Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Publicity
Subject: ABOUT A BOY (UK/US/FR, Chris Weitz & Paul Weitz, 2002)

Author: Hodsdon, Bruce
PhysDes: Article
Subject: POLONSKY, ABRAHAM; FORCE OF EVIL (US, Abraham Polonsky, 1948); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969)
Summary: Article reviews two movies directed by Abraham Polonsky which were made twenty years apart. It examines the changes in the director's style over this time.
ID2: 124

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN BOY: A PROFILE OF STEVEN PRINCE (US, Martin Scorsese, 1978)

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 79ANG JOR
Author: Jordan, Neil, 1951
Place: London
Publisher: Faber
PubDate: 1989, c1988
PhysDes: ix, 50 p. : ill. ; 22cm
Subject: ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982)
Notes: Drama in English,. 1945- - Texts (BNB/PRECIS)
ISBN: 0571149138 (pbk)
LON: 5737616

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982)

Call No: 772(520) CLE
Author: Clements, Jonathan
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; CARTOONS; HISTORY OF CINEMA; HISTORY OF CINEMA. JAPAN; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) SEE SHIN TETSUWAN ATOM [TV]; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURB
Notes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and index
ISBN: 9781844573905
Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASTRO BOY (HK/US/JA, David Bowers, 2009)

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward/Peter Aquilia, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986)
Summary: Short reviews of the AFTRS productions by a number of different reviewers
Notes: Reviews. - synopsis. - credits. - illus.

PhysDes: Article
Subject: BOY AND THE SEA, THE (AT, Peter Leovic, 1986)
Summary: Short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's Opening Night and other stories; Freely Given; The Good Weekend; Flying; Say a Little Prayer; Speed Graphic; Shopping Town; Trickle of Sanity.

Call No: 151(73) AUSTRALIAN "1978"
CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.
Source: AT
Publisher: New South Wales Film Corporation Australian Films Office Inc.
PubDate: [1978]
PhysDes: 32 leaves : illustrations ; 30 cm
Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975)
Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BABY BOY (US, John Singleton , 2001)

Call No: 79BAD DEH
Author: de Heer, Rolf
Place: Sydney
Publisher: Currency Press
PubDate: 1996
PhysDes: 93 p. : ill. ; 21 cm
Subject: BAD BOY BUBBY (AT, Rolf de Heer, 1993)
Notes: CIP confirmed
ISBN: 0868194263
LON: 12034140

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Transparency; Stills
Subject: BAD BOY BUBBY (AT, Rolf de Heer, 1993)

Author: Rod Yates
PhysDes: Article
Subject: HOPE, NICHOLAS; BAD BOY BUBBY (AT, Rolf de Heer, 1993)
Summary: D.V.D. review of Bad Boy Bubby

Call No: 79 BAD MUR
Author: Murray, Gabriel
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 152 pages : illustrations ; 19 cm.
Series: controversies
Subject: BAD BOY BUBBY (AT, Rolf de Heer, 1993); CENSORSHIP. AUSTRALIA; CENSORSHIP. UK; ANIMALS IN FILMS; PEOPLE WITH DISABILITIES IN FILMS
Summary: Bad Boy Bubby focuses on a 35 year-old man-child whose 'mother/keeper' keeps him imprisoned in a windowless hovel. From the moment it entered the festival cycle in 1993, the film has polarized audiences. This volume examines how and why the film produced such conflicting responses, as well as reviewing its current relevance. -- PUBLISHERS WEB SITE
ISBN: 9780230296769
Contents: Introduction -- synopsis -- 1 Somewhere between exploitation and art cinema -- 2 Censorship, film festival classifications and pressure groups -- 3 Animal cruelty and the cinema -- 4 Key scene analysis -- 5 Key themes -- 6 Legacy -- Appendix A Key Details -- Appendix B Notes -- Appendix C References.-- Index

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors
PhysDes: 5 photographs : b&w ; 13 x 18 - 18 x 13 cm
Subject: HOPE, NICHOLAS; DE HEER, ROLF; BAD BOY BUBBY (AT, Rolf de Heer, 1993)
Summary: 5 black and white photographs of Director Rolf de Heer, Bubby, and Angel.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY AND THE BEAST, THE [BAKEMONO NO KO] (JA, Mamoru Hosoda, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BAY BOY, THE (CN/FR, Daniel Petrie, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL BOY (US, Felix Van Groeningen, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL BOY, THE (AT, Gwen Sputore & Michelle Martin, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEST BOY (US, Ira Wohl, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEST MAN: BEST BOY AND ALL OF US TWENTY YEARS LATER (US, Ira Wohl, 1997)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: BIG BOY (US, Bryan Campbell , 2014)
Cross Reference: BIG BOY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BIG MAMMA'S BOY (AT, Franco di Chiera, 2011)
ID2: 63

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BILLY WEST AND THE LIGHTENING THUNDER BOY (AT, Bill Leimbach, 198?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIRTHDAY BOY (AT, Sejong Park, 2004)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 25 x 20 cm
Subject: BOSS BOY (AT, George Viscas, 1987)
Summary: Two black and white photographs relating to the film Boss boy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY (NZ, Taika Waititi, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY A (UK, John Crowley, 2007)

PhysDes: Article
Subject: BOY, A GIRL AND A BIKE, A (UK, Ralph Smart, 1949)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY AND HIS DOG, A (US, L. Q. Jones, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY CALLED HATE, A (US, Mitch Marcus, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY CASTAWAYS, THE (AT, Michael Kantor, 2013)

PhysDes: Article
Subject: BOY CRIED MURDER, THE (UK, George Breakston, 1966)

PhysDes: Article
Subject: BOY CRIED MURDER, THE (UK, George Breakston, 1966)

PhysDes: Article
Subject: BOY, DID I GET A WRONG NUMBER! (US, George Marshall, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY DOWNSTAIRS, THE (US, Sophie Brooks, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY ERASED (US, Joel Edgerton, 2018)

