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book		American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979. Call No: 409(73) AME Author: O'Connor, John E; Jackson, Martin A Place: New York Publisher: Ungar PubDate: c1979 PhysDes: xxix, 290 p. : ill. ; 22 cm Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; BLACKS IN FILMS. USA; BLACKS AND THE CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282 ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95 LON: 1282547 More info
book		Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987. Call No: 71(94) MCF Author: McFarlane, Brian, 1934 Place: London Publisher: Secker & Warburg PubDate: 1987 PhysDes: 237 p. : ill. ; 24 cm Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; GENDER AND THE CINEMA. AUSTRALIA; CHILDREN IN FILMS. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA Notes: Australian cinema films,. 1970-1985 (BNB/PRECIS); Includes index; Bibliography: p. 226 ISBN: 0436270234 (cased) : ¦12.95; 0436270226 (pbk) : ¦7.95 LON: bnb43627023; 4517972 More info
book		Australian images / Barrie McMahon, Robyn Quin Marrickville, N.S.W.: Science Press, 1990. Call No: 408.1(94) MCM Author: McMahon, Barrie; Quin, Robyn Place: Marrickville, N.S.W. Publisher: Science Press PubDate: 1990 PhysDes: 154 p. : ill. ; 25 cm Subject: DOCUMENTARY FILMS. AUSTRALIA; AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; STARS. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; COMEDIES. AUSTRALIA Notes: Includes index; For senior secondary school students; Bibliography: p. 147-148 ISBN: 085583174X (pbk.) LON: 7030358 More info
book		Australian movies and the American dream / Glen Lewis New York: Praeger, 1987. Call No: 71(94) LEW Author: Lewis, Glen, 1943 Place: New York Publisher: Praeger PubDate: 1987 PhysDes: xiv, 215 p., [2] p. of plates : ill. ; 25 cm Series: Media and society series Subject: NATIONAL IDENTITY IN FILMS. AUSTRALIA; AUSTRALIA Notes: Includes indexes; Bibliography: p. [203]-207 ISBN: 0275926753 (alk. paper) : $35.85 LON: 87014590; 5332200 More info
book		Back of beyond : discovering Australian film and television / presented by the Australian Film Commission and the UCLA Film and Television Archive in association with the Australian Bicentennial Authority ; catalogue editor, Scott Murray North Sydney: Australian Film Commission, 1988. Call No: 71(94) BAC Copy Management: Copy 1; Copy 2 Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial Authority Place: North Sydney Publisher: Australian Film Commission PubDate: 1988 PhysDes: viii, 112 p. : ill., ports. ; 23 cm Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; AUSTRALIAN ABORIGINES IN FILM; WOMEN FILMMAKERS. AUSTRALIA; MILLER, GEORGE; HAYES, TERRY; KENNEDY MILLER ENTERTAINMENT; LANDSCAPES IN FILMS. AUSTRALIA; SEMI-DOCUMENTARIES. AUSTRALIA Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copy ISBN: 0731643909 LON: 6280621 Contents: George Miller, p34-43 -- Terry Hayes, p44-51. URL status: URL: 'http://-' Checked: 31/08/2021 12:34:43 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990. Call No: 408.1(94) MOL Author: Molloy, Bruce Place: St. Lucia, Qld. Publisher: University of Queensland Press PubDate: 1990 PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cm Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; AUSTRALIAN ABORIGINES IN FILM; FAMILY IN FILMS. AUSTRALIA; MYTH AND THE CINEMA; CINESOUND STUDIOS; CHAUVEL, CHARLES; BITTER SPRINGS (AT, Ralph Smart, 1950); HERITAGE (AT, Charles Chauvel, 1935); ON OUR SELECTION (AT, Ken G. Hall, 1932); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); DAD RUDD M.P. (AT, Ken G. Hall, 1940); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); IT ISN'T DONE (AT, Ken G. Hall, 1937); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SHIRALEE, THE (AT, Leslie Norman, 1957); SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229 ISBN: 0702222690 (pbk.) LON: 6791823 Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69 More info
book		Berlin replayed : cinema and urban nostalgia in the postwall era / Brigitta B. Wagner Minneapolis: University of Minnesota Press, 2015. Call No: 408.1 (430) WAG Author: Wagner, Brigitta B. Source: US Place: Minneapolis Publisher: University of Minnesota Press PubDate: 2015 PhysDes: x, 299 pages : illustrations, maps ; 26 cm Subject: NOSTALGIA IN FILMS; URBAN LIFE IN FILMS; GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; POLITICS IN THE CINEMA; RUN LOLA RUN (G, Tom Tykwer, 1998); BERLIN: SYMPHONY OF A GREAT CITY (G, Walter Ruttman, 1927); WINGS OF DESIRE (GW/FR, Wim Wenders, 1987) Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURB Notes: Includes bibliographical references and index ISBN: 9780816691746 Donation: donated by Senses of Cinema Contents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again More info
