Search Catalogue

Author: Simon Jones
PhysDes: Article
Subject: PEARCE, GUY; WEAVING, HUGO; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994)
Summary: D.V.D. review of The Adventures of Priscilla, Queen of the Desert

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors
PhysDes: 1 photograph : b&w ; 20 x 26 cm : 15 photographs : 13 x 18 cm
Subject: WEAVING, HUGO; STAMP, TERENCE; HUNTER, BILL; PEARCE, GUY; CLARK, AL; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994)
Summary: Labelled photographs of the main actors and the Director and the Producer.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOR ESTRANHO AMOR (BL, Walter Hugo Khouri, 1985)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. HUGO

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAR ESPERANCA - O ULTIMO PUE FECHA (BL, Hugo Carvana, 1983)

Subject: WEAVING, HUGO; FOR LOVE ALONE (AT, Stephen Wallace, 1985)
Summary: Production notes and review of 'For Love Alone', now staring Hugo Weaving

Call No: TITLE CLIPPINGS FILE; HACKSAW RIDGE (US/AT, Mel Gibson, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: GIBSON, MEL; WEAVING, HUGO; HACKSAW RIDGE (US/AT, Mel Gibson, 2016)
Summary: Interview with Hugo Weaving about his role in the film HACKSAW RIDGE and his relationship with fellow NIDA alumni Mel Gibson

Author: Stephen Lynch
PhysDes: Article
Subject: KIDMAN, NICOLE; WEAVING, HUGO; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); BANGKOK HILTON [TV] (AT, Ken Cameron, 1989)
Summary: D.V.D. review of The Cowra Breakout and Bangkok Hilton

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 10 photographs : b&w ; 20 x 26 cm + 7 slides : col.
Subject: OTTO, BARRY; DAVIS, ESSIE; WEAVING, HUGO; LAPAGLIA, ANTHONY; CUSTODIAN, THE (AT, John Dingwall, 1993)
Summary: 10 black and white photographs and 7 colour slides of scenes in the film The Custodian.
Notes: 2 duplicates of Anthony Lapaglia and Essie Davis sitting at the table consoling Barry Otto. 1 duplicate of Anthony Lapaglia, Hugo Weaving and Wayne Pygram in suits.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO IS A FAMILY [DEMAIN TOUT COMMENCE] (FR/ UK, Hugo Gélin, 2016)

Call No: 70 (04) FIL
Author: Ligensa, Annemone; Kreimeier, Klaus
Place: New Barnet, Herts
Publisher: John Libbey ; Chatswood, N.S.W. : Distributed in Australia by Elsevier
PubDate: c2009
PhysDes: vi, 250 p. : ill., tables, maps, ports ; 23 cm
Subject: CULTURE AND THE CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. ENGLAND; MUNSTERBERG, HUGO
Summary: "The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinema as a significant innovation in media history. Joining traditional scholarship with fresh insights from a variety of disciplines, this book explains the aesthetic and institutional characteristics in early cinema within the context of the contemporary media landscape. It also addresses trans-cultural developments such as scientific revolutions, industrialization, urbanization, and globalization, as well as differing attitudes toward modernization. Film 1900 is an important reassessment of early cinema's position in cultural history."--BACK COVER
ISBN: 9780861966967
Contents: Introduction. Triangulating a turn: Film 1900 as technology, perception and culture / Annemone Ligensa -- Chapter 1. Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaessar -- Chapter 2. Viewing change, changing views: the 'history of vision' debate / Frank Kessler -- Chapter 3. The ambimodernity of early cinema: problems and paradoxes of the film-and-modernity discourse / Ben Singer -- Chapter 4. Mind, the gap: the discovery of physiological time / Henning Schmidgen -- Chapter 5. 'Is everything relative?': cinema and the revolution of knowledge around 1900 / Harro Segeberg -- Chapter 6. The aesthetic idealist as efficiency engineer: Hugo Munsterberg's theories of perception, psychotechnics and cinema / Jorg Schweinitz -- Chapter 7. Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- Chapter 8. The scene of the crime: psychiaztric discourses on the film audience in early twentieth century Germany / Andreas Killen -- Chapter 9. Seen through the eyes of Simmel: The cinema programme as a 'modern' experience / Andrea Haller -- Chapter 10. 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Chapter 11. Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- Chapter 12. 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- Chapter 13. The attraction of motion: modern representation and the image of movement / Tom Gunning -- Chapter 14. 'Dashing down upon the audience': notes on the genesis of filmic perception / Laus Kreimeier -- Chapter 15. German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Chapter 16. Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- Chapter 17. 'A cinematograph of feminine thought': the dangerous age, cinema and modern women / Annemone Ligensa -- Chapter 18. Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 18 cm - 21 x 26 cm
Subject: WEAVING, HUGO; BYRNES, JOSEPHINE; COLLINS, PHIL; ELLIOTT, STEPHAN; FRAUDS (AT, Stephan Elliot, 1992)
Summary: Six black and white photos relating to the black comedy film Frauds

