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Call No: held v.1, no.1- Nov. 1990-
CorpAuthor: Screen Producers Association of Australia; Australian Film Commission
Source: AT
Place: Neutral Bay, N.S.W.
Publisher: The Association
PubDate: 1990
Subject: SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA
ISSN: 1037-8146
Missing Issues: May 1997 - August 1998 (no longer available) & June 2001
Order Notes: Current
LON: abn90373178; 7655838

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: 462-02 (94) FRE v.2
Author: French, Lisa
Source: AT
PubDate: 1995
PhysDes: p. 123-135. ; 30 cm
Subject: FILM WORKERS AUSTRALIA; FILM WORKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; PRODUCERS. AUSTRALIA; SCRIPTWRITERS. AUSTRALIA; DIRECTORS. AUSTRALIA; AUSTRALIA. 1970's; AUSTRALIA. 1980's; AUSTRALIA. 1990's; FILMOGRAPHIES. AUSTRALIA
Notes: 'This data base was prepared by Lisa French as an appendix to the thesis 'Do Contemporary Australian Women Filmmakers Share A Feminist Perspective In Their Work?'

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. PRODUCERS & DIRECTORS GUILD OF AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. PRODUCERS GUILD OF AMERICA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. SCREEN PRODUCERS AUSTRALIA

Call No: 81BUC BUC
Author: Buckley, Anthony
Source: AT
Place: Prahran, Vic.
Publisher: Hardie Grant
PubDate: 2009
PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cm
Subject: BUCKLEY, ANTHONY; PRODUCERS; DIRECTORS. AUSTRALIA; FILM WORKERS; FILM WORKERS. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978)
Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKET
ISBN: 9781740667906
Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle

Call No: 67(04) BES
Author: Plimpton, George
Place: New York
Publisher: St. Martin's Griffin
PubDate: 1998
PhysDes: xvi, 265 p. ; 21 cm
Subject: PRODUCERS; CAMP; CENTENARY OF CINEMA; HOMOSEXUALITY AND THE CINEMA; SCORSESE, MARTIN; Fry, Stephen; CAMPION, JANE; BEATTY, WARREN; STABILE, SALVATORE; POLANSKI, ROMAN; DANDRIDGE, DOROTHY; HITCHCOCK, ALFRED; STREISAND, BARBRA; WATERS, JOHN (US); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996)
LON: abn98329398; 14168026

Call No: 81BER BER
Author: Beresford, Bruce
Source: AT
Place: Melbourne, Victoria
Publisher: The Text Publishing Company
PubDate: 2017
PhysDes: 281 pages ; 24 cm
Subject: INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; PRODUCERS; DIRECTORS; AUSTRALIA; BERESFORD, BRUCE
Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond. Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVER
ISBN: 9781925603101
Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --

Call No: 67(04) BEY
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: c2014
PhysDes: xiii, 289 pages : illustrations ; 24 cm.
Subject: PRODUCERS
Summary: This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students. --back of the book
Notes: Includes bibliographical references and index
ISBN: 9781441172365
Contents: Machine generated contents note: 1.Introduction / Christopher Meir -- pt. One Theoretical and Historical Contexts -- 2.'A Judge of Anything and Everything': Charles Urban and the Role of the 'Producer-Collaborator' in Early British Film / Joe Kember -- 3.Mapping a Typology of the Film Producer -- Or, Six Producers in Search of an Author / Jo Sondre Moseng -- 4.The Independent Producer and the State: Simon Relph, Government Policy and the British Film Industry, 1980--2005 / Andrew Spicer -- 5.Producing the Self: The Film Producer's Labour and Professional Identity in the UK Creative Economy / Simon Spink -- 6.Producer and Director? Or, Authorship' in 1950s Italian Cinema / Pauline Small -- 7.The Australian Screen Producer in Transition / Deb Verhoeven -- pt. Two Media and Genre Contexts -- 8.The Producer in Animation: Creativity and Commerce from Bray Studios to Pixar / Donna Kornhaber -- 9.'Trying to Ride a Naughty Horse': British Television Comedy Producers / Sarah Ralph -- Contents note continued: 10.Keith Griffiths' Poetics of Production / Sonia Friel -- 11.The American Independent Producer and the Film Value Chain / James Lyons -- pt. Three National and Transnational Contexts -- 12.Lita Stantic: Auteur Producer/Producer of Auteurs / Constanza Burucua -- 13.Beyond National Humiliation: Han Sanping and China's Post-Olympics Historical Event Blockbusters / A. T. McKenna -- 14.The Producer and Belgian Cinema(s): The Case of Jean (and Jan) Van Raemdonck / Gertjan Willems -- 15.Post-Imperial Co-Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema / Christopher Meir.

Call No: 81SHA SHA
Author: Sharman, Jim
Source: AT
Place: Carlton, Vic
Publisher: Miegunyah
PubDate: 2008
PhysDes: 403 p. : col. ill. ; 23 cm
Series: Second numbered series of the Miegunyah volumes ; 104
Subject: SHARMAN, JIM; PRODUCERS; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978)
Summary: : "Jim Sharman is an international director of film, musicals and theatre. His credits include the stage production of The Rocky Horror Show, which he later directed for 20th Century Fox. He has worked in Australia, Japan, the United Kingdom and the United States, and his other credits include the musicals Hair and Jesus Christ Superstar. His stage work has encompassed more than seventy productions, including opera (Don Giovanni, Voss, Death in Venice), classics (Shakespeare, Strindberg, Wedekind, Brecht) and much of the stage and screen work of Nobel Laureate Patrick White. In Blood & Tinsel, Jim Sharman takes us on an epic personal journey from his colourful childhood in his father's boxing troupe to Tokyo, London, Berlin and Sydney via the international successes of The Rocky Horror Picture Show, Hair and Jesus Christ Superstar. Whether recounting conversations with Lou Reed, giving us the inside story about Rocky Horror or describing a fateful meeting with Patrick White, Jim Sharman casts a brilliant story of the people and events that have shaped the times. Blood & Tinsel ranges from the rough and ready world of outback Australia in the fi fties, where boxers and panto dames shared the stage, to the cultural explosions in which Sharman played a part. Blood & Tinsel is a remarkable story about Australia. It is also a moving tribute to a family legendary in the entertainment stakes."--BOOK COVER
ISBN: 9780522853773

Call No: 722.81 SCH
Author: Schaefer, Eric, 1959
Place: Durham
Publisher: Duke University Press
PubDate: 1999
PhysDes: p. cm
Subject: EXPLOITATION FILMS; BURLESQUE; CENSORSHIP; DRUGS IN FILMS; SEX FILMS; NUDITY IN FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; PROSTITUTES IN FILMS
Notes: Filmography: p; Includes bibliographical references and index
ISBN: 0822323532 (cloth : alk. paper); 0822323745 (paper : alk. paper)
LON: 14489922

PhysDes: Article
Subject: BROCCOLI, ALBERT R.; JAMES BOND IN FILMS; ACADEMY AWARDS; PRODUCERS; PRODUCERS. USA; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); TRIALS OF OSCAR WILDE, THE (UK, Ken Hughes, 1960)
Summary: Article on Albert Broccoli receiving the Irving G. Thalberg Award for Producers at the Academy Awards. Broccoli produced the James Bond films as well as numerous others.

Call No: SUBJECT CLIPPINGS FILE; SCREEN PRODUCERS AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: NETFLIX; SCREEN PRODUCERS AUSTRALIA
Summary: Screen Producers Australia has called upon Netflix and other foreign owned streaming services to contribute to Australian television production

Call No: 44(73) GAR
Author: Gardner, Gerald C
Edition: 1st ed
Source: US
Place: New York
Publisher: Dodd, Mead
PubDate: 1987
PhysDes: xxiv, 226 p. ; 24 cm
Subject: Motion Picture Producers and Distributors of America.; CENSORSHIP. USA; HAYS, WILL; BREEN, JOSEPH
Notes: Includes index
ISBN: 0396089038
LON: 5427052

