journal article
Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
More info
book
Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997.
Call No: 71(931) CHUAuthor: Churchman, Geoffrey B. Source: NZPlace: WellingtonPublisher: IPL Publishing ServicesPubDate: 1997PhysDes: 144 p. ; col. and b+w ill. : 29 cmSubject: INDUSTRY, FILM. NEW ZEALAND ; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.Notes: Includes select bibliographyISBN: 09088776963Language: English
More info
journal article
Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
More info
journal article
Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
More info
book
Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
More info
journal article
Greg Lynch Film Distrib's apptd. N.Z. agent in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
More info
journal article
Holding hands again across the Tasman in Encore (May 2000) vol.18 iss.4 p.13
More info
subject clippings file
INDUSTRY, FILM. NEW ZEALAND
More info
journal article
Kerridge Odeon corporation opens the Regent Centre, Wellington, NZ in Australasian Cinema (16/7/1982) vol.11 iss.12 p.30
PhysDes: ArticleSubject: FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; ARTHUR (US, Steve Gordon, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; INDUSTRY, FILM. NEW ZEALAND ; CINEMAS. NEW ZEALAND ; NEW ZEALAND FILM COMMISSION Summary: Article and photographs from the opening of the Regent Centre in Wellington, New Zealand.
More info
journal article
Kerridge Odeon opens Regents I & II, N.Z. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.23
More info
Interim
book
Movie blockbusters / edited by Julian Stringer London: Routledge, 2003.
Call No: 721.303.311 STRAuthor: Stinger, Julian (ed.) Source: UKPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: 276 p. : ill. ; 24 cmSubject: BLOCKBUSTERS ; INDUSTRY, FILM. USA ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. KOREA ; INDUSTRY, FILM. ARGENTINA ; AWARDS. ACADEMY ; HOLLYWOOD ; SPIELBERG, STEVEN ; CAMERON, JAMES ; JAWS (US, Steven Spielberg, 1975) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TITANIC (US, James Cameron, 1997) ; CONTACT (US, Robert Zemeckis, 1997) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; STAR WARS (US, George Lucas, 1977) Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.ISBN: 0415256097
More info
book
New Zealand film and television : institution, industry, and cultural change / Trisha Dunleavy and Hester Joyce Bristol, U.K. ; Chicago, USA: Intellect, 2011.
Call No: 71(931) DUNAuthor: Dunleavy, Trisha ; Joyce, Hester Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2011PhysDes: 291 p. : ill. ; 24 cmSubject: NEW ZEALAND ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. NEW ZEALAND ; MAORI IN FILMS ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; NGATI (NZ, Barry Barclay, 1987) ; SHORTLAND STREET [TV] (NZ, 1992-) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; BOY (NZ, Taika Waititi, 2010) Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURBNotes: includes glossary of Maori terms; includes bibliographical references; includes indexISBN: 9781841504575Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --
More info
journal article
The New Zealand film archive in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.22
More info
journal article
New Zealand notes in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.5
More info
journal article
New Zealand Notes in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.7
More info
journal article
New Zealand Notes in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.34
More info
journal article
New Zealand notes in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.7
More info
journal article
New Zealand Notes in Australasian Cinema (16/9/1983) vol.12 iss.17 p.27
More info
journal article
New Zealand Notes in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.21
More info
journal article
New Zealand Notes in Australasian Cinema (24/6/1983) vol.12 iss.11 p.4
More info
journal article
New Zealand Notes in Australasian Cinema (29/4/1983) vol.12 iss.7 p.3
More info
journal article
New Zealand Notes in Australasian Cinema (11/3/1983) vol.12 iss.4 p.7
More info
journal article
New Zealand Notes in Australasian Cinema (11/2/1983) vol.12 iss.2 p.5
More info
journal article
New Zealand Notes : Wansbone, Ernie in Australasian Cinema (28/1/1983) vol.12 iss.1 p.10
More info
journal article
New Zealand Notes in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
More info
journal article
New Zealand Notes in Australasian Cinema (12/11/1982) vol.11 iss.20 p.8
Author: Wansbone, Ernie PhysDes: ArticleSubject: INDUSTRY, FILM. NEW ZEALAND ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; PARADISE (CN, Stuart Gillard, 1982) ; MERRY CHRISTMAS MR. LAWRENCE (UK/JA, Nagisa Oshima, 1983) Summary: Film news from New Zealand.
