Search Catalogue

PhysDes: Article
Subject: CINEMA INDUSTRY BENEVOLENT FUND OF VICTORIA
Summary: Article on the Cinema Industry Benevolent Fund of Victoria's Annual General Meeting

Author: Wlaschin, Ken
PhysDes: Article
Subject: GOOD COMPANIONS, THE (UK, Victor Saville, 1933)
Summary: Review; Ill

Author: Wlaschin, Ken
PhysDes: Article
Subject: I WAS A SPY (UK, Victor Saville, 1933)
Summary: Review; Ill

Subject: CINEMA INDUSTRY BENEVOLENT FUND OF VICTORIA; AUSTRALIA
Summary: Review on the annual general meeting for the Cinema Industry Benevolent Fund of Victoria

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; FILM VICTORIA; AUSTRALIAN BROADCASTING CORPORATION; SEVEN NETWORK; GLITCH [TV](AT, 2015-)
Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABIE'S IRISH ROSE (US, Victor Fleming, 1928)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ABRIL, VICTORIA

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFGHANISTAN : INSIDE AUSTRALIA'S WAR (AT, Victoria Midwinter - Pitt, 2016)

Call No: held vol.10 no.1- Feb.1999-
CorpAuthor: Arts Industry Council (Victoria)
Source: AT
Place: Melbourne
Publisher: Arts Industry Council (Victoria)
PhysDes: vol.
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA
Order Notes: Current

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief film-related news items from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief news pieces on films throughout Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Film news from throughout Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief film-news items from across Australia.

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); BIRCH CARROLL AND COYLE; VICTOR/VICTORIA (UK, Blake Edwards, 1982); SOUTH AUSTRALIAN FILM CORPORATION
Summary: Film news from across Australia

PhysDes: Article
Subject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); GREATER UNION
Summary: Film news from across Australia.

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: TITLE CLIPPINGS FILE; VICTORIA (G, Sebastian Schipper, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: VICTORIA (G, Sebastian Schipper, 2015)
Summary: David Stratton reviews the film VICTORIA directed by Sebastian Schipper
Rating: 3.5 out of 5 stars

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: report on the success of Angus & Robertson video libraries in Melbourne.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: ANIMALS FILM, THE (UK, Victor Schonfeld & Myriem Alaux, 1981)

Author: Roberts, Margaret
PhysDes: Article
Subject: FILM VICTORIA; ANZACS [TV] (AT, Pino Amenta, John Dixon & George Miller, 1985)
Summary: Summary of Film Victoria grants
ID2: 94

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARGENTINA: THE BROKEN SILENCE (US, Victor Fridman, 1986)

Call No: 205.1(945) VIC
CorpAuthor: Victoria. Arts Victoria
Place: Melbourne
Publisher: Arts Victoria
PubDate: 1994
PhysDes: 45 p. : ill. ; 25 cm. + 1 pamphlet [7] leaves ;30 cm
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; STATE AND THE CINEMA. AUSTRALIA : VICTORIA
Notes: Cover title
ISBN: 0730660044
LON: 11239030

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ARTS VICTORIA

Author: Pearson, Georgina
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, TV. AUSTRALIA : VICTORIA; LOCATION SHOOTING. AUSTRALIA: VICTORIA
Summary: A special report on Victoria creative, film and television industry

Call No: 11 ACMI
Source: AT
Place: East Melbourne, Vic.
Publisher: State Film Centre of Victoria Council
PubDate: 1990
PhysDes: 21 p. : ill. (some col.) ; 21 x 30 cm
Subject: STATE FILM CENTRE OF VICTORIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]
Summary: Document outlining the benefits of building a 'centre of the moving image' located within Melbourne's 'Southgate'.
Notes: Cover title. -- "7 May 1990"--Back of cover.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. VICTORIA. FUTURE SHOTS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. VICTORIA. GREG TEPPER

PhysDes: Article
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939); CINEMAS. AUSTRALIA. REGENT THEATRE
Summary: A newly restored print of "Gone with the wind" will be shown at the Regent Theatre in Melbourne. Details of the film's first release in Australia in 1940 are given.

Call No: 67(04) BES
Author: Plimpton, George
Place: New York
Publisher: St. Martin's Griffin
PubDate: 1998
PhysDes: xvi, 265 p. ; 21 cm
Subject: PRODUCERS; CAMP; CENTENARY OF CINEMA; HOMOSEXUALITY AND THE CINEMA; SCORSESE, MARTIN; FRY, STEPHEN; CAMPION, JANE; BEATTY, WARREN; STABILE, SALVATORE; POLANSKI, ROMAN; DANDRIDGE, DOROTHY; HITCHCOCK, ALFRED; STREISAND, BARBRA; WATERS, JOHN (US); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996)
LON: abn98329398; 14168026

Call No: 408.1(46) KIN
Author: Kinder, Marsha
Place: Berkeley
Publisher: University of California Press
PubDate: 1993
PhysDes: xi, 553 p. : ill. ; 24 cm
Subject: SPAIN; INDUSTRY, FILM. UK; NATIONAL CULTURE AND THE CINEMA. SPAIN; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; VIOLENCE IN FILMS. SPAIN; DIRECTORS. USA; ERICE, VICTOR; SAURA, CARLOS; ALMODOVAR, PEDRO; BUNUEL, LUIS; SURCOS (SP, Jose Antonio Nieves Conde, 1951); MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955); GOLFOS, LOS (SP, Carlos Saura, 1959); COCHECITO, EL (SP, Marco Ferreri, 1959); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); RIO ABAJO (SP, Jose Luis Borau, 1984)
Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and index
ISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)
LON: 9293143

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BORGE, VICTOR

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: Article and photographs of the 1983 bi-annual Victorian Cinema Pioneers dinner.

Call No: TITLE CLIPPINGS FILE in production; ROSIE PROJECT, THE in production
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. AUSTRALIA: VICTORIA; ROSIE PROJECT, THE in production
Summary: Discussion around the unlikely possibility of the film version of the book The Rosie Project to be shot in the book's setting of Melbourne and the excitement around the Hollywood star Jennifer Lawrence playing the role of Rosie

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BROADWAY DAMAGE (US, Victor Mignatti, 1997)

Call No: SUBJECT CLIPPINGS FILE; STUDIOS, FILM. AUSTRALIA: VICTORIA
Author: Jefferson, Andrew
PhysDes: Clippings File Article
Subject: STUDIOS, FILM. AUSTRALIA: VICTORIA; STUDIOS, TV. AUSTRALIA
Summary: State Member of Parliament has proposed that the Melbourne suburb Broadmeadows be considered as a potential location for a film/tv studio

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BROKEN RAINBOW (US, Victoria Mudd, 1985)

Call No: 023(94) "1986" FIL
Author: Film Victoria
Source: AT
Place: Melbourne
Publisher: Film Victoria
PubDate: September 1986
PhysDes: 1 volume (various pagings) ; 30 cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; EDUCATION, FILM. AUSTRALIA; FILM VICTORIA; FILMOGRAPHIES. AUSTRALIA; SHORT FILMS. AUSTRALIA
Summary: A listing of new and existing short dramas and documentaries that Film Victoria has produced or has invested in
Notes: Also titled: Film Victoria : documentary division catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHER VICTOR [CE CHER VICTOR] (FR, Robin Davis, 1975)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Hoyts Distribution Release (distributor)
PhysDes: 4 photos : b&w ; 20 x 25 cm
Subject: SMART, REBECCA; EADIE, NICHOLAS; FAHEY, MARYANNE; LONGLEY, VICTORIA; COUTTIE, CLAIRE; CELIA (AT, Ann Turner, 1988)
Summary: Four black and white photographs relating to the film Celia

Call No: 741.9(73) CAM
Author: Campbell, Edward D. C., 1946
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: 1981
PhysDes: xvii, 212 p. : ill. ; 23 cm
Subject: ETHNIC GROUPS IN FILMS. USA; MYTH AND THE CINEMA. USA; SOUTH IN FILMS. USA; USA; GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: Includes index; Bibliography: p. 196-204
ISBN: 0870493272
LON: 2006444

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIANS IN FILM [Organisation]
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: PRODUCTION; AUSTRALIANS IN FILM [Organisation]; FILM WORKERS. AUSTRALIA; SCREEN QUEENSLAND; SCREEN NSW; FILM VICTORIA; RALEIGH STUDIOS
Summary: Report on a new initiative by the Australians in Film organisation who have set up, with the assistance of a number of state film/tv funding bodies, an office space called Charlie's located in Raleigh Studios in Los Angeles.

Call No: 747.2-053.2
Author: Lury, Karen
Edition: 2010
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 2010
PhysDes: 210 p. : illustrations ; 22cm
Series: Rutgers Series in Childhood Studies
Subject: CHILDREN AND THE CINEMA; TEMPLE, SHIRLEY; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962); GRUDGE, THE (US/JA, Takashi Shimizu, 2004); HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001); LOLITA (US, Stanley Kubrick, 1962); TAXI DRIVER (US, Martin Scorsese, 1976); MAN ON FIRE (US, Tony Scott, 2004); ZERKALO (UR, Andrei Tarkovsky, 1975); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); EMPIRE OF THE SUN (US, Stephen Spielberg, 1987); PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006); BELLISSIMA (IT, Luchino Visconti, 1951)
Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema. Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web site
ISBN: 9780813548968

Call No: 720-053 LEB
Author: Lebeau, Vicky
Place: London
Publisher: Reaktion Books
PubDate: 2008
PhysDes: 222 p. : illustrated ; 17 cm
Series: Locations
Subject: CHILDREN IN FILMS; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970); [FOUR HUNDRED] 400 BLOWS, THE [; LOLITA (US, Adrian Lyne, 1997); LOLITA (US, Stanley Kubrick, 1962); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); TARNATION (US, Jonathan Caouette, 2003); WOODSMAN, THE (US, Nicole Kassell, 2004); COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985)
Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself. Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web site
ISBN: 9781861893529

Call No: 753.131-053.2 CHI
Author: Street, Douglas
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1983
PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB
Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290
ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95
LON: 83014816; 2808775

Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; AUSTRALIA
Summary: Statement by George Ruttle, the Fund's president, on the CIBF's annual report

Call No: 210.31 GOL
Author: Goldsmith, Ben; O'Regan, Tom
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2003
PhysDes: 28 cm; 117 pp
Series: Screen Industry, Culture and Policy Research
Subject: STUDIOS, FILM. AUSTRALIA; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES; STUDIOS, FILM. AUSTRALIA: VICTORIA; STUDIO SYSTEM; STUDIO SHOOTING; PRODUCTION CENTRES : HOLLYWOOD; PRODUCTION. AUSTRALIA; PRODUCTION. EUROPEAN COUNTRIES; PRODUCTION. UK; PRODUCTION. USA; PRODUCTION COMPANIES & STUDIOS; GOVERNMENT AID; FOX STUDIOS AUSTRALIA
Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]
ISBN: 0958015279