Call No: P BOY
PubDate: 2018
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: BOY ERASED (US, Joel Edgerton, 2018)
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY FRIEND, THE (UK, Ken Russell, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOY FROM MERCURY, THE (IE/FR/UK, Martin Duffy, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY IN BLUE, THE (CN/US, Charles Jarrott, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY IN THE BUSH, THE [TV] (AT, Rob Stewart, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY IN THE STRIPED PYJAMAS, THE (UK/US, Mark Herman, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY MEETS GIRL (FR, Leos Carax, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BOY NAMED CHARLIE BROWN, A (US, Bill Melendez, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY ON A DOLPHIN (US, Jean Negulesco, 1957)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BOY WHO COULD FLY, THE (US, Nick Castle, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY WHO CRIED BITCH, THE (US, Juan Campanella, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY WHO HAD EVERYTHING, THE (AT, Stephen Wallace, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY WHO HARNESSED THE WIND, THE (UK, Chiwetel Ejiofor, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BOY WHO PLAYS ON THE BUDDHAS OF BAMIYAN, THE (UK/AF, Phil Grabsky, 2004)
ID2: 76

PhysDes: Article
Subject: BOY WHO STOLE A MILLION, THE (UK, Charles Crichton, 1960)

PhysDes: Article
Subject: BROTH OF A BOY (UK, George Pollock, 1958)

Call No: 81HOP HOP
Author: Hope, Nicholas
Source: AT
Place: Australia
Publisher: Bantam
PubDate: 2004
PhysDes: 264 p. ; 21 cm
Subject: ACTORS. AUSTRALIA; HOPE, NICHOLAS; BAD BOY BUBBY (AT, Rolf de Heer, 1993)
Summary: With a wonderful sense of the ridiculous, actor Nicholas Hope provides a funny and insightful portrait of a world that promises everyone their fifteen minutes of fame (book).
ISBN: 1863254404

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUDDY BOY (US, Mark Hanlon, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURNING BOY, THE (AT, Kieran Galvin, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BUTCHER BOY, THE (US, Neil Jordan, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: CABIN BOY (US, Adam Resnick, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAMEL BOY, THE (AT, Yoram Gross, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CANARY IN THE MINE [BOY IN THE BUBBLE, THE] (AT, Laurel Cohn, 1997)

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPUTER BOY (AT, Abe Forsythe, 2000)

PhysDes: Article
Subject: BOY WHO HAD EVERYTHING, THE (AT, Stephen Wallace, 1985)
Summary: Production report

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: 81DEH FRE
Author: Freebury, Jane
Source: AT
Place: Straberry Hills, NSW
Publisher: Currency Press
PubDate: 2015
PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cm
Subject: DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER (AT, Tina Dalton & Gary Steer, 1996); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); KING IS DEAD, THE (AT, Rolf de Heer, 2012); CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013)
Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]
Notes: Includes bibliographical references (pages 287-348)
ISBN: 9781925005585
Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982)

Call No: 408.3 DIA
Source: UK
Place: Bristol
Publisher: Intellect
PubDate: 2009
PhysDes: 213 p. : ill. ; 24 cm
Subject: MULTICULTURALISM AND THE CINEMA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ETHNIC GROUPS IN FILMS. AUSTRALIA; LUCKY MILES (AT, Michael James Rowland, 2007); SILVER CITY (AT, Sophia Turkiewicz, 1984); BIRTHDAY BOY (AT, Sejong Park, 2004)
Summary: Diasporas of Australian Cinema is the first volume of essays to focus on diasporic hybridity and cultural diversity in Australian film-making over the past century. Topics include, post-war documentaries and migration, Asian-Australian subjectivity, cross-cultural romance, 'wogsploitation' comedy, and post-ethnic cinema. This collection also provides a comprehensive filmography making it a useful reference text for scholars of Australian film and cultural studies. The book is a vital contribution to the burgeoning international body of critical work on diasporic cinemas --Cover
Notes: Catherine Simpson and Renata Murawska are lecturers in the department of media at Macquarie University in Sydney. Anthony Lambert is a lecturer in the department of critical and cultural studies at Macquarie University.; Includes bibliographical references and index
ISBN: 9781841501970
Contents: Preface -- Diasporas of Australian cinema - a provocation: Toby Miller; Part one: Theories -- Introduction: rethinking diasporas - Australian cinema, history and society: Catherine Simpson, Renata Murawska and Anthony Lambert -- Tinkering at the borders: lucky miles and the diasporic (no) road movie: Catherine Simpson -- Ethics and risk in Asian-Australian cinema: 'The Last Chip': Audrey Yue -- 'I'm falling in your love': cross-cultural romance and the refugee film: Sonia Magdelena Tascon -- White aborigines: women, space mimicry and mobility: Anthony Lambert; Part two: Representations -- Wogboy comedies and the Australian national type: Felicity Collins -- Excess in Oz: the crazy Russian and the quiet Australian: Greg Dolgopolov -- Anzac's 'others': 'cruel Huns' and 'noble Turks': Antje Gnida and Catherine Simpson -- 'Now you blokes own the place': representations of Japanese culture in recent Australian cinema: Rebecca Coyle -- Other shorelines, or the Greek-Australian cinema: John Conomos; Part three: Film-makers -- 'A European heart': Exile, isolation and interiority in the life and films of Paul Cox: Marek Haltof -- Sophia Turkiewicz: Australianizing Poles, or 'bloody nuts and balts' in Silver City (1984): Renata Murawska -- Lebanese Muslims speak back: two films by Tom Zubrycki: Susia Khamis -- Sejong Park's Birthday Boy and Korean-Australian encounters: Ben Goldsmith and Brian Yecies -- Diasporic filmography: Garry Gillard and Anthony Lambert
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=457082' Checked: 31/08/2021 1:18:46 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOLPHIN BOY (IS, Dani Menkin/Yonatan Nir, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DROVER'S BOY, THE (AT, Chris Langman, 2002)
ID2: 62

Call No: 81DEH STA
Author: Starrs, D. Bruno
Source: G
Place: Saarbrucken, Germany
Publisher: VDM, Verlag Dr Muller
PubDate: 2009
PhysDes: 105 p. ; 23 cm
Subject: AUTEUR THEORY; DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER, THE (AT, Rolf de Heer, 2002); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007)
Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURB
Notes: Includes bibliographical references (p. 90-104)
ISBN: 9783639168341

