eisenstein. Translated by Stephen Garry, with editorial advice from Ivor Montagu New York: Hill and Wang, 1959. Call No: 633 NIL Author: Nilsen, Vladimir Place: New York Publisher: Hill and Wang PubDate: 1959 PhysDes: 226 p : ill. ; 25 cm Subject: CINEMATOGRAPHY; EDITING LON: 59008663; 2539037 More info
book		The cinema as art / Ralph Stephenson & J. R. Debrix Harmondsworth: Penguin, 1969. Call No: 63 STE Author: Stephenson, Ralph; Debrix, J. R. CorpAuthor: Penguin Edition: Revised edition, reprint Place: Harmondsworth Publisher: Penguin PubDate: 1969 PhysDes: 270 p., [32] p. of plates ; 18 cm Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; EDITING; CINEMATOGRAPHY; SOUND; COSTUMES; MAKE-UP; COLORIZATION; LIGHTING Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.] Notes: Illustrated. Includes index. Donation: Donated by La Trobe University Library More info
book		Cinema in the digital age / Rombes, Nicholas New York: New York Columbia University Press, 2017. Call No: 62 ROM Author: Rombes, Nicholas Edition: Revised edition Place: London; New York Publisher: New York Columbia University Press PubDate: 2017 PhysDes: 22 b& w illustrations Subject: DIGITAL CINEMA; NOSTALGIA; FILMMAKING; DISTRIBUTION; DIGITAL DISTRIBUTION; MEDIA AND THE CINEMA; EDITING; PHILOSOPHY AND THE CINEMA; VIDEO FORMATS; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014); THEORY; SPECTATORSHIP; BLUE VELVET (US, David Lynch, 1986); APPLE; COMPUTER GENERATED IMAGERY; POSTMODERNISM AND THE CINEMA; FORMATS; CINEMATOGRAPHY Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization. Notes: Includes bibliographical references. ISBN: 9780231167550 Donation: Senses of Cinema Contents: Machine generated contents note: 1.Accelerationism 2.The Adorno Paradox 3.Against Method 4.Analog/ Digital Splice 5.Blood, Simple 6.Boredom and Analog Nostalgia 7.The Digital Spectacular 8.Disposable Aesthetics 9.DV Humanism 10.Filmless Films 11.Frame Dragging 12.The Ideology of the Long Take 13.Image/ Text 14.Incompleteness 15.Interfaces 16.iPod Experiment 17.Ironic Mode 18.Looking at Yourself Looking 19.The Lost Underground 20.Love in the Time of Fragments 21.Media as Its Own Theory 22.Mobile Viewing 23.Moving Space in the Frame, and a Note on Film Theory 24.Natural Time 25.Nonlinear 26.Paranormal Activity 2 27.Pausing 28.Punk 29.Realism 30.Real Time 31.The Real You 32.The Reality Industrial Complex 33.Remainders 34.Sampling 35.Secondary Becomes Primary 36.Self-Deconstructing Narratives 37.Shaky Camera 38.Shoot! 39.Simultaneous Cinema 40.Small Screens Contents note continued: 41.Target Video 42.Time, Memory 43.Time-Shifting 44.Tmesis: Skimming and Skipping 45.Undirected Films 46.Viewer Participation 47.Virtual Humanism: Part 1 48.Virtual Humanism: Part 2 49.Visible Language, Spring 1977 50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project More info
book		Cinematography : a guide for film makers and film teachers / Kris Malkiewicz ; line drawings by Jim Fletcher New York Sydney: Simon & Schuster, 1992, c1989. Call No: 23 MAL Author: Malkiewicz, J. Kris Edition: 2nd ed Place: New York Sydney Publisher: Simon & Schuster PubDate: 1992, c1989 PhysDes: ix, 213 p. : ill., plans ; 24 cm Subject: CINEMATOGRAPHY; SOUND RECORDING; EDITING; UNDERWATER CINEMATOGRAPHY Notes: "A Fireside book"; "First Fireside edition"; Includes bibliographical references (p. 205-206) and index ISBN: 0671762206 LON: 12302388 12302388 More info
book		Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011. Call No: 761 SPE Author: Spence, Louise; Navarro, Vinicius Source: US/UK Place: New Brunswick, NJ Publisher: Rutgers University Press PubDate: c2011 PhysDes: x, 281 p. : ill. ; 26 cm Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB ISBN: 9780813549033 Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index -- ID2: 90 More info
book		The critical practice of film : an introduction / by Elspeth Kydd Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011. Call No: 62 KYD Author: Kydd, Elspeth Source: UK/US Place: Houndmills. Basingstoke, Hampshire ; New York Publisher: Palgrave Macmillan PubDate: 2011 PhysDes: xix, 316 p. : ill. ; 26 cm Subject: NARRATIVE IN FILMS; DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CINEMATOGRAPHY; SOUND; EDITING; MUSIC IN FILMS; FILM; COSTUMES; COSTUME DESIGNING; CRITICISM Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIA Notes: Includes index; Includes bibliographical references and index ISBN: 9780230229754 Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index -- More info
book		Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997. Call No: 220"313" MCQ Copy Management: Copy 1; Copy 2 Author: McQuire, Scott CorpAuthor: Australian Key Centre for Cultural and Media Policy Place: Brisbane Publisher: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University PubDate: 1997 PhysDes: [66] p. ; 30 cm Series: Screen industry, culture and policy research series Subject: DIGITAL TECHNOLOGY. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS. AUSTRALIA; TECHNICAL DEVELOPMENTS. AUSTRALIA; EDITING. AUSTRALIA Notes: Includes bibliographical references; Bibliographical references : p. 64 ISBN: 0646327321 LON: 13359066 More info
journal article		Dede Allen in Lumiere (May-June 1971) iss.9 p.4-8 Author: Blasi, Ralph PhysDes: Article Subject: ALLEN, DEDE; BONNIE AND CLYDE (US, Arthur Penn, 1967); AMERICA, AMERICA (US, Elia Kazan, 1963); ALICE'S RESTAURANT (US, Arthur Penn, 1969); EDITING; EDITORS Summary: Article on film editor Dede Allen, who is currently working on ALICE'S RESTAURANT. More info
book		Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973. Call No: 70 CAS Author: Casty, Alan Source: US Place: New York Publisher: Harcourt Brace Jovanovich PubDate: 1973 PhysDes: 425 p. ; 23 cm Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry. ISBN: 0155176226 More info
subject clippings file		DIGITAL EDITING Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: DIGITAL EDITING More info
book		Digital filmmaking : the changing art and craft of making motion pictures / Thomas A. Ohanian, Michael E. Phillips ; cover art by Jeffrey Krebs Boston: Focal Press, c1996. Call No: 220"313" OHA Author: Ohanian, Thomas A; Phillips, Michael E Place: Boston Publisher: Focal Press PubDate: c1996 PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cm Subject: DIGITAL TECHNOLOGY; EDITING; PRODUCTION; POST-PRODUCTION; LUCAS, GEORGE; CAMERON, JAMES; BAKER, RICK; JONES, ED Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover] Notes: Includes bibliographical references (p. 257) and index ISBN: 0240802195 (paper : alk. paper) LON: 12009091 More info
