Search Catalogues

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LUKIS, ADRIAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LAURIE, HUGH

Subject: LIAISON PORNOGRAPHIQUE, UNE (FR/SZ/BE/LU, Frederic Fonteyne, 1999)
Cross Reference: PORNOGRAPHIC AFFAIR, A (FR/BE, Frederic Fonteyne, 1999) SEE LIAISON PORNOGRAPHIQUE, UNE
CrossTag: 1

Subject: KUJAKU (HK/JA/SI, Christopher Doyle, 1999) SEE AWAY WITH WORDS
Cross Reference: KUJAKU (HK/JA/SI, Christopher Doyle, 1999) SEE AWAY WITH WORDS
CrossTag: 1

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LINLEY, MICHAEL ARTHUR

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MALTHOUSE, CHRISTI

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: McMULLEN, JEFF

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LOHAN, LINDSAY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MITCHELL, JOHN CAMERON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ISITT, DEBBIE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAF, DAVID

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT EXHIBITION. AUSTRALIA; NATIONAL FILM THEATRE OF AUSTRALIA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LICHTENSTEIN, MITCHELL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MURPHY,BRITTANY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MIKE,MOORE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KAHN, NATHANIEL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LENNON, JOHN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LETH, JORGEN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEVY, GEOFF

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEWIS, JOHN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MOWBRAY, COLIN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEONARD, FATHER RICHARD

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEBEDEV, NIKOLAI

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MENDEZ, VIOLETTA MEDINA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MARKOVIC, RANKO

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LENNON, JULIAN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KINDERSLEY, KIM

Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Rating of films at the box-office, two weeks ending Thursday, 10/5/ 1975, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Hobart and Newcastle

PhysDes: Article
Subject: FILMWAYS; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; HOYTS; NEW SOUTH WALES FILM CORPORATION; GREATER UNION
Summary: Photographs from a Filmways-hosted luncheon.

Author: Kelly, D. V.
PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Letter from D. V. Kelly ( Assistant to Chief Executive Officer, Cinematograph Exhibitors' Association) to David Joel (Cinema Exhibitors' Association) on why Cable Television is not needed in Australia.

PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA
Summary: Timetable for the MPEAQ Convention

Subject: MO GONG (HK, CHI LEUNG 'JACOB' CHEUNG, 2006) SEE MUK GONG
Cross Reference: MO GONG (HK, CHI LEUNG 'JACOB' CHEUNG, 2006) SEE MUK GONG

Call No: 79 KIL ALB
Subject: KILLING KIND, THE (US, Curtio Harrington, 1973)

Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Author: Rolfe, Dominic
PhysDes: Clippings File Article
Subject: CAMPION, JANE; LEE, GERARD; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Interviews with a series of 'creative couples.' This section is about Jane Campion and Gerard Lee, especially in relation to their project 'Top of the Lake'

PhysDes: Article
Subject: GREATER UNION; ADVERTISING FOR FILMS; MOVING OUT (AT, Michael Pattison, 1982); INDUSTRY, FILM. AUSTRALIA
Summary: Article on the advertising and promotion of 'Moving Out'

Call No: FESTIVAL CATALOGUE SHELVES
CorpAuthor: International animation film festival in New York
Source: US
Place: US
Publisher: [s.n]
PubDate: 1975
PhysDes: 34 p. : ill. ; 27 cm
Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER
Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz

Call No: 802.27-015 MCC
Author: McCaffrey, Donald W
Place: London New York
Publisher: Zwemmer Barnes
PubDate: 1968
PhysDes: 2-175 p. 20 plates, illus. 16 cm
Subject: Keaton, Buster; CHAPLIN, CHARLES; LLOYD, HAROLD; LANGDON, HARRY; COMEDIANS
Notes: Bibliography: p. 169-175
LON: 709494

Call No: 209(94) LAB REF
Edition: 1st edition
Place: Sydney
Publisher: 013 Publishing
PubDate: 1999
Subject: LABOUR. AUSTRALIA; SALARIES. AUSTRALIA
ISSN: 1441-5380

Call No: 81MOR MOR
Author: Morecroft, Richard
Source: AT
Place: Sydney
Publisher: HarperCollins
PubDate: 2002
PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cm
Subject: AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; NEWS PRESENTERS. AUSTRALIA; NEWS PROGRAMMES; NEWS PROGRAMMES. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; MORECROFT, RICHARD
Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift... Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations. ... and what does he wear under the newsdesk?" -- BOOK BLURB
ISBN: 0732275105
Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Author: Olly Richardson
PhysDes: Article
Subject: Luketic, Robert; [TWENTY-ONE] 21 (US, ROBRET LUKETIC, 2008)
Summary: Review of 21

Call No: TITLE CLIPPINGS FILE; MARGUERITE (FR/CZ/BE, Xavier Giannoli, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: MARGUERITE (FR/CZ/BE, Xavier Giannoli, 2015)
Summary: Film review
Rating: 3.5 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVE
Author: -
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: The appointments and reappointments of members to the National Film and Sound Archive board

Call No: 71(497.2) TWE
Author: Film Bulgaria
CorpAuthor: Film Distribution State Enterprise, Sofia
Source: BU
Publisher: Film Distribution State Enterprise, Sofia
PubDate: 1969 (approx.)
PhysDes: 1 v. : ill., ports. ; 27cm
Subject: BULGARIA; NATIONAL CULTURE AND THE CINEMA; EDUCATIONAL FILMS; ANIMATED FILMS; DOCUMENTARIES; BULGARIAN FILM LIBRARY
Language: English/Bulgarian

Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA
Summary: Figures on the 1986/87 tax deduction through 10BA. Notes a slump since 120/20 was introduced in 1985

Subject: INDUSTRY, FILM. AUSTRALIA; FESTIVALS; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986)
Summary: Article on the opening of the 33rd Sydney film festival on June 6. 'The Fringe Dwellers' (Beresford) opened the festival

Call No: 802.25(94) MAT
Author: Mathews, Sue, 1952
Source: AT
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1984
PhysDes: 295 p. : ill., ports. ; 20 cm
Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE
Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]
Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293
ISBN: 0140067094 : $9.95 Aust
LON: anb14006709; 3025187
ID2: 161

Author: Greg Bork
PhysDes: Article
Subject: LUNG, EMMA; LAPAINE, DANIEL
Summary: Review of 48 Shades

Call No: TITLE CLIPPINGS FILE in production; WINCHESTER HOUSE in production
Author: Byrne, Fiona
PhysDes: Clippings File Article
Subject: MIRREN, HELEN; WINCHESTER (AT/US, Michael Spierig/ Peter Spierig , 2018)
Summary: UK actor Helen Mirren is in Melbourne for the production shoot of the film WINCHESTER

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 915(94) TV
Source: AT
Place: Sydney, NSW
Publisher: ACP Magazines
PubDate: 2007
PhysDes: 94 pages : colour illustrations ; 28 cm
Series: TV Week
Subject: TELEVISION JOURNALISM. AUSTRALIA; McCune, Lisa; MCLACHLAN, CRAIG; NEWTON, BERT; PARKER, GEORGIE
Notes: "Souvenir 50th birthday issue"
ISSN: 9313006007005
Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha

PhysDes: Article
Subject: ACADEMY AWARDS; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); HEPBURN, KATHARINE; FONDA, HENRY; BEATTY, WARREN; STAPLETON, MAUREEN; ON GOLDEN POND (US, Mark Rydell, 1981); REDS (US, Warren Beatty, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); MEPHISTO (HU/GW, Istvan Szabo, 1981); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)
Summary: List of Academy Award winners for 1982.

