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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991.
Call No: 81HIT SHAAuthor: Sharff, Stefan Place: New YorkPublisher: Columbia University PressPubDate: 1991PhysDes: vii, 258 p. : ill. ; 24 cmSubject: HITCHCOCK, ALFRED ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; FRENZY (US, Alfred Hitchcock, 1972) ; FAMILY PLOT (US, Alfred Hitchcock, 1976) ; LANGUAGE AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0231069146 (acid-free paper)LON: 7477298Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --
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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991.
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FRENZY : (US, Alfred Hitchcock, 1972)
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Frenzy / Arthur La Bern London: Pan Books, 1972.
Call No: N79FRE LAAuthor: La Bern, Arthur Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1972PhysDes: 191 p. ; 18 cmSubject: FRENZY (US, Alfred Hitchcock, 1972) Notes: Originally published as 'Goodbye Picadilly, farewell Leicester Square'.; London: W.H. Allen, 1966ISBN: 0330232053Donation: donated by the family of Wayne Levy, 2006
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Frenzy / Ian Cooper Leighton Buzzard: Auteur, [2018].
Call No: 79 FRE COOAuthor: Cooper, Ian Source: UKPlace: Leighton BuzzardPublisher: AuteurPubDate: [2018]PhysDes: 94 pages : illustrations ; 19 cmSeries: Devil's advocatesSubject: FRENZY (US, Alfred Hitchcock, 1972) ; HITCHCOCK, ALFRED Summary: "Frenzy is perhaps Hitchcock's most nakedly autobiographical film and one which represented both a comeback and farewell to the city of his birth. But it started out as a very different kind of project. In this Devil's Advocate, British horror expert Ian Cooper discusses the evolution of the film, its production, reception and place in Hitchcock's oeuvre, and its status as a key film of 'sleazy Seventies' British cinema, as well as reclaiming Hitchcock as a horror director." - taken from back cover.Notes: Includes bibliographical references.ISBN: 9781911325369Contents: Amuse-bouche -- The Starter -- Entree -- Main Course -- Last Supper -- Bibliography
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journal article
Hitch and unhitch in Lumiere (April, 1973) iss.22 p.26-27
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Hitchcock and adaptation : on the page and screen / edited by Mark Osteen Lanham, Maryland: Rowman & Littlefield, c2014.
Call No: 753HIT OSTAuthor: Osteen, Mark (editor) Source: UKPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: c2014PhysDes: xxxviii, 314 pages ; 24 cmSubject: ADAPTATIONS ; AUTHORSHIP ; AUTEUR THEORY ; HITCHCOCK, ALFRED ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; VERTIGO (US, Alfred Hitchcock, 1958) ; MARNIE (US, Alfred Hitchcock, 1964) ; FRENZY (US, Alfred Hitchcock, 1972) Summary: In Hitchcock and Adaptation: On the Page and Screen, Mark Osteen has assembled a wide-ranging collection of essays that explore how Hitchcock and his screenwriters transformed literary and theatrical source material into masterpieces of cinema. Some of these essays look at adaptations through a specific lens, such as queer aesthetics applied to Rope, Strangers on a Train, and Psycho, while others tackle the issue of Hitchcock as author, auteur, adaptor, and, for the first time, present Hitchcock as a literary source. Film adaptations discussed in this volume include The 39 Steps, Shadow of a Doubt, Lifeboat, Rear Window, Vertigo, Marnie, and Frenzy. Additional essays analyze Hitchcock-inspired works by W. G. Sebald, Don DeLillo, Bret Easton Ellis, and others.
These close examinations of Alfred Hitchcock and the creative process illuminate the significance of the material he turned to for inspiration, celebrate the men and women who helped bring his artistic vision from the printed word to the screen, and explore how the director has influenced contemporary writers. A fascinating look into an underexplored aspect of the director’s working methods, Hitchcock and Adaptation will be of interest to film scholars and fans of cinema’s most gifted auteur. -- Extract from the back of bookNotes: Includes filmography -- Includes bibliographical references, filmography and indexISBN: 9781442230873Contents: Part 1. Hitchcock and authorship. -- Thomas M. Leitch: Hitchcock the author --
Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm --
Patrick Faubert: the role and presence of authorship in Suspicion --
Part 2. Hitchcock adapting -- Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation --
Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness" --
Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train --
Heath A. Diehl: Reading Hitchcock/ reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho --
Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming --
Part 3. Hitching a ride: the collaborations -- Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-sce`ne -- Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat -- Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation --
Part 4. Adapting Hitchcock -- Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo -- Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen -- Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho -- David Seed: The culture of spectacle in American psycho.
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A Hitchcock reader / edited by Marshall Deutelbaum and Leland Poague Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2009.