PhysDes: Article
Subject: GONDOLA EYE, THE (US, Ian Hugo, 1971)
Summary: Ill

Author: Matthew Coyte
PhysDes: Article
Subject: BLANCHETT, CATE; WEAVING, HUGO; NEILL, SAM; HAZLEHURST, NONI; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: On-set interviews with the cast and crew of Little Fish

Call No: PERSONALITY CLIPPINGS FILE; WEAVING, HUGO
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: WEAVING, HUGO
Summary: Profile on Australian actor Hugo Weaving where he discusses his career and his life story over lunch

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: HUGO (US, Martin Scorsese, 2011)
ID2: 347
URL status: URL: 'http://file://Q:/T/HUGO.zip' Checked: 31/08/2021 1:23:44 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: HUGO OCH JOSEFIN (SW, Kjell Grede, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUGO AND JOSEPHINE [HUGO OCH JOSEFIN] (SW, Kjel Grede, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUGO POOL (US, Robert Downey, 1997)

Author: Oscar Hillerstrom
PhysDes: Article
Subject: WEAVING, HUGO; INTERVIEW, THE (AT, Craig Monahan, 1998)
Summary: Review on The Interview

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 8 photographs : b&w ; 13 x 18 cm - 26 x 21 cm
Subject: CATON, MICHAEL; WEAVING, HUGO; MARTIN, TONY; JEFFERY, AARON; INTERVIEW, THE (AT, Craig Monahan, 1998)
Summary: 8 black and white photograph ofscenes in the film plus an individual photo of Michael Caton

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEOPARD SON, THE (UK, Hugo van Lawick, 1996)

PhysDes: Article
Subject: BLANCHETT, CATE; NEILL, SAM; WEAVING, HUGO; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: Preview review of Little Fish

Author: Michael Adams
PhysDes: Article
Subject: BLANCHETT, CATE; WEAVING, HUGO; NEILL, SAM; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: Review of Little Fish

Call No: 62 AND
Author: Andrew, Dudley, 1945
Place: London New York
Publisher: Oxford University Press
PubDate: 1976
PhysDes: x, 278 p. : ill. ; 21 cm
Subject: THEORY; PHILOSOPHY AND THE CINEMA; MUNSTERBERG, HUGO; ARNHEIM, RUDOLF; BALAZS, BELA; KRACAUER, SIEGFRIED; BAZIN, ANDRE; MITRY, JEAN; METZ, CHRISTIAN
Summary: "The major film theories is designed for anyone with a serious interest in the art of film. It is both a history film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry and Metz. Andrew sets these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories." The final secion of the book deals with contemporary French film theory which is still in the process of develping. Andrew locates these film theories in the contect of larger intellectual movements, including Gestalt psychology, Russian formalism, Neo-Kantianism and Existentialism." -- Back cover
Notes: Includes index; Bibliography: p. 261-272
ISBN: 0195019911 : $3.95 (U.S.)
LON: 75025465; 741859
Contents: Introduction -- Part 1 : The formative tradition -- Hugo Munsterberg. Matter and means ; Form and function -- Rudolf Arnheim. Material ; The creative use of the medium ; Film form ; The purpose of film -- Sergei Eisenstein. The raw material of film ; Cinematic means : creation through montage ; Film form ; The final purpose of film -- Be´la Bala´zs and the tradition of formalism. A summary of formative film theory ; Russian formalism ; Be´la Bala´zs ; The raw material of film art ; The creative potential of film technique ; Cinematic shape or form ; Cinematic functions -- Part 2 : Realist film theory -- Siegfried Kracauer. Matter and means ; Compositional forms ; The purpose of cinema ; Rebuttals -- Andre´ Bazin. The raw material ; Cinematic means and form ; The function of cinema -- Part 3 : Contemporary French film theory -- Jean Mitry. The raw material ; Creative potential in film ; The form and purpose of cinema -- Christian Metz and the semiology of the cinema. The raw material ; The means of signification in cinema ; The forms and possibilities of film ; Semiology and the purposes of film -- The challenge of phenomenology : Ame´de´e Ayfre and Henri Agel
URL status: URL: 'http://-' Checked: 31/08/2021 12:38:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81 SCO SCO
Author: Ribera, Robert; Scorsese, Martin
Edition: Revised and updated edition
Place: Jackson
Publisher: University Press of Mississipp
PubDate: 2017
PhysDes: xxxi, 250 pages ; 24 cm.
Subject: CRITICISM; HISTORY OF CINEMA. 1970's; UNDERGROUND FILMS. USA; SCORSESE, MARTIN; TAXI DRIVER (US, Martin Scorsese, 1976); RAGING BULL (US, Martin Scorsese, 1980); COLOR OF MONEY, THE (US, Martin Scorsese, 1986); MEAN STREETS (US, Martin Scorsese, 1973); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); GOODFELLAS (US, Martin Scorsese, 1990); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); DEPARTED, THE (US, Martin Scorsese, 2006); HUGO (US, Martin Scorsese, 2011); WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013); NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005); BLUES, THE [TV] (US, 2003)
Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.
Notes: Includes index. Formerly CIP. Includes filmography. Also issued online.
ISBN: 9781496809476
Donation: Senses of Cinema
Contents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).