Call No: 21(73)(036) HON
Author: Honthaner, Eve Light
Edition: Fourth edition
Source: US
Place: Burlington MA
Publisher: Focal Press
PubDate: 2010
PhysDes: xviii, 524 pages : illustrations ; 28 cm
Subject: PRODUCTION; PRODUCTION DEALS; PRODUCTION COSTS; PRODUCTION. USA; PRODUCING; PRODUCERS
Summary: "Written with both students and working film and television professionals in mind, The Complete Film Production Handbook is a comprehensive guide that covers everything from pre-production through wrap and post production and includes chapters on independent and low-budget filmmaking, television, commercials, incentives, effects and new media. In addition to advice on negotiating good deals and valuable industry survival tips, you'll find all the essential production and accounting forms needed to make your film a reality as well as a sample pre-production schedule, pre-production and wrap checklists and post production workflow charts." "An invaluable, easy-to-use reference for students and newcomers to the business as well as line producers, UPMs, assistant directors, production coordinators and other production personnel - this guide provides an in-depth look into all the steps and forms required to deliver a completed film."--BOOK JACKET.
ISBN: 9780240811505
Donation: donated by Michael Smith
Contents: The Production Team and Who Does What -- The Production Office -- Basic Accounting -- From Script to Schedule -- Incentives -- Pre-Production -- Insurance Requirements -- During the Shoot -- Building Strong Industry Relationships : Making Good Deals and Navigating the Politics -- Deal Memos -- Unions and Guilds -- Principal Talent -- Background Talent -- There's An Animal In My Film -- Clearances and Releases -- A Guide to Music Clearance -- Safety -- Locations -- Distant Location -- Foreign Location -- Travel and Housing -- Shipping -- Effects -- Specifically Television -- Independent Filmmaking -- Practical Low-Budget Filmmaking -- New Media -- Commercial Production -- Wrap -- Post Production Overview -- Greener Filmmaking -- Industry Survival Tips

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. SCREEN PRODUCERS OF AUSTRALIA

Author: Turk, Rachael (interviewer)
PhysDes: Article
Subject: PRODUCING. AUSTRALIA; PRODUCERS. AUSTRALIA; CHAPMAN, JAN; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009); PIANO, THE (AT, Jane Campion, 1993)
Summary: Jan Chapman discusses the role of producers, in particular influence on the creative direction of films.

Call No: 802.25 MAC
Author: MacDonald, Scott
Edition: 2005
Place: Berkeley and Los Angeles, California
Publisher: University of California Press
PubDate: 2005
PhysDes: 410 p. ; 23 cm
Series: A critical cinema
Subject: STAN BRAKHAGE; EXPERIMENTAL FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; INDEPENDENT FILMMAKERS
Summary: A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume. -- publisher's blurb
ISBN: 9780520242715
Contents: Introduction P. Adams Sitney Stan Brakhage Jill Godmilow (and Harun Farocki) Peter Kubelka Jim McBride Abigail Child Chuck Workman Chantl Akerman Lawrence Brose Peter Forgacs Shirin Neshat Ellen Spiro Filmography Bibliography Index

Call No: SUBJECT CLIPPINGS FILE; SCREEN PRODUCERS AUSTRALIA
Author: Deaner, Matthew
PhysDes: Clippings File Article
Subject: PRODUCTION. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; STATE AND TV. AUSTRALIA; SCREEN PRODUCERS AUSTRALIA
Summary: Opinion piece by Matthew Deaner where he states his fears for the future of Australian film and tv production industry, particularly independent producer sector. His concerns include: the reach of the global marketplace into Australia; cuts to funding to Screen Australia, the ABC and SBS; the inclusion of New Zealand programming as part of Australia's local production quota; difficulty for Australian productions to hire foreign actors

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: LA SECTION ANDERSON (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); LA CINA E VICINA (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 62 DEN
Author: DeNitto, Dennis,
Place: New York
Publisher: Harper & Row
PubDate: c1985
PhysDes: xv, 544 p. : ill. ; 23 cm
Subject: THEORY; CRITICISM; EDITING; HISTORY OF CINEMA; REALISM IN FILMS; EXPRESSIONISM; MONTAGE; NEOREALISM; NOUVELLE VAGUE; COMEDIES; DOCUMENTARY FILMS; CINEMA VERITE; PROPAGANDA FILMS; WESTERNS; MUSICALS; VARIETE (G, E.A. Dupont, 1925); GOLD RUSH, THE (US, Charles Chaplin, 1925); PRODUCERS, THE (US, Mel Brooks, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); MAN OF ARAN (UK, Robert Flaherty, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); STAGECOACH (US, John Ford, 1939); SHANE (US, George Stevens, 1953); WILD BUNCH, THE (US, Sam Peckinpah, 1969); TOP HAT (US, Mark Sandrich, 1935); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); WEST SIDE STORY (US, Robert Wise, 1961); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956)
Notes: Includes indexes; Bibliography: p. 493-503
ISBN: 0060416297 (pbk.)
Order Received: 2000
Order Type: Donation
LON: 3664711

Call No: 802.25 EBE
Author: Ebert, Roger; Siskel, Gene
Source: US
Place: Kansas City, Missouri
Publisher: Andrews and McMeel
PubDate: c1991
PhysDes: xii, 116 p. : ill. ; 22 cm
Subject: FILM; PRODUCERS; DIRECTORS; USA; SPIELBERG, STEVEN; SCORSESE, MARTIN; LUCAS, GEORGE
Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURB
ISBN: 0836262166
Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel --

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); LA CINA E VICINA (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DOCTOR FAUSTUS (GB/IT, Richard Burton and Nevill Coghill, 1967); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); LA CHINOISE (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: 611.62 BUC
Author: Buchanan, Andrew
Source: UK
Place: London
Publisher: Phoenix House
PubDate: 1947
PhysDes: 160 p. ; 22cm
Series: 'Excursions' series for young people
Subject: CINEMA; PRODUCERS; SCRIPTWRITERS; ACTORS; CINEMATOGRAPHY
Summary: The book looks at films, and what make some better than others. It looks at what goes on in a studio, and how producer, director, cameraman, scenarist, script writer, lighting experts and actors work together to produce the finished picture

Call No: 44(73) MOL
Author: Moley, Raymond, 1886
Place: Indianapolis New York
Publisher: The Bobbs-Merrill company
PubDate: [1945]
PhysDes: 266 p. front., ports. 22 cm
Subject: HAYS, WILL; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA
Notes: "First edition."; Bibliographical foot-notes
LON: 1178188 1178188

Call No: 81CRA BAZ
Author: Bazzani, Rozzi
Source: AT
Place: North Melbourne, Victoria
Publisher: ARCADIA, the general books' imprint of Australian Scholarly Publishing
PubDate: 2015
PhysDes: xvii, 331 pages, 34 unnumbered pages of plates : illustrations, portraits, photographs ; 24 cm
Subject: TELEVISION; AUSTRALIA; INDUSTRY, TV. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; PRODUCERS; PRODUCING. AUSTRALIA; DIRECTORS; BROADCASTING; CRAWFORD PRODUCTIONS; CRAWFORD, HECTOR; HOMICIDE [TV] (AT, 1964-1975); BOX, THE [TV] (AT, 1974); BOX, THE [TV] (AT, 1974-77); SULLIVANS, THE [TV] (AT, 1975-1982); CARSON'S LAW [TV] (AT, 1983); FLYING DOCTORS, THE [TV] (AT, 1986-91)
Summary: "Hector Crawford - the name remains synonymous with Australian television.The tag line 'This has been a Crawford Production' still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public facade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in 'Hector'. Rozzi Bazzani recounts vividly how, as Crawford's influence grew, the off-screen politics employed by the TV networks and rivals to diminish his company's power became as exciting as any of his on-screen dramas." -- BOOK BACK COVER BLURB
Notes: Incudes bibliographical references (pages 303-315) and index
ISBN: 9781925003734
Contents: -- part one -- the high seas -- the first family -- choir of angels -- sweet inspiration -- young lives -- searching Hart's heart -- 'music for the people' -- music changes everything -- war torn -- words and music -- no place like home -- classical gas -- heartache and hope -- the first big talent show -- testing times -- love and marriage -- sneak preview -- nuts and bolts -- the spoken word -- the boys in blue -- an identity crisis -- the big picture -- the lobbyist -- game rules -- part two -- television reality -- down to business -- quiz bang -- dirty dancing -- television tease -- all out -- was I dreaming? -- it's an emergency -- all in the family -- overshadowed -- pushing the limit -- fizzled -- the little yellow booklet -- political art -- olderfleet building -- consider it done -- new horizons -- loss and gain -- the bid -- the decision -- back to the drawing board -- homicide -- family business -- a new podium -- pioneering pictures -- forward push -- a sister's heartbreak -- striking a balance -- hunting all over -- 'divvy four' -- fighting words -- head on -- variety is the spice -- new faces -- the art of tennis -- up, up and away -- the bush on television -- drawing power -- actors act : tv: make it Australian -- a sparkling piano man to the rescue -- acting out -- hollywood on the Yarra -- a new way -- a seniors film moment -- hands across the ocean -- hoist on his petard -- sex, lies and videotape -- the flood gates open -- boys' toys -- the box -- local features feature -- the empire strikes back -- last of the Australians -- where to from here? -- everybody wants to get in on the act -- slip sliding away -- a friend in deed -- the axe falls hard -- blockade -- the comeback -- a family in war: the Sullivans -- interlude -- leaving home -- part three -- together at last -- repeat with movement -- no new tricks -- all the rivers run -- carson's law -- the flying doctors -- da capo -- palace coup -- the last act of a mogul --