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CINEMA INDUSTRY BENEVOLENT FUND OF VICTORIA

Call No: 71(73) LEV
Author: Levy, Emanuel, 1947
Source: US
Place: New York
Publisher: New York University Press
PubDate: c1999
PhysDes: xiii, 601 p. : ill. ; 24 cm
Subject: INDEPENDENT FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; OUTSIDERS IN FILMS; MEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA. USA; TYPE CHARACTERS IN FILMS; COMEDIES. USA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; YOUNG PEOPLE AND THE CINEMA; FESTIVALS. PARK CITY. SUNDANCE; ARAKI, GREGG; NUNEZ, VICTOR; BROOKS, ALBERT; SMITH, KEVIN; COEN, JOEL & ETHAN; FERRARA, ABEL; WATERS, JOHN (US); HARTLEY, HAL; HAYNES, TODD; JARMUSCH, JIM; JOST, JON; LEE, SPIKE; LINKLATER, RICHARD; LYNCH, DAVID; MAMET, DAVID; NAIR, MIRA; SAYLES, JOHN; CASSAVETES, NICK; SODERBERGH, STEVEN; SOLONDZ, TODD; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); BLOOD SIMPLE (US, Joel Coen, 1984); BOYZ N THE HOOD (US, John Singleton, 1991); IN THE COMPANY OF MEN (US, Neil Labute, 1997); GAS FOOD LODGING (US, Allison Anders, 1992); PULP FICTION (US, Quentin Tarantino, 1994); RESERVOIR DOGS (US, Quentin Tarantino, 1992); MEAN STREETS (US, Martin Scorsese, 1973)
Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET
Notes: Includes bibliographical references (p. 539-571) and index
ISBN: 0814751237 (alk. paper)
LON: 20253533

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CIRCLE OF FIRE, A (US, Victor Nunez, 1975)

Call No: 81GAB JOR
Author: Jordan, Rene
Source: US
Place: New York
Publisher: Galahad Books
PubDate: c1973
PhysDes: 158 p. : ill. ; 22 cm.
Subject: GABLE, CLARK; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: Includes index. Bibliography: p. 143-144.
ISBN: 0883651602
Language: English

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Author: Shipman, David
PhysDes: Article
Subject: GOOD COMPANIONS, THE (UK, Victor Saville, 1933)
Summary: Review, Ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOWNHOUSE (US, Victor Salva, 1989)

Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Call No: 175 COR; NEW HOLDINGS SHELVES
Author: Erice, Victor; Kiarostami, Abbas
CorpAuthor: Australian Centre for the Moving Image
Source: AT
Place: Melbourne
Publisher: ACMI
PubDate: 2008
PhysDes: 12 p. : ill. ; 23 cm
Subject: EXHIBITION; KIAROSTAMI, ABBAS; ERICE, VICTOR
Notes: Cover title. Catalogue of an exhibition 21 August - 2 November 2008
ISBN: 9781920805258

Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; SCREEN NSW; FILM VICTORIA; GENDER MATTERS; WOMEN FILMMAKERS. AUSTRALIA
Summary: Preview of an article about the changes in policy from funding bodies, including Screen Australia and Screen NSW, regarding quotas and conditions promoting female filmmakers

Call No: 408.1REA
Author: Reader, Keith
Place: London New York
Publisher: Quartet Books
PubDate: 1981
PhysDes: 216 p., [8] p. of plates : ill. ; 24 cm
Subject: NATIONAL IDENTITY IN FILMS. JAPAN; NATIONAL IDENTITY IN FILMS. FRANCE; NATIONAL IDENTITY IN FILMS. UK; NATIONAL IDENTITY IN FILMS. USA; NOUVELLE VAGUE; FILM NOIR; RENOIR, JEAN; YASUJIRO OZU; KUROSAWA AKIRA; MIZOGUCH KENJI; OSHIMA NAGISA; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: Includes index; Bibliography: p. [200]-202; Filmography: p. [203]-209
ISBN: 0704322722
LON: 2099506
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESTINATION WEDDING (US, Victor Levin, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 17 x 22 cm
Subject: DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928)
Summary: Three black and white photographs relating to the 1928 version of The devil's playground

Call No: 71(94) HOD
Author: Hodsdon, Bruce
Place: [Canberra]
Publisher: National Library of Australia; Australian Council of Film Societies
PubDate: June 1995
PhysDes: 24 p. : illus. ; 30 cm
Subject: HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; CORRICK FAMILY; BIOGRAPH; ON OUR SELECTION (AT, Raymond Longford, 1920); KID STAKES, THE (AT, Tal Ordell, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); BEN HUR (US, Fred Niblo, 1925); CAMERAMAN, THE (US, Edward Sedgwick, 1928); WIND, THE (US, Victor Sjostrom, 1928)
Notes: Looseleaf sheets in A4 folio
ISBN: 0642106487

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DISCOVERING VICTORIA (AT, Graeme Himbeck, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIVINE WOMAN, THE (US, Victor Seastrom, 1928)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTOR] DR JEKYLL AND MR HYDE (US, Victor Fleming, 1941)
ID2: 167

Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DRAI, VICTOR

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ERICE, VICTOR

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ERICE, VICTOR

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973)

Author: Wood, Robin
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; BERGMAN, INGMAR; SWEDEN; SJOSTROM, VICTOR
Summary: First in a series of articles by Robin Wood on the national Swedish cinema.

Author: Wood, Robin
PhysDes: Article
Subject: SWEDEN; EROTIKON (SW, Mauritz Stiller, 1920); STILLER, MAURITZ; SJOSTROM, VICTOR; INDUSTRY, FILM. EUROPEAN COUNTRIES
Summary: Second part of Robin Wood's look at Swedish national cinema. Here he analyses the films of Mauritz Stiller and Victor Sjostrom.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ETRANGE MONSIEUR VICTOR, L' (FR / G, Jean Grémillon, 1938)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVERGREEN (UK, Victor Saville, 1934)

Call No: 630.3 POM
Author: Pomerance, Murray
Source: US
Place: New Jersey
Publisher: Rutgers University Press
PubDate: c2013
PhysDes: xii, 268 pages : illustrations ; 23 cm
Series: Techniques of the moving image
Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE (US, Edward Zwick, 2008); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB
Notes: Contains illustrations, bibliographic references and index
ISBN: 9780813560588

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FACCINTO, VICTOR

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: FAIR COP, A (AT, Film Victoria [prod.], ??)

Call No: TITLE CLIPPINGS FILE; [FIVE] 5 TO 7 (US, Victor Levin, 2014)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: [FIVE] 5 TO 7 (US, Victor Levin, 2014)
Summary: Film review of 5 TO 7 directed by Victor Levin
Rating: 3 out of 5 stars

Call No: 81PUT YUL
Author: Yule, Andrew
Source: US
Place: New York
Publisher: Delacorte Press
PubDate: c1989
PhysDes: viii, 376 pages : black and white illustrations ; 25 cm
Subject: COLUMBIA PICTURES; INDUSTRY, FILM. USA; KAUFMAN, VICTOR A.; PUTTNAM, DAVID; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); KILLING FIELDS, THE (UK, Roland Joffe, 1984)
Summary: "FAST FADE is the story of David Puttnam's meteoric rise to the top of the Hollywood heap, and of his equally precipitous descent. It is also a very personal look at the man himself, from young boy growing up in middle-class London suburb, feasting on a steady diet of Hollywood-made movies, to successful producer of small, thoughtful films such as LOCAL HERO, as well as epic, "important" features like THE MISSION. Along the way, Puttnam has made a number of enemies, but he also has made many loyal friends, and he has earned the respect of a great portion of the world's most visible - and, perhaps, most powerful - industry. FAST FADE is an honest, balanced look at the man and his career, and especially his turbulent tenure as head of one of Hollywood's most powerful studios." [Taken from book jacket]
Notes: Includes index
ISBN: 0440501776; 9780440501770
Donation: Simon Wincer

Call No: 675.1 FAV
Place: New York
Publisher: Macmillan Publishing Co., Inc.
PubDate: 1973
PhysDes: 301 p. ; 25 cm.
Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928)
Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.
Notes: Includes index.
Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin

Author: Prisk, Tracey; Guntarik, Olivia
PhysDes: Article; Illustration(s)
Subject: STUDIOS, FILM. AUSTRALIA; STUDIOS, FILM. AUSTRALIA: VICTORIA; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES; FOX STUDIOS AUSTRALIA; WARNER ROADSHOW MOVIE WORLD STUDIOS; MELBOURNE FILM STUDIO; CRAWFORD PRODUCTIONS
Summary: International production is making demands on Australian studio space. Fox Studios is attracting offshore production which effects the smaller studios in Sydney. Melbourne will soon gain more studio space. Crawfords plan to move to Melbourne's new Studio City.

Call No: held v.1 no.1-v.24 no.102 Sept. 1955-Dec. 1979 incomplete
CorpAuthor: Federation of Victorian Film Societies; Federation news (Carlton, Vic.)
Source: AT
Place: Carlton, Vic.
Publisher: Federation of Victorian Film Societies
PhysDes: v. : ill. ; 28 cm
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA; FEDERATION OF VICTORIAN FILM SOCIETIES
Summary: Federation News was a quarterly publication produced by the Federation of Victorian Film Societies. The journal promoted participation in local film societies, publishing a ‘Film Society Diary’ of upcoming screenings and events. Each issue profiled a different society in a section titled ‘Know Your Film Society’, providing information on the their history, focus and of course - screenings. Federation News supported the activities of societies by providing information and reviews of available film prints, from sources including embassies and consulates, the State Film Centre and the National Library of Australia. The breadth of films profiled is almost encyclopedic, covering not just feature films but newsreels, actualities, tourism films, government films, and information films produced by businesses, such as Kodak and Qantas. From 1955 to 1973, the journal was edited by George Lugg, a chemist who worked as an ‘Experimental Officer’ for the Department of Defence from 1958 - 1973. Lugg was a man of mystery. In 1966, Robert Rothols, who later succeeded Lugg as Editor of Federation News, was asked to guest edit an issue as Lugg would be away. Rothols later wrote, “George just went. For pleasure? For work? I didn’t ask.” Soon after, Rothols was at a film screening and caught a newsreel about a simulated atomic bomb test in Queensland. “There, after the blast, were the research scientists examining the aftermath. And there in widescreen 70mm, was George, collecting specimens.” When Lugg resigned from Federation News in 1973 due to his ailing health, he had collected and curated an extensive film reference library. The Federation bought the collection from Lugg, and later established the George Lugg Library at the AFI, which ultimately became the AFI Research Collection. Federation News ceased publication in 1979, only six years after Lugg left. -- AFIRC
Notes: Continued by: Filmviews; Description based on: Vol. 23, no. 4 (Dec. 1978); title from cover
ISSN: 0046-3582
Frequency: Quarterly
LON: cvx00402014; 2557807 7296531

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. VICTORIA [VARIOUS]; FESTIVALS. PHILLIP ISLAND; FESTIVALS. ROSEBUD; FESTIVALS. VICTORIA. BETHANY; FESTIVALS. WARBURTON; FESTIVALS. WARRNAMBOOL; FESTIVALS. SHEPPARTON; FESTIVALS. CASTLEMAINE STATE

