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Call No: 81BAZ AND
Author: Andrew, Dudley, 1945
Edition: Morningside ed
Place: New York
Publisher: Columbia University Press
PubDate: 1990
PhysDes: xxi, 277 p. : ill. ; 22 cm
Subject: BAZIN, ANDRE
Notes: "Appendix, 'Andre Bazin from 1945 to 1950: the time of struggles and consecration,' by Jean-Charles Tacchella."; Reprint. Originally published: London : Oxford University Press, 1978; Includes bibliographical references (p. 261-272) and index
ISBN: 0231073984 (acid-free paper); 0231073992 (pbk. : acid-free paper); 023173984 (cover)
LON: 90039363; 7329950

Call No: 81BAZ AND
Author: Andrew, Dudley, 1945
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 253 p. : ill. ; 22 cm
Subject: BAZIN, ANDRE
Notes: Includes bibliographical references (p. 236-247) and index
ISBN: 0195021657 : $11.95
LON: 77009409; 861550

Call No: 62 AND
Author: Andrew, Dudley, 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1984
PhysDes: xiv, 207 p., [17] p. of plates : ill. (some col.) ; 23 cm
Subject: Mizoguchi, Kenji; SUNRISE (US, Friedrich Wilhelm Murnau, 1927); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); ATALANTE, L' (FR, Jean Vigo, 1934)
Notes: Includes bibliographical references and index
ISBN: 0691065853 : $22.50
LON: 84001788; 3055205
URL status: URL: 'http://-' Checked: 31/08/2021 12:38:59 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 604 IMA
Author: Andrew, Dudley, 1945
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1997
PhysDes: xiv, 331 p. : ill. ; 23 cm
Subject: PHOTOGRAPHY AND THE CINEMA; CUBISM AND THE CINEMA; BENJAMIN, WALTER
Notes: Includes bibliographical references
ISBN: 0292704755 (cloth : alk. paper); 0292704763 (pbk. : alk. paper)
LON: 12861386

Call No: 81MIZ AND
Author: Andrew, Dudley, 1945; Andrew, Paul, 1947
Place: Boston, Mass.
Publisher: G.K. Hall
PubDate: 1981
PhysDes: xv, 333 p. : port. ; 25 cm
Series: Reference publication in film
Subject: Mizoguchi, Kenji
Notes: Includes indexes
ISBN: 0816184690
LON: 81004224; 2002046

Call No: 62 AND
Author: Andrew, Dudley, 1945
Place: London New York
Publisher: Oxford University Press
PubDate: 1976
PhysDes: x, 278 p. : ill. ; 21 cm
Subject: THEORY; PHILOSOPHY AND THE CINEMA; MUNSTERBERG, HUGO; ARNHEIM, RUDOLF; BALAZS, BELA; KRACAUER, SIEGFRIED; BAZIN, ANDRE; MITRY, JEAN; METZ, CHRISTIAN
Summary: "The major film theories is designed for anyone with a serious interest in the art of film. It is both a history film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry and Metz. Andrew sets these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories." The final secion of the book deals with contemporary French film theory which is still in the process of develping. Andrew locates these film theories in the contect of larger intellectual movements, including Gestalt psychology, Russian formalism, Neo-Kantianism and Existentialism." -- Back cover
Notes: Includes index; Bibliography: p. 261-272
ISBN: 0195019911 : $3.95 (U.S.)
LON: 75025465; 741859
Contents: Introduction -- Part 1 : The formative tradition -- Hugo Munsterberg. Matter and means ; Form and function -- Rudolf Arnheim. Material ; The creative use of the medium ; Film form ; The purpose of film -- Sergei Eisenstein. The raw material of film ; Cinematic means : creation through montage ; Film form ; The final purpose of film -- Be´la Bala´zs and the tradition of formalism. A summary of formative film theory ; Russian formalism ; Be´la Bala´zs ; The raw material of film art ; The creative potential of film technique ; Cinematic shape or form ; Cinematic functions -- Part 2 : Realist film theory -- Siegfried Kracauer. Matter and means ; Compositional forms ; The purpose of cinema ; Rebuttals -- Andre´ Bazin. The raw material ; Cinematic means and form ; The function of cinema -- Part 3 : Contemporary French film theory -- Jean Mitry. The raw material ; Creative potential in film ; The form and purpose of cinema -- Christian Metz and the semiology of the cinema. The raw material ; The means of signification in cinema ; The forms and possibilities of film ; Semiology and the purposes of film -- The challenge of phenomenology : Ame´de´e Ayfre and Henri Agel
URL status: URL: 'http://-' Checked: 31/08/2021 12:38:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 408.1(44) AND
Author: Andrew, Dudley, 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: xv, 409 p. : ill. ; 24 cm
Subject: FRANCE; NATIONAL CULTURE AND THE CINEMA. FRANCE; POETIC REALISM; SURREALISM AND THE CINEMA; ALLEGRET, MARC; BECKER, JACQUES; BERNARD, RAYMOND; CHENAL, PIERRE; FEUILLADE, LOUIS; FEYDER, JACQUES; GREMILLON, JEAN; MAC ORLAN, PIERRE; MEERSON, LAZARE; PREVERT, JACQUES; VIGO, JEAN; ZOLA, EMILE; PAGNOL, MARCEL; RENOIR, JEAN; BUNUEL, LUIS; CARNE, MARCEL; CLAIR, RENE; DUVIVIER, JULIEN; GABIN, JEAN; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ATALANTE, L' (FR, Jean Vigo, 1934); BELLE EQUIPE, LA (FR, Julien Duvivier, 1936); PEPE LE MOKO (FR, Julien Duvivier, 1937); BETE HUMAINE, LA (FR, Jean Renoir, 1938); CASQUE D'OR (FR, Jacques Becker, 1952); CHIENNE, LA (FR, Jean Renoir, 1931); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); MARSEILLAISE, LA (FR, Jean Renoir, 1938); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: Includes bibliographical references (p. [391]-396) and indexes
ISBN: 0691008833 (pbk.); 0691056862 (hard)
LON: 10901107