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Double takes : culture and gender in French films and their American remakes / Carolyn A. Durham Hanover, NH: Dartmouth University Press of New England, c1998.
Call No: 408.3(44) DURAuthor: Durham, Carolyn A Place: Hanover, NHPublisher: Dartmouth University Press of New EnglandPubDate: c1998PhysDes: xi, 246 p. : ill. ; 24 cmSeries: Contemporary French culture and societySubject: BIRDCAGE, THE (US, Mike Nichols, 1996) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; HOMOSEXUALITY IN FILMS ; MARRIAGE IN FILMS ; REMAKES ; NATIONAL CULTURE AND THE CINEMA. FRANCE ; NATIONAL CULTURE AND THE CINEMA. USA ; GENDER AND THE CINEMA.USA ; GENDER AND THE CINEMA.FRANCE ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; COUSINS (US, Joel Schumacher, 1989) ; COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; I WANT TO GO HOME (FR, Alain Resnais, 1989) Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and indexLON: 13921589
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DUYEOJA IYAGI : (KO, Lee Jung-Cook, 1994)
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The film yearbook 1985 / edited by Al Clark South Yarra, Vic: Currey O'Neil Ross, 1984.
Call No: 058 FIL "1985"Author: Clark, Al Source: ATPlace: South Yarra, VicPublisher: Currey O'Neil RossPubDate: 1984PhysDes: 208 p.: ill. ; 28 cmSubject: HARGREAVES, JOHN ; HUGHES, WENDY ; SHEPARD, SAM ; CRUISE, TOM ; WOODS, JAMES ; QUAID, DENNIS ; EVERETT, RUPERT ; BEDELIA, BONNIE ; CONTI, TOM ; LITHGOW, JOHN ; HAZLEHURST, NONI ; FOR LOVE OR MONEY (AT, Megan McMurchy and jeni thornley,1982) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; SUR, EL (SP/FR, Victor Erice, 1983) ; SILKWOOD (US, Mike Nichols, 1983) ; OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983) ; TRADING PLACES (US, John Landis, 1983) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; SPLASH (US, Ron Howard, 1984) ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; STRANGERS KISS (US, Matthew Chapman, 1983) ; STAYING ALIVE (US, Sylvester Stallone, 1983) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; HONORARY CONSUL, THE (US, John MacKenzie, 1983) ; BRAINSTORM (US, Douglas Trumbull, 1983) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BREATHLESS (US, Jim McBride, 1983)
LUNE DANS LA CANIVEAU, LA ; YENTL (US, Barbara Streisand, 1983) ; FOOTLOOSE (US, Herbert Ross, 1984) ; MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983)
SEE ; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) ; PHAR LAP (AT, Simon Wincer, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.Notes: On cover: with special Australian sectionISBN: 0859021548Language: EnglishDonation: donated by the family of Wayne Levy, 2006
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From reverence to rape : the treatment of women in the movies / Molly Haskell Harmondsworth Eng. Baltimore: Penguin, 1974.
Call No: 451-02 HASAuthor: Haskell, Molly Place: Harmondsworth Eng. BaltimorePublisher: PenguinPubDate: 1974PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cmSubject: WOMEN IN FILMS ; ASTOR, MARY ; BERGMAN, INGMAR ; BOW, CLARA ; Crawford, Joan ; CUKOR, GEORGE ; DAY, DORIS ; DIETRICH, MARLENE ; HAWKS, HOWARD ; HEPBURN, KATHARINE ; HOLLIDAY, JUDY ; LUBITSCH, ERNST ; MONROE, MARILYN ; RUSSELL, ROSALIND ; VON STERNBERG, JOSEF ; WILDER, BILLY ; DUNNE, IRENE ; WOMEN, THE (US, George Cukor, 1939) ; BEYOND THE FOREST (US, King Vidor, 1949) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; DESIGN FOR LIVING (US, Ernst Lubitsch, 1933) ; ADAM'S RIB (US, George Cukor, 1949) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) Notes: Includes indexISBN: 0140039465 : ª0.95 ($3.95 U.S.)LON: 74194670; 352052
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Indiscretions : avant-garde film, video & feminism / Patricia Mellencamp Bloomington: Indiana University Press, c1990.
