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28 results out of 28

title clippings file		AFTER THE SUNSET : (US, Brett Ratner, 2004) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: AFTER THE SUNSET (US, Brett Ratner, 2004) More info
title clippings file		BEFORE SUNSET : (US, Richard Linklater, 2004) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: BEFORE SUNSET (US, Richard Linklater, 2004) More info
book		Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980. Call No: 81WIL DIC Author: Dick, Bernard F. Source: US Place: Boston Publisher: Twayne Publishers PubDate: 1980 PhysDes: 188 p. : ill. ; 21 cm Series: Twayne's Theatrical Arts Series Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); FIVE GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183. ISBN: 0805792740 Donation: donated by the family of Wayne Levy, 2006 More info
journal article		Columbia product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14 PhysDes: Article Subject: COLUMBIA PICTURES; BOOT, DAS (GW, Wolfgang Petersen, 1981); SILENT RAGE (US, Michael Miller, 1982); ANNIE (US, John Huston, 1982); THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982); HANKY PANKY (US, Sidney Poitier, 1982); RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982); GANDHI (UK/II, Richard Attenborough, 1982); BLUE THUNDER (US, John Badham, 1983); TOOTSIE (US, Sydney Pollack, 1982); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983) Summary: List of current, coming, and completed films for Columbia Pictures. More info
title clippings file		DESIRE & HELL AT SUNSET MOTEL : (US, Alien Castle, 1992) Call No: TITLE CLIPPINGS FILE PhysDes: Publicity Subject: DESIRE & HELL AT SUNSET MOTEL (US, Alien Castle, 1992) More info
book		Laughing hysterically : American screen comedy of the 1950s / Ed Sikov New York: Columbia University Press, 1994. Call No: 732(73) LAU Author: Sikov, Ed Place: New York Publisher: Columbia University Press PubDate: 1994 PhysDes: xvii, 282 p., [24] p. of plates : ill. ; 24 cm Subject: COMEDIES. USA; TRANSVESTISM; HOMOSEXUALITY IN FILMS. USA; LEWIS, JERRY; MARTIN, DEAN; MONROE, MARILYN; SWANSON, GLORIA; MANSFIELD, JAYNE; RUSSELL, JANE; HAWKS, HOWARD; WILDER, BILLY; HITCHCOCK, ALFRED; TASHLIN, FRANK; ARTISTS AND MODELS (US, Frank Tashlin, 1955); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); MONKEY BUSINESS (US, Howard Hawks, 1952); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SOME LIKE IT HOT (US, Billy Wilder, 1959); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955); WILL SUCCESS SPOIL ROCK HUNTER? (US, Frank Tashlin, 1957) Summary: With the likes of Billy Wilder, Howard Hawks, Alfred Hitchcock, and Frank Tashlin revelling in "monkeys, babies, beautiful blondes, money, and cruelty" in their signature films of the 1950s, this seemingly conformist period turns out to be one of the most dynamic and original eras in Hollywood history. What distinguishes these directors is their candid and amusing exploration of cultural anxieties in carnival form. Quirky yet complex films such as Monkey Business, Gentlemen Prefer Blondes, Sunset Boulevard, The Trouble with Harry, and Will Success Spoil Rock Hunter? released and expressed the sexual repression and frustration we commonly associate with the decade Notes: Includes bibliographical references (p. [257]-267) and index ISBN: 0231079826 (alk. paper) LON: 93048900; 10679624 More info
newspaper article		Lyrical portrayal of family life in Weekend Australian [Review] (27/08/2016) p.12 Call No: TITLE CLIPPINGS FILE; SUNSET SONG (UK/LU, Terence Davies, 2015) Author: Stratton, David PhysDes: Clippings File Article Subject: SUNSET SONG (UK/LU, Terence Davies, 2015) Summary: Reivew of the film SUNSET SONG Rating: 4 out of 5 stars More info
Old collection book		Movies / Manny Farber New York: Hillstone, Call No: 67(04) FAR Author: Farber, Manny Place: New York Publisher: Hillstone PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm. Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949) Notes: Includes index.; Orginally published as: Negative space More info