book		Directing the documentary / Michael Rabiger Boston: Focal Press, c1987. Call No: 761 RAB Author: Rabiger, Michael Place: Boston Publisher: Focal Press PubDate: c1987 PhysDes: xii, 316 p. : ill. ; 26 cm Subject: DIRECTION; PRODUCTION; EDITING; AESTHETICS; DOCUMENTARY FILMS; COMMENTARY; INTERVIEWS IN FILMS; RABIGER, MICHAEL Summary: "Directing the Documentary discusses the necessary technical basics you need to know before shooting, and describes with astonishing clarity the concepts and human processes behing the making of the film. From preproduction considerations, such as research or choosing a subject, to production and postproduction factors like shooting an interview or assembling the sound track, Directing the Documentary keeps the final goal always in sightL the creation of an effective documentary film. Structured witha focus on specific stages of the process, this book allows flexible use through a series of project designed to teach necessary skills through action. Valuable summaries provide checkliests of immeasurable help for those involved in actual production work. The coverage is complete in the discussions of the documentary's history and development, of the issues of aesthetics and authorship, and of education and careers in documentary films." -- Taken from back cover. Notes: Includes index; Bibliography: p. [306]-309 ISBN: 0240517946 (pbk.) LON: 4791160 More info
book		Dynamics of the film / [by] Joseph and Harry Feldman New York: Hermitage, 1952]. Call No: 632 FEL Author: Feldman, Joseph, 1917; Feldman, Harry, 1920- joint author Place: New York Publisher: Hermitage PubDate: 1952] PhysDes: 1 v Subject: EDITING; ACTING; CINEMATOGRAPHY; SOUND; THEATRE AND THE CINEMA; LITERATURE AND THE CINEMA LON: nun00324245; 5230200 More info
Online resource digital clippings file		EDITING Digital clippings file available Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: EDITING URL status: URL: 'http://file://Q:/S/EDITING.zip' Checked: 31/08/2021 12:42:00 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
Bibliography book		Editing bibliography. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1997. Call No: FRONT DESK CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library. PubDate: 1997 Subject: EDITING More info
book		Editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987. Call No: 241(-4) LEV Author: Levy, Wayne Edition: 1987 Place: Cibinong, Indonesia Publisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional PubDate: 1987 PhysDes: 23 leaves : illustrated ; 23 cm Subject: VIDEO PHOTOGRAPHY; EDITING Language: English More info
journal article		Eisenstein and Pudovkin in Montage (1967) iss.1 p.17 Author: Black, Norman PhysDes: Article Subject: PUDOVKIN, VSEVELOD; KULESOV, LEV; EDITING Summary: Essay examines the history of the montage (editing) and how meaning is created through the cutting and placement of shots. More info
journal article		Feature - post production in Encore (Apr 2000) vol.18 iss.3 p.22-38 Author: Griffiths, Peter PhysDes: Article; Illustration(s) Subject: POST-PRODUCTION. AUSTRALIA; HIGH DEFINITION TV; SOUND; EDITING. AUSTRALIA Summary: Griffiths surveys the post-production industry in Australia in 2000. Visual and sound post-production firms reported that 1999 was a slow year but production is increasing in 2000. High-definition television will introduce new challenges to the post-production industry. Screen editors are frustrated by their working conditions and the expectation that they coordinate all aspects of post-production. More info
book		Film : real to reel / David Coynik Evanston: McDougal, Littel & Company, 1976. Call No: 22 COY Author: Coynik, David Edition: Rev. ed Source: US Place: Evanston Publisher: McDougal, Littel & Company PubDate: 1976 PhysDes: 216 p. : ill. ; 28 cm Subject: FILMMAKING; EDITING; COLOUR; SOUND; GENRES; DOCUMENTARY FILMS; ANIMATION Summary: This book gives a background for some of the techniques which filmmakers use to communicate, and in the final chapter gives information on making a film. Notes: Includes index ISBN: 0883433044 Donation: donated by the family of Wayne Levy, 2006 More info
book		Film : an introduction / John L. Fell New York: Praeger Publishers, 1975. Call No: 62 FEL Author: Fell, John L. Place: New York Publisher: Praeger Publishers PubDate: 1975 PhysDes: xiv, 274 p. : ill ; 25 cm. Subject: HISTORY OF CINEMA; EDITING; SOUND; COLOUR; GENRES; EDITING; PRODUCTION; DIRECTION; EDITING; SPECIAL EFFECTS; CRITICISM; AUTEUR THEORY; THEORY; SEMIOLOGY; STRUCTURALISM Summary: A broad history of film that shifts from looking at its beginnings, to explaining the visual elements that make up a film, to a desciption of the ingredients of film production, and finally to a closer inspection of specific theorists and theories of film. Notes: Includes indexes. Bibliography: p. 251-252. ISBN: 0275509508 More info
book		Film and television production : problems, possibilities and techniques : proceedings of conference, Armidale - January 7-14, 1961 / Clarence Regional Office, Department of Adult Education, University of New England Armidale, NSW: University of New England, 1961. Call No: 22 CLA Author: University of New England. Clarence Regional Office; University of New England. Department of Adult Education Source: AT Place: Armidale, NSW Publisher: University of New England PubDate: 1961 PhysDes: 128 p. ; 33cm Subject: 16 MM FILMS; AUSTRALIAN BROADCASTING CORPORATION; CAMERAS; CINEMATOGRAPHY; EDITING; EDUCATION AND TV; FILMMAKING; PRODUCTION; PRODUCTION, TV; SCRIPTWRITING; SOUND RECORDING Summary: A collection of proceedings from the University of England's first residential "Film and Television Producers' School" held for seven days in January 1961. Notes: Book is in extremely fragile condition; handle with care Contents: Introduction -- Editorial -- List of lecturers and delegates -- Preface to notes -- "The future of television": Sir Richard Boyer -- Question and answer session -- "The place of the creative thinker in film and television": Mr. Maslyn Williams -- Films shown in discussion evenings -- "Form and construction": Mr Maslyn Williams -- "Creative editing": Mr. Stanley Hawes -- Masculine cut and feminine fade -- "The seeing eye": Mr. Geoffrey Collings -- Black & white versus colour -- "Notes for a talk on the photographic lenses": Dr. Neville Fletcher -- Some questions on editing -- "The sound track and film production": Mr. Don Kennedy -- "Notes on a lecture-demonstration on television production": Mr. Colin Dean -- The impossible isn't possible -- "Preparing a script": Mr. Shan Benson -- A simple appreciation of picture reproduction characteristics -- "The motion picture film in the school": Mr. Clive Linz -- 35 mm and 16 mm film -- "The use of television for educational purposes": Mr. Charles Bull -- Reference to lecture by Mr. King -- "Influence of Production on vision and sound recording in T.V.": Mr. Carl Wilhelm -- Construction and form in the arts More info
book		Film art : an introduction / David Bordwell, Kristin Thompson New York: Knopf Distributed by Random House, 1986. Call No: 62 BOR Author: Bordwell, David, 1947; Thompson, Kristin, 1950 Edition: 2nd ed Place: New York Publisher: Knopf Distributed by Random House PubDate: 1986 PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cm Subject: PRODUCTION; NARRATIVE IN FILMS; CINEMATOGRAPHY; EDITING; SOUND; CRITICISM; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes index; Bibliography: p. 387-389 ISBN: 0394352378 (pbk.) LON: 85018198; 4389326 URL status: URL: 'http://-' Checked: 31/08/2021 12:39:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
