Il cinema di Kenji Mizoguchi : la Biennale, Settore cinema e spettacolo televisivo : Mostra internazionale del cinema, Venezia, 28 agosto/8 settembre 1980 / [catalogo a cura di Adriano Apra, Enrico Magrelli, Patrizia Pistagnesi]
[Venezia]: La Biennale di Venezia, 1980.
Call No: 81MIZ CIN Author: Mizoguchi, Kenji, 1898-1956 CorpAuthor: Mostra internazionale d'arte cinematografica (1980 : Venice, Italy); Biennale di Venezia (1980) Settore cinema e spettacolo televisivo; Biennale di Venezia (1980) Place: [Venezia] Publisher: La Biennale di Venezia PubDate: 1980 PhysDes: 233 p. : ill. ; 24 cm Subject: Mizoguchi, Kenji Notes: Bibliography: p. -228 ISBN: 8820802678 LON: 80144978; 3659673 3110125 More info
Currents in Japanese cinema : essays / by Sato Tadao ; translated by Gregory Barrett
Tokyo New York: Kodansha International Kodansha International/USA distributed by Kodansha International/USA through Harper & Row, 1982.
Call No: 71(52) SAT Author: Satso Tadao, 1930 Edition: 1st ed Place: Tokyo New York Publisher: Kodansha International Kodansha International/USA distributed by Kodansha International/USA through Harper & Row PubDate: 1982 PhysDes: 288 p. : ill. ; 22 cm Subject: JAPAN; OSHIMA NAGISA; KUROSAWA AKIRA; MIZOGUCHI KENJI; OZU YASUJIRO Notes: Rev. translation of: Nihon eiga shisso shi; Includes index ISBN: 0870118153 (U.S.); 4770013159 (Japan); 0870115073 (U.S.) : $21.50 LON: 2258965 ID2: 291 More info
Figures traced in light : on cinematic staging / David Bordwell
Berkeley, Calif.: University of California Press, 2005.
Call No: 631.21 BOR Author: Bordwell, David Source: US Place: Berkeley, Calif. Publisher: University of California Press PubDate: 2005 PhysDes: 314 p. : 25 cm Subject: BORDWELL, DAVID; FEUILLADE, LOUIS; MIZOGUCHI KENJI; HOU HSIAO-HSIEN; ANGELOPOULOS, THEO; HAWKS, HOWARD; ANTONIONI, MICHELANGELO; OZU YASUJIRO; KITANO TAKESHI; AESTHETICS; CINEMATOGRAPHY Notes: A film tells its story not only through dialogue and actors’ performances but also through the director’s control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema and illustrating his discussion with more than five hundred frame enlargements, David Bordwell focuses on four filmmakers’ unique contributions to the technique. In-depth chapters examine the films of Louis Feuillade, masters of the 1910s serial; Mizoguchi Kenji, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard hawks, Michelangelo Antonioni, Ozu Yasujiro, Kitano Takeshi, and many other directors. [Taken from back cover.] ISBN: 0520241975 ID2: 291 More info
Film in the aura of art / Dudley Andrew
Princeton, N.J.: Princeton University Press, 1984.
Call No: 62 AND Author: Andrew, Dudley, 1945 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 1984 PhysDes: xiv, 207 p.,  p. of plates : ill. (some col.) ; 23 cm Subject: Mizoguchi, Kenji; SUNRISE (US, Friedrich Wilhelm Murnau, 1927); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); ATALANTE, L' (FR, Jean Vigo, 1934); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951) Notes: Includes bibliographical references and index ISBN: 0691065853 : $22.50 LON: 84001788; 3055205 URL status: URL: 'http://-'
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Films in distribution winter '76-77 / Artificial Eye Film Company
The flash of capital : film and geopolitics in Japan / Eric Cazdyn
Durham, NC: Duke University Press, 2002.