Call No: 81OBS OBS
Author: Obst, Lynda Rosen
Place: Pymble, N.S.W.
Publisher: HarperCollins
PubDate: 1997
PhysDes: x, 246 p., [8] p. of plates : ill. ; 24 cm
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; PRODUCERS; PRODUCING; STUDIOS, FILM. USA; OBST, LYNDA; BAD GIRLS (US, Jonathan Kaplan, 1994); CONTACT (US, Robert Zemeckis, 1997); FISHER KING, THE (US, Terry Gilliam, 1991); SLEEPLESS IN SEATTLE (US, Nora Ephron, 1993)
Summary: Welcome to the world of Hollywood - a constantly spinning cyclone of glamour, money, and gossip where there is no glossary and people play by rules discernible only to those on the inside. It is a world that Lynda Obst, one of the most successful producers in Hollywood today, entered two decades ago as a neophyte and where through resolve, determination, and quick wit, she has been able to produce some of today's biggest movies, including The Fisher King and Sleepless in Seattle. Now in Hello, He Lied, Lynda Obst takes us on a behind-the-scenes tour of her world - onto sound stages with Tom Hanks and Meg Ryan, inside meetings with David Geffen and Peter Guber, on location in New York City with George Clooney and Michelle Pfeiffer, and into negotiations over The Hot Zones. She shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.
Notes: First published: Boston : Little, Brown, c1996
ISBN: 0732258618 : $16.95
LON: abn97006410; 12942780

Call No: 81LUB THO
Author: Thompson, Kristin
Source: NE
Place: Amsterdam, Netherlands
Publisher: Amsterdam University Press
PubDate: 2005
PhysDes: 154 p. : ill., ports ; 30cm
Series: Film culture in transition
Subject: PRODUCERS; HISTORY OF CINEMA. GERMANY; HISTORY OF CINEMA. USA; LUBITSCH, ERNST
Notes: Includes bibliographical references: (p. [133}-144) and index.; Filmography: (p. [145]-148); This item has been downloaded from the internet in 2010, and printed off
Contents: ch. 1. Lubitsch's career -- ch. 2. Making the light come from the story : lighting -- ch. 3. Subduing the cluttered background : set design -- ch. 4. Guiding the viewer's attention : editing -- ch. 5. Peeking at the players : acting -- ch. 6. Mutual influences -- Epilogue. The Lubitsch touch.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35134' Checked: 31/08/2021 1:21:34 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 201.1(794) FAD
Author: Fadiman, William
Source: US
Place: New York
Publisher: Liveright
PubDate: 1972
PhysDes: 174 p. ; 22cm
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; AGENTS; DIRECTION; DIRECTORS. USA; ACTORS; ACTORS. USA; STARS; SCRIPTWRITERS; SCRIPTWRITERS. USA; PRODUCERS; PRODUCERS. USA
Summary: This book deals with all aspects of movie making and the film community in Hollywood
ISBN: 0871405563

Call No: 302 JAR
Author: Jarvie, Ian
Source: US
Place: New York, N.Y.
Publisher: Cambridge University Press
PubDate: 1992
PhysDes: xvii, 473p. : ill. ; 23cm
Subject: INDUSTRY, FILM; INDUSTRY, FILM. USA; HISTORY OF CINEMA. USA; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HOLLYWOOD
Summary: Documents the US movie industry in the 1920-50's and how it dealt with overseas resistance to its product.
Notes: Includes bibliographical references and index
ISBN: 9780521041430
Language: English

Call No: 71(73) STE
Author: Steen, Mike
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: 1974
PhysDes: 379 p. ; 21 cm
Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT
Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)
ISBN: 39911162X
Donation: donated by the family of Wayne Levy, 2006

Call No: 210.31 (73) AFR
Author: Afra, Kia
Edition: 2016
Place: London
Publisher: Rowman & Littlefield
PubDate: 2016
PhysDes: xxvi, 292 p. : illus. ; 23 cm
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; MOTION PICTURE ASSOCIATION OF AMERICA; HAYS, WILL; ZUKOR, ADOLPH
Notes: As the film industry was establishing itself at the start of the twentieth century, trade associations played a pivotal role in the emergence of the studio system. These producer-distributor trade associations were forums for internal and external conflicts, as well as the true sources of influence and power in early Hollywood. In The Hollywood Trust: Trade Associations and the Rise of the Studio System, Kia Afra provides a detailed account of three successive trade organizations from 1915 to 1928. By examining the Motion Picture Board of Trade, the National Association of the Motion Picture Industry (NAMPI), and the Motion Picture Producers and Distributors of America (MPPDA), Afra outlines the relationships of power in Hollywood’s early years, asking questions such as: How and why did the studio system come about, and what were the industrial and institutional forces that impacted Hollywood’s development? In order to answer these crucial questions, The Hollywood Trust explores the role played by film industry trade associations in navigating important issues facing the burgeoning studio system, including censorship, public relations, trade practices, government regulation, film distribution, labor conflicts, taxes and tariffs, and exhibitor opposition. A vital look at an under-reported aspect of the studio system, this volume fills a gap in the history of the American film industry. As such The Hollywood Trust will be of particular interest to scholars of film history, as well as those concerned with cultural history and the political economics of entertainment. -- publisher's blurb
ISBN: 9781442268289
Contents: 1 Prelude to Association 2 The Motion Picture Board of Trade 3 NAMPI and the Prewar Period 4 NAMPI in Wartime 5 NAMPI in the Postwar Era 6 NAMPIs Decline 7 The MPPDAs Foundational Period 8 The MPPDA Wall Street and Theater Circuits 9 Testing the Limits of Expansion Conclusion Bibliography Index About the Author Copyright

Call No: SUBJECT CLIPPINGS FILE; CONFERENCES. AUSTRALIA. SCREEN PRODUCERS OF AUSTRALIA
Author: Enker, Debi
PhysDes: Clippings File Article
Subject: CONFERENCES. AUSTRALIA. SCREEN PRODUCERS OF AUSTRALIA
Summary: Report on the key discussions held at the 2015 Screen Producers Australia conference, including: Subscription Video on Demand (SVOD), Free to Air TV, John Edwards's Hector Crawford Memorial Lecture, and plans for the ABC
Notes: This article was also published in the Sydney Morning Herald and Canberra Times on November 30 2015

Call No: 210.4 IND
Author: Baltruschat, Doris (ed.); Erickson, Mary P. (ed.)
Source: US
Place: Toronto
Publisher: University of Toronto Press
PubDate: c2015
PhysDes: xii, 313 pages : illustrations ; 23 cm.
Subject: FILMMAKING; INDEPENDENT FILMMAKERS; INDEPENDENT FILMS; INDEPENDENT PRODUCTION; INDEPENDENT DIRECTORS; DIRECTORS; PRODUCERS; CRITICISM; EUROPEAN CINEMA; BRITISH CINEMA; UNITED KINGDOM; AUSTRALIA; PERU; GREECE; TURKEY; IRAQ; CHINA; AFRICA; MALAYSIA; CANADA; USA
Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOK
Notes: Includes bibliographical references and filmography
ISBN: 9781442626836
Donation: Senses of Cinema
Contents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --

Call No: Journal Shelves. Hollywood Reporter
Publisher: Hollywood Reporter
PubDate: August 2001
Subject: INDEPENDENT PRODUCTION; DISTRIBUTORS; DISTRIBUTION; PRODUCERS
Language: English

Call No: 792(41)(088.94) INS
Author: Petrie, Duncan (ed); Pettigrew, Nick (ed)
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: x, 205 p. ; 24 cm
Subject: FILM WORKERS. UK; PRODUCERS. UK; DIRECTORS. UK
Summary: "Inside Stories reveals the fascinating diaries of key film-makers working today - all with a British connection. It takes you behind the scenes and gives a gripping account of pre-production (Hollow Reed), shooting (Crash, Breaking the Waves), post-production (Twelve Monkeys), certification (from Tank Girl to soft-porn videos) and exhibition. For those who make films, want to make them, or simply love to watch them, Inside Stories is an unmissable read. " -- BOOK BLURB
Notes: Includes filmography (p. 202-205)
ISBN: 0851705839
Contents: Introductions. Stephen Woolley. David Aukin -- The Producer. Nik Powell. Mark Shivas. Simon Relph. Julie Baines. Keith Griffiths. Christopher Wicking -- The Director. Gillies MacKinnon. Michael Apted. Gary Sinyor -- The Writer. Peter Capaldi. Allan Shiach. Richard Curtis -- The Actor. Alfred Molina. Katrin Cartlidge -- The Cinematographer. Peter Suschitzky. Seamus McGarvey -- The Designer. John Bloomfield. Christopher Hobbs -- The Editor. Mick Audsley. Anne Sopel -- The Composer. Simon Fisher Turner -- The Distributor. Pam Engel -- The Exhibitor. Philip Grey. Jim Hamilton -- The Censor. Richard Falcon -- The Journalist. Neil McCartney -- The Television Documentarist. David Thompson -- Checklist of films.

