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The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi London: Bloomsbury Academic, 2017.
Call No: 761 WINAuthor: Winston, Brian ; Vanstone, Gail ; Chi, Wang Source: UKPlace: LondonPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: xii ; 271 pages : illustrations ; 23 cmSubject: DOCUMENTARY FILMS ; FILMMAKING ; AESTHETICS ; EDITING ; PRODUCTION ; CAMERAS Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USANotes: Includes bibliographical references and indexISBN: 9781501309175
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L'acte cinemtographique in Vertigo (1991) iss.6/7 p.59-64
Author: Alain Bergala Subject: DIRECTION ; EDITING ; THEORY Summary: Examines the enormous number of cinematic choices which must be decided on in filming even the most banal situation, from shooting through to the editing process. In French.
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Add sound to your movies : a practical guide for the amateur film maker / Mike Kent London: Macmillan, 1979.
Call No: 244.7(036) KENAuthor: Kent, Mike Source: UKPlace: LondonPublisher: MacmillanPubDate: 1979PhysDes: xv, 235 p. : ill ; 23 cmSubject: SOUND ; SOUND RECORDING ; SOUND TRACKS ; SOUND EDITING ; COMMENTARY Summary: Add Sound to Your Movies covers almost every aspect of the subject, from recording techniques and easy 'music-and-voice-over' to advanced track laying. [Taken from back cover.]ISBN: 0333271262Donation: donated by the family of Wayne Levy, 2006
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American cinemeditor : a publication of ... American Cinema Editors, Inc [Los Angeles]: The Editors, 1971-c1991.
Call No: held Vol. 36 No. 1-Vol.41 No.3 Summer/Fall 1986-Summer 1991 lacks Vol. 40 No.4; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: American Cinema EditorsSource: USPlace: [Los Angeles]Publisher: The EditorsPubDate: 1971-c1991PhysDes: 21 v. : ill. ; 31 cmSubject: EDITING Notes: Title from coverISSN: 0044-7625Frequency: QuarterlyLON: 20072294
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Apple final cut pro in If magazine (Dec 1999-Jan 2000) iss.20 p.80-81
Author: Blasina, Peter PhysDes: Review; Illustration(s)Subject: EDITING Summary: Review of the Final Cut Pro computer editing software.
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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The art of the sound effects editor / Marvin M. Kerner Boston ; London: Focal Press, 1989.
Call No: 242 KERAuthor: Kerner, Marvin M. Place: Boston ; LondonPublisher: Focal PressPubDate: 1989PhysDes: ix, 107 p. : ill. ; 24 cm.Subject: SOUND EFFECTS ; SOUND EDITING ; SOUND ; DIRTY HARRY (US, Don Siegel, 1971) Summary: Begins with the history and purpose of sound effects in film and television but is primarily a technical guide to the creation, use, and organisation of effects. A critical case study is provided in the form of the film Dirty Harry.Notes: Includes index.ISBN: 0240800087
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Audio-vision : sound on screen / Michel Chion ; edited and translated by Claudia Gorbman ; with a foreword by Walter Murch New York: Columbia University Press, 1994.
Call No: 634 CHIAuthor: Chion, Michel, 1947 ; Gorbman, Claudia ; Murch, Walter, 1943 Place: New YorkPublisher: Columbia University PressPubDate: 1994PhysDes: xxvii, 239 p. : ill. ; 22 cmSubject: SOUND ; SOUND EDITING ; SOUND RECORDING ; SOUNDTRACKS Summary: "In Audio-vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy on sound in cinema -- La voix au cinema, Le son au cinema, and La toile trouvee -- while providing an overview of the functions and aesthetics of sound in film and television. He considers the effects of evolving audiovisual technologies such as widescreen, multitrack sound, and Dolby stereo on audio-vision, influences of sound on the perception of space and time, and contemporary forms of audio-vision embodied in music videos, video art, and commercial television. His final chapter presents a model fo audiovisual analysis of film" -- Back coverNotes: Includes bibliographical references p. ([225]-227) and indexISBN: 0231078994 (pbk. : alk. paper); 0231078986 (alk. paper)LON: 93023982; 10140132
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Australian laboratory undergous major refit in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.24
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British film editors : the heart of the movie / Roy Perkins / Martin Stollery London: British Film Institute, 2004.
Call No: 635.41(41)
PERAuthor: Perkins, Roy ; Stollery, Martin Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2004PhysDes: 248 p. ; ill. ; 23 cmSubject: EDITING ; EDITORS. UK Summary: Based upon interviews with many distinguished editors who have worked on films as diverse as Blade Runner and Carry on Up the Khyber, Die Hard 2 and Blow-Up, American Beauty and Performance. British Film editors provides a historical overview of editing, together with extensive filmographies. (back cover)Notes: Appendix: Select Filmographies
Art, craft, class and education
Women in British editing
Bibliography
Select glossary
IndexISBN: 1844570088
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Casablanca - an editing package that schools can afford in Metro Education (2000) iss.12 p.49-50
Author: Benjamin, Phillip PhysDes: ArticleSubject: EDITING. AUSTRALIA Summary: Looks at the features of Casablanca, a non-linear video editing programme, and it's usefulness for schools.
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The cinema as a graphic art (on a theory of representation in the cinema) / With an appreciation by S. M. Eisenstein. Translated by Stephen Garry, with editorial advice from Ivor Montagu New York: Hill and Wang, 1959.
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The cinema as art / Ralph Stephenson & J. R. Debrix Harmondsworth: Penguin, 1969.
Call No: 63 STEAuthor: Stephenson, Ralph ; Debrix, J. R. CorpAuthor: PenguinEdition: Revised edition, reprintPlace: HarmondsworthPublisher: PenguinPubDate: 1969PhysDes: 270 p., [32] p. of plates ; 18 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; EDITING ; CINEMATOGRAPHY ; SOUND ; COSTUMES ; MAKE-UP ; COLORIZATION ; LIGHTING Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.]Notes: Illustrated. Includes index.Donation: Donated by La Trobe University Library
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Cinema in the digital age / Rombes, Nicholas New York: New York Columbia University Press, 2017.