Call No: 71(520) CAZ Author: Cazdyn, Eric Source: US Place: Durham, NC Publisher: Duke University Press PubDate: 2002 PhysDes: xii, 316 p. : ill. ; 23 cm Subject: JAPAN; CAPITALISM AND THE CINEMA; POLITICS AND THE CINEMA. JAPAN; PORNOGRAPHIC FILMS. JAPAN; CRITICISM. JAPAN; ADAPTATIONS. JAPAN; OZU YASUJIRO; MIZOGUCHI KENJI; KUROSAWA AKIRA; KINUGASA TEINOSUKE; OSHII MAMORU; TSUKAMOTO SHINYA; OKUZAKI KENZO; IMAMURA SHOHEI; OSHIMA NAGISA; YUKI YUKITE SHINGUN (JA, Hara Kazuo, 1987); ROJO NO REIKON (JA, M. Murata, 1924) ISBN: 0822329395 Contents: I. Relation: Film, Capital, Transformation -- II. Historiography: Nation, Narrative, Capital -- III. Adaptation: Origin, Nation, Aesthetic -- IV. Acting: Structure, Agent, Amateur -- V. Pornography: Totality, Reality Culture, Films of History -- VI. Re-reading: Canon, Body, Geopolitics. ID2: 291 More info
International Trends in the Cinema : A Summary of Ken Mogg's Talk to Monash Film Group Discussion Group
Montage (1966) iss.2 p.18-21 More info
Japanese film directors / Audie Bock ; preface by Donald Richie
New York: Published for the Japan Society by Kodansha International, 1978.
Kenji Mizoguchi : a guide to references and resources / Dudley Andrew and Paul Andrew
Boston, Mass.: G.K. Hall, 1981.
Call No: 81MIZ AND Author: Andrew, Dudley, 1945; Andrew, Paul, 1947 Place: Boston, Mass. Publisher: G.K. Hall PubDate: 1981 PhysDes: xv, 333 p. : port. ; 25 cm Series: Reference publication in film Subject: Mizoguchi, Kenji Notes: Includes indexes ISBN: 0816184690 LON: 81004224; 2002046 More info
Mizoguchi and Japan / Mark Le Fanu
London: British Film Institute, 2005.
Call No: 81MIZ FAN Author: Mark Le Fanu Source: British Film Institiute Place: London Publisher: British Film Institute PubDate: 2005 PhysDes: 218 p ; 23 cm Subject: MIZOGUCHI KENJI; JAPAN; DIRECTORS. JAPAN; WOMEN AND THE CINEMA; CRITICISM Summary: Mizoguchi and Japan is the first full-length study for over twenty years of a director hailed by Cahiers du Cinema recently as "the greatest of all cineastes". On the surface such a claim might be considered controversial since, for a majority of Western cinema-goers, the names more usually associated with classic Japanese cinema are those of Kurosawa and Ozu. Mark Le Fanu's admiration for Kurosawa and Ozu is second to none, but here, in his long-awaited new study, he makes the case for placing Mizoguchi at the very pinnacle of Japanese film achievement.[Taken from back cover]. ISBN: 1844570576 ID2: 291 More info
personality microfilm collection
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Publicity; Clippings Subject: Mizoguchi, Kenji More info
The Oxford handbook of Japanese cinema / edited by Daisuke Miyao
New York: Oxford University Press, 2014.