PhysDes: Article
Subject: ACADEMY AWARDS; GANDHI (UK/II, Richard Attenborough, 1982); KINGSLEY, BEN; STREEP, MERYL; GOSSETT, LOUIS, Jr.; LANGE, JESSICA; ROONEY, MICKEY; ATTENBOROUGH, RICHARD
Summary: List of Academy Award winners

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Author: Michael Adams
PhysDes: Article
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Listed in 'movies that changed the world' why it was listed and what it inspired

Call No: SUBJECT CLIPPINGS FILE; ANIMAL LOGIC
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ANIMAL LOGIC; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); LEGO MOVIE 2, THE: THE SECOND ACT (DK/NO/AT/US, Mike Mitchell, 2019)

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Mason, Max
PhysDes: Clippings File Article
Subject: SEVEN NETWORK; LICENCES. AUSTRALIA
Summary: Report on the financial earnings for Seven West Media and comments by company CEO Tim Worner about Seven's future in regards to the federal election and his hope that media reform will happen in Australia

Call No: 735.2-02 HEL
Author: Heller-Nichols, Alexandra
Edition: 2020
Place: Orlando
Publisher: BearManor Media
PubDate: 2020
PhysDes: 592 pages ; illus. ; 27cm
Subject: HORROR FILMS; WOMEN AND THE CINEMA; WOMEN FILMMAKERS; WOMEN, FILMS MADE BY; LOVE WITCH, THE (US, Anna Biller, 2016)
Summary: Blowing a kiss back through time and space from Aaliyah to Jill Rae Zurborg, 1000 Women in Horror, 1895-2018 is a love letter to both the stars and the often-invisible women who have made the genre what it is today. From Classical Hollywood to alt-Nollywood, mumblegore to J-horror, this book offers a tiny global snapshot of the vast number of women who have worked in the creation of dark and spooky movies for well over a century, both behind and in front of the camera, and in films both widely known and comparatively obscure. Featuring a selected filmography of over 700 feature films directed or co-directed by women, this book also features interviews with Rutanya Alda, Tara Anaïse, Tonjia Atomic, Anna Biller, Axelle Carolyn, Aislinn Clarke, BJ Colangelo, Mattie Do, Julia Ducournau, Jordan Hall, Catherine Hardwicke, Katherine Kean, Karen Lam, Izzy Lee, Barbara Magnolfi, Marsha Mason, Donna McRae, Patrushkha Mierzwa, Hannah Neurotica, Alexandra Paul, Isabel Peppard, Cassandra 'Elvira' Peterson, Debbie Rochon, Mia'Kate Russell, Gigi Saul Guerrero, Elizabeth Shepherd, Jen and Sylvia Soska, Brinke Stevens, Barbie Wilde and Silvana Zancolò. -- Book jacket
ISBN: 9781629333878

Author: Wlaschin, Ken
PhysDes: Article
Subject: LIEBELEI (G, Max Ophuls, 1933)
Summary: Review; ill

Call No: 739.092(94) NAT
CorpAuthor: National Film and Sound Archive (Australia)
Place: Canberra
Publisher: The Archive
PubDate: 1998
PhysDes: iii, 116, [4] p. ; 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE
Notes: Includes index
ISBN: 0642365121
LON: abn98308162; 14135445

Author: Hosford, Peter
PhysDes: Review
Subject: FESTIVALS. MELBOURNE; CSEND ES KIALTAS (HU, Miklos Jancso, 1968); JANCSO, MIKLOS; ANDERSON, LINDSAY; TESHIGAHARA, HIROSHI
Summary: Review of the films featured at the 1969 Melbourne Film Festival.

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); MAN OF FLOWERS (AT, Paul Cox, 1983); COX, PAUL; SCHULTZ, CARL; WEIR, PETER; AUSTRALIAN FILM INSTITUTE AWARDS; INDUSTRY, FILM. AUSTRALIA
Summary: List of nominees for the 1983 AFI awards

Subject: NINETEEN EIGHTY-FOUR (US, Michael Radford, 1984); HURT, JOHN; INDUSTRY, FILM. UK
Summary: The awards of '1984' from the Standard Film Awards, London.

Author: Edgley, Michael: Chairman at Michael Edgley Productions
Subject: EDGLEY, MICHAEL; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA
Summary: Edgley's views on the proposed consumer tax and the 40th M.P.E. convention

PhysDes: Article
Subject: WEIR, PETER; WATTS, NAOMI; RUSH, GEOFFREY; JACKSON, PETER (NZ); MURRAY, BILL
Summary: Empire Magazine's awards for 2004, eg. Best Director, Best Actress, Best Film

Call No: 9294
Author: Kael, Pauline
Source: UK
Place: London
Publisher: Arrow Books
PubDate: 1987
PhysDes: 22 cm ; 676 p.
Subject: KAEL, PAULINE; CRITICISM. USA; CRITICS. USA
ISBN: 0099335506
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. AUSTRALIA; ADORABLE OUTCAST, THE (AT, Norman Dawn, 1928); HISTORY OF CINEMA. AUSTRALIA; KING OF KINGS (US, Cecil B. De Mille, 1927)
Summary: Article on the success of the 'Last Film Search' across Australia, started by the National Film Archive in 1981 and planned to run until 1986.

Author: Matt Coyte
PhysDes: Article
Subject: JAPANESE STORY (AT, Sue Brooks, 2003)
Summary: Summary and awards list from the 2003 A.F.I. Awards, focusing on the success of Japanese Story

Call No: P LIT
Place: AT
PubDate: 1998
PhysDes: 1 poster : colour ; 66 x 34 cm
Subject: LITTLE BIT OF SOUL, A (AT, Peter Duncan, 1998)
Summary: Text: "In love, science and politics, anything is possible if you're willing to give up..." "A devilishly funny romantic comedy." Image: At the upper center of the poster, there is a facial shot/portrait of a man whose image has been drawn on with red markers giving him horns and facial hair to resemble a devil. Below this image are three people, two of which are holding the red markers. One person, a woman wearing a yellow shirt and holding a riding whip, stands alone on the left of the poster. On the right, two people kiss while one of them holds a red marker to the portrait.
Notes: Folds and creases

Call No: TITLE CLIPPINGS FILE; MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)
Summary: Dylan O'Brien in his role Maze Runner

Call No: P STR
PubDate: 2014
PhysDes: 1 poster : col. ; 100 X 69 cm
Subject: NATIONAL THEATRE LIVE; ANDREWS, BENEDICT; ANDERSON, GILLIAN; WILLIAMS, TENNESSEE; THEATRE AND THE CINEMA
Summary: Image: Portrait of Vanessa Kirby, Gillian Anderson and Ben Foster. Text: 'Captured live by National Theatre Live'.
Notes: direction by Benedict Andrews; A Young Vic / Joshua Andrews co-production
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Johnson, Neala -- Roach, Vicky
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Interview snippets with the Australian crew who received Oscars for their work on MAD MAX: FURY ROAD. The winners mentioned are: Lesley Vanderwalt, Damian Martin, Elka Wardega, Ben Osmo, Colin Gibson, Lisa Thompson, David White, Margaret Siskel, as well as British costume designer Jenny Beavan

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; VIDEO AND TELEVISION; INDUSTRY, FILM. AUSTRALIA
Summary: Brief article on the up-coming second annual Australasian Video Convention.