Call No: 62 ROMAuthor: Rombes, Nicholas Edition: Revised editionPlace: London; New YorkPublisher: New York Columbia University PressPubDate: 2017PhysDes: 22 b& w illustrationsSubject: DIGITAL CINEMA ; NOSTALGIA ; FILMMAKING ; DISTRIBUTION ; DIGITAL DISTRIBUTION ; MEDIA AND THE CINEMA ; EDITING ; PHILOSOPHY AND THE CINEMA ; VIDEO FORMATS ; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014) ; THEORY ; SPECTATORSHIP ; BLUE VELVET (US, David Lynch, 1986) ; APPLE ; COMPUTER GENERATED IMAGERY ; POSTMODERNISM AND THE CINEMA ; FORMATS ; CINEMATOGRAPHY Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.Notes: Includes bibliographical references.ISBN: 9780231167550Donation: Senses of CinemaContents: Machine generated contents note: 1.Accelerationism
2.The Adorno Paradox
3.Against Method
4.Analog/ Digital Splice
5.Blood, Simple
6.Boredom and Analog Nostalgia
7.The Digital Spectacular
8.Disposable Aesthetics
9.DV Humanism
10.Filmless Films
11.Frame Dragging
12.The Ideology of the Long Take
13.Image/ Text
14.Incompleteness
15.Interfaces
16.iPod Experiment
17.Ironic Mode
18.Looking at Yourself Looking
19.The Lost Underground
20.Love in the Time of Fragments
21.Media as Its Own Theory
22.Mobile Viewing
23.Moving Space in the Frame, and a Note on Film Theory
24.Natural Time
25.Nonlinear
26.Paranormal Activity 2
27.Pausing
28.Punk
29.Realism
30.Real Time
31.The Real You
32.The Reality Industrial Complex
33.Remainders
34.Sampling
35.Secondary Becomes Primary
36.Self-Deconstructing Narratives
37.Shaky Camera
38.Shoot!
39.Simultaneous Cinema
40.Small Screens
Contents note continued: 41.Target Video
42.Time, Memory
43.Time-Shifting
44.Tmesis: Skimming and Skipping
45.Undirected Films
46.Viewer Participation
47.Virtual Humanism: Part 1
48.Virtual Humanism: Part 2
49.Visible Language, Spring 1977
50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project
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Cinematography : a guide for film makers and film teachers / Kris Malkiewicz ; line drawings by Jim Fletcher New York Sydney: Simon & Schuster, 1992, c1989.
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Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 761 SPEAuthor: Spence, Louise ; Navarro, Vinicius Source: US/UKPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: x, 281 p. : ill. ; 26 cmSubject: AESTHETICS ; AUTHORSHIP ; BIOGRAPHICAL FILMS ; CINEMATOGRAPHY ; COMMENTARY ; CONSTRUCTIVISM ; CONTINUITY ; CINEMA-DIRECT ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHNOGRAPHIC FILMS ; HISTORY AND THE CINEMA ; INTERVIEWING ; INTERVIEWS IN FILMS ; LIGHTING ; LOCATION SHOOTING ; MEMORY IN FILMS ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; NON-FICTION FILMS ; PALESTINE ; PHOTOGRAPHY AND THE CINEMA ; REALISM IN FILMS ; SOUND ; SOUND EQUIPMENT ; THEORY ; TRUTH IN FILMS ; VOICE OVER ; WORLD WAR II AND THE CINEMA ; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992) ; BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927) ; CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961) ; CHRONICLE OF A SUMMER (FR, Jean Rouch & Edgar Morin, 1961) ; GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974) ; FAR FROM POLAND (US, Jill Godmilow, 1984) ; HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; JOYCE AT 34 (US, Joyce Chopra, 1972) ; LESSONS OF DARKNESS (GG, Werner Herzog, 1992) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005) ; NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936) ; PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TIES THAT BIND, THE (US, Su Friedrich, 1984) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions?
Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURBISBN: 9780813549033Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority --
Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries --
Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --ID2: 90
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The critical practice of film : an introduction / by Elspeth Kydd Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011.
Call No: 62 KYDAuthor: Kydd, Elspeth Source: UK/USPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2011PhysDes: xix, 316 p. : ill. ; 26 cmSubject: NARRATIVE IN FILMS ; DOCUMENTARY FILMS ; EXPERIMENTAL FILMS ; CINEMATOGRAPHY ; SOUND ; EDITING ; MUSIC IN FILMS ; FILM ; COSTUMES ; COSTUME DESIGNING ; CRITICISM Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIANotes: Includes index; Includes bibliographical references and indexISBN: 9780230229754Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --
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Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997.
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Dede Allen in Lumiere (May-June 1971) iss.9 p.4-8
Author: Blasi, Ralph PhysDes: ArticleSubject: ALLEN, DEDE ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; AMERICA, AMERICA (US, Elia Kazan, 1963) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; EDITING ; EDITORS Summary: Article on film editor Dede Allen, who is currently working on ALICE'S RESTAURANT.
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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DIGITAL EDITING
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Digital filmmaking : the changing art and craft of making motion pictures / Thomas A. Ohanian, Michael E. Phillips ; cover art by Jeffrey Krebs Boston: Focal Press, c1996.
Call No: 220"313" OHAAuthor: Ohanian, Thomas A ; Phillips, Michael E Place: BostonPublisher: Focal PressPubDate: c1996PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cmSubject: DIGITAL TECHNOLOGY ; EDITING ; PRODUCTION ; POST-PRODUCTION ; LUCAS, GEORGE ; CAMERON, JAMES ; BAKER, RICK ; JONES, ED Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]Notes: Includes bibliographical references (p. 257) and indexISBN: 0240802195 (paper : alk. paper)LON: 12009091
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Directing the documentary / Michael Rabiger Boston: Focal Press, c1987.
Call No: 761 RABAuthor: Rabiger, Michael Place: BostonPublisher: Focal PressPubDate: c1987PhysDes: xii, 316 p. : ill. ; 26 cmSubject: DIRECTION ; PRODUCTION ; EDITING ; AESTHETICS ; DOCUMENTARY FILMS ; COMMENTARY ; INTERVIEWS IN FILMS ; RABIGER, MICHAEL Summary: "Directing the Documentary discusses the necessary technical basics you need to know before shooting, and describes with astonishing clarity the concepts and human processes behing the making of the film. From preproduction considerations, such as research or choosing a subject, to production and postproduction factors like shooting an interview or assembling the sound track, Directing the Documentary keeps the final goal always in sightL the creation of an effective documentary film.
Structured witha focus on specific stages of the process, this book allows flexible use through a series of project designed to teach necessary skills through action. Valuable summaries provide checkliests of immeasurable help for those involved in actual production work. The coverage is complete in the discussions of the documentary's history and development, of the issues of aesthetics and authorship, and of education and careers in documentary films." -- Taken from back cover.Notes: Includes index; Bibliography: p. [306]-309ISBN: 0240517946 (pbk.)LON: 4791160
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Dynamics of the film / [by] Joseph and Harry Feldman New York: Hermitage, 1952].
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EDITING Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: EDITING URL status: URL: 'http://file://Q:/S/EDITING.zip'
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Editing bibliography. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1997.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1997Subject: EDITING
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Editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987.