Call No: 753 LEI
Author: Leitch, Thomas
Edition: John Hopkins paperback edition, 2009
Source: US
Place: Baltimore MD
Publisher: John Hopkins University Press
PubDate: 2007
PhysDes: xi, 354 p. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DOYLE, ARTHUR CONAN; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. DICKENS, CHARLES; AUTEUR THEORY; AUTHORSHIP; LITERATURE AND THE CINEMA; STONE, OLIVER; GONE WITH THE WIND (US, Victor Fleming, 1939); PASSION OF THE CHRIST, THE (US, Mel Gibson, 2004); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995)
Summary: "Most books on film adaptation - the relation between films and their literary sources - focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation. Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. Leitch's analysis moves beyond literary sources to consider why a small number of adaptors have risen to the status of auteurs and how illustrated books, comic strips, video games, and true stories have been adaptated to the screen." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [325]-338) and index
ISBN: 9780801892714
Contents: -- acknowledgments -- 1: Literature versus literacy -- 2: One-reel epics -- 3: The word made film -- 4: Entry-level Dickens -- 5: Between adaptation and allusion -- 6: Exceptional fidelity -- 7: Traditions of quality -- 8: Streaming pictures -- 9: The hero with a hundred faces -- 10: The adapter as auteur -- 11: Postliterary adaptation -- 12: Based on a true story -- notes -- bibliography -- index --

Call No: 201(945) VIC
CorpAuthor: Victorian Film & Industry Task Force
Source: AT
Place: Melbourne, Australia
Publisher: Victorian Film & Television Task Force
PubDate: September 2000
PhysDes: 99 leaves ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA : VICTORIA; Film Victoria; CINEMEDIA; MELBOURNE FILM OFFICE; EDUCATION, FILM. AUSTRALIA
Summary: A report to review and recommend a strategic framework for the Victorian Film and Television Industry. Government support for retaining and securing production investment is important for a knowledge economy. The report looks at different requirments to achieve this including: reinvigorating state film and television funding, advocacy to the Federal government about national policy, adopting a government approach to the industry, adding infrustructure and expanding education and training opportunities. Various proposals are also put forward.
Notes: Includes preface letter by Sigrid Thornton -- Includes table of contents -- Ring binding -- Additional catalogue information added 28 August 2019
Language: English
Contents: The Victorian Film and Television Industy - a vision for the future -- Executive summary -- The review process -- The industry nationally -- The industry in Victoria today -- Federal government support for the industry -- Government support for the industry in other states -- Victorian government support for the industry -- Industry infrustructure in Victoria -- Education and training in Victoria -- The global operating environment -- Overseas government funding programs -- The stategic framework for the Victorian industry -- The best position for the Victorian industry in relation to other Australian states and overseas industries -- The effectiveness of current state government programs in addressing the requirements needed to ensure the Victorian industry is a centre for excellence -- The requirements and initiatives needed to ensure that the Victorian industry is a centre for excellence

Call No: 71(47) TAY
Author: Taylor, Richard; Christie, Ian
Edition: 1988
Place: London
Publisher: Routledge
PubDate: 1988
PhysDes: 458 pages : illustrated ; 25 cm
Subject: USSR; KULESOV, LEV; MEYERHOLD, VSEVOLOD; KOZINTSEV, GRIGORI; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; SHKLOVSKY, VICTOR; SHUB, ESTHER; DOVZENKO, ALEKSANDR; PUDOVKIN, VSEVELOD; STALIN [J.] IN FILMS; LENIN [V.I.] IN FILMS
ISBN: 9780415052986
Donation: Adrian Miles

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; ETHNIC GROUPS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Call No: 45:93 SOR
Author: Sorlin, Pierre
Source: UK
Place: Oxford
Publisher: Blackwell
PubDate: 1980
PhysDes: xii, 226 p., [8] p. of plates : ill. ; 22 cm
Subject: HISTORY AND THE CINEMA; GRAND ILLUSION, LA (FR, Jean Renoir, 1937); MARSEILLAISE, LA (FR, Jean Renoir, 1938); NAPOLEON BONAPARTE (FR, Abel Gance, 1935); ALDO'S SAYING (IT, unknown, 1945); BRIGAND OF THE WOLF CAVE (IT, Pietro Germi, 1952); GIORNI DI GLORIA (IT, Mario Serandrei and Giuseppe de Santis, 1945); [EIGHTEEN-SIXTY] 1860 (IT, Alessandro Blasetti, 1933); GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962); LONG LIVE ITALY (IT, Roberto Rossellini, 1960); LOST PATROL, THE (IT, Piero Nelli, 1953); CAMICIE ROSSE (IT, Goffredo Alessandrini and Franco Rosi, 1952); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); SUN RISES AGAIN, THE (IT, Aldo Vergano, 1946); SENSO (IT, Luchino Visconti, 1954); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GONE WITH THE WIND (US, Victor Fleming, 1939); HORSE SOLDIERS, THE (US, John Ford, 1959)
Notes: Historical films,. 1914-1962 - Critical studies (BNB/PRECIS); Bibliography: pF218-221. - Includes indexes
ISBN: 0631195106
LON: 1853214
Donation: donated by the family of Wayne Levy, 2006

Call No: held no.1-24 Aug. 1955-Dec. 1965
CorpAuthor: New Melbourne Film Group; Melbourne University Film Society
Source: AT
Place: Carlton, Vic.
Publisher: New Melbourne Film Group and Melbourne University Film Society
PubDate: 1956-1965
PhysDes: v. : ill., ports. ; 28 cm
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA
Frequency: Irregular
LON: cvj65001291; 2504686

Call No: 753.81 FIL
Author: Loock, Kathleen (ed.); Verevis, Constantine (ed.)
Source: UK/US
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2012
PhysDes: xiii, 252 p. : ill. ; 23 cm
Subject: ADAPTATIONS; FANS; FILM; REMAKES; ADVENTURES OF MERLIN, THE [TV] (UK, 2008-); ALL THE KINGS MEN (US, Robert Rossen, 1949); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); INVASION OF THE BODY SNATCHERS (US, Philip Kaufman, 1978); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004); SHERLOCK HOLMES (US/G, Guy Ritchie, 2009); STEPFORD WIVES, THE (US, Bryan Forbes, 1975); STEPFORD WIVES, THE (US, Frank Oz, 2004); WIZARD OF OZ, THE (US, Victor Fleming, 1939); WUTHERING HEIGHTS (US, William Wyler, 1939); WUTHERING HEIGHTS (UK/US, Peter Kosminsky, 1992); WUTHERING HEIGHTS (UK, Robert Fuest, 1970); WUTHERING HEIGHTS (UK, Andrea Arnold, 2011)
Summary: " This book provides a dynamic investigation of processes of cultural reproduction - remaking and remodelling - in film, television and new media. Drawing on a wide variety of Hollywood and other examples, this impressive group of contributors considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives. Their case studies discuss new versions of popular texts such as The Manchurian Candidate, Invasion of the Body Snatchers and The Stepford Wives. They provide new perspectives on the unlimited cultural production of classics like The Wizard of Oz, Wuthering Heights and The Adventures of Sherlock Holmes, and they analyze the groundbreaking work of fan appropriations, including Batman and Spiderman fanvids, and fanfic trailer revisions for The Shining and television's The Adventures of Merlin." -- BOOK BLURB
Notes: Includes bibliographical references and index; Tertiary/Undergraduate, Postgraduate
ISBN: 9781137263346
Contents: -- list of illustrations -- acknowledgments -- notes on contributors -- introduction: remake,remodel / Kathleen Loock and Constantine Verevis -- pt. I Adapt -- 1: Toto, I Think We're in Oz Again' (and Again and Again) remakes and popular seriality / Frank Kelleter -- 2: Guy Ritchie's Sherlock Bond, the Deerstalker and Remediation / Stephanie Sommerfeld -- 3: a battle on two fronts: Wuthering Heights and adapting the adaptation / Amy Martin -- 4: of political visions and visionary politicians: Adapting All the King's Men to the Big Screen / Birte Otten -- pt. II Remake -- 5: remaking The Stepford Wives, remodeling feminism / Kathryn Schweishelm -- 6: The Return of the Pod People: remaking cultural anxieties in Invasion of the Body Snatchers / Kathleen Loock -- 7: Cyber-noia? remaking The Manchurian Candidate in a global age / Sonja Georgi -- 8: a personal matter: H Story / Constantine Verevis -- pt. III Remodel -- 9: Remaking Texts, Remodeling Scholarship / Robin Anne Reid -- 10."Prince Arthur Spotted Exiting Buckingham Palace!": the re-imagined worlds of fanfic trailers / Sibylle Machat -- 11:you'll never see this on the silver screen: the film trailer as a template for the appropriation and transformation of Hollywood Movies / Lili Hartwig -- 12: spoofin' spidey---rebooting the bat: immersive story worlds and the narrative complexities of video spoofs in the era of the superhero blockbuster / Daniel Stein -- index --

Call No: N79GON FIL
Place: London
Publisher: Hollywood Publications in association with World Film Publications
PubDate: 1948
PhysDes: 88 p. : ill., ports. ; 18 cm
Series: Famous film series
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)
LON: 3051475

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: Film Victoria
URL status: URL: 'http://file://Q:/S/FILM_VICTORIA.zip' Checked: 31/08/2021 12:42:56 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 19FIL FIL
Author: Film Victoria
Source: AT
Place: [Australia]
Publisher: [Film Victoria?]
PubDate: 6 October 1981
PhysDes: 11 pages ; 25 cm
Subject: DISTRIBUTION. AUSTRALIA; FILM VICTORIA; FINANCING. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; LEGISLATION. AUSTRALIA; PRODUCTION. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA : VICTORIA; STATE FILM CENTRE OF VICTORIA; VICTORIAN FILM CORPORATION
Summary: Speech on the parliamentary Bill responsible for the creation of Film Victoria. "The purpose of this Bill is to create a new statutory authority to be responsible for Government activities relating to the production and distribution of film in Victoria including film produced for educational purposes. The new organisation to be known as Film Victoria will be established by amalgamating the Victorian Film Corporation, the State Film Centre, and sections of the Audio-Visual Resources Branch of the Education Department. As a result, the unnecessary duplication of functions by the organisations will be avoided and the capacity of the Government to meet the present and future media needs of Victorians will be enhanced." - PURPOSE OF THE BILL

Call No: ANNUAL REPORT SHELVES; held 1981/82-1995/96; 2003 -2010/11; DIGITAL FILES; held 2007/08-2020/2021
CorpAuthor: Film Victoria
Source: AT
Place: Melbourne
Publisher: Film Victoria
PubDate: [1982-1996]
PhysDes: 15 v. ; 24-30 cm
Subject: Film Victoria
Notes: Title from cover
Order Notes: Current
LON: 5749705

Call No: Film Victoria Newsletter held : 2003-2004; 1998 ; Aug. 1983-Nov/Dec 1998 incomplete
CorpAuthor: Film Victoria
Source: AT
Place: Melbourne
Publisher: Film Victoria
PhysDes: v. ; 30 cm
Subject: Film Victoria
Notes: Description based on: No. 20 (July/Aug. 1985) Continued by: Cinemedia News (after No.113, 1996); Continued by: Cinemedia Newsletter, The
LON: 11924965; 11925006; 7903636
ID2: 365