book		Black film, British cinema London: Institute of Contemporary Arts, 1988. Call No: 451-054(=9) BLA CorpAuthor: Institute of Contemporary Arts (London, England) Place: London Publisher: Institute of Contemporary Arts PubDate: 1988 PhysDes: 62 p. : ill. ; 30 cm Series: ICA documents ; 7 Subject: NATIONAL IDENTITY IN FILMS. UK; BLACKS AND THE CINEMA. UK; BLACK FILMMAKERS. UK; BLACKS IN FILMS. UK; ASIANS IN FILMS. UK; BLACK AUDIO FILM COLLECTIVE; SANKOVA FILM AND VIDEO COLLECTIVE; CHANNEL FOUR; HANDSWORTH SONGS (UK, John Akomfrah, 1986); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical references ISBN: 0905263960 LON: 6631335 More info
book		Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993. Call No: 408.1(46) KIN Author: Kinder, Marsha Place: Berkeley Publisher: University of California Press PubDate: 1993 PhysDes: xi, 553 p. : ill. ; 24 cm Subject: SPAIN; INDUSTRY, FILM. UK; NATIONAL CULTURE AND THE CINEMA. SPAIN; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; VIOLENCE IN FILMS. SPAIN; DIRECTORS. USA; ERICE, VICTOR; SAURA, CARLOS; ALMODOVAR, PEDRO; BUNUEL, LUIS; SURCOS (SP, Jose Antonio Nieves Conde, 1951); MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955); GOLFOS, LOS (SP, Carlos Saura, 1959); COCHECITO, EL (SP, Marco Ferreri, 1959); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and index ISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper) LON: 9293143 More info
book		Cinema and Ireland / Kevin Rockett, Luke Gibbons, and John Hill Syracuse, N.Y.: Syracuse University Press, 1988. Call No: 71(417) ROC Author: Rockett, Kevin; Gibbons, Luke; Hill, John (W. John) Edition: 1st ed Place: Syracuse, N.Y. Publisher: Syracuse University Press PubDate: 1988 PhysDes: xiii, 274 p., [8] p. of plates : ill. ; 23 cm Subject: REPUBLIC OF IRELAND; NATIONAL IDENTITY IN FILMS. REPUBLIC OF IRELAND Notes: Includes index; Bibliography: p. 258 ISBN: 0815624247 LON: 4776045 4776045 More info
book		Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994. Call No: 408.1(5) COL Author: Dissanayake, Wimal Place: Bloomington Publisher: Indiana University Press PubDate: 1994 PhysDes: xxix, 224 p. ; 25 cm Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CHINA; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Notes: Includes bibliographical references and index ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper) LON: 10720440 URL status: URL: 'http://-' Checked: 31/08/2021 12:35:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994. Call No: 408.1(5) COL Author: Dissanayake, Wimal Place: Bloomington Publisher: Indiana University Press PubDate: 1994 PhysDes: xxix, 224 p. ; 25 cm Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CHINA; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Notes: Includes bibliographical references and index ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper) LON: 10720440 URL status: URL: 'http://-' Checked: 31/08/2021 1:09:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Contemporary Spanish cinema / Barry Jordan and Rikki Morgan-Tamosunas Manchester: Manchester University Press, 1998. Call No: 71(46) JOR Author: Jordan, Barry, 1950; Morgan-Tamosunas, Rikki Place: Manchester Publisher: Manchester University Press PubDate: 1998 PhysDes: vi, 216 p. : ill. ; 24 cm Subject: SPAIN; COMEDIES. SPAIN; THRILLERS. SPAIN; FANTASTIC FILMS. SPAIN; SCIENCE-FICTION FILMS. SPAIN; HORROR FILMS. SPAIN; GENDER AND THE CINEMA; WOMEN IN FILMS; MEN IN FILMS; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; SPAIN: BASQUE COUNTRY; HISTORY AND THE CINEMA. SPAIN; ALMODOVAR, PEDRO; BIGAS LUNA; GARCI, JOSE LUIS; MEDEM, JULIO; MIRO, PILAR; SAURA, CARLOS; TRUEBA, FERNANDO; COLMENA, LA (SP, Mario Camus, 1982); NADIE HABLARA DE NOSOTRAS CUANDO HAYAMOS MUERTO (SP, Agustin Diaz Yanes, 1995) Notes: Includes bibliographical references and index ISBN: 071904412X (hbk.); 0719044138 (pbk.) LON: abn98241412; 14031781 More info
book		Culture, difference and the arts / edited by Sneja Gunew and Fazal Rizvi St Leonards, NSW, Australia: Allen & Unwin, 1994. Call No: 408.3(94) CUL Author: Gunew, Sneja; Rizvi, Fazal, 1950 Place: St Leonards, NSW, Australia Publisher: Allen & Unwin PubDate: 1994 PhysDes: xvi, 216 p. : ill. ; 22 cm Subject: CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; TELEVISION. AUSTRALIA; Australian Broadcasting Tribunal; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN ABORIGINAL CINEMA; SOAP OPERAS. AUSTRALIA; AUSTRALIA COUNCIL Notes: Includes bibliographical references and index ISBN: 1863737421 LON: 10833853 More info
book		Cultures on celluloid / Keith Reader London New York: Quartet Books, 1981. Call No: 408.1REA Author: Reader, Keith Place: London New York Publisher: Quartet Books PubDate: 1981 PhysDes: 216 p., [8] p. of plates : ill. ; 24 cm Subject: NATIONAL IDENTITY IN FILMS. JAPAN; NATIONAL IDENTITY IN FILMS. FRANCE; NATIONAL IDENTITY IN FILMS. UK; NATIONAL IDENTITY IN FILMS. USA; NOUVELLE VAGUE; FILM NOIR; RENOIR, JEAN; OZU YASUJIRO; KUROSAWA AKIRA; MIZOGUCH KENJI; OSHIMA NAGISA; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); GONE WITH THE WIND (US, Victor Fleming, 1939) Notes: Includes index; Bibliography: p. [200]-202; Filmography: p. [203]-209 ISBN: 0704322722 LON: 2099506 ID2: 291 More info