serial		Film Editors' Guild of Australia newsletter / Film Editors Guild of Australia East Melbourne: FEGA, Call No: held Feb. 1963-autumn 1965 incomplete CorpAuthor: Film Editors' Guild of Australia; Newsletter (Film Editors' Guild of Australia) Source: AT Place: East Melbourne Publisher: FEGA PhysDes: v. : ill Subject: EDITING. AUSTRALIA Notes: Continued by: Film Australia LON: abn97048124; 13026543 More info
book		Film, form & feeling / Dennis DeNitto New York: Harper & Row, c1985. Call No: 62 DEN Author: DeNitto, Dennis, Place: New York Publisher: Harper & Row PubDate: c1985 PhysDes: xv, 544 p. : ill. ; 23 cm Subject: THEORY; CRITICISM; EDITING; HISTORY OF CINEMA; REALISM IN FILMS; EXPRESSIONISM; MONTAGE; NEOREALISM; NOUVELLE VAGUE; COMEDIES; DOCUMENTARY FILMS; CINEMA VERITE; PROPAGANDA FILMS; WESTERNS; MUSICALS; VARIETE (G, E.A. Dupont, 1925); GOLD RUSH, THE (US, Charles Chaplin, 1925); PRODUCERS, THE (US, Mel Brooks, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); [FOUR HUNDRED] 400 BLOWS, THE [; MAN OF ARAN (UK, Robert Flaherty, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); STAGECOACH (US, John Ford, 1939); SHANE (US, George Stevens, 1953); WILD BUNCH, THE (US, Sam Peckinpah, 1969); TOP HAT (US, Mark Sandrich, 1935); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); WEST SIDE STORY (US, Robert Wise, 1961); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) Notes: Includes indexes; Bibliography: p. 493-503 ISBN: 0060416297 (pbk.) Order Received: 2000 Order Type: Donation LON: 3664711 More info
journal article		Film Styles in Lumiere (September-October 1971) iss.11 p.26-29 PhysDes: Article Subject: BERESFORD, BRUCE; NOUVELLE VAGUE; EDITING Summary: Second part of Bruce Beresford's articles on the development of film theories and techniques, and the influences they still have today. Here Beresford discusses Technical Developments and Style, the use of Portable Gear, Sound Mixing, Horiontal Editing Tables, Recording, the Prying Camera, Film Themes, and Penetrating Commentaries. More info
book		Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997. Call No: 24 CAS Author: Case, Dominic Place: Jordan Hill, Oxford Publisher: Focal Press PubDate: 1997 PhysDes: 192 p. : ill. ; 22 cm Subject: POST-PRODUCTION; EDITING; DIGITAL TECHNOLOGY; SOUND RECORDING; TECHNICAL DEVELOPMENTS Notes: Includes index ISBN: 0240514637 LON: 13426507 More info
book		Film world : a guide to cinema / by Ivor Montagu Harmondsworth, England: Penguin Books, 1964. Call No: 62 MON Author: Montagu, Ivor Goldsmid Samuel, 1904 Source: US Place: Harmondsworth, England Publisher: Penguin Books PubDate: 1964 PhysDes: 327 pages : illustrations ; 18 cm Subject: AESTHETICS; ART CINEMA; BUDGETING; CINEMATOGRAPHY; EDITING; INDUSTRY, FILM; REALISM IN FILMS; PRODUCTION COSTS; SCIENCE AND THE CINEMA; SOUND; SPECIAL EFFECTS; EISENSTEIN, SERGEI M. Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb] Notes: Contains index LON: nla07041764; 6387892 URL status: URL: 'http://-' Checked: 31/08/2021 12:39:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Filmmaking : narrative & structural techniques / Bob Foss Los Angeles Hollywood, CA: Silman-James Press Distributed by Samuel French Trade, 1992. Call No: 632.2 FOS Author: Foss, Bob Edition: 1st Silman-James ed Place: Los Angeles Hollywood, CA Publisher: Silman-James Press Distributed by Samuel French Trade PubDate: 1992 PhysDes: vi, 204 p. : ill. ; 23 cm Subject: NARRATIVE IN FILMS; STRUCTURALISM; EDITING; TIME IN FILMS; AESTHETICS; DIALOGUE ISBN: 1879505142 : $15.95 Order Received: 1998 LON: 94010053; 10867985 More info
book		First cut : conversations with film editors / Gabriella Oldham Berkeley: University of California Press, c1992. Call No: 802.41 OLD Author: Oldham, Gabriella Place: Berkeley Publisher: University of California Press PubDate: c1992 PhysDes: ix, 417 p. ; 24 cm Subject: EDITING; EDITORS; COATES, ANNE; LITTLETON, CAROL; ROLF, TOM; HIRSCH, PAUL; LEVIN, SID; MARKS, RICHARD; HEIM, ALAN; KAHN, SHELDON; PAINE, EMILY; HANEKE, TOM; KRESS, HAROLD F.; KRESS, CARL; BARTZ, GEOF; BARNES, PAUL; PANKOW, BILL; CAMBERN, DONN; LOTTMAN, EVAN; FRANK, PETER C.; DUNNING, JOHN; WINTERBURN, TED; WORTH, MERLE; MALKIN, BARRY; FEHR, RUDI Notes: Includes bibliographical references (p. 403-404) and index ISBN: 0520075889 (pb.); 0520075862 (alk. paper) LON: 8667391 More info
book		Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997. Call No: 761 GIL Author: Gillezeau, Marcus Place: Sydney Publisher: Australian Film Commission PubDate: 1997 PhysDes: 25 p. ; 30cm Subject: DOCUMENTARY FILMS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; EQUIPMENT; FILMMAKING; CAMERAS; SOUND; SOUND RECORDING; PRODUCTION; POST-PRODUCTION; EDITING Summary: "This paper outlines production and post-production paths for low budget documentaries with budgets ranging from $20,000 to $100,000. It explores both digital and analogue methods. It includes pointers on what needs to be considered during pre-production and the shoot which will result in time and cost savings during post-production." -- TAKEN FROM INTRODUCTION TO REPORT LON: abn98003903; 13617349 More info
book		Hearing Haneke : the sound tracks of a radical auteur / Elsie Walker New York: Oxford University Press, 2018. Call No: 81 HAN WAL Author: Walker, Elsie Edition: 2018 Place: New York Publisher: Oxford University Press PubDate: 2018 PhysDes: x, 221 pages : illustrated ; 25 cm Series: The Oxford music / media series Subject: HANEKE, MICHAEL; SOUND; SOUND EDITING; SOUNDTRACKS Summary: Michael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better. Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy. This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Caché, The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change. -- publisher's web site ISBN: 9780190495916 Contents: Prelude: Why does hearing Haneke's films matter? -- 1. Introduction: Hearing Haneke through the critical ruckus -- 2. The Seventh Continent: the noises of consumerism, the music of something more -- 3. Funny Games: amplifying violence, the violators, and the victims -- 4. Code Unknown: sonically representing social divisions, diversity, and hope -- 5. The Piano Teacher: musical beauty without transcendence -- 6. Caché: the postcolonial resonance of silences and saying "nothing" -- 7. The White Ribbon: hearing Symbolic oppression and the Real in rebellion -- 8. Amour: the screams of life answered with love -- Works Cited -- Index More info
book		The Hollywood eye : what makes movies work / Jon Boorstin New York: Cornelia & Michael Bessie Books, 1990. Call No: 63 BOO Author: Boorstin, Jon Edition: 1st ed. Place: New York Publisher: Cornelia & Michael Bessie Books PubDate: 1990 PhysDes: x, 224 p. : ill. ; 25 cm. Subject: AESTHETICS; EDITING; SOUND; LIGHTING Summary: An examination of Hollywood film production and direction with reference to how films are experienced by the viewer, and drawing on the author's own experiences in the industry. Notes: Includes index. ISBN: 0060391138 More info