Call No: 79ELE FLA
Author: Flaherty, Frances Hubbard
Place: London
Publisher: Faber and Faber
PubDate: 1937
PhysDes: 138 p., plates : ill. ; 22 cm
Subject: ELEPHANT BOY (UK, Robert Flaherty & Zoltan Korda, 1937)
LON: 8826745

Call No: S FAN
Edition: Pink Amendment script
Place: AT
PubDate: 2016 May 24
PhysDes: 16 leaves ; 30 cm
Subject: FANCY BOY [TV] (AT, 2016 - )
Summary: Story titles from title page: A Story: Last honest politician ; B Story; Sausage comdeian ; C Story: Tuckshop dads ; Coda: Last honest politician - interview outtake
Notes: Unpublished script
Language: English
Donation: AFI / AACTA

Call No: S FAN
Edition: Blue amendment script
Place: AT
PubDate: 2016 May 17
PhysDes: 15 leaves ; 30 cm
Subject: FANCY BOY [TV] (AT, 2016 - )
Notes: Unpublished script
Language: English
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FAT MAN AND LITTLE BOY (US, Roland Joffe, 1989)

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Author: Roberts, Margaret
PhysDes: Article
Subject: BOY WHO HAD EVERYTHING, THE (AT, Stephen Wallace, 1985)
Summary: Production report; ill.

Call No: 630.5 FRA
Author: Frampton, Daniel
Source: UK
Place: London
Publisher: Wallflower Press
PubDate: 2006
PhysDes: 254 pages ; 22 cm
Subject: AESTHETICS; ARTAUD, ANTONIN; CAVELL, STANLEY; DELEUZE, GILLES; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; JULIEN DONKEY-BOY (US, Harmony Korine, 1999)
Summary: "Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike." - taken from publisher website.
Notes: "a manifesto for a radically new way of understanding cinema"--Cover. -- Includes bibliographical references (p. 214-247) and index
ISBN: 1904764843
Contents: 1. Film minds -- 2. Film-beings -- 3. Film phenomenology -- 4. Film neominds -- 5. Filmind -- 6. Film narration -- 7. Film-thinking -- 8. Filmgoer -- 9. Film writing -- 10. Filmosophy -- Conclusion

Call No: 81 AVA AVA
Author: Avalon, Phil
Edition: 2015
Place: London
Publisher: New Holland Publishers Pty Ltd
PhysDes: 288 pages : ilustrated ; 25 cm
Subject: AVALON, PHILLIP; SUMMER CITY (AT, Christopher Fraser, 1978); LITTLE BOY LOST (AT, Terry Bourke, 1978); BREAKING LOOSE - SUMMER CITY II (AT, Rod Hay, 1987); SHER MOUNTAIN KILLINGS MYSTERY (AT, Vince Martin, 1990); TUNNEL VISION (AT, Clive Fleury, 1994); PACT (AT, Scott Patterson, 1996); LIQUID BRIDGE (AT, Phillip Avalon, 2002); STOLEN (AT, Violeta Ayala and Dan Fallshaw, 2009)
Summary: Phil Avalon is one of Australia s most successful independent film producers. In his autobiography From Steel City to Hollywood Phil tells his story of a kid growing up in Steel City - Newcastle, NSW; his memories as a surfer in the early 1970s; as a struggling actor, a Cleo centrefold and later a writer, director and producer. In 1978, he wrote, produced and starred in arguably Australia s most successful independant film, Summer City which unearthed a young Mel Gibson, Steve Bisley and John Jarratt. Since that time he has made more than a dozen films starring noteable Hollywood stars and captured a Masters World Surfing Championship along the way. -- publoisher's web site
ISBN: 9781742577531

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: GIRL STROKE BOY (UK, Bob Kellett, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GOOD BOY! (US, John Robert Hoffman, 2003)

Call No: 222(41) JON
Author: Jones, Chris, 1967; Jolliffe, Genevieve
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 448 p. : ill., forms, ports. ; 21 cm
Subject: FINANCING. UK; PRODUCTION. UK; PRE-PRODUCTION. UK; POST-PRODUCTION. UK; PRODUCTION MANAGING. UK; WHITE ANGEL (UK, Chris Jones, 1993); BOY MEETS GIRL (UK, Ray Brady, 1993); STAGGERED (UK, Martin Clunes, 1993); CLOCKWORK MICE (UK, Vadim Jean, 1994); SHOPPING (UK, Paul Anderson, 1994)
Notes: Includes index
ISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540
Order Received: 1997
LON: gb 97008239; 13003901

Call No: 738.1(94) POLL
Author: Pollak, Michael, 1948 Oct. 23; MacNabb, Margaret, 1954
Place: Sydney
Publisher: Hale & Iremonger
PubDate: 2000
PhysDes: 399 p. ; 23 cm
Subject: ENVIRONMENTAL ISSUES IN FILMS; STORM BOY (AT, Henri Safran, 1976); MAD MAX [...] (AT, 1979-85); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); STREET TO DIE, A (AT, Bill Bennett, 1985); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); CROCODILE DUNDEE (AT, Peter Faiman, 1986); ONE NIGHT STAND (AT, John Duigan, 1984); BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); WILD (AT, Ross Gibson, 1993); GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980); ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985)
Notes: Includes index; Bibliography: p. 378-391
ISBN: 0868066923 : $34.95
LON: 21288448

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: DON'T TELL ME THE BOY WAS MAD [HISTOIRE DE FOU, UNE ] (FR, Robert Guédiguian, 2015)
Cross Reference: DON'T TELL ME THE BOY WAS MAD [HISTOIRE DE FOU, UNE ]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HONEY BOY (US, Alma Har'el, 2019)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE; PETER ALLEN: THE BOY FROM OZ (AT, Stephen MacLean, 1995)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: PETER ALLEN: THE BOY FROM OZ (AT, Stephen MacLean, 1995)
Summary: Review of TV mini series PETER ALLEN: THE BOY FROM OZ

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INTERNET'S OWN BOY, THE : THE STORY OF AARON SWARTZ (US, Brian Knappenberger, 2014)

Author: Koch, Maureen
PhysDes: Article
Subject: BOY FRIEND, THE (UK, Ken Russell, 1971)
Summary: Tune talks about "The Boy Friend" and his new film "Gotta Sing, Gotta Dance"; ill.