Call No: 241(-4) LEVAuthor: Levy, Wayne Edition: 1987Place: Cibinong, IndonesiaPublisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan NasionalPubDate: 1987PhysDes: 23 leaves : illustrated ; 23 cmSubject: VIDEO PHOTOGRAPHY ; EDITING Language: English
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journal article
Eisenstein and Pudovkin in Montage (1967) iss.1 p.17
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Feature - post production in Encore (Apr 2000) vol.18 iss.3 p.22-38
Author: Griffiths, Peter PhysDes: Article; Illustration(s)Subject: POST-PRODUCTION. AUSTRALIA ; HIGH DEFINITION TV ; SOUND ; EDITING. AUSTRALIA Summary: Griffiths surveys the post-production industry in Australia in 2000. Visual and sound post-production firms reported that 1999 was a slow year but production is increasing in 2000. High-definition television will introduce new challenges to the post-production industry. Screen editors are frustrated by their working conditions and the expectation that they coordinate all aspects of post-production.
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Film : real to reel / David Coynik Evanston: McDougal, Littel & Company, 1976.
Call No: 22 COYAuthor: Coynik, David Edition: Rev. edSource: USPlace: EvanstonPublisher: McDougal, Littel & CompanyPubDate: 1976PhysDes: 216 p. : ill. ; 28 cmSubject: FILMMAKING ; EDITING ; COLOUR ; SOUND ; GENRES ; DOCUMENTARY FILMS ; ANIMATION Summary: This book gives a background for some of the techniques which filmmakers use to communicate, and in the final chapter gives information on making a film.Notes: Includes indexISBN: 0883433044Donation: donated by the family of Wayne Levy, 2006
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Film : an introduction / John L. Fell New York: Praeger Publishers, 1975.
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Film and television production : problems, possibilities and techniques : proceedings of conference, Armidale - January 7-14, 1961 / Clarence Regional Office, Department of Adult Education, University of New England Armidale, NSW: University of New England, 1961.
Call No: 22 CLAAuthor: University of New England. Clarence Regional Office ; University of New England. Department of Adult Education Source: ATPlace: Armidale, NSWPublisher: University of New EnglandPubDate: 1961PhysDes: 128 p. ; 33cmSubject: 16 MM FILMS ; AUSTRALIAN BROADCASTING CORPORATION ; CAMERAS ; CINEMATOGRAPHY ; EDITING ; EDUCATION AND TV ; FILMMAKING ; PRODUCTION ; PRODUCTION, TV ; SCRIPTWRITING ; SOUND RECORDING Summary: A collection of proceedings from the University of England's first residential "Film and Television Producers' School" held for seven days in January 1961.Notes: Book is in extremely fragile condition; handle with careContents: Introduction -- Editorial -- List of lecturers and delegates -- Preface to notes -- "The future of television": Sir Richard Boyer -- Question and answer session -- "The place of the creative thinker in film and television": Mr. Maslyn Williams -- Films shown in discussion evenings -- "Form and construction": Mr Maslyn Williams -- "Creative editing": Mr. Stanley Hawes -- Masculine cut and feminine fade -- "The seeing eye": Mr. Geoffrey Collings -- Black & white versus colour -- "Notes for a talk on the photographic lenses": Dr. Neville Fletcher -- Some questions on editing -- "The sound track and film production": Mr. Don Kennedy -- "Notes on a lecture-demonstration on television production": Mr. Colin Dean -- The impossible isn't possible -- "Preparing a script": Mr. Shan Benson -- A simple appreciation of picture reproduction characteristics -- "The motion picture film in the school": Mr. Clive Linz -- 35 mm and 16 mm film -- "The use of television for educational purposes": Mr. Charles Bull -- Reference to lecture by Mr. King -- "Influence of Production on vision and sound recording in T.V.": Mr. Carl Wilhelm -- Construction and form in the arts
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Film art : an introduction / David Bordwell, Kristin Thompson New York: Knopf Distributed by Random House, 1986.
Call No: 62 BORAuthor: Bordwell, David, 1947 ; Thompson, Kristin, 1950 Edition: 2nd edPlace: New YorkPublisher: Knopf Distributed by Random HousePubDate: 1986PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cmSubject: PRODUCTION ; NARRATIVE IN FILMS ; CINEMATOGRAPHY ; EDITING ; SOUND ; CRITICISM ; HISTORY OF CINEMA ; MOVEMENTS IN FILM HISTORY ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes index; Bibliography: p. 387-389ISBN: 0394352378 (pbk.)LON: 85018198; 4389326URL status: URL: 'http://-'
Checked: 31/08/2021 12:39:16 PM
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Film Editors' Guild of Australia newsletter / Film Editors Guild of Australia East Melbourne: FEGA,
Call No: held Feb. 1963-autumn 1965 incompleteCorpAuthor: Film Editors' Guild of Australia; Newsletter (Film Editors' Guild of Australia)Source: ATPlace: East MelbournePublisher: FEGAPhysDes: v. : illSubject: EDITING. AUSTRALIA Notes: Continued by: Film AustraliaLON: abn97048124; 13026543
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Film, form & feeling / Dennis DeNitto New York: Harper & Row, c1985.
Call No: 62 DENAuthor: DeNitto, Dennis, Place: New YorkPublisher: Harper & RowPubDate: c1985PhysDes: xv, 544 p. : ill. ; 23 cmSubject: THEORY ; CRITICISM ; EDITING ; HISTORY OF CINEMA ; REALISM IN FILMS ; EXPRESSIONISM ; MONTAGE ; NEOREALISM ; NOUVELLE VAGUE ; COMEDIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; PROPAGANDA FILMS ; WESTERNS ; MUSICALS ; VARIETE (G, E.A. Dupont, 1925) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959) ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; STAGECOACH (US, John Ford, 1939) ; SHANE (US, George Stevens, 1953) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; TOP HAT (US, Mark Sandrich, 1935) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) Notes: Includes indexes; Bibliography: p. 493-503ISBN: 0060416297 (pbk.)Order Received: 2000Order Type: DonationLON: 3664711
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journal article
Film Styles in Lumiere (September-October 1971) iss.11 p.26-29
PhysDes: ArticleSubject: BERESFORD, BRUCE ; NOUVELLE VAGUE ; HOLLYWOOD ; EDITING Summary: Second part of Bruce Beresford's articles on the development of film theories and techniques, and the influences they still have today. Here Beresford discusses Technical Developments and Style, the use of Portable Gear, Sound Mixing, Horiontal Editing Tables, Recording, the Prying Camera, Film Themes, and Penetrating Commentaries.
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Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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Film world : a guide to cinema / by Ivor Montagu Harmondsworth, England: Penguin Books, 1964.