book		The curse of the Lucky Country : the inaugural Donald Horne lecture / by Anne Summers Clayton, Vic.: Ideas for Australia 1991-92 Program in association with the National Centre for Australian Studies, Monash University., Call No: 10857 Author: Summers, Anne Edition: 1991 Place: Clayton, Vic. Publisher: Ideas for Australia 1991-92 Program in association with the National Centre for Australian Studies, Monash University. PhysDes: 32 pages ; 26 cm Subject: AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY AND AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA ISBN: 9780732602505 More info
book		The documentary : politics, emotion, culture / Belinda Smaill Basingstoke, England: Palgrave Macmillan, 2010. Call No: 761 SMA Author: Smaill, Belinda Source: UK Place: Basingstoke, England Publisher: Palgrave Macmillan PubDate: 2010 PhysDes: vii, 221 p. : ill. ; 23 cm Subject: ASIAN COUNTRIES; CHILDREN AND THE CINEMA; CHILDREN IN FILMS; CULTURE AND THE CINEMA; DOCUMENTARIES; DOCUMENTARIES. AUSTRALIA; EMOTION IN FILMS; FEMINISM AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IMMIGRATION IN FILMS AND TELEVISION; PSYCHOLOGY AND THE CINEMA; REALITY TV; SEX IN FILMS; SOCIAL PROBLEMS IN FILMS; THEORY; VIEWERS; WOMEN FILMMAKERS; LOVELACE, LINDA; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004); CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998); ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002); INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURB Notes: Includes bibliographical references (p. 200-209) and index ISBN: 9780230237513 (hbk.) Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index -- More info
book		An Examination of Australian cultural identity as depicted in four Australian films : The Adventures of Barry McKenzie, Alvin Purple, Sunday too far away and Picnic at Hanging Rock / by Sue Ramadan Kensington, NSW : [s.n.], 1976: Call No: 408.1(94) RAM Author: Ramadan, Sue Place: Kensington, NSW : [s.n.], 1976 PhysDes: [79 leaves] ; 30 cm Subject: NATIONAL IDENTITY IN FILMS. AUSTRALIA; AUSTRALIA; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ALVIN PURPLE (AT, Tim Burstall, 1973) LON: abn98366333; 14228501 More info
book		Feminism at the movies : understanding gender in contemporary popular culture / Edited by Hilary Radner and Rebecca Stringer London ; New York: Routledge, 2011. Call No: 744.7 FEM Author: Radner, Hilary; Stringer, Rebecca Source: US Place: London ; New York Publisher: Routledge PubDate: 2011 PhysDes: ix, 310 pages : illustrations ; 23 cm Subject: BISEXUALITY IN FILMS; FEMINISM AND THE CINEMA; GENRES; HOLLYWOOD; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACE AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); FORTY YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005) Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB Notes: Includes list of figures, bibliographical references and index ISBN: 9780415895880 Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index More info
journal article		Film and TV reviews : Fair dinkum on the western front - Anzacs in Cinema papers (January 1986) iss.55 p.63-63 Author: Mayer, Geoff PhysDes: Article Subject: AUSTRALIAN IDENTITY IN FILMS; ANZACS [TV] (AT, Pino Amenta, John Dixon & George T. Miller, 1985); THEY WERE EXPENDABLE (US, John Ford, 1945) Summary: Review on the Australian mini-series "Anzacs" that draws parallels to thematic similarities with John Ford's "They Were Expendable" but notes that execution between the two productions is vastly different. Geoff Mayer particularly highlights the deficiencies of "Anzac" involve repetitive presentation of issues, too simplistic character construction, and the obviousness of dialogue Notes: Full-length review. - credits. -illus. ID2: 94 More info
book		From Hitler to Heimat : the return of history as film / Anton Kaes Cambridge, Mass.: Harvard University Press, 1989. Call No: 744(=924)(430) KAE Author: Kaes, Anton Place: Cambridge, Mass. Publisher: Harvard University Press PubDate: 1989 PhysDes: xiii, 273 p. : ill. ; 25 cm Subject: GERMANY; NATIONAL CULTURE AND THE CINEMA. GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; MYTH AND THE CINEMA. GERMANY; HEIMAT FILMS; GENOCIDE IN FILMS; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977); PATRIOTIN, DIE (GW, Alexander Kluge, 1979); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); HEIMAT: EINE DEUTSCHE CHRONIK [TV] (GG, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [TV] (GG, Edgar Reitz, 1984) Notes: Rev. and enl. translation of: Deutschlandbilder; Includes index ISBN: 0674324552 (alk. paper) LON: 6295319 More info