Call No: 19WAR BEH
Author: Behlmer, Rudy
Source: UK
Place: London
Publisher: Weidenfield and Nicolson
PubDate: 1987
PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cm
Subject: FILMMAKING; HOLLYWOOD; INDUSTRY, FILM. USA; PRODUCERS. USA; PRODUCTION COMPANIES & STUDIOS. USA; PRODUCTION. USA; STAR SYSTEM; STUDIO SYSTEM; WARNER BROS.; BOGART, HUMPHREY; HUSTON, JOHN
Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURB
Notes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS) Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986. Includes index.
ISBN: 0297792423
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: 81ABR INT
Author: Dunham, Brent, (editor.)
Source: US
Place: The United States
Publisher: University Press of Mississippi
PubDate: 2019
PhysDes: xlviii, 182 pages ; 23 cm.
Series: Conversations with filmmakers series
Subject: DIRECTORS; PRODUCERS; SCRIPTWRITERS; USA; ABRAMS, J.J; LOST [TV] (US, 2004 -); LOST [TV], (US, 2004 -); MISSION IMPOSSIBLE III (US, J. J. Abrams. 2006); STAR TREK (US/G, J.J. Abrams, 2009); STAR TREK INTO DARKNESS (US, J.J.Abrams, 2013); STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015); SUPER 8 (US, J.J. Abrams, 2011)
Summary: "Jeffrey Jacob "J. J." Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most-successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S. and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker."-- FROM BLURB.
Notes: Includes index, includes filmography, includes chronology.
ISBN: 9781496820426
Donation: Senses of Cinema
Contents: Beardless Wonders of Film Making - Robert Young/1982 -- From the Archives: J. J. Abrams Interview Regarding Superman - Ed Gross/2002 -- TV Producer J. J. Abrams on Creating Lost - David Bianculli/2004 -- J. J. Abrams - Mission: Impossible III - Peter Canavese/2006 -- Interview: J. J. Abrams and Michelle Monaghan - Clint Morris/2006 -- J. J. Abrams - George Stephanopoulas/2006 -- The Mystery Box - J. J. Abrams/2007 -- J. J. Abrams - Noel Murray/2008 -- Star Trek: J. J. Abrams Interview - John Hiscock/2009 -- J. J. Abrams Takes on a Soaring Franchise - Paul Fischer/2009 -- Star Trek: 3. J. Abrams Interview - Rob Carnevale/2009 -- J. J. Abrams - Charlie Rose/2009 -- Director of Star Trek: Into Darkness, Star Wars, and the Lost Finale - Paul Byrne/2009 J. J. Abrams Not Worried about Writer's Block on Fringe - Tyrone Warner/2010 -- An Interview with Super 8 Director J. J. Abrams - Matthew Pejkovic/2011 -- An Interview with J. J. Abrams, Director of Super 8 - Matthew Toomey/2011 -- Contents note continued: Interview: Super 8 Director J. J. Abrams! - Chris Eggertsen/2011 -- J. J. Abrams Talks Super 8, Bad Robot, Lens Flares, Lost, Spielberg, and the Mystery Box - Peter Sciretta/2011 J. J. Abrams: The "Super" Career of a Movie-Crazed Kid - Terry Gross/2011 J. J. Abrams Interview - Abbie Bernstein/2011 -- Interview: J. J. Abrams -Star Trek: Into Darkness - Iamag.co/2013 -- J. J. Abrams Interview for Star Trek: Into Darkness - John Hiscock/2013 -- Meet the Author: Jonathan Tropper, J. J. Abrams, and Doug Dorst - Jonathan Tropper/2013 -- J. J. Abrams: Hollywood's Renaissance Man - Horatia Harrod/2014 -- Believe: J. J. Abrams Interview UKTV/2014 -- Interview with J. J. Abrams - Andrew Fish/2015 -- J. J. Abrams: The Force Awakens Interview - Tara Salinas/2015 J. J. Abrams Talks 10 Cloverfield Lane, the "Clover-Verse," Cannibal Airlines, and More - Peter Sciretta/2016 J. J. Abrams Interview / Erik Nagel/2017.

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Bingemann, Mitchell
PhysDes: Clippings File Article
Subject: QUOTA. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; CHILDREN, PROGRAMMES FOR. AUSTRALIA; STATE AND TV. AUSTRALIA; SCREEN PRODUCERS AUSTRALIA
Summary: Commentary by various commercial network heads and industry bodies regarding a probable review by the Federal Government on rules regarding local content on Australian screens, with the focus being on children's TV shows

Call No: 81WAC KEE
Author: Keegan, Cael M.
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2018
PhysDes: x, 180 pages : illustrations ; 21 cm.
Series: Contemporary film directors
Subject: FILM; DIRECTORS; PRODUCERS; CRITICISM; TRANSGENDER AND THE CINEMA; TRANSGENDERISM IN FILMS; CONTROVERSIAL ISSUES IN FILMS; WACHOWSKI, LANA; WACHOWSKI, LILLY; WACHOWSKI, LARRY; WACHOWSKI, ANDREW; ANIMATRIX, THE (US, Peter Chung & Andy Jones & Yoshiaki Kawajiri & Takeshi Koike & Mahiro Maeda & Kouji Morimoto & Shinichiro Watanabe, 2003); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MATRIX REVOLUTIONS, THE (US, Andy Wachowski & Larry Wachowski, 2003); V FOR VENDETTA (US/GG, James McTeigue, 2005); SPEED RACER (US, ANDY WACHOWSKI, LARRY WACHOWSKI, 2008); CLOUD ATLAS (G/US/HK/SI, Tom Tykwer/Andy Wachowski, 2012); JUPITER ASCENDING (US, The Wachowskis, 2015); SENSE8 [TV] (US, 2015-2018)
Summary: "Lana and Lilly Wachowski are intensely political film writers, directors, and producers whose work has made an indelible impact on American popular culture. From The Matrix (1999) to Cloud Atlas (2012), they have left their mark as innovators in the industry, consistently pushing the boundaries of what is perceived as technically and topically possible in studio film. They are also the world's first major transgender film directors and arguably the most influential transgender cultural producers in human history. Their coming out makes possible a reevaluation of the Wachowskis' entire oeuvre as curating alternate approaches to gender, emobodiment, and perception, that might be retrospectively theorized as "trans." In this study, Cael Keegan will argue that the Wachowskis' work can be read as an aesthetic history of transgender political consciousness as it has evolved in popular media. He explores the significance of the Wachowskis as film and genre innovators who have permanently altered the technology and aesthetics of mainstream Hollywood cinema. Keegan sees the radical identities at play in many of their early films as emerging from a queer sensibility and and a hoped-for sense of the body's plasticity. Moving chronologically through the Wachowskis' filmography, he uses the films' theorization of gender and embodied identity at the intersection of convergence, virtuality, biopolitical surveillance and capitalist realism to open these much-discussed works to new modes of analysis" --
Notes: "Lilly Wachowski was born in 1967 in Chicago as Andrew Wachowski" -- Libraries Australia; Lana Wochowski was born as Larry Wochowski - Libraries Australia; Alternate Names: The Wachowski Brothers or The Wachowskis; Includes bibliographical references, filmography, and index.
ISBN: 9780252083839
Contents: Trans opt: Received -- "You can believe what you feel": Bound -- Ecstatic passages: The Matrix -- Redpill -- Adventures in transreality: The animatrix -- Heroic ends: The matrix reloaded and The matrix revolutions -- Revolutionary guises: V for Vendetta -- Sensorial assault -- Fixed races: Speed racer -- Escaping history: Cloud atlas -- Speculative heights: Jupiter ascending -- Epilogue: event horizon: Sense8 --

Call No: 802.25 (94) BUC
Author: Buckley, Anthony
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: ScreenSound Australia
PubDate: 2001
PhysDes: [24] p. : ill., ports., facsims.
Series: Inaugural Longford Lyall lecture 2001; ScreenSound Australia Monograph no.3
Subject: AUSTRALIA; AUSTRALIA IN FILMS; AUSTRALIA. 1895-1930; AUSTRALIA. 1927-1932; AUSTRALIAN CINEMA PIONEERS, THE; AUSTRALIAN FILM STUDIOS; AUSTRALIAN SCREEN EDITORS; AUSTRALIANS IN FILMS; WOMEN AND THE CINEMA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN, FILMS MADE BY; PRODUCERS. AUSTRALIA; DIRECTORS. AUSTRALIA; BUCKLEY, ANTHONY; LONGFORD, RAYMOND; LYELL, LOTTIE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); MUTINY ON THE BOUNTY, THE (AT, Raymond Longford, 1916); CHURCH AND THE WOMAN, THE ( AT, Raymond Longford, 1917); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); ON OUR SELECTION (AT, Ken G. Hall, 1932)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Anthony Buckley is regarded as one of the leaders of the Australian Film industry having worked as a documentary film maker, director and producer. In this lecture Buckley talks about the life and times of Longford and Lyell as well as his own extraordinary meeting with the legendary Longford at the age of fifteen.
Notes: Includes filmography of Anthony Buckley's works. -- Includes bibliographic references.
ISBN: 0642365180

PhysDes: Article
Subject: MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); FOR LOVE ALONE (AT, Stephen Wallace, 1985); FINK, MARGARET; PRODUCERS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Article on producer Margaret Fink's latest film idea and what she is searching for in a cast.