Call No: 771:396 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: c1990PhysDes: xix, 234 p. ; 24 cmSeries: Theories of contemporary culture ; v. 12Subject: AVANT-GARDE FILMS. USA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; CONDIT, CECELIA ; DELEUZE, GILLES ; GUATTARI, FELIX ; FRAMPTON, HOLLIS ; MULVEY, LAURA ; NELSON, ROBERT ; PAIK, NAM JUNE ; POTTER, SALLY ; RAINER, YVONNE ; SNOW, MICHAEL ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) Notes: Includes bibliographical references (p. [215]-231) and indexISBN: 0253337437 (alk. paper); 0253205875 (pbk. : alk. paper)LON: 6933865
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JOYS OF THE WOMEN, THE : (AT, Franco Di Chiera, 1992)
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MAN WHO ENVIED WOMEN, THE : (US, Yvonne Rainer, 1985)
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MAN WHO LOVED WOMEN, THE : (US, Blake Edwards, 1983)
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A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS (FR, Francois Truffaut, 1971) ; DEUX ANGLAISES ET LE CONTINENT, LES (FR, Francois Truffaut, 1971) ; CHLOE IN THE AFTERNOON (FR, Eric Rohmer, 1972) ; AMOUR L'APRES-MIDI, L' (FR, Eric Rohmer, 1972) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H., THE (FR, Francois Truffaut, 1975) ; HISTOIRE D'ADELE H., L' (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; GREEN ROOM, THE (FR, Francois Truffaut, 1978) ; CHAMBRE VERT, LA (FR, Francois Truffaut, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L` (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS (FR, Francois Truffaut, 1983) ; VIVEMENT DIMANCHE! (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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The movie that changed my life / edited by David Rosebnberg New York: Penguin, 1993.
Call No: 67(049.32) THESource: USPlace: New YorkPublisher: PenguinPubDate: 1993PhysDes: xv, 304 p. ; 22 cmSubject: BEST FILMS ; PORNOGRAPHIC FILMS ; BAMBI (US, David Hand, 1942) ; LAST TRAIN FROM MADRID, THE (US, James P. Hogan, 1937) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; PREMATURE BURIAL (US, Roger Corman, 1962) ; THING, THE (US, Christian Nyby, 1951) ; DRACULA (US, Tod Browning, 1931) ; GILDA (US, Charles Vidor, 1946) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; LOVE ME OR LEAVE ME (US, Charles Vidor, 1955) ; BOY WITH GREEN HAIR, THE (US, Joseph Losey, 1948) ; [THREE] 3 WOMEN (US, Robert Altman, 1977) ; OUR VINES HAVE TENDER GRAPES (US, Roy Rowland, 1945) ; FATAL GLASS OF BEER, THE (US, Clyde Bruckman, 1933) ; WOMEN, THE (US, George Cukor, 1939) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951) ; BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946) ; SEVEN BRIDES FOR SEVEN BROTHERS (US, Stanley Donen, 1954) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: Exploring 23 writer's cultural experiences in relation to movies.Notes: First published : 1991 : Viking PenguinISBN: 0140169520Donation: donated by the family of Wayne Levy, 2006
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MUJER SIN CABEZA, LA : (AR/FR/IT/SP, Lucrecia Martel, 2008)
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journal article
New video reviews in Filmviews (Autumn 1985) vol.30 iss.123 p.55-57
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RAPE OF THE SABINE WOMEN, THE : (US/GR/G, Eve Sussman, 2006)
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Returning to the scene : Blake Edwards / by Peter Lehman & William Luhr Athens: Ohio: Ohio University Press, c1989.
Call No: 81EDW LUHAuthor: Lehman, Peter Source: USPlace: Athens: OhioPublisher: Ohio University PressPubDate: c1989PhysDes: 268p. : ill., ports. ; 24 cmSubject: EDWARDS, BLAKE ; S.O.B. (US, Blake Edwards, 1981) ; VICTOR/VICTORIA (UK, Blake Edwards, 1982) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SHOT IN THE DARK, A (UK, Blake Edwards, 1964) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982) ; MICKI AND MAUDE (US, Blake Edwards, 1984) ; REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978) Notes: Includes index.
Filmography: v.2 p. 253-260.