book		Genre, gender, race and world cinema : an anthology / Edited by Julie F. Codell Malden, Massachusetts: Blackwell Publishing, 2006. Call No: 62(082) GEN Author: Codell, Julie F. Source: US Place: Malden, Massachusetts Publisher: Blackwell Publishing PubDate: 2006 PhysDes: ix, 474 pages ; 25 cm Subject: ASIANS IN FILMS; BOLLYWOOD; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM; FILM NOIR; GENDER AND THE CINEMA; GENRES; WORLD CINEMA; GLOBALISATION; RACE AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IRAN; MELODRAMA; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACE AND THE CINEMA; RACIAL PROBLEMS IN FILMS; RACIAL STEREOTYPES IN FILMS; WORLD CINEMA; KAIGE, CHEN; NAIR, MIRA; CRYING GAME, THE (UK, Neil Jordan, 1992); FIGHT CLUB (US, David Fincher, 1999); HSI YEN (TZ, Ang Lee, 1993); INDIAN IN THE CUPBOARD, THE (US, Frank Oz, 1995); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); POCAHONTAS (US, Mike Gabriel & Eric Goldberg, 1995); SMOKE SIGNALS (US, Chris Eyre, 1998); ALL ABOUT MY MOTHER (SP/FR, Pedro Almodovar, 1999) SEE TODO SOBRE MI MADRE; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); TRAFFIC (US, Steven Soderbergh, 2000) Summary: "a collection of essays that introduces the study of film theory through contemporay issues...Using four topics- genre, gender, race, and 'third cinema' - the book encourages critical discussions of films by students with a beginner's knowledge of film history. American, Asian, European and African cinema are all included." ISBN: 1405132337 Contents: Preface -- General introduction: film and identities --; Part I Genres: ever-changing hybrids -- Introduction and further reading -- Conclusion: a semantic/syntactic/pragmatic approach to genre: Rick Altman -- Film bodies: gender, genre, and excess: Linda Williams -- The body and Spain: Pedro Almodovar's 'All About My Mother': Ernesto R. Acevedo-Munoz -- Enjoy your fight! - 'Fight Club' as a symptom of the network society: Bulent Diken and Carsten Bagge Laustsen -- Film and changing technologies: Laura Kipnis -- Postmodern cinema and Hollywood culture in an age of corporate colonization: Carl Boggs and Tom Pollard --; Part II Genders: more than two -- Introduction and further reading -- Mobile identities, digital stars, and post cinematic selves: Mary Flanagan -- "Nothing is as it seems": re-viewing 'The Crying Game': Lola Young -- Crying over the melodramatic penis: melodrama and male nudity in the films of the 90s: Peter Lehman -- Travels with Sally Potter's 'Orlando': gender, narrative, movement: Julianne Pidduck -- Body matters: the politics of provocation in Mira Nair's films: Alpana Sharma -- Cowgirl Tales: Yvonne Tasker --; Part III Race: stereotypes and multiple realisms -- Introduction and further reading -- The family changes colour: interracial families in contemporary Hollywood cinema: Nicola Evans -- Black on white: film noir and the epistemology of race in recent African American cinema: Dan Flory -- Becoming Asian American: Chan is missing: Peter X. Feng -- 'The Wedding Banquet': global Chinese cinema and the Asian American experience: Gina Marchetti -- Another fine example of the oral tradition? Identification and subversion in Sherman Alexie's 'Smoke Signals': Jhon Warren Gilroy -- Playing Indian in the nineties: 'Pocahontas' and 'The Indian in the Cupboard': Pauline Turner Strong -- "You are alright, but..." Individual and collective representations of Mexicans, Latinos, Anglo-Americans and African-Americans in Steven Soderbergh's 'Traffic': Deborah Shaw --; Part IV World cinema: joining local and global -- Introduction and further reading -- Theorizing "third-world" film spectatorship: the case of Iran and Iranian cinema: Hamid Naficy -- The open image: poetic realism and the new Iranian cinema: Shohini Chaudhuri and Howard Finn -- The seductions of homecoming: place, authenticity and Chen Kaige's 'Temptress Moon': Rey Chow -- Cultural identity and diaspora in contemporary Hong Kong cinema: Julian Stringer -- "And yet my heart is still Indian": the Bombay film industry and the (H)indianization of Hollywood: Tejaswini Ganti -- Future past: integrating orality into Francophone West African film: Melissa Thackway -- Acknowledgements More info
book		Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994. Call No: 451-01(73) JEF Author: Jeffords, Susan, 1953 Place: New Brunswick, N.J. Publisher: Rutgers University Press PubDate: 1994 PhysDes: 212 p. : ill. ; 23 cm Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and index ISBN: 0813520029; 0813520037 (pbk.) LON: 9874831 More info
book		Identity anecdotes : translation and media culture / Meaghan Morris London: Sage Publications, 2006. Call No: 401 MOR Author: Morris, Meaghan Source: UK Place: London Publisher: Sage Publications PubDate: 2006 PhysDes: x, 250p. : 25cm. Subject: CULTURE AND THE CINEMA; IDENTITY IN FILMS; NATIONAL IDENTITY AND THE CINEMA Summary: "How is identity produced in global textual environments? What forms of narrative generate solidarity in a world in which globalization and trans-nationality can often appear to be a fait accompli? This brilliant, coruscating book, written by one of the most formidable and original thinkers in Cultural Studies, examines questions of nationality, identity, the use of anecdote to build solidarity and the role of institutions in shaping culture. Ranging across many fields, including film and media, gender, nationality, globalization and popular culture, it provides a mind-clearing exercise in recognizing what culture is, and how it works, today. Illustrated with a fund of relevant and insightful examples, it addresses the central questions in cultural studies today: identity, post-identity, the uses of narrative and textual analysis, the industrial organization of solidarity and the opportunities and dilemmas of globalization. Penetrating, arresting and inimitable, the book is a major contribution to the field of Cultural Studies. It will be of interest to students of Cultural Studies, Media, Film and Cultural Sociology. Notes: Includes index ISBN: 139780761961161 Language: English More info