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 x photograph : b&w ; 21 x 25 cm.
Subject: MCELROY, HAL; RAZORBACK (AT, Russell Mulcahy, 1984); PRODUCERS. AUSTRALIA
Summary: Headshot of the producer Hal McElroy with hand to his face
Notes: Sticker on reverse reads: ' Hal McElroy, the producer of the new Australian film "Razorback"'

Call No: 19DRE LAP
Author: LaPorte, Nicole
Source: US
Place: Boston ; New York
Publisher: Mariner Books
PubDate: 2011
PhysDes: xix, 491 pages ; 21 cm
Subject: DREAMWORKS SKG; HOLLYWOOD; PRODUCERS; PRODUCTION CENTRES : HOLLYWOOD; EISNER, MICHAEL; GEFFEN, DAVID; KATZENBERG, JEFFREY; SPIELBERG, STEVEN; AMERICAN BEAUTY (US, Sam Mendes, 1999); AMISTAD (US, Steven Spielberg, 1997); PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SHREK (US, Kelly Asbury & Andrew Adamson, 2001)
Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]
Notes: Includes index
ISBN: 9780547520278
Donation: Simon Wincer

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA

Call No: 70 SPE
Author: Speed, F. Maurice
Place: London
Publisher: Raven books ltd
PubDate: [1944]
PhysDes: 111 p. illus. (incl. ports.) 22 cm
Subject: HISTORY OF CINEMA; STUDIO SYSTEM; STARS; PRODUCERS
Notes: "Library edition."
LON: 1415890 1415890

Call No: 802.091.11 FRE
Author: French, Philip
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1971
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: HISTORY AND THE CINEMA. USA; HOLLYWOOD; INDUSTRY, FILM; Metro-Goldwyn-Mayer; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; UNITED ARTISTS; WARNER BROS.; COHN, HARRY; DEMILLE, CECIL B.; DISNEY, WALT; KATZ, SAM; KENNEDY JOSEPH P.; LAEMMLE, CARL; LASKY, JESSE; SCHARY, DORE; SCHULBERG, BUDD; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SHEARER, NORMA; SKOURAS, SPYROS; SINCLAIR, UPTON; THALBERG, IRVING; WANGER, WALTER; STROHEIN, ERICH VON; ZANUCK, DARRYL F.; ZANUCK, RICHARD; ZUKOR, ADOLPH
Notes: includes bibliographical references and index
ISBN: 297762664
Donation: donated by the family of Wayne Levy, 2006

Call No: 67 MOV
Author: Cameron, Ian (ed.)
Source: US
Place: New York
Publisher: Praeger Publishers
PubDate: 1972
PhysDes: 120 p. : ill. ; 28cm
Subject: PRODUCERS; FILM WORKERS
Summary: "Movie was the first major journal in English to be founded on the principles that have since become known as the auteur theory. The magazine has been distinguished by its enthusiasm for previously neglected areas of the American cinema. It has paid homage to directors whose reputations had been stifled by the belief of previous generations of critics that good films emerged from Hollywood only as a result of happy accidents that brought together a compatible group of craftsmen, some competent actors, and a well-written script. As part of the process of rediscovering the American cinema, the editors and contributors of Movie interviewed many of the major directors at some length. These interviews are far more searching than the usual show-business chatter. Among the directors interviewed were Alfred Hitchcock, Vincente Minnelli, Nicholas Ray, and Otto Preminger. However, the magazine has not dealt exclusively with Hollywood- among the interviews included in this anthology are one with Claude Chabrol and a revealing conversation between Jean-Luc Godard and Michaelangelo Antonioni. A number of previously unpublished interviews are also included. The first-person accounts of the business of directing films gathered here form a fascinating and invaluable collection of source material." -- BOOK BLURB
Notes: "The articles ... are taken from the first fourteen issues of Movie, covering the years 1962 to 1965.".; Includes bibliographical references.
Contents: -- introduction -- General Articles -- the British cinema -- films, directors, and critics -- the iconography of the movies -- Alfred Hitchcock -- the mechanics of suspense -- suspense and meaning -- rope -- the universal Hitchcock -- Otto Preminger -- why Preminger? -- from laura to angel face -- carmen and Bess -- bonjour Tristesse -- exodus -- attitudes in advise and content -- Howard Hawks --Hawks' comedies -- gentlemen prefer blondes -- Hatari! -- Nicholas Ray -- the cinema of Nicholas Ray -- Joesph Losey -- contamination -- king and country -- Director Studies -- the Darwinian world of Claude Chabrol -- Michael Powell -- Frank Tashlin & the new world -- six films of Josef von Sternberg -- Film Reviews -- Now about these women -- Tokyo story -- Judex -- Vanina Vanini -- the trial of Joan of Arc -- La baie des anges -- Paris nous appartient -- Hercules conquers Atlantis -- Freaks --

Call No: 81STI DAN
Author: Dando-Collins, Stephen
Source: AT
Place: North Sydney
Publisher: Penguin Random House Australia Pty Ltd
PubDate: 2017
PhysDes: xi, 418 pages, 16 unnumbered pages of plates : illustrations (some in colour), portraits ; 24 cm.
Subject: PRODUCERS; DIRECTORS; THEATRE AND THE CINEMA; AUSTRALIA; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; STIGWOOD, ROBERT
Summary: "In the 1970s, Australian entrepreneur Robert Stigwood was the entertainment industry's most powerful tycoon. This is his largest-than-life story. Stiggy's ability to pick and promote talent was astounding. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton and Grease, and was behind the massive West End and Broadway musicals Hair and Jesus Christ Superstar. There were also great crashes, including an infamous Chuck Berry tour that failed to attract audiences and forced the Australian impresario into bankruptcy. The failure of the big-budget musical film of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band also cut deep. Throughout it all, Stigwood lived it up with champagne, staff, private planes, yachts and luxury penthouses. The parties he hosted were legendary, as was his ability to party all night long and pull off a substantial business deal the next morning. Great rifts arose in almost all of his closest personal and professional relationships, but his gift for friendship and enormous talents in the entertainment business generally saw rapprochement. Not for nothing was Robert Stigwood dubbed "Mt Showbiz". "-- BOOK BACK COVER
Notes: Includes bibliographical references (pages 404-407) and index
ISBN: 9781925324747
Contents: -- acknowledgments -- preface -- act one: the rise and fall of a bloke called bob -- Jesus Christ, a Superstar! -- a starmaker is born -- king of the arts -- chasing a dream -- becoming the starmaker -- on the up -- going bust -- act two: the remaking of Robert -- cream of the crop -- getting into bed with Brian Epstein -- three brothers with the voices of angels -- save the Bee Gees! -- the king is dead, long live the king -- the irresistable rise of RSO -- hair, there and everywhere -- forging ahead with blind faith -- all in the family -- enter Rice and Lloyd Webber -- Joseph, Jeeves, Evita and a red crow -- Tommy brings back Clapton -- conquering America -- the Travolta trilogy -- greasing the wheels -- Sgt. Pepper's, a business deal set to music -- a racehorse, a yacht, an island -- a year of love and war -- upping anchor -- act three: Stiggy sails into the sunset -- not so plain sailing -- lord of the manor -- the last lap -- Stiggy's final after party -- bibliography -- index --

Call No: 634 MUS
Author: Wierzbicki, James (ed.)
Source: US/UK
Place: New York : London
Publisher: Routledge
PubDate: 2012
PhysDes: xv, 210 p. : ill. ; 23 cm
Series: Routledge music and screen media series
Subject: DIRECTORS; FILM; FILM WORKERS; LYNCH, DAVID; MUSIC AND THE CINEMA; MUSIC IN FILMS; PRODUCERS; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING; ANDERSON, WES; BERGMAN, INGMAR; COEN, JOEL & ETHAN; GREENAWAY, PETER; KIESLOWSKI, KRZYSZTOF; KUBRICK, STANLEY; SELZNICK, DAVID O.; TARANTINO, QUENTIN; TARKOVSKY, ANDREI; VAN SANT, GUS
Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780415898942
Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --

Author: Kemp, Peter; Brooks, Sue; Brennan, Richard; Gyngell, Kim; Hellier, Trudy; Sallows, Ken; Freeman, Nicolette; Armiger, Martin; Hunter, Tim; Raymond, Leigh
PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; ACTORS. AUSTRALIA; EDITING. AUSTRALIA; CRITICISM; CINEMATOGRAPHY; MUSIC IN FILMS; ADVERTISING FOR FILMS; WOMEN TV WORKERS. AUSTRALIA; BROOKS, SUE; BRENNAN, RICHARD; GYNGELL, KIM; SALLOWS, KEN; Freeman, Nicolette; SOMETHING IN THE AIR [TV] (AT, 2000-); TRAPPED (AT, Trudy Hellier, 2000)
Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field.

