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Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BIRDS, THE (US, Alfred Hitchcock, 1963)

Author: Mogg, K.
PhysDes: Article
Subject: HEAD, EDITH; HITCHCOCK, ALFRED; COSTUMES; BIRDS, THE (US, Alfred Hitchcock, 1963); TOPAZ (US, Alfred Hitchcock, 1969); MARNIE (US, Alfred Hitchcock, 1964); VERTIGO (US, Alfred Hitchcock, 1958); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); NOTORIOUS (US, Alfred Hitchcock, 1946)
Summary: Interview transcript with Hitchcock's costume designer, Edith Head, regarding the ten films she worked on with him.

Call No: 623.1 SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1982
PhysDes: 187 p. : ill. ; 24 cm
Subject: AESTHETICS; IMAGE ANALYSIS; ALEKAN, HENRI; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); BIRDS, THE (US, Alfred Hitchcock, 1963); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VIVA ZAPATA (US, Elia Kazan, 1952); WAGON MASTER (US, John Ford, 1950); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959)
Notes: Includes bibliographical references and index
ISBN: 0231054769; 0231054777 (pbk.)
LON: 82004268; 2200482

Call No: 81HIT TRU
Author: Truffaut, Francois, 1932; Hitchcock, Alfred, 1899
Place: New York
Publisher: Simon and Schuster
PubDate: 1967]
PhysDes: 256 p. illus., ports. 28 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); BLACKMAIL (UK, Alfred Hitchcock, 1929); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SUSPICION (US, Alfred Hitchcock, 1941); LIFEBOAT (US, Alfred Hitchcock, 1944); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); VERTIGO (US, Alfred Hitchcock, 1958); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); BIRDS, THE (US, Alfred Hitchcock, 1963); PSYCHO (US, Alfred Hitchcock, 1960); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); MARNIE (US, Alfred Hitchcock, 1964); REAR WINDOW (US, Alfred Hitchcock, 1954)
Summary: Dialogue between Truffaut and Hitchcock
Notes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254
LON: 67016729; 1121663
ID2: 206

Author: Mogg, Ken and Finney, Alan
PhysDes: Article
Subject: HITCHCOCK, ALFRED; TOPAZ (US, Alfred Hitchcock, 1969); TORN CURTAIN (US, Alfred Hitchcock, 1966); MARNIE (US, Alfred Hitchcock, 1964); VERTIGO (US, Alfred Hitchcock, 1958); BIRDS, THE (US, Alfred Hitchcock, 1963)
Summary: Ken Mogg and Alan Finney discuss Hitchcock's film "Topaz", comparing and contrasting it with his previous works, while also commenting on critics of Hitchcock.

Call No: 81HIT HIT
CorpAuthor: St. Lucia University College
Source: AT
Place: Queensland
Publisher: University of Queensland
PubDate: 1966
PhysDes: 50 p. ; 24cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SABOTEUR (US, Alfred Hitchcock, 1942); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); ROPE (US, Alfred Hitchcock, 1948); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964)
Notes: Incudes festival programme