book		Hollywood speaks! : an oral history / Mike Steen New York: G.P. Putnam's Sons, 1974. Call No: 71(73) STE Author: Steen, Mike Source: US Place: New York Publisher: G.P. Putnam's Sons PubDate: 1974 PhysDes: 379 p. ; 21 cm Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover) ISBN: 39911162X Donation: donated by the family of Wayne Levy, 2006 More info
book		In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992. Call No: 24 MUR Author: Murch, Walter CorpAuthor: Australian Film, Television and Radio School Source: AT Place: Sydney Publisher: Australian Film, Television & Radio School PubDate: c1992 PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb] Notes: Includes bibliographical references and index ISBN: 0642180377 : price unknown LON: 9030756 9030756 More info
journal article		Industry neglects assistant role in Encore (25 Feb, 1998) vol.16 iss.1 p.31 Author: Harty, Jason PhysDes: Article Subject: POST-PRODUCTION. AUSTRALIA; EDITING. AUSTRALIA Summary: Changing and diminishing role of the assistant editor is causing concern among editors. More info
book		Introduction to documentary / Bill Nichols Bloomington IN: Indiana University Press, 2001. Call No: 761 NIC Author: Nichols, Bill Source: US Place: Bloomington IN Publisher: Indiana University Press PubDate: 2001 PhysDes: 223 p. ; ill. ; 23 cm Subject: DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHICS AND THE CINEMA; FEMINISM AND THE CINEMA; REALISM IN FILMS; SOCIAL PROBLEMS IN FILMS; VIDEO, FILMS ON; VOICE OVER; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT AND FOG (FR, Alain Resnais, 1995); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); THIN BLUE LINE, THE (US, Errol Morris, 1988) Summary: Introduction to Documentary provides an overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visiual evidence and persuasive strategies, this book spells out the distinguishing qualities of documentary. This book offers suggestive answers to basic issues that have stood at the centre of all debate on documentary from its very beginnings to today. It covers questions of ethics, form, modes, voice, history, and politics among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner. Notes: Includes Notes on source material pp.179-190; Filmography pp.191-201; List of Distributors pp.201-218; Index pp.219-223 ISBN: 0253214696 Contents: 1. Why are ethical issues central to documentary filmmaking -- 2. How do documentaries differ from other types of film -- 3. What gives documentary films a voice of their own? -- 4. What are documantaries about? -- 5. How did documentary filmmaking get started? -- 6. What types of documentary are there? -- 7. How have documentaries addressed social and political issues? -- 8. How can we write effectively about documentary? URL status: URL: 'http://-' Checked: 31/08/2021 1:09:15 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Kino-eye : the writings of Dziga Vertov / edited with an introduction by Annette Michelson ; translated by Kevin O'Brien Berkeley, Ca.: University of California Press, 1984. Call No: 81VER KIN Author: Vertov, Dziga, 1896-1954; Michelson, Annette Source: US Place: Berkeley, Ca. Publisher: University of California Press PubDate: 1984 PhysDes: lxi, 344 p. : ill. ; 23 cm Subject: ART CINEMA; CINEMATOGRAPHY; DOCUMENTARIES; DOCUMENTARY FILMS. USSR; EDITING; INDUSTRY, FILM. USSR; NEWSREELS; POLITICS AND THE CINEMA; REVOLUTION AND THE CINEMA; SOCIALISM AND THE CINEMA; WOMEN AND THE CINEMA; VERTOV, DZIGA; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); KINOGLAZ (UR, Dziga Vertov, 1924); KOLYBELNAYA (UR, Dziga Vertov, 1937); LULLABY (UR, Dziga Vertov, 1937); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURB Notes: Includes index; Filmography: p. [330]-334 ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper) LON: 82011189; 2248486 More info
book		Lowering the boom : critical studies in film sound / edited by Jay Beck and Tony Grajeda Urbana: University of Illinois Press, c2008. Call No: 634 LOW Author: Beck, Jay (ed); Grajeda, Tony (ed) Source: US Place: Urbana Publisher: University of Illinois Press PubDate: c2008 PhysDes: x, 342 p. 24cm Subject: SOUND; SOUND EDITING; SOUND EFFECTS Summary: "As the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis. The contributors consider the ways in which musical expression, scoring, voice-over narration, and ambivalent noise affect identity formation and subjectivity. Lowering the Boom also analyses how shifting modulation of the spoken word in cinema results in variations in audience interpretation. Introducing new methods of thinking about the interaction of sound and music in films, this volume also details avant-garde film sound, which is characterised by a distinct break from the narratively based sound practices of mainstream cinema. This interdisciplinary, global approach to the theory and history of film sound opens the eyes and ears of film scholars, practioners, and students to film's true audio-vosual nature. " -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references (p. [307]-326) and index ISBN: 9780252075322 Contents: Introduction. The future of film sound studies / Jay Beck and Tony Grajeda -- 1. The phenomenology of film sound : Robert Bresson's A man escaped / John Belton -- 2. The proxemics of the mediated voice / Arnt Maaso -- 3. Almost silent : the interplay of sound and silence in contemporary cinema and television / Paul Theberge -- 4. The sounds of "silence" : Dolby stereo, sound design, and The silence of the lambs / Jay Beck -- 5. Sonic imagination; or, film sound as a discursive construct in Czech culture of the transitional period / Petr Szczepanik -- 6. Sounds of the city : Alfred Newman's "street scene" and urban modernity / Matthew Malsky -- 7. Film and the Wagnerian aspiration : thoughts on sound design and the history of the senses / James Lastra -- 8. Asynchronous documentary : Bunuel's Land without bread / Barry Mauer -- 9. "We'll make a Paderewski of you yet!" : acoustic reflections in The 5,000 fingers of Dr. T / Nancy Newman -- 10. Paul Sharits's cinematics of sound / Melissa Ragona -- 11. "Every beautiful sound also creates an equally beautiful picture" : color music and Walt Disney's Fantasia / Clark Farmer -- 12. "A question of the ear" : listening to Touch of evil / Tony Grajeda -- 13. "Sound sacrifices" : the postmodern melodramas of World War II / Debra White-Stanley -- 14. Real fantasies : Connie Stevens, Silencio, and other sonic phenomena in Mulholland Drive / Robert Miklitsch -- 15. Selling spectacular sound : Dolby and the unheard history of technical trademarks / Paul Grainge -- 16. (S)lip-sync : punk rock narrative film and postmodern musical performance / David Laderman -- 17. Critical hearing and the lessons of Abbas Kiarostami's Close-up / David T. Johnson -- 18. Rethinking point of audition in The cell / Anahid Kassabian. More info