book		Images of Australia : 100 films of the new Australian cinema / Neil Rattigan Dallas: Southern Methodist University Press, 1991. Call No: 71(94) RAT Author: Rattigan, Neil, 1946 Edition: 1st ed Place: Dallas Publisher: Southern Methodist University Press PubDate: 1991 PhysDes: ix, 338 p. : ill. ; 25 cm Subject: AUSTRALIA; MYTH AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA Notes: Includes index; Bibliography: p. [337]-338 ISBN: 0870743139 (pbk); 0870743120 (hdcvr) LON: 7765376 URL status: URL: 'http://-' Checked: 31/08/2021 12:34:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Indonesian cinema : framing the new order / Krishna Sen London Atlantic Highlands, N.J.: Zed Books, 1994. Call No: 71(594) SEN Author: Sen, Krishna, 1954 Place: London Atlantic Highlands, N.J. Publisher: Zed Books PubDate: 1994 PhysDes: x, 188 p. : ill. ; 22 cm Subject: INDONESIA; POLITICS AND THE CINEMA. INDONESIA; NATIONAL IDENTITY IN FILMS. INDONESIA Notes: Includes bibliographical references and index ISBN: 1856491234 (Hb); 1856491242 (Pb) LON: 10834979 More info
book		Irish and African American Cinema : identifying others and performing identities, 1980-2000 / Maria Pramaggiore Albany: State University of New York Press, 2007. Call No: 451-054(=1 .415/.73) PRA Author: Pramaggiore, Maria Source: US Place: Albany Publisher: State University of New York Press PubDate: 2007 PhysDes: ix, 245 p. : ill. ; 24 cm Series: The SUNY series, cultural studies in cinema/video Subject: BLACKS IN FILMS; BLACKS AND THE CINEMA; WHITES IN FILMS; HISTORY OF CINEMA. IRELAND; HISTORY OF CINEMA. USA; IDENTITY IN FILMS; THEORY; LEE, SPIKE; JORDAN, NEIL Summary: "Focusing on two film traditions not normally studied together, Maria Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He Got Game, arguing that these films foreground practices of character identification that complicate essentialist notions of national and racial identity. The porous sense of self associated with moments of identification in these films offers a cinematic counterpart to W. E. B. Du Bois's potent concept of double consciousness, an epistemological standpoint derived from experiences of colonization, racialization, and cultural disruption. Characters in these films, Pramaggiore suggests, reject the national paradigm of insider and outsider in favor of diasporic both/and notions of self, thereby endorsing the postmodern concept of identity as performance."--BOOK JACKET. Notes: Formerly CIP; Includes bibliographical references (p. 209-237) and index ISBN: 9780791470954 Contents: Ch. 1. Identifying others -- Ch. 2. Sampling blackness : music and identification in the films of Neil Jordan and Spike Lee -- Ch. 3. "It's a wise child that knows his own father" : pregnant performances and maternal mythologies -- Ch. 4. Culturing violence : masculine identification in Irish and African American gangster films -- Ch. 5. "Both sides of the epic" : identification and the nonessentialist Western -- Conclusion : film identification and postmodern identity politics. More info
book		Island in the stream : myths of place in Australian culture / edited by Paul Foss Leichhardt, N.S.W.: Pluto Press, 1988. Call No: 408.1(94) ISL Author: Foss, Paul Place: Leichhardt, N.S.W. Publisher: Pluto Press PubDate: 1988 PhysDes: 235 p. : ill. (some col.), facsims., maps ; 25 cm Subject: MYTH AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; CINEPHILIA; CHAUVEL, CHARLES; GREENHIDE (AT, Charles Chauvel, 1926); HERITAGE (AT, Charles Chauvel, 1935) Notes: Includes bibliographical references ISBN: 0949138231 (pbk.) LON: 6096440 More info
book		Japanese cinema : film style and national character / Donald Ritchie London: Secker & Warburg, 1971. Call No: 71(52) RIC Author: Richie, Donald, 1924 Place: London Publisher: Secker & Warburg PubDate: 1971 PhysDes: xiv, 250 p. : ill. ; 23 cm Subject: JAPAN; NATIONAL IDENTITY IN FILMS. JAPAN Notes: 1961 ed. published under title: Japanese movies; Includes index ISBN: 0436413507 LON: 1781748 1781748 More info
book		Looks and frictions : essays in cultural studies and film theory / Paul Willemen Bloomington London: Indiana University Press British Film Institute, 1994. Call No: 62(081) WIL Author: Willemen, Paul CorpAuthor: British Film Institute Place: Bloomington London Publisher: Indiana University Press British Film Institute PubDate: 1994 PhysDes: 263 p. ; 25 cm Subject: THIRD CINEMA; NATIONAL IDENTITY IN FILMS; NATIONAL CULTURE AND THE CINEMA; BAHTIN, MIHAIL; BRECHT, BERTOLT; FASSBINDER, RAINER WERNER; METZ, CHRISTIAN; MULVEY, LAURA; OSHIMA, NAGISA; ROCHA, GLAUBER; SIRK, DOUGLAS; OPHULS, MAX; DWOSKIN, STEPHEN; EPSTEIN, JEAN; GITAI, AMOS; KING, NOEL; SOLANAS, FERNANDO E.; TOKYO SENSO SENGO HIWA (JA, Nagisa Oshima, 1971) Notes: Includes bibliographical references and index ISBN: 0851703992 (pbk.); 0851703984 LON: 10340810 ID2: 346 URL status: URL: 'http://-' Checked: 31/08/2021 