Call No: 71(417) MCL
Author: McLoone, Martin
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 234 p. : ill. ; 24 cm
Subject: REPUBLIC OF IRELAND; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND; LANDSCAPES IN FILMS; BUTCHER BOY, THE (US, Neil Jordan, 1997); POLITICAL FILMS; POLITICS AND THE CINEMA; FLAHERTY, ROBERT; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); JORDAN, NEIL; MAEVE (UK/IE, Pat Murphy & John Davies, 1981); MAN OF ARAN (UK, Robert Flaherty, 1934); NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995); OUR BOYS (IE, Cathal Black, 1981); PATRIOT GAMES (US, Philip Noyce, 1992); QUIET MAN, THE (US/IR, John Ford, 1952); SHERIDAN, JIM; THIS IS MY FATHER (US, Paul Quinn, 1998); TITANIC (US, James Cameron, 1997)
Notes: Includes bibliographical references and index
ISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99
LON: 21663034 21663034

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. ADELAIDE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. ADELAIDE; VANUATU; BAD BOY BUBBY (AT, Rolf de Heer, 1993); TANNA (AT/VU, Bentley Dean and Martin Butler, 2015); SPEAR (AT, Stephen Page, 2015)
Summary: Glowing review of three Australian films (TANNA, BAD BOY BUBBY, SPEAR) shown at the 2015 Adelaide Film Festival. The article focuses on the success of TANNA, and the debut screening of BAD BOY BUBBY with binaural sound

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JIMMY NEUTRON, BOY GENIUS (US, John A. Davis, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JULIEN DONKEY-BOY (US, Harmony Korine, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LAST BOY SCOUT, THE (US, Tony Scott, 1991)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LEE KERNAGHAN: THE BOY FROM THE BUSH (AT, Kriv Stenders, 2022)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LEE KERNAGHAN: THE BOY FROM THE BUSH (AT, Kriv Stenders, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BOY BLUE (US, Antonio Tibaldi, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BOY LOST (AT, Terry Bourke, 1978)

Call No: N79LIT
Source: AT
Place: Cammeray, N.S.W.
Publisher: Horwitz
PubDate: 1978
PhysDes: 96p. : ill. ; 18cm.
Subject: LITTLE BOY LOST (AT, Terry Bourke, 1978)
ISBN: 0725505559

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 21 x 26 cm
Subject: ELLIOTT, JAMES; LESLEY, LORNA; LITTLE BOY LOST (AT, Terry Bourke, 1978)
Summary: 5 black and white photographs of James Elliot as Harry Tickle, Les Foxcroft as Grumps Morgan, a group of searchers looking for missing 4 year old Stephen Walls, Nathan Dawes as Stephen Walls, and Lorna Lesley as Dorrie Walls the mother of Stephen.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONELY BOY RICHARD (AT, Trevor Graham, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONER BOY/GOTH GIRL (AT, JAIMAN WELLS, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity
Subject: LOVER BOY (AT, Geoffrey Wright, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LOVER BOY (AT, Geoffrey Wright, 1989)

Call No: N79 LOV HAR
Author: Harewood, Jocelyn
Source: AT
Place: East Melbourne
Publisher: The Text Publishing Company
PubDate: 1994
PhysDes: 18 cm; 144 p.
Subject: LOVER BOY (AT, Geoffrey Wright, 1988)
ISBN: 1863720340

Call No: P LOV
PhysDes: 1 poster ; col. ; 60 X 43 cm.
Subject: LOVER BOY (AT, Geoffrey Wright, 1988)
Summary: Image: photo of a boy and woman. Text:' a story of hore and revenge.'
Notes: Some tears on the right hand side.

Author: Kalina, Paul
PhysDes: Article
Subject: BOY WHO COULD FLY, THE (US, Nick Castle, 1986)
Summary: Article on the actress and her work on "The boy who could fly"

Call No: 751 MAP
Author: Iversen, Gunnar; MacKenzie, Scott
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 3587 pages : illustrated ; 24 cm
Series: Traditions in world cinema
Subject: ROCK FILMS; DOCUMENTARIES; MONTEREY POP (US, D. A. Pennebaker, 1968); ROLLING STONES; MADONNA; DIXIE CHICKS: SHUT UP AND SING (US, Barbara Kopple & Cecilia Peck, 2006); DYLAN, BOB; U2 RATTLE AND HUM (US, Phil Joanou, 1988); RUDE BOY (UK, David Mingay, 1980); LONG STRANGE TRIP (US, Amir Bar-Lev, 2017); CAVE, NICK; MC5 - A TRUE TESTIMONIAL (US, David C Thomas, 2002)
Summary: Mapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles, The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rocumentaries in film, television and on the internet, the book explores the form’s rich history from the 1950s to the present day – and beyond. -- publisher's web site
ISBN: 9781474478021
Contents: Notes on Contributors -- Introduction: Images of Sound and Fury / Gunnar Iversen and Scott MacKenzie. Part One: Histories -- Music Makers of the Blue Ridge / Greil Marcus -- ‘I Don’t Make Culture, I Sell It!’: The Early History of Music Documentation, 1920s-1970s / Laura Niebling -- Monterey Pop and the Maturation of the Concert Film / Laurel Westrup -- The Sound of Rockumentary: A Consideration of the Documentary Soundtrack / Michael Baker -- False Endings / Scott MacKenzie. Part Two: Gender -- ‘Start Me Up’: The Place and Displacement of Women in the Cinema of Rolling Stones / Catherine Strong and Stephen Gaunson -- Madonna on Film: Geopolitics, Globalization, and Gender Politics / Anna Westerstahl Stenport -- The Freedom to Speak: The Dixie Chicks, Observational Documentary, and Shut Up & Sing / Heather McIntosh -- Rock ‘n’ Roll Family Romances: Rockumentary as Male Melodrama / Gunnar Iversen -- Performing Dylan: The Many Lives of Bob Dylan in I’m Not There / Magdalena Fu¨rnkranz. Part Three: Aesthetics and Politics -- U2’s Rattle and Hum: God, Sex, Rock and Roll and God Again / Karine Bertrand -- Punk City Symphony: The Clash and Rude Boy / Celine Bell -- Listening from the Empty Booth: Performing the Grateful Dead Community in Long Strange Trip / Randolph Jordan -- Minimum and Maximum Rock ‘n’ Roll: Nick Cave & the Bad Seeds, and Rockumentary Form / Anthony Kinik -- ‘Everything Was Stories’: The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus / Asbjørn Grønstad and Øyvind Vågnes. Part Four: Counter-Cultures -- Chile: The Rock of Political Culture and the Hard Place of Cultural Policy / Jorge Saavedra Utman and Toby Miller -- Psychedelia and Rebelliousness in Times of Dictatorship: Argentinian Rockumentaries (1973-1983) / Javier Campo and Tomás Crowder-Taraborrelli -- Harmonium in California: Musically Imagined Communities and the Rockumentary Form / Eric Fillion -- Stations of the Crass: Counter-Culture and the Anarcho-Punk Movement / Asbjørn Tiller -- Cars and Guitars, or, Detroit and the MC5: On Representations of Music and Place in MC5: A True Testimonial / Lindsey Eckenroth. Part Five: Futures -- Unknowable Dogs / Gary Kibbins -- ‘This is a F**king Business’: The Concert Tour in the 1970s Fiction Film / Julie Lobalzo Wright -- Live from the Cineplex: The Concert Film as Event Cinema since the 2000s / Ian Robinson -- Documenting Deities: Touch and K-pop Fandom on YouTube / Eric Chalfant and Ali Na -- Ritual in Transfigured Time / Greil Marcus.