journal article		Making sounds in Encore (August 2012) p.23-5 Author: Pearson, Georgina PhysDes: Article Subject: SOUND; SOUND EDITING; SOUND MIXING; SOUND RECORDING Summary: Sound can completely change the feel and effect of a piece of content and plays a key part in creating atmosphere of what's on screen, whether it be for a film or television. In his article Pearson talks with sound designers and explores some of the processes involved in sound production. More info
newspaper article		Making the final cut in Canberra Times [Panorama] (24/02/2018) p.12 Call No: SUBJECT CLIPPINGS FILE; EDITING. AUSTRALIA Author: Maddox, Garry PhysDes: Clippings File_Article Subject: EDITING. AUSTRALIA; EDITORS. AUSTRALIA; AWARDS. ACADEMY; SMITH, LEE; MACHLISS, PAUL; GALLOIS, ROLAND Summary: Interview with several Australian editors as two Australians have been nominated in the Best Editing category in the 2018 Academy Awards More info
book		Material media-making in the digital age / Daniel Binns Fishponds, Bristol: Intellect, 2021. Call No: 401.5 BIN Author: Binns, Daniel Edition: 2021 Place: Fishponds, Bristol Publisher: Intellect PubDate: 2021 PhysDes: xviii, 176 pages : illustrated Subject: ANDERSON, PAUL THOMAS; CINEMATOGRAPHY; DELEUZE, GILLES; DRONE PHOTOGRAPHY; EDITING; MOBILE AND ONLINE MEDIA; SOCIAL MEDIA AND THE CINEMA Summary: There is now no shortage of media for us to consume, from streaming services and video-on-demand to social media and everything else besides. This has changed the way media scholars think about the production and reception of media. Missing from these conversations, though, is the maker: in particular, the maker who has the power to produce media in their pocket. How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one's disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound, and the stream, Binns looks out over the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history and technology, furnished with practical exercises for teachers, students, professionals and enthusiasts. A unique combination of theory and practice written in a highly personal and personable style that is engaging and refreshing. This book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. The primary readership will be among academics, researchers and students in the creative arts, and practitioners of creative arts including sound designers, cinematographers and social media content producers. Designed for classroom use, this will be of particular importance for undergraduate students of film production and may also be of interest to students at MA level, particularly on the growing number of courses that specifically offer a blend of theory and practice. The highly accessible writing style may also mean that it can be taken up for high school courses on film and production. It will also be of interest to academics delivering these courses, and to researchers and scholars of new media and digital cinema. -- publisher's web site ISBN: 9781789383492 Contents: List of figures -- Foreword: Cherish the Thought / Adrian Martin -- Acknowledgments -- Introduction: Maker, material -- Hollis, my smartphone, and me: Practical lessons from historic avant-garde cinema -- Time Part I: From clip to continuity -- Time Part II: From continuity to fluidity -- Sound: From added-value to cohesion -- Fragments: The remnants of media practice -- Messy cinema: Casey Neistat and the affordances of the vlog -- The GIF: Silent but digital -- A purely digital form?: Streams and atmospheres -- Dronopoetics: Telepresence and aerial cinematography -- Coda: Lessons from the cutting-room floor -- References -- Index More info
Levy Collection book		Moviemakers at work : interviews / David Chell Redmond, Wash: Microsoft Press, 1987. Call No: 802 CHE Author: Chell, David Source: US Place: Redmond, Wash Publisher: Microsoft Press PubDate: 1987 PhysDes: ix, 357 p. : ill. ; 24 cm Subject: CINEMATOGRAPHY; EDITING; SOUND; ART DIRECTION; MAKE-UP; SPECIAL EFFECTS; ANIMATION; COMPUTER GRAPHICS; COSTUME DESIGNING; FILM WORKERS; DAVIAU, ALLEN; MENGES, CHRIS; LITTLETON, CAROL; NOBLE, THOM; NEWMAN, CHRIS; VARNEY, BILL; ISHIOKA, EIKO; BRANDENSTEIN, PATRIZIA VON; ZEA, KRISTI; WESTMORE, MICHAEL; CRUIKSHANK, SALLY; PICKER, JIMMY; ABEL, ROBERT; DEMOS, GARY; ARBOGAST, ROY; MUREN, DENNIS; EVANS, CHRIS; FULMER, MIKE; ERLAND, JONATHAN Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft. ISBN: 1556150032 Donation: donated by the family of Wayne Levy, 2006 More info
book		The movies as medium / Selected, arrranged and introduced by Lewis Jacobs New York: Farrar, Straus, Giroux, 1970. Call No: 62 MOV Author: Jacobs, Lewis Place: New York Publisher: Farrar, Straus, Giroux PubDate: 1970 PhysDes: xiv,335 p. : ill. ; 21 cm Subject: AESTHETICS; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; NARRATIVE IN FILMS; COLOUR; SOUND Contents: I. Aims and attitudes. Directors speak / Lindsay Anderson ... [et al.]. II. The nature of film expression. The raw material / Lewis Jacobs. III. The plastic elements. The meaningful image / Lewis Jacobs The ambiguity of the photographic image / Arthur Goldsmith On image and word / Nicola Chiaromonte The subjective camera / Herbert A. Lightman Composition of the moving image / Gregg Toland Movement : real and cinematic / Lewis Jacobs Movement in movies / Ezra Goodman Thoughts on movement / Hilary Harris Modern uses of the moving camera / Stanley J. Solomon Change of camera viewpoint / Irving Pichel The expression of time and space / Lewis Jacobs The faces of time / Robert Gessner Tempo and tension / Maya Deren Time and space / John Howard Lawson Rhythm / Ivor Montagu (Cont'd) The mobility of color / Lewis Jacobs Color and color films / Carl Dreyer One path to color / Sergei Eisenstein Coming to terms with color / William Johnson Sound as speech, noise, music / Lewis Jacobs The acoustic world / Bela Belazs Treatment of sound in The city / Henwar Rodakiewicz Music in the movies / Kurt Weill. IV. The plastic structure. Dynamic composition / Alexander Bakshy The sense of form in cinema / Arthur Lennig The other direction / Jonas Mekas. URL status: URL: 'http://-' Checked: 31/08/2021 1:35:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
title clippings file		MURCH: WALTER MURCH ON EDITING : (US/UK, 2009) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: MURCH: WALTER MURCH ON EDITING (US/UK, 2009) More info
book		Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012. Call No: 634 MUS Author: Wierzbicki, James (ed.) Source: US/UK Place: New York : London Publisher: Routledge PubDate: 2012 PhysDes: xv, 210 p. : ill. ; 23 cm Series: Routledge music and screen media series Subject: DIRECTORS; FILM; FILM WORKERS; LYNCH, DAVID; MUSIC AND THE CINEMA; MUSIC IN FILMS; PRODUCERS; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING; ANDERSON, WES; BERGMAN, INGMAR; COEN, JOEL & ETHAN; GREENAWAY, PETER; KIESLOWSKI, KRZYSZTOF; KUBRICK, STANLEY; SELZNICK, DAVID O.; TARANTINO, QUENTIN; TARKOVSKY, ANDREI; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references and index ISBN: 9780415898942 Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index -- More info