Call No: 62 MONAuthor: Montagu, Ivor Goldsmid Samuel, 1904 Source: USPlace: Harmondsworth, EnglandPublisher: Penguin BooksPubDate: 1964PhysDes: 327 pages : illustrations ; 18 cmSubject: AESTHETICS ; ART CINEMA ; BUDGETING ; CINEMATOGRAPHY ; EDITING ; INDUSTRY, FILM ; REALISM IN FILMS ; PRODUCTION COSTS ; SCIENCE AND THE CINEMA ; SOUND ; SPECIAL EFFECTS ; EISENSTEIN, SERGEI M. Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb]Notes: Contains indexLON: nla07041764; 6387892URL status: URL: 'http://-'
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Filmmaking : narrative & structural techniques / Bob Foss Los Angeles Hollywood, CA: Silman-James Press Distributed by Samuel French Trade, 1992.
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First cut : conversations with film editors / Gabriella Oldham Berkeley: University of California Press, c1992.
Call No: 802.41 OLDAuthor: Oldham, Gabriella Place: BerkeleyPublisher: University of California PressPubDate: c1992PhysDes: ix, 417 p. ; 24 cmSubject: EDITING ; EDITORS ; COATES, ANNE ; LITTLETON, CAROL ; ROLF, TOM ; HIRSCH, PAUL ; LEVIN, SID ; MARKS, RICHARD ; HEIM, ALAN ; KAHN, SHELDON ; PAINE, EMILY ; HANEKE, TOM ; KRESS, HAROLD F. ; KRESS, CARL ; BARTZ, GEOF ; BARNES, PAUL ; PANKOW, BILL ; CAMBERN, DONN ; LOTTMAN, EVAN ; FRANK, PETER C. ; DUNNING, JOHN ; WINTERBURN, TED ; WORTH, MERLE ; MALKIN, BARRY ; FEHR, RUDI Notes: Includes bibliographical references (p. 403-404) and indexISBN: 0520075889 (pb.); 0520075862 (alk. paper)LON: 8667391
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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The Hollywood eye : what makes movies work / Jon Boorstin New York: Cornelia & Michael Bessie Books, 1990.
Call No: 63 BOOAuthor: Boorstin, Jon Edition: 1st ed.Place: New YorkPublisher: Cornelia & Michael Bessie BooksPubDate: 1990PhysDes: x, 224 p. : ill. ; 25 cm.Subject: AESTHETICS ; EDITING ; SOUND ; LIGHTING Summary: An examination of Hollywood film production and direction with reference to how films are experienced by the viewer, and drawing on the author's own experiences in the industry.Notes: Includes index.ISBN: 0060391138
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Hollywood speaks! : an oral history / Mike Steen New York: G.P. Putnam's Sons, 1974.
Call No: 71(73) STEAuthor: Steen, Mike Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: 1974PhysDes: 379 p. ; 21 cmSubject: FILM WORKERS ; ACTORS ; ACTING ; CHARACTER ACTORS ; SCRIPTWRITERS ; SCRIPTWRITING ; DIRECTION ; PRODUCERS ; PRODUCING ; PRODUCTION MANAGERS ; PRODUCTION MANAGING ; ASSISTANT DIRECTORS ; CINEMATOGRAPHERS ; CINEMATOGRAPHY ; ART DIRECTION ; ART DIRECTORS ; SET DESIGNING ; SET DESIGNERS ; COSTUME DESIGNERS ; COSTUME DESIGNING ; MAKE-UP ARTISTS ; MAKE-UP ; SPECIAL EFFECTS DESIGNERS ; SPECIAL EFFECTS ; MUSICALS ; CHOREOGRAPHY ; EDITING ; EDITORS ; SOUND ; MUSIC IN FILMS ; PRE-PRODUCTION ; CASTING ; PRODUCTION, TV ; FONDA, HENRY ; RUSSELL, ROSALIND ; MOOREHEAD, AGNES ; CANNON, DAVID ; STERN, STEWART ; WELLMAN, WILLIAM ; BERMAN, PANDRO S. ; PRATT, JAMES ; MOONJEAN, HANK ; HENDERSON, RANDELL ; HOWE, JAMES WONG ; AMES, PRESTON ; KRAMS, ARTHUR ; HEAD, EDITH ; WESTMORE, PERC ; MANLEY, NELLIE ; GILLESPIE, A. ARNOLD ; BERKELEY, BUSBY ; SMITH, FREDERICK Y. ; FREERICKS, BERNARD ; GREEN, JOHN ; LAWRENCE, CATALINA ; BURCH, RUTH ; ROACH, HAL ; MCCLEERY, ALBERT Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)ISBN: 39911162XDonation: donated by the family of Wayne Levy, 2006
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In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992.
Call No: 24 MURAuthor: Murch, Walter CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Australian Film, Television & Radio SchoolPubDate: c1992PhysDes: viii, 108 p. : 6 col. ports. ; 21 cmSubject: AUDIENCES ; CONTINUITY ; EDITING ; EMOTION IN FILMS ; FILM WORKERS ; POST-PRODUCTION ; TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA ; COPPOLA, FRANCIS FORD ; MURCH, WALTER ; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]Notes: Includes bibliographical references and indexISBN: 0642180377 : price unknownLON: 9030756 9030756
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journal article
Industry neglects assistant role in Encore (25 Feb, 1998) vol.16 iss.1 p.31
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Introduction to documentary / Bill Nichols Bloomington IN: Indiana University Press, 2001.
Call No: 761 NICAuthor: Nichols, Bill Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 2001PhysDes: 223 p. ; ill. ; 23 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHICS AND THE CINEMA ; FEMINISM AND THE CINEMA ; REALISM IN FILMS ; SOCIAL PROBLEMS IN FILMS ; VIDEO, FILMS ON ; VOICE OVER ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) Summary: Introduction to Documentary provides an overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visiual evidence and persuasive strategies, this book spells out the distinguishing qualities of documentary. This book offers suggestive answers to basic issues that have stood at the centre of all debate on documentary from its very beginnings to today. It covers questions of ethics, form, modes, voice, history, and politics among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner.Notes: Includes Notes on source material pp.179-190; Filmography pp.191-201; List of Distributors pp.201-218; Index pp.219-223ISBN: 0253214696Contents: 1. Why are ethical issues central to documentary filmmaking -- 2. How do documentaries differ from other types of film -- 3. What gives documentary films a voice of their own? -- 4. What are documantaries about? -- 5. How did documentary filmmaking get started? -- 6. What types of documentary are there? -- 7. How have documentaries addressed social and political issues? -- 8. How can we write effectively about documentary?URL status: URL: 'http://-'
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Kino-eye : the writings of Dziga Vertov / edited with an introduction by Annette Michelson ; translated by Kevin O'Brien Berkeley, Ca.: University of California Press, 1984.