Call No: 67(049.32) THE
Source: US
Place: New York
Publisher: Penguin
PubDate: 1993
PhysDes: xv, 304 p. ; 22 cm
Subject: BEST FILMS; PORNOGRAPHIC FILMS; BAMBI (US, David Hand, 1942); LAST TRAIN FROM MADRID, THE (US, James P. Hogan, 1937); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); PREMATURE BURIAL (US, Roger Corman, 1962); THING, THE (US, Christian Nyby, 1951); DRACULA (US, Tod Browning, 1931); GILDA (US, Charles Vidor, 1946); GONE WITH THE WIND (US, Victor Fleming, 1939); LOVE ME OR LEAVE ME (US, Charles Vidor, 1955); BOY WITH GREEN HAIR, THE (US, Joseph Losey, 1948); [THREE] 3 WOMEN (US, Robert Altman, 1977); OUR VINES HAVE TENDER GRAPES (US, Roy Rowland, 1945); FATAL GLASS OF BEER, THE (US, Clyde Bruckman, 1933); WOMEN, THE (US, George Cukor, 1939); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); Z (FR/AE, Constantin Costa-Gavras, 1969); SEVEN BRIDES FOR SEVEN BROTHERS (US, Stanley Donen, 1954); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: Exploring 23 writer's cultural experiences in relation to movies.
Notes: First published : 1991 : Viking Penguin
ISBN: 0140169520
Donation: donated by the family of Wayne Levy, 2006

Call No: 750.1 AME
Author: Ames, Christopher, 1956
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: c1997
PhysDes: ix, 254 p. : ill. ; 24 cm
Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992)
Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios
Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index
ISBN: 0813120187 (cloth : alk. paper)
LON: 12952826

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 802.25 MYF
Author: Lowenstein, Stephen
Source: UK
Place: London
Publisher: Faber and Faber Limited
PubDate: 2000
PhysDes: xiv, 360 p. ; [12 plates]
Subject: ALMODOVAR, PEDRO; ANDERS, ALLISON; BUSCEMI, STEVE; COEN, JOEL & ETHAN; DICILLO, TOM; FIGGIS, MIKE; FREARS, STEPHEN; HOGAN, P.J.; JORDAN, NEIL; LEE, ANG; LEIGH, MIKE; LEVINSON, BARRY; LOACH, KENNETH; MANGOLD, JAMES; MINGHELLA, ANTHONY; NAIR, MIRA; OLDMAN, GARY; SMITH, KEVIN; STONE, OLIVER; TAVERNIER, BERTRAND; BLOOD SIMPLE (US, Joel Coen, 1984); GAS FOOD LODGING (US, Allison Anders, 1992); JOHNNY SUEDE (US, Tom DiCillo, 1991); CLERKS (US, Kevin Smith, 1994); DINER (US, Barry Levinson, 1982); SALVADOR (US, Oliver Stone, 1986); ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982); TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990); SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); STORMY MONDAY (UK, Mike Figgis, 1988); PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980); TREES LOUNGE (US, Steve Buscemi, 1996); NIL BY MOUTH (UK, Gary Oldman, 1997); TUI SHOU (TZ, Ang Lee, 1992); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); HEAVY (US, James Mangold, 1995); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); BLEAK MOMENTS (UK, Mike Leigh, 1971); POOR COW (UK, Kenneth Loach, 1967); GUMSHOE (UK, Stephen Frears, 1971)
Summary: Interviews with film-makers about making their first film.
ISBN: 0571196691

Call No: 64DOG KEL
Author: Kelly, Richard
Place: London
Publisher: Faber
PubDate: 2000
PhysDes: ix, 230 p. : ill., ports. ; 22 cm
Subject: DOGMA; VON TRIER, LARS; VINTERBERG, THOMAS; KORINE, HARMONY; KRAGH-JACOBSEN, SOREN; LEVRING, KRISTIAN; JENSEN, PETER AALBAEK; SCHERFIG, LONE; BREMNER, EWEN; LOVERS (FR, Jean-Marc Barr, 1999); KING IS ALIVE, THE (DK, Kristian Levring, 2000); IDIOTERNE (DK, Lars Von Trier, 1998); FESTEN (DK, Thomas Vinterberg, 1998); MIFUNE (DK/SW, Soren Kragh-Jacobsen, 1999); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); DANISH FILM INSTITUTE WORKSHOP
ISBN: 0571203329(pbk.) : No price
LON: 22099308