12:35:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Mapping the imaginary : Ross Gibson's Camera natura / by Deane Williams. With Camera natura : shooting script /by Ross Gibson & John Cruthers Carlton South, Vic.: Australian Teachers of Media in association with Australian Film Institute Research and Information Centre and Deakin University School of Visual, Performing and Media Arts, 1996. Call No: 79CAM WIL Author: Williams, Deane; Gibson, Ross, 1956-. Camera natura; Cruthers, John Place: Carlton South, Vic. Publisher: Australian Teachers of Media in association with Australian Film Institute Research and Information Centre and Deakin University School of Visual, Performing and Media Arts PubDate: 1996 PhysDes: 105 p. : ill. ; 22 cm Subject: Gibson, Ross; CAMERA NATURA (AT, Ross Gibson, 1986); NATIONAL IDENTITY IN FILMS. AUSTRALIA Notes: Includes bibliographical references (p. 63-68) ISBN: 0958844321 LON: 12216597 More info
book		Metaphors of femininity and the landscape in Australian cinema : five 'New Wave' films / Robin Wright 1992. Call No: 626:396(94) WRI Author: Wright, Robin, 1963 PubDate: 1992 PhysDes: 110 leaves : col. ill. ; 30 cm Subject: LANDSCAPES IN FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) Summary: This thesis examins the representation of the Australian landscape in five Australian films released between 1975 and 1982. The films are 'The Man From Snowy River', 'Sunday Too Far Away', 'We of the Never Never', 'Picnic at Hanging Rock' and 'The Plains of Heaven'. These five texts are examined in light of feminist theories dealing with subjectivity and representation. The analysis of the place and role of femininity within the texts is conducted through the examination of symbols and metaphors associated with the landscape which operate within the film structure. The thesis concludes that the Australian landscape is constructed within these films in such a way as to support the concept of a white, masculine Australian identity..." -- taken from summary Notes: Submitted in partial fulfilment of the requirements for the degree of Master of Arts, Centre for Womens Studies; Summary: [unpaged] at front of text; Typescript; Includes bibliographical references (leaves 104-110) LON: abn93171145; 10039377 Contents: 1. Introduction -- 2. Feminist strategies -- 3. The production context -- 4. The man from Snowy River -- 5. Sunday too far away -- 6. We of the never never -- 7. Picnic at hanging rock -- 8. The plains of heaven -- 9. Ideological position and Australian identity More info
book		Modes of representation in Spanish cinema / Jenaro Talens and Santos Zunzunegui, editors ; foreword by Tom Conley Minneapolis: University of Minnesota Press, c1998. Call No: 71(46) MOD Author: Talens, Jenaro, 1946; Zunzunegui DGiez, Santos Place: Minneapolis Publisher: University of Minnesota Press PubDate: c1998 PhysDes: xxvi, 346 p. ; 22 cm Subject: SPAIN; WAR IN FILMS. SPAIN; FASCISM AND THE CINEMA. SPAIN; CIFESA; NATIONAL IDENTITY IN FILMS. SPAIN; FAMILY IN FILMS. SPAIN; ALMODOVAR, PEDRO; BIGAS LUNA; IGLESIA, ELOY DE LA; ORDUNA, JUAN DE; GUTIERREZ ARAGON, MANUEL; PORTABELLA, PERE; VERBENA DE LA PALOMA, LA (SP, Jose Luis Saenz de Heredia, 1963); NOVIO A LA VISTA (SP, Luis G. Berlanga, 1953); ASIGNATURA PENDIENTE (SP, Jose-Luis Garci, 1977); PASODOBLE (SP, Jose Luis Garcia Sanchez, 1988); PADRE NUESTRO (SP, Francisco Regueiro, 1985); AMANTES (SP, Vincente Aranda, 1991); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) Notes: Includes bibliographical references and index ISBN: 0816629749 (alk. paper); 0816629757 (pbk. : alk. paper) LON: 13736504 More info
book		Movies and mass culture / edited and with an introduction by John Belton New Brunswick, NJ: Rutgers University Press, 1996. Call No: 408.1(73) MOV Author: Belton, John Place: New Brunswick, NJ Publisher: Rutgers University Press PubDate: 1996 PhysDes: viii, 279 p. : ill. ; 24 cm Series: Rutgers depth of field series Subject: NATIONAL IDENTITY IN FILMS. USA; CULTURE AND THE CINEMA. USA; POPULAR CULTURE AND THE CINEMA. USA; FILM NOIR. USA; FAMILY IN FILMS. USA; POSTMODERNISM AND THE CINEMA. USA; BLACKS IN FILMS. USA; POLITICS AND THE CINEMA. USA; SOCIETY AND THE CINEMA. USA; CONSUMERISM IN FILMS. USA; FASHION AND THE CINEMA. USA; NOSTALGIA IN FILMS. USA; POPULISM AND THE CINEMA. USA; GRIFFITH, DAVID WARK; BERKELEY, BUSBY; Lombard, Carole; DAMES (US, Ray Enright, 1934); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 265-269) and index ISBN: 0813522277 (cloth : alk. paper); 0813522285 (pbk.) LON: 11604013 More info
book		National fictions : literature, film, and the construction of Australian narrative / Graeme Turner St Leonards, NSW: Allen & Unwin, 1993. Call No: 408.1(94) TUR Author: Turner, Graeme Edition: 2nd ed Place: St Leonards, NSW Publisher: Allen & Unwin PubDate: 1993 PhysDes: xiv, 169 p. : ill. ; 22 cm Series: Australian cultural studies Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; GALLIPOLI (AT, Peter Weir, 1981); CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) Notes: Includes bibliographical references (p. 156-165) and index ISBN: 1863735046 LON: 9848099 More info