Call No: 058 FIL "1985"
Author: Clark, Al
Source: AT
Place: South Yarra, Vic
Publisher: Currey O'Neil Ross
PubDate: 1984
PhysDes: 208 p.: ill. ; 28 cm
Subject: HARGREAVES, JOHN; HUGHES, WENDY; SHEPARD, SAM; CRUISE, TOM; WOODS, JAMES; QUAID, DENNIS; EVERETT, RUPERT; BEDELIA, BONNIE; CONTI, TOM; LITHGOW, JOHN; HAZLEHURST, NONI; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); SUR, EL (SP/FR, Victor Erice, 1983); SILKWOOD (US, Mike Nichols, 1983); OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983); TRADING PLACES (US, John Landis, 1983); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SPLASH (US, Ron Howard, 1984); RIGHT STUFF, THE (US, Philip Kaufman, 1983); STRANGERS KISS (US, Matthew Chapman, 1983); STAYING ALIVE (US, Sylvester Stallone, 1983); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983); SUDDEN IMPACT (US, Clint Eastwood, 1983); HONORARY CONSUL, THE (US, John MacKenzie, 1983); BRAINSTORM (US, Douglas Trumbull, 1983); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BREATHLESS (US, Jim McBride, 1983) LUNE DANS LA CANIVEAU, LA; YENTL (US, Barbara Streisand, 1983); FOOTLOOSE (US, Herbert Ross, 1984); MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983) SEE; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984); PHAR LAP (AT, Simon Wincer, 1983); RAZORBACK (AT, Russell Mulcahy, 1984)
Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.
Notes: On cover: with special Australian section
ISBN: 0859021548
Language: English
Donation: donated by the family of Wayne Levy, 2006

Call No: 736 TUS
Author: Tuska, Jon
Edition: 1st ed
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1976
PhysDes: xx, 588 p., [1] leaf of plates : ill. ; 27 cm
Subject: WESTERNS; AUTRY, GENE; HAWKS, HOWARD; FORD, JOHN; Peckinpah, Sam; WAYNE, JOHN; JONES, BUCK; PLAINSMAN, THE (US, Cecil B. DeMille, 1936); STAGECOACH (US, John Ford, 1939); DUEL IN THE SUN (US, King Vidor, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); BATTLE OF ELDERBUSH GULCH, THE (US, David Wark Griffith, 1913); LAW AND ORDER (US, Edwin L. Cahn, 1932); BILLY THE KID (US, King Vidor, 1930); UNION PACIFIC (US, Cecil B. Demille, 1939)
Notes: Includes index
ISBN: 0385031157 : $14.95
LON: 387748

Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - complete
Source: US
Place: New York
Publisher: Arno Press
PubDate: 1968
Subject: DOCUMENTARY FILMS; SOUND; MUSIC IN FILMS; STATE AND THE CINEMA. USA; STATE AND THE CINEMA. CANADA; STATE AND THE CINEMA. BRAZIL; STATE AND THE CINEMA. MEXICO; TRADE UNIONS. USA; POTAMKIN, HARRY ALAN; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); FANTASIA (US, Walt Disney, 1940); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); SHCHORS (UR, Alexander Dovzhenko, 1939); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937)
Notes: Reprint. Originally published : New York : Kamin Publishers.

Call No: 11(94)SFC FIL
Source: AT
PubDate: [1973?]
PhysDes: 19 p. : ill. ; 22 cm
Subject: STATE FILM CENTRE OF VICTORIA
Summary: Booklet about the holdings of documentary film at the State Film Centre of Victoria

Call No: held v.25 no.1-v.137 Mar. 1980-spring 1988
CorpAuthor: Federation of Victorian Film Societies; Australian Council of Film Societies
Source: AT
Place: Carlton, Vic.
Publisher: [Federation of Victorian Film Societies]
PubDate: 1980-1988
PhysDes: 9 v. : ill. ; 28-34 cm
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA; FEDERATION OF VICTORIAN FILM SOCIETIES
Notes: Continues: Federation news; Title from cover
ISSN: 0158-3778
Frequency: Quarterly
LON: abn96403194; 12890850

Call No: TITLE CLIPPINGS FILE; LEFTOVERS, THE [TV] (US, 2014 - )
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. AUSTRALIA: VICTORIA; LEFTOVERS, THE [TV] (US, 2014 - )
Summary: Interview with Damon Lindelhof, co-creator of the TV show THE LEFTOVERS, on how and why Melbourne is the key location for the third season of the US TV show. Some comments on why Melbourne has featured in films and TV shows about the apocalypse, including a reference to the Ava Gardner quote about the city
Notes: A

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRST A GIRL (UK, Victor Saville, 1935)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FIVE] 5 TO 7 (US, Victor Levin, 2014)
URL status: URL: 'http://file://Q:/T/FIVE_TO_SEVEN.zip' Checked: 31/08/2021 1:47:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLASH OF GREEN, A (US, Victor Nunez, 1984)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FLEMING, VICTOR

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1930); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FYODOROVA, VICTORIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAL YOUNG UN (US, Victor Nunez, 1979)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GARBER, VICTOR

Call No: 733 BAR
Author: Barefoot, Guy
Source: US
Place: New York
Publisher: Continuum
PubDate: c2002
PhysDes: 212 p. : ill. ; 24 cm
Subject: MELODRAMA; HISTORICAL FILMS; CRITICISM; GASLIGHT (UK, Thorold Dickinson, 1940); HANGOVER SQUARE (US, John Brahm, 1945); BRITANNIA MEWS (UK, Jean Negulesco, 1949); [DOCTOR] DR JEKYLL AND MR HYDE (US, Victor Fleming, 1941)
Summary: "In 1945, a year when American crime films were apparently moving out onto the streets of contemporary Los Angeles and New York, one reviewer noted the emergence of a "cycle of mystery and horror pictures placed in the gaslight era of the turn of the century." For another, it seemed that for Hollywood there was "no world of today save the world of London by gaslight." In Gaslight Melodrama, Guy Barefoot examines the films that gave rise to such comments, and the pattern of discourses that gave rise to such films. The main focus of the book is provided by 1940s Hollywood melodramas such as Gaslight, Dr. Jekyll and Mr. Hyde, and Hangover Square. Gaslight Melodrama also discusses a related cycle of British films that located murder and melodrama amid Victorian or Edwardian furnishings, and then looks beyond cinema to the Gothic novels of the 18th century; 19th century discussions of gas-lighting in street, home, and theater; and ambivalent 20th century responses to the Victorian era. Combining close analysis of particular film texts with attention to cinema's cultural context, Gaslight Melodrama provides an exploration of the ways in which the past has been the site of contested meaning, and an examination of the network of melodramatic narratives embedded within familiar and lesser-known examples of classical Hollywood cinema " -- BOOK BLURB
Notes: Includes bibliographical references (p. [191]-204) and index.
ISBN: 0826453341
Contents: 1. Introduction: Gaslight, Gaslight, and Gaslight Melodrama -- 2. Industrial Light and Magic: Images of Gaslight from the Nineteenth to the Twentieth Century -- Gaslight and the Nineteenth Century -- From Stage to Screen -- Toward the Modern City -- 3. Gothic Sources/London Discourses: The Dark Metropolis on Page and Screen -- Nineteenth-Century London at 20th Century-Fox -- Londonania -- Descent and Invention -- From the Medieval to the Suburban -- 4. Lady Isabel, Dr. Jekyll, and Other Victorians: Twentieth-Century Reception, Reaction, and Reconstruction -- Jekyll and Hyde -- America -- Britain -- Victorians, Vampires, and Piano Legs -- 5. The Furniture in the Attic: Back to the Victorian -- The Process of Historical Reconstruction -- Victoria the Great -- New Victorian and Neo-Victorianism -- Surrealism, Lost Forms, Hollywood -- Elegance, Wretchedness, and Age -- 6. The Body in the Canal: Decorum and Melodrama in the Period Film -- House by the River -- Ivy and Others. The Suspect -- Critique and Closure -- 7. Melodrama and the Construction of the Past.
ID2: 168

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: distributed by New Vision Films
PubDate: [1995?]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: GAZON MAUDIT (FR, Josiane Balasko, 1995); BALASKO, JOSIANE; CHABAT, ALAIN; ABRIL, VICTORIA
Summary: Three people are standing in a room with a domestic setting, the lady on the left is fighting with the shirtless man wearing glasses on the right. In the middle is a young woman with a apron on trying to keep the two apart.
Notes: Ballpoint pen annotations on reverse of photograph; White border surrounds image

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1995?]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: GAZON MAUDIT (FR, Josiane Balasko, 1995); ABRIL, VICTORIA; CHABAT, ALAIN
Summary: A young woman and a bespectacled man recline together looking off to the distance surprised with the girl covering the mans mouth revealing painted nails.
Notes: White border surrounds image.; Ballpoint pen annotation on reverse of photograph.

Call No: 11(94)AFI GLL GEO
Source: AT
PubDate: [1978?]
Subject: AUSTRALIAN FILM INSTITUTE; FILM STUDY AND RESEARCH. AUSTRALIA; SOCIETIES, FILM. AUSTRALIA. VICTORIA; LUGG, GEORGE
Summary: Report on the establishment of a film library to be based at the Australian Film Institute from the merger of the Australian Film Institute's Information Centre and the Victorian Federation of Film Societies 'George Lugg Library'
ID2: 89

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GERRY (UK, Paul Agar, Victoria Hollup, 2018)
Notes: Simon import_20/06/19

Call No: 12(94) GOM
Author: O'Hanlon, Seamus (ed.); Luckins, Tanja (ed.); Danks, Adrian
Place: Melbourne, Australia
Publisher: Circa
PubDate: 2005
PhysDes: 21 cm ; 284 pp
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA
Summary: What were the 1960s really like in Melbourne? Was it just great music, brightly coloured clothes and The Pill? Or was there something deeper and perhaps more insidious happening? This fab new book takes a close look at the many cultural changes of the Sixties and how they affected the Victorian capital - and questions modern-day views about the way times actually did 'a' change'. Go! Melbourne in the Sixties covers defining moments like the visit of The Beatles, the end of the six o'clock closing, political activism, Jean Shrimpton at Flemington, as well as increases in tertiary study opportunities, dramatic population growth through migration and a baby-boom, and sets them in the context of a decade that many continue to see as a golden era. [Taken from back cover] Of particular relevance here is Adrian Danks' chapter on the Melbourne University Film Society (MUFS) entitled "Arrested Developments or from 'The Heroes are Tired' to 'The Tomb of Ligeia': Some Notes on the Place of the Melbourne University Film Society in 1960s Film Culture" which traces the origins of the film society, its contribution to Melbourne cultural life, its output (not just in exhibition but production and publishing) and its legacy.
ISBN: 0975780204

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)
URL status: URL: 'http://file://Q:/T/GONE_WITH_THE_WIND.zip' Checked: 31/08/2021 1:00:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Hutchinson, Ivan
PhysDes: Article
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)

Call No: P GON
PhysDes: 1 poster : col. ; 85 X 56 cm.
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)
Summary: Image: men and women are kissing.