Call No: 81HIT HITEdition: 2nd edSource: UK/USAPlace: Chichester, U.K. ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2009PhysDes: xxvii, 394 p. : ill. ; 25 cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MURDER (UK, Alfred Hitchcock, 1930) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; FRENZY (US, Alfred Hitchcock, 1972) ; PSYCHO (US, Alfred Hitchcock, 1960) Summary: "Alfred Hitchcock, the "Master of Suspense," has been internationally recognized as a technical and stylistic innovator in the history of cinema. A Hitchcock Reader grows out of the editors' desire as classroom teachers for a comprehensive and critical text in introductory or advanced courses devoted to the director's films. Yet the book should also satisfy scholars by providing an updated anthology representing the rich variety of critical responses that Hitchcock's films have evoked over the years." "This new edition of A Hitchcock Reader aims to preserve what has been so satisfying - and successful - in the first edition. This new edition, however, will update scholarship since publication of the first edition; offer entirely new editorial matter, including a general introduction to the volume; more visuals; and comprehensive bibliographies of suggested readings, references, and works cited."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9781405155564Contents: Preface -- Introduction -- Part One: Taking Hitchcock Seriously [Section Intro and Bibliography] -- 1. Hitch and His Public: Jean Douchet -- 2. Hitchcock's Imagery and Art: Maurice Yacowar -- 3. Retrospective: Robin Wood -- 4. Hitch as Matrix Figure: Hitchcock and Twentieth Century Cinema: John Orr -- Part Two: Hitchcock in Britain [Section Intro and Bibliography] -- 5. Hitchcock's The Lodger: Lesley Brill -- 6. Criticism and/as History:Rereading Blackmail -- Leland Poague -- 7. Alfred Hitchcock's Murder: Theater, Authorship, and the Presence of the Camera: William Rothman -- 8. Consolidation of a Classical Style: The Man Who Knew Too Much: Elizabeth Weis -- 9. Through a Woman's Eyes: Sexuality and Memory in The 39 Steps: Charles L. P. Silet -- 10. Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation: Patrice Petro -- Part Three: Hitchcock in Hollywood [Section Intro and Bibliography] -- 11. All in the Family: Alfred Hitchcock's Shadow of a Doubt: James McLaughlin -- 12. The Moral Universe of Hitchcock's Spellbound: Thomas Hyde -- 13. Notorious: Perversion par Excellence: Richard Abel -- 14. Strangers on a Train: Robin Wood -- Part Four: The Later Films [Section Intro and Bibliography] -- 15. Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism: Robert Stam and Roberta Pearson -- 16. Finding the Right Man in The Wrong Man: Marshall Deutelbaum -- 17. Male Desire, Male Anxiety: The Essential Hitchcock: Robin Wood -- 18. A Closer Look at Scopophilia: Mulvey, Hitchcock and Vertigo: Marian Keane -- 19. North by Northwest: Stanley Cavell -- 20. "Oh, I See ": The Birds and the Culmination of Hitchcock's Romantic Vision: John P. McCombes -- 21. Mark's Marnie: Michael Piso -- 22.The Queer Voice in Marnie: Lucretia Knapp -- 23. Rituals of Defilement: Frenzy: Tania Modleski -- Part Five: Hitchcock and Film Theory: A Psycho Dossier [Section Intro and Bibliography] -- 24. Psychosis, Neurosis, Perversion: Raymond Bellour -- 25. Psycho's Allegory of Seeing: Christopher Morris -- 26. On Being Norman: Performance and Inner Life in Hitchcock,s Psycho: Deborah Thomas -- Index.
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journal article
Hitchcock's moral "Frenzy" in the declining years (Winter-Spring 1980) vol.4 iss.1 p.59-69
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The strange case of Alfred Hitchcock : or the plain man's Hitchcock / Raymond Durgnat London: Faber and Faber, 1974.
Call No: 81HIT DURAuthor: Durgnat, Raymond Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 1974PhysDes: 419 p. ; 24 cmSubject: HITCHCOCK, ALFRED ; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925) ; MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; DOWNHILL (UK, Alfred Hitchcock, 1927) ; EASY VIRTUE (UK, Alfred Hitchcock, 1927) ; RING, THE (UK, Alfred Hitchcock, 1927) ; FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928) ; CHAMPAGNE (UK, Alfred Hitchcock, 1928) ; MANXMAN, THE (UK, Alfred Hitchcock, 1929) ; JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930) ; MURDER (UK, Alfred Hitchcock, 1930) ; SKIN GAME, THE (UK, Alfred Hitchcock, 1931) ; RICH AND STRANGE (UK, Alfred Hitchcock, 1932) ; NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932) ; LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933) ; WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; SECRET AGENT, THE (UK, Alfred Hitchcock, 1936) ; SABOTAGE (UK, Alfred Hitchcock, 1936) ; YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; JAMAICA INN (UK, Alfred Hitchcock, 1939) ; REBECCA (US, Alfred Hitchcock, 1940) ; FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940) ; MR. AND MRS. SMITH (US, Alfred Hitchcock, 1941) ; SUSPICION (US, Alfred Hitchcock, 1941) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; BON VOYAGE (UK, Alfred Hitchcock, 1944) ; AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; ROPE (US, Alfred Hitchcock, 1948) ; UNDER CAPRICORN (UK, Alfred Hitchcock, 1949) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955) ; MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; TORN CURTAIN (US, Alfred Hitchcock, 1966) ; TOPAZ (US, Alfred Hitchcock, 1969) ; FRENZY (US, Alfred Hitchcock, 1972) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ISBN: 0571099661
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The women who knew too much : Hitchcock and feminist theory / Tania Modleski New York: Methuen, 1988.
Call No: 81HIT MODAuthor: Modleski, Tania, 1949 Place: New YorkPublisher: MethuenPubDate: 1988PhysDes: 149 p., [16] p. of plates : ill. ; 23 cmSubject: HITCHCOCK, ALFRED ; FEMINISM AND THE CINEMA ; REBECCA (US, Alfred Hitchcock, 1940) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MURDER (UK, Alfred Hitchcock, 1930) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; VERTIGO (US, Alfred Hitchcock, 1958) ; FRENZY (US, Alfred Hitchcock, 1972) Notes: Includes index; Bibliography: p. [139]-145ISBN: 0416017118 (pbk.) : $10.95; 0416017010 (hard) : $25.00LON: 87015387; 5409834
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