Call No: 81JOR PRA
Author: Pramaggiore, Neil
Source: US
Place: Urbana
Publisher: University of Illinois
PubDate: c2008
PhysDes: x, 200 p. : ill. ; 21 cm
Series: Contemporary Film Directors
Subject: JORDAN, NEIL; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); HIGH SPIRITS (UK/US, Neil Jordan, 1988); MICHAEL COLLINS (UK/US, Neil Jordan, 1996); MONA LISA (UK, Neil Jordan, 1986); ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); BUTCHER BOY, THE (US, Neil Jordan, 1997); IN DREAMS (US, Neil Jordan, 1999); BREAKFAST ON PLUTO (IE/UK, Neil Jordan, 2005); WE'RE NO ANGELS (US, Neil Jordan, 1989); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GOOD THIEF, THE (FR/UK/IE, Neil Jordan, 2002)
Summary: " Best known for his enormously successful independent film The Crying Game, Irish director Neil Jordan has made sixteen feature films since 1982. Even after achieving commercial success and critical acclaim with such films as Interview with the Vampire and The Butcher Boy, Jordan remains a curiously elusive figure in the era of the celebrity filmmaker. Maria Pramaggiore addresses this conundrum by examining Jordan's distinctive style across a surprisingly broad range of genres and production contexts, including horror and gangster films, Irish-themed movies, and Hollywood remakes. Despite the striking diversity of Jordan's films, the director consistently returns to gothic themes of loss, violence, and madness. In her sophisticated examination of Mona Lisa, Michael Collins, and The Good Thief, Pramaggiore shows how Jordan presents these dark narratives with a uniquely Irish and postmodern sense of irony. This illuminating analysis of one of the cinema's most important artists will be of keen interest to movie enthusiasts as well as students and scholars of contemporary film" -- BOOK BLURB
Notes: Formerly CIP; Includes filmography: p. [167]-177; Includes bibliographical references (p. [179]-195) and index
ISBN: 9780252075308
Contents: Neil Jordan's Postmodern Gothic -- Monster Movies: The Company of Wolves and Interview with the Vampire -- Ghosts of the Nation: High Spirits and Michael Collins -- Gothic Cycles: Popular Music in Mona Lisa, Angel, and The Crying Game -- Dream Lovers, Dream Mothers: The Miracle, The Butcher Boy, In Dreams, and Breakfast on Pluto -- Doubles, Remakes, and Repetition: We're No Angels, The End of the Affair, "Not I," and The Good Thief -- Interview with Neil Jordan.

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTALIA
Author: Ellis, Scott
PhysDes: Clippings File Article
Subject: INDUSTRY, TV. AUSTRALIA; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015); HOGES: THE PAUL HOGAN STORY [TV] (AT, 2016); FULLER HOUSE [TV] in production; RECRUIT, THE [TV] (AT, 2014-); I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-)
Summary: Review of Australian TV news including: decisions need to be made for the FremantleMedia production of the Paul Hogan story; list of the Austrailan TV AACTA award winners, FULLER HOUSE - a reboot of the US sitcom FULL HOUSE, Mick Malthouse to join THE RECRUIT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW BOY (IE, Steph Green, 2007)

Call No: 71(931) DUN
Author: Dunleavy, Trisha; Joyce, Hester
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2011
PhysDes: 291 p. : ill. ; 24 cm
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND; MAORI IN FILMS; SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); NGATI (NZ, Barry Barclay, 1987); SHORTLAND STREET [TV] (NZ, 1992-); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WHALE RIDER (NZ/GG, Niki Caro, 2002); BOY (NZ, Taika Waititi, 2010)
Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURB
Notes: includes glossary of Maori terms; includes bibliographical references; includes index
ISBN: 9781841504575
Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOWHERE BOY (UK/CN, Sam Taylor-Wood, 2009)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOY AND THE WORLD, THE [O MENINO E O MUNDO] (BL, Ale Abreu, 2013)
URL status: URL: 'http://file://Q:/T/BOY_AND_THE_WORLD,_THE.zip' Checked: 31/08/2021 1:48:14 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OH BOY [COFFEE IN BERLIN, A] (GG, Jan Ole Gerster, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONLY LIVING BOY IN NEW YORK, THE (US, Marc Webb, 2017)

Call No: DIGITAL FILE
Author: Monjo, Justin
Edition: 2015
PubDate: 5-Feb-15
PhysDes: 113 leaves ; 30cm
Subject: PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015)
Notes: pink amendments; Unpublished script
Donation: AFI / AACTA

Call No: DIGITAL FILE
Author: Miller, Michael
Edition: 2015
PubDate: 5-Mar-15
PhysDes: 114 pages ; 30cm
Subject: PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015)
Notes: green amendments; Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETER ALLEN: THE BOY FROM OZ (AT, Stephen MacLean, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PLEASE MARRY MY BOY [TV] (AT, 2012 - )

Call No: 792 PRO
Author: McFarlane, Peter, 1940-, comp
Place: Adelaide
Publisher: Rigby
PubDate: 1977
PhysDes: viii,133p. : ill. ; 23cm
Subject: PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); CADDIE (AT, Donald Crombie, 1976); STORM BOY (AT, Henri Safran, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); FOURTH WISH, THE (AT, Don Chaffey, 1976)
ISBN: 072700560X : $4.95 Aust
LON: 1361887

PhysDes: Article
Subject: BREAKER MORANT (AT, Bruce Beresford, 1980); CLUB, THE (AT, Bruce Beresford, 1980); STORM BOY (AT, Henri Safran, 1976); PUBLISHING AND BROADCASTING VIDEO; SOUTH AUSTRALIAN FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA
Summary: Article on video distribution deal between the South Australian Film Corporation and Publishing & Broadcasting Video. This is the first of it's kind in Australia for the South Australian government has aided the formation of distribution company Australian Video who will distribute Australian films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SLUM BOY [RAGAZZO DI BORGATA] (IT, Giulio Paradisi, 1976)