Call No: LP Gone with the wind
Author: Ornadel, Cyril; Starlight Symphony; Steiner, Max
CorpAuthor: MGM
Source: US
Place: [New York?]
Publisher: MGM Records
PubDate: [1961]
PhysDes: 1 sound disc (37 min.): analog, 33 1/3 rpm, 12 in
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: "Commemorating the Civil War Centennial"--Container; Program notes by James T. Maher on container
Contents: -- Side 1-- Introduction and Tara (3:03) -- Scarlett O'Hara (3:49) -- Ashley (3:16) -- O'Hara (4:07) -- Love theme (3:04) -- Civil War marches (3:09) -- Side 2 -- Rhett Butler (2:31) -- Melanie's theme (3:51) -- Ballroom scene (3:09) -- Belle Watling (??) -- Bonnie's theme (3:54) -- Finale (2:42) --
Performer: Cyril Ornadel, the Starlight Symphony, and orchestrations by Brian Fahey
Music Type: Motion Picture Music
Publisher Number: MGM: E3954

Author: Schwartz, Eric
PhysDes: Article
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: GOVERNMENT AID. AUSTRALIA. VICTORIA

Call No: 93 JAK
Author: Jakubowski, Maxim; Van Der Meer, Ron
Place: London
Publisher: Ebury Press
PubDate: 1987
PhysDes: [10] p. : col. ill. ; 28 cm
Subject: KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); HIGH NOON (US, Fred Zinnemann, 1952); GONE WITH THE WIND (US, Victor Fleming, 1939); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); CASABLANCA (US, Michael Curtiz, 1942)
Summary: "Open up and see favorite actors and classic movies scenes come alive. King Kong, High Noon, Gone With The Wind, The Seven Year Itch, Casablanca. See and hear Sam play it again! Discover the hidden facts about the history of the movies" -- BOOK BLURB
Notes: It's a pop-up book!
ISBN: 0852236565
Donation: donated by the family of Wayne Levy, 2006
Contents: -- King Kong -- High Noon -- Gone With The Wind -- The Seven Year Itch -- Casablanca --

Call No: SUBJECT CLIPPINGS FILE; SOCIETIES, FILM. AUSTRALIA. VICTORIA
Author: Bennett, Colin
PhysDes: Clippings File Article
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA
Summary: Looking at the growth of the film societies in Melbourne in the late 1950's. Suggests that the popularity of TV has meant that people are interested in more specialist cinema. Film society growth in Melbourne is compared to archives and cinematheques around the world. The creation of the Australian Film Institute is mentioned as possibily helping the growth of film societies in Melbourne.
Notes: old clips pile from June 2015

Call No: N79GUY CAI
Author: Cairn, James; Trumbo, Dalton, 1905-1976; Boehm, David,; Sprague, Chandler, b.1886,
Place: London
Publisher: Hollywood Publications
PubDate: 1946
PhysDes: 118 p. : ill. ; 21 cm
Series: Film classics series
Subject: GUY NAMED JOE, A (US, Victor Fleming, 1943)
Notes: On t.p. verso: "from an original story by Chandler Sprague and David Boehm" "Spencer Tracy"; Screenplay by Dalton Trumbo
LON: 11586795

Call No: 79GON HOW
Author: Howard, Sidney
Source: US
Place: New York
Publisher: Macmillan
PubDate: c1980
PhysDes: 416 p. ; 24 cm
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: CINEMAS. AUSTRALIA. CAPITOL [NSW]; GONE WITH THE WIND (US, Victor Fleming, 1939)
Summary: The Capitol Theatre began screening films again, for the first time in twenty five years, with a restored print of "Gone With the Wind". The Capitol's new Klipsch sound system is described.

Call No: FESTIVAL CATALOGUE SHELVES; held 1991, 2003; incomplete
Source: AT
Subject: FESTIVALS. VICTORIA

Author: Buesst, Nigel
PhysDes: Article
Subject: BUESST, NIGEL; STATE AND THE CINEMA. AUSTRALIA : VICTORIA; STATE FILM CENTRE OF VICTORIA
Summary: Filmmaker Nigel Buesst interviews the new Victorian premier Dick Hamer on the premier's plans to create a Ministry of the Arts.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HARALABIDOU, VICTORIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HASTA LA VICTORIA SIEMPRE (CU, Santiago Álvarez, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HE WHO GETS SLAPPED (US, Victor Sjostrom, 1924)

Call No: held Mar. 1987-May 1989
CorpAuthor: Federation of Victorian Film Societies
Source: AT
Place: South Melbourne
Publisher: The Federation
PubDate: 1987-1989
PhysDes: 3 v. : ill
Subject: FEDERATION OF VICTORIAN FILM SOCIETIES; SOCIETIES, FILM. AUSTRALIA. VICTORIA
Notes: Caption title
LON: abn97050480; 13028451

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HILL, VICTORIA

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: 451-01/02 BEL
Author: Bell-Metereau, Rebecca Louise
Place: New York
Publisher: Columbia University Press
PubDate: 1985
PhysDes: x, 260 p. : ill. ; 24 cm
Subject: TRANSVESTISM; ALIEN (UK, Ridley Scott, 1979); SOME LIKE IT HOT (US, Billy Wilder, 1959); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); DRESSED TO KILL (US, Brian De Palma, 1980); TOOTSIE (US, Sydney Pollack, 1982); VICTOR/VICTORIA (UK, Blake Edwards, 1982); YENTL (US, Barbara Streisand, 1983)
Notes: Includes index
ISBN: 0231058349 (alk. paper)
LON: 84016984; 3316437
Contents: -- Ch. 1. An Overview -- Ch. 2. Female Impersonation Before 1960 -- Ch. 3. Male Impersonation Before 1960 -- Ch. 4. 1960-1985 New Directions -- Ch. 5. 1960 to the Present: Other Screens, Other Voices

Call No: 802.25 PET
Author: Petrie, Graham
Place: London Boston
Publisher: Routledge & Kegan Paul
PubDate: 1985
PhysDes: xii, 257 p. : ill. ; 24 cm
Series: Cinema and society
Subject: MURNAU, FRIEDRICH WILHELM; LUBITSCH, ERNST; STILLER, MAURITZ; SJOSTROM, VICTOR; CHRISTENSEN, BENJAMIN; FEJOS, PAUL; LENI, PAUL; MAGNUSSON, CHARLES
Notes: Includes indexes; Bibliography: p. 249-251
ISBN: 0710201613 : ª19.95 (est.)
LON: 3711813

PhysDes: Focus Issue
Subject: TAXES. AUSTRALIA; AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; SOUTH AUSTRALIAN FILM CORPORATION; FILM VICTORIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIAN BROADCASTING COMMISSION; HOYTS; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; TELEVISION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; ACTORS EQUITY AUSTRALIA; AUSTRALIAN WRITERS GUILD; GREATER UNION; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA
Summary: A series of articles featured in a special edition section of 'The Hollywood Reporter' relating to the Australian film and television industries of 1988. With Division 10BA failing and the world stockmarket crash much attention is payed to the future of film and television financing in Australia. There are articles on each of the states and territories film bodies, the current state of Actors' Equity Australia, the Australian Writers' Guild, and the National Film and Sound Archive. Phillip Adams, Kim Williams, Antony Ginnane, Yoram Gross, and David Williamson have all been consulted for various articles.

PhysDes: Focus Issue
Subject: AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION DEALS. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ACTORS EQUITY AUSTRALIA; FILM VICTORIA; GOVERNMENT AID. AUSTRALIA; FINANCING. AUSTRALIA; SOUTH AUSTRALIAN FILM CORPORATION; NEW SOUTH WALES FILM CORPORATION; WESTERN AUSTRALIAN FILM COUNCIL; FUNDING. AUSTRALIA
Summary: Special edition of The Hollywood Report focusing on the Australian film and television industries of 1989. Features articles on the Australian national and state funding, financing and distribution environements, Actors' Equity, the video industry, emerging Australian talent, and various statistical reports.
Notes: See also: 'The Hollywood Reporter. A Special Report On Location in Australia', Vol. 300, Iss.27, 05/01/1988

Call No: 738.1 VAU
Author: Vaughan, Hunter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: 243 pages : illustrations ; 23 cm
Series: Film and culture series
Subject: ENVIRONMENTAL ISSUES IN FILMS; AVATAR (US, James Cameron, 2009); DAY AFTER TOMORROW, THE (US, Roland Emmerich, 2004); DISASTER FILMS; GONE WITH THE WIND (US, Victor Fleming, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); TWISTER (US, Jan De Bont, 1996); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Summary: "In an era when many businesses have come under scrutiny for their environmental impact, the film industry has for the most part escaped criticism and regulation. Its practices are more diffuse; its final product, less tangible; and Hollywood has adopted public-relations strategies that portray it as environmentally conscious. In Hollywood's Dirtiest Secret, Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences." - taken from back cover.
Notes: Includes bibliographical references, filmography and index -- subtitle on verso 'the hidden environmental costs of our screen culture'
ISBN: 9780231182416
Contents: Introduction: The Big Picture -- Chapter 1: Burning down the house: fire, the eco-ethics of destruction, and authorship in the film spectacle -- Chapter 2: "Five Hundred Thousand Kilowatts of Stardust:" resource use and the formula for packaging nature in Singin' in the rain -- Chapter 3: Winds of change: twister and the visualization of environmental disaster in the digital age -- Chapter 4: Apocalypse tomorrow: Avatar and the myth of Earth's end in the digital era -- Chapter 5: The fifth element: production culture studies, relational values, and the human side of environmental media -- Conclusion: An element of hope

Call No: 67(04) ROT
Author: Rothman, William
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1988
PhysDes: xix, 210 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: USA; THEATRE AND THE CINEMA; ADAPTATIONS; EROTICISM IN FILMS; MELODRAMA; GRIFFITH, DAVID WARK; RENOIR, JEAN; BOGART, HUMPHREY; CHAPLIN, CHARLES; GRANT, CARY; HAWKS, HOWARD; HITCHCOCK, ALFRED; GUZZETTI, ALFRED; BACALL, LAUREN; ASTOR, MARY; JUDITH OF BETHULIA (US, David Wark Griffith, 1913); CITY LIGHTS (US, Charles Chaplin, 1931); RED DUST (US, Victor Fleming, 1932); STELLA DALLAS (US, King Vidor, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); RIVER, THE (II/US, Jean Renoir, 1951); FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TRUE HEART SUSIE (US, David Wark Griffith, 1919); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VERTIGO (US, Alfred Hitchcock, 1958)
Notes: Includes index; Bibliography: p. xviii-xix
ISBN: 0521368286 (pbk.); 052136048X
LON: 5831391

Call No: 735.5 CIN
CorpAuthor: Cinemaniacs (Australia)
Source: AT
Place: [Australia]
Publisher: Cinemaniacs (Australia)
PubDate: 2018
PhysDes: 238 pages, ill. 24cm
Subject: FANTASTIC FILMS; WIZARD OF OZ, THE (US, Victor Fleming, 1939); RETURN TO OZ (US, Walter Murch, 1985); JEEPERS CREEPERS (US, Victor Salva, 2001); BATMAN BEGINS (US, Christopher Nolan, 2005); WIZ, THE (US, Sidney Lumet, 1978); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
ISBN: 9780648269939
Donation: The LedaTape Organisation
Contents: A Note from Editor-In-Chief Lee Gambin --1900+ The Scarecrows of Oz --1920 The Scarecrow --1936 I'd Love to Take Orders From You --1939 The Wizard of Oz --1961 Captain Clegg AKA Night Creature --1963 Dr Syn alias the Scarecrow --1969+ Batman Superman Hour and Superfriends --1972 Journey Back to Oz --1978 The Wiz --1979+ Worzel Gummidge --1981 Dark Night of the Scarecrow --1984 Children of the Corn: Julie Maddalena Interview --1986 The Singing Detective --1988 Friday the 13th: The Series - Scarecrow --1988 Scarecrows --1988 Scarecrows: Norman Cabrera Interview --1992+ Scarecrows in the DC Animated Universe --1995 Night of the Scarecrow: Jeff Burr Interview --2001+ Do You Even Scarecrow Bro? --2001+ Jeepers Creepers --2001+ Jeeppers Creepers: Jonathan Breck Inteview --2004 Dead Birds --2005 Batman Begins --2006 Supernatural - Scarecrow --2007 Dr Who - Human Nature and the Family of Blood --2007 El Orfanato --2003 Wicked

Call No: TITLE CLIPPINGS FILE; 5 [FIVE] TO 7 (US, Victor Levin, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: [FIVE] 5 TO 7 (US, Victor Levin, 2014)
Summary: Review.
Rating: 3 out of 5 stars

Call No: 756(94) STA
Author: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2016
PhysDes: x, 226 pages ; 23 cm
Series: The spatial humanities
Subject: ABORIGINAL AUSTRALIANS IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: TASMANIA; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY; CULTURE AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; DAWN, NORMAN; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008); RED DOG (AT, Kriv Stenders, 2011); SAMSON AND DELILAH (AT, Warwick Thornton, 2009); VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVER
ISBN: 9780253018458
Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA

Call No: N79IRO LIN
Author: Lindsay, Philip, 1906-1958
Place: London
Publisher: Queensway Press
PubDate: [1934]
PhysDes: 312 p : ill. ; 20 cm
Subject: IRON DUKE, THE (UK, Victor Saville, 1935)
Notes: Based on the original film story by H.M. Harwood
LON: 12465829

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JEEPERS CREEPERS (US, Victor Salva, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JEEPERS CREEPERS II (US, Victor Salva, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIM CONWAY BLUES, THE (AT, Victor Carson, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST CRAZY ABOUT HORSES (US, Tim Lovejoy & Joe Wemple & Victor Kanefsky, 1978)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KAUFMAN, VICTOR A.

Call No: SUBJECT CLIPPINGS FILE; STATE FILM CENTRE OF VICTORIA
Author: Swift, David
PhysDes: Clippings File Article
Subject: STATE FILM CENTRE OF VICTORIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
Summary: In depth article by the CEO of the Victorian State Film Centre about the operations of the company, the impact of tv and how the State Film Centre users have risen in the past year. Swift believes that documentary has many uses and that clients are clamouring for more quality documentary productions. He would like it if TV stations and government departments would donate materials into a Victorian film archive
Notes: old clips pile from June 2015

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM (US, Victor Saville, 1950)

Call No: TITLE CLIPPINGS FILE
Subject: THY SOUL SHALL BEAR WITNESS [KÖRKARLEN ] (SW, Victor Sjöström, 1921)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THY SOUL SHALL BEAR WITNESS [KÖRKARLEN ] (SW, Victor Sjöström, 1921)

Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: GENDER MATTERS; WOMEN FILMMAKERS. AUSTRALIA; FUNDING. AUSTRALIA; SCREEN AUSTRALIA; SCREEN NSW; FILM VICTORIA
Summary: Feature article on the funding policies of Screen Australia, Screen NSW and Film Victoria in relation to promoting key roles for women film and tv makers and creators. Notes some discontent in what is being seen as trying to force quotas on a production system that may not be able to make enough films/tv if enforced. Quotes from: Sue Milliken, Fiona Cameron, Lynden Barber, Jenni Tosi, Matthew Deaner, Kingston Anderson, Anna Serner, and Alice Bell

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEFT BEHIND: THE MOVIE (CN, Victor Sarin, 2000)

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]
Author: Swan., David
PhysDes: Clippings File Article
Subject: STATE AND THE CINEMA. AUSTRALIA : VICTORIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]
Summary: Report on funding from Victorian Government initiative call Launch Vic that will provide $60m of funding to various companies, including the Australian Centre for the Moving Image

Call No: 81SCH LIF
Author: Campbell, Ross (ed.)
Source: AT
Place: Parkville, Victoria
Publisher: Bill Kerr
PubDate: 2015
PhysDes: 141 pages : illustrations, portraits ; 21 cm
Subject: STATE FILM CENTRE OF VICTORIA; HISTORY OF CINEMA. AUSTRALIA; SCHEFFERLE, EDWIN JAMES
Summary: "Our friend and colleague Edwin (Scheff) Schefferle to all who knew him, was a man of many facets, a visionary, a quiet achiever. But few of us knew the complete picture. This publication sets out to rectify that situation, by way of a series of personal reminiscences, to discover more of the extraordinary life of the man we all loved and admired so dearly..." -- First page, under Table of Contents
Notes: Cover title; "Edited by Ross Campbell" -- back cover
ISBN: 9780987333766
Donation: donated by Bill Kerr
Contents: -- family life in Geelong -- interview by John Turner -- interview by Dorothy Jenkins -- 3RRR film buff's forecast -- personal reflections -- Scheff & children's films -- obituary: groundbreaking champion of film, enriched the lives of thousands --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: LIKE TWO MOUNTAINEERS (AT, Education Department of Victoria, 1980)

Author: Eaton Barny
PhysDes: Article
Subject: GONE WITH THE WIND (US, Victor Fleming, 1939)

Call No: 19MET CRO
Author: Crowther, Bosley
Place: New York
Publisher: Dutton
PubDate: 1957
PhysDes: 320 p. : ill. ; 21 cm
Subject: Metro-Goldwyn-Mayer; BEN HUR (US, Fred Niblo, 1925); GARBO, GRETA; THALBERG, IRVING; MAYER, LOUIS B.; GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: Includes index
LON: 1759649

Call No: 222.212(94) MEL
CorpAuthor: Melbourne Film Office
Source: AT
Place: Melbourne
Publisher: Melbourne Film Office
PubDate: 1999
PhysDes: 26 p.
Subject: LOCATION SHOOTING. AUSTRALIA: VICTORIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; CINEMEDIA; MELBOURNE FILM OFFICE

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND; LOCATION SHOOTING. AUSTRALIA: SOUTH AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: VICTORIA
Summary: An overview of locations in Australia, beginning by interviewing location searchers and managers and then focusing on locations in Victoria, Tasmania, Melbourne, NSW, SA, Qld and WA.

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LOCATION SHOOTING. AUSTRALIA: VICTORIA
URL status: URL: 'http://file://Q:/S/LOCATION_SHOOTING.VICTORIA.zip' Checked: 31/08/2021 12:57:59 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Chris Murray
PhysDes: Article
Subject: WORTHINGTON, SAM; HILL, VICTORIA; MACBETH (AT, Geoffrey Wright, 2006)
Summary: On-set look at the making of Macbeth, including interviews with cast and crew.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: LONGLEY, VICTORIA

Call No: 205(94) LOO
CorpAuthor: Victorian Film and Television Industry Working Party
Source: AT
Place: Victoria, Australia
Publisher: [s.n.]
PubDate: July 1999
PhysDes: 49 l.
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 15 photographs : b&w ; 24 x 16 cm - 26 x 21 cm
Subject: TOBIAS, OLIVER; CROSBY, ELIZABETH; MAGUIRE, GERARD; FENNELL, WILLIE; MORSE, HELEN; HARRIES-JONES, ROY; CONDON, JAMES; ANOUX, VICTORIA; PEGGE, EDMUND; HAYWOOD, CHRIS; WATKIN, IAN; REYNOLDS, NICK; LUKE'S KINGDOM [TV] (AT, 1976)
Summary: Fifteen black and white photographs from various episodes of the television series Luke's kingdom

Author: Luke Goodsell
PhysDes: Article
Subject: WORTHINGTON, SAM; HILL, VICTORIA; MACBETH (AT, Geoffrey Wright, 2006)
Summary: Review of Macbeth

Author: Edwin Peters
PhysDes: Article
Subject: WORTHINGTON, SAM; HILL, VICTORIA; MACBETH (AT, Geoffrey Wright, 2006)
Summary: D.V.D. review of Macbeth

Call No: 79WIZ HAR
Author: Harmetz, Aljean
Source: UK
Place: London
Publisher: Pavilion
PubDate: 1989
PhysDes: xx, 331 p. : ill ; 25 cm.
Subject: WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: American cinema films: Wizard of Oz. Production (BNB/PRECIS) Includes bibliographical references
ISBN: 1851453474
Donation: donated by the family of Wayne Levy, 2006

Author: Malcolm, Derek
PhysDes: Article
Subject: ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973)
Summary: Review; port; ill; selection of Derek Malcolm's favourites

Author: Richardson, Owen
PhysDes: Review; Credits
Subject: TERJE VIGEN (SW, Victor Sjostrom, 1917)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MATURE, VICTOR

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEILLEUR DE LA VIE, LE (FR, Renaud Victor, 1985); BETTER LIFE, A (FR, Renaud Victor, 1985)

Call No: held Mar. 1962-Aug. 1987 incomplete
CorpAuthor: Melbourne Film Society
Source: AT
Place: Camberwell [Vic.]
Publisher: The Society
PhysDes: v. ; 18 cm
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA
Notes: Cover title; Description based on: June 1961
Frequency: Five issues a year
LON: abn92093899; 8902755

Call No: TITLE CLIPPINGS FILE; LEFTOVERS, THE [TV] (US, 2014 - )
Author: Battersby, Lucy
PhysDes: Clippings File Article
Subject: HBO; STUDIOS, FILM. AUSTRALIA: VICTORIA; DOCKLANDS STUDIOS; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LEFTOVERS, THE [TV] (US, 2014 - )
Summary: Interviews regarding the shooting of the big budget US TV series THE LEFTOVERS in Melbourne and how this happened

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MELODRAMA/RANDOM/MELBOURNE! (AT, Matthew Victor Pastor, 2018)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Australian Broadcasting Corporation
PhysDes: 12 photographs : b&w ; 21 x 26 cm
Subject: JOURNALISM; RUSH, GEOFFREY; ROBERTS, DAVID; RABE, PAMELA; NORRIS, TERRY; LONGLEY, VICTORIA; GLEESON, PAUL; LYONS, SUSAN; LONGLEY, VICTORIA; RUBENSTEIN, DEIDRE; MERCURY [TV] (AT, 1996)
Summary: 12 black and white photographs of a modern day newspaper and its journalists who are obsessed with getting their stories in the paper. Actors pictured but not in the subject field: Francis Greenslade, Bruce Alexander, Gerald Lepkowski, and Louise Siversen.

Call No: SUBJECT CLIPPINGS FILE; STATE AND THE CINEMA. AUSTRALIA
Author: Cuthbertson, Debbie
PhysDes: Clippings File Article
Subject: STATE AND THE CINEMA. AUSTRALIA; CREATIVE VICTORIA
Summary: A taskforce and a separate member reference group of industry professionals have been asked to devise a new arts policy plan for the state. The groups formation follows the renaming of the states arts portfolio Creative Industries to an overarching cultural body called Creative Victoria. This combines existing agencies including Arts Victoria and Film Victoria.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MIELEWSKA, VICTORIA

Call No: 753.4 MOD
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xii, 461 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ALL THE KINGS MEN (US, Robert Rossen, 1949); BIG SLEEP, THE (US, Howard Hawkes, 1946); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CATCH 22 (US, Mike Nichols, 1970); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); DELIVERANCE (US, John Boorman, 1972); FOUNTAINHEAD, THE (US, King Vidor, 1949); FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943); GRAPES OF WRATH, THE (US, John Ford, 1940); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); HUMAN COMEDY, THE (US, Clarence Brown, 1943); IN THIS OUR LIFE (US, John Huston, 1942); INTRUDER IN THE DUST (US, Clarence Brown, 1949); LAST HURRAH, THE (US, John Ford, 1958); LITTLE BIG MAN (US, Arthur Penn, 1970); LOLITA (US, Stanley Kubrick, 1962); LONELYHEARTS (US, Vincent J. Donehue, 1958); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958); NATIVE SON (AG, Pierre Chenal, 1951); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); OF MICE AND MEN (US, Lewis Milestone, 1939); OLD MAN AND THE SEA, THE (US, John Sturges, 1958); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); RABBIT, RUN (US, Jack Smight, 1970); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); TARNISHED ANGELS, THE (US, Douglas Sirk, 1957); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TOBACCO ROAD (US, John Ford, 1941); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); WET PARADE, THE (US, Victor Fleming, 1932)
Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURB
Notes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the Collection
ISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95
LON: 78004373; 1250638

Call No: 71(46) MOD
Author: Talens, Jenaro, 1946; Zunzunegui DGiez, Santos
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: c1998
PhysDes: xxvi, 346 p. ; 22 cm
Subject: SPAIN; WAR IN FILMS. SPAIN; FASCISM AND THE CINEMA. SPAIN; CIFESA; NATIONAL IDENTITY IN FILMS. SPAIN; FAMILY IN FILMS. SPAIN; ALMODOVAR, PEDRO; BIGAS LUNA; IGLESIA, ELOY DE LA; ORDUNA, JUAN DE; GUTIERREZ ARAGON, MANUEL; PORTABELLA, PERE; VERBENA DE LA PALOMA, LA (SP, Jose Luis Saenz de Heredia, 1963); NOVIO A LA VISTA (SP, Luis G. Berlanga, 1953); ASIGNATURA PENDIENTE (SP, Jose-Luis Garci, 1977); PASODOBLE (SP, Jose Luis Garcia Sanchez, 1988); PADRE NUESTRO (SP, Francisco Regueiro, 1985); AMANTES (SP, Vincente Aranda, 1991); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973)
Notes: Includes bibliographical references and index
ISBN: 0816629749 (alk. paper); 0816629757 (pbk. : alk. paper)
LON: 13736504

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 21 x 26 cm
Subject: LONGLEY, VICTORIA; MORRIS, JUDY; OTTO, BARRY; FITZ-GERALD, LEWIS; MORE THINGS CHANGE (AT, Robyn Nevin, 1985)
Summary: 6 black and white photographs of the family and domestic life and Judy Morris with 2 different men. Includes a photograph of actor in the film, Owen Johnson.

Call No: 67(049.32) THE
Source: US
Place: New York
Publisher: Penguin
PubDate: 1993
PhysDes: xv, 304 p. ; 22 cm
Subject: BEST FILMS; PORNOGRAPHIC FILMS; BAMBI (US, David Hand, 1942); LAST TRAIN FROM MADRID, THE (US, James P. Hogan, 1937); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); PREMATURE BURIAL (US, Roger Corman, 1962); THING, THE (US, Christian Nyby, 1951); DRACULA (US, Tod Browning, 1931); GILDA (US, Charles Vidor, 1946); GONE WITH THE WIND (US, Victor Fleming, 1939); LOVE ME OR LEAVE ME (US, Charles Vidor, 1955); BOY WITH GREEN HAIR, THE (US, Joseph Losey, 1948); [THREE] 3 WOMEN (US, Robert Altman, 1977); OUR VINES HAVE TENDER GRAPES (US, Roy Rowland, 1945); FATAL GLASS OF BEER, THE (US, Clyde Bruckman, 1933); WOMEN, THE (US, George Cukor, 1939); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); Z (FR/AE, Constantin Costa-Gavras, 1969); SEVEN BRIDES FOR SEVEN BROTHERS (US, Stanley Donen, 1954); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: Exploring 23 writer's cultural experiences in relation to movies.
Notes: First published : 1991 : Viking Penguin
ISBN: 0140169520
Donation: donated by the family of Wayne Levy, 2006

Call No: 70"192" MUL
Author: Muller, Jurgen
Edition: 2007
Place: Koln
Publisher: Taschen GMBH
PubDate: 2007
PhysDes: 482 pgaes : illustrated ; 26 cm
Subject: HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); CABIRIA (IT, Giovanni Pastrone, 1914); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916); MADAME DUBARRY (G, Ernst Lubitsch, 1919); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); EROTIKON (SW, Mauritz Stiller, 1920); GOLEM, THE [; KID, THE (US, Charles Chaplin, 1921); FOOLISH WIVES (US, Erich Von Stroheim, 1922); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); THREE MUSKETEERS, THE (US, Fred Niblo, 1921); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); TOL'ABLE DAVID (US, Henry King, 1921); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922); [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922); SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923); HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); THIEF OF BAGDAD (US, Raoul Walsh, 1924); SHERLOCK, JR. (US, Buster Keaton, 1924); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924); GREED (US, Erich von Stroheim, 1925); IRON HORSE, THE (UK, John Ford, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); BEN HUR (US, Fred Niblo, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); BIG PARADE, THE (US, King Vidor, 1925); FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); BLACK PIRATE, THE (US, Albert Parker, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); METROPOLIS (G, Fritz Lang, 1926); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); NAPOLEON (FR, Abel Gance, 1927); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); CROWD, THE (US, King Vidor, 1928); WIND, THE (US, Victor Sjostrom, 1928); CIRCUS, THE (US, Charles Chaplin, 1928); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BLACKMAIL (UK, Alfred Hitchcock, 1929); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); LITTLE CAESAR (US, Mervyn LeRoy, 1931); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929); MOROCCO (US, Josef von Sternberg, 1930); WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens. Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurb
ISBN: 9783822846131
Donation: Megan McMurchy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MYSTERY OF THE LAST TSAR (US, Victoria Lewis, 1997)

Call No: held v.2 no.49-v.4 no.11 July 1987-Dec. 1993 incomplete
CorpAuthor: Nepean Film Society
Source: AT
Place: Sorrento, Vic.
Publisher: The Society
PubDate: 1975
PhysDes: v. : ill. ; 23-30 cm
Subject: SOCIETIES, FILM. AUSTRALIA. VICTORIA
Notes: Caption title
ISSN: 0313-1270
LON: abn89112246; 6331670

Subject: FILM VICTORIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: Announcement of the new chief executive of Film Victoria, former corporate lawyer Greg Smtih

Call No: 70 (04) CHA
Author: Chapman, James and Glancy, Mark and Harper, Sue
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: xi, 256p. : 23cm.
Subject: MOTION PICTURES - HISTORY; HISTORY AND THE CINEMA; NATIONAL IDENTITY AND AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS; INDUSTRY, FILM. UK; SCRIPTWRITERS; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003); NOW, VOYAGER (US, Irving Rapper, 1942); GONE WITH THE WIND (US, Victor Fleming, 1939); GALLIPOLI (AT, Peter Weir, 1981); BLACKMAIL (UK, Alfred Hitchcock, 1929); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); WICKER MAN, THE (UK, Robin Hardy, 1973); FONDA, JANE; BERGMAN, INGMAR
Notes: Includes bibliographical references and index; Contents:; Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes; History and representation : the case of 1970s British cinema / Sue Harper 27; Gallipoli (1981) : 'a poignant search for national identity' / Mark Connelly 41; 'This ship is England' : history, politics and national identity in Master and commander : the far side of the world (2003) / James Chapman 55; Art in context : British film design of the 1940s / Laurie Ede 73; The author as author : restoring the screenwriter to British film history / Andrew Spicer 89; When 'Hanoi Jane' conquered Hollywood : Jane Fonda's films and activism, 1977-81 / Peter Kramer 104; The politics of the swashbuckler / Jeffrey Richards 119; The Stalinist musical / Richard Taylor 137; Now, voyager (1942) : melodrama then and now / Martin Shingler 152; From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby 166; Blackmail (1929), Hitchcock and film nationalism / Mark Glancy 185; British cinema, American reception : Black Narcissus (1947) and the legion of decency / Sarah Street 201; Studying cross-cultural marketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter, and Tim Bergfelder 215; The wicker man (1973) email digest : a case study in Web ethnography / Justin Smith 229
ISBN: 9780230001695
Language: English

Call No: 023(94) STA
CorpAuthor: State Film Centre
Place: East Melbourne
Publisher: State Film Centre
PubDate: March 1961
Subject: STATE FILM CENTRE OF VICTORIA
Notes: Subject index to volume 1, April 1954; Subject index to volume 2, 1962; Information sheet: films on architecture [nd]; Information sheet: man and his environment, November 1971; Information sheet: man and his environment no. 2, April 1973; Information sheet: List of films on housing and town planning, November 1974; Information sheet: man and his environment no. 3, September 1975; Catalogue supplement. Nos. 1 & 2 March & July 1961; Catalogue supplement. No. 3 April 1962; Catalogue supplement. No. 4 June 1963; Catalogue supplement. No. 5 April 1965; Catalogue supplement. No. 6 April 1966; Catalogue supplement. No. 7 April 1967; Catalogue supplement. No. 8 March 1969; Catalogue supplement. No. 9 June 1969; Catalogue supplement. No. 10 March 1971; Catalogue supplement. No. 11 March 1973; Catalogue supplement. No. 12 February 1974; Catalogue supplement. No. 13 February 1976; Catalogue supplement. October 1979; Catalogue supplement. April 1980; Catalogue supplement. January 1981; Film & videotape catalogue supplement, October 1983
Donation: Donated by Peter W. Datson

PhysDes: Article
Subject: PIONEER FILM WORKERS; INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: Article on the Cinema Pioneer's Victoria dinner, hosted by Reg Potter.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: NICOLLS, VICTORIA