Call No: 81HIT HIT
Edition: 2nd ed
Source: UK/USA
Place: Chichester, U.K. ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2009
PhysDes: xxvii, 394 p. : ill. ; 25 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); BLACKMAIL (UK, Alfred Hitchcock, 1929); MURDER (UK, Alfred Hitchcock, 1930); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); REAR WINDOW (US, Alfred Hitchcock, 1954); WRONG MAN, THE (US, Alfred Hitchcock, 1957); VERTIGO (US, Alfred Hitchcock, 1958); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964); FRENZY (US, Alfred Hitchcock, 1972); PSYCHO (US, Alfred Hitchcock, 1960)
Summary: "Alfred Hitchcock, the "Master of Suspense," has been internationally recognized as a technical and stylistic innovator in the history of cinema. A Hitchcock Reader grows out of the editors' desire as classroom teachers for a comprehensive and critical text in introductory or advanced courses devoted to the director's films. Yet the book should also satisfy scholars by providing an updated anthology representing the rich variety of critical responses that Hitchcock's films have evoked over the years." "This new edition of A Hitchcock Reader aims to preserve what has been so satisfying - and successful - in the first edition. This new edition, however, will update scholarship since publication of the first edition; offer entirely new editorial matter, including a general introduction to the volume; more visuals; and comprehensive bibliographies of suggested readings, references, and works cited."--BOOK JACKET
Notes: Includes bibliographical references and index
ISBN: 9781405155564
Contents: Preface -- Introduction -- Part One: Taking Hitchcock Seriously [Section Intro and Bibliography] -- 1. Hitch and His Public: Jean Douchet -- 2. Hitchcock's Imagery and Art: Maurice Yacowar -- 3. Retrospective: Robin Wood -- 4. Hitch as Matrix Figure: Hitchcock and Twentieth Century Cinema: John Orr -- Part Two: Hitchcock in Britain [Section Intro and Bibliography] -- 5. Hitchcock's The Lodger: Lesley Brill -- 6. Criticism and/as History:Rereading Blackmail -- Leland Poague -- 7. Alfred Hitchcock's Murder: Theater, Authorship, and the Presence of the Camera: William Rothman -- 8. Consolidation of a Classical Style: The Man Who Knew Too Much: Elizabeth Weis -- 9. Through a Woman's Eyes: Sexuality and Memory in The 39 Steps: Charles L. P. Silet -- 10. Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation: Patrice Petro -- Part Three: Hitchcock in Hollywood [Section Intro and Bibliography] -- 11. All in the Family: Alfred Hitchcock's Shadow of a Doubt: James McLaughlin -- 12. The Moral Universe of Hitchcock's Spellbound: Thomas Hyde -- 13. Notorious: Perversion par Excellence: Richard Abel -- 14. Strangers on a Train: Robin Wood -- Part Four: The Later Films [Section Intro and Bibliography] -- 15. Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism: Robert Stam and Roberta Pearson -- 16. Finding the Right Man in The Wrong Man: Marshall Deutelbaum -- 17. Male Desire, Male Anxiety: The Essential Hitchcock: Robin Wood -- 18. A Closer Look at Scopophilia: Mulvey, Hitchcock and Vertigo: Marian Keane -- 19. North by Northwest: Stanley Cavell -- 20. "Oh, I See ": The Birds and the Culmination of Hitchcock's Romantic Vision: John P. McCombes -- 21. Mark's Marnie: Michael Piso -- 22.The Queer Voice in Marnie: Lucretia Knapp -- 23. Rituals of Defilement: Frenzy: Tania Modleski -- Part Five: Hitchcock and Film Theory: A Psycho Dossier [Section Intro and Bibliography] -- 24. Psychosis, Neurosis, Perversion: Raymond Bellour -- 25. Psycho's Allegory of Seeing: Christopher Morris -- 26. On Being Norman: Performance and Inner Life in Hitchcock,s Psycho: Deborah Thomas -- Index.

Call No: 81HIT BRU
Author: Bruns, John
Source: US
Place: Evanston, Illinois
Publisher: Northwestern Univesity Press
PubDate: 2019
PhysDes: ix, 215 pages: illustrations; 23cm
Subject: HITCHCOCK, ALFRED; HUMAN RELATIONS IN FILMS; LODGER, THE (UK, Alfred Hitchcock, 1926); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); CROWDS IN FILMS; MARNIE (US, Alfred Hitchcock, 1964); I CONFESS (US, Alfred Hitchcock, 1953); SUPERNATURAL IN FILMS; URBAN LIFE IN FILMS; LANDSCAPES IN FILMS; THE CASE OF MR. PELHAM
Summary: "Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work. This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience." -- FROM BLURB
Notes: Includes bibliography and index.
ISBN: 9780810139954
Donation: Senses of Cinema
Contents: Acknowledgments -- Introduction: Navigating the Hitchcock Landscape -- Chapter 1. Hitchcock's Crowds -- Chapter 2. Hitchcock's Newspaper: A Thing of the Crowd -- Chapter 3. Hitchcock's Apartment Plot, or ""The Case of Mr. Pelham -- Chapter 4. Lost and Found in Hitchcock -- Chapter 5. Our Old Friend Telepathy -- Afterword: How to Keep Hitchcock Flat -- Notes -- Bibliography -- Index

