title clippings file
ABOUT A BOY : (UK/US/FR, Chris Weitz & Paul Weitz, 2002)
More info
journal article
Abraham Polonsky : twenty years after - in Sydney University Film Group Bulletin (August 1971) iss.55 p.4 - 6
More info
title clippings file
AMERICAN BOY: A PROFILE OF STEVEN PRINCE : (US, Martin Scorsese, 1978)
More info
book
American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
More info
book
Angel / by Neil Jordan London: Faber, 1989, c1988.
More info
title clippings file
ANGEL : (IE, Neil Jordan, 1982)
More info
book
Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 772(520) CLEAuthor: Clements, Jonathan Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; CARTOONS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. JAPAN ; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
SEE
SHIN TETSUWAN ATOM [TV] ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURBNotes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and indexISBN: 9781844573905Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
More info
book
Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
More info
title clippings file
ASTRO BOY : (HK/US/JA, David Bowers, 2009)
More info
book
Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
Checked: 31/08/2021 1:11:10 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
journal article
The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
More info
journal article
The Australian Film and Television and Radio School in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: BOY AND THE SEA, THE (AT, Peter Leovic, 1986) Summary: Short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's Opening Night and other stories; Freely Given; The Good Weekend; Flying; Say a Little Prayer; Speed Graphic; Shopping Town; Trickle of Sanity.
More info
book
Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
More info
title clippings file
BABY BOY : (US, John Singleton , 2001)
More info
book
Bad Boy Bubby / Rolf de Heer Sydney: Currency Press, 1996.
More info
title clippings file
BAD BOY BUBBY : (AT, Rolf de Heer, 1993)
More info
journal article
Bad Boy Bubby in Empire (Australian Ed.) (August 2005) iss.53 p.108
More info
book
Bad Boy Bubby / Gabrielle Murray (author) Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 79 BAD MURAuthor: Murray, Gabriel Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 152 pages : illustrations ; 19 cm.Series: controversiesSubject: BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; CENSORSHIP. AUSTRALIA ; CENSORSHIP. UK ; ANIMALS IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS Summary: Bad Boy Bubby focuses on a 35 year-old man-child whose 'mother/keeper' keeps him imprisoned in a windowless hovel. From the moment it entered the festival cycle in 1993, the film has polarized audiences. This volume examines how and why the film produced such conflicting responses, as well as reviewing its current relevance. -- PUBLISHERS WEB SITEISBN: 9780230296769Contents: Introduction -- synopsis -- 1 Somewhere between exploitation and art cinema -- 2 Censorship, film festival classifications and pressure groups -- 3 Animal cruelty and the cinema -- 4 Key scene analysis -- 5 Key themes -- 6 Legacy -- Appendix A Key Details -- Appendix B Notes -- Appendix C References.-- Index
More info
still
[Bad Boy Bubby : stills file] Roadshow Film Distributors,
More info
title clippings file
BAKEMONO NO KO : (JA, Mamoru Hosoda, 2015)
More info
title clippings file
BAY BOY, THE : (CN/FR, Daniel Petrie, 1984)
More info
title clippings file
BEAUTIFUL BOY : (US, Felix Van Groeningen, 2018)
More info
title clippings file
BEAUTIFUL BOY, THE : (AT, Gwen Sputore & Michelle Martin, 1996)
More info
title clippings file
BEST BOY : (US, Ira Wohl, 1979)
More info
title clippings file
BEST MAN : BEST BOY AND ALL OF US TWENTY YEARS LATER : (US, Ira Wohl, 1997)
More info
Online resource
digital clippings file
BIG BOY : (US, Bryan Campbell , 2014) Digital clippings file available
More info
title clippings file
BIG MAMMA'S BOY : (AT, Franco di Chiera, 2011)
More info
title clippings file
BILLY WEST AND THE LIGHTENING THUNDER BOY : (AT, Bill Leimbach, 198?)