Call No: 201(94) AUS
Author: Australian Broadcasting Authority
Source: AT
Place: [Australia]
Publisher: Australian Broadcasting Authority
PubDate: March 1998
PhysDes: 46 pages ; 30 cm
Subject: AUSTRALIAN BROADCASTING AUTHORITY; BROADCASTING. AUSTRALIA; BROADCASTING SERVICES ACT; COMMERCIAL TV. AUSTRALIA; LEGISLATION. AUSTRALIA; NARROWCASTING. AUSTRALIA
Contents: Overview of the planning process -- Planning criteria -- Legislative framework -- General approach of the ABA to the planning of broadcasting services -- Commercial broadcasting -- Community broadcasting -- Open narrowcasting broadcasting --National broadcasting -- Record of advice and assumptions -- Index of general advice received -- Record of assumptions --

Call No: 81KIA
CorpAuthor: Iran Heritage Foundation
Source: UK
Place: London, UK
PubDate: 2005
PhysDes: 33 p ; 21 cm
Subject: KIAROSTAMI, ABBAS; TA' M E GUILASS (IR, Abbas Kiarostami, 1997); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989)
Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].
Notes: Programme booklet

Call No: 81KIA SAE
Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois
PubDate: 2003
PhysDes: ix, 151 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999)
Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]
ISBN: 0252071115

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: [editorial]
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA
Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them.
Notes: in the Media Australia. 2015 clippings file

Call No: 19ABC ABC
Author: Dix, A. T. (Alexander Thomas), 1927
CorpAuthor: Committee of Review of the Australian Broadcasting Commission
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1981
PhysDes: 3 v.
Subject: STATE AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; HISTORY OF TV. AUSTRALIA; MEDIA AUSTRALIA; BROADCASTING. AUSTRALIA
Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'
Notes: -- Includes bibliographical references. -- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1
ISBN: 0642060568 (pbk. : v. 1) -- 0642060576 (pbk. : v. 2) -- 0642060584 (pbk. : v. 3) --
Donation: donated by M. S. Counihan
Contents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments -- Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; FILM VICTORIA; AUSTRALIAN BROADCASTING CORPORATION; SEVEN NETWORK; GLITCH [TV](AT, 2015-)
Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable

Call No: TITLE CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; NETFLIX

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Brook, Stephen
Subject: AUSTRALIAN BROADCASTING CORPORATION; MERCHANDISING; GRASSY, GRAHAME; SADDLE CLUB, THE [TV] (AT, 2001-)
Summary: The importance for the ABC to earn revenue from its products. A few paragraphs on how it does this with its contribution to the show The Saddle Club
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Graheme Grassby - GM ABC Consumer Publishing - "We have now sold over 50,000 videos and DVDs and 10,000 Saddle Club journals... We would net probably $2 per unit sold." Thus on just video and DVD sales, and the annual Saddle Club journal, upwards of $120,000 will flow directly into ABC coffers.

Call No: 81 GAN KRA
Author: Kramer, Steven Philip
Edition: 1978
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: May 1978
PhysDes: 200 p. : ill. ; 21 cm.
Series: Twayne's theatrical arts series
Subject: GANCE, ABEL; GANCE, ABEL; J'ACCUSE (FR, Abel Gance, 1938); NAPOLEON (FR, Abel Gance, 1927); ROUE, LA (FR, Abel Gance, 1922); GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936)
Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195.
ISBN: 0805792546

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Call No: TITLE CLIPPINGS FILE; ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Author: McDonald, John
PhysDes: Clippings
Subject: ME AND EARL AND THE DYING GIRL (US, Alfonso Gomez-Rejon, 2015)
Summary: Summary of film and review

Call No: PERSONALITY CLIPPINGS FILE; LEVY, ABRAHAM JEROME JOCK
PhysDes: Clippings File Article
Subject: LEVY, ABRAHAM JEROME JOCK
Summary: Obituary of Jock Levy, an actor and filmmaker known for his invovlement with the Waterside Workers Federation Film Unit and the film THE HUNGRY MILES

Call No: SUBJECT CLIPPINGS FILE; NETWORK TEN
Author: Knight, Elizabeth
PhysDes: Clippings File Article
Subject: NETWORK TEN; FOXTEL
Summary: Discussion about the departure from Ten Holdings of Chief Executive Hamish McLennan, and why this looks odd considering Ten's strong performance in 2015. Some talk about Foxtel trying to take a stake in Ten and McLennan's supposedly cosy relationship with the Murdoch family

Call No: MEDIA AUSTRALIA
Author: Knight, Elizabeth
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA
Summary: Hamish McLennan is resigning the chairman's role at Ten Network. McLennon will be replaced by cheif operating officer Paul Anderson. Foxtel is waiting to be approved by the ACCC to invest $77 million into Ten. This would result in a 14.9 per cent shareholding.

Call No: 79JAC MAB
Author: Mabey, John
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Commission in association with Rigby
PubDate: 1981
PhysDes: 112 p. : col. ill. ; 26 cm
Subject: JACK ABSALOM'S AUSTRALIA'S OUTBACK JOURNEY [TV] (AT, 1981)
Summary: Includes chapters on Aborigines of the Everards and the Flinders Ranges; stories and recent history of Pitjantjatjara and Ardjamunda people of these areas
ISBN: 0642975973
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; LIFE OF CRIME (US, Daniel Schechter, 2013)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: LIFE OF CRIME (US, Daniel Schechter, 2013)
Summary: McDonald discusses the film LIFE OF CRIME

Call No: TITLE CLIPPINGS FILE; MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
Summary: Film review
Rating: 3 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE; LESNIE, ANDREW
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: LESNIE, ANDREW
Summary: Report on the death of Australian cinematographer Andrew Lesnie

Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: NETWORK TEN; FOXTEL; MEDIA AUSTRALIA
Summary: Report on the Australian Competition and Consumer Commission who will be shortly ruling on the bid by Foxtel to purchase a stake in the Ten Network

Call No: TITLE CLIPPINGS FILE; LOOKING FOR GRACE (AT, Sue Brooks, 2015)
Author: Purdon, Fiona
PhysDes: Clippings File Article
Subject: MITCHELL, RADHA; LOOKING FOR GRACE (AT, Sue Brooks, 2015)
Summary: Radha Mitchell is interviewed about her role in the film LOOKING FOR GRACE

Call No: PERSONALITY CLIPPINGS FILE; WEAVER, JACKI
Author: Hawker, Phillipa
PhysDes: Clippings File Article
Subject: WEAVER, JACKI; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; GOLDSTONE (AT, Ivan Sen, 2016); BLUNT TALK [TV](US, 2015-)
Summary: An article about Jacki Weaver's return to Australian cinema and an interview with her about her role in the Australian film, Last Cab to Darwin.

Call No: 462-054.72 NAF
Author: Naficy, Hamid
Source: US
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 2001
PhysDes: v, 374 p. : ill. ; 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI
Notes: Includes bibliographical references and index.
ISBN: 0691043914

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA : ACT
Author: Winchester, Bree
PhysDes: Clippings File Article
Subject: FILM DISTILLERY, THE; LOCATION SHOOTING. AUSTRALIA: A.C.T.; INDUSTRY, FILM. AUSTRALIA : ACT
Summary: Interview with two businessmen from Canberra who are part of the Lighthouse Business Innovation Centre's Festival of Ambitious Ideas. Andrew Marriott from The Film Distillery talks of making Canberra a thriving film industry centre

Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1
CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource Centre
Source: AT
Place: Carlton, Vic.
Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative
PubDate: 1977
PhysDes: v. : ill. ; 29 cm
Subject: OPEN CHANNEL; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Notes: Cover title; Continues Access video news
ISSN: 0158-989X
LON: abn83046910; 2611345

Call No: held under ACCESS VIDEO; held vol.1 no 2 Sep 1975 - vol.6 no.3 Winter 1980 (incomplete)
CorpAuthor: National Access Media Association; Video Resource Centre (Melbourne, Vic.)
Source: AT
Place: Melbourne
Publisher: Video Resource Centre
PubDate: 1975-1977
PhysDes: 3 v. : ill. ; 29 cm
Subject: OPEN CHANNEL; INDUSTRY, TV. AUSTRALIA
Notes: Caption title; Continued by Access news
ISSN: 0313-726
LON: abn84223888; 3419071

PhysDes: Article
Subject: LOSEY, JOSEPH; PINTER, HAROLD; ACCIDENT (UK, Joseph Losey, 1967)
Notes: Screening time. - synopsis. - Harold Pinter biographic entry. - Joseph Losey biographic entry with filmography. - illustration (photographs from film featuring Dirk Bogarde and Anne Firbank)

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia

Call No: TITLE CLIPPINGS FILE; LIFE (US, Daniel Espinosa, 2017)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: FERGUSON, REBECCA; LIFE (US, Daniel Espinosa, 2017)
Summary: Inter view with actor Rebecca Ferguson about the film LIFE and her career

Subject: STONE (AT, Sandy Harbutt, 1974); DOVE, THE (US, Charles Jarrott, 1974); ADVERTISING FOR FILMS; INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Article that analyses Ace's publicity for Stone and The Dove in Western Australia and how this directly helped both films at the box office

PhysDes: Article
Subject: HOYTS; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA; DRIVE-IN CINEMAS. AUSTRALIA : WEST AUSTRALIA
Summary: Announcement of the retirement of John Pye from The Ace Group. Goes on to list The Ace Group's achievments in drive-in cinemas across Western Australia.

CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Call No: held no.3- Oct. 1993- lacks no.6,8-9,14-15,19
CorpAuthor: Japan Cultural Centre (Sydney, N.S.W.)
Source: AT
Place: North Sydney
Publisher: Japan Cultural Centre, Sydney
PubDate: 1993
Subject: JAPAN
ISSN: 1328-4592
Order Notes: Current
Frequency: Quarterly, Apr. 1997; Formerly: Bimonthly, June 1993-Feb. 1997
LON: abn93333646; 10389497

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 20 X 25 cm.
Subject: MILLIKEN, ANGIE; STREHLOW, WENDY; ACT OF NECESSITY [TV] (AT, Ian Munro, 1991)
Summary: Photographs relating to the film Act of necessity

Call No: TITLE CLIPPINGS FILE; LOVE, SIMON (US, Greg Berlanti, 2018)
Author: Johnson, Neala
PhysDes: Clippings File_Article
Subject: LOVE, SIMON (US, Greg Berlanti, 2018)
Summary: Katherine Langford talks about how important her new film is.

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Author: Jansen, Paul
PhysDes: Article
Subject: ACTING. AUSTRALIA; ACTORS EQUITY AUSTRALIA; MALLABY, GEORGE
Summary: Article on acting within the Australian film and television industries, featuring a letter written by actor George Mallaby.

Call No: TITLE CLIPPINGS FILE; MENDELSOHN, BEN
Author: De Brito, Sam
PhysDes: Clippings File Article
Subject: MENDELSOHN, BEN; KILLING THEM SOFTLY (US, Andrew Dominik, 2012)
Summary: Sam De Brito praises Ben Mendelsohn acting, specifically in his performance in the film Killing Them Softly in which he plays a junkie.

Author: Lee, Sheridan
PhysDes: Article
Subject: INITIATION (AT, Michael Pearce, 1987)
Summary: Location report on 'Initiation'; Credits

Call No: 730.3 TAS
Author: Tasker, Yvonne
Source: UK
Place: Abingdon, Oxon
Publisher: Routledge
PubDate: 2004
PhysDes: 414 p. ; 25 cm
Subject: ACTION FILMS; ADVENTURE FILMS; STARS; CHILDREN AND THE CINEMA; MELODRAMA; HISTORY OF CINEMA; GENDER AND THE CINEMA; VIOLENCE IN FILMS; WOMEN IN FILMS; WAR FILMS; MEN IN FILMS; MASCULINITY IN FILMS
Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.
Notes: Includes note and index.
ISBN: 0 415 23507 3
Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.

Author: Nicholls, Rod
PhysDes: Article
Subject: SOUTH AUSTRALIAN FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: Article on the emerging filmmaking scene in South Australia, helped largely from the State funded South Australian Film Corporation. Includes interview with the SAFC chairman Gil Brealey.

Author: Murray, Stuart
PhysDes: Article
Subject: KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005)
Summary: This article discusses the most recent film made by Maori film-maker Barry Barclay, the 2005 documentary feature The Kaipara affair, which centres on disputes over fishing rights in the Kaipara harbour in the North Island of New Zealand. It sees the film as a continuation of Barclay's method of activist film-making, which demands that Indigenous communities are represented through cultural modes and forms that extend from within the communities themselves. It also stresses the ways in which Barclay's film-making method revises a number of the traditions of activist documentary film-making. Finally, the article examines the controbersy surrounding the recutting of the film for screening on national television, seeing the event as symptomatic of the cultural tensions that exist in New Zealand over the representation of Maori activism. -- ABSTRACT

Call No: TITLE CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA
Author: Galvin, Nick
PhysDes: Clippings File_Article
Subject: NATIONAL CONTENT. AUSTRALIA
Summary: Short article on the recent open letter to the federal government from film/tv figures

Subject: INDUSTRY, FILM. AUSTRALIA : QUEENSLAND
Summary: Announcement of Des Adams as chairman of the Motion Picture Industry Benevolent Fund, Queensland

Call No: 753.8VER
Author: Verrone, William
Source: UK
Place: London
Publisher: Bloomsbury academic
PubDate: 2013
PhysDes: vi, 275 p. ; 24 cm
Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977) SEE HITLER - EIN FILM AUS DEUTSCHLAND; STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988) SEE NECO Z ALENKY; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002)
Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --
Notes: Formerly CIP. -- Includes bibliographical references and index --
ISBN: 9781441163523
Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --

Call No: 753 ADA
Author: Kennedy-Karpat, Colleen
Place: Cham, Switzerland
Publisher: Springer International Publishing
PubDate: 2017
PhysDes: ix, illustrations (colour), 22cm
Series: Palgrave studies in adaptation and visual culture
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015)
Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]
Notes: Includes index
ISBN: 9783319528533
Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.

Call No: 753.1(73) SLE
Author: Slethaug, Gordon E.
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2014
PhysDes: vi, 275 p. : ill. ; 23 cm.
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CRITICISM; USA; THEORY; POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA. USA; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993); SHORT CUTS (US, Robert Altman, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); SMOKE SIGNALS (US, Chris Eyre, 1998); SMOKE (US, Wayne Wang, 1995); DO THE RIGHT THING (US, Spike Lee, 1989); BROKEN FLOWERS (US, Jim Jarmusch, 2005); SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURB
Notes: Includes bibliographical references (p. [255]-269) and index
ISBN: 9781623564407
Donation: Senses of Cinema
Contents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing -- -- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Author: Rayner, Jonathan
PhysDes: Article
Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005)
Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract

Call No: TITLE CLIPPINGS FILE; NEON DEMON, THE (FR/US/DK, Nicolas Winding Refn, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: NEON DEMON, THE (FR/US/DK, Nicolas Winding Refn, 2016)
Summary: Review of the film THE NEON DEMON
Rating: 1.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; KEEPING UP WITH JONESES (US, Greg Mottola, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: KEEPING UP WITH JONESES (US, Greg Mottola, 2016)
Summary: Review of the film KEEPING UP WITH THE JONESES
Rating: 2 out of 5 stars

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA
Summary: Speech given by Alan Finney (director, mraketing, Roadshow) at the Motion Picture Exhibitors Association of Queensland

Call No: 626:165.62 SOB
Author: Sobchack, Vivian Carol
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xxi, 330 p. : ill. ; 25 cm
Subject: MERLEAU-PONTY, MAURICE; PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; SEMIOLOGY; PERCEPTION; EXISTENTIALISM AND THE CINEMA
Notes: Includes bibliographical references (p. 311-321) and index
ISBN: 0691031959 (alk. paper)
LON: 8114969

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

PhysDes: Article
Subject: ANDROID (US, Aaron Lipstadt, 1982); HARRY TRACY: THE LAST OF THE WILD BUNCH [HARRY TRACY: DESPERADO] (CN, William A. Graham, 1982); INDUSTRY, FILM. BRAZIL
Summary: Announcement of new deal to distribute films in Brazil between Ouro Fils, IMC+Isram and Silvertsein International Corporation.

Call No: 81 TRE TRE
Author: Trenchard-Smith, Brian
Edition: 2020
Place: [USA]
PhysDes: 580 pages : illustrated ; 26 cm
Subject: TRENCHARD-SMITH, BRIAN; PAGE, GRANT; LEE, BRUCE; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976); STUNT ROCK (NE, Brian Trenchard-Smith, 1978); BMX BANDITS (AT, Brian Trenchard-Smith, 1983); FROG DREAMING (AT, Brian Trenchard-Smith, 1985); DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurb
ISBN: 9798985674705

Author: Nicholls, Rod
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); INDUSTRY, FILM. AUSTRALIA; HUMPHRIES, BARRY
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an English perspective.