journal article		My side of the picture in Metro (2000) iss.123 p.79-95 Author: Kemp, Peter; Brooks, Sue; Brennan, Richard; Gyngell, Kim; Hellier, Trudy; Sallows, Ken; Freeman, Nicolette; Armiger, Martin; Hunter, Tim; Raymond, Leigh PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s) Subject: PRODUCERS. AUSTRALIA; ACTORS. AUSTRALIA; EDITING. AUSTRALIA; CRITICISM; CINEMATOGRAPHY; MUSIC IN FILMS; ADVERTISING FOR FILMS; WOMEN TV WORKERS. AUSTRALIA; BROOKS, SUE; BRENNAN, RICHARD; GYNGELL, KIM; SALLOWS, KEN; FREEMAN, NICOLETTE; SOMETHING IN THE AIR [TV] (AT, 2000-); TRAPPED (AT, Trudy Hellier, 2000) Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field. More info
book		On film editing : an introduction to the art of film construction / Edward Dmytryck Boston: Focal Press, 1984. Call No: 802.41(241) DMY Author: Dmytryck, Edward Source: US Place: Boston Publisher: Focal Press PubDate: 1984 PhysDes: 148 p . ; 20 cm Subject: EDITING; EDITORS Summary: This book explains the principles of film editing in the film industry Notes: "Filmography of Edward Dmytryk": p. 147-148 ISBN: 0240517385 Donation: donated by the family of Wayne Levy, 2006 More info
book		On the history of film style / David Bordwell Cambridge, Mass.: Harvard University Press, 1997. Call No: 62 BOR Author: Bordwell, David Place: Cambridge, Mass. Publisher: Harvard University Press PubDate: 1997 PhysDes: x, 322 p. : ill. ; 25 cm Subject: THEORY; EDITING; CAHIERS DU CINEMA; LENSES; MODERNISM AND THE CINEMA; MONTAGE; REALISM IN FILMS; WIDE-SCREEN SYSTEMS; BAZIN, ANDRE; BURCH, NOEL; ASTRUC, ALEXANDRE; BARDECHE, MAURICE; BENJAMIN, WALTER; BRASILLACH, ROBERT; COMOLLI, JEAN-LOUIS; GUNNING, TOM; KULESOV, LEV; LEENHARDT, ROGER; LUMIERE, LOUIS; WYLER, WILLIAM; MELIES, GEORGES; TOLAND, GREGG; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes bibliographical references and index ISBN: 0674634284 (cloth : alk. paper); 0674634292 (pbk. : alk. paper) LON: 97004016; 13106257 Contents: 1. The Way Movies Look: The Significance of Stylistic History -- 2. Defending and Defining the Seventh Art: The Standard Version of Stylistic History -- 3. Against the Seventh Art: Andre Bazin and the Dialectical Program -- 4. The Return of Modernism: Noel Burch and the Oppositional Program -- 5. Prospects for Progress: Recent Research Programs -- 6. Exceptionally Exact Perceptions: On Staging in Depth More info
book		Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson Jackson, Mississippi: University Press of Mississippi, 2014. Call No: 81WEI PET Author: Tibbetts, John C; Thomson, David Source: US Place: Jackson, Mississippi Publisher: University Press of Mississippi PubDate: 2014 PhysDes: xlii, 261 pages ; 24 cm Series: Conversations with filmmakers series Subject: ADAPTATIONS; AUTEUR THEORY; DIRECTORS; EDITING; INTERVIEWING; REALITY TV; WAR IN FILMS; WEIR, PETER; BOYD, RUSSELL; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); DEAD POETS SOCIETY (US, Peter Weir, 1989); FEARLESS (US, Peter Weir, 1993); GALLIPOLI (AT, Peter Weir, 1981); GREEN CARD (AT/FR, Peter Weir, 1990); HOMESDALE (AT, Peter Weir, 1971); LAST WAVE, THE (AT, Peter Weir, 1977); MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003); MOSQUITO COAST, THE (US, Peter Weir, 1986); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PLUMBER, THE (AT, Peter Weir, 1980); TRUMAN SHOW, THE (US, Peter Weir, 1998); WAY BACK, THE (US, Peter Weir, 2010); WITNESS (US, Peter Weir, 1985); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: 'Peter Weir: Interviews' is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. [...] Interviews discuss Weir's diverse and impressive range of work - his earlier films 'Picnic at Hanging Rock', 'The Last Wave', 'Gallipoli', and 'The Year of Living Dangerously', as well as Academy Award-nominated 'Witness', 'Dead Poets Society', 'Green Card', 'The Truman Show', and 'Master and Commander'. This book confirms the trajectory of Weir's life and work parallels and embodies Australia's quest to define and express a historical and cultural identity." -- BOOK BLURB Notes: Includes chronology and filmography for Peter Weir's work; includes index ISBN: 9781617038976 Contents: Foreword by David Thomson -- Introduction: "unmet friends": encounters with Peter Weir -- Chronology -- Filmography -- Peter Weir: reclaiming a Sydney boyhood: John C. Tibbetts / 2012 -- Peter Weir: snapshots in time: John C. Tibbetts / 2012 -- Peter Weir: early days: Sue Mathews / 1985 -- Small screens and big screens: television and film: Graham Shirley / 1991 -- The first features: 'The Cars That Ate Paris: Tom Hogan / 1973 -- "Weir, weird, and weirder still": the riddle of Hanging Rock: David Castell / 1976 -- Years of living dangerously: 'The Last Wave', 'The Plumber', 'Gallipoli', 'The Year of Living Dangerously': Sue Mathews / 1985 -- Interview with Peter Weir: Luisa Ceretto and Andrea Morini / 1999 -- Peter Weir: master of unease: Terry Dowling and George Mannix / 1980 -- Towards the center: Tom Ryan and Brian McFarlane / 1981 -- The swizzle stick: Peter Weir and Hollywood genres: Jonathan Rayner / 1993 -- The iceman cometh: 'Mosquito Coast': Digby Diehl / 1986 -- 'Fearless': the poetry of apocalypse: John C. Tibbetts / 1993 -- Poetry man: 'Dead Poets Society': Nancy Griffin -- Weir's worlds: 'The Truman Show': Virginia Campbell -- This is your life: 'The Truman Show': Eric Rudolph / 1998 -- He's fought his own way back to work: Terence Rafferty / 2011 -- "I am your eyes": interviews with Russell Boyd, ACS, ASC: John C. Tibbetts / 2012 -- Appendix: Notes on 'Gallipoli -- Interview with executive producer Francis O'Brien -- Peter Weir's Anzac lecture -- additional sources -- index More info
book		Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll Madison: University of Wisconsin Press, 1996. Call No: 62 POS Author: Bordwell, David, 1947; Carroll, Noel (NoFl E.) Place: Madison Publisher: University of Wisconsin Press PubDate: 1996 PhysDes: 564 p. : 23 cm Series: Wisconsin studies in film Subject: THEORY; FILM STUDY AND RESEARCH; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; HORROR FILMS; TRUTH IN FILMS; MUSIC, FILM; NON-FICTION FILMS; REALISM IN FILMS; AVANT-GARDE FILMS; SPECTATORSHIP; JAPAN; DENMARK; EXHIBITION; CHARACTERIZATION IN FILMS; AUDIENCES; CONSTRUCTIVISM; EDITING; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; GENRES; LOVE IN FILMS; MELODRAMA; NARRATIVE IN FILMS; COLUMBIA PICTURES; WARNER BROS.; BRECHT, BERTOLT; GIBSON, JAMES J.; COHN, HARRY; JAMESON, FREDRIC; MANDEL, ERNEST; RENOV, MICHAEL; JAZZ SINGER, THE (US, Alan Crosland, 1927); CASABLANCA (US, Michael Curtiz, 1942); ACCUSED, THE (US, Jonathan Kaplan, 1988) Notes: Includes bibliographical references and index ISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper) LON: 95037052; 11859923 More info