Call No: 751.0 (94)"199"COY
Author: Coyle, Rebecca (ed)
Edition: 1st
Source: UK
Place: Eastleigh
Publisher: John Libby Publishing
PubDate: 2005
PhysDes: 257 p. : ill. ; 23 cm
Subject: AUSTRALIA IN FILMS; MUSIC FILMS; MUSIC IN FILMS; MUSIC IN FILMS. AUSTRALIA; SOUND EFFECTS; SPECIAL EFFECTS; CULTURE AND THE CINEMA. AUSTRALIA; BOOTMEN (AT, Dein Perry, 2000); BLACKROCK (AT, Steven Vidler, 1997); NED KELLY (AT/UK, Gregor Jordan, 2003); MASCULINITY IN FILMS; IN A SAVAGE LAND (AT, Bill Bennett, 1999); MULTICULTURALISM AND THE CINEMA. AUSTRALIA; BAD BOY BUBBY (AT, Rolf de Heer, 1993); CHOPPER (AT, Andrew Dominik, 2000); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); PARADISE ROAD (AT/US, Bruce Beresford, 1997); BANK, THE (AT/IT, Robert Connolly, 2001); BEDEVIL (AT, Tracey Moffat, 1993); FILM STUDY AND RESEARCH. AUSTRALIA
Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket]
ISBN: 0861966589
Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.
URL status: URL: 'http://-' Checked: 31/08/2021 1:13:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Gibbs, Ed
PhysDes: Article
Subject: ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; DALE, DARREN; PERKINS, RACHEL; PURCELL, LEAH; MCKENZIE, CATRIONA; BLAIR, WAYNE; KRAWITZ, TONY; SAPPHIRES, THE (AT, Wayne Blair, 2012); SATELLITE BOY (AT, Catriona McKenzie, 2012); REDFERN NOW [TV] (AT, 2012); MABO [TV] (AT, Rachel Perkins, 2012); TALL MAN, THE (AT, Tony Krawitz, 2011); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Through a series of interviews and research, Ed Gibbs looks at the overall industry of filmmaking in Australia and explores how Indigenous filmmakers are fitting into this.

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme; Clippings
Subject: RUDE BOY (UK, David Mingay, 1980)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SATELLITE BOY (AT, Catriona McKenzie, 2012)
URL status: URL: 'http://file://Q:/T/SATELLITE_BOY.zip' Checked: 31/08/2021 1:26:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Jenner, Stephen
PhysDes: Article; Illustration(s)
Subject: BROUSEK, JOHN; SENSITIVE NEW AGE KILLER (AT, Mark Savage, 2000); WOG BOY, THE (AT, Aleksi Vellis, 2000)
Summary: Producer John Brousek briefly discusses the two features he has just completed.

Call No: 71(94) SMA
Author: Arrow, Michelle, (editor) -- Baker, Jeannine, (editor) -- Monagle, Clare, (editor)
Source: AT
Place: Clayton, Vic.
Publisher: Monash University Publishing
PubDate: [2016]
PhysDes: xii, 192 pages ; 21 cm
Series: Cultural studies
Subject: TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; COOKERY PROGRAMMES; COOKING PROGRAMMES. AUSTRALIA; POLITICS AND TV. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; SPECIAL BROADCASTING SERVICE; BIOGRAPHICAL PROGRAMMES. AUSTRALIA; FEMINISM AND TV. AUSTRALIA; BRIDGES, MICHELLE; RINEHART, GINA; MAKING AUSTRALIA GREAT: INSIDE OUR LONGEST BOOM [TV] (AT, 2015); KILLING SEASON, THE [TV] (AT, 2015); [FOUR] 4 CORNERS [TV] (AT, 1961-); GALLIPOLI (AT, Peter Weir, 1981); GALLIPOLI [TV](AT, Glendyn Ivin, 2015); DEADLINE GALLIPOLI [TV] (AT, 2015); WORLD WAR I ON TV; [SIXTY] 60 MINUTES (AT, 1979-); KITCHEN CABINET [TV] (AT, 2012 - ); KATERING SHOW, THE [TV](AT, 2015-); BACHELOR AUSTRALIA, THE [TV] (AT, 2013); BACHELORETTE, THE [TV] (AT, 2015-); PRISON SONGS (AT, Kelrick Martin, 2015); BLACK PANTHER WOMAN (AT/US, Rachel Perkins, 2014); ONCE MY MOTHER (AT/PL/UE, Sophia Turkiewicz, 2014); NEIGHBOURS [TV] (AT, 1985-); PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015); JUDITH LUCY IS ALL WOMAN [TV](AT, 2015); HITTING HOME [TV](AT, 2015); Q & A [TV] (AT, 2008-); HOUSE OF HANCOCK [TV] (AT, 2015); BANISHED [TV] (UK, 2015-); SECRET RIVER, THE [TV](AT, Daina Reid, 2015); STRUGGLE STREET [TV](AT, 2015-)
Summary: There has been a lot happening on Australia’s small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen’s maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We’ve come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices. But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds. -- taken from back cover
ISBN: 9781925377101
Contents: 1. The Televisual Landscape Today / Nick Herd -- 2. A Bitter Pill to Swallow: Food on Australian TV / Clare Monagle -- 3. Broadcasting Disruption / Mark Hearn -- 4. Anzac on TV / Carolyn Holbrook -- 5. Take One Sip When Someone Says 'Connection': Passion versus Intimacy in The Bachelor/ette Australia / Jodi McAlister -- 6. 'Gaps in the National Family Album': Australian Documentaries on the ABC and SBS / Jeannine Baker -- 7. Neighbours, the Soap that Whitens: 30 Years of Ramsay Street / David Nichols -- 8. Not the Boy Next Door: Reconsidering Television in the Musical Miniseries / Liz Giuffre -- 9. I Am Woman, Redux: Feminism on Television in 2015 / Michelle Arrow -- 10. Mining for Drama: House of Hancock, Gina Rinehart and the Law / David Rolph -- 11. Dramatising Australia's Colonisation: White Men's Stories in Banished (Foxtel) and The Secret River (ABC TV) / Sarah Pinto -- 12. Struggle Street ... Poverty Porn? / Zora Simic.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SONNY BOY (US, Robert Martin Carroll, 1990[prod. 1987])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STONE BOY, THE (US, Christopher Cain, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Study guide
Subject: STORM BOY (AT, Henri Safran, 1976)