Author: Jones, D. B.
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); HUMPHRIES, BARRY; BERESFORD, BRUCE; INDUSTRY, FILM. AUSTRALIA
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an American perspective.

Author: Baxter, Brian; Gillet, John
PhysDes: Article
Subject: NATIONAL FILM THEATRE PROGRAM; WARNER BROTHERS 50TH [FIFTIETH] ANNIVERSARY TRIBUTE; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938)
Notes: Short credits and synopses for each film in program. - illustration

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AEREO PER BAALBECK, UN (IT/FR/LE, Marcello Giannini, 1964); FBI OPERAZIONE BAALBECK (IT/FR/LE, Marcello Giannini, 1964); LAST PLANE TO BAALBEK (IT/FR/LE, Marcello Giannini, 1964)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - Although the article refers to the film as "Un Aereo per Baalbeck" that was the working title only, with the film more commonly known as "F.B.I. Operazione Baalbeck". - "Last Plane to Baalbek" (English title)

Call No: 451-053.6(73) COL
Author: Colling, Samantha
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: vii, 167 pages ; 24 cm.
Subject: TEEN FILMS; YOUNG PEOPLE IN FILMS; MEAN GIRLS (US, Mark Waters, 2004); HAIRSPRAY (US, John Waters, 1988); HOUSE BUNNY, THE (US, Fred Wolf, 2008); WHAT A GIRL WANTS (US, Dennie Gordon, 2003)
Notes: Includes bibliographical references and index.
ISBN: 9781501349010
Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: 62 AES
Author: Aumont, J. (Jacques)
CorpAuthor: EsthTtique du film. English
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1992
PhysDes: x, 269 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: SPECTATORSHIP; SEMIOLOGY; AESTHETICS; NARRATIVE IN FILMS; MONTAGE; REALISM IN FILMS; THEORY; LANGUAGE AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; BAZIN, ANDRE; BARTHES, ROLAND; INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes bibliographical references (p. [253]-259) and index
ISBN: 0292704372 (pbk.); 0292704283 (alk. paper)
LON: 8459109

Author: Murdoch, Blake
PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM FINANCE CORPORATION; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: In a report to the government, the AFC and FFC outline the small market share of box office that Australian films had in 1999 - 3 %. Recommendations are made for increased government funding. It is unlikely that Australian films can compete with US productions but should look at improving competition with British films.

Author: Prisk, Tracey
PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; LOCATION SHOOTING. AUSTRALIA; TRADE FAIRS. USA
Summary: Report on efforts by AFC's Diana Berman and AusFilm's David Pratt to market Australian locations to overseas companies at 1999 American Film Market.

Author: Dunn, Irina
PhysDes: Article
Subject: LANDSLIDES (AT, Sarah Gibson & Susan Lambert, 1986)
Summary: Two doco makers Saran Gibson & Susan Lambert discuss their film Landslides and the funding.

Subject: ADAMS, PHILLIP; AUSTRALIAN FILM COMMISSION; INDUSTRY, FILM. AUSTRALIA
Summary: Report (in brief) of Phillip Adams' AFC meeting in relation to the government changes to the tax concessions on the film industry

Author: Editorial
Subject: AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; METRO TELEVISION
Summary: Editorial questioning the AFC's investments with Metro Television and Video Rep

Call No: PERSONALITY CLIPPINGS FILE; KIDMAN, NICOLE
Author: Rawsthorne, Sally
PhysDes: Clippings File Article
Subject: STARS. AUSTRALIA; KIDMAN, NICOLE
Summary: Looking at the recent postive press that actor Nicole Kidman has received recently for her roles in various films and tv shows

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE D'UNE NUIT, L' (FR, Henri Verneuil, 1960); IT HAPPENED ALL NIGHT (FR, Henri Verneuil, 1960); IT HAPPENED AT NIGHT (FR, Henri Verneuil, 1960)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "It Happened All Night" (US title). - "It Happened at Night" (UK title)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE LAFARGE, L' (FR, Pierre Chenal, 1938); LAFARGE CASE, THE (FR, Pierre Chenal, 1938)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Lafarge Case" (US title)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFARE BECKETT, L' (IT/FR, Osvaldo Civirani, 1966); JUNGLE DES TUEURS FRANCE, LA (IT/FR, Osvaldo Civirani, 1966); BECKETT AFFAIR, THE (IT/FR, Osvaldo Civirani, 1966)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). "L'Affare Beckett" is also known as "La Jungle des Tueurs France" (French title) and as "The Beckett Affair" (English title)

Author: Smaill, Belinda
PhysDes: Article
Subject: DOCUMENTARY FILMS. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; ETHNIC GROUPS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; FINISHED PEOPLE, THE (AT, Khoa Do, 2003); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); CHINESE TAKEAWAY (AT, Mitzi Goldman, 2002)
Summary: Documentary is a genre not widely understood through its capacity to engage the emotions. This article works to acknowledge the affective labour performed by documentary and, more specifically, the way emotions give meaning to documentary subjects. The analysis explores the production of Asian Australian subjects as documentary authors in four prominent films produced over the previous decade: Chinese Takeaway (Mitzi Goldman, 2002), Sadness: A Monologue by William Yang (Tony Ayres, 1999), The Finished People (Khoa Do, 2003) and Letters to Ali (Clara Law. 2004). These texts allow for a fruitful examination of the way the emotions that shape the expression of these author-subjects, such as mourning and care, might impact on the documentary representation of cultural otherness. Asian Australian subjectivity coalesces in and around these texts in a manner that is founded on the activity of mourning. Included here are not only the bereavements of loved ones, but also the losses that are bound to the movements of modernity, such as the lost fullness which is the promise of diaspora, the failure or absence of universal citizenship and the lack of safety in life lived in advanced capitalism. This article explores not only the absences suggested in these films, but also how these absences present a site of ethical encounter for the viewer that both resists reducing and assimilating the Asian Australian author to a devalued ethnic other while also addressing a community of viewers through a relation of reciprocity based in caring attachments to the social realm. -- Abstract
Notes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1

PhysDes: Article
Subject: ADVERTISING FOR FILMS; INDUSTRY, FILM. USA
Summary: Article on Affinity Enterprises joining the American Film Marketing Association and the future plans for both companies.

Call No: TITLE CLIPPINGS FILE; LIVE BY NIGHT (US, Ben Affleck, 2016)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)
Summary: Review of the film LIVE BY NIGHT
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; LIVE BY NIGHT (US, Ben Affleck, 2016)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)
Summary: Review of the film LIVE BY NIGHT
Rating: 2.5 out of 5 stars

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; COLLECTIONS, FILM; LITERATURE, FILM. AUSTRALIA
Summary: Results of AFI elections and new awards categories introduced for 1977 AFI awards.
Notes: Article

PhysDes: Article
Subject: LITERATURE, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Profile on new staff at the Australian Film Institute.
Notes: Article

Author: Johnston, Lawrence, Birmingham, Catherine & others
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; LITERATURE, FILM. AUSTRALIA; SHAME (AT, Steve Jodrell, 1988); ABORIGINAL AUSTRALIANS IN FILMS
Summary: A number of filmmakers, inlcuding Lawrence Johnston and Catherine Birmingham, respond to the Australian Film Institute's downgrading of the non-feature awards with a list of vital issues for discussion at a public meeting scheduled for July 18.
Notes: Others

Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIA; MULLINAR, LIZ
Summary: On the petition challenging the process of preselection for the '90 Australian Film Institute awards, organized by leading Australian casting consultant, Liz Mullinar.
Notes: Article

Author: Gibson, Ross
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; LIBRARIES, FILM BOOK. AUSTRALIA
Summary: Head of the organising collective for the fifth Australian History and Film conference '89, Ross Gibson, expresses concern over reports that the Australian Film Institute may abandon its film research collection.
Notes: Others

PhysDes: Article
Subject: ADVERTISING FOR FILMS; DISTRIBUTION; INDUSTRY, FILM. USA; INDUSTRY, FILM
Summary: Article on the American Film Markets future opening night for their third annual conference.