Author: Matt Coyte
PhysDes: Article
Subject: WEAVING, HUGO; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000)
Summary: review of The Old Man Who Read Love Stories

Author: Richard Luck
PhysDes: Article
Subject: STAMP, TERENCE; WEAVING, HUGO; PEARCE, GUY; HUNTER, BILL
Summary: D.V.D. review of Priscilla, Queen of the Desert

Author: Michael Adams
PhysDes: Article
Subject: CROWE, RUSSELL; WEAVING, HUGO; PROOF (AT, Jocelyn Moorhouse, 1991)
Summary: D.V.D. review of Proof

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: C. House & Moorhouse films; Greater Union
PubDate: 1991
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: PROOF (AT, Jocelyn Moorhouse, 1991); WEAVING, HUGO; PICOT, GENEVIEVE
Summary: Image of Genevieve Picot holding a letter embracing Hugo Weaving inside a room with wall mounted shelves in the background.
Notes: 2 adhesive labels on reverse of photograph; Donation stamp on reverse of image

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 19 photographs : b&w ; 13 x 18 cm ; 2 transparencies : b&w ; 6 x 7 cm
Subject: CROWE, RUSSELL; MITCHELL, HEATHER; PICOT, GENEVIEVE; WEAVING, HUGO; PROOF (AT, Jocelyn Moorhouse, 1991)
Summary: 19 black and white photographs of scenes from the film and 2 transparenices

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm
Subject: EVERETT, RUPERT; McCLEMENTS, CATHERINE; WEAVING, HUGO; RIGHT HAND MAN, THE (AT, Di Drew, 1987)
Summary: Photograph relating to thr film The right hand man

Call No: PERSONALITY CLIPPINGS FILE; WEAVING, HUGO
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: WEAVING, HUGO
Summary: Snippet on Hugo Weaving and how he is in the cast for a few Australian films beginning their shoots shortly

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SPEER, HUGO

Author: Michael Adams
PhysDes: Article
Subject: WEAVING, HUGO; McKENZIE, JACQUELINE; PEACHES (AT, Craig Monahan, 2003)
Summary: Interview with cast and crew of Peaches

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: TROTTOIRS DE SATURNE, LES (FR, Hugo Santiago, 1985)

Call No: 512.1 PHI
Author: Phillips, Patrick
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: xiii, 158 p. : ill. ; 24 cm
Subject: AESTHETICS; METHODOLOGY OF FILM CRITICISM; AUDIENCE RECEPTION; COSTUMES; DIALOGUE; EDITING; EXHIBITION; HONG KONG; NARRATIVE IN FILMS; PERCEPTION; REALISM IN FILMS; SPECTATORSHIP; VIRTUAL REALITY; DICAPRIO, LEONARDO; MUNSTERBERG, HUGO; AFTER LIFE (JA, Hirokazu Kore-eda, 1998); AMERICAN BEAUTY (US, Sam Mendes, 1999); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FESTEN (DK, Thomas Vinterberg, 1998); JACKIE BROWN (US, Quentin Tarantino, 1997); LOLA RENNT (G, Tom Tykwer, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PSYCHO (US, Alfred Hitchcock, 1960); SECRETS & LIES (FR/UK, Mike Leigh, 1996); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SLIDING DOORS (US, Peter Howitt, 1998); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
ISBN: 085170798X; 0851707998(pbk.)
LON: 21445642

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: WEAVING, HUGO
URL status: URL: 'http://file://Q:/P/WEAVING,_HUGO.zip' Checked: 31/08/2021 12:57:12 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 photographs : b&w ; 26 x 21 cm
Subject: ARQUETTE, ROSANNA; WEAVING, HUGO; WALKER, KERRY; WENDY CRACKED A WALNUT (AT, Michael Pattinson, 1990)
Summary: 9 black and white photographs of scenes from the film.