Call No: N79STO THI
Author: Thiele, Colin
Source: AT
Place: [Adelaide]
Publisher: Rigby Limited
PubDate: 1970
PhysDes: 50 p. ; 18 cm.
Subject: STORM BOY (AT, Henri Safran, 1976)
ISBN: 0851796656

Author: Anthony Morris
PhysDes: Article
Subject: ROWE, GREG; GULPILIL, DAVID; STORM BOY (AT, Henri Safran, 1976)
Summary: D.V.D. review of Storm Boy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STORM BOY (AT, Shawn Seet, 2019)

Call No: N79STO THI
Author: Thiele, Colin
Source: AT
Place: [Sydney]
Publisher: Rigby Limited
PubDate: 1976
PhysDes: 32 p. ; 28 cm
Subject: STORM BOY (AT, Henri Safran, 1976)
Summary: adapted from Storm boy; now a South Australian Film Corporation feature film
ISBN: 0727002473
Donation: donated by the family of Wayne Levy, 2006

Call No: P STO
Place: AT
PubDate: [2018]
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: STORM BOY (AT, Shawn Seet, 2019)
Summary: Image: Boy hugging pelican. Text: 'Let your heart soar'.
Notes: we hold several copies of this poster; double-sided.
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE in production; STORM BOY in production
Author: -
PhysDes: Clippings File Article
Subject: STORM BOY (AT, Shawn Seet, 2019)
Summary: News on a remake of the Australian children's film STORM BOY, to be made in South Australia

Author: Garner, Margaret
PhysDes: Article
Subject: BEST BOY (US, Ira Wohl, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THIS BOY'S LIFE (US, Michael Caton-Jones, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOY ON THE BRIDGE [TO AGORI STI GEFYRA] (CY, Petros Charalambous, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TOMMY BOY (US, Peter Segal, 1995)

Call No: 81FLA BAR
Author: Barsam, Richard
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1988
PhysDes: xii, 144 p. : ill. ; 25 cm
Subject: FLAHERTY, ROBERT; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOANA (US, Robert Flaherty, 1926); MAN OF ARAN (UK, Robert Flaherty, 1934); ELEPHANT BOY (UK, Robert Flaherty & Zoltan Korda, 1937); LAND, THE (US, Robert Flaherty, 1942)
Notes: Bibliography: p. [136]-140. Includes index.
ISBN: 0253204607
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHIPPING BOY [TV] (AT, Di Drew, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHITE BOY RICK (US, Yann Demange, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WINSLOW BOY, THE (UK, David Mamet, 1999)

Author: Vaccari, Andres
PhysDes: Article; Review; Illustration(s)
Subject: WOG BOY, THE (AT, Aleksi Vellis, 2000)

Author: Tim Lee
PhysDes: Article
Subject: WOG BOY, THE (AT, Aleksi Vellis, 2000)
Summary: Review on The Wog Boy

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: BROUSEK, JOHN; WOG BOY, THE (AT, Aleksi Vellis, 2000)
Summary: John Brousek talks about his work as a producer, particularly for "The Wog Boy".

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: BROUSEK, JOHN; WOG BOY, THE (AT, Aleksi Vellis, 2000)
Summary: Brousek discusses "The wogboy" and his current projects.

PhysDes: Article
Subject: WOG BOY, THE (AT, Aleksi Vellis, 2000)
Summary: Details international distribution of "The Wog boy"

Author: Pearce, David
PhysDes: Interview; Illustration(s)
Subject: WOG BOY, THE (AT, Aleksi Vellis, 2000); GIANNOPOULOS, NICK
Summary: Co-producer and star, Nick Giannopoulos, talks to David Pearce about "The Wogboy".

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters; Press kit; Clippings
Subject: WOG BOY, THE (AT, Aleksi Vellis, 2000)

Call No: S WOG
Author: Giannopoulos, Nick; Anastassiades, Chris
PubDate: [1999]
PhysDes: 90 leaves
Subject: WOG BOY, THE (AT, Aleksi Vellis, 2000)
Notes: Unpublished script; Donated by New Vision Films; Copyright The Wogboy Film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity
Subject: WONDER BOY (AT, Andrew Wiseman, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 slides : col, ; 5 x 5 cm
Subject: WONDER BOY (AT, Andrew Wiseman, 2000)
Summary: 2 colour slides of boys riding bikes and 2 men sitting together.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WORKING CLASS BOY (AT, Mark Joffe, 2018)

Call No: P WOR
Place: AT
PubDate: 2018
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: WORKING CLASS BOY (AT, Mark Joffe, 2018)
Notes: Also title Jimmy Barnes: working class boy
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide; Posters
Subject: YOLNGU BOY (AT, Stephen Johnson, 2001)

Call No: S YOL
Author: Anastassiades, Chris
PubDate: [2000]
PhysDes: 83 leaves
Subject: YOLNGU BOY (AT, Stephen Johnson, 2001)
Notes: Unpublished script.

Author: Rebecca Wallwork
PhysDes: Article
Subject: YOLNGU BOY (AT, Stephen Johnson, 2001)
Summary: Review of Yulngu Boy

Author: Ed Gibbs
PhysDes: Article
Subject: YOLNGU BOY (AT, Stephen Johnson, 2001)
Summary: Review of Yolngu Boy

Call No: P YOL
Place: AT
PhysDes: 1 poster : col. ; 99 X 69 cm.
Subject: YOLNGU BOY (AT, Stephen Johnson, 2001)
Summary: Image: 2 seperate images of the same 3 boys. Top image boys are wearing traditional body paint. Bottom image, boys are wearing caps and t-shirts. Text: '3 boys 1 skin 1 dream'.
Notes: Some creases and tears bottom left corner.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966)

Call No: TITLE CLIPPINGS FILE
Subject: YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966)