Call No: 46(794) KEN
Author: Kent, Nicolas
CorpAuthor: Naked Hollywood (Television program)
Place: London
Publisher: BBC Books
PubDate: 1991
PhysDes: 256 p. : ill. ; 24 cm
Subject: HOLLYWOOD; DIRECTORS. USA; STARS. USA; PRODUCERS. USA; SCRIPTWRITERS. USA; STUDIOS, FILM. USA; SCHWARZENEGGER, ARNOLD; SELZNICK, DAVID O.; POLLACK, SYDNEY; CREATIVE ARTISTS AGENCY; SONY CORPORATION
Notes: Companion book to the television series Naked Hollywood; Includes bibliographical references (p. 250-251) and index
ISBN: 0563360828
LON: 7714013

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM & TV. AUSTRALIA (weekly summaries)
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: AWARDS. ACADEMY; CONFERENCES. AUSTRALIA. SCREEN FOREVER; SCREEN PRODUCERS; AUSTRALIAN NINJA WARRIOR [TV] in production; MIDNIGHT SUN [MIDNATTSSOL] [TV](SW, 2016)
Summary: Round-up of TV news relating to Australia and the world including: Australian producer David Hill will not return to producing the Academy Awards ceremony; Screen Producers will hold a special Q&A at the Screen Forever conference; AUSTRALIAN NINJA WARRIOR will launch in 2017 and will be hosted by Rebecca Maddern; SBS will screen Swedish crime show MIDNIGHT SUN in December 2017

Author: Jeffrey, Tom A.
PhysDes: Letter
Subject: SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA; AUSTRALIAN WRITERS GUILD; SCRIPTWRITERS. AUSTRALIA
Summary: Jeffrey responds to a letter from "angry writers" about writers' fees. He outlines the Series and Serials Agreement between SPPA and AWG.

Call No: 751.1(73) OXF
Author: Knapp, Raymond; Morris, Mitchell; Wolf, Stacy
Edition: paperback
Source: US/UK
Place: Oxford ; New York
Publisher: Oxford University Press
PubDate: 2011, 2013
PhysDes: x, 470 pages : illustrations ; 25 cm
Subject: AUDIENCES; AUTHORSHIP; BLACKS AND THE CINEMA. US; BOX OFFICE. USA; COMEDIES; DANCE IN FILMS; GENDER AND THE CINEMA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA; HOLLYWOOD; IDENTITY IN FILMS; IDEOLOGY IN FILMS; MEDIA AND THE CINEMA; MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSICALS. USA; RACE AND THE CINEMA; THEATRE AND THE CINEMA; ANDREWS, JULIE; ASTAIRE, FRED; BERLIN, IRVING; FOSSE, BOB; HAMMERSTEIN, OSCAR, II; KERN, JEROME; MERMAN, ETHEL; ROBBINS, JEROME; SONDHEIM, STEPHEN; BLACK CROOK, THE (US, Robert G. Vignola, 1916); CABARET (US, Bob Fosse, 1972); CHICAGO (US, Rob Marshall, 2002); CHORUS LINE (US, Richard Attenborough, 1985); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); GYPSY (US, Emile Ardolino, 1994); MY FAIR LADY (US, George Cukor, 1964); OKLAHOMA! (US, Fred Zinneman, 1955); PRODUCERS, THE (US, Mel Brooks, 1967); SHOWBOAT (US, George Sidney, 1951); SOUND OF MUSIC, THE (US, Robert Wise, 1965); WEST SIDE STORY (US, Robert Wise, 1961)
Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKS
Notes: Includes bibliographic references and index
ISBN: 9780199987368
Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp

Call No: held Nov.1966- spring 1994
CorpAuthor: Producers and Directors Guild of Australia
Source: AT
Place: St. Leonards, N.S.W.
Publisher: The Guild
PubDate: 1994
Subject: DIRECTORS. AUSTRALIA; PRODUCERS. AUSTRALIA
Notes: Caption title
LON: abn94381827; 11279171

Call No: 81NOY PET
Author: Petzke, Ingo
Source: AT
Place: Sydney
Publisher: Pan Macmillan Australia
PubDate: 2004
PhysDes: xxix, 402 p., [16] p. of plates ; 25 cm. + 1 computer optical disc (12 cm.)
Subject: PRODUCERS; AUSTRALIA; USA; NOYCE, PHILLIP
Summary: " Phillip Noyce is one of the world's most successful directors. His credits cover the whole filmmaking spectrum, from Hollywood blockbusters to critics' favorites. But what sort of man is able to direct films as different as Newsfront, Dead Calm, Clear and Present Danger, The Bone Collector, Rabbit-Proof Fence and The Quiet American? Phillip Noyce: Backroads to Hollywood provides the answer. Brilliantly researched, it is the first full-length look at the director and his films, and has been written with unequalled access not only to Noyce himself but to many of the legends he has worked with. The reader is given the opportunity to see what it's really like on the set with actors such as Nicole Kidman, Harrison Ford, Angelina Jolie, Denzel Washington, Sharon Stone and Michael Caine, and to be responsible for projects that can make or break movie studios. The book is full of fascinating insights into Noyce's life and career - from his time as one of the first students of the Australian Film and Television school, working with a hand-held camera, to his career as the director of hugely successful Hollywood movies. It's also a remarkable look at the art of filmmaking and the complexities of the world's most powerful medium. Phillip Noyce: Backroads to Hollywood is a compellingly readable insider's view of the world of films, and the life and achievements of an Australian icon. Includes a CD-ROM containing hundreds of film stills, storyboards, an additional chapter and the author;s Hollywood diary. " -- BOOK JACKET
Notes: Includes index.; Computer disc in pocket inside back cover.; Includes bibliographical references and index.
ISBN: 1405035951
Contents: Introduction: Phillip Noyce - the man -- Pt. I. Australia (1950-1989): Capturing images of our own life -- 1. The early years -- 2. Film school and other short matters -- 3. Backroads -- 4. Newsfront -- 5. Heatwave -- 6. Kennedy Miller -- 7. Shadows of the Peacock (Echoes of Pradise) -- 8. Dead Calm -- Pt. II. Hollywood (1989-2000): Working in a candy store -- 9. Blind Fury -- 10. Patriot Games -- 11. Sliver -- 12. Clear and Present Danger -- 13. The Saint -- 14. The Bone Collector -- Pt. III. In touch with the world (2001)- -- 15. Rabbit-Proof Fence -- 16. The Quiet American -- 17. Phillip Noyce - the essence.

Author: James, David E.
PhysDes: Article
Subject: PRODUCERS; AUTEUR THEORY; WARHOL, ANDY
Summary: Article on the producer as a films auteur, focusing on Andy Warhol's influence on his art and films.