More info
journal article
New Zealand Notes in Australasian Cinema (27/8/1982) vol.11 iss.15 p.36
More info
journal article
New Zealand Notes in Australasian Cinema (23/7/1982) vol.11 iss.13 p.3
More info
journal article
New Zealand Notes in Australasian Cinema (23/07/1982) vol.11 iss.13 p.3
More info
journal article
New Zealand Notes in Australasian Cinema (25/6/1982) vol.11 iss.11 p.4-5
More info
journal article
New Zealand Notes in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
More info
journal article
New Zealand Notes in Australasian Cinema (16/4/1982) vol.11 iss.6 p.11
More info
journal article
New Zealand Notes in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.11
More info
journal article
New Zealand slate spurred by Jackson in Encore (Feb 2000) vol.18 iss.1 p.13
More info
journal article
News from New Zealand in Australasian Cinema (22/7/1983) vol.12 iss.13 p.7
More info
journal article
NZ Amalgamated theatres may grow in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
More info
journal article
NZ industry gets government boost in Encore (June 2000) vol.18 iss.5 p.11
More info
annual report
NZ on Air Annual report / Broadcasting Commission = Ripoata a-tau / Te Kahui Irirangi Wellington, N.Z.: The Commission, [1990.
Call No: SEE STAFF; held 1997/98-2010/11CorpAuthor: New Zealand. Broadcasting CommissionPlace: Wellington, N.Z.Publisher: The CommissionPubDate: [1990PhysDes: v. : ill., ports. ; 29-30 cmSubject: INDUSTRY, FILM. NEW ZEALAND Notes: Title from cover; At head of title: NZ on Air = Irirangi te MotuISSN: 1171-1922LON: 8661461 8661461
More info
journal article
Out from nowhere : Pakeha anxieties in Ngati (Barclay, 1987), Once were warriors (Tamahori, 1994) and Whale rider (Caro, 2002) in Studies in Australasian cinema (2009) vol.3 iss.3 p.239-250
Author: Joyce, Hester PhysDes: ArticleSubject: INDUSTRY, FILM. NEW ZEALAND ; MAORI IN FILMS ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; IMPERIALISM AND THE CINEMA ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: This article explores the development of New Zealand cinema as one of unease, as reflective of the disintegration of the utopian dream inherent in the founding settler era. It examines three films from consecutive decades, Ngati (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002), and compares representations of Maori as illustrative of Pakeha (white settler) anxieties about Maori/Pakeha relations. It argues that while Ngati and Once Were Warriors contain elements of postcolonial critique, Whale Rider returns to a model of segregation, invoking spirituality of Maori as nostalgia for a lost utopian past. -- Abstract
More info
journal article
Roadshow entertains New Zealand exhibitors in Australasian Cinema (27/5/1983) vol.12 iss.9 p.3
More info
journal article
Sixty major video dealers meet in N.Z. in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
More info
journal article
Stop press in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
More info
journal article
'The locals' and the global : transnational currents in contemporary New Zealand horror in Studies in Australasian cinema (2010) vol.4 iss.1 p.73-79
Author: Cameron, Allan PhysDes: ArticleSubject: NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND ; HORROR FILMS. NEW ZEALAND ; INDUSTRY, FILM. NEW ZEALAND ; FANTASTIC FILMS ; LOCALS, THE (NZ, Greg Page, 2003) ; BLACK SHEEP (NZ, Jonathan King, 2006) ; FERRYMAN, THE (NZ/UK, Chris Graham, 2007) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; PERFECT CREATURE (NZ/UK, Glenn Standring, 2006) Summary: Article arguing the connectedness between otherness of horror with the otherness of cultural identities within New Zealand horror film.Notes: Recent years have seen a conspicuous resurgence of the horror genre in New
Zealand cinema. What sets recent New Zealand horror films apart from their
local antecedents, however, is their self-conscious reframing of local identity
against an international backdrop. Contemporary Kiwi horrors such as The
Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend
horror’s characteristic focus on questions of otherness to the otherness of local
and global cultural identities. In this way, they subject New Zealand cinema’s
Gothic tradition to a type of remapping, in which the Gothic is ironized, hybridized
or displaced. In a number of these films (several of which are international
co-productions) the Gothic even comes untethered from the local landscape and
moves across national frontiers. By reworking the tropes of New Zealand horror,
these films take up the challenge of re-articulating New Zealand identities for
the early twenty-first century, producing a palimpsestic vision of nationhood
determined not by essences but by codes.--Abstract
More info
journal article
Twelve N.Z. titles at Cannes Fest. in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
More info
journal article
Variety- Australia/New Zealand Section in Variety (07/05/1986) vol.323 iss.2 p.346-363
More info
journal article
Variety- Australia/ New Zealand Section in Variety (04/05/1988) vol.331 iss.2 p.373-390
More info
journal article
Variety- Australia/New Zealand Section in Variety (07/05/1980) vol.299 iss.1 p.556-558
More info
journal article
Variety- Australia/New Zealand Section in Variety (10/1988) vol.332 iss.13 p.428-438
More info
journal article
Variety- Australia/ New Zealand Section in Variety (09/05/1979) vol.295 iss.1 p.81-83, 466-477
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; ADVERTISING FILMS ; THIRST (AT, Rod Hardy, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; JOURNALIST, THE (AT, Micheal Thornhill, 1979) ; GOVERNMENT AID. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Collection of articles featuring information on Australian and New Zealand films and film industries. Includes articles on Australian Government industry support, and Australian films at Cannes. Includes list of current New Zealand films, list of Australian films in production, and advertisements for THIRST, PATRICK and SNAPSHOT.
