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Addendum to Spitz's article in Postscript (Fall 1982) vol.2 iss.1
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7
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Along Film Row in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.10-12
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book
Coming to terms : the rhetoric of narrative in fiction and film / Seymour Chatman New York ; London: Cornell University Press, 1990.
Call No: 62 CHAAuthor: Chatman, Seymour Benjamin Source: US/UKPlace: New York ; LondonPublisher: Cornell University PressPubDate: 1990PhysDes: ix, 240 pages : 23 cmSubject: NARRATIVE IN FILMS ; THEORY ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) Summary: "Seymour Chatman's Story and Discourse: Narrative Structure in Fiction and Film (1978) integrated the most useful features of Anglo-American and Continental narrative theory into a general theory of narratology. In Coming to Terms, the sequel to that classic work, Chatman assays the field of narratology over its thirty-year history and offers a challenging reassessment of its terms and concepts. Chatman discusses a wide range of literary and cinematic texts, asserting that a general narratology can help to account for their commonalities and divergences." - taken from back coverNotes: Includes bibliographical references and index.ISBN: 0801497361Contents: 1. Narrative and Two Other Text-Types -- 2. Description Is No Textual Handmaiden -- 3. What Is Description in the Cinema? -- 4. Argumentation in Film: Mon oncle d'Amerique -- 5. In Defense of the Implied Author -- 6. The Implied Author at Work -- 7. The Literary Narrator -- 8. The Cinematic Narrator -- 9. A New Point of View on "Point of View" -- 10. A New Kind of Film Adaptation: The French Lieutenant's Woman -- 11. The "Rhetoric" "of" "Fiction" -- Notes -- Index
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L` (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
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MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
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AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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Film as dream in Postscript (Winter 1983) vol.2 iss.2 p.57-58
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The French Lieutenant's woman in Metro (Summer/Autumn 1982) vol.58 p.56
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The French Lieutenant's woman in Stills (Autumn 1981) vol.1 iss.3 p.56-58
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The French Lieutenant's Woman in Postscript (Fall 1982) vol.2 iss.1 p.13-29
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title clippings file
FRENCH LIEUTENANT'S WOMAN, THE : (UK, Karel Reisz, 1981)
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Jeremy Irons in Interview (1981) vol.11 iss.11 p.40-42
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Karel Reisz / Colin Gardner Manchester, UK: Manchester University Press, 2006.
Call No: 81REI GARAuthor: Gardner, Colin Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: 2006PhysDes: x, 310 p. : ill. ; 23 cmSeries: British film makersSubject: CRITICISM ; REISZ, KAREL ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; NIGHT MUST FALL (UK, Karel Reisz, 1964) ; SWEET DREAMS (US, Karel Reisz, 1985) ; GAMBLER, THE (US, Karel Reisz, 1974) ; WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; EVERYBODY WINS (UK/US, Karel Reisz, 1990) Notes: Includes bibliography (p. [279]-293) and index.; Includes filmographyISBN: 0719075483Donation: Donated by Senses Of Cinema, 2009Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion.
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Kerridge Odeon corporation opens the Regent Centre, Wellington, NZ in Australasian Cinema (16/7/1982) vol.11 iss.12 p.30
PhysDes: ArticleSubject: FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; ARTHUR (US, Steve Gordon, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; INDUSTRY, FILM. NEW ZEALAND ; CINEMAS. NEW ZEALAND ; NEW ZEALAND FILM COMMISSION Summary: Article and photographs from the opening of the Regent Centre in Wellington, New Zealand.
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New Zealand Notes in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.11
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Oscar, BAFTA nods spark overseas business for 'The French Lieutenant's Woman' in Australasian Cinema (16/4/1982) vol.11 iss.6 p.4
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The roles people play in Films Ill (Dec 1981) vol.11 iss.123 p.100-103
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The screenplay of The French lieutenant's woman / Harold Pinter ; with a foreword by John Fowles London: Cape, 1981.
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United International Pictures Formed in Australasian Cinema (16/4/1982) vol.11 iss.6 p.1
PhysDes: ArticleSubject: UNITED INTERNATIONAL PICTURES ; Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; DISTRIBUTION ; ADVERTISING FOR FILMS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Summary: Article on the formation of United International Pictures which will handle the distribution and marketing for MGM, Paramount, Universal, and U.A. throughout Australian Papua New Guinea and Vanuatu.
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