book		National fictions : literature, film, and the construction of Australian narrative / Graeme Turner Sydney: Allen & Unwin, 1986. Call No: 408.1(94) TUR Author: Turner, Graeme Place: Sydney Publisher: Allen & Unwin PubDate: 1986 PhysDes: vii, 156 p. : ill., ports. ; 23 cm Series: Australian cultural studies Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) Notes: Includes index; Bibliography: p. 146-153 ISBN: 0048000892 : $29.95 Aust; 0048000884 (pbk.) : $12.95 Aust LON: abn98037922; 13658862 URL status: URL: 'http://-' Checked: 31/08/2021 12:37:05 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		National fictions : World War Two in British films and television / edited by Geoff Hurd London: BFI Books, 1984. Call No: 737 NAT Author: Hurd, Geoff Place: London Publisher: BFI Books PubDate: 1984 PhysDes: 77 p. : ill. ; 30 cm Subject: WORLD WAR II FILMS. UK; WORLD WAR II ON TV. UK; NATIONAL IDENTITY IN FILMS. UK; YANKS (US, John Schlesinger, 1979); DEMI-PARADISE, THE (UK, Anthony Asquith, 1943); FRIEDA (UK, Basil Dearden, 1947); BELLS GO DOWN, THE (UK, Basil Dearden, 1943); GENTLE SEX, THE (UK, Leslie Howard, 1943); MILLIONS LIKE US (UK, Frank Launder & Sidney Gilliat, 1943); THIS HAPPY BREED (UK, David Lean, 1944); BUILDERS (UK, Pat Jackson, 1942); IMITATON GAME, THE [TV] (UK, Richard Eyre, 1980); BATTLE FOR THE FALKLANDS [TV] (UK, 198?); FALKLANDS EXPERIENCE [TV] (UK, 198?) Notes: Includes bibliographical references ISBN: 0851701779 LON: 3923288 More info
subject clippings file		NATIONAL IDENTITY IN FILMS. AUSTRALIA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: NATIONAL IDENTITY IN FILMS. AUSTRALIA More info
book		National identity in Indian popular cinema, 1947-1987 / Sumita S. Chakravarty Austin: University of Texas Press, 1993. Call No: 71(540) CHA Author: Chakravarty, Sumita S Edition: 1st ed Place: Austin Publisher: University of Texas Press PubDate: 1993 PhysDes: 341 p. : ill. ; 24 cm Series: Texas film studies series Subject: INDIA; NATIONAL IDENTITY IN FILMS. INDIA; MYTH AND THE CINEMA. INDIA; REALISM IN FILMS. INDIA; Ray, Satyajit; KAPOOR, RAJ; BACHCHAN, AMITABH; AWAARA (II, Raj Kapoor, 1952); HUM DONO (II, Amar Jeet, 1962); BHARAT MATA (II, Mehboob, 1957); MUGHAL-E-AZAM (II, Kariim Asif, 1952); SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962); GANDHI (UK/II, Richard Attenborough, 1982); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Notes: Includes bibliographical references (p. 325-333) and index ISBN: 0292711565 (pbk. : alk. paper); 0292755511 (alk. paper) LON: 93016985; 9957067 More info
book		Nellie Melba, Ginger Meggs and friends : essays in Australian cultural history / edited by Susan Dermody, John Docker, Drusilla Modjeska Malmsbury, Vic.: Kibble Books, 1982]. Call No: 403(94) NEL Author: Dermody, Susan; Docker, John, 1945; Modjeska, Drusilla Source: AT Place: Malmsbury, Vic. Publisher: Kibble Books PubDate: 1982] PhysDes: 288 p., [4] leaves of plates : ill., ports. ; 23 cm Subject: POPULAR CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; AUSTRALIA; CINEMAS. AUSTRALIA; HISTORY OF TV. AUSTRALIA; AUSTRALIA. 1927-1932; LONGFORD, RAYMOND; SMITH, ARTHUR; ON OUR SELECTION (AT, Ken G. Hall, 1932); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); PRISONER [TV] (AT, 1979-86) Notes: Australian culture. Essays (ANB/PRECIS SIN 0610070); Includes bibliographical references and index ISBN: 0908150032 (corrected) : price unknown 09081500302; 0908150040 (pbk.) : $14.95 Aust LON: anb90815003; 2274011 ID2: 40 More info
book		The Oxford handbook of the American musical / Edited by Raymond Knapp, Mitchell Morris, Stacy Wolf Oxford ; New York: Oxford University Press, 2011, 2013. Call No: 751.1(73) OXF Author: Knapp, Raymond; Morris, Mitchell; Wolf, Stacy Edition: paperback Source: US/UK Place: Oxford ; New York Publisher: Oxford University Press PubDate: 2011, 2013 PhysDes: x, 470 pages : illustrations ; 25 cm Subject: AUDIENCES; AUTHORSHIP; BLACKS AND THE CINEMA. US; BOX OFFICE. USA; COMEDIES; DANCE IN FILMS; GENDER AND THE CINEMA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA; HOLLYWOOD; IDENTITY IN FILMS; IDEOLOGY IN FILMS; MEDIA AND THE CINEMA; MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSICALS. USA; RACE AND THE CINEMA; THEATRE AND THE CINEMA; ANDREWS, JULIE; ASTAIRE, FRED; BERLIN, IRVING; FOSSE, BOB; HAMMERSTEIN, OSCAR, II; KERN, JEROME; MERMAN, ETHEL; ROBBINS, JEROME; SONDHEIM, STEPHEN; BLACK CROOK, THE (US, Robert G. Vignola, 1916); CABARET (US, Bob Fosse, 1972); CHICAGO (US, Rob Marshall, 2002); CHORUS LINE (US, Richard Attenborough, 1985); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); GYPSY (US, Emile Ardolino, 1994); MY FAIR LADY (US, George Cukor, 1964); OKLAHOMA! (US, Fred Zinneman, 1955); PRODUCERS, THE (US, Mel Brooks, 1967); SHOWBOAT (US, George Sidney, 1951); SOUND OF MUSIC, THE (US, Robert Wise, 1965); WEST SIDE STORY (US, Robert Wise, 1961) Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKS Notes: Includes bibliographic references and index ISBN: 9780199987368 Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp More info
