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Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 26 x 20 cm.
Subject: FAST TALKING (AT, Ken Cameron, 1984); CAMERON, KEN
Summary: Portrait of the director Ken Cameron wearing a shirt, tie and jacket and looking directly at the camera.
Notes: Sticker on the back of the photograph with the following information 'Ken Cameron Best Direction Fast Talking'. There is also a stamp on the back of the photograph "Not For Publication" and a stamp from the photographic agency 'Copyright Sydney Freelance, 41 Beach Rd, 2026, NSW, Aust.Ph (02) 307817'. There is also a call number 1004.048479 written in pen. Both the stamps and the call number have been crossed out in biro.The words Ken Cameron and the numbers 33/4 are also written on the back of the photograph in pencil .

PhysDes: Article
Subject: FAST TALKING (AT, Ken Cameron, 1984)

Call No: S FAS
Author: Cameron, Ken
PubDate: [1983?]
PhysDes: 173 leaves
Subject: FAST TALKING (AT, Ken Cameron, 1984)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: FAST TALKING (AT, Ken Cameron, 1984)

Call No: P FAS
Place: AT
PubDate: 1984
PhysDes: 1 poster : colour ; 69 x 34 cm
Subject: FAST TALKING (AT, Ken Cameron, 1984)
Summary: Text: "What an ace way to stuff up your last year at school." "Fast Girls! Fast Cars! Fast Money! It's........" Image: An illustration of three people, two boys and a girl, in front of a brick wall. Below them are three illustrated images. The first (on the left) is of a boy leaning over a desk touching a girl's leg as an older man (presumably a teacher) looks disapprovingly while standing in front of a blackboard. The second image (in the center) is of a vehicle crashing through some sort of wooden structure. The third image (on the right) is of two young men standing.
Notes: Folds, slight discolouration on the edges of the poster. On the back side of the poster, there is a stain on the lower right of the center.

Source: AT
Subject: FAST TALKING (AT, Ken Cameron, 1984)
Summary: Production still of Steve Carson in his role as Rod Zuanic from the film 'Fast Talking'. Headshot of Carson lying in some bushes.
Image File Size: 1,495 KB

Call No: DIGITISED TITLE STILL AUSTRALIA
Source: AT
Subject: FAST TALKING (AT, Ken Cameron, 1984); BISLEY, STEPHEN
Summary: Digital production still from the film Fast Talking
Image File Size: 972 KB

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: 5 photographs : b&w and col. ; 17 x 22 cm - 18 x 26 cm
Subject: MOORE, DENIS; ZUANIC, ROD; FAST TALKING (AT, Ken Cameron, 1984)
Summary: Four black and white photographs and one colour photograph from the film FAST TALKING - Steve Carson (Rod Zuanic) and his laconic mentor, Redback (Steve Bisley).
Notes: 1 image donated by Brian McFarlane

Author: Roberts, Margaret
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); STREET HERO (AT, Michael Pattinson, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); FAST TALKING (AT, Ken Cameron, 1984); SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989); J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984); MUSIC IN FILMS. AUSTRALIA
Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.

Call No: PERSONALITY STILL
Source: AT
PubDate: [1984?]
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: Hehir, Peter; FAST TALKING (AT, Ken Cameron, 1984)
Summary: Studio headshot of Peter Hehir
Notes: Peter Hehir written in pencil on reverse; sticker with Peter Hehir Best Supporting Actor FAST TALKING

PhysDes: Article
Subject: FAST TALKING (AT, Ken Cameron, 1984)
Summary: "Fast Talking" distribution deal.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; EMMA'S WAR (AT, Clytie Jessop, 1986); STREET HERO (AT, Michael Pattinson, 1984); UNDERCOVER (AT, David Stevens, 1983); FAST TALKING (AT, Ken Cameron, 1984); CELSO AND CORA: A MANILA STORY (AT, Gary Kildea, 1983)
Summary: Break down of Australian Film Commission cineancial assistance for future Australian films.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND; INDUSTRY, FILM. AUSTRALIA; FAST TALKING (AT, Ken Cameron, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); UNDERCOVER (AT, David Stevens, 1983); WINDS OF JARRAH (AT, Mark Egerton, 1983); FLUTEMAN (AT, Peter Maxwell, 1982); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); ON GUARD (AT, Susan Lambert, 1984); PIANOFORTE: PUSSY PUMPS UP (AT, Antoinette Starkiewicz, 1987); CLEANING, THE (AT, Robert Grant, 1984); BOXER (AT, Laurie McInnes, 1984)
Summary: List of films approved for Australian Film Commission funding.

Call No: 755.71(94) MAY
Author: May, Josephine
Edition: 2013
Place: Bern, Switzerland
Publisher: Peter Lang
PubDate: 2013
PhysDes: x, 286 pages : illustrated ; 23 cm
Subject: EDUCATION IN FILMS. AUSTRALIA; CHILDREN IN FILMS. AUSTRALIA; CELIA (AT, Ann Turner, 1988); FAST TALKING (AT, Ken Cameron, 1984); HEY, HEY, ITS ESTHER BLUE BURGER (AT, Cathy Randall, 2007); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); MULL (AT, Don McLennan, 1988); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); EVERLASTING SECRET FAMILY, THE (AT, Michael Thornhill, 1988); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987)
Summary: Reel Schools takes a fresh look at the history of Australian schooling through the lens of Australian cinema from the silent era until 2010. In exploring the relationship between cinematic representation and educational history, Josephine May shows how numerous Australian feature and documentary films offer access to powerful vernacular imaginings about school education in Australia. May argues that the cinematic school is a pervasive metaphor for the Australian nation. She demonstrates that, while Australian films about schooling have consistently commented on the relationship of schooling to the Australian class structure, they also increasingly explored gender, race and ethnicity at school, especially after the 1970s. From then on the egalitarian dream of school education and the nation’s capacity to generate meaningful futures for the young became increasingly contested. -- publisher's web site
ISBN: 9783034306324

Author: Quinlivan, Beth
PhysDes: Article
Subject: FAST TALKING (AT, Ken Cameron, 1984)
Summary: Promotion Campaign for "Fast Talking"

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. SYDNEY; BOX OFFICE. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; UNDERCOVER (AT, David Stevens, 1983); CONSTANCE (NZ, Bruce Morrison, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); AMONG THE CINDERS (NZ, Rolf Haedrich, 1984); VIGIL (NZ, Vincent Ward, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); FAST TALKING (AT, Ken Cameron, 1984); FANTASY MAN (AT, John Meagher, 1984); RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes. New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films. Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.

PhysDes: Article
Subject: FAST TALKING (AT, Ken Cameron, 1984)
Summary: Credits for entries in 1984 AFI Awards