journal article
The Adventures of Priscilla in Empire (Australian Ed.) (December 2006) iss.69 p.122
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[Adventures of Priscilla, Queen of the desert, The : stills file] / Lockwood, Elise Roadshow Film Distributors,
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AMOR ESTRANHO AMOR : (BL, Walter Hugo Khouri, 1985)
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AWARDS. HUGO
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: AWARDS. HUGO
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BAR ESPERANCA - O ULTIMO PUE FECHA : (BL, Hugo Carvana, 1983)
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'Bodyline' star for Margaret Fink's 'For Love Alone' in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.7
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Comrades in arms together at last in Sunday Herald Sun [Scene] (30/10/2016) p.3
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The Cowra BreakoutBangkok Hilton in Empire (Australian Ed.) (September 2005) iss.54 p.110
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[Custodian, The : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 20 x 26 cm + 7 slides : col.Subject: OTTO, BARRY ; DAVIS, ESSIE ; WEAVING, HUGO ; LAPAGLIA, ANTHONY ; CUSTODIAN, THE (AT, John Dingwall, 1993) Summary: 10 black and white photographs and 7 colour slides of scenes in the film The Custodian.Notes: 2 duplicates of Anthony Lapaglia and Essie Davis sitting at the table consoling Barry Otto. 1 duplicate of Anthony Lapaglia, Hugo Weaving and Wayne Pygram in suits.
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DEMAIN TOUT COMMENCE : (FR/ UK, Hugo Gélin, 2016)
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book
Film 1900 : technology, perception, culture / edited by Annemone Ligensa and Klauss Kreimeier New Barnet, Herts: John Libbey ; Chatswood, N.S.W. : Distributed in Australia by Elsevier, c2009.
Call No: 70 (04) FILAuthor: Ligensa, Annemone ; Kreimeier, Klaus Place: New Barnet, HertsPublisher: John Libbey ; Chatswood, N.S.W. : Distributed in Australia by ElsevierPubDate: c2009PhysDes: vi, 250 p. : ill., tables, maps, ports ; 23 cmSubject: CULTURE AND THE CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. ENGLAND ; MUNSTERBERG, HUGO Summary: "The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinema as a significant innovation in media history. Joining traditional scholarship with fresh insights from a variety of disciplines, this book explains the aesthetic and institutional characteristics in early cinema within the context of the contemporary media landscape. It also addresses trans-cultural developments such as scientific revolutions, industrialization, urbanization, and globalization, as well as differing attitudes toward modernization. Film 1900 is an important reassessment of early cinema's position in cultural history."--BACK COVERISBN: 9780861966967Contents: Introduction. Triangulating a turn: Film 1900 as technology, perception and culture / Annemone Ligensa -- Chapter 1. Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaessar -- Chapter 2. Viewing change, changing views: the 'history of vision' debate / Frank Kessler -- Chapter 3. The ambimodernity of early cinema: problems and paradoxes of the film-and-modernity discourse / Ben Singer -- Chapter 4. Mind, the gap: the discovery of physiological time / Henning Schmidgen -- Chapter 5. 'Is everything relative?': cinema and the revolution of knowledge around 1900 / Harro Segeberg -- Chapter 6. The aesthetic idealist as efficiency engineer: Hugo Munsterberg's theories of perception, psychotechnics and cinema / Jorg Schweinitz -- Chapter 7. Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- Chapter 8. The scene of the crime: psychiaztric discourses on the film audience in early twentieth century Germany / Andreas Killen -- Chapter 9. Seen through the eyes of Simmel: The cinema programme as a 'modern' experience / Andrea Haller -- Chapter 10. 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Chapter 11. Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- Chapter 12. 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- Chapter 13. The attraction of motion: modern representation and the image of movement / Tom Gunning -- Chapter 14. 'Dashing down upon the audience': notes on the genesis of filmic perception / Laus Kreimeier -- Chapter 15. German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Chapter 16. Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- Chapter 17. 'A cinematograph of feminine thought': the dangerous age, cinema and modern women / Annemone Ligensa -- Chapter 18. Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz
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[Frauds : stills file]
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The Gondola eye in Filmviews (Mar 1982) vol.27 iss.1 p.28-34
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Gone Fishing in Empire (Australian Ed.) (October 2005) iss.55 p.72-78
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The good life in Saturday Age [Spectrum] (03/09/2016) p.4
Call No: PERSONALITY CLIPPINGS FILE; WEAVING, HUGOAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: WEAVING, HUGO Summary: Profile on Australian actor Hugo Weaving where he discusses his career and his life story over lunch
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HUGO : (US, Martin Scorsese, 2011) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HUGO (US, Martin Scorsese, 2011) ID2: 347URL status: URL: 'http://file://Q:/T/HUGO.zip'
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Hugo and Josefin in Melbourne film bulletin (Feb 1969) vol.7 p.17
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HUGO OCH JOSEFIN : (SW, Kjel Grede, 1967)
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HUGO POOL : (US, Robert Downey, 1997)
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The Interview in Empire (Australian Ed.) (May/Jun 2001) iss.3 p.113
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[Interview, the : stills file]
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LEOPARD SON, THE : (UK, Hugo van Lawick, 1996)
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Little Fish in Empire (Australian Ed.) (March 2005) iss.48 p.63
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Little Fish in Empire (Australian Ed.) (October 2005) iss.55 p.16-17
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The major film theories : an introduction / J. Dudley Andrew London New York: Oxford University Press, 1976.