book		Screen scores : studies in contemporary Australian film music / edited by Rebecca Coyle North Ryde, N.S.W.: Australian Film, Television & Radio School, 1998. Call No: 634.6(94) SCR Author: Coyle, Rebecca CorpAuthor: Australian Film, Television and Radio School Place: North Ryde, N.S.W. Publisher: Australian Film, Television & Radio School PubDate: 1998 PhysDes: 247 p. : ill., ports. ; 25 cm Subject: MUSIC IN FILMS; SOUNDTRACKS; SOUND; SOUND EDITING; BROPHY, PHILIP; WEIR, PETER; SERIOUS, YAHOO; ARMIGER, MARTIN; MAD MAX [...] (AT, 1979-85); ROMPER STOMPER (AT, Geoffrey Wright, 1991); PIANO, THE (AT, Jane Campion, 1993); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); SHINE (AT/UK, Scott Hicks, 1996) Summary: This volume provides a series of in-depth analyses of the ways in which contemporary Australian cinema has used music in its soundtracks. Individual chapters analyze films including "Shine", "The Piano", "Priscilla: Queen of the Desert", "Romper Stomper" and the "Mad Max" trilogy. Notes: Includes discography of Australian feature film sound tracks; Includes bibliographies and index; Signed by author ISBN: 1876351004 : $24.95 LON: abn97403192; 13568834 Contents: 1. Music and textual identity -- Creating a sonic character: non-diagetic sound in the Mad Max trilogy -- The violence of sound: Romper Stomper -- Emotional times: the music of The piano -- Avant-garde meets mainstream: the film scores of Philip Brophy -- 2. Musical associations -- Sound, cinema and Aboriginality -- Music and camp: popular music performance in Priscilla and Muriel's wedding -- Italo-Australian cinematic soundscapes -- Shine: musical narratives and narrative scores -- 3. Directors and film music -- Sound and author/auteurship: music in the films of Peter Weir -- Sonic semaphore: music in the films of Yahoo Serious -- Life in the bush: the orchestration of nature in Australian Animated feature films -- 4. Film industry -- Film music costs and copyright -- Screen composition in Australia: the work of Martin Armiger -- Music for film - a composer's view More info
book		Shooting and editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987. Call No: 23(-4) LEV Author: Levy, Wayne Edition: 1987 Place: Cibinong, Indonesia Publisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional PubDate: 1987 PhysDes: 40 leaves : illustrated ; 30 cm Subject: VIDEO PHOTOGRAPHY; EDITING More info
book		Sound : dialogue, music, and effects / edited by Kathryn Kalinak London: I.B. Tauris, 2015. Call No: 244 SOU Author: Kalinak, Kathryn (ed.) Source: US/UK Place: London Publisher: I.B. Tauris PubDate: 2015 PhysDes: 222 pages : illustrations ; 24 cm Series: Behind the silver screen ; 10 Subject: SOUND; SOUND EFFECTS; SOUND EDITING; SOUND RECORDING; SOUND TRACK; SOUNDTRACKS; MUSIC IN FILMS; MUSIC AND THE CINEMA; DIALOGUE; CINEMATOGRAPHY; HISTORY OF CINEMA; POST-PRODUCTION; PRODUCTION Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVER Notes: Includes bibliographical references (pages 203-206) and index ISBN: 9781784534059 Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index -- More info
journal article		Sound and Film in Lumiere (June, 1973) iss.24 p.9-11 Author: Shirley, Grammar PhysDes: Article Subject: MUSIC AND THE CINEMA; SOUND EDITING; AUSTRALIAN FILM AND TELEVISION SCHOOL; EDUCATION AND THE CINEMA Summary: Interview with Canadian composer and music educator R. Murray Schafer on his film BING, BANG, BONG and his recent talk at the Australian Film and Television School. More info
journal article		Subtle post keeps family saga in the main frame in Encore (Feb 2007) vol.25 iss.2 p.48, 45 Author: Prisk, Tracey PhysDes: Article Subject: ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007); SOUND EDITING Summary: An article about the use of sound in ROMULUS MY FATHER. Tracey Prisk talks with Rchard Roxburgh and Sam Petty, the sound designer. More info
book		The super 8 film maker's handbook / Myron A. Matzkin New York: Focal Press, 1976. Call No: 22(07) MAT Author: Matzkin, Myron A Source: US Place: New York Publisher: Focal Press PubDate: 1976 PhysDes: x, 298 p. : ill ; 23 cm Subject: FILMMAKING; CAMERAS; SOUND EQUIPMENT; LIGHTING; EDITING; PROJECTION; ANIMATION; CLOSE-UPS; SPECIAL EFFECTS Summary: This comprehensive guide both to the technical and to the creative sides of modern Super 8 mm cinematography gives special emphasis to the hardware in use. [Taken from inside front cover.] ISBN: 024050755X Donation: donated by the family of Wayne Levy, 2006 More info
book		The technique of documentary film production / by W. Hugh Baddeley ; with a preface by Paul Rotha London: Focal Press, 1975. Call No: 761 BAD Author: Baddeley, Hugh W. Edition: 4th rev. ed Place: London Publisher: Focal Press PubDate: 1975 PhysDes: 282 p. : ill. ; 23 cm Series: The library of communication techniques Subject: BUDGETING; CAMERAS; CINEMATOGRAPHY; DISTRIBUTION; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; INSURANCE, FILM; LIGHTING; LOCATION FINDING; LOCATION SHOOTING; MUSIC AND THE CINEMA; PRE-PRODUCTION; POST-PRODUCTION; PRODUCTION; PRODUCTION COSTS; SCRIPTWRITING; SOUNDTRACKS; SOUND EDITING; SOUND RECORDING Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production. Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKET Notes: First ed. published 1963; Includes index ISBN: 0240509158; 0240509293 (pbk.) LON: 8735625 8735625 URL status: URL: 'http://-' Checked: 31/08/2021 12:59:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		The technique of editing 16mm films / John Burder London: Focal Press, 1979. Call No: 24 BUR Author: Burder, John Edition: 4th ed Place: London Publisher: Focal Press PubDate: 1979 PhysDes: 152 p. : ill., plans ; 23 cm Series: The Library of communication techniques Subject: EDITING; 16 MM FILMS Notes: Previous ed.: 1971; Includes index ISBN: 0240510194 LON: 2609970 2609970 More info
book		The technique of film editing / written and comp. by Karel Reisz ; with the guidance of the following committee appointed by the British Film Academy: Thorold Dickinson [and others] ; introd. by Thorold Dickinson London: Focal Press, [1953]. Call No: 24 REI Author: Reisz, Karel; Dickinson, Thorold, 1903 CorpAuthor: British Film Academy Place: London Publisher: Focal Press PubDate: [1953] PhysDes: 1 v.: illus Subject: EDITING LON: 9130042 9130042 More info
book		The technique of motion picture production : a symposium of papers presented at the 51st semi-annual convention of the Society of Motion Picture Engineers, Hollywood, California / for the Society of Motion Picture Engineers New York: Interscience, 1944. Call No: 220 TEC CorpAuthor: Society of Motion Picture Engineers Source: US Place: New York Publisher: Interscience PubDate: 1944 PhysDes: viii, 150 p. : ill. ; 24 cm Subject: CONFERENCES. USA; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; PROJECTION; SOUND REPRODUCTION; TECHNOLOGY AND THE CINEMA; TECHNICOLOR Summary: Convention of the Society of Motion Picture Engineers Notes: Second printing : 1946 includes index Donation: donated by the family of Wayne Levy, 2006 More info