PhysDes: Article
Subject: INDUSTRY, FILM. USA; DISTRIBUTION; DISTRIBUTION. USA
Summary: Article on the new American Film Market Association president, and the future of the organisation.

PhysDes: Article
Subject: ADVERTISING FOR FILMS; INDUSTRY, FILM. USA
Summary: Article on the record amount (15% increase) of films screened at the American Film Marketing Association.

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Seddell Pty Ltd
PhysDes: 5 photographs : b&w ; 20 x 26 cm
Subject: JONES, ROSEY; NEEDLES, NIQUE; BURSILL, TINA; AFRAID TO DANCE (AT, Denny Lawrence, 1988)
Summary: 5 photographs from the film Afraid to dance

Call No: 802.27(73)-054(=96) REG
Author: Regester, Charlene
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cm
Subject: BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; MADAME SUL-TE-WAN; BEAVERS, LOUISE; MCKINNEY, NINA MAE; WASHINGTON, FREDI; MCDANIEL, HATTIE; HORNE, LENA; SCOTT, HAZEL; WATERS, ETHEL; DANDRIDGE, DOROTHY
ISBN: 9780253221926
Donation: donated by Senses of Cinema, 2013
Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion

Call No: 71 (6) AFR
Author: Australian Film Institute
Place: Sydney
Publisher: Australian Film Institute
PhysDes: 32 unnumbered pages : illustrations ; 21 cm
Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS
Notes: Title from cover. "This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2. Includes bibliographical references (page 31)

Call No: 71(6) DIA
Author: Diawara, Manthia, 1953
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1992
PhysDes: ix, 192 p. : ill. ; 25 cm
Series: Blacks in the diaspora
Subject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; POLITICS AND THE CINEMA. AFRICAN COUNTRIES; FEPACI; FESTIVALS. OUAGADOUGOU; AFRICAN COUNTRIES; AFRICA IN FILMS; NATIONAL CULTURE AND THE CINEMA. AFRICAN COUNTRIES; SEMBENE, OUSMANE; ROUCH, JEAN; CISSE, SOULEYMANE
Notes: Includes bibliographical references (p. [178]-184)
ISBN: 0253317045 (alk. paper); 025320707X (pbk. : alk. paper)
LON: 8344982

Call No: 730.5.0(6) DOV
Author: Dovey, Lindiwe
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2009
PhysDes: xviii, 334 p. : ill.
Series: Film and culture
Subject: AFRICA IN FILMS; AFRICAN COUNTRIES; SOUTH AFRICA; SOUTH AFRICA IN FILMS; VIOLENCE IN FILMS; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996); TSOTSI (UK/SA, Gavin Hood, 2005); WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998); CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995); KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001); GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999)
Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVER
ISBN: 9780231147552
Donation: donated by Senses of Cinema, 2012
Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Reid, Campbell
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Writer Terry Hayes discusses the making of Mad Max 2 and its differences to the original Mad Max

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: 79 IND HUG
Author: Hughes, John
Place: Melbourne
Publisher: School of Media and Communication, College of Design and Social Context, RMIT University
PubDate: November 2012
PhysDes: 233 p. ; 30 cm
Subject: INDONESIA CALLING (AT, Joris Ivens, 1948); INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009); IVENS, JORIS

Author: Quinlivan, Beth
PhysDes: Article
Subject: MCKIMMIE, JACKIE; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); STATIONS (AT, Jackie McKimmie, 1983)
Summary: Interview with Jackie McKimmie on her first feature film directorial debut in "Australian Dream". McKimmie, who also wrote the film script, categorises "Australian Dream" as a bizarre comedy but that her main directorial focus was in creating a layered approach to filmmaking
Notes: Interview

Call No: 62(04) AFT
Source: K
Place: Abingdon
Publisher: Routledge
PubDate: 2012
PhysDes: viii, 173 pages ; 25 cm.
Subject: B-MOVIES; CRITICISM; RECEPTION; AMATEUR FILMS; LOW BUDGET FILMS; CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; POPULAR CULTURE AND THE CINEMA
Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste. More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.
Notes: Includes bibliographical references and index.
ISBN: 9780415845939
Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.

Author: Hodsdon, Barrett
PhysDes: Article; Bibliography
Subject: INDUSTRY, FILM. AUSTRALIA; CULTURE AND THE CINEMA. AUSTRALIA
Summary: Comments on the role and direction of screen culture in Australia.

Call No: 62 HUY
Author: Huyssen, Andreas
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1986
PhysDes: xii, 244 p. ; 25 cm
Series: Theories of representation and difference
Subject: MODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; CULTURE AND THE CINEMA; METROPOLIS (GG, Fritz Lang, 1927)
Notes: Includes index; Bibliography: p. [222]-240
ISBN: 0253203996 (pbk.); 0253100577
LON: 85046010; 4510030
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DVD RESEARCH FOLDER
Author: Groves, Don
Subject: NETWORK TEN
Summary: Interesting quote - "Ten didn't renew its output deal with Sony last year because it objected to high license fees for movies whose value for free-to-air webs has declined markedly in recent years. This year, ratings for movies aired Sunday nights on the three commercial webs have fallen by 12.5%, blamed on a doubling of DVD penetration to 51% in the past year."
Notes: accessed from: Variety.com. Reed Business. AFI Research Collection, RMIT University. (14 May 2007).

Call No: 71(41) RIC
Author: Richards, Jeffrey
Place: London Boston
Publisher: Routlege & K. Paul
PubDate: 1984
PhysDes: x, 374 p. : ill. ; 24 cm
Series: Cinema and society
Subject: UNITED KINGDOM; SOCIETY AND THE CINEMA. UK; FIELDS, GRACIE; HOWARD, LESLIE; FORMBY, GEORGE; MATTHEWS, JESSIE
Notes: Includes indexes
ISBN: 0710097646 : $30.00 (est.)
LON: 2989884 6476895

Call No: TITLE CLIPPINGS FILE; LOGAN (US, James Mangold, 2017)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: LOGAN (US, James Mangold, 2017)
Summary: Review of the film LOGAN, starring Hugh Jackman
Rating: 4 out of 5 stars

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE; MANCHESTER BY THE SEA (US, Kenneth Loneragan, 2016)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: MANCHESTER BY THE SEA (US, Kenneth Loneragan, 2016)
Summary: A very positive review of the film MANCHESTER BY THE SEA

Call No: held vol.10 no.1- Feb.1999-
CorpAuthor: Arts Industry Council (Victoria)
Source: AT
Place: Melbourne
Publisher: Arts Industry Council (Victoria)
PhysDes: vol.
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA
Order Notes: Current

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Author: Webb, Dan
PhysDes: Article
Subject: BROADCASTING RIGHTS. AUSTRALIA; LEGISLATION. AUSTRALIA; OWNERSHIP. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA
Summary: An address given to the Television Society in Melbourne by Dan Web on the increasingly restricted ownership of the mass media in Australia and how it compares to the US.