Call No: 802.72 NEW
Author: Newcomb, Horace; Alley, Robert S., 1932
Place: New York
Publisher: Oxford University Press
PubDate: 1983
PhysDes: xvii, 262 p. : ports. ; 22 cm
Subject: PRODUCERS. USA; VICTOR, DAVID; MANTLEY, JOHN; HAMNER, EARL; BURNS, ALLAN; TINKER, GRANT; MARTIN, QUINN; LEVINSON, RICHARD; LINK, WILLIAM; LEAR, NORMAN; BROOKS, JAMES L.; MARSHALL, GARRY; WALTONS, THE [TV] (US, 1972-81); GUNSMOKE [TV] (US, 1955-75); MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?)
Notes: Includes index
ISBN: 0195033477 : $17.95
LON: 83010991; 2796260

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PRODUCERS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRODUCERS A DOCUMENTARY, THE (AT, Joanne Parker, 1999)

Call No: held vol.1, no.2- winter 1997- incomplete
CorpAuthor: Producers and Directors Guild of Victoria
Source: AT
Place: Melbourne, Vic. : The Guild
PhysDes: v
Subject: PRODUCERS. AUSTRALIA; DIRECTORS. AUSTRALIA
Notes: Description based on: vol.1 no.2, winter 1997
LON: 14167769

Author: Harty, Jason
PhysDes: Article
Subject: SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA; AUSTRALIAN FILM FINANCE CORPORATION; PRODUCTION COSTS
Summary: Nick Herd, executive director of the Screen Producer's Association of Australia, praises amendments to the Film Finance Corporation guidelines.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PRODUCERS. AUSTRALIA

Call No: TITLE CLIPPINGS FILE; LICENCES. AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA; LICENCES. AUSTRALIA
Summary: The SPAA chief Matthew Deaner has supported the move by commercial TV networks to remove the $153 million annual licence fee. He argues that local production will suffer as commercial networks have to fight for influence against the rising tide of other viewing services who aren't encumbered with the same fee

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRODUCERS, THE (US, Mel Brooks, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PRODUCERS THE (US, Susan Stroman, 2005)

PhysDes: Article
Subject: PUBLISHING AND BROADCASTING LTD; AUSTRALIA; BROADCASTING. AUSTRALIA; PRODUCERS. AUSTRALIA
Summary: Article on Publishing & Broadcasting Theatrical now giving producers full rights to television, video, and theatrical pieces.

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); FIVE HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: SUBJECT CLIPPINGS FILE; CONFERENCES. AUSTRALIA. SCREEN PRODUCERS OF AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: CONFERENCES. AUSTRALIA. SCREEN PRODUCERS OF AUSTRALIA

Call No: 81REN REN
Author: Renoir, Jean
Place: Cambridge; New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xiii, 288 p. : ill. ; 24 cm.
Series: Cambridge studies in film
Subject: FILM; FRANCE; DIRECTORS; PRODUCERS; RENOIR, JEAN
Notes: Translation of: Entretiens et propos. Filmography: p. 264-279. Includes index
ISBN: 0521385938
Contents: Part I. Interviews in Cahiers du Cinema -- 1. First interview, by Jacques Rivette and Frano is Truffaut -- 2. Second interview, by Jacques Rivette and Frano is Truffaut -- 3. Third interview: My next films, by Michel Delahaye and Jean-Andre; Fieschi -- 4. Fourth interview: The progression of ideas, by Michel Delahaye and Jean Narboni -- Part II. Television Interviews -- 5. Jean Renoir talks about his art -- 6. Jean Renoir the boss, the search for relativity, the rule and its exception -- Part III. Remarks -- 7. Jean Renoir presents twenty of his films [for television] -- 8. Hollywood conversations [from Cahiers du cinema] -- Afterword -- Filmography -- Name index -- Title index

Call No: 70"196" COW
Author: Cowie, Peter
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2004
PhysDes: xviii, 286 p. : ports. ; 24 cm
Subject: PRODUCERS; HISTORY OF CINEMA. 1960's
Summary: "The 11-year span from 1958 to 1969 proved one of the most transformative and dynamic periods in cinema history, and film historian Cowie interweaves historical narrative and candid interviews with European filmmakers to chart the origins of this revolutionary celluloid expressionism and its later influence on American filmmakers such as Francis Ford Coppola and John Cassavettes. Movements such as Italian neo-realism, led by Luchino Visconti, Vittorio De Sica and Francesco Rosi, and the French New Wave reflected a post-World War II landscape brutalized by fascism and fascinated with the rise of communism. The period’s benchmark films, by mostly European directors and writers, shifted the camera lens to the character of society and away from the man who lives in it. "Rewriting the grammar of film," according to Cowie, was Jean Luc Godard, who launched the French New Wave movement with his 1960 film, a bout de souffle. With this and the endeavors of François Truffaut, Claude Chabrol and others, French filmmakers introduced a more natural, autobiographical style of moviemaking that accentuated the minutia and redundancy of life. Cowie also profiles less publicized pioneers, such as Andrzej Wajda, considered the Ingmar Bergman of Eastern Europe, who helped put Polish cinema back on the map after the country’s years of foreign occupation. In Britain, directors John Schlesinger, John Boorman and Carol Reed captured the bleak factory life of the proletariat and rebelled against social norms and the European class structure under the nose of the conservative British government. A comprehensive and engrossing study, the book ably illuminates the path from the 1960s explosion of ideas to their not-so-subversive presence in today’s art-house films." -- PUBLISHERS WEEKLY (WWW.AMAZON.COM)
Notes: Includes index; Includes bibliographical references
ISBN: 0571209033
Contents: -- acknowledgements -- introduction -- 1: once upon a time in the fifties -- 2: Cinephiles to Cineastes: France in transition -- 3: the realist's eye -- 4: the big new wave -- 5: burying papa's cinema -- 6: towards a fresh aesthetic -- 7: commitment comes in from the cold -- 8: aftermath: the impact on hollywood -- 10: the long goodbye -- notes -- interviews -- filmographies of directors interviewed -- index --

Author: Bishop, Rod
PhysDes: Article
Subject: BRENNAN, RICHARD; AUSTRALIAN FILM INSTITUTE; PRODUCERS. AUSTRALIA
Summary: Interview with Australian producer, and previous director of the Australian Film Institute, Richard Brennan.

Call No: SUBJECT CLIPPING FILE; WORKING CONDITIONS. AUSTRALIA
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: WORKING CONDITIONS. AUSTRALIA; SCREEN AUSTRALIA; FOXTEL; SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA; WOMEN IN FILM AND TELEVISION (WIFT)
Summary: Powerful film and television industry bodies including Screen Australia, Foxtel and Screen Producers Australia will work towards policies promoting safer workplaces in the wake of growing sexual harassment scandals here and overseas.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
Author: Mason, Max
PhysDes: Clippings File Article
Subject: SCREEN PRODUCERS AUSTRALIA; TAXES. AUSTRALIA; PRODUCTION, TV. AUSTRALIA
Summary: Report on the Screen Producers Australia submission to the Arts Inquiry, where the organisation has asked for the Producer's Tax Offset for television production to be set at the same rate as film production, which is 40 percent. Other suggestions including a measured approach to tv broadcasting deregulation are listed

Call No: PERSONALITY CLIPPINGS FILE; BROWN, GEOFF
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA; BROWN, GEOFF
Summary: Brief obituary of Australian producer Geoff Brown

Call No: SUBJECT CLIPPINGS FILE; AWARDS. SCREEN PRODUCERS AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. SCREEN PRODUCERS AUSTRALIA
Summary: List of nominees for the upcoming Screen Producers Australia Awards
Notes: similar article in The Age, same date, page 26, Title: Short cuts: producers announce awards finalists

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Mason, Max
PhysDes: Clippings
Subject: STATE AND TV. AUSTRALIA; SCREEN PRODUCERS AUSTRALIA
Summary: The Screen Producers of Australia argue that the majority of policy decisons made by the federal government in the last 3 years have had a negative impact

Call No: 761 YEL
Author: Yellin, David G
Place: New York London
Publisher: Macmillan Collier-Macmillan
PubDate: 1973
PhysDes: x, 289 p. : ill., ports ; 25cm
Subject: DIRECTORS; DOCUMENTARIES; DOCUMENTARY DRAMAS; HISTORY OF TV; PRODUCERS; TELEVISION JOURNALISM; FREED, FRED
Summary: "Special chronicles the development of the television documentary - from its beginnings after World War II to the present - through the life and work of Fred Freed, pioneer in the radio and television documentary [...] In tracing Freed's career, David G. Yellin presents much more than a fascinating biography of a master documentary film producer. His unique book also discusses the documentary's form, from conception to telecast, and will prove illuminating not only to those with a professional interest in the field of broadcasting, but to every viewer who has ever seen a documentary and wondered how it was put together." -- BOOK BLURB
Notes: Television programmes. Documentaries. Production. Freed, Fred (BNB/PRECIS); Includes index
ISBN: 0026329700 : ª4.95
LON: 3518634

Call No: held Oct. 1980-Feb. 1982
CorpAuthor: Producers and Directors Guild of Australia
Source: AT
Place: [St. Leonards, N.S.W.]
Publisher: The Guild
PubDate: 1980-1982
PhysDes: v. ; 21-30 cm
Subject: Producers and Directors Guild of Australia Periodicals
Notes: Caption title
LON: abn84208866; 3378997