Call No: 62 NIC
Author: Nichols, Bill
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1981
PhysDes: xv, 334 p. : ill. ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; AESTHETICS; SEMIOLOGY; NON-FICTION FILMS; DOCUMENTARIES; ETHNOGRAPHIC FILMS; WISEMAN, FREDERICK; BLONDE VENUS (US, Josef von Sternberg, 1932); BIRDS, THE (US, Alfred Hitchcock, 1963)
Summary: "To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system librerate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches - Marxism, psychoanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories - ideology and systems of visual representation, and ideology and principles of textual criticism - Nichols shows how and why we make emotional investments in sign systems within an ideological context." -- BACK COVER
Notes: Includes index; Bibliography: p. 304-313
ISBN: 0253182875; 0253202566 (pbk.)
LON: 80007684; 1763485
Contents: Introduction: Picking up the trail -- 1. Art and the perceptual process -- 2. The analysis of representational images -- 3. The cinema: movement, narrative, and paradox -- 4. Blonde venus: playing with performance -- 5. For The birds -- 6. The documentary film and principles of exposition -- 7. Frederick Wiseman's documentaries: theory and structure -- 8. Documentary, criticism, and the ethnographic film -- Conclusion

Author: Thiemeyer, Anne
PhysDes: Article
Subject: NOUVELLE VAGUE; AUTEUR THEORY; AUTHORSHIP; BIRDS, THE (US, Alfred Hitchcock, 1963); HITCHCOCK, ALFRED; Mizoguchi, Kenji
Summary: Point by point account of the history of internation cinematic trends, with examples of specific films. Emphasis on French New Wave, Auteur theory and the nature of cinematic experience.

Author: Sharrett, Christopher
PhysDes: Serial
Subject: DISASTERS IN FILMS; HORROR FILMS; MYTH AND THE CINEMA; HITCHCOCK, ALFRED; PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963)
Summary: A discussion of Hitchcock's "Psycho" and "The Birds" with a focus on apocalypticism in horror films.

Call No: 81HIT DUR
Author: Durgnat, Raymond
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 1974
PhysDes: 419 p. ; 24 cm
Subject: HITCHCOCK, ALFRED; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925); MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); DOWNHILL (UK, Alfred Hitchcock, 1927); EASY VIRTUE (UK, Alfred Hitchcock, 1927); RING, THE (UK, Alfred Hitchcock, 1927); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); CHAMPAGNE (UK, Alfred Hitchcock, 1928); MANXMAN, THE (UK, Alfred Hitchcock, 1929); JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930); MURDER (UK, Alfred Hitchcock, 1930); SKIN GAME, THE (UK, Alfred Hitchcock, 1931); RICH AND STRANGE (UK, Alfred Hitchcock, 1932); NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932); LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933); WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); SECRET AGENT, THE (UK, Alfred Hitchcock, 1936); SABOTAGE (UK, Alfred Hitchcock, 1936); YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937); LADY VANISHES (US, Alfred Hitchcock, 1938); JAMAICA INN (UK, Alfred Hitchcock, 1939); REBECCA (US, Alfred Hitchcock, 1940); FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940); MR. AND MRS. SMITH (US, Alfred Hitchcock, 1941); SUSPICION (US, Alfred Hitchcock, 1941); SABOTEUR (US, Alfred Hitchcock, 1942); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); LIFEBOAT (US, Alfred Hitchcock, 1944); BON VOYAGE (UK, Alfred Hitchcock, 1944); AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); REAR WINDOW (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955); MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964); TORN CURTAIN (US, Alfred Hitchcock, 1966); TOPAZ (US, Alfred Hitchcock, 1969); FRENZY (US, Alfred Hitchcock, 1972); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959)
ISBN: 0571099661