More info
title clippings file
BIRTHDAY BOY : (AT, Sejong Park, 2004)
More info
still
[Boss boy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 25 x 20 cmSubject: BOSS BOY (AT, George Viscas, 1987) Summary: Two black and white photographs relating to the film Boss boy
More info
title clippings file
BOY : (NZ, Taika Waititi, 2010)
More info
title clippings file
BOY A : (UK, John Crowley, 2007)
More info
journal article
A boy, a girl and a bike in Film Index iss.28
More info
title clippings file
BOY AND HIS DOG, A : (US, L. Q. Jones, 1975)
More info
title clippings file
BOY CALLED HATE, A : (US, Mitch Marcus, 1995)
More info
title clippings file
THE BOY CASTAWAYS : AT, Michael Kantor, 2013
More info
journal article
The Boy Cried Murder in Film Index iss.28
More info
journal article
The Boy Cried Murder in Kine Weekly (1966) vol.12 iss.11 p.10
More info
journal article
Boy, Did I get a wrong number! in Australian Film Guide (1967) iss.February p.19
More info
title clippings file
BOY DOWNSTAIRS, THE : (US, Sophie Brooks, 2017)
More info
title clippings file
BOY ERASED : (US, Joel Edgerton, 2018)
More info
poster
[Boy erased: poster] 2018.
More info
title clippings file
BOY FRIEND, THE : (UK, Ken Russell, 1971)
More info
title clippings file
BOY FROM MERCURY, THE : (IE/FR/UK, Martin Duffy, 1996)
More info
title clippings file
BOY IN BLUE, THE : (CN/US, Charles Jarrott, 1986)
More info
title clippings file
BOY IN THE BUSH, THE : [TV] (AT, Rob Stewart, 1983)
More info
title clippings file
BOY IN THE STRIPED PYJAMAS, THE : (UK/US, Mark Herman, 2008)
More info
title clippings file
BOY MEETS GIRL : (FR, Leos Carax, 1984)
More info
title clippings file
BOY NAMED CHARLIE BROWN, A : (US, Bill Melendez, 1969)
More info
title clippings file
Boy on a Dolphin : US, Jean Negulesco, 1957
More info
title clippings file
BOY WHO COULD FLY, THE : (US, Nick Castle, 1986)
More info
title clippings file
BOY WHO CRIED BITCH, THE : (US, Juan Campanella, 1991)
More info
title clippings file
BOY WHO HAD EVERYTHING, THE : (AT, Stephen Wallace, 1985)
More info
title clippings file
BOY WHO HARNESSED THE WIND, THE : (UK, Chiwetel Ejiofor, 2019)
More info
title clippings file
BOY WHO PLAYS ON THE BUDDHAS OF BAMIYAN, THE : (UK/AF, Phil Grabsky, 2004)
More info
journal article
The boy who stole a million in Film Index iss.28 p.73
More info
journal article
Broth of a Boy in Film Index iss.28 p.80
More info
Interim
book
Brushing the tip of fame / Nicholas Hope Australia: Bantam, 2004.
More info
title clippings file
BUDDY BOY : (US, Mark Hanlon, 1999)
More info
title clippings file
BURNING BOY, THE : (AT, Kieran Galvin, 2000)
More info
title clippings file
BUTCHER BOY, THE : (US, Neil Jordan, 1997)
More info
title clippings file
CABIN BOY : (US, Adam Resnick, 1994)
More info
title clippings file
CAMEL BOY, THE : (AT, Yoram Gross, 1984)
More info
title clippings file
CANARY IN THE MINE : (AT, Laurel Cohn, 1997)
More info
book
CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
More info
title clippings file
COMPUTER BOY : (AT, Abe Forsythe, 2000)
More info
journal article
Connery, Cilentro grab the press in Australian Film Review (2-15 February 1984) vol.1 iss.25 p.4
More info
book
Critical business : the new Australian cinema in review / Sandra Hall Adelaide: Rigby, 1985.
Call No: 71(94) HALAuthor: Hall, Sandra, 1942 Place: AdelaidePublisher: RigbyPubDate: 1985PhysDes: 200 p. : ill., ports. ; 22 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; GENRES ; GENRES. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; ROAD MOVIES ; ROAD MOVIES. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; CLUB, THE (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; STORM BOY (AT, Henri Safran, 1976) ; PHAR LAP (AT, Simon Wincer, 1983) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; RAZORBACK (AT, Russell Mulcahy, 1984) ISBN: 0727020102 : $16.95 AustLON: anb72702010; 3401972
More info
book
Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
More info
title clippings file
DANNY BOY : (UK, Neil Jordan, 1982)
More info
Online resource
book
Diasporas of Australian cinema / edited by Catherine Simpson, Renata Murawska and Anthony Lambert Bristol: Intellect, 2009. Available at ProQuest (RMIT login required)
Call No: 408.3 DIASource: UKPlace: BristolPublisher: IntellectPubDate: 2009PhysDes: 213 p. : ill. ; 24 cmSubject: MULTICULTURALISM AND THE CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; LUCKY MILES (AT, Michael James Rowland, 2007) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; BIRTHDAY BOY (AT, Sejong Park, 2004) Summary: Diasporas of Australian Cinema is the first volume of essays to focus on diasporic hybridity and cultural diversity in Australian film-making over the past century. Topics include, post-war documentaries and migration, Asian-Australian subjectivity, cross-cultural romance, 'wogsploitation' comedy, and post-ethnic cinema. This collection also provides a comprehensive filmography making it a useful reference text for scholars of Australian film and cultural studies. The book is a vital contribution to the burgeoning international body of critical work on diasporic cinemas --CoverNotes: Catherine Simpson and Renata Murawska are lecturers in the department of media at Macquarie University in Sydney. Anthony Lambert is a lecturer in the department of critical and cultural studies at Macquarie University.; Includes bibliographical references and indexISBN: 9781841501970Contents: Preface -- Diasporas of Australian cinema - a provocation: Toby Miller; Part one: Theories -- Introduction: rethinking diasporas - Australian cinema, history and society: Catherine Simpson, Renata Murawska and Anthony Lambert -- Tinkering at the borders: lucky miles and the diasporic (no) road movie: Catherine Simpson -- Ethics and risk in Asian-Australian cinema: 'The Last Chip': Audrey Yue -- 'I'm falling in your love': cross-cultural romance and the refugee film: Sonia Magdelena Tascon -- White aborigines: women, space mimicry and mobility: Anthony Lambert; Part two: Representations -- Wogboy comedies and the Australian national type: Felicity Collins -- Excess in Oz: the crazy Russian and the quiet Australian: Greg Dolgopolov -- Anzac's 'others': 'cruel Huns' and 'noble Turks': Antje Gnida and Catherine Simpson -- 'Now you blokes own the place': representations of Japanese culture in recent Australian cinema: Rebecca Coyle -- Other shorelines, or the Greek-Australian cinema: John Conomos; Part three: Film-makers -- 'A European heart': Exile, isolation and interiority in the life and films of Paul Cox: Marek Haltof -- Sophia Turkiewicz: Australianizing Poles, or 'bloody nuts and balts' in Silver City (1984): Renata Murawska -- Lebanese Muslims speak back: two films by Tom Zubrycki: Susia Khamis -- Sejong Park's Birthday Boy and Korean-Australian encounters: Ben Goldsmith and Brian Yecies -- Diasporic filmography: Garry Gillard and Anthony LambertURL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=457082'
Checked: 31/08/2021 1:18:46 PM
Status: Moved
Details: HTTP status 302 - Moved temporarily
More info
title clippings file
DOLPHIN BOY : (IS, Dani Menkin/Yonatan Nir, 2011)
More info
title clippings file
DROVER'S BOY, THE : (AT, Chris Langman, 2002)
More info
book
Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
More info
book
Elephant dance / by Frances Hubbard Flaherty, with a preface by John Collier London: Faber and Faber, 1937.
More info
script
Fancy Boy : Episode 3 AT: 2016 May 24.
Call No: S FANEdition: Pink Amendment scriptPlace: ATPubDate: 2016 May 24PhysDes: 16 leaves ; 30 cmSubject: FANCY BOY [TV] (AT, 2016 - ) Summary: Story titles from title page: A Story: Last honest politician ; B Story; Sausage comdeian ; C Story: Tuckshop dads ; Coda: Last honest politician - interview outtakeNotes: Unpublished scriptLanguage: EnglishDonation: AFI / AACTA
More info
script
Fancy boy : Episode 5 ; Pub oracle AT: 2016 May 17.
Call No: S FANEdition: Blue amendment scriptPlace: ATPubDate: 2016 May 17PhysDes: 15 leaves ; 30 cmSubject: FANCY BOY [TV] (AT, 2016 - ) Notes: Unpublished scriptLanguage: EnglishDonation: AFI / AACTA
More info
title clippings file
FAT MAN AND LITTLE BOY : (US, Roland Joffe, 1989)
More info
book
Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
More info
journal article
Film-making with God on their side in Australian Film Review (16-29 February 1984) vol.1 iss.26 p.4
More info
book
Filmosophy / Daniel Frampton London: Wallflower Press, 2006.
Call No: 630.5 FRAAuthor: Frampton, Daniel Source: UKPlace: LondonPublisher: Wallflower PressPubDate: 2006PhysDes: 254 pages ; 22 cmSubject: AESTHETICS ; ARTAUD, ANTONIN ; CAVELL, STANLEY ; DELEUZE, GILLES ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) Summary: "Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike." - taken from publisher website.Notes: "a manifesto for a radically new way of understanding cinema"--Cover. -- Includes bibliographical references (p. 214-247) and indexISBN: 1904764843Contents: 1. Film minds -- 2. Film-beings -- 3. Film phenomenology -- 4. Film neominds -- 5. Filmind -- 6. Film narration -- 7. Film-thinking -- 8. Filmgoer -- 9. Film writing -- 10. Filmosophy -- Conclusion
More info
book
From Steel City to Hollywood : the amazing autobiography of Phil Avalon... model, surfer, actor, writer, director and producer / Phil Avalon London: New Holland Publishers Pty Ltd,
Call No: 81 AVA AVAAuthor: Avalon, Phil Edition: 2015Place: LondonPublisher: New Holland Publishers Pty LtdPhysDes: 288 pages : ilustrated ; 25 cmSubject: AVALON, PHILLIP ; SUMMER CITY (AT, Christopher Fraser, 1978) ; LITTLE BOY LOST (AT, Terry Bourke, 1978) ; BREAKING LOOSE - SUMMER CITY II (AT, Rod Hay, 1987) ; SHER MOUNTAIN KILLINGS MYSTERY (AT, Vince Martin, 1990) ; TUNNEL VISION (AT, Clive Fleury, 1994) ; PACT (AT, Scott Patterson, 1996) ; LIQUID BRIDGE (AT, Phillip Avalon, 2002) ; STOLEN (AT, Violeta Ayala and Dan Fallshaw, 2009) Summary: Phil Avalon is one of Australia s most successful independent film producers. In his autobiography From Steel City to Hollywood Phil tells his story of a kid growing up in Steel City - Newcastle, NSW; his memories as a surfer in the early 1970s; as a struggling actor, a Cleo centrefold and later a writer, director and producer. In 1978, he wrote, produced and starred in arguably Australia s most successful independant film, Summer City which unearthed a young Mel Gibson, Steve Bisley and John Jarratt.
Since that time he has made more than a dozen films starring noteable Hollywood stars and captured a Masters World Surfing Championship along the way. -- publoisher's web siteISBN: 9781742577531
More info
title clippings file
GIRL STROKE BOY : (UK, Bob Kellett, 1971)
More info
title clippings file
GOOD BOY! : (US, John Robert Hoffman, 2003)
More info
book
The guerilla film makers handbook : and the film producers toolkit / by Chris Jones and Genevieve Jolliffe London: Cassell, 1996.
Call No: 222(41) JONAuthor: Jones, Chris, 1967 ; Jolliffe, Genevieve Place: LondonPublisher: CassellPubDate: 1996PhysDes: 448 p. : ill., forms, ports. ; 21 cmSubject: FINANCING. UK ; PRODUCTION. UK ; PRE-PRODUCTION. UK ; POST-PRODUCTION. UK ; PRODUCTION MANAGING. UK ; WHITE ANGEL (UK, Chris Jones, 1993) ; BOY MEETS GIRL (UK, Ray Brady, 1993) ; STAGGERED (UK, Martin Clunes, 1993) ; CLOCKWORK MICE (UK, Vadim Jean, 1994) ; SHOPPING (UK, Paul Anderson, 1994) Notes: Includes indexISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540Order Received: 1997LON: gb 97008239; 13003901
More info
book
Hearts and minds : creative Australians and the environment / Michael Pollak and Margaret MacNabb Sydney: Hale & Iremonger, 2000.