Call No: 802.25(94) THI
Author: Caputo, Raffaele; Burton, Geoff
Source: AT
Place: Crows Nest, NSW
Publisher: Allen & Unwin
PubDate: 2002
PhysDes: xiii, 215 p. : ill. ; 23 cm
Subject: PRODUCERS. AUSTRALIA; PRODUCTION; DIRECTION; DIRECTORS. AUSTRALIA; DE HEER, ROLF; DOMINIK, ANDREW; ELLIS, BOB; HUNTER, BILL; LEVY, CURTIS; NOYCE, PHIL; O'ROURKE, DENNIS; SEALE, JOHN; WEIR, PETER; NEWSFRONT (AT, Phillip Noyce, 1978)
Notes: Includes index.
ISBN: 1865085073

Call No: 802(047.53) TIB
Author: Tibbetts, John C.; Thomson, David (foreword)
Source: UK/US
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: xi, 235 pages : illustrations (black and white) ; 23 cm
Subject: DIRECTORS; FILM WORKERS; HOLLYWOOD; PRODUCERS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA
Summary: "Those Who Made It is a collection of original interviews conducted over a span of more than thirty-five years by film historian, educator and broadcaster, John C. Tibbetts. Captured are the voices of prominent film personnel chronicling at first-hand the behind-the-scenes story of Hollywood in its classical studio period. Interviewees include Steven Spielberg, Robert Altman, Bernardo Bertolucci, Terry Gilliam, Jim Henson, and Philip Glass. " -- BOOK BACK COVER BLURB
Notes: Includes bibliographical references and index
ISBN: 9781137541901
Contents: -- List of Figures -- Foreword by David Thomson-- Acknowledgments -- Introduction: Interviews and Conversations -- 1 Innovations in 1920s and 1930s Hollywood Cinematography, Sound Technology, and Feature-Length Animation -- Cinematographer Glen MacWilliams: “We were trained by trial and error!” -- Sound engineer Bernard B. Brown: “Now hear this!” -- Animator Ollie Johnston: “We are just actors with a pencil!” -- 2 Hollywood at Home and at War in the 1940s -- Producer John Houseman: “It was a great magic act!” -- Catherine Wyler and the crew of The Memphis Belle: “In the crossfire of history and fiction” -- 3 Cold War Film and Television in the 1950s -- Writer Ray Bradbury: “All my short stories can be shot right off the page!” -- Television showman “Buffalo Bob” Smith: “Fifty years later Howdy is still just ten years old!” -- Hollywood stuntman Richard Farnsworth: “The ground got too hard!” -- 4 “New Hollywood” Filmmakers in the 1970s and 1980s -- Director Robert Altman: “My films are not factual; they are truthful!” (Additional remarks from set designer Stephen Altman) -- Director Steven Spielberg on The Color Purple: “I didn’t want to make another E.T.!” (Additional remarks from actress Whoopi Goldberg) -- Cinematographer Allen Daviau: “Every film I do is a year out of my life!” -- Director Terry Gilliam: “I see things with cartoonist’s eyes!” -- Director Michael Moore: “I’m supposed to be making a Buick!” (Additional remarks from producer Wendey Stanzler) -- Producer Jim Henson: “Kermit is always here!” (Additional remarks from production assistant Cheryl Henson) -- Special effects producer Richard Edlund: “You only see the stars from the dark side of the moon!” -- Film editor Neal Travis: “I’m creating a pattern!” -- 5 Late Twentieth Century Cultural Inclusion -- Director Bernardo Bertolucci: “Movies are my sand mandalas!” -- Director Wayne Wang: “Epic radiance!” -- Director Mira Nair: “I love to choreograph the chaos!” -- Director George Miller: “People understand car crashes in any language!” -- Composer Philip Glass: “Films become history quicker than any other art!” -- Film critic Roger Ebert: “Everybody’s a critic!” -- 6 Epilogue: Past is Prologue 197 Film preservationist Kevin Brownlow: “I never expected to make my living at film preservation!” -- Composer Carl Davis: “Why don’t I try to score a complete silent film?” -- Notes -- Index --

Author: Ansara, Martha
PhysDes: Article; Illustration(s)
Subject: DOCUMENTARIES. AUSTRALIA; OUR PARK (AT, Gillian Leahy, 1997); PRODUCERS: A DOCUMENTARY, THE (AT, Joanne Parker, 1999); WHITEYS LIKE US (AT, Tom Zubrycki, 1999)
Summary: Detailed review of three Australian documentaries.

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; CHETTY, DEVESH; CLARK, AL; GUDINSKI, MICHAEL; HANNAY, DAVID; KNIGHT, ANDREW; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIA
Author: White, Dominic
PhysDes: Clippings File Article
Subject: COPRODUCTION. AUSTRALIA; DENMARK; SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA
Summary: Report on Australia and Denmark looking to enter into a coproduction agreement, with the involvement of Screen Producers Australia. Mentions of recently completed coproduction agreement for Australia with Malaysia and a AV agreement with Keora

Call No: 81FOX SIN
Author: Sinclair, Upton
Source: US
Place: Los Angeles CA
Publisher: Sinclair Upton
PubDate: c1933
PhysDes: xvii, 377 p. : front. (port.) ; 22 cm
Subject: MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; FINANCING. USA
Language: English

Call No: 802.24 NOR
Author: Marc Norman
Edition: 2008
Place: London
Publisher: Aurum
PubDate: 2007
PhysDes: 554 pages : illustrations ; 25 cm
Subject: ACADEMY AWARDS; BLACKLISTING. USA; BEATTY, WARREN; BOGART, HUMPHREY; BRANDO, MARLON; CHAYEFSKY, PADDY; COLUMBIA PICTURES; COPPOLA, FRANCIS FORD; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; FITZGERALD, F. SCOTT; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HITCHCOCK, ALFRED; HUSTON, JOHN; JONZE, SPIKE; KEITEL, HARVEY; KOCH, HOWARD; KUBRICK, STANLEY; LARDNER, RING, Jr.; LOOS, ANITA; MANKIEWICZ, HERMAN J.; MANKIEWICZ, JOSEPH L.; MILIUS, JOHN; NICHOLSON, JACK; PENN, ARTHUR; PORTER, EDWIN S.; SCHRADER, PAUL; SOUTHERN, TERRY; SPIELBERG, STEVEN; STEWART, DONALD OGDEN; TARANTINO, QUENTIN; WEINSTEIN, HARVEY; ZANUCK, DARRYL F.; ZUKOR, ADOLPH; AMERICAN GRAFFITI (US, George Lucas, 1973); ALTERED STATES (US, Ken Russell, 1980); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BONNIE AND CLYDE (US, Arthur Penn, 1967); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EASY RIDER (US, Dennis Hopper, 1969); INFORMER, THE (US, John Ford, 1935); RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969); STAR WARS (US, George Lucas, 1977)
ISBN: 9781845133245

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: 1st ed
Source: US
Place: Los Angeles, CA
Publisher: Renaissance Books
PubDate: c1999
PhysDes: 399 p. ; 24 cm
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; DIRECTORS. USA; PRODUCERS. USA; SCRIPTWRITERS. USA; ACTORS; BASS, RON; BEATTY, WARREN; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; EISNER, MICHAEL; Gibson, Mel; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); KATZENBERG, JEFFREY; NICHOLS, MIKE; NICHOLSON, JACK; OVITZ, MIKE; POLANSKI, ROMAN; REDFORD, ROBERT; RIFKIN, ARNOLD; SCHWARZENEGGER, ARNOLD; SPIELBERG, STEVEN; STALLONE, SYLVESTER; WILDER, BILLY
Summary: "Who killed hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns from Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone any star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios haver diverted thie energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies of salable objects- natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All are subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethian times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by the conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers." - BOOK JACKET
Notes: Includes index
ISBN: 1580631169
LON: 21362029

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA
Summary: Contact details and brief filmography for Australian producers.

Call No: 22(73) BRO
Author: Brouwer, Alexandra; Wright, Thomas Lee
Source: US
Place: New York
Publisher: Crown Publishers
PubDate: c1990
PhysDes: xii, 546 pages ; 25 cm
Subject: ADVERTISING FOR FILMS; ANIMALS IN FILMS; ART DIRECTION; CAMERAS; CASTING; CHOREOGRAPHY; CINEMATOGRAPHY; COMPOSERS; COSTUME DESIGNERS; DIRECTION; DISTRIBUTION; EDITING; EXHIBITION; FINANCING; LAW AND THE CINEMA; LOCATION HUNTING; LOCATION SHOOTING; MAKE-UP ARTISTS; MUSIC IN FILMS; POST-PRODUCTION; PRE-PRODUCTION; PRODUCERS; PRODUCING; PRODUCTION; PROJECTION; SCRIPTWRITING; SET DESIGNING; SOUND; SPECIAL EFFECTS; STUNTS
Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]
Notes: Includes index
ISBN: 0517574012; 9780517574010
Donation: Simon Wincer
Contents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --