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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACKS AND THE CINEMA. US ; BLACKS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: HOLLYWOOD ; USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I. F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; CASO MATTEI, IL (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Martin Scorsese : the making of his movies / Andy Dougan London: Orion, 1997.
Call No: 81SCO DOUAuthor: Dougan, Andy Source: UKPlace: LondonPublisher: OrionPubDate: 1997PhysDes: 144 p. : ill., ports. ; 20 cm.Subject: SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CASINO (US, Martin Scorsese, 1995) ; GOODFELLAS (US, Martin Scorsese, 1990) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; LAST WALTZ, THE (US, Martin Scorsese, 1978) ; KUNDUN (US, Martin Scorsese, 1997) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968) ; ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974) ; BOXCAR BERTHA (US, Martin Scorsese, 1972) ; COLOUR OF MONEY,THE (US, Martin Scorsese, 1986) ; NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989) Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit listsISBN: 0752811754
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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MEAN STREETS : (US, Martin Scorsese, 1973)
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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