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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK SOULS [ANIME NERE] (IT/FR, Francesco Munzi, 2014)

Call No: TITLE CLIPPINGS FILE; ANIME NERE (IT/FR, Francesco Munzi, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: CRIME FILMS; CRIME IN FILMS; BLACK SOULS (IT/FR, Francesco Munzi, 2014); ANIME NERE (IT/FR, Francesco Munzi, 2014)
Summary: Discussion about Black Souls and how it is different from other mafia movies

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. REEL ANIME FILM

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SYDNEY [GENERAL]; FESTIVALS. SYDNEY. A NIGHT OF HORROR; FESTIVALS. SYDNEY. FRINGE; FESTIVALS. SYDNEY. FAITH ON FILM; FESTIVALS. SYDNEY. ASIA PACIFIC; FESTIVALS. SYDNEY. FUNNYBONE; FESTIVALS. SYDNEY. GREAT INFLATABLE; FESTIVALS. SYDNEY. METFEST; FESTIVALS. SYDNEY. NEW YORK; FESTIVALS. SYDNEY. REEL ANIME; FESTIVALS. SYDNEY. TRAVELLING; FESTIVALS. SYDNEY. WORLD OF WOMEN

Call No: 71(52) OXF
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 2014
PhysDes: xii, 483 pages : illustrations ; 25 cm
Series: Oxford handbooks of literature
Subject: JAPAN; CULTURE AND THE CINEMA. JAPAN; INDUSTRY, FILM. JAPAN; ANIME; MANGA; TSUKAMOTO SHINYA; MIIKE TAKASHI; MIZOGUCHI KENJI; YASUJIRO OZU
Summary: Features twenty essays, all by leading researchers in the field, that provide the reader with a multifaceted single-volume account of Japanese cinema Engages in debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is The reality of transnational innovation and dissemination of new technologies, including digital media, has yet to make a dent in the deep-seated culturalism that insists on reinscribing a divide between the West and Japan, even in realms of technological activity that are quite evidently dispersed across cultures. Film and media studies are not immune to this trend. They continue to fret over the "Westernness" of film technologies vis-à-vis the apparently self-evident "Japaneseness" of other modes of cultural production. The main goal of The Oxford Handbook of Japanese Cinema is to counter this trend toward dichotomizing the West and Japan and to challenge the pervasive culturalism of today's film and media studies. This volume addresses productive debates about what Japanese cinema is, where Japanese cinema is, and where Japanese cinema is going at the period of crisis of national boundary under globalization. In order to do so, this volume attempts to foster dialogue between Japanese scholars of Japanese cinema, film scholars of Japanese cinema based in Anglo-American and European countries, film scholars of non-Japanese cinema, film archivists, film critics, and filmmakers familiar with film scholarship. [Extract taken from publisher's website]
Notes: Includes bibliographical references and index
ISBN: 9780199731664
Contents: -- Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward an undisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's re-entrance to the regional film industry in the 1950s / Sang Joon Lee -- Yamagata "Asia" Europe: International Film Festival short-circuit / Abe´ Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Okada Hidenori ; translated by Ayako Saito -- Sketches of silent Film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film genre: Twilight Samurai and its contexts / Yamamoto Ichiro ; translated by Diane Wei Lewis -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- by other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- viral contagion in the Ringu intertext / Carlos Rojas -- media mix and the metaphoric economy of world / Alexander Zahlten -- index --
ID2: 291