book		Picturing Japaneseness : monumental style, national identity, Japanese film / Darrell William Davis New York: Columbia University Press, c1996. Call No: 408.1(52) DAV Author: Davis, Darrell William Place: New York Publisher: Columbia University Press PubDate: c1996 PhysDes: viii, 304 p. : ill. ; 24 cm Series: Film and culture Subject: NATIONAL IDENTITY IN FILMS. JAPAN; JAPAN Notes: Filmography: p. [291]-293; Includes bibliographical references (p. [279]-290) and index ISBN: 0231102313 (pbk. : acid?b-?sfree paper); 0231102305 (cloth : acid?b-?sfree paper) LON: 11706077 More info
book		Red women on the silver screen : Soviet women and cinema from the beginning to the end of the communist era / Lynne Attwood with Maya Turovskaya ... [et al.] ; translations by Lynne Attwood and Kirsten Sams London: Pandora, 1993. Call No: 451-02(47) RED Author: Attwood, Lynne; Turovskad+8a, Maid+8a Iosifovna Place: London Publisher: Pandora PubDate: 1993 PhysDes: 272 p., [16] p. of plates : ill., ports ; 24 cm Subject: USSR; PROPAGANDA FILMS. USSR; WOMEN AND THE CINEMA. USSR; WOMEN IN FILMS. USSR; WOMEN FILMMAKERS. USSR; NATIONAL IDENTITY IN FILMS. USSR; SCRIPTWRITERS. USSR; SEX IN FILMS. USSR; GOGOBERIDZE, LANA; ZVEREVA, MARIA; KAMALOVA, KAMARA; TSURTSUMIYA, MARINA; GOLDOVSKAYA, MARINA; LOGINOVA, TATJANA; KOMISSAR (UR, Aleksandr Askol'dov, 1987[prod. 1967]) Notes: Includes index; Bibliography: p. 261-264 ISBN: 0044405618 (pbk.) : ¦12.99 LON: bnb04440561; 9741309 More info
book		Screening Europe : image and identity in contemporary European cinema / edited by Duncan Petrie London: BFI Pub., 1992. Call No: 408.1(4) SCR Author: Petrie, Duncan J., 1963 CorpAuthor: British Film Institute Place: London Publisher: BFI Pub. PubDate: 1992 PhysDes: viii, 120 p. ; 21 cm Series: BFI working papers Subject: NATIONAL IDENTITY IN FILMS; EUROPEAN COUNTRIES; ART CINEMA. EUROPEAN COUNTRIES; AKERMAN, CHANTAL; JAMESON, FREDRIC; GODARD, JEAN-LUC; TEMPEST, THE (UK, Derek Jarman, 1979); EDWARD II (UK, Derek Jarman, 1991); CHOCOLAT (FR, Claire Denis, 1988); DOM ZA VESANJE (YU, Emir Kusturica, 1989); YOUNG SOUL REBELS (UK, Isaac Julien, 1991); PASSION (FR/SZ, Jean-Luc Godard, 1982); MUJERES AL BORDE DE UN ATAQUE DE NERVIOS (SP, Pedro Almodovar, 1988) Notes: Proceedings of a conference sponsored by the British Film Institute at the National Film Theatre, London, in June 1991; Filmography: p. 114-120; Includes bibliographuical references ISBN: 0851703216 LON: bnb85170321; 9141124 More info
book		The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988. Call No: 71(94) DER v.2 Author: Dermody, Susan; Jacka, Elizabeth Place: Sydney Publisher: Currency Press PubDate: 1987-<1988 PhysDes: v. <1-2 > ; 21 cm Series: Australian screen series Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL HE MIGHT HEAR YOU (AT, Carl Schutz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Notes: Includes bibliographies and index ISBN: 0861911876 (v. 2); 0868191876 (v. 2) LON: 5369777 More info
book		Theorising national cinema / Valentina Vitali and Paul Willemen (eds) London: British Film Institute, London, 2006. Call No: 408.1 THE Author: Vitali, Valentina; Willemen, Paul CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute, London PubDate: 2006 PhysDes: 326 p. ill. : 24 cm Subject: ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; JAPAN; KOREA; REPUBLIC OF IRELAND; LATIN AMERICAN COUNTRIES; KRACAUER, SIEGFRIED; BURCH, NOEL; RUSSIA; FRANCE; TAIWAN; PALESTINE; ARAB COUNTRIES; INDIA; ASIAN COUNTRIES; EUROPEAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; NATIONAL CULTURE IN FILMS; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY IN FILMS; GLOBALISATION Summary: Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? Theorising National Cinema is a major contribution to work on national cinemas, by many of the leading scholars in the filed. It addresses the knotty and complex relationships between cinema and national identity, showing that the nationality of a cinema production company, and of the films it made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of the nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issue of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of transnational cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe. ISBN: 1844571203 More info
book		Twin peeks : Australian and NZ feature films / Deb Verhoeven Melbourne: Damned Publishing, 1999. Call No: 71(94) TWI Place: Melbourne Publisher: Damned Publishing PubDate: 1999 PhysDes: 558 p. Subject: AUSTRALIA; NEW ZEALAND; NATIONAL IDENTITY IN FILMS. NEW ZEALAND; NATIONAL IDENTITY IN FILMS. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; AUSTRALIA. 1970's; WARD, VINCENT; HALL, KEN G.; DARK CITY (US, Alex Proyas, 1997); BABE: PIG IN THE CITY (AT, George Miller, 1998); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FLOATING LIFE (AT, Clara Law, 1996); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); ON THE BEACH (US, Stanley Kramer, 1959); YATGO HO YAN (HK, Samo Hung, 1997); RADIANCE (AT, Rachel Perkins, 1998); VACANT POSSESSION (AT, Margot Nash, 1995) ISBN: 1876310006 LON: 20154200 ID2: 29 More info

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