Call No: 81VER KINAuthor: Vertov, Dziga, 1896-1954 ; Michelson, Annette Source: USPlace: Berkeley, Ca.Publisher: University of California PressPubDate: 1984PhysDes: lxi, 344 p. : ill. ; 23 cmSubject: ART CINEMA ; CINEMATOGRAPHY ; DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; EDITING ; INDUSTRY, FILM. USSR ; NEWSREELS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA ; SOCIALISM AND THE CINEMA ; WOMEN AND THE CINEMA ; VERTOV, DZIGA ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; KINOGLAZ (UR, Dziga Vertov, 1924) ; KOLYBELNAYA (UR, Dziga Vertov, 1937) ; LULLABY (UR, Dziga Vertov, 1937) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURBNotes: Includes index; Filmography: p. [330]-334ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)LON: 82011189; 2248486
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Lowering the boom : critical studies in film sound / edited by Jay Beck and Tony Grajeda Urbana: University of Illinois Press, c2008.
Call No: 634 LOWAuthor: Beck, Jay (ed) ; Grajeda, Tony (ed) Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: c2008PhysDes: x, 342 p. 24cmSubject: SOUND ; SOUND EDITING ; SOUND EFFECTS Summary: "As the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis. The contributors consider the ways in which musical expression, scoring, voice-over narration, and ambivalent noise affect identity formation and subjectivity. Lowering the Boom also analyses how shifting modulation of the spoken word in cinema results in variations in audience interpretation. Introducing new methods of thinking about the interaction of sound and music in films, this volume also details avant-garde film sound, which is characterised by a distinct break from the narratively based sound practices of mainstream cinema. This interdisciplinary, global approach to the theory and history of film sound opens the eyes and ears of film scholars, practioners, and students to film's true audio-vosual nature. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [307]-326) and indexISBN: 9780252075322Contents: Introduction. The future of film sound studies / Jay Beck and Tony Grajeda -- 1. The phenomenology of film sound : Robert Bresson's A man escaped / John Belton -- 2. The proxemics of the mediated voice / Arnt Maaso -- 3. Almost silent : the interplay of sound and silence in contemporary cinema and television / Paul Theberge -- 4. The sounds of "silence" : Dolby stereo, sound design, and The silence of the lambs / Jay Beck -- 5. Sonic imagination; or, film sound as a discursive construct in Czech culture of the transitional period / Petr Szczepanik -- 6. Sounds of the city : Alfred Newman's "street scene" and urban modernity / Matthew Malsky -- 7. Film and the Wagnerian aspiration : thoughts on sound design and the history of the senses / James Lastra -- 8. Asynchronous documentary : Bunuel's Land without bread / Barry Mauer -- 9. "We'll make a Paderewski of you yet!" : acoustic reflections in The 5,000 fingers of Dr. T / Nancy Newman -- 10. Paul Sharits's cinematics of sound / Melissa Ragona -- 11. "Every beautiful sound also creates an equally beautiful picture" : color music and Walt Disney's Fantasia / Clark Farmer -- 12. "A question of the ear" : listening to Touch of evil / Tony Grajeda -- 13. "Sound sacrifices" : the postmodern melodramas of World War II / Debra White-Stanley -- 14. Real fantasies : Connie Stevens, Silencio, and other sonic phenomena in Mulholland Drive / Robert Miklitsch -- 15. Selling spectacular sound : Dolby and the unheard history of technical trademarks / Paul Grainge -- 16. (S)lip-sync : punk rock narrative film and postmodern musical performance / David Laderman -- 17. Critical hearing and the lessons of Abbas Kiarostami's Close-up / David T. Johnson -- 18. Rethinking point of audition in The cell / Anahid Kassabian.
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journal article
Making sounds in Encore (August 2012) p.23-5
Author: Pearson, Georgina PhysDes: ArticleSubject: SOUND ; SOUND EDITING ; SOUND MIXING ; SOUND RECORDING Summary: Sound can completely change the feel and effect of a piece of content and plays a key part in creating atmosphere of what's on screen, whether it be for a film or television. In his article Pearson talks with sound designers and explores some of the processes involved in sound production.
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newspaper article
Making the final cut in Canberra Times [Panorama] (24/02/2018) p.12
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Levy Collection
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Moviemakers at work : interviews / David Chell Redmond, Wash: Microsoft Press, 1987.
Call No: 802 CHEAuthor: Chell, David Source: USPlace: Redmond, WashPublisher: Microsoft PressPubDate: 1987PhysDes: ix, 357 p. : ill. ; 24 cmSubject: CINEMATOGRAPHY ; EDITING ; SOUND ; ART DIRECTION ; MAKE-UP ; SPECIAL EFFECTS ; ANIMATION ; COMPUTER GRAPHICS ; COSTUME DESIGNING ; FILM WORKERS ; DAVIAU, ALLEN ; MENGES, CHRIS ; LITTLETON, CAROL ; NOBLE, THOM ; NEWMAN, CHRIS ; VARNEY, BILL ; ISHIOKA, EIKO ; BRANDENSTEIN, PATRIZIA VON ; ZEA, KRISTI ; WESTMORE, MICHAEL ; CRUIKSHANK, SALLY ; PICKER, JIMMY ; ABEL, ROBERT ; DEMOS, GARY ; ARBOGAST, ROY ; MUREN, DENNIS ; EVANS, CHRIS ; FULMER, MIKE ; ERLAND, JONATHAN Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.ISBN: 1556150032Donation: donated by the family of Wayne Levy, 2006
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The movies as medium / Selected, arrranged and introduced by Lewis Jacobs New York: Farrar, Straus, Giroux, 1970.
Call No: 62 MOVAuthor: Jacobs, Lewis Place: New YorkPublisher: Farrar, Straus, GirouxPubDate: 1970PhysDes: xiv,335 p. : ill. ; 21 cmSubject: AESTHETICS ; CINEMATOGRAPHY ; EDITING ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; COLOUR ; SOUND Contents: I. Aims and attitudes. Directors speak / Lindsay Anderson ... [et al.].
II. The nature of film expression.
The raw material / Lewis Jacobs.
III. The plastic elements.
The meaningful image / Lewis Jacobs
The ambiguity of the photographic image / Arthur Goldsmith
On image and word / Nicola Chiaromonte
The subjective camera / Herbert A. Lightman
Composition of the moving image / Gregg Toland
Movement : real and cinematic / Lewis Jacobs
Movement in movies / Ezra Goodman
Thoughts on movement / Hilary Harris
Modern uses of the moving camera / Stanley J. Solomon
Change of camera viewpoint / Irving Pichel
The expression of time and space / Lewis Jacobs
The faces of time / Robert Gessner
Tempo and tension / Maya Deren
Time and space / John Howard Lawson
Rhythm / Ivor Montagu
(Cont'd) The mobility of color / Lewis Jacobs
Color and color films / Carl Dreyer
One path to color / Sergei Eisenstein
Coming to terms with color / William Johnson
Sound as speech, noise, music / Lewis Jacobs
The acoustic world / Bela Belazs
Treatment of sound in The city / Henwar Rodakiewicz
Music in the movies / Kurt Weill.
IV. The plastic structure. Dynamic composition / Alexander Bakshy
The sense of form in cinema / Arthur Lennig
The other direction / Jonas Mekas.URL status: URL: 'http://-'
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MURCH: WALTER MURCH ON EDITING : (US/UK, 2009)
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Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012.
Call No: 634 MUSAuthor: Wierzbicki, James (ed.) Source: US/UKPlace: New York : LondonPublisher: RoutledgePubDate: 2012PhysDes: xv, 210 p. : ill. ; 23 cmSeries: Routledge music and screen media seriesSubject: DIRECTORS ; FILM ; FILM WORKERS ; LYNCH, DAVID ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; PRODUCERS ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING ; ANDERSON, WES ; BERGMAN, INGMAR ; COEN, JOEL & ETHAN ; GREENAWAY, PETER ; KIESLOWSKI, KRZYSZTOF ; KUBRICK, STANLEY ; SELZNICK, DAVID O. ; TARANTINO, QUENTIN ; TARKOVSKY, ANDREI ; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780415898942Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --
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journal article
My side of the picture in Metro (2000) iss.123 p.79-95
Author: Kemp, Peter ; Brooks, Sue ; Brennan, Richard ; Gyngell, Kim ; Hellier, Trudy ; Sallows, Ken ; Freeman, Nicolette ; Armiger, Martin ; Hunter, Tim ; Raymond, Leigh PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; ACTORS. AUSTRALIA ; EDITING. AUSTRALIA ; CRITICISM ; CINEMATOGRAPHY ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; WOMEN TV WORKERS. AUSTRALIA ; BROOKS, SUE ; BRENNAN, RICHARD ; GYNGELL, KIM ; SALLOWS, KEN ; Freeman, Nicolette ; SOMETHING IN THE AIR [TV] (AT, 2000-) ; TRAPPED (AT, Trudy Hellier, 2000) Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field.
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On film editing : an introduction to the art of film construction / Edward Dmytryck Boston: Focal Press, 1984.
Call No: 802.41(241) DMYAuthor: Dmytryck, Edward Source: USPlace: BostonPublisher: Focal PressPubDate: 1984PhysDes: 148 p . ; 20 cmSubject: EDITING ; EDITORS Summary: This book explains the principles of film editing in the film industryNotes: "Filmography of Edward Dmytryk": p. 147-148ISBN: 0240517385Donation: donated by the family of Wayne Levy, 2006
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On the history of film style / David Bordwell Cambridge, Mass.: Harvard University Press, 1997.
Call No: 62 BORAuthor: Bordwell, David Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1997PhysDes: x, 322 p. : ill. ; 25 cmSubject: THEORY ; EDITING ; CAHIERS DU CINEMA ; HOLLYWOOD ; LENSES ; MODERNISM AND THE CINEMA ; MONTAGE ; REALISM IN FILMS ; WIDE-SCREEN SYSTEMS ; BAZIN, ANDRE ; BURCH, NOEL ; ASTRUC, ALEXANDRE ; BARDECHE, MAURICE ; BENJAMIN, WALTER ; BRASILLACH, ROBERT ; COMOLLI, JEAN-LOUIS ; GUNNING, TOM ; KULESOV, LEV ; LEENHARDT, ROGER ; LUMIERE, LOUIS ; WYLER, WILLIAM ; MELIES, GEORGES ; TOLAND, GREGG ; WELLES, ORSON ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes bibliographical references and indexISBN: 0674634284 (cloth : alk. paper); 0674634292 (pbk. : alk. paper)LON: 97004016; 13106257Contents: 1. The Way Movies Look: The Significance of Stylistic History -- 2. Defending and Defining the Seventh Art: The Standard Version of Stylistic History -- 3. Against the Seventh Art: Andre Bazin and the Dialectical Program -- 4. The Return of Modernism: Noel Burch and the Oppositional Program -- 5. Prospects for Progress: Recent Research Programs -- 6. Exceptionally Exact Perceptions: On Staging in Depth
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Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson Jackson, Mississippi: University Press of Mississippi, 2014.
Call No: 81WEI PETAuthor: Tibbetts, John C ; Thomson, David Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: 2014PhysDes: xlii, 261 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: ADAPTATIONS ; AUTEUR THEORY ; DIRECTORS ; EDITING ; INTERVIEWING ; REALITY TV ; WAR IN FILMS ; WEIR, PETER ; BOYD, RUSSELL ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; FEARLESS (US, Peter Weir, 1993) ; GALLIPOLI (AT, Peter Weir, 1981) ; GREEN CARD (AT/FR, Peter Weir, 1990) ; HOMESDALE (AT, Peter Weir, 1971) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLUMBER, THE (AT, Peter Weir, 1980) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; WAY BACK, THE (US, Peter Weir, 2010) ; WITNESS (US, Peter Weir, 1985) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: 'Peter Weir: Interviews' is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. [...] Interviews discuss Weir's diverse and impressive range of work - his earlier films 'Picnic at Hanging Rock', 'The Last Wave', 'Gallipoli', and 'The Year of Living Dangerously', as well as Academy Award-nominated 'Witness', 'Dead Poets Society', 'Green Card', 'The Truman Show', and 'Master and Commander'. This book confirms the trajectory of Weir's life and work parallels and embodies Australia's quest to define and express a historical and cultural identity." -- BOOK BLURBNotes: Includes chronology and filmography for Peter Weir's work; includes indexISBN: 9781617038976Contents: Foreword by David Thomson -- Introduction: "unmet friends": encounters with Peter Weir -- Chronology -- Filmography -- Peter Weir: reclaiming a Sydney boyhood: John C. Tibbetts / 2012 -- Peter Weir: snapshots in time: John C. Tibbetts / 2012 -- Peter Weir: early days: Sue Mathews / 1985 -- Small screens and big screens: television and film: Graham Shirley / 1991 -- The first features: 'The Cars That Ate Paris: Tom Hogan / 1973 -- "Weir, weird, and weirder still": the riddle of Hanging Rock: David Castell / 1976 -- Years of living dangerously: 'The Last Wave', 'The Plumber', 'Gallipoli', 'The Year of Living Dangerously': Sue Mathews / 1985 -- Interview with Peter Weir: Luisa Ceretto and Andrea Morini / 1999 -- Peter Weir: master of unease: Terry Dowling and George Mannix / 1980 -- Towards the center: Tom Ryan and Brian McFarlane / 1981 -- The swizzle stick: Peter Weir and Hollywood genres: Jonathan Rayner / 1993 -- The iceman cometh: 'Mosquito Coast': Digby Diehl / 1986 -- 'Fearless': the poetry of apocalypse: John C. Tibbetts / 1993 -- Poetry man: 'Dead Poets Society': Nancy Griffin -- Weir's worlds: 'The Truman Show': Virginia Campbell -- This is your life: 'The Truman Show': Eric Rudolph / 1998 -- He's fought his own way back to work: Terence Rafferty / 2011 -- "I am your eyes": interviews with Russell Boyd, ACS, ASC: John C. Tibbetts / 2012 -- Appendix: Notes on 'Gallipoli -- Interview with executive producer Francis O'Brien -- Peter Weir's Anzac lecture -- additional sources -- index
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Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll Madison: University of Wisconsin Press, 1996.
Call No: 62 POSAuthor: Bordwell, David, 1947 ; Carroll, Noel (NoFl E.) Place: MadisonPublisher: University of Wisconsin PressPubDate: 1996PhysDes: 564 p. : 23 cmSeries: Wisconsin studies in filmSubject: THEORY ; FILM STUDY AND RESEARCH ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HORROR FILMS ; TRUTH IN FILMS ; MUSIC, FILM ; NON-FICTION FILMS ; REALISM IN FILMS ; AVANT-GARDE FILMS ; SPECTATORSHIP ; JAPAN ; DENMARK ; EXHIBITION ; CHARACTERIZATION IN FILMS ; AUDIENCES ; CONSTRUCTIVISM ; EDITING ; PERCEPTION ; PSYCHOLOGICAL EFFECTS OF FILMS ; GENRES ; LOVE IN FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; COLUMBIA PICTURES ; WARNER BROS. ; BRECHT, BERTOLT ; GIBSON, JAMES J. ; COHN, HARRY ; JAMESON, FREDRIC ; MANDEL, ERNEST ; RENOV, MICHAEL ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; CASABLANCA (US, Michael Curtiz, 1942) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) Notes: Includes bibliographical references and indexISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)LON: 95037052; 11859923
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Screen scores : studies in contemporary Australian film music / edited by Rebecca Coyle North Ryde, N.S.W.: Australian Film, Television & Radio School, 1998.
Call No: 634.6(94) SCRAuthor: Coyle, Rebecca CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1998PhysDes: 247 p. : ill., ports. ; 25 cmSubject: MUSIC IN FILMS ; SOUNDTRACKS ; SOUND ; SOUND EDITING ; BROPHY, PHILIP ; WEIR, PETER ; SERIOUS, YAHOO ; ARMIGER, MARTIN ; MAD MAX [...] (AT, 1979-85) ; ROMPER STOMPER (AT, Geoffrey Wright, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; SHINE (AT/UK, Scott Hicks, 1996) Summary: This volume provides a series of in-depth analyses of the ways in which contemporary Australian cinema has used music in its soundtracks. Individual chapters analyze films including "Shine", "The Piano", "Priscilla: Queen of the Desert", "Romper Stomper" and the "Mad Max" trilogy.Notes: Includes discography of Australian feature film sound tracks; Includes bibliographies and index; Signed by authorISBN: 1876351004 : $24.95LON: abn97403192; 13568834Contents: 1. Music and textual identity -- Creating a sonic character: non-diagetic sound in the Mad Max trilogy -- The violence of sound: Romper Stomper -- Emotional times: the music of The piano -- Avant-garde meets mainstream: the film scores of Philip Brophy -- 2. Musical associations -- Sound, cinema and Aboriginality -- Music and camp: popular music performance in Priscilla and Muriel's wedding -- Italo-Australian cinematic soundscapes -- Shine: musical narratives and narrative scores -- 3. Directors and film music -- Sound and author/auteurship: music in the films of Peter Weir -- Sonic semaphore: music in the films of Yahoo Serious -- Life in the bush: the orchestration of nature in Australian Animated feature films -- 4. Film industry -- Film music costs and copyright -- Screen composition in Australia: the work of Martin Armiger -- Music for film - a composer's view
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Shooting and editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987.
Call No: 23(-4) LEVAuthor: Levy, Wayne Edition: 1987Place: Cibinong, IndonesiaPublisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan NasionalPubDate: 1987PhysDes: 40 leaves : illustrated ; 30 cmSubject: VIDEO PHOTOGRAPHY ; EDITING
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Sound : dialogue, music, and effects / edited by Kathryn Kalinak London: I.B. Tauris, 2015.
Call No: 244 SOUAuthor: Kalinak, Kathryn (ed.) Source: US/UKPlace: LondonPublisher: I.B. TaurisPubDate: 2015PhysDes: 222 pages : illustrations ; 24 cmSeries: Behind the silver screen ; 10Subject: SOUND ; SOUND EFFECTS ; SOUND EDITING ; SOUND RECORDING ; SOUND TRACK ; SOUNDTRACKS ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; DIALOGUE ; CINEMATOGRAPHY ; HISTORY OF CINEMA ; POST-PRODUCTION ; PRODUCTION Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVERNotes: Includes bibliographical references (pages 203-206) and indexISBN: 9781784534059Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --
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journal article
Sound and Film in Lumiere (June, 1973) iss.24 p.9-11
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journal article
Subtle post keeps family saga in the main frame in Encore (Feb 2007) vol.25 iss.2 p.48, 45
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The super 8 film maker's handbook / Myron A. Matzkin New York: Focal Press, 1976.
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The technique of documentary film production / by W. Hugh Baddeley ; with a preface by Paul Rotha London: Focal Press, 1975.
Call No: 761 BADAuthor: Baddeley, Hugh W. Edition: 4th rev. edPlace: LondonPublisher: Focal PressPubDate: 1975PhysDes: 282 p. : ill. ; 23 cmSeries: The library of communication techniquesSubject: BUDGETING ; CAMERAS ; CINEMATOGRAPHY ; DISTRIBUTION ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; FILMMAKING ; INSURANCE, FILM ; LIGHTING ; LOCATION FINDING ; LOCATION SHOOTING ; MUSIC AND THE CINEMA ; PRE-PRODUCTION ; POST-PRODUCTION ; PRODUCTION ; PRODUCTION COSTS ; SCRIPTWRITING ; SOUNDTRACKS ; SOUND EDITING ; SOUND RECORDING Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production.
Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKETNotes: First ed. published 1963; Includes indexISBN: 0240509158; 0240509293 (pbk.)LON: 8735625 8735625URL status: URL: 'http://-'
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The technique of editing 16mm films / John Burder London: Focal Press, 1979.
Call No: 24 BURAuthor: Burder, John Edition: 4th edPlace: LondonPublisher: Focal PressPubDate: 1979PhysDes: 152 p. : ill., plans ; 23 cmSeries: The Library of communication techniquesSubject: EDITING ; 16 MM FILMS Notes: Previous ed.: 1971; Includes indexISBN: 0240510194LON: 2609970 2609970
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The technique of film editing / written and comp. by Karel Reisz ; with the guidance of the following committee appointed by the British Film Academy: Thorold Dickinson [and others] ; introd. by Thorold Dickinson London: Focal Press, [1953].
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The technique of motion picture production : a symposium of papers presented at the 51st semi-annual convention of the Society of Motion Picture Engineers, Hollywood, California / for the Society of Motion Picture Engineers New York: Interscience, 1944.
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Ten lessons in film appreciation / by John Murray ; with illustrations by Alan Watt Melbourne: Georgian House, 1969, c1966.
Call No: 62 MURAuthor: Murray, John Edition: revisedSource: ATPlace: MelbournePublisher: Georgian HousePubDate: 1969, c1966PhysDes: vi, 60 p. : ill. ; 21 cmSubject: EDITING ; SOUND ; PRODUCTION ; CAMERA ANGLES Summary: A guide to developing a film appreciation course for secondary school students.Notes: Signed by the authorDonation: donated by the family of Wayne Levy, 2006
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Understanding film texts / Patrick Phillips London: British Film Institute, 2000.
Call No: 512.1 PHIAuthor: Phillips, Patrick Place: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: xiii, 158 p. : ill. ; 24 cmSubject: AESTHETICS ; METHODOLOGY OF FILM CRITICISM ; AUDIENCE RECEPTION ; COSTUMES ; DIALOGUE ; EDITING ; EXHIBITION ; HONG KONG ; NARRATIVE IN FILMS ; PERCEPTION ; REALISM IN FILMS ; SPECTATORSHIP ; VIRTUAL REALITY ; DICAPRIO, LEONARDO ; MUNSTERBERG, HUGO ; AFTER LIFE (JA, Hirokazu Kore-eda, 1998) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FESTEN (DK, Thomas Vinterberg, 1998) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; LOLA RENNT (G, Tom Tykwer, 1998) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SECRETS & LIES (FR/UK, Mike Leigh, 1996) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SLIDING DOORS (US, Peter Howitt, 1998) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ISBN: 085170798X; 0851707998(pbk.)LON: 21445642
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Understanding movies / Louis Giannetti Englewood Cliffs, N.J.: Prentice-Hall, 1987.
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The unkindest cuts : the scissors and the cinema / Doug McClelland South Brunswick: A. S. Barnes and Co., c1972.
Call No: 304.43 MCCAuthor: McClelland, Doug Source: USPlace: South BrunswickPublisher: A. S. Barnes and Co.PubDate: c1972PhysDes: 220 p. : ill. ; 25 cmSubject: EDITING Notes: Includes indexISBN: 0498078256Donation: donated by the family of Wayne Levy, 2006
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Vocal Tracks : performance and sound media / Jacob Smith Berkeley: University of California Press, c2008.
Call No: 244 SMIAuthor: Smith, Jacob Source: USPlace: BerkeleyPublisher: University of California PressPubDate: c2008PhysDes: viii, 294 p. : ill. ; 23 cm.Subject: VOICES ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING Summary: "This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and film. Writing in a clear and lively manner, Jacob Smith looks at these media and their industries through the lens of performance, bringing to light a fascinating nexus of performer, technology and audience. Combining film aesthetics, cultural histories of technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected niches to explore the development of a modern vocal performance. He analyzes an astoningshly diverse range of media texts - phonographic laughing records, broadcast laugh tracks, acting styles found in radio melodramas, singing styles heard on recordings of popular music, and secret recordings of prank phone calls - to illustrate how performance styles developed in response to technological mediation. " -- BOOK BLURBNotes: "An Ahmanson book in the humanities"--P. [4] of cover; Includes bibliographical references (p. 271-286) and indexISBN: 9780520254947Contents: Pt. 1. Flooding Out -- 1. Recorded Laughter and the Performance of Authenticity -- 2. Erotic Performance on Record -- Pt. 2. A Finer Grain of the Voice -- 3. The Nearness of You; or, The Voice of Melodrama -- 4. Rough Mix -- Pt. 3. Bugging the Backstage -- 5. The Act of Being Yourself -- 6. Phony Performances.
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Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990.
Call No: 22(73) BROAuthor: Brouwer, Alexandra ; Wright, Thomas Lee Source: USPlace: New YorkPublisher: Crown PublishersPubDate: c1990PhysDes: xii, 546 pages ; 25 cmSubject: ADVERTISING FOR FILMS ; ANIMALS IN FILMS ; ART DIRECTION ; CAMERAS ; CASTING ; CHOREOGRAPHY ; CINEMATOGRAPHY ; COMPOSERS ; COSTUME DESIGNERS ; DIRECTION ; DISTRIBUTION ; EDITING ; EXHIBITION ; FINANCING ; LAW AND THE CINEMA ; LOCATION HUNTING ; LOCATION SHOOTING ; MAKE-UP ARTISTS ; MUSIC IN FILMS ; POST-PRODUCTION ; PRE-PRODUCTION ; PRODUCERS ; PRODUCING ; PRODUCTION ; PROJECTION ; SCRIPTWRITING ; SET DESIGNING ; SOUND ; SPECIAL EFFECTS ; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]Notes: Includes indexISBN: 0517574012; 9780517574010Donation: Simon WincerContents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --
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Writing, directing, and producing documentary films and videos / Alan Rosenthal Carbondale: Southern Illinois University Press, 1996.
Call No: 761 ROSAuthor: Rosenthal, Alan, 1936 Edition: Rev. edSource: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1996PhysDes: xii, 301 p. : ill. ; 24 cmSubject: COMMENTARY ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; FILMMAKING ; PRE-PRODUCTION ; PRODUCING ; PRODUCTION ; POST-PRODUCTION ; SCRIPTWRITING ; SOUND ; VOICE OVER Summary: An internationally renowned documentary filmmaker with more than sixty films to his credit, including the Peabody Award-winning Out of the Ashes, Rosenthal has written the first book to address the realities involved in the making of a documentary. Rather than dealing with theory or hardware. Rosenthal tackles the day-to-day problems from initial concept through distribution. Simply and clearly, Rosenthal explains how to write, direct, and produce the new documentary, whether film or video. He emphasizes the research and writing of the documentary, from approach and structure through interviewing, narration writing, and the complexities of editing. This emphasis makes his book uniqueNotes: Rev. ed. of: Writing, directing, and producing documentary films. c1990; Includes bibliographical references (p. 291-292) and indexISBN: 0809320134 (alk. paper); 0809320142 (pbk. : alk. paper)LON: 95017159; 11606022
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