Call No: 738.1(94) POLLAuthor: Pollak, Michael, 1948 Oct. 23 ; MacNabb, Margaret, 1954 Place: SydneyPublisher: Hale & IremongerPubDate: 2000PhysDes: 399 p. ; 23 cmSubject: ENVIRONMENTAL ISSUES IN FILMS ; STORM BOY (AT, Henri Safran, 1976) ; MAD MAX [...] (AT, 1979-85) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; STREET TO DIE, A (AT, Bill Bennett, 1985) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; WILD (AT, Ross Gibson, 1993) ; GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980) ; ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985) Notes: Includes index; Bibliography: p. 378-391ISBN: 0868066923 : $34.95LON: 21288448
More info
Online resource
digital clippings file
HISTOIRE DE FOU, UNE [DON'T TELL ME THE BOY WAS MAD] : (FR, Robert Guédiguian, 2015) Digital clippings file available
More info
title clippings file
HONEY BOY : (US, Alma Har'el, 2019)
More info
newspaper article
Impossible dreamer in Weekend Australian [Review] (18/09/2015) p.23
More info
title clippings file
INTERNET'S OWN BOY, THE : THE STORY OF AARON SWARTZ : (US, Brian Knappenberger, 2014)
More info
journal article
Interview with Tommy Tune in Interview (March 1972) iss.20 p.16,43
More info
book
Irish film : the emergence of a contemporary cinema / Martin McLoone London: British Film Institute, 2000.
Call No: 71(417) MCLAuthor: McLoone, Martin CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 234 p. : ill. ; 24 cmSubject: REPUBLIC OF IRELAND ; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND ; LANDSCAPES IN FILMS ; BUTCHER BOY, THE (US, Neil Jordan, 1997) ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; FLAHERTY, ROBERT ; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; JORDAN, NEIL ; MAEVE (UK/IE, Pat Murphy & John Davies, 1981) ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995) ; OUR BOYS (IE, Cathal Black, 1981) ; PATRIOT GAMES (US, Philip Noyce, 1992) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SHERIDAN, JIM ; THIS IS MY FATHER (US, Paul Quinn, 1998) ; TITANIC (US, James Cameron, 1997) Notes: Includes bibliographical references and indexISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99LON: 21663034 21663034
More info
newspaper article
Islander romance and a boy named Bubby enthral at festival in Sydney Morning Herald (20/10/2015) p.13
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. ADELAIDEAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. ADELAIDE ; VANUATU ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) ; SPEAR (AT, Stephen Page, 2015) Summary: Glowing review of three Australian films (TANNA, BAD BOY BUBBY, SPEAR) shown at the 2015 Adelaide Film Festival. The article focuses on the success of TANNA, and the debut screening of BAD BOY BUBBY with binaural sound
More info
title clippings file
JIMMY NEUTRON, BOY GENIUS : (US, John A. Davis, 2001)
More info
title clippings file
JULIEN DONKEY-BOY : (US, Harmony Korine, 1999)
More info
title clippings file
LAST BOY SCOUT, THE : (US, Tony Scott, 1991)
More info
Online resource
digital clippings file
LEE KERNAGHAN: BOY FROM THE BUSH : (AT, Kriv Stenders, 2022) Digital clippings file available
More info
Online resource
digital clippings file
LEE KERNAGHAN: THE BOY FROM THE BUSH : (AT, Kriv Stenders, 2022) Digital clippings file available
More info
title clippings file
LITTLE BOY BLUE : (US, Antonio Tibaldi, 1997)
More info
title clippings file
LITTLE BOY LOST : (AT, Terry Bourke, 1978)
More info
Results limited to first 100 items for performance.