Call No: 71(52) OXF Source: US Place: New York Publisher: Oxford University Press PubDate: 2014 PhysDes: xii, 483 pages : illustrations ; 25 cm Series: Oxford handbooks of literature Subject: JAPAN; CULTURE AND THE CINEMA. JAPAN; INDUSTRY, FILM. JAPAN; ANIME; MANGA; TSUKAMOTO SHINYA; MIIKE TAKASHI; MIZOGUCHI KENJI; OZU YASUJIRO Summary: Features twenty essays, all by leading researchers in the field, that provide the reader with a multifaceted single-volume account of Japanese cinema
Engages in debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is
The reality of transnational innovation and dissemination of new technologies, including digital media, has yet to make a dent in the deep-seated culturalism that insists on reinscribing a divide between the West and Japan, even in realms of technological activity that are quite evidently dispersed across cultures. Film and media studies are not immune to this trend. They continue to fret over the "Westernness" of film technologies vis-à-vis the apparently self-evident "Japaneseness" of other modes of cultural production. The main goal of The Oxford Handbook of Japanese Cinema is to counter this trend toward dichotomizing the West and Japan and to challenge the pervasive culturalism of today's film and media studies. This volume addresses productive debates about what Japanese cinema is, where Japanese cinema is, and where Japanese cinema is going at the period of crisis of national boundary under globalization. In order to do so, this volume attempts to foster dialogue between Japanese scholars of Japanese cinema, film scholars of Japanese cinema based in Anglo-American and European countries, film scholars of non-Japanese cinema, film archivists, film critics, and filmmakers familiar with film scholarship. [Extract taken from publisher's website] Notes: Includes bibliographical references and index ISBN: 9780199731664 Contents: -- Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward an undisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's re-entrance to the regional film industry in the 1950s / Sang Joon Lee -- Yamagata "Asia" Europe: International Film Festival short-circuit / Abe´ Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Okada Hidenori ; translated by Ayako Saito -- Sketches of silent Film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film genre: Twilight Samurai and its contexts / Yamamoto Ichiro ; translated by Diane Wei Lewis -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- by other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- viral contagion in the Ringu intertext / Carlos Rojas -- media mix and the metaphoric economy of world / Alexander Zahlten -- index -- ID2: 291 More info
Patterns of time : Mizoguchi and the 1930s / Donald Kirihara
Madison, Wis.: University of Wisconsin Press, 1992.
Call No: 81MIZ KIR Author: Kirihara, Donald Place: Madison, Wis. Publisher: University of Wisconsin Press PubDate: 1992 PhysDes: x, 187 p. : ill. ; 26 cm Series: Wisconsin studies in film Subject: JAPAN; Mizoguchi, Kenji; ORIZURU OZEN (JA, Kenji Mizoguchi, 1935); NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936); ZANGIKU MONOGATARI (JA, Kenji Mizoguchi, 1939); GION NO SHIMAI (JA, Kenji Mizoguchi, 1936) Notes: Includes bibliographical references (p. -182) and index ISBN: 0299132404 (cloth); 0299132447 (paper) LON: 8544863 More info
Sexual politics and narrative film : Hollywood and beyond / Robin Wood
New York: Columbia University Press, c1998.
Call No: 632 WOO; Misplaced - Aug 10 2009 Author: Wood, Robin, 1931 Place: New York Publisher: Columbia University Press PubDate: c1998 PhysDes: x, 352 p. : ill. ; 23 cm Series: Film and culture Subject: NARRATIVE IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; MARRIAGE IN FILMS; FAMILY IN FILMS; ROMANTIC FILMS; WOMEN IN FILMS; RACE AND THE CINEMA; GENDER AND THE CINEMA; FASCISM AND THE CINEMA; RIVETTE, JACQUES; MCCAREY, LEO; Mizoguchi Kenji; OZU YASUJIRO; MANDINGO (US, Richard Fleischer, 1975); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); PERSONA (SW, Ingmar Bergman, 1966); LIFE CLASSES (CN, William D. MacGillivray, 1987); BEFORE SUNRISE (US, Richard Linklater, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); CELINE ET JULIE VONT EN BATEAU (FR, Jacques Rivette, 1974); AMOUR FOU, L` (FR, Jacques Rivette, 1968) Notes: Includes index ISBN: 0231076053 (paper : alk. paper); 0231076045 (cloth : alk. paper) LON: 13757049 ID2: 291 More info
To the distant observer : form and meaning in the Japanese cinema / Noel Burch ; rev. and edited by Annette Michelson
Berkeley: University of California Press, c1979.
Utamaro and his Five Women
Melbourne Film Bulletin (September 1971) p.37 PhysDes: Review Subject: Mizoguchi, Kenji Summary: Review of Mizoguchi's second feature film, "Utamaro and his Five Women". More info
Women in Mizoguchi films / by Freda Freiberg
Melbourne: Japanese Studies Centre, 1981.