book		Movies about the movies : Hollywood reflected / Christopher Ames Lexington, Ky.: University Press of Kentucky, c1997. Call No: 750.1 AME Author: Ames, Christopher, 1956 Place: Lexington, Ky. Publisher: University Press of Kentucky PubDate: c1997 PhysDes: ix, 254 p. : ill. ; 24 cm Subject: FILMS IN FILMS; HOLLYWOOD IN FILMS; STAR IS BORN, A (US, William Wellman, 1937); STAR IS BORN, A (US, George Cukor, 1954); WHAT PRICE HOLLYWOOD (US, George Cukor, 1932); STAND-IN (US, Tay Garnett, 1937); BOY MEETS GIRL (US, Lloyd Bacon, 1938); STAR, THE (US, Stuart Heisler, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985); LAST ACTION HERO (US, John McTiernan, 1993); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); IN A LONELY PLACE (US, Nicholas Ray, 1950); SUNSET BOULEVARD (US, Billy Wilder, 1950); PLAYER, THE (US, Robert Altman, 1992) Summary: Hundreds of films belonging to the genre of Hollywood-on-Hollywood movies can be found throughout the history of American cinema, from the days of silents to the present. They include films from genres as far ranging as musical, film noir, melodrama, comedy, and action adventure. Such movies seduce us with the promise of revealing the reality behind the camera. But, as part of the very industry they supposedly critique, they cannot take us behind the scenes in any true sense. This paradox - the simultaneous debunking and celebration of Hollywood - lies at the heart of the genre. Through close analysis of the best of these films. Ames reveals how the idea of Hollywood is constructed (and constructs itself), particularly through such moments of explicit self-referentiality as the movie-within-a-movie and scenes set in studios Notes: Includes filmography (p. 227); Includes bibliographical references (p. 238-244) and index ISBN: 0813120187 (cloth : alk. paper) LON: 12952826 More info
title clippings file		NAPSZALLTA : (HU/FR, László Nemes, 2018) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SUNSET [NAPSZALLTA] (HU/FR, László Nemes, 2018) More info
book		On the verge of revolt : women in American films of the fifties / Brandon French New York: Ungar, 1978. Call No: 451-02 FRE Author: French, Brandon, 1944 Place: New York Publisher: Ungar PubDate: 1978 PhysDes: xxiv, 165 p. : ill. ; 22 cm Subject: WOMEN IN FILMS. USA; SUNSET BOULEVARD (US, Billy Wilder, 1950); QUIET MAN, THE (US, John Ford, 1952); MARRYING KIND, THE (US, George Cukor, 1952); SHANE (US, George Stevens, 1953); COUNTRY GIRL, THE (US, George Seaton, 1954); MARTY (US, Delbert Mann, 1954); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); PICNIC (US, Joshua Logan, 1955); HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957); SOME LIKE IT HOT (US, Billy Wilder, 1959); FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); TENDER TRAP, THE (US, Charles Walters, 1955); NUN'S STORY, THE (US, Fred Zinneman, 1958) Notes: Includes index; Bibliography: p. 155-157 ISBN: 0804422206; 0804461589 (pbk.) LON: 78004294; 1220409 More info
title clippings file		RICHARD PRYOR LIVE ON THE SUNSET STRIP : (US, Joe Layton, 1982) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982) More info
title clippings file		RICHARD PRYOR LIVE ON THE SUNSET STRIP : (US, Joe Layton, 1982) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982) More info
title clippings file		SIAM SUNSET : (AT, John Polson, 1999) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: SIAM SUNSET (AT, John Polson, 1999) More info
journal article		Siam sunset in Movie Trader (Aug 1999) p.18-19 Author: Conlan, Pat PhysDes: Review; Credits; Synopsis Subject: SIAM SUNSET (AT, John Polson, 1999) More info
script		SIAM SUNSET / NewVision Films [1997]. Call No: S SIA Author: Knight, Andrew; Dann, Max PubDate: [1997] PhysDes: 94 leaves Subject: SIAM SUNSET (AT, John Polson, 1999) Notes: Unpublished script More info
script		SIAM SUNSET [1998]. Call No: S SIA Author: Knight, A.; Dann, M. PubDate: [1998] PhysDes: 103 leaves Subject: SIAM SUNSET (AT, John Polson, 1999) Notes: Unpublished script Donation: donated by the Australian Writers Guild More info
script		Siam Sunset 1997. Call No: S SIA Author: Knight, Andrew & Dann, Max PubDate: 1997 PhysDes: 94p Subject: SIAM SUNSET (AT, John Polson, 1999) Notes: Unpublished script Donation: donated by the Australian Writers Guild More info
book		A splurch in the kisser : the movies of Blake Edwards / Sam Wasson Middletown, Connecticut: Wesleyan University Press, 2009. Call No: 81EDW WAS Author: Wasson, Sam Source: US Place: Middletown, Connecticut Publisher: Wesleyan University Press PubDate: 2009 PhysDes: xii, 353 p. : ill. ; 24 cm Subject: EDWARDS, BLAKE; CRITICISM; HOLLYWOOD; BLIND DATE (US, Blake Edwards, 1987); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CAREY TREATMENT, THE (US, Blake Edwards, 1972); CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983); FINE MESS, A (US, Blake Edwards, 1986); GREAT RACE, THE (US, Blake Edwards, 1965); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); MICKI AND MAUDE (US, Blake Edwards, 1984); PARTY, THE (US, Blake Edwards, 1968); PINK PANTHER, THE (US, Blake Edwards, 1964); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); SKIN DEEP (US, Blake Edwards, 1989); S.O.B. (US, Blake Edwards, 1981); SON OF THE PINK PANTHER (US, Blake Edwards, 1993); SUNSET (US, Blake Edwards, 1988); SWITCH (US, Blake Edwards, 1991); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982) Summary: "With one of the longest and most controversial careers in Hollywood history, it's about time for Blake Edwards, a director of raving chutzpuh, to take hist seat at the table of greats. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Chaplin, Lubitsch, Sturges, and Wilder. Like Wilder, Edward's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, The Pink Panther, and even days of Wine and Roses, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk both of them and brought Paramount Pictures to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, and allowed him to simultaneously fight the Hollywood tide as he rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known." - BOOK JACKET Notes: Includes filmography.; Includes bibliographical references and index. ISBN: 9780819569158 Donation: Donated by Senses Of Cinema, 2009 Contents: Prologue: Breaking in, 1922-1955 -- Blake begins, 1955-1959 -- Blake builds, 1959-1962 -- Blake blossoms, 1963-1968 -- Blake burns, 1968-1974 -- Panther pictures (Blake banks) -- Blake booms, 1979-1982 -- Blake breaks, 1983-1988 -- Blake bows, 1988-1991 -- Epilogue: Making out, October 24, 1993. More info
title clippings file		SUNSET : (US, Blake Edwards, 1988) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Publicity Subject: SUNSET (US, Blake Edwards, 1988) More info
Online resource digital clippings file		SUNSET BOULEVARD : (US, Billy Wilder, 1950) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Programme Subject: SUNSET BOULEVARD (US, Billy Wilder, 1950) URL status: URL: 'http://file://Q:/T/SUNSET_BOULEVARD.zip' Checked: 31/08/2021 1:03:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
script		SUNSET BOULEVARD : revised 1949. Call No: S SUN Author: Brackett, C.; Wilder, B.; Marshman, D.M. PubDate: 1949 PhysDes: 117 leaves Subject: SUNSET BOULEVARD (US, Billy Wilder, 1950) Notes: Unpublished script Donation: donated by the Australian Writers Guild More info
title clippings file		SUNSET PARK : (US, Steve Gomer, 1996) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SUNSET PARK (US, Steve Gomer, 1996) More info
Online resource digital clippings file		SUNSET SONG : (UK/LU, Terence Davies, 2015) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: SUNSET SONG (UK/LU, Terence Davies, 2015) URL status: URL: 'http://file://Q:/T/SUNSET_SONG.zip' Checked: 31/08/2021 1:39:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
title clippings file		SUNSET STRIP : (US, Adam Collis, 2000) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SUNSET STRIP (US, Adam Collis, 2000) More info
poster		[The sunset six : poster] 2013. Call No: P SUN PubDate: 2013 PhysDes: 1 poster : col. ; 100 X 70 cm Subject: SUNSET SIX, THE (AT, Jeremy Stanford, 2013) Summary: Image: cast standing in front of graffitied wall (much like a band publicity photo). Film title 'The Sunset Six' is stencilled above the band. Text: 'When the rock'n'roll dream ends, the hard part is waking up' Notes: Tear at top center and top left of poster Donation: donated by the Cinema Nova, 2013 More info
title clippings file		WATCH THE SUNSET : (AT/ NO, Tristan Barr / Michael Gosden, 2017) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WATCH THE SUNSET (AT/ NO, Tristan Barr / Michael Gosden, 2017) More info
poster		[Watch the sunset : poster] Call No: P WAT PhysDes: 1 poster : colour illustrations ; 101 x 72 cm Subject: WATCH THE SUNSET (AT/ NO, Tristan Barr / Michael Gosden, 2017) Summary: At the very top of the poster: Top 5 Australian films of 2017 At the top of the poster, there are three quotes: "Jarringly effective" - That Moment In ; " Captivating" - Cinema Australia ; "Ultimate redemption" - Game It All Tagline: One Day. One Life. One Chance A man with a bandaged hand wearing a blood-spattered t-shirt holds a gun towards the camera. Text above title: Shot in one single take The poster is an advertisement for a filmmaker Q & A event at Cinema Nova on August 14 at 6:45 PM. The Cinema Nova logo is on the lower-left corner of the poster, while the Fighting Chance Films logo is on the lower-right corner of the poster. Notes: Two copies. More info

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