Call No: 62 ANDAuthor: Andrew, Dudley, 1945 Place: London New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: x, 278 p. : ill. ; 21 cmSubject: THEORY ; PHILOSOPHY AND THE CINEMA ; MUNSTERBERG, HUGO ; ARNHEIM, RUDOLF ; BALAZS, BELA ; KRACAUER, SIEGFRIED ; BAZIN, ANDRE ; MITRY, JEAN ; METZ, CHRISTIAN Summary: "The major film theories is designed for anyone with a serious interest in the art of film. It is both a history film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry and Metz. Andrew sets these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories." The final secion of the book deals with contemporary French film theory which is still in the process of develping. Andrew locates these film theories in the contect of larger intellectual movements, including Gestalt psychology, Russian formalism, Neo-Kantianism and Existentialism." -- Back coverNotes: Includes index; Bibliography: p. 261-272ISBN: 0195019911 : $3.95 (U.S.)LON: 75025465; 741859Contents: Introduction -- Part 1 : The formative tradition -- Hugo Munsterberg. Matter and means ; Form and function -- Rudolf Arnheim. Material ; The creative use of the medium ; Film form ; The purpose of film -- Sergei Eisenstein. The raw material of film ; Cinematic means : creation through montage ; Film form ; The final purpose of film -- Be´la Bala´zs and the tradition of formalism. A summary of formative film theory ; Russian formalism ; Be´la Bala´zs ; The raw material of film art ; The creative potential of film technique ; Cinematic shape or form ; Cinematic functions -- Part 2 : Realist film theory -- Siegfried Kracauer. Matter and means ; Compositional forms ; The purpose of cinema ; Rebuttals -- Andre´ Bazin. The raw material ; Cinematic means and form ; The function of cinema -- Part 3 : Contemporary French film theory -- Jean Mitry. The raw material ; Creative potential in film ; The form and purpose of cinema -- Christian Metz and the semiology of the cinema. The raw material ; The means of signification in cinema ; The forms and possibilities of film ; Semiology and the purposes of film -- The challenge of phenomenology : Ame´de´e Ayfre and Henri AgelURL status: URL: 'http://-'
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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The Old Man Who Read Love Stories in Empire (Australian Ed.) (April 2004) iss.37 p.35
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Priscilla, Queen of the Desert in Empire (Australian Ed.) (November 2003) iss.32 p.100
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Proof in Empire (Australian Ed.) (September 2004) iss.42 p.117
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[Proof : Genevieve Picot as Celia and Hugo Weaving as Martin in a scene from the film 'Proof'] / Photo credit: Jennifer Mitchell C. House & Moorhouse films, Greater Union, 1991.
Call No: TITLE STILL AUSTRALIASource: ATPublisher: C. House & Moorhouse films; Greater UnionPubDate: 1991PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: PROOF (AT, Jocelyn Moorhouse, 1991) ; WEAVING, HUGO ; PICOT, GENEVIEVE Summary: Image of Genevieve Picot holding a letter embracing Hugo Weaving inside a room with wall mounted shelves in the background.Notes: 2 adhesive labels on reverse of photograph; Donation stamp on reverse of image
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[Proof : stills file]
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[Right hand man, The : stills file]
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newspaper article
Short cuts : Hugo is boss in Sydney Morning Herald (22/10/2015) p.30
Call No: PERSONALITY CLIPPINGS FILE; WEAVING, HUGOAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: WEAVING, HUGO Summary: Snippet on Hugo Weaving and how he is in the cast for a few Australian films beginning their shoots shortly
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personality microfilm collection
SPEER, HUGO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: SPEER, HUGO
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Sweetness, light and dark in Empire (Australian Ed.) (July 2005) iss.52 p.65-67
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TROTTOIRS DE SATURNE, LES : (FR, Hugo Santiago, 1985)
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Understanding film texts / Patrick Phillips London: British Film Institute, 2000.
Call No: 512.1 PHIAuthor: Phillips, Patrick Place: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: xiii, 158 p. : ill. ; 24 cmSubject: AESTHETICS ; METHODOLOGY OF FILM CRITICISM ; AUDIENCE RECEPTION ; COSTUMES ; DIALOGUE ; EDITING ; EXHIBITION ; HONG KONG ; NARRATIVE IN FILMS ; PERCEPTION ; REALISM IN FILMS ; SPECTATORSHIP ; VIRTUAL REALITY ; DICAPRIO, LEONARDO ; MUNSTERBERG, HUGO ; AFTER LIFE (JA, Hirokazu Kore-eda, 1998) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FESTEN (DK, Thomas Vinterberg, 1998) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; LOLA RENNT (G, Tom Tykwer, 1998) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SECRETS & LIES (FR/UK, Mike Leigh, 1996) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SLIDING DOORS (US, Peter Howitt, 1998) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ISBN: 085170798X; 0851707998(pbk.)LON: 21445642
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WEAVING, HUGO Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Clippings; StillsSubject: WEAVING, HUGO URL status: URL: 'http://file://Q:/P/WEAVING,_HUGO.zip'
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[Wendy cracked a walnut : stills file]
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