Call No: 753 MCF
Author: McFarlane, Brian, 1934
Place: Oxford New York
Publisher: Clarendon Press Oxford University Press
PubDate: 1996
PhysDes: viii, 279 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CAPE FEAR (US, Martin Scorsese, 1991); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); RANDOM HARVEST (US, Mervyn LeRoy, 1942); GREAT EXPECTATIONS (UK, David Lean, 1946); DAISY MILLER (US, Peter Bogdanovich, 1974)
Summary: "'It wasn't as good as the book' is a view often expressed about film adaptations and the starting point of many a film review or conversation. Novel to Film is the first systematic theoretical account of the process by which works of literature are transformed into the good, bad (sometimes ugly) but always distinctive medium of cinema. This book proposes a concise and carefully constructed account of how this metamorphosis may be analysed in depth. Drawing upon modern and literary film theory this book proposes a methodology for considering novels and the films made from them. In the first serious account of its kind, the book begins with a firm theoretical basis for a study of adaptation and then shows how this might be applied to five case studies representing a range of fiction and cinematic practice. The Scarlet Letter, Random Harvest, Great Expectations, Daisy Miller, and Cape Fear are the films, ranging from the silent era to the modern thriller. Uniquely wide ranging, this book provides an important new analysis of a much discussed but little understood topic.' [Taken from BOOK BLURB]
Notes: Filmography: p. [262]-263; Includes bibliographical references (p. [264]-274) and index
ISBN: 0198711514 (acid-free paper); 0198711506 (pbk. : acid-free paper)
LON: 12096255

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUTLAW AND HIS WIFE, THE (SW, Victor Sjostrom, 1918)

Call No: 71(96) MCG
CorpAuthor: Pacific Islanders in Communications
Place: Honolulu
Publisher: Pacific Islanders in Communications
PhysDes: 8 p. : illus. ; 22 cm
Subject: TEI KORONEIHANA (NZ, Merata Mita, 1993); BACK TO THE ROOTS (US, Victoria Keith, 1994); NGA PAIAKA: PACIFIC ROOTS (NZ/CI, Tamatekapua Poata, 1992); TRIBUNAL, THE (US, Puhipau & Joan Lander, 1994); WITH THE FIRST CANOE (GA/FM, Jim Kallet, 1993); TE RUA (NZ, Barry Barclay, 1991); FA'ASAMOA (AS, Daniel F. Aga, 1993); SHOOTING OF DOMINICK KAIWHATA (NZ, Merata Mita, 1992)

Call No: 802.25(73) WHI
Author: Whittemore, Don; Cecchettini, Philip Alan
CorpAuthor: University of California, Berkeley; Film immigrants
Place: New York
Publisher: McGraw-Hill
PubDate: c1976
PhysDes: ix, 558 p. : ill. ; 23 cm
Subject: DIRECTORS. USA; CHAPLIN, CHARLES; VON STROHEIM, ERICH; LUBITSCH, ERNST; CURTIZ, MICHAEL; SJOSTROM, VICTOR; WHALE, JAMES; HITCHCOCK, ALFRED; MURNAU, FRIEDRICH WILHELM; FEJOS, PAUL; VORKAPICH, SLAVKO; LANG, FRITZ; PREMINGER, OTTO; FORMAN, MILOS
Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical references
ISBN: 0070700532; 0070700524 : $10.00
LON: 768655

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PERKINS, VICTOR

Author: Talbot, Colin
PhysDes: Article
Subject: LOST IN THE BUSH (AT, Peter Dodds, 1973); INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: Article on the creation and filming of LOST IN THE BUSH.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: POWDER (US, Victor Salva, 1995)

Call No: 802.72 NEW
Author: Newcomb, Horace; Alley, Robert S., 1932
Place: New York
Publisher: Oxford University Press
PubDate: 1983
PhysDes: xvii, 262 p. : ports. ; 22 cm
Subject: PRODUCERS. USA; VICTOR, DAVID; MANTLEY, JOHN; HAMNER, EARL; BURNS, ALLAN; TINKER, GRANT; MARTIN, QUINN; LEVINSON, RICHARD; LINK, WILLIAM; LEAR, NORMAN; BROOKS, JAMES L.; MARSHALL, GARRY; WALTONS, THE [TV] (US, 1972-81); GUNSMOKE [TV] (US, 1955-75); MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?)
Notes: Includes index
ISBN: 0195033477 : $17.95
LON: 83010991; 2796260

Call No: REFERENCE SECTION; 058(94) PRO "2000"
CorpAuthor: Melbourne Film Office
Place: Melbourne
Publisher: Melbourne Film Office
PubDate: 2000
PhysDes: 372 : ill. ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; LOCATION SHOOTING. AUSTRALIA: VICTORIA
Notes: Cover title ; includes index
LON: 21423066

Call No: REFERENCE SECTION; 058(94) PRO "2003/4" FRONT DESK
CorpAuthor: Melbourne Film Office
Place: Melbourne
Publisher: Melbourne Film Office
PubDate: 2000
PhysDes: 372 : ill. ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; LOCATION SHOOTING. AUSTRALIA: VICTORIA
Notes: Cover title ; includes index
LON: 21423066

Author: Gibson, Ross
PhysDes: Article
Subject: CINEMEDIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; DIGITAL TECHNOLOGY. AUSTRALIA; MULTIMEDIA. AUSTRALIA; FILM VICTORIA
Summary: Article on Platform 1.0, a new digital, multi-media space run by Cinemedia at Federation Square.

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: RAISING VICTOR VARGAS (US, Peter Sollett, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED DUST (US, Victor Fleming, 1932)

Call No: held no.1-no.34 Aug. 1989-Sept. 1995 incomplete
CorpAuthor: Federation of Victorian Film Societies
Source: AT
Place: East Melbourne [Vic.]
Publisher: The Federation
PhysDes: v. ; 30 cm
Subject: FEDERATION OF VICTORIAN FILM SOCIETIES; SOCIETIES, FILM. AUSTRALIA. VICTORIA
Notes: Caption title; Description based on :No. 2 (Sept. 1989)
ISSN: 1037-017X
LON: abn89249082; 6648835

Call No: 385.82(94)(047-1)
CorpAuthor: [The State Film Centre of Victoria]
Place: [Melbourne?]
Publisher: [The State Film Centre of Victoria?]
PubDate: [1985?]
PhysDes: 40 p. : 29 cm
Subject: STATE FILM CENTRE OF VICTORIA; FILM VICTORIA; TRAVELLING EXHIBITION

Call No: 205.3(094.3)(94)
CorpAuthor: Australia. Parliament. Senate. Select Committee on the Encouragement of Australian Productions for Television
Source: AT
Place: Canberra
Publisher: Published for the Govt. of Australia by A.J. Arthur
PubDate: 1963
PhysDes: 2 v. ; 33 cm
Subject: TELEVISION. AUSTRALIA; STATE AND TV. AUSTRALIA; VINCENT, VICTOR SEDDON
Notes: part I - report; part II - minutes of evidence

Call No: 204(94)FV VIC
CorpAuthor: Victoria. Parliament. Public Bodies Review Committee
Place: Melbourne
Publisher: Govt. Printer
PubDate: 1991
PhysDes: xl, 94 p. ; 30 cm.
Subject: FILM VICTORIA
Notes: Bibliography: p. 79-80
LON: abn91320639; 8420743

Call No: 81EDW LUH
Author: Lehman, Peter
Source: US
Place: Athens: Ohio
Publisher: Ohio University Press
PubDate: c1989
PhysDes: 268p. : ill., ports. ; 24 cm
Subject: EDWARDS, BLAKE; S.O.B. (US, Blake Edwards, 1981); VICTOR/VICTORIA (UK, Blake Edwards, 1982); PINK PANTHER, THE (US, Blake Edwards, 1964); SHOT IN THE DARK, A (UK, Blake Edwards, 1964); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); MICKI AND MAUDE (US, Blake Edwards, 1984); REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978)
Notes: Includes index. Filmography: v.2 p. 253-260. Bibliography: v.2 p. 249-251.
ISBN: 0821409182
Language: English

Call No: TITLE CLIPPINGS FILE; VICTORIA (G, Sebastian Schipper, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: VICTORIA (G, Sebastian Schipper, 2015)

Call No: 754.11 ROA
Author: Cohan, Steven; Hark, Ina Rae
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xv, 379 p. : ill. ; 24 cm
Subject: ROAD MOVIES; BUDDY FILMS; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; EASY RIDER (US, Dennis Hopper, 1969); MAD MAX [...] (AT, 1979-85); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); PARIS, TEXAS (GW/US, Wim Wenders, 1984); RAIN MAN (US, Barry Levinson, 1988); SEARCHERS, THE (US, John Ford, 1956); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); BONNIE AND CLYDE (US, Arthur Penn, 1967); BOYS ON THE SIDE (US, Herbert Ross, 1995); FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966); LIVING END, THE (US, Gregg Araki, 1992); MIDNIGHT RUN (US, Martin Brest, 1988); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NATURAL BORN KILLERS (US, Oliver Stone, 1994); PERFECT WORLD, A (US, Clint Eastwood, 1993); SORPASSO, IL (IT, Dino Risi, 1962); THELMA & LOUISE (US, Ridley Scott, 1991); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: Includes bibliographical references and indexes
ISBN: 0415149363 (hbk.); 0415149371 (pbk.)
LON: 97008924; 13107383

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ROBERTS, VICTORIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RODRIGO D. - NO FUTURO (CK, Victor Gaviria, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUBY IN PARADISE (US, Victor Nunez, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SALUT VICTOR (CN, Anne-Claire Poirier, 1989)

Call No: 81(049.3)EIS NES
Author: Nesbet, Anne
Edition: 1st ed.
Source: UK
Place: London
Publisher: I.B Taurus
PubDate: 2003
PhysDes: ix, 260 p. : ill. ; 24 cm
Subject: U.S.S.R IN FILMS; RUSSIANS IN FILMS; POLITICAL FILMS; HISTORICAL FILMS; STALIN [J.] IN FILMS; LENIN [V.I.] IN FILMS; POPULAR CULTURE AND THE CINEMA; CIRCUS AND THE CINEMA; PHILOSOPHY AND THE CINEMA; LITERATURE AND THE CINEMA; MYTH AND THE CINEMA; AESTHETICS; ALEXANDROV, GROGORIO; BABEL, ISAAK; BRETON, ANDRE; DISNEY, WALT; FREUD, SIGMUND; HEGEL, GEORG, WILHELM, FRIEDRICH; SHKLOVSKY, VICTOR; SHUMIATSKII, BORIS; SINCLAIR, UPTON; SONTAG, SUSAN; TISSE, EDUARD; TOLSTOY, LEV; TROTSKY, LEON; VERTOV, DZIGA; WELLS, H.G; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); STRUCTURALISM; RUSSIA; THEORY
Summary: Based on extensive research in the archives of legendary Russian film director Sergei Eisenstein, this book explores his wide ranging consumption of high and low culture and his wide ranging experience in ‘thinking in pictures’. Savage Junctures plays close attention to the multiple contexts within which Eisenstein’s films evolved. Eisenstein was particularly interested in the possibilities of visual thinking and, in this spirit; each chapter addresses the question of his image based philosophy from a different perspective. [Taken from back cover].
ISBN: 1850433305