book		Ten lessons in film appreciation / by John Murray ; with illustrations by Alan Watt Melbourne: Georgian House, 1969, c1966. Call No: 62 MUR Author: Murray, John Edition: revised Source: AT Place: Melbourne Publisher: Georgian House PubDate: 1969, c1966 PhysDes: vi, 60 p. : ill. ; 21 cm Subject: EDITING; SOUND; PRODUCTION; CAMERA ANGLES Summary: A guide to developing a film appreciation course for secondary school students. Notes: Signed by the author Donation: donated by the family of Wayne Levy, 2006 More info
book		Understanding film texts / Patrick Phillips London: British Film Institute, 2000. Call No: 512.1 PHI Author: Phillips, Patrick Place: London Publisher: British Film Institute PubDate: 2000 PhysDes: xiii, 158 p. : ill. ; 24 cm Subject: AESTHETICS; METHODOLOGY OF FILM CRITICISM; AUDIENCE RECEPTION; COSTUMES; DIALOGUE; EDITING; EXHIBITION; NARRATIVE IN FILMS; PERCEPTION; REALISM IN FILMS; SPECTATORSHIP; VIRTUAL REALITY; DICAPRIO, LEONARDO; MUNSTERBERG, HUGO; AFTER LIFE (JA, Hirokazu Kore-eda, 1998); AMERICAN BEAUTY (US, Sam Mendes, 1999); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FESTEN (DK, Thomas Vinterberg, 1998); JACKIE BROWN (US, Quentin Tarantino, 1997); LOLA RENNT (G, Tom Tykwer, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PSYCHO (US, Alfred Hitchcock, 1960); SECRETS & LIES (FR/UK, Mike Leigh, 1996); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SLIDING DOORS (US, Peter Howitt, 1998); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ISBN: 085170798X; 0851707998(pbk.) LON: 21445642 More info
book		Understanding movies / Louis Giannetti Englewood Cliffs, N.J.: Prentice-Hall, 1987. Call No: 62 GIA Author: Giannetti, Louis D Edition: 4th ed Place: Englewood Cliffs, N.J. Publisher: Prentice-Hall PubDate: 1987 PhysDes: xiii, 482 p., [4] p. of plates : ill. (some col.) ; 23 cm Subject: EDITING; SOUND; ACTING; DIRECTION; PRODUCTION; THEORY; COCTEAU, JEAN; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD Notes: Includes bibliographies and index ISBN: 0139363297 (pbk.) LON: 86020518; 4791695 More info
book		The unkindest cuts : the scissors and the cinema / Doug McClelland South Brunswick: A. S. Barnes and Co., c1972. Call No: 304.43 MCC Author: McClelland, Doug Source: US Place: South Brunswick Publisher: A. S. Barnes and Co. PubDate: c1972 PhysDes: 220 p. : ill. ; 25 cm Subject: EDITING Notes: Includes index ISBN: 0498078256 Donation: donated by the family of Wayne Levy, 2006 More info
book		Vocal Tracks : performance and sound media / Jacob Smith Berkeley: University of California Press, c2008. Call No: 244 SMI Author: Smith, Jacob Source: US Place: Berkeley Publisher: University of California Press PubDate: c2008 PhysDes: viii, 294 p. : ill. ; 23 cm. Subject: VOICES; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING Summary: "This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and film. Writing in a clear and lively manner, Jacob Smith looks at these media and their industries through the lens of performance, bringing to light a fascinating nexus of performer, technology and audience. Combining film aesthetics, cultural histories of technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected niches to explore the development of a modern vocal performance. He analyzes an astoningshly diverse range of media texts - phonographic laughing records, broadcast laugh tracks, acting styles found in radio melodramas, singing styles heard on recordings of popular music, and secret recordings of prank phone calls - to illustrate how performance styles developed in response to technological mediation. " -- BOOK BLURB Notes: "An Ahmanson book in the humanities"--P. [4] of cover; Includes bibliographical references (p. 271-286) and index ISBN: 9780520254947 Contents: Pt. 1. Flooding Out -- 1. Recorded Laughter and the Performance of Authenticity -- 2. Erotic Performance on Record -- Pt. 2. A Finer Grain of the Voice -- 3. The Nearness of You; or, The Voice of Melodrama -- 4. Rough Mix -- Pt. 3. Bugging the Backstage -- 5. The Act of Being Yourself -- 6. Phony Performances. More info
book		Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990. Call No: 22(73) BRO Author: Brouwer, Alexandra; Wright, Thomas Lee Source: US Place: New York Publisher: Crown Publishers PubDate: c1990 PhysDes: xii, 546 pages ; 25 cm Subject: ADVERTISING FOR FILMS; ANIMALS IN FILMS; ART DIRECTION; CAMERAS; CASTING; CHOREOGRAPHY; CINEMATOGRAPHY; COMPOSERS; COSTUME DESIGNERS; DIRECTION; DISTRIBUTION; EDITING; EXHIBITION; FINANCING; LAW AND THE CINEMA; LOCATION HUNTING; LOCATION SHOOTING; MAKE-UP ARTISTS; MUSIC IN FILMS; POST-PRODUCTION; PRE-PRODUCTION; PRODUCERS; PRODUCING; PRODUCTION; PROJECTION; SCRIPTWRITING; SET DESIGNING; SOUND; SPECIAL EFFECTS; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket] Notes: Includes index ISBN: 0517574012; 9780517574010 Donation: Simon Wincer Contents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen -- More info
book		Writing, directing, and producing documentary films and videos / Alan Rosenthal Carbondale: Southern Illinois University Press, 1996. Call No: 761 ROS Author: Rosenthal, Alan, 1936 Edition: Rev. ed Source: US Place: Carbondale Publisher: Southern Illinois University Press PubDate: 1996 PhysDes: xii, 301 p. : ill. ; 24 cm Subject: COMMENTARY; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; PRE-PRODUCTION; PRODUCING; PRODUCTION; POST-PRODUCTION; SCRIPTWRITING; SOUND; VOICE OVER Summary: An internationally renowned documentary filmmaker with more than sixty films to his credit, including the Peabody Award-winning Out of the Ashes, Rosenthal has written the first book to address the realities involved in the making of a documentary. Rather than dealing with theory or hardware. Rosenthal tackles the day-to-day problems from initial concept through distribution. Simply and clearly, Rosenthal explains how to write, direct, and produce the new documentary, whether film or video. He emphasizes the research and writing of the documentary, from approach and structure through interviewing, narration writing, and the complexities of editing. This emphasis makes his book unique Notes: Rev. ed. of: Writing, directing, and producing documentary films. c1990; Includes bibliographical references (p. 291-292) and index ISBN: 0809320134 (alk. paper); 0809320142 (pbk. : alk. paper) LON: 95017159; 11606022 More info

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Some of our items are now available digitally. On the catalogue they are indicated with an ‘online resource’ label above the thumbnail.

Some items have direct links that you can use if you are eligible. Some items are only available to RMIT staff and students or may be otherwise limited.

Some items are not deliverable directly. Please request these items using the search results form (or contact us) and we will contact you to check eligibility and to arrange delivery. Please note that digital clippings files for films prior to 2020 may have different contents to their physical equivalents and you should check both versions if possible.

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