Call No: 81KUR GOO
Author: Goodwin, James, 1945
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1994
PhysDes: xi, 265 p. : ill. ; 23 cm
Subject: KUROSAWA AKIRA
Notes: Includes bibliographical references (p. [245]-253) and index
ISBN: 0801846609 (acid-free paper); 0801846617 (pbk. : acid-free paper)
LON: 93015618; 9986196
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY TWENTIETH CENTURY [AL EN XX SZAZADOM] (HU, Ildiko Enyedi, 2018)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AL-MUMMIA (UA, Chadi Abdel Salam, 1969); MUMMY, THE (UA, Chadi Abdel Salam, 1969); NIGHT OF COUNTING THE YEARS, THE (UA, Chadi Abdel Salam, 1969)

Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; LADD, ALAN, Jr.
Summary: Report on the promotion of Alan Ladd, Jr. within MGM/ UA

Call No: SUBJECT CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings
Subject: NATIONAL CONTENT. AUSTRALIA; DRAMAS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: Article raises concerns that spending on Australian TV dramas is falling and is anticipated to continue to fall further. The problem is made worse by NZ drama counting as 'first release Australian drama'

Call No: 81MAYSLES ALB
Source: US
Place: Jackson, Miss.
Publisher: University of Mississippi
PubDate: 2010
PhysDes: xxxix, 188 p. ; 24 cm
Series: Conversations with filmmakers series
Subject: MAYSLES, ALBERT; MAYSLES, DAVID; MAYSLES, ALBERT & DAVID
ISBN: 9781604733655
Contents: Albert and David Maysles / Mark Shivas -- The Maysles Brothers and "direct cinema" / Maxine Haleff -- A discussion with the Maysles Brothers / James Blue -- An interview with the Maysles Brothers / Jonas Mekas -- A interview with Albert and David Maysles / Bob Sitton-- Salesman / Alan Rosenthal -- Circumstantial evidence : an interview with David and Albert Maysles / Robert Phillip Kolker -- Seeking to take the longest journey : a conversation with Albert Maysles / Calvin Pryluck -- Who's who in filmmaking : Albert Maysles / Judith Trojan -- "Doco direct" et al / Jane Castle -- Real artists shoot "real farmers" / Brooke Comer -- The making of concert of wills : making the Getty Center / Ann Hassett -- Man of the people / Brooke Comer -- Albert Maysles : all you need is love / Jackson Pellow -- Stories that tell themselves / Anne S. Lewis -- Albert Maysles / Liz Stubbs -- The force of reality in direct cinema : an interview with Albert Maysles / Sharon Zuber -- Maysles on DIFF, Castro, flies on walls, and the poetic eye / Marty Mapes -- Albert Maysles / Shana Liebman -- "A Bible salesman or the Rolling Stones : they're all just people" / Geoffrey Macnab -- Uncontrolled cinema : Albert Maysles / Williams Cole -- Reel life / Lance Avery Morgan

PhysDes: Article
Subject: PRODUCTION CENTRES : HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Crew and plot information for 'Stutter's Gold' which is to being filming in 1984.

Call No: 81KLU KLU
Author: Dawson, Jan; Kluge, Alexander, 1932; Kluge, Alexander, 1932- . Gelegenheitsarbeit einer Sklavin
Place: South Perth, W.A.
Publisher: Perth Film Festival
PubDate: 1975
PhysDes: 48 p. : ill. ; 21 cm
Subject: KLUGE, ALEXANDER
Notes: Cover title: Alexander Kluge & the female slave
LON: abn84041903; 3083741

Call No: 81KOR KUL
Author: Kulik, Karol, 1949
Place: New Rochelle [N.Y.]
Publisher: Arlington House
PubDate: 1975
PhysDes: 407 p., 16 leaves of plates : ill., ports. ; 22 cm
Subject: KORDA, ALEXANDER
Notes: Includes index; Bibliography: p. 388-394; Filmography: p. 337-384
ISBN: 0870003356
LON: abn80022143; 1776275

Call No: 620 MED LAR
Author: Medvedkin, Alexander
Place: Chicago; London
Publisher: The University of Chicago Press
PubDate: 2016
PhysDes: xv, 356 pages : illustrations ; 24 cm
Series: Cinema and modernity
Subject: MEDVEKIN, ALEXANDER; MARKER, CHRIS; SCHASTYE [HAPPINESS] (UR, Alexander Medvedkin, 1935)
Summary: "Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky." -- Publisher's website
Notes: Includes notes, glossary and index; translated from Russian
ISBN: 9780266296272
Donation: Senses of Cinema
Contents: On the front lines of war and revolution -- 1. Cavalry days -- 2. The kino-train: 294 days on wheels -- 3. Soldiers shooting films -- Scripts -- 4. A little log (1930) --5. Stop thief! (1930) -- 6. Fruit and vegetables (1930) -- 7. A cock and bull story (1931) -- 8. Hey fool, what a fool you are! (1931) -- 9. Tit (1932) -- 10. Look what love did! (1932) -- 11. A crazy locomotive (1932) -- 12. “The Unholy Force” (1966) -- 13. “Gogol” (1941) -- Satire—a militant art -- 14. The elation of fighting (ca. 1985) -- 15. Satire: An assailant’s weapon (ca. 1966) -- 16. Bronze monuments -- 17. Springboards (ca. 1985) -- Contextualizations -- 18. Eisenstein on Medvedkin’s chaplinesque genius -- 19. Anatoli Lunacharsky, “Film Comedy and Satire” (excerpt) -- 20. Nikolai Izvolov, “Alexander Medvedkin and the Traditions of Russian Film” -- CVs and addenda -- 21. First “Autobiography”: A Bolshevik’s CV -- 22. Second “Autobiography”: A filmmaker’s CV -- 23. Marina Goldovskaia, Interviews with Medvedkin (excerpts) -- 24. The suppression of happiness -- 25. Color film in happiness remembrance and revival -- 26. The kino-train filmography (trans. Jay Leyda) -- 27. Surviving kino-train films -- 28. Nikita Lary, “History of The Alexander Medvedkin Reader” -- 29. Chris Marker, “The Last Bolshevik”

Call No: 79 PSY REB
Author: Rebello, Stephen
Place: London
Publisher: Mandarin
PubDate: 1992
PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.
Subject: BLOCH, ROBERT; HITCHCOCK, ALFRED; BASS, SAUL; STEFANO, JOEY; HERRMANN, BERNARD; MILES, VERA; PSYCHO (US, Alfred Hitchcock, 1960); DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955)
Notes: Originally published: London : Boyars, 1990. Bibliography: p. 207-211. Includes index.
ISBN: 0749309709
Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath

Author: O'Connor, Anne Margaret [Introduction]; Watts, Stephen [Interview]
PhysDes: Serial
Subject: MUSIC IN FILMS; HITCHCOCK, ALFRED
Summary: An interview with Alfred Hitchcock on music in films.
Notes: Interview originally published in Cinema Quarterly (Edinburgh), 2, No. 2 (Winter 1933-34), 80-83.
ID2: 205

Call No: 81HIT SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm
Subject: HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976); LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0231069146 (acid-free paper)
LON: 7477298
Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --

Author: Ness, Richard
PhysDes: Serial
Subject: HITCHCOCK, ALFRED; MANXMAN, THE (UK, Alfred Hitchcock, 1929)
Summary: A shot-by-shot description of Hitchcock's "The Manxman."

Call No: 626:396 DEL
Author: De Lauretis, Teresa
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1984
PhysDes: ix, 220 p. ; 25 cm
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; THEORY; SEMIOLOGY; PSYCHOANALYSIS AND THE CINEMA; NARRATIVE IN FILMS; LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0253304679; 0253203163 (pbk.)
LON: 83048189; 2925665

Call No: 46(794) WIL
Author: Williamson, Alice M.
Source: US
Place: New York
Publisher: D. Appleton Company
PubDate: 1928
PhysDes: 265p. : illus. :20cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA; DEMILLE, CECIL B.; GOLDWYN, SAMUEL; DAVIES, MARION; PARAMOUNT STUDIOS; NEGRI, POLA; UNITED ARTISTS; SWANSON, GLORIA; STAR SYSTEM

Call No: CRAWFORD STILL ALI
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1986?]
PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mm
Subject: JONES, ROSEY; WATERS, JOHN (AT); VAUGHAN, MARTIN; STORM, ESBEN; JACOBS, STEVE; SMITHERS, JOY; CRACKNELL, RUTH; MAGUIRE, GERARD; LUNNEY, BRENDON; ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Photographs, slides and negatives relating to Alice to Nowhere
Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storage
Donation: Gift of Crawford Productions

Call No: 236ALI SHA
Author: Norton, Bill; Shay, Don
Edition: First edition
Source: UK
Place: London
Publisher: Titan Books
PubDate: 1997
PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm
Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986)
Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB
Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso
ISBN: 1852866950
Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: PUPPET DESIGN; PUPPETRY; BESWICK, DOUG; L.A. EFFECTS GROUP; ALIENS (US, James Cameron, 1986)
Summary: Description of some of the puppetry used in "Aliens" in terms of design, creation, and manipulation

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: 79LAW MAC
Author: MacLean, Alistair
Place: London
Publisher: W.H. Allen
PubDate: 1962
PhysDes: 141 p., [16] p. of plates : ill., maps ; 22 cm
Subject: LAWRENCE OF ARABIA (UK, David Lean, 1962)
Notes: Bibliography: p. 137
LON: 3396816

Author: McLeod, Ashley
PhysDes: Article; Illustration(s)
Subject: MICROPHONES
Summary: Provides advice on selecting a microphone.