Bibliography: v.2 p. 249-251.ISBN: 0821409182Language: English
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Shot/countershot : film tradition and women's cinema / Lucy Fischer Basingstoke: Macmillan Education, 1989.
Call No: 451-02 FISAuthor: Fischer, Lucy Place: BasingstokePublisher: Macmillan EducationPubDate: 1989PhysDes: xii, 348 p. : ill. ; 22 cmSubject: FEMINISM AND THE CINEMA ; WOMEN, FILMS MADE BY ; ROMANTIC FILMS ; MUSICALS ; HOMOSEXUALITY IN FILMS ; MYTH AND THE CINEMA ; DOUBLES IN FILMS ; TWINS IN FILMS ; ROSE, KATHY ; GORRIS, MARLEEN ; FLICKORNA (SW, Mai Zetterling, 1968) ; TAKE OFF (US, Gunvor Nelson, 1973) ; MITTEN INS HERZ (GW, Doris Dorrie, 1983) ; RECITAL (?, Stephanie Beroes, 1978) ; DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940) ; COBRA WOMAN (US, Robert Siodmak, 1943) ; ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983) ; STOLEN LIFE, A (UK, Paul Czinner, 1939) ; DARK MIRROR, THE (US, Robert Siodmak, 1946) ; BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) ; DAMES (US, Ray Enright, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; PERSONA (SW, Ingmar Bergman, 1966) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979) ; RICH AND FAMOUS (US, George Cukor, 1981) ; GIRL FRIENDS (US, Claudia Weill, 1978) ; SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984) ; LIANNA (US, John Sayles, 1983) ; VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978) ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and indexISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95LON: bnb33348060; 6147621
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A splurch in the kisser : the movies of Blake Edwards / Sam Wasson Middletown, Connecticut: Wesleyan University Press, 2009.
Call No: 81EDW WASAuthor: Wasson, Sam Source: USPlace: Middletown, ConnecticutPublisher: Wesleyan University PressPubDate: 2009PhysDes: xii, 353 p. : ill. ; 24 cmSubject: EDWARDS, BLAKE ; CRITICISM ; HOLLYWOOD ; BLIND DATE (US, Blake Edwards, 1987) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CAREY TREATMENT, THE (US, Blake Edwards, 1972) ; CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983) ; FINE MESS, A (US, Blake Edwards, 1986) ; GREAT RACE, THE (US, Blake Edwards, 1965) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; MICKI AND MAUDE (US, Blake Edwards, 1984) ; PARTY, THE (US, Blake Edwards, 1968) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978) ; SHOT IN THE DARK, A (UK, Blake Edwards, 1964) ; SKIN DEEP (US, Blake Edwards, 1989) ; S.O.B. (US, Blake Edwards, 1981) ; SON OF THE PINK PANTHER (US, Blake Edwards, 1993) ; SUNSET (US, Blake Edwards, 1988) ; SWITCH (US, Blake Edwards, 1991) ; TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982) ; VICTOR/VICTORIA (UK, Blake Edwards, 1982) Summary: "With one of the longest and most controversial careers in Hollywood history, it's about time for Blake Edwards, a director of raving chutzpuh, to take hist seat at the table of greats. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Chaplin, Lubitsch, Sturges, and Wilder. Like Wilder, Edward's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, The Pink Panther, and even days of Wine and Roses, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk both of them and brought Paramount Pictures to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, and allowed him to simultaneously fight the Hollywood tide as he rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known." - BOOK JACKETNotes: Includes filmography.; Includes bibliographical references and index.ISBN: 9780819569158Donation: Donated by Senses Of Cinema, 2009Contents: Prologue: Breaking in, 1922-1955 -- Blake begins, 1955-1959 -- Blake builds, 1959-1962 -- Blake blossoms, 1963-1968 -- Blake burns, 1968-1974 -- Panther pictures (Blake banks) -- Blake booms, 1979-1982 -- Blake breaks, 1983-1988 -- Blake bows, 1988-1991 -- Epilogue: Making out, October 24, 1993.
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WOMEN, THE : (US , George Cukor, 1939)
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WOMEN, THE : (US, Diane English, 2008)
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WONDER WOMEN! THE UNTOLD STORY OF AMERICAN SUPERHEROINES : (US, Kristy Guevara-Flanagan, 2012)
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