More info
journal article
Variety- Australia/ New Zealand Section in Variety (04/05/1983) vol.311 iss.1 p.163, 420-430
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; CENSORSHIP. NEW ZEALAND ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; UTU (NZ, Geoffrey Murphy, 1983) ; COPRODUCTION. AUSTRALIA Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY.
New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship.
Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.
More info
journal article
Variety- Australia/New Zealand Section in Variety (21/10/1987) vol.328 iss.13 p.20, 103, 244, 426-440
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; BOX OFFICE. AUSTRALIA ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on current box office films and takings, changes to do with distribution and acquisitions companies, films in production, Australian organisations at MIFED, and the expansion of Premier Film Marketing.
New Zealand article focuses on films screening at MIFED.
Advertising posters for EVIL ANGEL, HOWLING III: THE MARSUPIALS, DOGS IN SPACE, STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, A SOLDIER'S TALE, THE RIGHT HAND MAN, BELINDA, AS TIME GOES BY, NGATI
More info
journal article
Variety- Australia/New Zealand section in Variety (09/05/1984) vol.315 iss.2 p.263, 414-431
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. SYDNEY ; BOX OFFICE. AUSTRALIA ; VIDEO AND THE CINEMA. AUSTRALIA ; UNDERCOVER (AT, David Stevens, 1983) ; CONSTANCE (NZ, Bruce Morrison, 1984) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; AMONG THE CINDERS (NZ, Rolf Haedrich, 1984) ; VIGIL (NZ, Vincent Ward, 1984) ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CAREFUL HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; FAST TALKING (AT, Ken Cameron, 1984) ; FANTASY MAN (AT, John Meagher, 1984) ; RUN CHRISSIE RUN! (AT, Chris Langman, 1984) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes.
New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films.
Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.
More info
journal article
Variety- Australia/New Zealand section in Variety (22/10/1986) vol.324 iss.13 p.71, 413-420
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; DIRECTORS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; WINDRIDER (AT, Vincent Monton, 1986) ; GALLAGHER'S TRAVELS [TV] (AT, Michael Caulfield, 1986) ; AROUND THE WORLD IN 80 WAYS (AT, Stephen Maclean, 1986) ; QUEEN CITY ROCKERS (NZ, Bruce Morrison, 1987) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian directors currently active, Australian films in production, expected effects of changes in exchange rates and local distribution on purchasing at MIFED, Australian box office takings, and Australian organisations at MIFED.
New Zealand article focuses on films to be screened at MIFED.
Advertising posters for WINDRIDER, GALLAGHER'S TRAVELS, AROUND THE WORLD IN EIGHTY WAYS, and QUEEN CITY ROCKER.
More info
journal article
Variety- Australia/New Zealand section in Variety (16/10/1985) vol.320 iss.12 p.392-397
More info
journal article
Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
More info
journal article
Variety- Australia/New Zealand section in Variety (13/05/1981) vol.303 iss.2 p.320-332
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; FINANCING. AUSTRALIA ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; BAD BLOOD (NZ, Mike Newell, 1981) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; FATTY FINN (AT, Maurice Murphy, 1980) ; HOODWINK (AT, Claude Whatham, 1981) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on the formation of new film funding companies, and the films A BURNING MAN and THE BEST OF FRIENDS currently in production.
New Zealand articles focus on the New Zealand Film Unit, recently completed films BAD BLOOD, SMASH PALACE, and THE SCARECROW, and New Zealand films released since Cannes 1980.
Advertising posters for BEYOND REASONABLE DOUBT, THE SCARECROW, GOODBYE PORK PIE, FATTY FINN, THE SEVENTH MATCH, HOODWINK, and A BURNING MAN.
More info
journal article
Variety- Australia/ New Zealand Sections in Variety (06/05/1987) vol.327 iss.2 p.432-446
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; GOVERNMENT AID ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS ; SURFER, THE (AT, Frank Shields, 1987) ; GINNANE, TONY ; DISTRIBUTION. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on new releases and Antony Ginnane at Cannes, current films in production, and new film THE SURFER.
New Zealand articles look at New Zealand's selections for Cannes, and government investment in the film industry.
Includes various film poster advertisments for STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, MAURI, A SOLDIER'S TALE, NGATI, and RIKKY & PETE.
More info
journal article
Variety- Australia/ New Zealand Summary in Variety (24/10/1984) vol.316 iss.13 p.355-360
More info
journal article
Video Power, NZ, celebrates second birthday in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
More info
newspaper article
'Wellywood' gets wobbles as hopes for a New Zealand film industry fade in The Australian [Business News] (15/04/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. NEW ZEALANDAuthor: Geenty, Kate PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. NEW ZEALAND Summary: An article about the decline of New Zealand film industry and production revenue.
More info