Call No: 70 TEL WHE
Author: Wheen, Francis.
Source: UK
Place: London
Publisher: Century
PubDate: 1985
PhysDes: 252 p. : ill. (some col.) ; 27cm.
Subject: HISTORY OF TV; BROADCASTING; SPORTS PRESENTATION; SOAP OPERAS; ALL IN THE FAMILY [TV] (US, 1971-?); AVENGERS, THE [TV] (UK, 1961-69); BALL, LUCILLE; BERLE, MILTON; COLLINS, JOAN; FROST, DAVID; NIXON [RICHARD M.] ON TV; REAGAN RONALD; OLIVIER, LAURENCE; SCALES, PRUNELLA; BONANZA: THE NEXT GENERATION (US, Bill Claxton, 1988); BRIDESHEAD REVISITED (UK, Julian Jarrold, 2008); CHARLIE'S ANGELS [TV] (US, 1976-77?); CLARKE, ARTHUR C.; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DYNASTY [TV](AT, Tony Morphett, 1970); FORSYTE SAGA, THE [TV] (UK, 2002); GUNSMOKE [TV] (US, 1955-75); JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961); VIE SUR TERRE, LA (FR, Abderrahmare Sissako, 1998); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); OLYMPICS ON TV; ON THE BUSES (UK, Harry Booth, 1971); PRISONER [TV] (AT, 1979-86); ROCKFORD FILES, THE [TV] (US, 1974-80); ROOTS [TV] (US, 1977); SESAME STREET [TV] (US, 1969-); THORN BIRDS, THE [TV] (US, Daryl Duke, 1983); TODAY [TV] (AT, 1982-); UPSTAIRS, DOWNSTAIRS [TV] (UK, 1970-75); YOUNG AND THE RESTLESS, THE [TV] (US, 1973- )
Summary: This book examines the beginnings of television and the making of a televised history of the medium in all of its different manifestations, around the world, and look at a variety of programs from current affairs to comedy, documentaries, to dramas, in countries as different as Britain and Japan, or India and the United States The history is looked at from the perspective of the "Third Age of Broadcasting" - the rea of cable, video, direct broadcasting by satellite, teletext, viewdata and computers
Notes: Dust jacket title: Television a world history.; Based on a documentary series by Granada Television; Includes index
ISBN: 0712609296
Donation: donated by the family of Wayne Levy, 2006

Call No: N79THO MCC
Author: McCullough, Colleen
Source: AT
Place: Sydney
Publisher: Harper Row
PubDate: 1977
PhysDes: 525 p. ; 18 cm
Subject: THORN BIRDS, THE [TV] (US, Daryl Duke, 1983)
Notes: 13th impression 1983
ISBN: 0063120046
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THORN BIRDS, THE [TV] (US, Daryl Duke, 1983)

Author: Mauric, Adriana
PhysDes: Article; Credits; Illustration(s)
Subject: COMMERCIAL TELEVISION PRODUCTION FUND; DAY OF THE ROSES, THE [TV] (AT, Peter Fisk, 1998); WAY OF THE BIRDS, THE (AT, Sarah Watt, 1999); ODD SOX [TV] (AT, Ross Phillips, 1998)
Summary: List of approvals for funding from the Commercial Television Production Fund (CTPF) announced 27 January 1998.

Author: Silet, Charles L.P.
PhysDes: Serial
Subject: SCRIPTWRITING; SCRIPTWRITERS; FILMMAKING; HUNTER, EVAN; HITCHCOCK, ALFRED; BIRDS, THE (US, Alfred Hitchcock, 1963)
Summary: An interview with "The Birds" scriptwriter Evan Hunter on the process and working with Alfred Hitchcock.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YELLOW BIRDS, THE (US, Alexandre Moors, 2017)