Call No: 81MCL MCL
Author: Mac Liammoir, Micheal, 1899-1978
Place: London
Publisher: Methuen
PubDate: 1946
PhysDes: 390 p., [15] p. of plates : ports. ; 23 cm
Subject: MacLiammoir, Micheal; Dublin Gate Theatre
Notes: Includes index
LON: abn96368935; 12829037

PhysDes: Article
Subject: ROBBERY UNDER ARMS (AT, Donald Crombie & Ken Hannam, 1984); INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; DISTRIBUTION. AUSTRALIA; DISTRIBUTION
Summary: Article on the funding completion for 'Robbery Under Arms' and the planned distribution outlets through ITC Film Distribution.

Call No: 81 BIS BIS
Author: Bisley, Steve
Source: AT
Place: Richmond, Victoria
Publisher: Echo, a division of Bonnier Publishing Australia
PubDate: 2017
PhysDes: 247 pages ; 21 cm
Subject: BISLEY, STEVE; GIBSON, MEL; DAVIS, JUDY; MAD MAX (AT, George Miller, 1979); WATER RATS [TV] (AT, Hal McElroy, 1996); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); DOCTOR DOCTOR [TV] (AT, 2016)
Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.
ISBN: 9781760400842

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 26 cm.
Subject: ALL THE RIVERS RUN [TV] (AT, 1983); THORNTON, SIGRID; MECURIO,GUS
Summary: Production still taken of Sigrid Thornton(in the role of Delie) and Gus Mecurio (in the role of Tom Critchley) on the beach
Notes: Sticker on the back of the photograph with title of production, names of actors in the image and their characters names.

Call No: CRAWFORD PUBLICITY ALL
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: RATINGS FOR TV AUSTRALIA; THORNTON, SIGRID; MILLER, GEORGE T.; ALL THE RIVERS RUN [TV] (AT, 1983)
Summary: Newspaper clippings, journal reviews, press kit and publicity brochure for All The Rivers Run
Donation: Gift of Crawford Productions
Contents: ! box containing the following material: 1 manilla folder containing Australian newspaper and magazine press clippings from March 1983 to August 1985 (19 leaves), a review from The Hollywood Reporter dated Jan 20, 1984 and an attached memo (2 leaves), 5 copies of a review in Variety dated September 14, 1983 -- 1 publicity brochure for All The Rivers Run -- 1 manilla folder containing the press kit (83 leaves) , folder labelled 'original press book'

Call No: 81MAY CAR
Author: Carey, Gary
Place: London
Publisher: Robson
PubDate: 1982, c1981
PhysDes: xiv, 320 p., [18] p. of plates : ill., ports ; 24 cm
Subject: Metro-Goldwyn-Mayer; MAYER, LOUIS B.
Notes: American cinema films. Production. Mayer, Louis B.. -Biographies (BNB/PRECIS); Originally published: New York : Dutton, 1981; Bibliography: p. 307-309; Includes Index
ISBN: 0860511642 : ª7.95 : CIP rev
LON: bnb86051164; 2151955

Call No: CRAWFORD STILL ALL
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1988?]
PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cm
Subject: CRAWFORD PRODUCTIONS; SACKS, MARTIN; SUMNER, PETER; WALLACE, ROWENA; MENDELSOHN, BEN; McKENZIE, JACQUELINE; MILLAR, MAGGIE; SMITHERS, JOY; HENSLEY, LISA; ALL THE WAY [TV] (AT, 1988)
Summary: Photographs and slides relating to the series 'All the way'
Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)
Donation: Gift of Crawford Productions

Call No: CRAWFORD PUBLICITY ALL
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: SMITHERS, JOY; SUMNER, PETER; MILLER, DENNIS; SACKS, MARTIN; WALLACE, ROWENA; MCDONALD, DOMINIC; TAYLOR, GRIGOR; MENDELSOHN, BEN; HENSLEY, LISA; MAMMONE, ROBERT; ALL THE WAY [TV] (AT, 1988)
Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'
Donation: Gift of Crawford Productions
Contents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)

Author: Marks, Dick
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; COLLINS, ALAN; CAAMA (Central Australian Aboriginal Media Association)
Summary: Interview with indigenous Australian Director of Photography, Allan Collins, who discusses his experience in the Australian film industry, his photography techniques and work with CAAMA (Central Australian Aboriginal Media Association)
Notes: Interview

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Call No: held Nov./Dec. 1992- incomplete
CorpAuthor: Media, Entertainment and Arts Alliance (Australia); Alliance (Redfern, N.S.W.)
Source: AT
Place: Redfern, NSW
Publisher: Media, Entertainment and Arts Alliance
PubDate: 1992
PhysDes: v. : ill. ; 37 cm
Subject: MEDIA, ENTERTAINMENT AND ARTS ALLIANCE
Notes: Cover title
ISSN: 1324-4140
Order Notes: Current
Frequency: Bimonthly
Special Issues: Walkley Yearbook 1997; Entertainment Edition. June 1999; Equity Edition. May 1999; Walkley Magazine Aug. 1999; Walkley Yearbook Summer 2000
LON: abn93022751; 9778344

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from Queensland, N.S.W. and South Australia

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from Queensland, South Australia and NSW

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from Queensland, South Australia and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from Queensland, Victroia, South Ausrtralia and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from New South Wales, South Australia and Victoria

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from South Australia, Queensland and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Items of news from Queensland, South Australia and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from South Australia, Queensland and New South Wales

Author: Murphy, Kath
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; QUEENSLAND
Summary: Short pieces of film news from Queensland, South Australia, and West Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES
Summary: Short pieces of film news from New South Wales

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief film-related news items from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief news pieces on films throughout Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Film news from throughout Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief film-news items from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news items from across Australia.

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: DARK CRYSTAL, THE (US, Jim Henson and Frank Oz, 1982); GOODBYE JOEY (AT, Peter Cunningham, 1983); INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: THEY CALL ME BRUCE (US, Elliott Hong, 1982); TOUGH ENOUGH (US, Richard Fleischer, 1983); MOLLY (AT, Ned Lander, 1983); INDUSTRY, FILM. AUSTRALIA
Summary: News items from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; UNITED INTERNATIONAL PICTURES; PIRACY; VIDEO, FILMS ON
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOYTS; CLEESE, JOHN; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; NIGHT SHIFT (US, Ron Howard, 1982); CONAN THE BARBARIAN (US, John Milius, 1982); DRIVE-IN CINEMAS; PALIN, MICHAEL
Summary: Film news from across Australia

PhysDes: Article
Subject: E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); ANNIE (US, John Huston, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BIRCH CARROLL AND COYLE; FILMWAYS; GREATER UNION
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BOX OFFICE. AUSTRALIA; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; GREATER UNION; HESTON, CHARLTON; MOTHER LODE (US, Charlton Heston, 1982); DRIVE-IN CINEMAS
Summary: Film news from across Australia.

PhysDes: Article
Subject: LUCAS, GEORGE; PROJECTIONISTS; GREATER UNION; FIREFOX (US, Clint Eastwood, 1982); POLTERGEIST (US, Tobe Hooper, 1982)
Summary: Film industry news from across Australia