journal article
Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
PhysDes: ArticleSubject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; FESTIVALS ; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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journal article
The films of Ian Pringle in Cinema Papers (February/March 1985) iss.50 p.16-21
Author: O'Hara, John PhysDes: ArticleSubject: CARTOGRAPHER AND THE WAITER, THE (AT, Ian Pringle, 1977?) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; WRONG WORLD (AT, Ian Pringle, 1985) ; WRONSKY (AT, Ian Pringle, 1980) Summary: Includes discussion of some of his films
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book
Metaphors of femininity and the landscape in Australian cinema : five 'New Wave' films / Robin Wright 1992.
Call No: 626:396(94) WRIAuthor: Wright, Robin, 1963 PubDate: 1992PhysDes: 110 leaves : col. ill. ; 30 cmSubject: LANDSCAPES IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) Summary: This thesis examins the representation of the Australian landscape in five Australian films released between 1975 and 1982. The films are 'The Man From Snowy River', 'Sunday Too Far Away', 'We of the Never Never', 'Picnic at Hanging Rock' and 'The Plains of Heaven'. These five texts are examined in light of feminist theories dealing with subjectivity and representation. The analysis of the place and role of femininity within the texts is conducted through the examination of symbols and metaphors associated with the landscape which operate within the film structure. The thesis concludes that the Australian landscape is constructed within these films in such a way as to support the concept of a white, masculine Australian identity..." -- taken from summaryNotes: Submitted in partial fulfilment of the requirements for the degree of Master of Arts, Centre for Womens Studies; Summary: [unpaged] at front of text; Typescript; Includes bibliographical references (leaves 104-110)LON: abn93171145; 10039377Contents: 1. Introduction -- 2. Feminist strategies -- 3. The production context -- 4. The man from Snowy River -- 5. Sunday too far away -- 6. We of the never never -- 7. Picnic at hanging rock -- 8. The plains of heaven -- 9. Ideological position and Australian identity
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script
The plains of heaven : sixth draft [1982?].
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still
[Plains of Heaven : stills file]
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title clippings file
PLAINS OF HEAVEN, THE : (AT, Ian Pringle, 1982)
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journal article
Projects approved by the AFC Sept., Oct., Nov., 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND ; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND ; INDUSTRY, FILM. AUSTRALIA ; FAST TALKING (AT, Ken Cameron, 1984) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; UNDERCOVER (AT, David Stevens, 1983) ; WINDS OF JARRAH (AT, Mark Egerton, 1983) ; FLUTEMAN (AT, Peter Maxwell, 1982) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; ON GUARD (AT, Susan Lambert, 1984) ; PIANOFORTE: PUSSY PUMPS UP (AT, Antoinette Starkiewicz, 1987) ; CLEANING, THE (AT, Robert Grant, 1984) ; BOXER (AT, Laurie McInnes, 1984) Summary: List of films approved for Australian Film Commission funding.
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poster
[The plains of heaven : poster]
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book
Visions of independents : an AFI national film event Sydney: Australian Film Institute, 1984.
Call No: 721.210.4 VISCorpAuthor: Australian Film InstituteEdition: 1984Place: SydneyPublisher: Australian Film InstitutePubDate: 1984PhysDes: 28 p. : illus. ; 21 cmSubject: INDEPENDENT FILMS ; CONFERENCES. AUSTRALIA ; OUT (US, Eli Hollander, 1982) ; PROSTITUTE (UK, Tony Garnett, 1980) ; STATIONS (AT, Jackie McKimmie, 1983) ; THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982) ; CHAN IS MISSING (US, Wayne Wang, 1982) ; NIGHT OF SHADOWS (AT, Brian Thompson, 1983) ; ON GUARD (AT, Susan Lambert, 1984) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) ; GHOST DANCE (UK/GW, Ken Mullen, 1983) ; IMPOSTORS (GW/US, Mark Rappaport, 1979) ; LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983) ; BUCKEYE AND PINTO (AT, Phil Pinder, 1979) ; DOZENS, THE (US, Christine Dall and Randall Conrad, 1980) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FORDS ON WATER (UK, Barry Bliss, 1983) ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; SLOW MOVES (US, Jon Jost, 1984) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983) ; QUEENSLAND (AT, John Ruane, 1975) ; BROTHERS AND SISTERS (UK, Richard Woolley, 1980) ; KING BLANK (US, Michael Oblowitz, 1982) ; CAFE OF LOVE (AT, Jinks Dulhunty, 1982) ; EMERALD CITIES (US, Richard R. Schmidt, 1983) ; VOICE OVER (UK, Chris Monger, 1981) ; SHADOWPLAY (UK, Oliver Stapleton, 1980) ; EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980) ; FILLETING MACHINE, THE (UK, Murray Martin, 1981) ; OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; SMITHEREENS (US, Susan Seidelman, 1982) ; GOING DOWN (AT, Haydn Keenan, 1982) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; AGAINST THE GRAIN (AT, Tim Burns, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) ; PURE S (AT, Bert Deling, 1976) ; GAL YOUNG UN (US, Victor Nunez, 1979) ; BURNING AN ILLUSION (UK, Menelik Shabazz, 1981) ; HEARTLAND (US, Richard Pearce, 1979) ; LOOKS AND SMILES (UK, Kenneth Loach, 1981) Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.
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